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ÌÎÂÀ ¹ 15<br />
1. Áîãà÷èíñêàÿ È. Ðåïîðòàæ èç ïàðàëëåëüíîãî ìèðà. Ñòèõè, ýññå, ïîýòè÷åñêèå ïîñâÿùåíèÿ àâòîðó, îòçûâû, ïèñüìà. —<br />
Íüþ-Éîðê — Ì.: Peace-Maker Translation & Publishing, 2007. — 405 ñ.<br />
2. Ãóêîâà Ë. Í., Ôîìèíà Ë. Ô. Ñåìàíòèêà è ñòðóêòóðà òîïîíèìè÷åñêîé ïåðèôðàçû // Ìîâà. Íàóêîâî-òåîðåòè÷íèé ÷àñîïèñ<br />
ç ìîâîçíàâñòâà. — Îäåñà: Àñòðîïðèíò, 2006. — ¹11. — Ñ. 253–262.<br />
3. Äóáðîâñêàÿ È. À. Ïîä çíàêîì ñòèõèè. Ñòèõîòâîðåíèÿ è ïîýìû. — Ìîñêâà: P.S., 1991. — 200 ñ.<br />
4. Äóáðîâñêàÿ È. À. Ñòðàíà äóøè. Ñòèõîòâîðåíèÿ. — Îäåññà, 1996. — 132 ñ.<br />
5. Êàðïåíêî Î. Þ. Ïðîáëåìàòèêà êîãí³òèâíî¿ îíîìàñòèêè: Ìîíîãðàô³ÿ. — Îäåñà: Àñòðîïðèíò, 2006. — 325 ñ.<br />
6. Êîæèíîâ Â. Â. Æàíð // Ëèòåðàòóðíûé ýíöèêëîïåäè÷åñêèé ñëîâàðü (Ïîä îáù. ðåä. Â. Ì. Êîæåâíèêîâà, Ï. À. Íèêîëàåâà.<br />
Ðåäêîë.: Ë. Ã. Àíäðååâ, Í. È. Áàëàøîâ, À. Ã. Áî÷àðîâ è äð.) — Ì.: Ñîâ. ýíöèêëîïåäèÿ, 1987. — Ñ.106–107.<br />
7. Ðÿä÷åíêî È. È. Âëþáë¸ííûé âåòåð. Ëèðèêà. — Îäåññà: Ìàÿê, 1978. — 159 ñ.<br />
8. Ñòåïàíîâ ª. Ì. Ðîñ³éñüêå ìîâëåííÿ Îäåñè: Ìîíîãðàô³ÿ. — Îäåñà: Àñòðîïðèíò, 2004. — 496 ñ.<br />
9. Øâåäîâà Í. Þ. Î÷åðêè ïî ñèíòàêñèñó ðóññêîé ðàçãîâîðíîé ðå÷è / ÀÍ ÑÑÑÐ, Èí-ò ðóññêîãî ÿçûêà. — Ì.: Èçä-âî ÀÍ<br />
ÑÑÑÐ, 1960. — 377 ñ.<br />
10. ßðîøåâñêèé Å. Îäåññà. Ýêîëîãè÷åñêèé ýòþä // Äåðèáàñîâñêàÿ — Ðèøåëüåâñêàÿ: Îäåññêèé àëüìàíàõ / Âñåìèðíûé<br />
êëóá îäåññèòîâ: Ñîñò.: Ô. Ä. Êîõðèõò, Å. Ì. Ãîëóáîâñêèé, Î. È. Ãóáàðü. — Îäåññà: Ïå÷àòíûé äîì, 2007. — Êí. 29. —<br />
Ñ. 162–163.<br />
L. À. Romanets<br />
PECULIARITIES OF ‘ODESSA’ CONCEPT IN POETRY OF DIFFERENT GENRES<br />
The article is devoted to definition of a verbal embodiment and realization of "Odessa" concept in different genres<br />
of Russian poetry. The author analyses some means of linguistic representation of the toponimic "Odessa" concept.<br />
Key words: toponymical concept, poetry, lyrics, genre, language means, Odessa.<br />
Ë. Î. Ðîìàíåöü<br />
ÎÑÎÁËÈÂÎÑÒ² ÂÈÐÀÆÅÍÍß ÊÎÍÖÅÏÒÓ ‘ÎÄÅÑÀ’ Ó ÏÎÅÒÈ×ÍÈÕ ÒÂÎÐÀÕ<br />
вÇÍÈÕ ÆÀÍвÂ<br />
Ñòàòòÿ ïðèñâÿ÷åíà âèçíà÷åííþ îñîáëèâîñòåé âåðáàëüíîãî âò³ëåííÿ ³ ðåàë³çàö³¿ êîíöåïòó ‘Îäåñà’ â ðîñ³éñüêèõ<br />
ïîåòè÷íèõ òåêñòàõ ð³çíèõ æàíð³â. Çðîáëåíî ñïðîáó ïîäàòè äåÿê³ çàñîáè ìîâíî¿ îá’ºêòèâàö³¿ òîïîí³ì³÷íîãî<br />
êîíöåïòó ‘Îäåñà’ â ðîñ³éñüê³é ë³ðèö³.<br />
Êëþ÷îâ³ ñëîâà: òîïîí³ì³÷íèé êîíöåïò, ïîåç³ÿ, ë³ðèêà, æàíð, ìîâí³ çàñîáè, Îäåñà.<br />
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