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ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong><br />

Contents<br />

Yurdanur Dülgeroğlu Yüksel<br />

Editorial<br />

I<br />

Dossier: Space syntax and architectural design<br />

Alper Ünlü<br />

Dossier Editorial<br />

On space syntax and architectural design: A story of the suitcase 1-6<br />

Daniel Koch<br />

Architecture as Material Discourse: On the spatial<br />

formulation of knowledge and ideals in four library extensions 7-22<br />

Kerstin Sailer<br />

The dynamics and diversity of space use in the British Library 23-39<br />

Erincik Edgü<br />

Success in Basic Design Studios: Can seat selection be an advantage? 41-53<br />

Mehmet Emin Şalgamcıoğlu, Fitnat Cimşit Koş, Ervin Garip<br />

Tracing a biennial layout: Experiencing an exhibition layout through<br />

the syntactic analysis of Antrepo No. 3 at the 2013 Istanbul Biennial 55-70<br />

Nilüfer Kozikoğlu, Pelin Dursun Çebi<br />

Thinking and designing with the idea of network in architecture 71-87<br />

Esra Özsüt Akan, Alper Ünlü<br />

Behavioral responses of the elderly regarding spatial<br />

configuration: An elderly care institution case study 89-103<br />

Ervin Garip, Mehmet Emin Şalgamcıoğlu, Fitnat Cimşit Koş<br />

The influence of architectural configuration on the pedestrian<br />

network in Büyük Beşiktaş market 105-113<br />

Fitnat Cimşit Koş, Mehmet Emin Şalgamcıoğlu, Ervin Garip<br />

A syntactic analysis of social interfaces in Istanbul Biennial<br />

patterns in case of biennial buildings in 2013 115-<strong>12</strong>5<br />

Nevşet Gül Çanakçıoğlu<br />

Can cognitive maps of children be analysed by space syntax? <strong>12</strong>7-140<br />

Suat Apak<br />

Disintegration of urban housing areas: Districts and new<br />

gated housing settlements 141-158<br />

İlgi Toprak, Alper Ünlü<br />

A diachronic approach on heterochronic urban space 159- 173<br />

Erincik Edgü, Meray Taluğ, Nezire Özgece<br />

Divided shopping: A syntactic approach to consumer behaviour 175-188<br />

Ayşe Özbil, Demet Yeşiltepe, Görsev Argın<br />

Modeling walkability: The effects of street design, street-network<br />

configuration and land-use on pedestrian movement 189-207


ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong><br />

Theory<br />

Harun Ekinoğlu, Gülname Turan<br />

Does favorite design lead to good design?: Taxi design<br />

competitions in Istanbul and New York City 209-225<br />

Alev Erarslan<br />

Continuity of architectural traditions in the megaroid<br />

buildings of rural Anatolia: The case of Highlands of Phrygia 227-247<br />

Özlem Atak, Gülen Çağdaş<br />

The reflection of religious diversity and socio-cultural meaning<br />

on the spatial configuration of Traditional Kayseri Houses 249-265<br />

Ervin Sezgin, Gülden Erkut<br />

Cross border cooperation in Edirne-Kırklareli border region:<br />

New institutionalist perspectives 267-283<br />

Mine Aşcıgil Dincer, Sevtap <strong>Yıl</strong>maz<br />

Modelling road traffic noise annoyance by listening tests 285-306


I<br />

Editorial<br />

Yurdanur Dülgeroğlu Yüksel<br />

The new issue of A|Z has a special<br />

dossier theme on Space Syntax and<br />

Architectural Design. It contains a<br />

valuable collection of articles, each of<br />

which is contributing to the theme as<br />

well as to the designers who are interested<br />

to use space syntax models as a<br />

tool in their architectural design. There<br />

seems to be no need to say more to the<br />

dossier editor’s full explanation of the<br />

individual articles in the collection and<br />

history of development of the theme.<br />

In this issue, also there are a number<br />

of theory articles on varying subjects,<br />

mostly involving field study or case<br />

study.<br />

In the article titled as “Does favorite<br />

design lead to good design?:<br />

Taxi design competitions in Istanbul<br />

and Ne w York C it y ”, E k i no ğ lu and<br />

Turan discuss the changes in both urban<br />

and national bureaucracy in the<br />

last decades. With the rejection of the<br />

rationalist design methods in the Seventies,<br />

due to their setting the goals in<br />

a top-down approach in defining the<br />

problem; the participatory design approach<br />

were found by the scholars to<br />

fit into the diverse needs, values, and<br />

interests and priorities of the people.<br />

Such a participatory decision-making<br />

was concretized in two different design<br />

competition conducted for taxi design<br />

in Istanbul and in NY City during<br />

2011 was set separately. The common<br />

aim was to increase the quality of taxi<br />

service as a mobile space. However,<br />

The Concept of Participation has the<br />

controversy when majority’s choice<br />

dominates minority’s expectations.<br />

Therefore, the article explains this controversy<br />

in taxi design competition<br />

cases: that is, a good design as defined<br />

and agreed by the experts does not necessarily<br />

be the most popular design for<br />

people, and the most popular design is<br />

not necessarily the best-quality design.<br />

The article shows us that, this paradox<br />

does not underestimate the value<br />

of participatory process, as it reveals<br />

the tastes and values of the people, no<br />

matter how different they may be from<br />

those of the experts.<br />

Erarslan’s article, titled as “Continuity<br />

of architectural traditions in the<br />

Megaroid buildings of rural Anatolia:<br />

The Case of Highlands of Phrygia” is<br />

an attempt to prove that architectural<br />

continuity, despite changing times<br />

and societies. The case selected for the<br />

study is Anatolia. Phrygian highlands.<br />

In the underlining study, it has been<br />

found out that the megaroid structures<br />

are similar to the historical megara<br />

houses,with respect to their plan types,<br />

spatial organization of the house, functional<br />

layout, construction materials,<br />

and systems. Thus, there seems to be a<br />

regional memory of rural architecture.<br />

This is evidenced by the cultural adaptation<br />

of the newcomers and nomads<br />

by the former settlers’ cultures. Such an<br />

acculturation and cultural adaptation<br />

process explains architectural continuity<br />

throughout the centuries, despite<br />

the transition from nomadic to settled<br />

life style. Traditional house patterns<br />

and plans, the megaroid buildings in<br />

the region, are found to demonstrate<br />

not only the regional taste but also the<br />

suitability and functionality of these<br />

house by their courtyards and sofas.<br />

The article sets for an interesting picture<br />

and shows how the Anatolian<br />

Turkish house has evolved through<br />

overlapping cultures and centuries to<br />

become a unique architecture of the<br />

region. This article, despite the contextual<br />

differences, confirm the continuity<br />

of certain aspects of culture, to be reflected<br />

in the architecture of the houses<br />

in the article making Kayseri houses as<br />

case.<br />

Atak and Çağdaş, in their article<br />

“The reflection of religious diversity<br />

and socio-cultural meaning on the<br />

spatial configuration of Traditional<br />

Kayseri Houses” examine two different<br />

cultures’ courtyard houses by using a<br />

field study. The methodology is space<br />

syntax and visibility graph analyses to<br />

inquire into inwardness-outwardness,<br />

the determination of spatial privacy,<br />

control, social hierarchy within the<br />

household, and the degree of relations<br />

between the household and visitors.<br />

These methods are constructed<br />

through the relations of permeability<br />

(based on movement) and visibility<br />

(based on the perception of a moving<br />

observer). In addition, while a very


II<br />

significant proportion of the houses<br />

exhibit outward-looking structures, in<br />

terms of accessibility relations. Only a<br />

small portion exhibit inward-looking<br />

structures. The dominancy of extraversion<br />

is expressed to be correlated<br />

with the extroversion trend in the social<br />

structure in the last two centuries.<br />

The authors conclude from this study<br />

that the courtyard plays a major role<br />

in connecting all units of the house<br />

to the outer space; and by structuring<br />

these spaces of the house. Permeability<br />

and visibility relations reveal the spatial<br />

mechanisms of houses and how the<br />

dwellers and visitors experience these<br />

mechanisms. ln the fieldwork, the spatial<br />

organization of traditional Kayseri<br />

houses are explained by their social<br />

and cultural factors. It is found that the<br />

permeability and visibility structures<br />

of the inner spaces of houses function<br />

together. Courtyards, gardens and<br />

central halls are predominantly more<br />

visually integrated spaces. This study<br />

by having systematically examined the<br />

accessibility and visibility structures<br />

of the traditional Kayseri houses, can<br />

guide other studies in future to be conducted<br />

a new,on similar spatial organizations.<br />

“Cross border cooperation in<br />

Edirne-Kırklareli border region: New<br />

institutionalist perspectives” by Sezgin<br />

and Erkut elaborate on the border issues,<br />

especially after the Cold War.<br />

They are justifying their study by the<br />

expanding scholarly interest on border<br />

regions; and explaining it by the the<br />

changing status of the borders from<br />

being barriers into becoming bridges<br />

between two countries. However,<br />

tensions occurring by such change are<br />

understood to be caused by the global<br />

forces imposed by supranatural conditions<br />

and EU for the purpose of developing<br />

flexible socio-economical and<br />

political links between the bordering<br />

communities; and by the constraints of<br />

the existing national institutions. The<br />

local/regional dynamics are inevitably<br />

affected by this tension between the<br />

two different scales of pressure.. While<br />

the article gives an in-depth theoretical<br />

background on the theme, it also<br />

provides a case study from Bulgarian-Turkish<br />

Border Communities. It<br />

concludes that such change from competition<br />

to cooperation status is regularized<br />

by the national institutions, but<br />

put into practice at the local level by<br />

the creative inventions of communities<br />

to bypass the restrictions of these institutions.<br />

Only then change could be<br />

achieved.<br />

Aşcıgil Dincer and <strong>Yıl</strong>maz in their<br />

article “Modelling road traffic noise<br />

annoyance by listening tests”, aim to<br />

measure the response of the dwellers<br />

and their level of annoyance when confronting<br />

the increasing traffic noise.<br />

Their methodology involves simulation<br />

technique: they gave sound clips<br />

to their subjects by telling them to assume<br />

that they are resting at home and<br />

hear the noise put into sound clips.<br />

Some of their salient findings include<br />

the following: settlement types and<br />

geometries can cause critical changes<br />

in the annoyance level of the subjects;<br />

dwellers with bedrooms across the<br />

street are more disturbed by the traffic<br />

noise than others; gender difference is<br />

experienced and women seem to have<br />

more sleep disturbance than men when<br />

subjected to traffic noise; and horns<br />

and motorcycles are found the be the<br />

sources for the most annoyance while<br />

resting. The findings carry clues for designers<br />

in taking into consideration the<br />

traffic annoyance for better comfort of<br />

the dwellers.


