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Monografija - prvo izdanje - niska rezolucija

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tivity of the Virgin and Presentation of the Virgin Mary in the<br />

Temple, are especially important. During the same period, in the<br />

middle of the second decade of the 14 th century, the Church of<br />

Saint Nikita in Čučer was built. It was painted by fresco painters<br />

Mihailo Astrapa and Evtihije. Chronologically, King Milutin’s next<br />

endowment was the Church of Saint George in Staro Nagoričino.<br />

It contains a large number of fresco cycles depicting the Liturgical<br />

Feasts, Christ’s Passion, His Miracles and Public Ministry, the<br />

Menologhion, the cycle about the life of Saint George, as well<br />

as others. The painters Mihailo and Evtihije were in charge of<br />

a painter’s studio that functioned within the court of King Milutin<br />

and was in turn responsible for painting many of his endowments.<br />

After painting the church in Staro Nagoričino the painters<br />

moved to Gračanica, Milutin’s final endowment.<br />

Many consider the church in Gračanica Serbia’s most beautiful<br />

medieval church. In the past it was dedicated to the Annunciation<br />

but today it stands as a dedication to the Dormition of the<br />

Virgin Mary. The pyramid-like silhouette crowned with a tall main<br />

dome draws out the verticality of the building. Inspired by Jesse’s<br />

Family Tree, a similar composition was painted for the first time in<br />

Serbian art, this time of the Nemanjić Family Tree. The portraits of<br />

the founder in old age and his young wife Simonida, “a porphyry<br />

born lady”, are of special significance as well.<br />

King Milutin completely renovated the main church or<br />

katholicon of the monastery of Hilandar on Mount Athos. At the<br />

same time, work on fortifying the monastery was completed, as<br />

well as construction of the Hrusija Pirg (“pyrgoi” in Greek means<br />

towers) with a Chapel of the Holy Saviour. Due to Milutin’s endeavours,<br />

the wealth of the monastery was significantly enlarged.<br />

Following the model of the older churches on Mount Athos, specifically<br />

those in Lavra, Ivrion and Vatopediou, the main church<br />

in Hilandar has a cruciform floor plan, with a tripartite sanctuary<br />

and two apses added to the sides of the nave.<br />

Differing from his previous endowments, King Milutin had<br />

his mausoleum, the Church of Saint Stefan in Banjska, modelled<br />

after the Church of Theotokos in Studenica, the mausoleum<br />

church for the founder of the Nemanjić dynasty.<br />

Master builders and craftsmen came from around the Adriatic<br />

coast areas. The church of St. Stefan is a single nave church<br />

with a dome, tripartite sanctuary on the east side, high choir bays<br />

138<br />

Детаљи са фасаде манастира Каленић<br />

Details of the façade, Kalenić Monastery<br />

and a narthex flanked by towers. The facades were covered with<br />

marble blocks in three different colours and were embellished with

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