Hrvat. film. ljeto., Zagreb / god. 4. (<strong>1998</strong>.), br. <strong>15</strong>, str. 109 do 124 Miki}, K. : Sa`eti pregled povijesti snimateljstva Fielding, Raymond, 1985., Technique of Special Effects Cinematography(4th edition), Oxford: Focal Press Fielding, Raymond, 1983., A Technological History of Motion Pictures, Berkley: University of California Press. Fitt, Brian, 1997., Lighting Tehnology: A Guide for the Entertainment Industry, Oxford: Focal Press Flügge, Johannes, 1995., Das photographische Objektiv, Wien: Springer Frantz, John Parris, 1994., Video Cinema: Techniques and Projects for Beginning Filmmakers, Chicago: Chicago Review Press Ganz, Thomas, 1994., Die Welt im Kasten: Von der Camera Obscura zur Audiovision, Zürich: Verlag Neue Züricher Zeitung Graham, Gerald G., 1989., Canadian Film Technology, 1896-1986 (Ontario Film Institute), Ontario: University of Delaware Press Granger, Pierre M., 1989., Die Optik in der Bildgestaltung, Würzburg: Vogel Hagemann, Peter A., 1980., Der 3-D-Film, München: Verlag Monika Nüchtern Hape, Bernard L., 1989., Dictionary of Image Technology, Oxford: Focal Press Hape, Bernard L., 1983., Your Film and the Lab, Oxford: Focal Press Hart, Douglas C., 1996., The Camera Assistant: A Complete Professional Handbook, Oxford: Focal Press Hayes, R. M., 1997., Trick Cinematography: The Oscar Special effects, Jefferson: McFarland Hayward, Philip, 1993., Future Visions: New Technologies of the Screen, London: British Film Institute Hentschel-Jürgen, Hans, 1982., Licht und Beleuchtung: Theorie und Praxis der Lichtechnik, 2. Auflage, Heidelberg: Verlag Hüthig Hershey, Fritz, 1996., Optics & Focus for Camera Assistants, Oxford: Focal Press Hines, William E., 1997., Operating Cinematography for Film and Video, London: Samuel French Trade Hirschfeld, Gerald; Tucker, Julia (ured.), 1992., Image Control: Motion Picture and Video Camera Filters and Lab Techniques, Oxford: Focal Press Kallenberger, H. Richard, Cvjetni~anin D., 1994., Film into Video, Boston, London: Focal Press Kalmus, Herbert T.; Kalmus Eleanor King., 1993., Mr. Technicolor, Absecon: MagicImage Filmbooks Konigsberg, Ira, 1987., The Complete Film Dictionary, New York: New American Library Koshofer, Gert, 1988., Color-Die Farben des Films, Berlin: Volker Spiess Krasilovsky, Alexis, 1997., Women behind the camera: Conversation with camerawomen, Westport: Praeger <strong>Hrvatski</strong> <strong>filmski</strong> <strong>ljetopis</strong> <strong>15</strong>/<strong>1998</strong>. Krautz, Alfred (ured.), 1982-1995., International Directory of Cinematographers, Set and Costume Designers in Film (1-13), München: Saur Kreimeir, Klaus (ured.), 1994., Die Metaphysik des Dekors, Raum, Architektur und Licht im klassischen deutschen Stummfilm, Marburg: Schüren Letourneau, Tom, 1996., Lighting Techniques for Video Production: The Art of Casting Shadows, Oxford: Focal Press Lowell, Ross, 1992., Matters of Light and Depth: Creating Memorable Images for Video, Film, and Stills Trough Lighting, ?: Broad Street Books Malkiewicz, Kris, 1992., Cinematography: A Guide for Film Makers and Film Teachers, New York: Simon & Schuster Malkiewicz, Kris; Gryboski, Barbara J.; Konopelski, Leonard, 1992., Film Lighting, New York: Simon & Schuster Mannoni, Laurent, Campagnoni, Donata Pesenti, Robinson, David, 1995., Light and Movement: Incunabula of the Motion Picture 1420-1896, Pordenone: Le Giornate del cinemamuto, Cinémathèque française, Musée du cinema/Museo nazionale del cinema Mascelli, Joseph, <strong>1998</strong>., The Five C’s of Cinematography: Motion Picture Filming Techniques?: Silman — James Press Mathias, H.; Patterson, R., 1985., Electronic Cinematography, Belmont, California: Wadsworth Inc. McAlister, Michael J., 1993., The Language of Visual Effects, Los Angeles: Lone Eagle Publishing Company McCandless, Barbara, 1995., New York to Hollywood: The Photography of Karl Struss, Fort Worth: Amon Carter Museum Mehnert, Hilmar, 1986., Das Bild in Film und Fernsehen, Leipzig: VEB Fotokinoverlag Merker, Martina, 1996., Das Urheberrecht des Chefkameramannes am Spielfilmwerk, Frankfurt: Lang Peter Millerson, Gerald, 1995., Lighting for Television and Film, Third Edition, Oxford: Focal Press Millerson, Gerald, 1994., Video Camera Techniques, Oxford: Focal Press Musser, Charles, 1995., Thomas A. Edison and His Kinetographic Motion Pictures, New Brunswick: Rutgers University Press Neale, Steve, 1985., Cinema and Technology: Image, Sound, Color, London: British Film Institute Nowotny, Robert A., 1983., The Way of All Flesh Tones — A History of Motion Picture Processes 1895-1929, London — New York: Garland Publishing Pecchia, David (ured.), 1991., Cinematographers, Production Designers, Costume Designers and Film Editors 123