1<br />

Dossier Editorial:<br />

On space syntax and<br />

architectural design<br />

A story of the suitcase<br />

Alper Ünlü<br />

A person carries some suitcases in<br />

the short life. I may define the suitcase<br />

here as the person’s interest, involvements,<br />

bringings or accumulations. I<br />

suppose the theory of Space Syntax has<br />

been one of my suitcases that I have<br />

been carrying more than seventeen<br />

years. It is interesting that the subject<br />

of Space Syntax has always attracted<br />

me as a magic suitcase.<br />

I noticed this subject, it was many<br />

years ago, it was an article, probably the<br />

first one of Bill Hillier’s, titled as same<br />

as the theory, “Space Syntax”. In fact, I<br />

was really in trouble about understanding<br />

this article at that time, however it<br />

was telling me about another but unknown<br />

face of the architecture. It was<br />

a kind of unusual face of my profession.<br />

I noticed that Hillier and Hanson<br />

were mentioning about something as a<br />

latent discourse like an iceberg under<br />

the sea. I thought, maybe it was reflecting<br />

something as a magic side of our<br />

professional duties. The subject that I<br />

confronted was reflecting another face,<br />

which I did not know before.<br />

Architecture in general, design as<br />

specific was my daily routine, either in<br />

teaching or in my professional projects.<br />

What was Space Syntax and what was<br />

it telling us? What was it explaining as<br />

a structure? How could it be linked to<br />

our life and spaces?<br />

I started working on Space Syntax<br />

in 1998, and I seriously began reading<br />

about it. In that time, some researchers<br />

were doing their researches by UCL<br />

based softwares, the others like me,<br />

“poors” were making calculations by<br />

hand.<br />

The publication of the bible book titled<br />

as “Social Logic of Space” was the<br />

only one comprising many discussions;<br />

it was proposing the linkage between<br />

societal and syntactic values from macro,<br />

meso and micro scales.<br />

I participated to Space Syntax Symposium<br />

2, Brasilia in 1999 with some<br />

syntactic formulas modified from this<br />

book. During the conference, participants<br />

were taking the depth values as<br />

inclining numericals, but I was doing<br />

reverse. I noticed my values were reverse,<br />

and they were opposite. However,<br />

my reverse model also was clearly<br />

working, like being depth values as<br />

reverse of the integration values as<br />

a constant acceptance. So, the paper<br />

that I presented in Brasila was about<br />

searching for the existence of the central<br />

hall concept of Turkish houses<br />

between 16th and 19th centuries. My<br />

accidentally emerging reverse model<br />

was working out and it was explaining<br />

the truth between these centuries.<br />

The true story was not descriptive, but<br />

it was using mathematical aggregates,<br />

more cells, depth levels, formulas and<br />

numericals.<br />

By time, the journey for Space Syntax<br />

motivated many students around<br />

me, and there was an increasing motivation<br />

among the students. The architects<br />

liked to work with space syntax<br />

softwares even for testing the design<br />

schemes and proposals. I noticed their<br />

motivation in these investigations.<br />

They liked to insert design layouts in<br />

their personal laboratories and they<br />

were checking, if the schemes were<br />

working or not due to integration<br />

and depth levels as reverse. They were<br />

searching for the result that the design<br />

is working out or not.<br />

Space Syntax rather than as methodology<br />

or tool, it was helping the researcher<br />

or the architect. The classical<br />

question was very simple and it was<br />

concentrating on the qualities of the<br />

design, was it working out or not? Was<br />

it exposing a low performance and<br />

where?<br />

Architects were testing the design<br />

schemes with softwares, and they<br />

liked to involve in figures. They were<br />

reinventing the figures but this time<br />

through the architectural field, and<br />

they were travelling in the latent and<br />

magic discourse. The architects were<br />

inventing the latent discourse based<br />

on mathematics that they lost this<br />

straightforward strategy in their past,<br />

maybe in the former school years. By<br />

the help of new feeling, students are<br />

settled for a new confirmation system


2<br />

for their design strategies not only<br />

based on descriptive models, but also<br />

based on ratios.<br />

On the other hand, the series of<br />

symposiums as once in two years have<br />

been continuing, after Brasilia, London,<br />

Delft, Istanbul and Stockholm. My<br />

former PhD students Erincik, Mehmet<br />

and me were talking about something<br />

was missing in conferences. The first<br />

thing was apparently the difference<br />

between as high attendance for urban<br />

planning issues and small demand for<br />

architectural design issues. The ratio of<br />

architectural design issues considered<br />

in continuing series of conferences<br />

in general was less than 30 percent of<br />

whole accepted papers. This emerging<br />

case has reached to the upper limits in<br />

Santiago and Seoul. The ongoing symposiums<br />

were densely concentrating<br />

on urban issues and the architectural<br />

subjects seemed to be neglected and<br />

participants were tended to be declining.<br />

By the time, the segregation or division<br />

during the ongoing symposiums,<br />

the reasons behind the subject have<br />

become more clear for me. The urban<br />

dynamics seemed to be as concrete dynamics,<br />

whereas the building dynamics<br />

are tended to be more subjective, more<br />

human behaviour based. Of course, we<br />

may not separate the environment as<br />

place vs. space, whereas there are many<br />

similarities in both sides. We may also<br />

identify both of them as more formal,<br />

but if we may consider that the nature<br />

and the essence of the dynamics in the<br />

positivist world, the content for both<br />

sides seemed to be more reversible.<br />

That’s why the contribution from the<br />

architectural side to the space syntax<br />

was so limited. The planning issues<br />

and urban design issues were more<br />

appropriate as part of the immanent<br />

essence of research dynamics, on the<br />

other hand the architectural design issues<br />

were more based on emotional issues,<br />

in other words, they were more as<br />

transcendental interpretations which it<br />

might be more powerful than positivist<br />

explanations.<br />

At the basic scale, the immanent<br />

structure was determining the research<br />

strategies of urban and architectural<br />

spaces, but the lack of transcendental<br />

situation in critiques was the important<br />

issue in the architectural design<br />

field. The issues held in space syntax<br />

symposiums were mainly criticized<br />

based on these augmented problems.<br />

The lack of transcendental strategy<br />

is not solely a critical discussion for<br />

architectural spaces, but this is also a<br />

debating issue for space syntax symposiums<br />

like 2001 Atlanta. The famous<br />

philosopher and urban geographer,<br />

David Harvey addressed this issue in<br />

SS3, where he pointed out the lack of<br />

this issue in his critical conference. He<br />

annotated the space syntax as turning<br />

to be a vain subject in urban geography.<br />

Many thinkers commented that<br />

the space syntax theory is a part of immanent<br />

thinking and it is isolated from<br />

phenomenological interpretations.<br />

Latterly, David Seamon in SS6, Istanbul,<br />

criticized the lack of phenomenological<br />

approach in space syntax. His<br />

paper “A Lived Hermetic of People<br />

and Place: Phenomenology and Space<br />

Syntax”. Seamon’s paper, rather than<br />

being as segregating, it was promising<br />

for constructing an integrative model<br />

between differing opinions.<br />

By the effect of these debating considerations,<br />

space syntax theory has<br />

been continuing to influence us. By<br />

time, we are driving into another debate<br />

that it might be resulted more<br />

effective research and strategies at the<br />

future. In architecture, specifically at<br />

the design field, this is my guess that all<br />

discussions might be derived from the<br />

essence of the professionalism and the<br />

ongoing debates eventually may lead to<br />

the design strategies and methodologies<br />

as feedback. All these debates underpin<br />

the new methodologies of the<br />

architectural design field.<br />

This special dossier has been prepared<br />

under these considerations. Our<br />

main aim is to extent the debating issues<br />

and to convey them to the architectural<br />

design field and the profession<br />

itself. So, the title of this dossier is selected<br />

as “Space Syntax and Architectural<br />

Design” that is prepared to shed<br />

a light for the occurrence of human<br />

activities specifically in the buildings<br />

or in the vicinity of the buildings, how<br />

they are acted, by whom and where.<br />

The selected subjects due to buildings<br />

in this dossier are many. In the dossier,<br />

there are recently completed researches


3<br />

on libraries, exhibition halls, shopping<br />

centers, elderly institutions, hospitals,<br />

gated communities, educational areas<br />

and houses.<br />

The first article by Daniel Koch is an<br />

invited one and the title of his article is<br />

“Architectural Works as Material Discourse:<br />

On the spatial formulation of<br />

knowledge and ideals in four public library<br />

extensions”. Koch evaluates four<br />

buildings in his article and exemplifies<br />

his ideas through Malmö City Library,<br />

Växjö City Library, Stockholm City<br />

Library and Gothenburg City Library.<br />

He argues the idea of library in the<br />

contemporary life and continues his<br />

discussion with the essence of knowledge<br />

and literature emerging through<br />

architectural programme. He extends<br />

his focus on collections, activity and<br />

library visitors. Koch mutually tries to<br />

find out answers linked to the architectural<br />

form and aims to discuss through<br />

these examples. He tries to find out<br />

new architectural principles and ideals<br />

of “new library design”. The results of<br />

his scrutinized works on these buildings<br />

bring out that appropriation and<br />

inhabitance are empirically related to<br />

the spatial organization in modern and<br />

digital life. The term of appropriation<br />

in here, rather than being an activity<br />

or Barker’s famous “milieu” term, it<br />

is much more spatial and cognitive issue<br />

and a more behavioral issue. Koch<br />

points out the complicated sides of<br />

architectural programming and behaviour<br />

based protocols in the design<br />

process. The space what we concentrated<br />

is how beyond of its pragmatic nature<br />

and how it is more media transacted<br />

meanings and values. Koch argues<br />

his considerations around this theme.<br />

The second invited article belongs<br />

to Kerstin Sailer. Her article is titled as<br />

“The Dynamics and Diversity of Space<br />

Use in the British Library”. This article<br />

also concentrates on another case<br />

study of the library. Sailer elaborates<br />

the dynamics of library in her article,<br />

and concentrates on diverse user behaviors<br />

and temporal order in the British<br />

Library. Her aim, through the cases,<br />

is conveying deep analytical explorations<br />

about spaces and their usage,<br />

where she presents a detailed picture<br />

of usage in the building. Sailer elaborates<br />

usage patterns, points out variations<br />

in behaviors, adds up temporal<br />

order in her approach, and tests the<br />

affordance of the configuration. Sailer<br />

presents elaborated spatial potentials<br />

of the building. She shows how physical<br />

environment is coexisted and presents<br />

behavioral modes and tendencies.<br />

By this way, she criticizes the architectural<br />

programming and beyond this,<br />

syntactical assumptions and how they<br />

are modified by new behavioral modes<br />

and patterns.<br />

If we start from blind reviewed articles,<br />

continuing from micro to meso<br />

and eventually macro scale, the third<br />

article belongs to Erincik Edgü and<br />

her article is “Success in basic design<br />

studios: Can seat selection be an advantage?”<br />

This research interestingly<br />

brings out the series of observation and<br />

syntactic data of an educational space,<br />

specifically the Basic Design Studio of<br />

the architectural school, CIU (Cyprus<br />

International University). Edgü explores<br />

students’ preferences of seating<br />

and she criticizes success of the student,<br />

in terms of social interaction and<br />

movement pattern based on the arrangement<br />

of rows and columns that is<br />

far from being the ideal scheme. Edgü<br />

takes a case of educational scheme in<br />

the architectural school and she argues<br />

physical layout, syntactic visual field<br />

and potentials. By the effect of these<br />

arguments, she extends her discussion<br />

around the essence of social communication,<br />

and mechanisms that are<br />

emerging social pedal or social fugal<br />

identity in the educational space.<br />

The fourth article is about the main<br />

exhibition venue of 2013 Istanbul Biennial,<br />

which is a former warehouse<br />

just as the building next to it, Istanbul<br />

Modern, where both buildings are altered<br />

as exhibition buildings in the last<br />

decade. The authors are Mehmet Emin<br />

Şalgamcıoğlu, Fitnat Cimşit Koş, and<br />

Ervin Garip. Their article is titled as<br />

“Tracing a Biennial Layout: Experiencing<br />

an Exhibition Layout through the<br />

Syntactic Analysis of Antrepo No. 3 at<br />

the 2013 Istanbul Biennial”. The authors<br />

explore syntactically integrated or segregated<br />

locations of exhibition spaces,<br />

and how spatial layouts influence visitors’<br />

explorations in gallery spaces. It<br />

means, which spaces are more or less<br />

visited. Eventually, authors scrutinize


4<br />

the predominate path that is depending<br />

on the number of visitors during<br />

a specific period of time. The authors<br />

try to find out the importance of coexistence<br />

cognizant and syntactically integrative<br />

spaces in accordance with the<br />

flexibility of design spirit of biennials.<br />

By this aim, authors discuss the impact<br />

of the morphology of space on exhibition<br />

visitors.<br />

The fifth article brings out and discusses<br />

the double aspect of the architectural<br />

space. The authors are Nilüfer<br />

Kozikoğlu and Pelin Dursun Çebi.<br />

Their article is titled as “Thinking and<br />

Designing with the Idea of Network in<br />

Architecture”. This article focuses on<br />

the idea of networks in architectural<br />

design and discusses the use of “graph<br />

theory” based on tools in the design<br />

process. Authors take the architectural<br />

layout cognitively as a mapping scheme<br />

that is accorded with spatial elements<br />

and they emphasize that these relations<br />

are highly cognitive and brain based.<br />

The mapping has dynamic essence and<br />

it is contrary to preliminary assumptions<br />

in the design process, which<br />

is non-hierarchical. Kozikoğlu and<br />

Dursun takes two examples, one from<br />

an academic setting-a mapping from<br />

the university, the other is elicited from<br />

practice-a hospital building. The first<br />

one describes a workshop on systems<br />

thinking that is demonstrated with a<br />

game and the second one is an iterative<br />

hospital campus design scheme. The<br />

aim of authors is to draw attention of<br />

the readers to the importance of cognitive<br />

mapping and cognized nodes;<br />

and how these dynamics are segregated<br />

from the immanent graphs.<br />

As continuum of the series of specific<br />

buildings, the sixth article’s subject<br />

elaborates an elderly care institution.<br />

The authors are Esra Özsüt Akan and<br />

Alper Ünlü. Their article is titled as<br />

“Behavioral Responses of the Elderly<br />

Regarding Spatial Configuration: An<br />

