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ÏÈÒÀÍÍß ÑÈÍÒÀÊÑÈÑÓ, ÒÅÊÑÒÈÊÈ, ÄÈÑÊÓÐÑÎËÎò¯<br />
À. ². Òèõàíîâè÷<br />
IJÀËÎò×ͲÑÒÜ ßÊ Â²ÄÎÁÐÀÆÅÍÍß ÌÈÑËÅÍͪÂÎÃÎ ÏÐÎÖÅÑÓ (ÍÀ ÌÀÒÅвÀ˲<br />
ÐÎÌÀÍÓ Í. ÁÅÐÁÅÐÎÂί “ÊÓÐÑÈ ̲ɔ)<br />
Ó ñòàòò³ íà ìàòåð³àë³ ðîìàíó Í. Áåðáåðîâî¿ “Êóðñèâ ì³é” àíàë³çóºòüñÿ âíóòð³øíº ìîâëåííÿ àâòîðêè.<br />
Éîãî îñîáëèâ³ñòþ º ä³àëîã³÷í³ñòü, ÿêà â³äîáðàæຠõ³ä ìèñëåííºâîãî ïðîöåñó ñàìî¿ Í. Áåðáåðîâî¿.<br />
 àâòîá³îãðàô³÷íîìó ðîìàí³ ïðåäñòàâíèö³ ðîñ³éñüêî¿ ³íòåë³ãåíö³¿ XX ñò. ä³àëîã³÷í³ñòü âèñòóïຠÿê ðóõîìà<br />
ñàìîñâ³äîì³ñòü àáî ðîçãîðíóòå ñóá’ºêòèâíå áóòòÿ.<br />
Êëþ÷îâ³ ñëîâà: ä³àëîã³÷í³ñòü, ä³àëîã³çàö³ÿ, âíóòð³øíº ìîâëåííÿ, êîìïëåêñ “ïèòàííÿ — â³äïîâ³äü”.<br />
A. I. Tikhanovich<br />
THE PROCESS OF DIALOGUE AS THE MIRROR OF MENTAL ACTIVITY (ON<br />
MATERIAL OF THE NOVEL ‘ITALICS IS MINE’ BY N. N. BERBEROVA)<br />
The article is devoted to the analysis of the author’s inner discourse. Its peculiarity is the process of dialogue,<br />
which reflects the line of mental activity of N. N. Berberova herself. It is the autobiography of the Russian intelligentsia’<br />
representative and the process of dialogue appears as the moving self-consciousness or developing and growing<br />
subjective existence.<br />
Key words: the process of dialogue, inner discourse, question and answer complex.<br />
ÓÄÊ 811.161.1’367.332.3:001.4<br />
Ñ. Ë. Íèñòðàòîâà<br />
Îñîáåííîñòè ôóíêöèîíèðîâàíèÿ ãëàãîëüíûõ íåîïðåäåë¸ííîëè÷íûõ<br />
êîíñòðóêöèé â ñîâðåìåííîì íàó÷íîì äèñêóðñå<br />
Còàòüÿ ïîñâÿùåíà îñîáåííîñòÿì ôóíêöèîíèðîâàíèÿ êîíñòðóêöèé ñ íåâûðàæåííûì àãåíñîì,<br />
â ÷àñòíîñòè, íåîïðåäåë¸ííî-ëè÷íûõ, â íàó÷íîì äèñêóðñå. Ðàññìàòðèâàþòñÿ óñëîâèÿ è ñôåðà èõ<br />
óïîòðåáëåíèÿ ïî ñðàâíåíèþ ñ õóäîæåñòâåííûì òåêñòîì è ðàçãîâîðíîé ðå÷üþ.<br />
Êëþ÷åâûå ñëîâà: ðóññêèé ÿçûê, íàó÷íûé äèñêóðñ, íåîïðåäåë¸ííî-ëè÷íûå êîíñòðóêöèè.<br />
 ðóññêîì ÿçûêå äîñòàòî÷íî øèðîêî ðàñïðîñòðàíåíû êîíñòðóêöèè ñ íåâûðàæåííûì àãåíñîì.<br />
Îñîáåííîñòè èõ ôóíêöèîíèðîâàíèÿ è âçàèìîîòíîøåíèÿ â ðàçíûõ ñòèëÿõ ðå÷è óæå ðàññìàòðèâàëèñü<br />
â ðóñèñòèêå [7; 12; 13]. Ìíîãèå èññëåäîâàòåëè îòìå÷àþò ôóíêöèîíàëüíîå ñõîäñòâî<br />
êîíñòðóêöèé, âõîäÿùèõ â ýòîò ñïèñîê, âîçìîæíîñòü èõ âçàèìîçàìåíû â êîíòåêñòå [1; 4]. Ýòîò<br />
ïîäõîä ïðåâàëèðóåò è â ó÷åáíèêàõ ðóññêîãî ÿçûêà äëÿ èíîñòðàíöåâ [ñì., íàïð.: 9: 43; 2]. Íå îñïàðèâàÿ<br />
ïðàâîìåðíîñòè ïîäîáíîãî ïîäõîäà, ñëåäóåò çàìåòèòü, ÷òî â öåëÿõ ïðåïîäàâàíèÿ ðóññêîãî<br />
ÿçûêà êàê èíîñòðàííîãî íåîáõîäèìî îïèñàòü íå òîëüêî ñõîäñòâî, íî è ðàçëè÷èÿ â óïîòðåáëåíèè<br />
ôóíêöèîíàëüíî ñõîäíûõ êîíñòðóêöèé, îïðåäåëèòü ñïåöèôèêó èõ óïîòðåáëåíèÿ â ðàçëè÷íûõ<br />
ñòèëÿõ ëèòåðàòóðíîãî ÿçûêà. Êàê ïîêàçûâàåò îïûò ïðåïîäàâàíèÿ, â ðå÷è èíîñòðàíöåâ, èçó÷àþùèõ<br />
ðóññêèé ÿçûê, äîñòàòî÷íî ÷àñòî âñòðå÷àåòñÿ íåîïðàâäàííîå ñìåøåíèå â óïîòðåáëåíèè<br />
êîíñòðóêöèé ñ íåâûðàæåííûì àãåíñîì, óïîòðåáëåíèå, íå îòâå÷àþùåå íîðìàì îïðåäåëåííîãî<br />
ñòèëÿ è òèïà òåêñòà. Ýòî äèêòóåò, íà íàø âçãëÿä, íåîáõîäèìîñòü èññëåäîâàíèÿ óñëîâèé óïîòðåáëåíèÿ<br />
êàæäîé èç äàííûõ êîíñòðóêöèé â ðàçëè÷íûõ ôóíêöèîíàëüíûõ ñòèëÿõ, îïðåäåëåíèÿ ïîçèöèé,<br />
â êîòîðûõ îíà ìîæåò âñòðå÷àòüñÿ, âûÿâëåíèÿ ôàêòîðîâ, îïðåäåëÿþùèõ âîçìîæíîñòü/<br />
íåâîçìîæíîñòü åå óïîòðåáëåíèÿ.<br />
 íàñòîÿùåé ñòàòüå äåëàåòñÿ ïîïûòêà ðàññìîòðåòü îñîáåííîñòè ôóíêöèîíèðîâàíèÿ òîëüêî<br />
îäíîé êîíñòðóêöèè ñ íåíàçâàííûì ñóáúåêòîì — íåîïðåäåëåííî-ëè÷íîãî ïðåäëîæåíèÿ — â<br />
îäíîì òèïå òåêñòà (íàó÷íîì).<br />
© Ñ. Ë. Íèñòðàòîâà, 2010<br />
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