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kazali?te 37/38 - HC ITI

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same flat screen of the compu<strong>te</strong>r. My compu<strong>te</strong>r is having THAToption that is called, well I don t know how is called thatoption, but when you press it, all windows opened couldappear at the same time. The windows could be put in the firstplan, second plan or together one with another. That’s myfavouri<strong>te</strong> shift. It’s called f3 I think. xPPetra Zanki Aug/13/08 1:31 PMAnn we really have a problemI want to work on our European where we come from and how does itreflects thingThe In<strong>te</strong>rnet.glamourtrish Aug/13/08 1:32 PMDo you think it’s impossible?Petra Zanki Aug/13/08 1:32 PMI don t believe in that we are all the same and I don’t believe 70%what we have writ<strong>te</strong>n about netNo I don t I think it s very possible and compatible but we have tofind this tiny space in between and to set it up goodglamourtrish Aug/13/08 1:35 PMWhen the In<strong>te</strong>rnet came out, it was proposed to make all even, on aglobal level.Petra Zanki Aug/13/08 1:35 PMBecause this is what we experienced once coming together and it strue. No one wants to say it loud today but there are differences...theyare all instructing us how we live global, give us bribes (in<strong>te</strong>rnet connection,social platforms, tv) but when we want to work together orcome together to work then it s not possible.or, it s not possible foryou to travel to italy because you are not balcans...glamourtrish Aug/13/08 1:35 PMBut then the question is what is happening with our cultural backgroundAre we really all the same? This could be part of our research(…)Petra Zanki Aug/13/08 1:35 PMyes ..But somehow I think we have not to say it but to come to that pointtrough the researchSo we have in<strong>te</strong>rnet+global+local+identity+thea<strong>te</strong>rHow to connect these 5 together in a good way...In<strong>te</strong>rnet+thea<strong>te</strong>rglobal+localidentity+in<strong>te</strong>rnetglamourtrish Aug/13/08 1:<strong>37</strong> PMI think we need to stress one or the otherPetra Zanki Aug/13/08 1:<strong>37</strong> PMthea<strong>te</strong>r+global..?glamourtrish Aug/13/08 1:<strong>38</strong> PMJ)) basically everything is always connec<strong>te</strong>dbut we can draw at<strong>te</strong>ntion to specific pointsPetra Zanki Aug/13/08 1:<strong>38</strong> PMyesglamourtrish Aug/13/08 1:39 PMelena actually said that your <strong>te</strong>xt you send yes<strong>te</strong>rday was emptyPetra Zanki Aug/13/08 1:39 PMEmpty? this shitty restaurant job...once i finish with that i ll work 24h on us.... well, ok.. sorry..should be more careful next time. I’m sendingyou new version just now.hello dear I think there is a bit toomuch messiness in the theme. we wri<strong>te</strong> alot of different aspects in differentplaces. it should be one clear thing.is it identity in www society or is itthe artist and his work in www society?we should try to be very concise andclear, too many aspects make it lesscredible and serious. xxxKGirls, i got a negative reply for fundingfrom aventis foundation for PAF.And a negative reply from the residencyproposal for Ho<strong>te</strong>l Maria Kapel inHolland. I am still trying to mix allthe old concepts into a new one. howwas your show in Italy? did you twohave a nice time? When shall we talk? Iam at home hopefully on Saturdayevening and Sunday day. Or is it enoughto keep in touch via e-mail for now?How are your thoughts on December?Croatia? and did you talk to each otheryet? Love, aToday, being nomadic performance makers working on in<strong>te</strong>rnationalcollaboration projects, the In<strong>te</strong>rnet is our only s<strong>te</strong>adypoint of reference, a common home and regular working place.Through an aesthetic appropriation of the theatricality of newmedia (e.g. the visual dramaturgy on screen or the performativityof language in online-chats) we will explore new ways ofartistic expression on a performative level. In particular theperformance project focuses on three elements: (artistic)work, self, the other. XaXpXkDear Anna Hertling,We would like to thank you for your application of1 Sep<strong>te</strong>mber 2008, in which you request supportfrom the European Cultural Foundation for yourproject Sorry-S<strong>te</strong>reo Unplugged. We have readyour proposal for an artistic grant with great in<strong>te</strong>restbut unfortuna<strong>te</strong>ly we are not able to fund yourproject. We encourage you to keep usingwww.rhiz.eu as a networking and showcasing toolto make yourself noticed within the arts and culturesector across Europe and particularly withinthe ECF network: show your work and ideas, findopportunities and po<strong>te</strong>ntial partners for your projects,and share your travel impressions with agrowing community of like-minded people.With kind regards,Grants AdministratorWeird phrases in grammar of different languages.Technical disruptions. Minor and major misunderstandingsdue to shor<strong>te</strong>ning phrases and mixing of virtual andphysical space. Distraction. Made up phrases that becomeinsiders. Being disconnec<strong>te</strong>d in many ways. Trying to turnphysicality into language to get at<strong>te</strong>ntion. Wrongcopy/pas<strong>te</strong>. Unclear abbreviations.Dears, on the weekend I met a theatreprogrammer who said: if you want me tobook your company remember these things:122 I KAZALIŠTE <strong>37</strong>I<strong>38</strong>_2009123

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