Elderly Care Institution Case Study”.<br />

This article elaborates a case study, an<br />

elderly institution in Istanbul, and authors<br />

define a scrutinized observation<br />

for behavioral occasions in the elderly<br />

institution. The authors draw the attention<br />

of the users to how designated<br />

spaces are used by the elderly, and the<br />

how segregated syntactic spaces are<br />

transformed as sociopedal or sociofugal<br />

spaces.<br />

The seventh article belongs to Ervin<br />

Garip, Mehmet Emin Şalgamcıoğlu<br />

and Fitnat Cimşit Koş. The article is<br />

titled as “The Influence of Architectural<br />

Configuration on the Pedestrian<br />

Network in Büyük Beşiktaş Market”.<br />

The authors in this article take a specific<br />

building as the center of pedestrian<br />

movements, and exemplify their considerations<br />

through the “Büyük Beşiktaş<br />

Market” in Istanbul. The building<br />

is a distributor and connection of the<br />

pedestrian movements. The article<br />

tests an urban building that is continuously<br />

treaded by the pedestrian almost<br />

in every second. The authors question<br />

how syntactic pattern plays a role in<br />

this specific planning. They also test<br />

outcomes of their search as availability<br />

and usage of courtyards and open<br />

spaces regarding as possible design<br />

criteria in the creation of specific and<br />

private areas in public buildings.<br />

The eighth article belongs to ” Fitnat<br />

Cimşit Koş, Ervin Garip and Mehmet<br />

Emin Şalgamcıoğlu as their second<br />

outlook to the exhibition spaces with a<br />

title of “A Syntactic Analysis of Social<br />

Interfaces in Istanbul Biennial Patterns<br />

in Case of Biennial Buildings In<br />

2013”. This article is different than the<br />

first one and it comprises activities and<br />

behavioral patterns in the urban scale.<br />

The authors question both the biennial<br />

spaces and buildings, and how they<br />

are preferred or not in the urban scale<br />

based on space syntax parameters.<br />

Their evaluation covers the history of<br />

biennials and the authors search for the<br />

importance of performances and they<br />

evaluate how they are interacted with<br />

syntactic values and visitors’ activities.<br />

The ninth article belongs to Nevşet<br />

Gül Çanakçıoğlu. Çanakçıoğlu summarizes<br />

her main theme as the question<br />

of the title “Can Cognitive Maps<br />

of Children be analysed by Space Syntax?”<br />

Çanakçıoğlu implements cognitive<br />

mapping in two different housing<br />

areas and she gets the responses from<br />

children aged 11 living in two different<br />

socioeconomic status levels. The<br />

analysis orients to be focused on cognitive<br />

mapping and syntactic graph<br />

outcomes. She establishes an interesting<br />

methodology between mapping


5<br />

outcomes and interpretation of them<br />

in the syntax language. She finds out<br />

important clues about gender and social<br />

status level of children and the cognition<br />

of their home environments that<br />

is the primary subject of the article.<br />

The tenth article comes from Suat<br />

Apak, based on the relationship between<br />

gated communities, space syntax<br />

and emergence of graffiti in urban areas.<br />

The title of this interesting research<br />

is “Disintegration of Urban Housing<br />

Areas: Districts and New Gated Housing<br />

Settlements”. Apak takes gated<br />

community examples from different<br />

districts of Istanbul and observes these<br />

areas based on physical appearances,<br />

human movements and existence of<br />

graffiti. The author argues the existence<br />

of architectural appearance, existence<br />

of graffiti and syntactic outcomes; how<br />

they are interacted and what brings out<br />

to the urban life, and also how they are<br />

differed and why they are differed. Results<br />

show that the interaction within<br />

the existing texture gets weaker at substantial<br />

levels around the walls of the<br />

island, controversially the existence of<br />

graffiti increases, and sociologically<br />

existing users living around the gated<br />

communities turn to be as the author<br />

said “societies around / bottom the<br />

walls”.<br />

The eleventh article is derived from<br />

Michel Foucault’s “heterotopia” and<br />

“heterochronic” terms. The authors<br />

are İlgi Toprak and Alper Ünlü, and<br />

their article is titled as “A Diachronic<br />

Approach on Heterochronic Urban<br />

Space”. Toprak and Ünlü act from<br />

Foucault’s term and investigate the<br />

urban and social morphology of a<br />

coastal town, Kuzguncuk of Istanbul.<br />

The scrutinized work aims to take out<br />

geographical layers, to conduct a diachronic<br />

approach, and to investigate<br />

the cases and situations derived from<br />

the Heidegger’s “dasein” term. Toprak<br />

and Ünlü try to combine urban geography<br />

and space syntax terms in their<br />

paper. They evaluate the reflections of<br />

socio-cultural background of the historical<br />

neighborhood and they concentrate<br />

on the morphological and the<br />

semantic changes of its heterochronic<br />

elements throughout the history.<br />

The following twelfth article belongs<br />

to authors Erincik Edgü, Meray Taluğ<br />

and Nezire Özgece. Their article is<br />

named “Divided Shopping: A Syntactic<br />

Approach to Consumer Behaviour”.<br />

The article focuses on the comparison<br />

of consumer shopping behaviour in a<br />

historical city centre, Walled City of<br />

Nicosia, the capital of Cyprus Republic<br />

and TRNC. Despite the political isolation<br />

and segregation, Nicosia has gone<br />

through different physical and social<br />

development patterns in terms of land<br />

uses and functional changes as a divided<br />

city. The authors try to examine<br />

syntactic hints underlying the physical<br />

development concerning in three different<br />

periods of the city. Moreover,<br />

they search for he preferences of the<br />

pedestrians emphasizing functional<br />

and spatial patterns. The highlighted<br />

issue in their search is that the divided<br />

city has consumer behaviors and patterns<br />

as an outcome of the physical environment<br />

that it might be interpreted<br />

as part of the syntactical definitions.<br />

The last thirteenth article has come<br />

from the authors Ayşe Özbil, Demet<br />

Yeşiltepe and Görsev Argın titled as<br />

“Modeling Walkability: the effects of<br />

street design, street-network configuration<br />

and land-use on pedestrian<br />

movement”. This study involves comparative<br />

roles of urban design qualities<br />

of the street environment and<br />

street network layout on pedestrian<br />

movement. In their comparative study,<br />

preliminary findings imply that not<br />

withstanding the significance of certain<br />

aspects of the street environment,<br />

but they relate to local urban design<br />

qualities. They also defend the syntactic<br />

basis of this comparison, where the<br />

overall spatial configuration of street<br />

network may be a concrete role and<br />

may prove to be a significant variable<br />

for the description and modulation of<br />

pedestrian movement.<br />

Consequently, the presented articles<br />

reinforce that we may be still circling<br />

around the problem or hopefully we<br />

are close to the target/ core. This special<br />

dossier may be a small step, but it<br />

is an important one for space syntax<br />

family. I consider this step as a more<br />

specific and a more architectural one<br />

that mainly sheds more light to our<br />

problems.<br />

The aim of this dossier is to help<br />

new generations and to motivate them


6<br />

by giving a reason for inventing new<br />

methodologies in the future. The updated<br />

considerations in architectural<br />

design as part of the dynamic relations<br />

of the profession have been going on<br />

as slightly aparted from the functionalist-immanent<br />

foundations. I may<br />

apparently see this problem. So, the<br />

architectural design field should gain<br />

new methodologies concerning more<br />

involvement on transcendental interpretations,<br />

and more creative solutions<br />

in the design methodologies.<br />

As I indicated in the first page, this<br />

dossier will be unique and precious in<br />

my suitcase. My suitcase will be slightly<br />

filled with this, but there is still a<br />

space for being full. Sometimes, I call<br />

my space syntax suitcase and I label it<br />

as “hope chest”. If I translate it directly<br />

into Turkish, it is called as “çeyiz<br />

sandığı” that means “bride’s chest”. In<br />

other words, all suitcases in our lives<br />

partly seem to be as the “chest for<br />

hope”. I think this dossier will be the<br />

“suitcase for hope”, especially for new<br />

generations.<br />

When I come to the end of very after<br />

very long introduction, presumably<br />

as a very long preface, I honestly admit<br />

that I should thank to my colleague,<br />

first Dr. Mehmet Emin Şalgamcıoğlu<br />

who is always showing high motivation<br />

and sincerity for the preparation of this<br />

publication, and solving our problems<br />

in hundred ways and always standing<br />

side by side in my life. My other gratitude<br />

is to Feride Şener <strong>Yıl</strong>maz who<br />

is always courteous and patient in the<br />

preparation of dossier for publication<br />

even for the typesetting and for being<br />

as a cordially representative of the editorial<br />

board.


ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • 7-22<br />

Architecture as Material Discourse:<br />

On the spatial formulation of<br />

knowledge and ideals in four<br />

library extensions<br />

Daniel KOCH<br />

daniel.koch@arch.kth.se • School of Architecture, KTH Royal Institute of<br />

Technology, Stockholm, Sweden<br />

Received: September <strong>2015</strong> Final Acceptance: October <strong>2015</strong><br />

Abstract<br />

In recent decades libraries have been challenged in many ways, perhaps most<br />

pointedly by the digital revolution. This is, however, not the first time – a series of<br />

booms in library architecture emerging rather when knowledge ideals are challenged<br />

than established allows us to discuss library architecture more clearly as<br />

investigations into what knowledge, learning and literature could be rather than<br />

as expressions of what knowledge, learning and literature is. These questions are<br />

complex and multifaceted and require both careful examination of architectural<br />

proposals and works and a step back to analyse the propositions they make<br />

through their formulations into architectural form. Utilizing four public library<br />

extensions in Sweden, of which three have been built and one has been rebooted,<br />

and competition and parallel commission proposals for their making, this article<br />

discusses how ideas of libraries, knowledge, and literature emerge through the<br />

mediation of programme, collections, activity, and visitors in interaction, related<br />

to other aspects of architectural form. Building on a series of empirical findings<br />

of correspondences between use patterns of libraries and spatial configuration,<br />

the article takes this discussion further into what this means for a discussion of<br />

architectural principles, ideals, and propositions.<br />

Keywords<br />

Architecture, Architectural competitions, Library architecture, Space Syntax, Spatial<br />

configuration.


8<br />

1. Introduction<br />

In an interview in the Architectural<br />

Magazine RUM in 2011, Annette Gigon<br />

discusses the practice of building as<br />

a way to understand the world (Singstedt,<br />

2011). Set in relation to a series<br />

of booms in library architecture, when<br />

they have appeared and the discussions<br />

around their creation, this statement<br />

seems to make an important point even<br />

if it does not specifically relate to it. It<br />

allows us to discuss library architecture<br />

more clearly as investigations into what<br />

knowledge, learning and literature could<br />

be rather than as expressions of what<br />

knowledge, learning and literature is.<br />

This also makes it easier to understand,<br />

one might argue, how come libraries<br />

have often been built not in situations<br />

of stability in the views of knowledge<br />

(or the degree of literacy; c.f. Markus,<br />

1993; Bennet 1995), but in situations<br />

where such is challenged or under radical<br />

transformation.<br />

The recent boom in the so-called<br />

‘western world’, extending back to the<br />

1990s and tapering off somewhat after<br />

2010 with some notable exceptions,<br />

has taken place in a situation where<br />

not only knowledge is under transformation,<br />

but libraries and books as<br />

such have been under attack through<br />

the advent or in the wake of the ‘rise<br />

of the network society’ (Castells, 1996)<br />

and the growing influence of digital<br />

media (Gillespie, Boczkowski, & Foot,<br />

2014; Niegaard, 2011; c.f. Bruijnzeels,<br />

2008; van der Velden, 2010). This has<br />

in many parts of the world taken the<br />

form of a wide range of investments<br />

made to build large, central public libraries<br />

(c.f. Roth, 2011). While some<br />

of these projects have been about radical<br />

transformation of the very idea of<br />

‘libraries’, most have largely operated<br />

within a paradigm of large institutional<br />

buildings and within the frameworks<br />

of alterations of a typology. Internationally<br />

we have examples such as the<br />

Bibliotheca Alexandrina (Snøhetta,<br />

2002), Sendai Mediatheque (Ito, 2001),<br />

Amsterdam Public Library (Jo Coenen<br />

& Co, 2004), Seattle Public Library<br />

(OMA, 2004), Chilean National Library<br />

(A & F Architects, 2009), and the<br />

Rolex Learning Center (Saana, 2009),<br />

amongst many others. In Scandinavia<br />

it includes the Culture House and Library<br />

in Copenhagen (COBE, 2010),<br />

Urban Mediaspace in Århus (schmidt<br />

hammer lassen, 2014), Halmstad Library<br />

(schmidt hammer lassen, 2006),<br />

and the City Library in Turku (JKMM,<br />

2007), to name a few. Partially, this is a<br />

response to a general perception of an<br />

attack on and commercialisation and<br />

privatisation of public space (Zukin,<br />

1995; Kärrholm, 2014; van der Werf,<br />

2010) where libraries have been seen<br />

as one of few remaining bastions of<br />

the unquestionably public. This makes<br />

the question of what these libraries do<br />

even the more interesting.<br />

The interest here is a set of principal<br />

questions studied through a series<br />

of specific projects of alteration. This<br />

essay will therefore build on the material<br />

of four library extensions, three of<br />

which have been realized and one that<br />

has been put aside for now. In three of<br />

these cases thorough empirical analysis<br />

of inhabitance patterns has been made,<br />

which has partially been presented earlier<br />

(Koch, 2004). This material will be<br />

used to discuss the relations between<br />

architecture and library use as a foundation<br />

for a following discussion on architectural<br />

principles. It will therefore<br />

be as thoroughly presented as reasonable<br />

within the bounds of the essay, before<br />

the focus turns to two libraries and<br />

two proposed extensions of each.<br />

The discussion is deeply informed<br />

by the work of Thomas A. Markus<br />

(1993) and Sophia Psarra (2009) and<br />

their analysis of public and cultural<br />

buildings over time as well as Julienne<br />

Hanson’s (1998) extensive work on<br />

analysis of buildings. It is also heavily<br />

indebted to John Peponis’ (2005) notion<br />

of proposals and propositions in<br />

architecture, and his and others’ work<br />

on the formulation of architectural<br />

meaning (Peponis, Conroy Dalton,<br />

Wineman, & Dalton, 2003) and subsequent<br />

work on configurational meaning<br />

(Peponis, Bafna, Dahabreh, & Dogan,<br />

<strong>2015</strong>). In addition, considerable<br />

work on libraries through history by<br />

e.g. Battles (2003), Lerner (2009) and<br />

Dahlkild (2011) have been pivotal to<br />

allow a broadened perspective on what<br />

a library is, has been, and could be.<br />

1.1. A (very brief) historical point<br />

To understand the situation library<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • D. Koch


