Peter Marolt2oo5 / 1 ARSlika 1:Prostorska likovna kompozicija.Spatial artistic composition.Slika 2:Kompozicija v prostoru.Composition in space.Slika 3:Likovna kompozicija na ploskvi.Artistic composition on a plane.Slika 4:Vizualno teišèe ni nujno identièno s fiziènimteišèem.Visual centre of gravity is not necessarily identical tothe physical centre of gravity.Slika 5:70Oblika in vsebina. Model meditativne kapele.Form and content. Model of a meditative chapel.Slika 6:Vir slik:Svetloba kot eden bistvenih elementov oblikovanjaprostora.Light as one of the essential elements of spatialdesign.Marolt, P., 2004: Pomen likovnosti <strong>za</strong> arhitekturni prostor.(doktorska disertacija) Univer<strong>za</strong> v <strong>Ljubljani</strong>, <strong>Fakulteta</strong><strong>za</strong> <strong>arhitekturo</strong>.
AR 2oo5 / 1Peter MaroltLIKOVNI PROSTOR IN ARHITEKTURAKOT KOMPLEKSNA CELOTAARTISTIC SPACE AND ARCHITECTUREAS A COMPLEX ENTITYraziskava, researchpovzetekRaziskava potrjuje smiselnost primerjave širšega likovnegasveta z umetnostjo oblikovanja prostora, s èimer posrednodokazuje tudi likovno komponento kot soustvarjalcaarhitekturnega prostora. Arhitektura je namreè znanost, pa tudivešèina kako nekaj narediti po nekih pravilih, "ars" oziroma"tehne". Predstavlja kompleksno celoto, katere cilj jemnogoplasten. Pojavlja se na razliènih nivojih, vse do nivojadrube in civili<strong>za</strong>cije.Arhitekturni prostor naj bi bil oblikovan v in po meriluèloveka. Kvalitetno stavbarstvo naj bi oznaèevala red inurejenost. Kadar arhitektura ni takšna, lahko slui le kot primerkakšna ne bi smela biti. "Lepoto" opredeljuje skladnostelementov, oblikovanje naj bi bilo usklajeno z namenom, pa tudiz vsebino arhitekturnega prostora. Namembnost se pri temnavezuje tudi na pravilno izbrano konstrukcijo, ki je kot taka esama <strong>za</strong>se estetska in predmet obèudovanja.summaryThe research confirms the sensibility of comparing thebroader artistic field with the art of spatial design, wherebyindirect confirmation is given to the artistic component of the cocreationof architectural space. Architecture is in fact a science,but also skill of creating something by certain rules "ars" and"tehne". It is a complex entity with a many-layered goal. Itappears at various levels, all the way to society and civilisation.Architectural space should be designed in and for the humanscale. Quality building should be marked by order andorderliness. When architecture isn't like that, it can only serve asan example of what it shouldn't be. "Beauty" is defined asharmony of elements, while design should be aligned to purpose,as well as content of the architectural space. Utility therebyconnects to correct choice of structure, which is for such simplereason aesthetical and the object of admiration.doseeni cilji, namen in rezultatiArhitektura je konkretna in abstraktna hkrati. Raziskavadokazuje, da likovno mišljenje kot nepredmetna oblika mišljenjanudi širše izhodišèe dokonènemu izoblikovanju prostora, sajpoleg tega, da omogoèa konkretne produkte, navaja tudi nakompleksnejši razmislek. Raziskovanje oblike - likovnoraziskovanje je nujni pogoj in pomemben èlen v snovanjukvalitetnega arhitekturnega prostora, saj omogoèa, da ustvarjalecpravilno oblikuje in uskladi celoto.intentions, goals and resultsArchitecture is simultaneously real and abstract. Theresearch proves that " artistic thought ", as an immaterial form ofthought, offers a wider starting position for definite design ofspace, since besides ensuring real products, it also guidestowards complex consideration. Research of form, artisticresearch, is the essential condition and important link in theconceptualisation of architectural space, since it enables thecreator to correctly design and harmonise the whole.problematika v arhitekturi, umestitevobravnavane teme v te tokove in njen pomenUporabnost arhitekture izvira iz praznine, ki jo omejujearhitekturni ovoj. V splošnem jo opredeljuje niz soodvisnih,nasprotno predznaèenih elementov dvojic, ki jih skozi procesizoblikovanja arhitekturnega prostora poizkušamo uravnoteiti.Kvalitetna arhitektura temelji na ravnovesju, redu, harmoniji.Gradi jo v<strong>za</strong>jemni odnos med razumom in intuicijo, <strong>za</strong>mislijo inmaterialno obliko, formo in uporabnostjo, konstrukcijo in<strong>za</strong>mislijo o prostoru, umetnostjo in inenirstvom, pojmovnoobliko in tehniko oziroma tehnologijo, ekonomiènostjo in"lepoto"... Oblikovalec prostora, ki se spoprijema znamembnostjo, se s tem loti tudi (likovnega) oblikovanja.V svojinajboljši obliki, skozi proces, oziroma s pomoèjo procesapreoblikovanja stvarnosti, naj bi arhitektura celo ponudila novomonost bivanja in tako tudi dejansko omogoèala tako fizièno,predvsem pa duhovno preivetje èloveka.architectural issues, positioning the topicin ongoing debate and its’ significanceThe utility of architecture stems from the void, limited by anarchitectural envelope. In general it is defined by a series ofinterdependent, inversely marked pairs, which we try to balanceby the process of designing architectural space. Qualityarchitecture is based on balance, order, harmony. It grows fromthe mutual relation between intellect and intuition, idea andmaterial form, form and utility, structure and idea about space,art and engineering, abstract form and technique or technology,economics and "beauty"… A spatial designer, when challengedby utility, simultaneously undertakes (artistic) design. In its bestform, by the process or aided by the process of transformation ofreality, architecture should offer new possibilities of existenceand thus also enable physical but above all spiritual survival ofhumanity.kljuène besedearhitekturni prostor, likovnost, oblikovanje, komponentearhitekture, pojmovno mišljenje, ravnovesjekey wordsarchitectural space, artistic character, design, architecturalcomponents, conceptual thought, balance71
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