Hrvatski filmski ljetopis, broj 26 (2001) - Hrvatski filmski savez
Hrvatski filmski ljetopis, broj 26 (2001) - Hrvatski filmski savez
Hrvatski filmski ljetopis, broj 26 (2001) - Hrvatski filmski savez
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Hrvat. film. ljeto, Zagreb / god 7 (<strong>2001</strong>), br. <strong>26</strong>, str. 70 do 78 Majcen V.: Kronika<br />
Europske filmske {kole predstavljene su s 18 filmova iz Bosne<br />
i Hercegovine, Hrvatske, Danske, Estonije, Finske,<br />
Njema~ke, Italije, Latvije, Norve{ke, Srbije, Slovenije i<br />
[vedske.<br />
U posebnim programima prikazan je program {portskih<br />
filmova (The last Yugoslav football team Vuka Janjica i<br />
Bashkim Vadima Jendreyka), te posebne projekcije filmova<br />
Croatia 2000: a winter to remember (Rajko Grlic, Igor<br />
Mirkovic) i The making of the revolution (Katarina Rejger,<br />
Eric van den Broek).<br />
U posebnim programima odr`ane su tri retrospektive hrvatskih<br />
dokumentarnih filmova s pregledom najzna~ajnijih<br />
ostvarenja hrvatske dokumentaristike u razdoblju od<br />
1933. do kraja 20. stolje}a.<br />
U tom programu odr`ana je i retrospektiva Akademje<br />
dramske umjetnosti iz Zagreba, te predstavljena produkcija<br />
Factuma (Bag D. Matani}a, T. Rukavine i S. Tomi}a,<br />
Oluja nad krajinom B. Kne`evi}a, Godine hr|e A. Korovljev)<br />
i Hrvatskog filmskog <strong>savez</strong>a (s eksperimentalnim filmovima<br />
Glen Miller 2000 Tomislava Gotovca, Endart Ladislava<br />
Galete i Nigredo Zdravka Musta}a.<br />
Gosti festivala na okruglim stolovima i u dokumentaristi~kim<br />
radionicama bili su Paul Pauwels, (Periscope Productions,<br />
Belgija), Hillie Molenaar (redatelj, Nizozemska), Claas<br />
Danielsen (redatelj, Njema~ka), Stefano Tealdi (producent),<br />
Nenad Puhovski (redatelj i producent, Hrvatska),<br />
Sonja Vesterholt (redatelj i producent, Danska).<br />
FILMOGRAFIJA Dubrovnika:<br />
The SEE competition<br />
24 HRS IN THE VILLAGE (Gr~ka, Angelike Contis)<br />
ACROPOLIS (Gr~ka, Eva Stefani)<br />
BELGRADE SOUNDS (Srbija, collective work)<br />
CHILDREN — KOSOVO 2000 (Ma|arska, Ferenc Moldovanyi)<br />
COMRADES (Makedonija, Mitko Panov)<br />
DOCUMENTARY MOSAIQUE (Kosovo, Eugen Saracini)<br />
FREE SPACE (Hrvatska, Damir Cucic)<br />
I KNOW HOW (Crna Gora, Momir Matovic)<br />
JONUC AND THE BEGGAR MOB (Ma|arska, Andras Salomon)<br />
JOY OF LIFE (Makedonija, Svetozar Ristovski)<br />
JURIC: FORTRESS 1999 (Hrvatska, Zvonimir Juric)<br />
LOVE, VOW (Srbija, Vladimir Perovic)<br />
MOSTAR SEVDAH REUNION (Bosna i Hercegovina, Pjer Zalica)<br />
NASTASIA (Srbija, Zeljko Mirkovic and Boban Rajkovic)<br />
OF COWS AND MEN (Hrvatska, Zrinka Matijevic and Nebojsa<br />
Slijepcevic)<br />
ON THE ROAD (Rumunjska, Dimitru Budrala)<br />
SOC. COM (Srbija, Bob Milosevic)<br />
SURVIVED ’N’ LIVED THROUGH ONE MORE DAY (Bosna i<br />
Hercegovina, Alma Becirovic)<br />
<strong>Hrvatski</strong> <strong>filmski</strong> <strong>ljetopis</strong> <strong>26</strong>/<strong>2001</strong>.<br />
TEMPTATIONS (Crna Gora, Nada Rahovic)<br />
THE BOY WHO RUSHED (Hrvatska, Biljana Cakic Veselic)<br />
THE COUNTER (Hrvatska, Drazen Zarkovic)<br />
THE DEAD ARE DEADLY — ANATOMY OF PAIN (Srbija, Janko<br />
Baljak)<br />
THE END OF THE VENDETTA (Albanija, Saimir Kumbaro)<br />
THE SCHOOL (Gr~ka, Marianna Economou)<br />
THE SENTENCE — THE ACCUSATION (Bugarska, Anna Petkova)<br />
THE SLIDES OF TIME (Slovenija, Zemira Alajbegovic and Neven<br />
Korda)<br />
THE UNWANTED (Bugarska, Adela Peeva)<br />
TITO (Slovenija, Janja Glogovac)<br />
The Balticum competition<br />
A JOURNEY BACK TO YOUTH (Rusija, Alexander Goutman)<br />
A MINISTER BACKTRACKS (Danska, Ulrik Holmstrup)<br />
A PERSON IS MISSING (Estonija, Urmas E. Liiv)<br />
ALONE (Latvija, Audrius Stonis)<br />
AN ACT (Latvija, Janina Lapinskaite)<br />
BEFORE THE FLOOD (Finska, Mika Ronkainen)<br />
FREE VAWE / 48 HORS BEFORE THE DOOMSDAY (Latvija,<br />
Audrius Juzenas)<br />
IN SEARCH OF OUR PAST (Latvija, Algizdas Tarvydas)<br />
IN THE MOUNTAINS WITH YOU (Rusija, Anna Sarantseva)<br />
INSIDE THE PEDOPHILE NETWORK (Danska, Henrik Grunnet)<br />
ITINERARY BUS (Latvija, Leonid Glushayev)<br />
LIBERTY LIVE (Latvija, Romualds Pipars)<br />
ONCE THERE WAS A WILD WATER SPRITE (Njema~ka, Claudia<br />
von Alleman)<br />
SHOCKING TRUTH ([vedska, Alexa Wolf)<br />
SUCH IS MY KARMA (Poljska, Grzegorz Pacek)<br />
SWEDISH TANGO ([vedska, Jerzy Sladkowski)<br />
THE BRIGADE (Estonija, Liivo Niglas)<br />
THE CRUISE — RULES AND RITUALS (Finska, Pia Andell)<br />
THE HOUSES ON THE ROADSIDE (Latvija, Aija Bley)<br />
THE NEW YEAR AND THE END OF THE CENTURY (Rusija,<br />
Vjacheslav Vinogradov)<br />
THE STORY OF LEOKADIA J. (Poljska, Gregorz Skurski)<br />
THE TRAVELING JOURNEYMEN (Dorte Servé)<br />
THE WAY MY UNCLES LIVED (Poljska, Krzysztof Magowski)<br />
THREE OUNCES AWAY FROM GOLD (Poljska, Barbara Pawlowska)<br />
The European Filmschool competition<br />
ALMOST THERE ([vedska, Cecilia Torquato)<br />
AND NEVER SAMBA WILL BE TOO MUCH FOR ME (Latvija,<br />
Arnas Grotuzas)<br />
BOTTLEPHONE (Slovenija, Igor Gajic)<br />
77
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