9<br />

architecture is wrestling with there are<br />

key historical aspects to take into account<br />

that do not always come to surface<br />

in the debate, partially belonging<br />

to a typological process that embeds<br />

(perceived) history and future into the<br />

understanding of any type at any point<br />

in time (Steadman, 2014; Koch, 2014;<br />

c.f. Rossi, 1982), and partially in a ‘silent-but-present’<br />

history of libraries<br />

informing expectations, values, and<br />

choices in their making. The type discussed<br />

in this essay – the public library<br />

in concurrent, European-American society<br />

– is by and large a modern product<br />

(Markus, 1993; Dahlkild, 2011).<br />

However, this type explicitly as well as<br />

implicitly carries a lot of its precursors<br />

in its underlying conceptual definitions<br />

conditioning how it is or can be<br />

treated. The type as it is perceived today<br />

also casts a shadow back in history<br />

affecting our interpretation of the role<br />

of libraries historically as well as extends<br />

itself into the future.<br />

Amongst the historical roots worth<br />

reminding of, one seems to be found<br />

in the etymological roots of the term.<br />

Both the English library and the Swedish<br />

bibliotek here comes from the root<br />

‘book’ (Latin ‘liber’ and Greek ‘biblion’,<br />

both translating to ‘book’). While etymology<br />

should be handled carefully in<br />

relation to the development of building<br />

types (c.f. Forty, 2000), it is worth to<br />

consider how the concept is specifically<br />

tied to books and the handling or collections<br />

of them rather than buildings<br />

or practices of reading or learning. This<br />

suggests that the challenges to books<br />

raised on occasion goes right to the<br />

very core, origins and purpose of the<br />

type as such.<br />

In practice, the origins seem to be<br />

intertwined with various forms of archives.<br />

There is an important origin in<br />

the storage of texts – be it legal documents<br />

as in Egypt, written versions of<br />

oral traditions as in Ancient Greece,<br />

or tenants of philosophy as in China<br />

(Lerner, 2009). As many of these documents<br />

existed in only one copy, the<br />

earliest libraries often served a double<br />

role as archive and library: preserving<br />

texts in archives was a central part of<br />

the emergence of libraries. Preservation<br />

brought with it the formation of<br />

a place where one could find information,<br />

which led many of the earliest libraries<br />

to take on a mediating function<br />

as well as becoming sites of material<br />

production where texts were copied<br />

for further propagation. While the<br />

degree of publicness have varied, the<br />

artefact holding a text, its materiality,<br />

storage, arrangement and subsequent<br />

use thus is arguably integrated in the<br />

very foundation of the library as a type<br />

and concept. One can of course argue,<br />

as is done in some contemporary<br />

discussions about libraries, that the<br />

importance of the book is a practical<br />

result of the types of media available<br />

within which to store and reproduce<br />

the content (c.f. van der Velden, 2010;<br />

Bruijnzeels, 2008), but this rather reflects<br />

a contemporary and not entirely<br />

unchallenged view of what a book ‘is’<br />

that does not easily translate back to<br />

how it has been considered throughout<br />

history. It is in this situation important<br />

to not project concurrent view of technologies<br />

back onto earlier periods and<br />

cultures and their treatment of material<br />

(c.f. Lievrouw, 2014).<br />

The contemporary public library, as<br />

emerging largely in the 19 th century,<br />

has several roots, including traditions<br />

such as monastic libraries and personal<br />

collections in Europe as well as the<br />

Islamic dar-al’ilm (Lerner, 2009, p. 55-<br />

66). Already from the beginning they<br />

held an educational and enlightening<br />

purpose, perhaps most clearly similar<br />

to the dar-al’ilm, where learned librarians<br />

were to mediate knowledge and<br />

literature to a wider populace. This educational<br />

purpose also formulates one<br />

of many clear links to the university<br />

libraries, where the university library<br />

of Göttingen is often referred to as a<br />

key behind their transformation from<br />

storages to hearts of knowledge, largely<br />

attributed to the main librarian Christian<br />

Gottlob Heyne in the 18 th century<br />

(Lerner, 2009, p. 1<strong>12</strong>-119).<br />

However, the contemporary public<br />

library as a type should also be set in<br />

relation to a growing production of<br />

printed material, an increasing level of<br />

literacy, and an increasing amount of<br />

time available for especially the bourgeoisie<br />

but also the general urban population.<br />

This led to concerns for providing<br />

quality literature to the masses,<br />

but also for control of what was read,<br />

Architecture as Material Discourse: On the spatial formulation of knowledge and ideals in four<br />

library extensions


10<br />

and that the read material was appropriate<br />

for the various audiences who<br />

were reading it (Battles, 2003; Markus,<br />

1993; Bennet, 1995). The public library,<br />

thereby, also incorporated a quality<br />

control aspect into itself, and formed a<br />

part in a societal power struggle over<br />

taste, knowledge, literature and ‘spare<br />

time’. In this development they are,<br />

therefore, also distinctly responses to<br />

a changing urban environment as well<br />

as a changing idea of society and the<br />

function-types required to uphold it.<br />

In such a historical view, a transition<br />

from more concretely collections<br />

of books to centres of learning and<br />

knowledge for and of the public therefore<br />

can be said to have begun long before<br />

any digital era challenging the role<br />

of the printed material; the very notion<br />

of this being a linear progress can be<br />

questioned. This must reasonably be<br />

considered as part of the problematic<br />

that is being revisited repeatedly, once<br />

again recently. There is, simply, more in<br />

the function-type ‘library’ that is being<br />

challenged than the form of the media<br />

at any turn, and perhaps especially<br />

with the digital revolution.<br />

Figure 1. Malmö City Library with<br />

extension, view from the nearby park<br />

towards the main entrance. Original to the<br />

left in the image. Photograph: Press Image/<br />

Malmö City Library/Niclas Blomgren.<br />

Figure 2. Växjö City Library. Photograph of<br />

exterior with the original in front. Press Image/<br />

Växjö City Library.<br />

2. The empirical material: Two plus<br />

two times two<br />

The empirical material behind the<br />

discussion of this essay is, as noted,<br />

four public libraries and their planned<br />

or built extensions. These are the<br />

Malmö City Library (John Smedberg<br />

1946, Henning Larsen 1997; Figure<br />

1), the Växjö City Library (Erik Uluots<br />

1965, schmidt hammer lassen 2003;<br />

Figure 2), the Stockholm City Library<br />

(Gunnar Asplund 1928; Figure 3), and<br />

Gothenburg City Library (Rune Lund<br />

1967, Erséus Architects 2011; Figure<br />

4). All are studied through interviews,<br />

on-site visits, and studies of plans and<br />

literature, and the first three extensively<br />

through on-site observations. In the<br />

latter two cases, alternative proposals<br />

for extensions have been studied. For<br />

Malmö and Växjö the observation data<br />

concerns the library with extension,<br />

and for Stockholm the library without<br />

extension.<br />

The reason to focus on extensions<br />

is twofold: on the one hand, extensions<br />

form a common practice in the<br />

latest boom, and on the other hand,<br />

extensions, specifically, raise interesting<br />

architectural questions in having<br />

to negotiate between earlier and concurrent<br />

ideas. This forces choices and<br />

interpretations of what the ‘previous’<br />

was, what respect for and preservation<br />

of it is, and how far and in what ways<br />

architectural transformations can take<br />

place. Analysis of competition proposals<br />

have been used in similar ways<br />

before (e.g. Schmeideknecht, 20<strong>12</strong>;<br />

Rustad, 2010), and there is an extensive<br />

discourse showing how proposals<br />

and judgements are often highly informative<br />

of architectural views through<br />

quality judgements and motivations<br />

of both architects and jury (c.f. Rönn,<br />

Kazemian, & Andersson, 2010). Naturally,<br />

competition briefs and conditions<br />

heavily influence the proposals,<br />

Figure 3. Stockholm City Library, photograph<br />

from the park next to it. Photograph: Pressbild/<br />

Stockholms Stadsbibliotek/Olle Nordgren.<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • D. Koch


11<br />

Figure 4. Gothenburg City Library, exterior<br />

from Götaplatsen. Photograph: Håkan<br />

Grissler.<br />

but this will here be given less attention<br />

in favour of focusing on the results as<br />

material discourse.<br />

As the cases of this essay are Swedish,<br />

it is of interest to note that public<br />

libraries in Sweden are bound by a specific<br />

law, ‘bibliotekslagen’, according to<br />

which the main purpose of public libraries<br />

is to – in line with the development<br />

of a democratic society – contribute<br />

to the distribution of knowledge<br />

and the free formation of opinions<br />

(Swedish Government, 2013). In addition<br />

to this aim, the law also states that<br />

libraries are to promote the position<br />

of literature and interest in education<br />

(‘bildning’), enlightenment, research,<br />

and cultural activities in general. Earlier<br />

iterations of the law more clearly<br />

pointed to mediation of state and municipal<br />

information, which is more or<br />

less completely integrated in the identity<br />

of the public libraries today. During<br />

the ‘million programme’ in the 20 th<br />

century especially, but also before and<br />

after, public libraries were considered<br />

an integral part of any development.<br />

This has left a clear presence and expectation<br />

on libraries embedded in<br />

Swedish society.<br />

2.1. Patterns of appropriation and<br />

spatial configuration<br />

Of particular interest for this discussion<br />

is the dual of symbolic values and<br />

public appropriation of the libraries in<br />

question, always ever in connection to<br />

one another. What I here mean by ‘appropriation’<br />

is how the libraries come<br />

to be used and inhabited by visitors<br />

but also how the arrangement of literature<br />

and reading places as well as other<br />

functions are negotiated, which interacts<br />

with volumetric, organisational,<br />

and aesthetic qualities of the library in<br />

the forming of an identity as a meaningful<br />

whole (Markus, 1993) – or a<br />

‘public identity’ if one chooses to paraphrase<br />

Zukin (1995).<br />

It is therefore of note here that first,<br />

there is a high and significant correspondence<br />

between several patterns of<br />

inhabitance and the spatial configuration<br />

of the libraries analysed through<br />

means as developed from the principles<br />

set out by Hillier and Hanson<br />

(1984). Central to this is the understanding<br />

of spatial configuration defined<br />

as relations taking into account<br />

other relations (Hillier, 1996), which<br />

has been developed to be analysed<br />

through models that allow to mathematise<br />

these aspects of material arrangements<br />

of boundaries and spaces<br />

as graphs. The libraries have been analysed<br />

in a range of different ways and<br />

with a range of different resolutions;<br />

more specifically both as convex and<br />

axial systems (Hillier & Hanson, 1984)<br />

and as isovist fields (VGA) (Turner<br />

& Penn, 1999; Turner, 2001). The results<br />

have been carefully compared to<br />

various observed patterns of user behaviour<br />

(Figure 5), both through visual<br />

comparison and interpretation and<br />

statistical correlation studies. Most distinctly<br />

clear for the patterns of collective<br />

rates of movement, this is further<br />

traceable in other activities such as the<br />

differentiated practices of reading (c.f.<br />

Verschaffel, 2010) (Table 1).<br />

Of importance for the coming discussion<br />

on how principles and propositions<br />

are formulated in architectural<br />

Figure 5. Snapshot observations, City<br />

Library of Malmö. Examples of observations.<br />

To the left a balcony in the centre of floor two,<br />

to the right the top floor of the original. Both<br />

interaction between people and percentage<br />

of seats filled is noticeably higher in the<br />

left. Each observed person forms a small<br />

circle grey, each larger grey circle symbolises<br />

interaction.<br />

Architecture as Material Discourse: On the spatial formulation of knowledge and ideals in four<br />

library extensions


<strong>12</strong><br />

Table 1. Relations between spatial configuration and occupancy patterns. Only occupancy where relations have<br />

been found, have been included in the table. It should be noted that due to limits of programmatic distribution<br />

and furnishing, some of the found correspondences are additionally conditioned by e.g. availability of (type of)<br />

seats. Since furthermore distinctions between e.g. types of reading are highly interpretative, these have not been<br />

mathematically correlated as this risk giving a false impression of precision.<br />