124 Hrvat. film. ljeto., Zagreb / god. 4. (<strong>1998</strong>.), br. <strong>15</strong>, str. 109 do 124 Miki}, K. : Sa`eti pregled povijesti snimateljstva Guide (3rd edition), Los Angeles: Lone Eagle Publishing Company Petro, Patrice, 1995., Fugitive Images: From Photography to Video, Bloomington: Indiana University Press Pirandello, Luigi, 1986., Die Aufzeichnungen des Kameramanns Serafino Gubbio, Mindelheim: Sachon Prédal, René, 1985., La Photo de cinéma, Paris: 7éme Art Rainsberger, Todd, 1982., James Wong Howe, Cinematographer? Ray, Sidney F., 1992., Photographic Lens, Oxford: Focal Press Rogers, Pauline B., <strong>1998</strong>., Contemporary Cinematographers on Their Art, Oxford: Focal Press Ryan, Rod (ured.), 1993., American Cinematographer Manual, 7th Edition, Hollywood: ASC Press Salt, Barry, 1992., Film Style and Tehnology — History and Analysis, London: Starword Samuelson, David W., 1984., Motion Picture Camera Techniques. Oxford: Focal Press Samuelson, David W., 1996., Panaflex User’ s Manual, Oxford: Focal Press Samuelson, David W., <strong>1998</strong>., The »Hands On« Manual for Cinematographers, Oxford: Focal Press Samuelson, David W., 1987., Motion Picture Camera and Lighting Equipment, Oxford: Focal Press Schaefer, Denis; Salvato, Larry, 1984., Masters of Light, Berkley-Los Angeles-London: University of California Press Schaefer, Dennis, 1986., Masters of Light. Conversations with Contemporary Cinematographers, Berkeley: University of California Press Scott, Eyman, 1987., Five American Cinematographers: Inrterviews with Karl Struss, Joseph Ruttenberg, James Wong Howe, Linwood Dunn and William H. Clothier, Metuchen: Scarecrow Press <strong>Hrvatski</strong> <strong>filmski</strong> <strong>ljetopis</strong> <strong>15</strong>/<strong>1998</strong>. Seeber, Guido, 1980., Arbeits — Gerät und Arbeits — Stätten des Kameramannes, Frankfurt: Deutsches Filmmuseum (reprint teksta iz 1928. godine) Segeberg, Harro (ured.), 1996., Die Mobilisierung des Sehens, München: Fink Smith, Thomas G., 1991., Industrial Light and Magic. The Art of Special Effects, New York: Ballantine, 1991. Souto, H. Mario Raimondo, 1982., The Technique of the Motion Picture Camera (4th edition), Oxford: Focal Press Sterling, Anna Kate (uredila), 1987., Cinematographers on the Art and Craft of Cinematography?: Scarecrow Press Tanhofer, Nikola, 1981., Filmska fotografija, Zagreb: Filmoteka 16 Toulet, Émmanuelle, 1988., Cinématographe, invention du siecle, Paris: Découvertes Gallimard & Réunion des musées nationaux Uva, Michael G., 1997., Grip book, Boston: Focal Press Viera, John David, 1992., Lighting for Film and Electronic Cinematography, London: Wandsworth Pub. Co Von Mark Cotta Vaz; Rose, Patricia, 1996., Industrial Light&Magic: Into the Digital Realm, London: Del Rey Ward, Peter, 1997., Multi-Camera Camerawork, Oxford: Focal Press Ward, Peter, 1996., Picture Composition for Film and Television, Oxford: Focal Press Webers, Johanes, 1993., Handbuch der Film- und Videotechnik: die Aufnahme, Speicherung, Bearbeitung und Wiedergabe der audio- visueller Programme, 4. Auflage, München: Franzis- Verlag Winston, Brian, 1996., Technologies Of Seeing: Photography, Cinematography And Television, Bloomington: Indiana Univerisity Press
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DU[AN VUKOTI] (1927.-1998.) Crtani
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PULA ’98 Janko Heidl Dometi Festi
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OGLEDI IZ NOSTALGIJE UDK: 791.43(49
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IDEOLOGIJA PORICANJA Prvi primjerci
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KULTURNA POLITIKA Obrazlo`enje Osni
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KULTURNA POLITIKA Jo{ko Maru{i} Stu
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LJETOPISOV LJETOPIS Vjekoslav Majce
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Umrli Hrvat. film. ljeto., Zagreb /
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FESTIVALI/PRIREDBE Jurica Pavi~i} T
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him whining submissively for her. T