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ÌÎÂÀ ¹ 15
Èìåííî ïîýçèè êàê îñîáîé ñòèõèè ïðèíàäëåæèò ãëàâíàÿ ðîëü â ïðåîáðàæåíèè æèçíè, â ïîáåäå
íàä “íåñ÷àñòüÿìè è îáèäàìè” [1: 62]:
...Îòìåíÿåò ñèðåíü íåóäà÷ó
È äîñàäó, çàâåñîé âèñÿ.
Òîëüêî ýòó æèâóþ çàäà÷ó
È ðåøàåò ïîýçèÿ âñÿ! [1: 35]
 êíèãå ñòèõîâ 2008 ãîäà “Îáëàêà âûáèðàþò àíàïåñò” À. Ñ. Êóøíåð, îñòàâàÿñü âåðåí ìíîãèì
âàæíûì îñîáåííîñòÿì ñâîåé ïîýòèêè è îñíîâíûì òåìàì ñâîåé ëèðèêè, ñòàâèò çàäà÷ó ðàñêðûòü
â ðàìêàõ îòäåëüíîãî ñáîðíèêà òåìó çåìíîé æèçíè ÷åëîâåêà êàê ãëàâíîãî ïðåäìåòà ïîýòè÷åñêîãî
òâîð÷åñòâà, òåìó, êîòîðàÿ â ñòðóêòóðå ñîäåðæàíèÿ êíèãè ñòèõîâ êàê åäèíîãî ñâåðõòåêñòà ìîæåò
áûòü îïèñàíà êàê åäèíûé êîíöåïò, îòðàæàþùèé âàæíóþ ñîñòàâëÿþùóþ àâòîðñêîé ôèëîñîôèè
ïîýòè÷åñêîãî òâîð÷åñòâà.
1. Êóøíåð À. Ñ. Îáëàêà âûáèðàþò àíàïåñò. — Ì.: Ìèð ýíöèêëîïåäèé Àâàíòà+, Àñòðåëü, 2008. — 95 [1] c. (Ïîýòè÷åñêàÿ
áèáëèîòåêà).
2. Êóøíåð À. Ñ. Òàâðè÷åñêèé ñàä: Èçáðàííîå. — Ì.: Âðåìÿ, 2008. — 528 ñ. (Ïîýòè÷åñêàÿ áèáëèîòåêà).
3. Êóøíåð À. Êíèãà ñòèõîâ / Âîëíà è êàìåíü: Ñòèõè è ïðîçà. — Ñ. Ïá.: Logos, 2003. — Ñ. 30–41.
4. Êóøíåð À. “Ñ Ãîìåðîì äîëãî òû áåñåäîâàë îäèí...” / Òàì æå. — Ñ. 646–678.
5. Êóøíåð À. Ñ. Íàçâàíèå äëÿ êíèãè / Òàì æå. — Ñ. 686–689.
6. Ðîäíÿíñêàÿ È. Îïûò ñëîâàðíîé ñòàòüè îá Àëåêñàíäðå Êóøíåðå // Ëèòåðàòóðíàÿ ó÷åáà. — 1997. — ¹4. — Ñ. 24–28.
Ñëîâàðè
ÁÀÑ — Ñëîâàðü ñîâðåìåííîãî ðóññêîãî ëèòåðàòóðíîãî ÿçûêà. Ò.1–17. Ì. — Ë.: Èçä. ÀÍ ÑÑÑÐ, 1955. Ò.4. Æ-ç
Ñëîâàðü Óøàêîâà — Òîëêîâûé ñëîâàðü ðóññêîãî ÿçûêà:  4-[ ò./ Ïîä ðåä. Ä. Í. Óøàêîâà. — Ì.: Âå÷å, Ìèð êíèãè,
2001. — Ò.1
A. N. Vytushniak
THE REALIZATION OF THE CONCEPT ‘LIFE’ IN THE BOOK OF VERSE BY
A. S. KUSHNER ‘CLOUDS ARE CHOOSING THE ANAPAEST’
The book of verse ‘Clouds are choosing the anapaest’ reflects an important part of the A. S. Kushner’s philosophy
of poetry, that is understanding of poetry as a unique elemental force that, on the one side, is capable of reflecting
all the variety of the observed reality and, on the other side, transforming this reality. The author treats the topic of
earthly life of man as the main subject of poetry. This topic is analyzed in the article as a concept that plays a major
role in the book’s meaning structure. The article deals with the structure of the named concept and its main representations
in the book of verse.
Key words: a book of verse as a genre, the structure of the concept ‘life’, conceptual attributes, motive realizations,
the representations of the concept.
Î. Ì. Âèòóøíÿê
ÐÅÀ˲ÇÀÖ²ß ÊÎÍÖÅÏÒÓ “ÆÈÒÒß” Ó ÊÍÈDz ²Ðز Î. Ñ. ÊÓØÍÅÐÀ “ÎÁËÀÊÀ
ÂÛÁÈÐÀÞÒ ÀÍÀÏÅÑÒ”
Êíèãà â³ðø³â “Îáëàêà âûáèðàþò àíàïåñò” âò³ëþº âàæëèâó ñêëàäîâó ô³ëîñîô³¿ ïîåòè÷íî¿ òâîð÷îñò³
Î. Ñ. Êóøíåðà, à ñàìå ðîçóì³ííÿ ïîå糿 ÿê îñîáëèâî¿ ñòèõ³¿, ÿêà, ç îäíîãî áîêó, â³äîáðàæຠâñå ðîçìà¿òòÿ
äîñòóïíî¿ äëÿ ñïîñòåðåæåííÿ ä³éñíîñò³, à ç ³íøîãî — ïåðåòâîðþº öþ ä³éñí³ñòü íà êðàùå. Àâòîð ðîçêðèâàº
â ðàìêàõ îêðåìî¿ çá³ðêè òåìó çåìíîãî æèòòÿ ëþäèíè ÿê ãîëîâíîãî ïðåäìåòà ïîåòè÷íî¿ òâîð÷îñò³, òåìó, ùî
ìîæå áóòè îïèñàíîþ ÿê ºäèíèé êîíöåïò ó ñòðóêòóð³ çì³ñòó êíèãè â³ðø³â ÿê ºäèíîãî íàäòåêñòó. Ó ñòàòò³
àíàë³çóºòüñÿ ñòðóêòóðà êîíöåïòó, à òàêîæ îñíîâí³ ñïîñîáè éîãî âèÿâëåííÿ ó êíèç³ â³ðø³â.
Êëþ÷îâ³ ñëîâà: êíèãà â³ðø³â ÿê îñîáëèâèé æàíð, ñòðóêòóðà êîíöåïòó “æèòòÿ”, êîíöåïòóàëüí³ îçíàêè,
ìîòèâí³ ðåàë³çàö³¿, “ïîåòè÷íèé” çì³ñò ñëîâà, ñïîñîáè âèÿâëåííÿ êîíöåïòó.
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