Type of<br />

Type of observation Analytic method Result<br />

inhabitance<br />

Movement<br />

Flows<br />

Counted as passing<br />

by pre-defined<br />

observation gates<br />

design work is that increased detail in<br />

the spatial analysis does not by default<br />

increase degree of correlation; rather,<br />

correlations tend to increase as details<br />

are reduced. Depending on analytic<br />

model the correlations do not peak at<br />

the same level of detail in all libraries,<br />

though for an axial analysis the pattern<br />

is consistent (Table 2). For an isovist<br />

field analysis, the visibility-blocking<br />

objects tend to have a higher impact<br />

especially for open hall sections of the<br />

libraries (Koch, 2005). While further<br />

research is needed to confirm its generality,<br />

a reasonable interpretation of the<br />

result seems to be that the correlation<br />

peaks at a certain level of complexity<br />

of the system, which is not too detailed<br />

Statistical Correlation (gate<br />

counts vs. integration)<br />

Reading Occupancy of seats Statistical correlation,<br />

occupancy per seat (snapshot<br />

data vs. integration)<br />

Studying<br />

Focused<br />

studies<br />

Reading<br />

novels<br />

Group work<br />

Meeting<br />

Social<br />

Interaction<br />

Arrangement<br />

of literature<br />

Reading with<br />

notebooks and/or pen<br />

and paper<br />

Reading focused<br />

for longer time<br />

period, often with<br />

headphones or<br />

similar<br />

Observed relaxed<br />

reading<br />

Observed interaction<br />

around books or<br />

other media<br />

Observed waiting<br />

until other person<br />

arrives<br />

Observed relaxed<br />

interaction<br />

Observed location<br />

of books and other<br />

media<br />

Quantitative count, number<br />

of sitting per seat; qualitative<br />

interpretation of type of<br />

reading; individual trails<br />

Quantitative count, number<br />

of sitting per seat; qualitative<br />

interpretation of type of<br />

reading; individual trails<br />

Qualitative estimation;<br />

qualitative interpretation of<br />

type of reading;<br />

Quantitative count, share of<br />

available tables<br />

Qualitative estimation of<br />

share of waiters; qualitative<br />

judgement of behaviour<br />

Qualitative estimation<br />

Analysis of spatial<br />

distributions of literature<br />

compared to bookcases,<br />

intervisibility and spatial<br />

articulations<br />

and complicated, yet not too simple so<br />

as to not support orientation. Another<br />

reasonable interpretation, arguably intertwined<br />

with the earlier, is the degree<br />

to which the architecture, considered<br />

as the building in its own right, articulates<br />

spaces on a specific and detailed<br />

enough level or not. That is, in systems<br />

like Malmö’s and Växjö’s large halls, additional<br />

material structuring through<br />

the higher bookcases have a noticeable<br />

effect on global movement patterns,<br />

whereas in a distinct and clear articulation<br />

of a system as in the Stockholm<br />

case, global movement seems primarily<br />

related to the architectural definition<br />

of walls and spaces.<br />

It is worth to note here, that move-<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • D. Koch<br />

Strong correlation to global<br />

integration with exterior<br />

system included<br />

Average correlation to global<br />

integration<br />

Corresponds to being close-to<br />

integration and multiple seats;<br />

largely unrelated to literature<br />

Tends to correspond to low<br />

integration, and limited views<br />

or low integration and few<br />

seats (one to two per table)<br />

Tends to correspond to<br />

closeness to social interaction<br />

or spatial segregation<br />

Corresponds to close-to<br />

integration with limited<br />

number of seats; somewhat<br />

related to literature<br />

Corresponds to a combination<br />

of integration and control<br />

Corresponds to distance<br />

from studying, relates to high<br />

integration<br />

Follows primarily clearly<br />

articulated spaces or volumes;<br />

with less spatial articulation,<br />

bookcases gain increased<br />

importance for category<br />

differentiation


13<br />

Table 2. Correlations (r-square values) between global axial line integration and movement<br />

flow rates for the libraries. For the axial line correlations specifically, the building articulation<br />

provides highest correlation in all cases, whereas VGA analysis gives the highest correlation<br />

at an intermediate resolution including vision-blocking objects for Växjö and Malmö (albeit<br />

a lower correlation than the axial analysis). Correlations are provided with the entry gate<br />

removed from the statistics due to how it alone raises correlations dramatically.<br />

Library<br />

Building Visibility<br />

Permeability<br />

Articulation limitations<br />

limitations<br />

Malmö 65,81% 60,76% 49,7%<br />

Stockholm 82,37% 68,22% 63,95%<br />

Växjö 55,76% 52,37% 48,27%<br />

ment specifically correlates with the<br />

spatial configuration of the building<br />

structure in all cases, also when it peaks<br />

for more detailed analysis. The reason<br />

to point this out is to stress the importance<br />

of the architectural formulation<br />

and articulation of spaces and configurations<br />

as having significant impact on<br />

inhabitance regardless of subsequent<br />

furnishing and programming, recursively<br />

even more so through how it<br />

conditions the same.<br />

In a design process, of course, it does<br />

not work in such a single-directional<br />

manner and the process is always ever<br />

intertwined between program, building<br />

layout, interior furnishing, and a<br />

range of other concerns and questions<br />

(e.g. Koch & Miranda Carranza, 2014;<br />

Peponis, et al., <strong>2015</strong>; Anderson, 1984)<br />

– but at some point the constructed<br />

building gain more inertia than other<br />

parts. It also points to the importance<br />

of overall architectural configuration<br />

for subsequent use, especially when we<br />

consider questions of programmatic<br />

distribution, identity and meaningful<br />

appropriation. Rather than more detailed<br />

levels of analysis, it is often more<br />

explanatory to abstract the analysis<br />

further to gain further insight into the<br />

patterns of appropriation, such as the<br />

volumetric distribution, clustering of<br />

spaces to subsystems and the overall<br />

configurational logic in relation to the<br />

specific configuration as analysed via<br />

isovist fields, convex spaces and axial<br />

systems. As an example, the grouping<br />

of literature into the three volumes of<br />

Malmö is a more meaningful way of<br />

understanding the distribution of the<br />

programme and collections than configurational<br />

or metric distances on a<br />

furnishing level of detail. This is not<br />

to disregard detailed analysis as it can<br />

clearly relate to other forms of use,<br />

such as the repeatedly found pattern of<br />

‘waiting’ in locations with a combination<br />

of high axial or isovist integration<br />

and high isovist control value.<br />

Second, it is important to point out<br />

that in the empirical studies of the libraries,<br />

the found correspondences<br />

between appropriation patterns and<br />

configurational properties require the<br />

analysis to take the exterior into consideration<br />

for most studied forms of<br />

use. Somewhat counter-intuitively,<br />

however, this is not as simple as that as<br />

public domains and spaces they form<br />

extensions of exterior public space and<br />

therefore the spatial system used for<br />

the analysis must include the public<br />

exterior. Rather, the correlations increase<br />

in all studied cases if the specific<br />

exterior is disregarded and the configurational<br />

formulation of this relation<br />

of the library building ‘itself ’ is analysed,<br />

although the effects on buildings<br />

with singular entrances like the analysed<br />

libraries are minimal. Technically,<br />

this is done through a process of<br />

‘mirroring’ and thereby analysing the<br />

configuration as related to itself internally<br />

and through the entrances (c.f.<br />

Koch, 2013). This suggests that a large<br />

portion of the mediation of the library<br />

content to the public is defined by the<br />

internal configuration rather than the<br />

external, which increases the importance<br />

of understanding how the libraries<br />

‘themselves’ make this description.<br />

While these correlations and observations<br />

are not the central discussion of<br />

this essay, I believe it is what enables<br />

the coming discussion as it means that<br />

changing the internal configuration of<br />

the libraries will re-describe the relation<br />

between program and public no<br />

matter what effort is put externally or<br />

in the specific new or existing entrance<br />

spaces to handle it. The internal configuration<br />

is simply a powerful means<br />

Architecture as Material Discourse: On the spatial formulation of knowledge and ideals in four<br />

library extensions


14<br />

through which this is communicated,<br />

and it is through the global internal<br />

configuration of the public portions<br />

that it is at its most powerful.<br />

The point here is to raise the discussion<br />

from pragmatics of ‘use-values’,<br />

pros and cons of different proposals, to<br />

a discussion of the proposition made in<br />

each specific proposal (Peponis, 2005)<br />

of what a library and what knowledge<br />

is, operating on an overall global-configurational<br />

level through its subsequent<br />

mediation of content and programme<br />

to visitors, and its relation to<br />

people both individual, as relational<br />

collectives, and as a general public,<br />

through how this comes together as<br />

possible meaningful wholes (Markus,<br />

1993). How public is a public library?<br />

For whom? What kind of activity is<br />

given priority and under what conditions?<br />

What is arranged for to be common<br />

and shared, and what is arranged<br />

for to be a private, or at least personal,<br />

concern? And not the least, what is the<br />

general ideas of hierarchies and distributedness,<br />

and what degrees of differences<br />

are introduced or maintained?<br />

2.2. Global configurations and structures<br />

of knowledge<br />

Architectural configuration participates<br />

in such propositions in more<br />

ways, however. For instance, the differentiation<br />

between ‘kinds’ of literature<br />

is within the bounds of possible configurations<br />

emphasised in the current<br />

City Library of Stockholm, making the<br />

visitor chose branch early on and making<br />

it comparatively more difficult to<br />

change branch the further into one one<br />

has venued. Comparatively, Malmö<br />

City Library offers a more flexible situation<br />

that does not to the same extent<br />

emphasise this differentiation and has<br />

a more networked character, but still<br />

makes clear differences between what<br />

is readily accessible and what is distant<br />

in the library in general. Växjö here,<br />

partially by means of placing all literature<br />

comparatively deep into the configuration,<br />

makes differences smaller.<br />

However, in spite of its circular form,<br />

it places an emphasis on two key transitions<br />

in the central atrium that operate<br />

very similar to the tree structure<br />

of Stockholm. In fact, in general Växjö<br />

operates in a very tree-like manner<br />

simply due to how the solution emphasises<br />

the central walk around the atrium<br />

and de-emphasises the peripheral<br />

walk along its boundary – which is also<br />

observed to affect the movement pattern<br />

of visitors by making more common<br />

the inner route and less common<br />

the outer one even when the second<br />

would be the functionally more efficient.<br />

This tree-like structure is significantly<br />

strengthened as compared to the<br />

original library which was organised to<br />

perform much more like a grid or a<br />

field (c.f. Allen, 1997).<br />

The distributions of space hence<br />

clearly signals ideas of the structure<br />

and hierarchies of knowledge in general<br />

(e. g. as series, trees, or networks<br />

as discussed by Foucault, 1997) as well<br />

as the relations between depth and<br />

width thereof, in relation to which the<br />

distribution in space of functions, literature,<br />

and activities communicates<br />

both internal relations between these,<br />

and their relation to the public as well<br />

as what constitutes branches, entities,<br />

or categories therein. In practice the<br />

libraries spatially demonstrate a less<br />

clear and rational organisation than is<br />

perhaps expected, and one that is logically<br />

incoherent as it comes to their<br />

classifying operations – which appears<br />

to rather provide clarity than confusion<br />

for most of the visitors. Spatially measured<br />

as being co-located in the same<br />

spaces of intervisibility on the scale of<br />

architectural articulation of spaces, for<br />

instance, Malmö organises its literature<br />

into a clear separation between fact<br />

and fiction into two buildings, ‘youths’<br />

as a separate group of in-between, arts<br />

and music as being as related to fiction<br />

as to humanities and social sciences,<br />

and a range of other categories. On a<br />

finer level, natural sciences and technology<br />

are separated, but co-located as<br />

compared to humanities and social sciences.<br />

Et cetera. (Figure 6) While one<br />

should not take these distributions too<br />

literally as representations of the ideal<br />

organisation of knowledge or literature<br />

for either architects or librarians, it can<br />

clearly be interpreted from the point of<br />

view of an emergent structure thereof<br />

based on a negotiation between an<br />

overall ideal and specific local choices<br />

which responds to values and ideals on<br />

an often non-discursive level (c.f. Fou-<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • D. Koch


15<br />

cault, 2003; Markus & Cameron, 2002).<br />

In such a process the materiality of architecture<br />

and collections forces such<br />

choices to be made and to take shape<br />

within the spatial organisation through<br />

which it operates. It can therefore<br />

also be seen as to ‘unearth’ otherwise<br />

non-discursive portions thereof, and<br />

subsets of values and priorities that in<br />

ideal images can be relegated to heterotopias<br />

(Foucault, 1997) and therefore<br />

be left outside of consideration.<br />

Figure 6. Malmö City Library, literature<br />

structure. Some simplifications have been<br />

made for readability. (a) Popular, (b)<br />

Newspapers and Magazines, (c) Children,<br />

(d) Humanities & History, (e) Social<br />

sciences, (f) Jurisprudence, (g) Technology,<br />

(h) Sustainability, (i) Natural Sciences, (j)<br />

Arts and music, (k) Reference books, (l)<br />

Fiction, (m) Thrillers, Detective Novels,<br />

etc, (n) Novels in foreign languages, (o)<br />

Old novels, (p) Literature by people from<br />

Malmö or about the region, (q) Genealogy<br />

and microfiche, (r) DVD and CD records, (s)<br />

Listening Books and easy reading, (t) Youth<br />

books, fact, (u) Youth books, fiction. As can<br />

be seen, especially fiction becomes a blended<br />

category. Another possible interpretation<br />

would have been that the southern length<br />

of rooms from the atrium (M, P, Q, S)<br />

constitutes ‘anomalies’ on each floor and that<br />

fiction rather consists of L, N and O.<br />

2.3. The extensions<br />

When discussing the extensions,<br />

it is important to consider that the libraries<br />

in question are historically and<br />

culturally significant; Stockholm has<br />

international recognition, Växjö was<br />

Sweden’s first open-hall library, and<br />

Gothenburg forms an important piece<br />

of Götaplatsen, a square surrounded by<br />

several important cultural and social<br />

buildings in Gothenburg. The outlier<br />

here is Malmö, where the old library<br />

was originally not built as a library and<br />

arguably had issues in how the library<br />

had been integrated into the existing<br />

old building before the extension was<br />

to be made. Furthermore, two of the<br />

built extensions are highly regarded:<br />

Malmö was awarded the Kasper Salin<br />

prize – the most prestigious architectural<br />

reward in Sweden (Hultin, 2001)<br />

– and Växjö was a nominee for the<br />

same.<br />

If we begin with the extensions less<br />

central to the essay – the ones of Malmö<br />

and Växjö City Library – it can be noted<br />

how they in both cases come in the<br />

form of clear geometric formal play<br />

(Figure 7). In Växjö an original square<br />

volume is paraphrased by a cylindrical<br />

volume, where the vertical arrangement<br />

of solid mass and transparency is<br />

inverted. In Malmö the square, nearly<br />

cubical, form of the original building is<br />

repeated in the extension with a similar<br />

size but including a small offset of a<br />

cube in a cube, connected to the old via<br />

a much smaller cylindrical form. There<br />

is, however, a noticeable difference in<br />

how the solution in Malmö places the<br />

new entry in the in-between cylinder,<br />

engaging both larger volumes equally<br />

and equidistantly from the new entry<br />

with several connections in-between<br />

and how the Växjö solution places the<br />

added cylinder behind the original<br />

square, leading to a differentiated relation<br />

to the public. In Malmö, furthermore,<br />

the old library still holds a large<br />

portion of the literature, whereas Växjö<br />

– arguably in a common form of solution<br />

– places all literature in the new<br />

volume and reworks the original book<br />

hall into casual reading places, information<br />

and utility desks, magazine and<br />

Architecture as Material Discourse: On the spatial formulation of knowledge and ideals in four<br />

