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СТОЛЕЋЕ СИГНАЛИЗМА THE CENTURY OF SIGNALISM

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Јелена Марићевић<br />

Summary<br />

This paper represents spectrum of new opportunities — synchronic<br />

and diachronic studying of Neo–avant–garde direction<br />

near Serbian literature — Signalism, which continuously exists<br />

almost fifty years. Also, between continuous artistic creation,<br />

Signalism has remarkable reception; not so much in Serbia,<br />

but in the world Signalism has important reception. Considering<br />

the duration of literary and cultural significance that<br />

signalist art has, it was necessary to explain the problem near<br />

Signalism, that its specifically part of Serbian Neo–avant–<br />

garde, but also Postmodernism and symbolist (50 th years of<br />

the twentieth century) and baroque tendency (80’s years of the<br />

twentieth century). Starting with signalist “reception aesthetics”,<br />

which involves the active participation of “super–reader”<br />

in creating a sense, in this paper was discussed about social<br />

and political conditionality within Neo–avant–garde, also —<br />

Signalism and “culture jamming”. Then, it was presented on<br />

the examples in what ways Signalism completes aesthetics by<br />

historical avant–garde; and it was represented complexity in<br />

relations between Signalism and Postmodernism, Signalism<br />

and Symbolism, Signalism and Baroque, and between Signalism<br />

and movie, in terms of view on movie like essential core,<br />

from which it is possible to see new aspects of interdisciplinary<br />

interpretations. By comparative and interdisciplinary<br />

method, with literary–historical and theoretical research, it is<br />

possible to come to some interesting and important conclusions.<br />

In this paper we were speaking about some genres by<br />

signalist Neo–avant–garde art; except visual poetry and slang<br />

poetry and prose, there are — scientistic, phenomenological,<br />

technological, ready–made, stochastic, aleatory, computer,<br />

statistical, kinetic, phonic, concrete, gesture, object poetry,<br />

and mail–art. In the scientific literature it has been written<br />

about this genres very much. This paper, however, mentions<br />

two new genres — essays lightning–gram and signalist diaries.<br />

About essays lightning–gram and signalist diaries like genres<br />

has not been written until now, because the books where we<br />

can read about them were published recently: Language and<br />

ineffable (2011), The diary of Signalism (2012), by creator of<br />

Signalism — Miroljub Todorović (1940).<br />

Key words: Neo–avant–garde, Postmodernism, Signalism,<br />

Symbolism, Baroque, Literary Theory and Practice, “open<br />

text”, “culture jamming”.<br />

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