library extensions


16<br />

Figure 7. The volumetric composition of Malmö (left) and Växjö<br />

(right).<br />

newspaper sections, a café, and a few<br />

other service functions.<br />

On one hand, this preserves the<br />

main hall as present in any library visit<br />

to Växjö, while the old building can remain<br />

unvisited in Malmö. On the other<br />

hand, this makes a radical transformation<br />

of what a visit to the ‘old library’<br />

contains, what practices it includes,<br />

and the aesthetics and functionality of<br />

the spaces in Växjö whereas the part<br />

of being a ‘library’ that concerns the<br />

housing and mediation of access to<br />

books is preserved in Malmö. At the<br />

same time, in order for the old library<br />

in Malmö to become an integrated part<br />

of the new whole in use and not only<br />

in volumetric composition, it has had<br />

to be dramatically altered; an earlier<br />

courtyard has been turned into an atrium<br />

in which balconies and stairs form<br />

the main communicatory space of the<br />

volume (Figure 8), and one of the most<br />

active parts of the library has become<br />

its connection to the other volumes, i.e.<br />

where there used to be bricks and mortar.<br />

Neither as a configuration nor as a<br />

generic material-spatial arrangement<br />

guiding and allowing inhabitance,<br />

then, the old library operated remotely<br />

close to how it does currently. Arguably,<br />

this comes as a result of an altered<br />

idea of what a library is combined with<br />

a wish to include the existing library<br />

into such an idea, where the consequences<br />

of such an altered view have<br />

been followed through architecturally.<br />

This solution in Malmö furthermore<br />

allows literature to remain closer to the<br />

public, whereas they are – in Hanson’s<br />

(1998) terms – insulated from the public<br />

in Växjö both distinctly spatially<br />

(number of spaces one needs to pass,<br />

especially in relation to total depth)<br />

and spatio-functionally (number of<br />

functions one needs to pass). It thus<br />

shows differences in relation to both<br />

architectural preservation and ideas of<br />

a library, but also in what careful consideration<br />

of the existing as argued for<br />

in both cases leads to as architectural<br />

proposals. From this point of view I will<br />

continue through the material of two<br />

times two proposals: two proposals regarding<br />

the Gothenburg City Library,<br />

and two proposals for the Stockholm<br />

City Library, in both cases comparing<br />

the winning proposal (which are radi-<br />

Figure 8. Malmö City Library. Interior of<br />

the atrium, previously a courtyard, original<br />

building. Photograph: Malmö City Library/<br />

Niclas Blomgren.<br />

cally different between the two to start)<br />

to an alternate proposal that shows<br />

clearly other configurational strategies<br />

(c.f. Peponis, et al., <strong>2015</strong>).<br />

2.4. Stockholm and Gothenburg<br />

The Stockholm competition was an<br />

open international competition, receiving<br />

a vast number of contributions.<br />

Of these, I will mainly present two –<br />

Heike Hanada’s winning proposal ‘Delphinium’<br />

(Figure 9) and JaJa Architects’<br />

(Jakob Steen Christensen and Jan<br />

Yoshiyuki Tanaki) awarded proposal<br />

The Book Hill (shared 4 th place). Hana-<br />

Figure 9. Delphinium; extension proposal for<br />

Stockholm City Library by Heike Hanada.<br />

Press image from Sveriges Arkitekter for the<br />

competition.<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • D. Koch


17<br />

da’s proposal clearly separates new<br />

and old in two volumes, respectfully<br />

keeping the Asplund building intact in<br />

its volumes and as a solitary, whereas<br />

Christensen and Tanaki’s makes a radical<br />

cut into the building connecting<br />

the new addition right into the rotunda<br />

of Asplund’s work (Figure 10). This<br />

makes them two of the most radically<br />

different outcomes of the competition.<br />

The Gothenburg extension was instead<br />

handled by a parallel commission<br />

given to five architectural offices.<br />

Also in this case I have chosen to make<br />

use of the winning proposal by Erséus<br />

Architects in comparison to one of<br />

the other proposals by Malmström &<br />

Edström. Here, the winning proposal<br />

(Figure 11) is claimed to work within<br />

the logic of the original work by “letting<br />

the library spaces grow forth and<br />

develop from within” (personal communication,<br />

Peter Erséus, May 2008,<br />

trans. by the author), whereas the other<br />

proposal maintains the exterior integrity<br />

of the building by adding a second<br />

volume to the side of the original<br />

seen from the square against which it<br />

is located (Figure <strong>12</strong>). This means that<br />

the two are different both from one<br />

another and from the Stockholm proposals<br />

as in Malmström & Edström’s<br />

work, the new volume holds auxiliary<br />

functions whereas in Hanada’s work<br />

the new volume holds the main part<br />

of the book collection. Hanada’s work<br />

also aims to transform the library into<br />

more of a ‘public living room’ whereas<br />

Malmström & Edström’s aims to<br />

preserve the identity and character of<br />

the originally by adding space for the<br />

additional functions and activities expected<br />

of a library today. The relation<br />

Figure 10. Book Hill; extension proposal for<br />

Stockholm City Library by JaJa Architects.<br />

Press image from Sveriges Arkitekter for the<br />

competition.<br />

Figure 11. Extension proposal for<br />

Gothenburg City Library by Erséus<br />

Architects and WSP. Gothenburg/Press<br />

Image/Erséus Architects.<br />

Figure <strong>12</strong>. Extension proposal for<br />

Gothenburg City Library by Malmström<br />

& Edström. Gothenburg/Press Image/<br />

Malmström & Edström.<br />

to Götaplatsen here adds an additional<br />

dimension as the original library forms<br />

a coherent image with the surrounding<br />

buildings in material and stylistic<br />

expression, which is challenged by the<br />

extension by Erséus both in the volumetric<br />

composition and in aesthetics<br />

and materiality.<br />

It is thus possible to create a kind of<br />

matrix of solutions amongst proposals,<br />

all argued for as carefully preserving<br />

the core of the architecture of the existing<br />

libraries. On the one hand proposals<br />

creating a new building in order<br />

to preserve volumetric composition<br />

and exterior aesthetics of the existing,<br />

and proposals focusing on the ‘internal<br />

spatial logic’ at the expense of considerations<br />

for preservation of exterior<br />

expression. On the other hand, it is<br />

possible to set up the extent to which<br />

the traditional ‘library’ is significantly<br />

altered or moved. Here, Malmström &<br />

Edström’s proposal with a new volume<br />

is uncommon amongst extensions in<br />

that it specifically strives to maintain<br />

the existing as far as possible and let<br />

the ‘new’ functions and activities be<br />

housed in the addition. In light of the<br />

above discussion, however, it seems<br />

clear this matrix is insufficient as more<br />

Architecture as Material Discourse: On the spatial formulation of knowledge and ideals in four<br />

library extensions


18<br />

than a starting point.<br />

Considering the question of spatial<br />

organisation, taking into consideration<br />

the distinct relation of Asplund’s building<br />

to on the one hand an international<br />

library culture and on the other a prevalent<br />

idea of knowledge at the time of its<br />

making, it is arguably difficult to speak<br />

of preservation of the library without<br />

including how it represents and organises<br />

knowledge as a tree structure<br />

with distinct branches ordered around<br />

a central space of fiction. This is not a<br />

pragmatic solution to a programme,<br />

but a distinct formulation of an idea on<br />

several levels including spatial configuration<br />

as expression and representation<br />

as well as through how it organises<br />

narratives of library visits (c.f. Psarra,<br />

2009) and distributes flows and other<br />

activities in and through the building.<br />

This organisational idea comes clear<br />

through how the tree structure has<br />

been maintained even when it might<br />

for practical reasons been better not<br />

to, and in how the deviations from the<br />

structure appear to be more or less hidden<br />

and subsequently less used (Koch,<br />

2004). Arguably, the specific order of<br />

the collections – which has been altered<br />

over time – is of less importance than<br />

the systemic tree-representation and<br />

its relation to the central space of fiction.<br />

This representation also requires,<br />

more or less, all of the collection to follow<br />

this logic or it looses its power. The<br />

organisation furthermore tends to lead<br />

to a quieter space in the branches, as<br />

thoroughfare is more or less eliminated,<br />

supporting focused, undisturbed<br />

reading as a central activity while potentially<br />

inhibiting browsing.<br />

This is not to say the volumetric<br />

composition can be ignored; Asplund’s<br />

work as a whole clearly includes the<br />

volumetric arrangement and how<br />

these volumes meet the surrounding<br />

streets – carefully making the library<br />

offset and monumental from all directions<br />

– the streets, the park next to it,<br />

and the annexes (Figure 13). Keeping<br />

in mind the historical context of Asplund’s<br />

work, the library as a solitary<br />

composition is an important part of<br />

its urban identity; an identity arguably<br />

also dependant on housing at least<br />

most of the library within its boundaries.<br />

Since his work remains within an<br />

Figure 13. Asplund’s Plan for the Stockholm<br />

City Library from 1928, showing the library<br />

without its fourth branch in the back, and<br />

with four annexes planned – as well as<br />

drafts of the park and hill. It is clear how the<br />

composition was a city planning question<br />

to a large extent. The square building at<br />

the top of the hill is a preliminary draft<br />

for a building for what is now Stockholm<br />

University. Public Domain by Age.<br />

understanding of ‘library’ as primarily<br />

being concerned with the housing, organisation<br />

of, and access to a collection<br />

of books, de-coupling the building and<br />

the books under a new paradigm of library<br />

typologies becomes problematic<br />

from a point of view of preservation.<br />

At some breaking point, preserving the<br />

volume would still not preserve its library<br />

identity. This clearly has raised a<br />

kind of conundrum where the different<br />

proposals have opted to give priority to<br />

one aspect at the expense of other.<br />

This contradiction is noted already<br />

in the competition programme, stating<br />

that “[t]he assignment includes proposing<br />

a link that ensures the best possible<br />

spatial and functional connection<br />

between the buildings, all while being<br />

sufficiently respectful to the Asplund<br />

building” (Stockholm Stad, 2006, p. 32).<br />

However, when it comes to the judgement<br />

of the competition, it comes clear<br />

how the respect for Asplund’s volumetric<br />

composition and exterior overrules<br />

the programme’s stress on the connection<br />

(see Stockholm Stad, 2007). The<br />

jury also points to a not awarded but<br />

mentioned proposal by Wingård’s that<br />

arguably draws on the historical evolution<br />

of the Asplund building by rather<br />

than running a chirurgical corridor to<br />

the rotunda, replaces Asplund’s own<br />

addition of a western foyer with the beginning<br />

of the new extension, which,<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • D. Koch


19<br />

Figure 14. Brass; extension proposal for<br />

Stockholm City Library by Wingård’s. Press<br />

image from Sveriges Arkitekter for the<br />

competition.<br />

according to the jury, better connects<br />

to the rotunda and forms a more complete<br />

whole than the other proposals<br />

making the connection (Figure 14).<br />

From this point of view, if we insist<br />

on the library as a representation of<br />

an idea through how it organises and<br />

distributes its material collection of<br />

books, it is then also not enough to – as<br />

in some of the proposals – ensure that<br />

the rotunda is a central part of most<br />

visits to the library. The narrative logic<br />

of arrangement would have to be maintained<br />

as well. That is, the tree-structure<br />

branching out from the rotunda.<br />

In the material of the competition, it is<br />

not fully clear to what extent the proposals<br />

breaking their way through the<br />

wall into the rotunda do this, though<br />

in as far as it can be told it appears the<br />

focus has been on reaching the rotunda<br />

specifically to incorporate it in the new<br />

structure.<br />

As noted earlier, the winning proposal<br />

in Gothenburg, in comparison,<br />

explicitly attempts to work with the<br />

‘formal logic’ of the existing over and<br />

above its volumes or its exterior expression;<br />

what is to be preserved is<br />

the original’s ‘inner logic of growth’<br />

from the inside out. Under such logic<br />

it is reasonable to preserve the overall<br />

arrangement of functions and collections<br />

and let them grow outwards.<br />

While this logic only holds so far – the<br />

extension is after all rather modest in<br />

meters from the facade and there is<br />

little difference to this growth related<br />

to any need – it formulates a radically<br />

different stance. In the situation, the<br />

rhetoric around the proposal suggesting<br />

that the old library will still be visible<br />

through the glass parts of the new<br />

facade must be considered more of a<br />

post-rationalisation (c.f. McMorrough,<br />

2008); at the very least, it can be noted<br />

that as the work has been realized, the<br />

old library is hardly visible as reflections<br />

and viewing angles hide it behind<br />

the new glass facades. It is, however,<br />

part of the motivation of the jury. All<br />

the same, the approach have allowed<br />

Erséus to create a new whole based on<br />

an inner logic with consequences for<br />

other architectural questions such as<br />

the exterior expression and the contextual<br />

relation across Götaplatsen to the<br />

surrounding buildings.<br />

Malmström and Edtröm’s proposal<br />

here reminds more of the solution in<br />

Malmö, although even more consideration<br />

may be allowed for the existing<br />

situation. An added volume housing<br />

‘other’ or ‘new’ activities attached to<br />

the old with some connections in between.<br />

Naturally this at least skews the<br />

configuration and centrality somewhat<br />

and rearranges certain flows, but arguably<br />

to a comparatively small extent. It<br />

does, however, clearly signal the split<br />

between the traditional and the new<br />

and questions can be raised how this<br />

affects the whole. In comparison to the<br />

Malmö case, one can raise the question<br />

whether there is a contradiction between<br />

global integration of the whole<br />

and preservation that can only be resolved<br />

by deliberate choice of priority,<br />

but this may seem premature. What is<br />

clear, however, is how different priorities<br />

taken to certain extents radically<br />

conflict with one another, possible to<br />

read as differences on the level of architectural<br />

principles and ideologies.<br />

What the configurative analysis allows<br />

is a deeper and firmer understanding<br />

of the structural representation and<br />

mediation of ideas of knowledge, its orders<br />

and arrangements, and the way it<br />

is to be accessed, sequenced, insulated,<br />

separated, and connected. It furthermore<br />

strengthens this understanding<br />

by showing how, specifically, the spatial<br />

configuration is powerful in communicating<br />

this by how it structures<br />

flows of movements and other activities,<br />

as expressed through correlations<br />

between configurational measures and<br />

various activities on the one hand, and<br />

additionally through how measures<br />

relate to common individual behav-<br />

Architecture as Material Discourse: On the spatial formulation of knowledge and ideals in four<br />

library extensions


20<br />

iours of visitors on the other. That this<br />

statistical correlation increases when<br />

the volumetric composition and more<br />

detailed configuration of delimitations<br />

and allowances of visibility coincide in<br />

their basic network logic is of interest<br />

but not the main point.<br />

3. Transformations and Additions<br />

between Geometry, Aesthetics and<br />

Configuration<br />

What I have tried to do here, is not<br />

to suggest one strategy as superior over<br />

the other. I believe it is fair to say that<br />

I have my preferences, but that more<br />

than that I am deeply fascinated by the<br />

process and the proposals in how what<br />

could be considered as small shifts in<br />

priority can lead to such radically different<br />

results – and how this leads to<br />

all the proposals being argued for as<br />

being respectful to the existing building.<br />

To an extent, the proposals conduct<br />

a discussion where each of them<br />

challenge the very notion of preservation<br />

in all of the other proposals, suggesting<br />

they have misunderstood just<br />

what the foundational principles of the<br />

libraries are, which leads further to a<br />

discussion about architecture and architectural<br />

principles that reach deep<br />

into the heart of the concept. The argumentation<br />

presented for competition<br />

or parallel commission proposals must<br />

here, as McMorrough (2008) argues,<br />

be treated partially as ruminations on<br />

established case. While it must also be<br />

considered that there are many reasons<br />

that the proposals have reached their<br />

final shape, studying the proposals<br />

themselves as statements in such a debate<br />

is what allows for this discussion<br />

to happen.<br />

I do not here propose that it is as<br />

simple as differences between valuing<br />

aesthetics or use; this is clearly not the<br />

case and I would challenge such a division<br />

to start with. However, relations<br />

between geometry, configuration, aesthetics,<br />

and many other factors come<br />

into play, as well as how they relate to<br />

programmed content and to consecutive<br />

appropriation and inhabitance,<br />

as aspects of integrated architectural<br />

questions. These are statements made<br />

regardless of whether they are intended<br />

or not, and priorities made in the<br />

decision of a winner regardless of expressed<br />

intent or explicit motivation.<br />

In light of this discussion, one could<br />

argue that Asplund’s solution is resistant<br />

to extension by the dual relation of<br />

a tree-structure with a central rotunda<br />

inscribed in a distinct solidity of geometrical<br />

definition. This is only partially<br />

true, however, as the original library<br />

lacked one of the branches leaving one<br />

side open. On the other hand, the extension<br />

possibility was effectively cut<br />

off with Asplund’s own addition of the<br />

final volume in the ‘back’ that geometrically<br />

seals it off.<br />

The issue can of course be further<br />

complicated by raising questions of<br />

what the original architectural intentions<br />

were, both explicitly and implicitly,<br />

which additionally is challenged<br />

by the interplay of the discursive versus<br />

the non-discursive in architectural<br />

design suggesting that we cannot understand<br />

the original intentions solely<br />

by looking at what was formulated in<br />

speech or writing, which, in addition<br />

to not communicating non-discursive<br />

ideas, is also balanced by how the architects<br />

have had to argue for their proposals<br />

as well as how they have sought<br />

to present the work as conforming or<br />

challenging concurrent traditions –<br />

and if so, which.<br />

What we can say, however, is that the<br />

appropriation and inhabitance of the<br />

buildings, clearly shown empirically to<br />

relate to the spatial organisation in several<br />

distinct ways, reasonably must be<br />

one piece of the discussion that cannot<br />

reasonably be disregarded even if in<br />

the end it can be given higher or lower<br />

priority than other factors depending<br />

on aims and values. However, the more<br />

the inhabitance or the way a library<br />

mediates an idea of knowledge through<br />

how it structures narratives of uses and<br />

visits is valued, the more significant it<br />

becomes to consider the spatial-configurational<br />

effects of the extensions. In<br />

some cases, this may provide keys that<br />

allow clearer choice to be made on priorities<br />

and proposals, whereas in other<br />

cases it may help clarify if within the set<br />

ambitions a proposal taking care of all<br />

expectations is plausible. In order for a<br />

configurational analysis to contribute<br />

beyond mere pragmatics, however, a<br />

more complex understanding of mediation<br />

of ideals, values and meanings<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • D. Koch


21<br />

not as separate from but intertwined<br />

with practical considerations and user<br />

concerns must be brought into play<br />

and analyzed from the point of view of<br />

architectural propositions.<br />

Acknowledgements<br />

The writing of this paper had not<br />

been possible without the discussions<br />

with John Peponis, Sophia Psarra and<br />

Ermal Shpuza back in Stockholm in<br />

the spring of 2013 and following. It<br />

also relies heavily on the discussions<br />

within the research group Spatial Analysis<br />

and Design at the KTH School of<br />

Architecture and, for this paper specifically,<br />

especially with Ann Legeby.<br />

Part of the writing work of this paper<br />

is done through the FORMAS-funded<br />

research environment Architecture in<br />

the Making. Finally I would like to acknowledge<br />

the support, openness and<br />

willingness to contribute in various<br />

ways shown by the libraries in question.<br />

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ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • D. Koch


ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • 23-39<br />

The dynamics and diversity of<br />

space use in the British Library<br />

Kerstin SAILER<br />

k.sailer@ucl.ac.uk • Space Syntax Laboratory, The Bartlett School of Architecture,<br />

University College London, 140 Hampstead Road, London NW1 2BX, United<br />

Kingdom<br />

Received: September <strong>2015</strong> Final Acceptance: October <strong>2015</strong><br />

Abstract<br />

The Space Syntax study of buildings typically distinguishes between weak and<br />

strong programming, where social behaviours either follow or defy the spatial<br />

logic of a building. This is often based on analysing collective and aggregate patterns<br />

of behaviour. This paper builds on recent work redefining our understanding<br />

of weak and strong programming, yet aims to analyse usage patterns and<br />

spatial affordances in a much more fine-grained way by taking diversity of user<br />

groups as well as the temporal unfolding of behaviours into account. The British<br />

Library acts as a case study and is investigated based on a rich empirical dataset of<br />

observed user behaviours.<br />

Results suggest that the British Library shows both strong and weak programming:<br />

movement flows only partially followed spatial configuration, and the interface<br />

the building constructed kept people apart rather than bringing them together.<br />

In addition, large variations in user activities existed in some parts of the<br />

Library, all of which points towards strong programming. At the same time however,<br />

certain activities showed clear spatial preferences and significant differences<br />

in local and global visibility patterns, which illustrates weak programming. It was<br />

also shown how dynamic and diverse user behaviours emerged in the British Library,<br />

highlighting the need to draw a nuanced picture of usage. The contribution<br />

of the paper thus lies in a detailed and deep analysis of usage patterns, unpacking<br />

variations in behaviours between different users at different times and linking this<br />

both to the affordances of configuration as well as programmatic influences.<br />

Keywords<br />

Public libraries, Space syntax, Space usage, Temporal dynamics, Strong and weak<br />

programming.


24<br />

1. Introduction: More than just<br />

books…<br />

Buildings are dynamic settings<br />

that accommodate a range of different<br />

uses. A hospital for instance is<br />

not just a place for curing the ill, but<br />

also a workplace for nurses, doctors,<br />

cleaners and porters (see for instance<br />

Heo, Choudhary, Bafna, Hendrich,<br />

& Chow, 2009 on nurses assignments<br />

and behavioural patterns). A school<br />

not only enables teaching and learning,<br />

but is also an important place for socialisation,<br />

making friends and hanging<br />

out (Minuchin & Shapiro, 1983;<br />

Sailer, <strong>2015</strong>). Shops have clear social<br />

functions beyond their retail purpose<br />

(Koch, 2014). Museums do not only<br />

exhibit pieces of art, but also educate,<br />

entertain and sell merchandise (Kwon<br />

& Sailer, <strong>2015</strong>). Likewise, libraries have<br />

always been meeting places for communities<br />

in addition to storing books<br />

and organising access to information<br />

(Capille & Psarra, <strong>2015</strong>).<br />

All of the above descriptions centre<br />

on what people do in buildings.<br />

Indeed, most buildings are defined by<br />

functions or so called ‘use types’ (Forty,<br />

2000) or ‘activity types’ (Steadman,<br />

2014): a hospital is a hospital because<br />

of what happens there, and likewise<br />

a school is a school again because of<br />

what goes on inside it (Hillier, Hanson,<br />

& Peponis, 1984).<br />

Yet, it seems that what people do<br />

in buildings becomes even more important,<br />

as a new focus on the human<br />

side of architecture as well as on people’s<br />

experiences, behaviours and usage<br />

patterns can be observed in recent<br />

discourses. The question of usage and<br />

daily life has already been popular in<br />

the 1970’s with architects like Herman<br />

Hertzberger defining architecture as<br />

concerned with ‘daily life lived by all<br />

people’ (Hertzberger, 1991), however<br />

only recently, scholars have argued that<br />

the social agenda of architecture has<br />

too long been a blind spot that needs<br />

re-addressing (Cupers, 2013). Other<br />

recent publications on usage and the<br />

social role of architecture and design<br />

(Awan, Schneider, & Till, 2011; Bergdoll,<br />

2010; Maudlin & Vellinga, 2014;<br />

Till, 2009) underlined the important<br />

reading of buildings as ‘lived in’<br />

(Brand, 1994; Hollis, 2009).<br />

If we consider buildings based on<br />

usage, change becomes essential. Public<br />

libraries, like most other building<br />

types have seen a dramatic change in<br />

how they are used, perceived and experienced.<br />

The increasing digitisation<br />

of content means that new ways of accessing<br />

collections emerge, thus shifting<br />

the necessity of a physical site away<br />

from providing access and towards<br />

other uses. Drawing on a study of 24<br />

recently built monumental public library<br />

buildings, Shoham and Yablonka<br />

(2008) came to the conclusion that the<br />

new-built libraries had increased user<br />

numbers, were full of life and served<br />

wider purposes as symbols of culture,<br />

as tourist attractions, but also as pleasant<br />

meeting places in a quiet cultured<br />

environment.<br />

The British Library forms a particularly<br />

interesting case in this context.<br />

The architect of the British Library,<br />

Sir Colin St John Wilson (1998) described<br />

the multitude of functions to<br />

be accommodated as: a day-to-day<br />

workplace, an institution that embodies<br />

and celebrates national memory, a<br />

storage of collections, places of study,<br />

exhibitions of its treasures, an eventspace<br />

hosting lectures and seminars,<br />

and back-of-house functions such as<br />

conservation laboratories and administration.<br />

This already points to a real<br />

diversity of space usage patterns. How<br />

the publicly accessible areas of the Library<br />

are indeed used in their everyday<br />

functioning will be explored in<br />

this paper, drawing on a rich data set<br />

of empirical and both quantitative and<br />

qualitative participant observations,<br />

collected in 2009 and 2010 by MSc<br />

students at the Bartlett, UCL. It will be<br />

asked how people move around in the<br />

building, to which degree the spatial<br />

layout (analysed with Space Syntax)<br />

informs usage patterns and how usage<br />

varies between different user groups,<br />

but also over time. Its main aim is to<br />

provide a sketch of the multi-functionality<br />

of the building and describe user<br />

groups and usage patterns in as much<br />

detail and variation as possible. This is<br />

an important task, if we want to reflect<br />

on how to design ‘social’ buildings in<br />

the future, where usage and people’s<br />

activities, preferences and experiences<br />

are actively anticipated, embedded,<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • K. Sailer


25<br />

and allowed to grow and change.<br />

This paper is structured as follows:<br />

Chapter 2 will provide theoretical<br />

foundations for the empirical explorations<br />

of usage patterns in the British Library<br />

by sketching research on library<br />

buildings and human behaviours, but<br />

also by elaborating on the Space Syntax<br />

theory of ‘strong and weak programming’<br />

in buildings. Chapter 3<br />

will introduce the British Library as a<br />

case study, followed by a detailed description<br />

of methodology in Chapter<br />

4. In four consecutive steps, Chapter 5<br />

will discuss the diversity and dynamics<br />

of usage patterns in the British Library<br />

and a final Chapter 6 will draw<br />

conclusions, discuss limitations of the<br />

study and provide an outline of future<br />

research in the field.<br />

2. Usage patterns and building types:<br />

On strong and weak programming<br />

In their paper ‘Visible Colleges’ Hillier<br />

and Penn (1991) conceptualised<br />

buildings as either strongly or weakly<br />

programmed depending on the degree<br />

to which the activity patterns inside<br />

the buildings followed strict rules,<br />

procedures and models. This theory is<br />

crucial in understanding the relationship<br />

between spatial layout and usage<br />

patterns inside different building types.<br />

A programme was defined as “not<br />

the organisation it houses (…) [but] the<br />

spatial dimension of an organisation,<br />

and the key element in any programme<br />

is the interface, or interfaces, that the<br />

building exists to construct (…) [i.e.] the<br />

spatial relation between or among two<br />

broad categories of persons (…) that<br />

every building defines: inhabitants, or<br />

those whose social identity as individuals<br />

is embedded in the spatial layout and<br />

who therefore have some degree of control<br />

of space; and visitors, who lack control,<br />

whose identities in the building are<br />

collective, usually temporary and subordinated<br />

to those of the inhabitants”.<br />

(Hillier & Penn, 1991, p. 33)<br />

Therefore, buildings were considered<br />

strongly programmed if the interface<br />

between user groups was highly<br />

controlled and the patterns of encounter<br />

followed so called ‘long models’<br />

with a high degree of prescription<br />

and determinism (Hillier & Hanson,<br />

1984). A court was the classic example<br />

of a strong programme building, since<br />

different user groups with varying degrees<br />

of inhabitant or visitor status<br />

such as judges, barristers, witnesses,<br />

defendants and public were channelled<br />

through the building along separated<br />

paths so that their movement was<br />

highly controlled and encounters were<br />

actively hindered until all users met<br />

in the highly orchestrated and ritualised<br />

court room proceedings (Hanson,<br />

1996). In contrast, buildings were seen<br />

as weakly programmed if the interface<br />

between user groups was not controlled<br />

and everyone could encounter<br />

everyone else freely, following ‘short<br />

models’ with a high degree of randomisation<br />

and morphogenesis (Hillier &<br />

Hanson, 1984). The most used example<br />

for traditionally weakly programmed<br />

buildings was the editorial floor of a<br />

newspaper, which flourished through<br />

generative and unstructured encounters<br />

among different users.<br />

The implications of this theory for<br />

the understanding of buildings and<br />

usage patterns lie mainly in the question<br />

how closely movement flows and<br />

resulting patterns of encounter correspond<br />

to spatial configuration. Traditional<br />

Space Syntax theory would suggest<br />

that movement flows are highest<br />

in areas of high spatial integration – so<br />

called ‘natural movement’ (Hillier &<br />

Iida, 2005; Hillier, Penn, Hanson, Grajewski,<br />

& Xu, 1993), however, adding<br />

strong and weak programming, we<br />

would only expect this relationship to<br />

hold in the case of weak programming,<br />

where randomisation is at play and<br />

the layout can act morphogenetically.<br />

In contrast, it could be argued that<br />

movement flows follow programme in<br />

strongly programmed buildings.<br />

Over recent years, the theory of<br />

strong and weak programming was<br />

taken up by different researchers and<br />

articulated further, for instance Koch<br />

and Steen (20<strong>12</strong>) proposed a new criterion<br />

for strong programming, thus<br />

adding more nuance and variation to<br />

the original concept. Likewise, Capille<br />

and Psarra (2013) suggested that<br />

the unequal distribution of activities<br />

across different spaces and functional<br />

areas of a building meant strong programming,<br />

whereas an equal distribution<br />

highlighted weak programming.<br />

The dynamics and diversity of space use in the British Library


26<br />

Studying two public libraries in London,<br />

it was concluded that one library<br />

was weakening the influence of programme<br />

on activities, while the other<br />

one was strengthening it.<br />

Additionally, it was shown that elements<br />

of strong programming could<br />

appear in traditionally considered<br />

weakly programmed building types<br />

such as workplaces and offices, for instance<br />

in the form of attractors that<br />

may deflect movement flows away<br />

from spatially integrated areas (Sailer,<br />

2007, 2010). Similarly, buildings considered<br />

strongly programmed such as<br />

hospitals could show aspects of strong<br />

and weak programming, even within a<br />

single case depending on which criterion<br />

was applied (Sailer et al., 2013).<br />

What can be learnt from these studies,<br />

is the insight that space usage activities<br />

are dynamically enfolding systems,<br />

embedded in spatial situations<br />

and practices, driven by organisationally<br />

defined roles and programmes, but<br />

also distributed in space by configuration.<br />

Building types (such as hospitals,<br />

libraries or offices) cannot be associated<br />

with one type of programming per<br />

se; neither does a particular building<br />

necessarily follow clear categorisations<br />

as strong or weak programme. The theory<br />

of strong and weak programming<br />

of buildings can help scrutinise phenomena,<br />

yet detailed analysis is needed<br />

before a judgement on the degrees and<br />

levels of programming in its interplay<br />

with spatial configuration can be made.<br />

For the study of libraries, which in<br />

the traditional dichotomised description<br />

of either ‘strong’ or ‘weak’ would<br />

have been seen as a typical example<br />

of a weak programme (Zook & Bafna,<br />

20<strong>12</strong>), this means scrutinising the<br />

space for aspects of strong programming<br />

(rules, procedures, attractors,<br />

strong distribution of activities by<br />

function, movement flowing against<br />

configurational logic) in addition to<br />

understanding weak programming<br />

and spatial practices.<br />

Particular studies on libraries within<br />

the framework of Space Syntax seem<br />

worth mentioning, too.<br />

With the aim to discover how spatial<br />

systems produce meaning, Koch<br />

(2004) studied three public libraries in<br />

Sweden and concluded that three different<br />

forms of knowledge representation<br />

(tree-like, network-like, as a control<br />

system) were found. Overall, it was<br />

concluded that contemporary libraries<br />

could be seen as systems that increasingly<br />

aim to integrate people and promote<br />

social encounter rather than keep<br />

people apart by providing silence, solitude<br />

and concentration. To that end, it<br />

was shown that the activity of reading<br />

occurred mainly next to heavily used<br />

corridors and areas of movement flows,<br />

thus giving rise to social encounters.<br />

This very phenomenon of reading<br />

in close proximity to highly integrated<br />

areas was found in a study of nine<br />

academic libraries in Portugal as well,<br />

however, here it was reported as a<br />

noise problem inhibiting concentration<br />

(Both, Heitor, & Medeiros, 2013).<br />

Another recent study on two academic<br />

libraries in London (Zong, <strong>2015</strong>) focused<br />

on the diversity of activities as a<br />

result of new pedagogic ideas and digital<br />

access. Analysing both spatial configuration<br />

and furniture arrangements<br />

as affordances for usage, it was proposed<br />

that a diversity of spatial characteristics<br />

allowed for a diversity of usage<br />

patterns to unfold.<br />

The theme of libraries changing to<br />

accommodate different functions was<br />

also the subject of a syntactic study of<br />

18 public libraries in France, where it<br />

was investigated how traditional libraries<br />

with closed collections and a central<br />

catalogue changed into so called ‘mediatheques’<br />

providing access to a diversity<br />

of media sources and information<br />

types, which meant a spatial change<br />

towards open bookshelves and reading<br />

spaces (Lim & Kim, 2009). Results suggested<br />

that newer building types which<br />

followed the mediatheque model had<br />

lower overall values of visibility on<br />

average, but also a wider and more diverse<br />

range of configurational options.<br />

Visibility relations also feature in<br />

the paper by Zook and Bafna (20<strong>12</strong>),<br />

which highlights how everyday activities<br />

(borrowing a book, attending a<br />

scheduled meeting, meeting a friend in<br />

the reading rooms) in the Seattle Public<br />

Library – a building with a highly<br />

unusual spatial composition – still<br />

follow genotypical patterns of visual<br />

access, where paths lead through expected<br />

levels of openness and enclo-<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • K. Sailer


27<br />

sure, thus publicness and privacy, underlining<br />

the view of the library as a<br />

known institution. This so called ‘social<br />

staging’ is contrasted by a view of the<br />

‘phenomenal staging’ – the subjective,<br />

individual experience of a user as they<br />

make their way through the building,<br />

which is characterised by unexpected<br />

vistas, hidden outlooks and surprising<br />

elements.<br />

Libraries were also used as settings<br />

to understand issues of wayfinding and<br />

signage (Carlson, Hölscher, Shipley,<br />

& Conroy Dalton, 2010; Li & Klippel,<br />

2010, 20<strong>12</strong>) and to test new methods<br />

for user feedback and Post-Occupancy<br />

Evaluations (Dalton, Kuliga, &<br />

Hölscher, 2013).<br />

In summary, previous research has<br />

shown how libraries have become settings<br />

staging a multitude of different<br />

usage patterns beyond the traditional<br />

access to collections and the accommodation<br />

of the process of reading.<br />

Instead libraries were shown to be social<br />

spaces, experienced differently by<br />

people and supported by specific configurational<br />

properties of the library<br />

buildings.<br />

How these phenomena resonate in<br />

the case of the British Library will be<br />

explored in the following chapters.<br />

3. Case study: The British Library<br />

This paper draws on rich observations<br />

of space usage in one particularly<br />

interesting building: the British<br />

Library. As National Library of the<br />

United Kingdom, its aim is to store<br />

every book published in the UK and<br />

Figure 1. Annotated floor plan of the British Library.<br />

The dynamics and diversity of space use in the British Library


28<br />

make its collections freely accessible to<br />

the public. With a building size of more<br />

than <strong>12</strong>2,000 sqm it stores around 170<br />

million items (among them almost 14<br />

million books) 1 and employs around<br />

<strong>12</strong>00 staff in its main St Pancras building.<br />

As an institution, the British Library<br />

was founded in 1972 by an Act<br />

of Parliament, but first continued having<br />

its collection and reading rooms<br />

housed in the British Museum, until it<br />

moved to its own site in 1997, when the<br />

first reading room opened.<br />

The British Library’s main building<br />

in the centre of London near the railway<br />

station St Pancras was fully opened<br />

to the public in 1998 after a more than<br />

thirty-five year-long conception, design<br />

and construction process. The<br />

British architect Colin St John Wilson<br />

created a building ‘based on purpose’<br />

and human scale in an approach that<br />

he called ‘the other tradition’ of Modernism<br />

(Wilson, 2007). For Wilson, architecture<br />

was grounded in use, creating<br />

an ordered framework for activities<br />

to happen; this was also called an ‘architecture<br />

of experience’ (Stonehouse,<br />

2004). The building was described as<br />

‘inviting’ and ‘democratic’ by critics:<br />

“A library might be expected to be<br />

conceived as a monument. (…) Yet<br />

this building [the British Library] has<br />

found a kind of democratic equivalent.<br />

(…) This kind of monumentality<br />

is not imposed upon us; it is assigned<br />

by us. So the building is symbolic, but<br />

this symbolism is not assertive and it is<br />

not about great occasions or collective<br />

events. The building seeks relationships<br />

with the individuals who use it and visit<br />

it, through a sense of invitation first<br />

evident in the forecourt and entrance.<br />

You are invited to be a participant,<br />

not merely a spectator.” (MacCormac,<br />

2004, pp. xii-xiii)<br />

The way in which the building negotiates<br />

between individual usage and<br />

institutional representation was described<br />

as ‘intimate monumentality’:<br />

“The building is book-like, revealing<br />

its inner world only when entered,<br />

an individual, intimate act. The hard,<br />

rather sober exterior allows the interior<br />

to be revealed and discovered on<br />

entering and using the library (…) – all<br />

part of an intimate experience of monumentality.”<br />

(Stonehouse, 2004, p. 69)<br />

It was also praised to provide an “inherent<br />

versatility of form” (Stonehouse,<br />

2004, p. 79), able to adapt to future<br />

usage and organisational needs, for<br />

instance the new ways in which information<br />

will increasingly be stored and<br />

accessed digitally.<br />

4. Methodology<br />

This paper combines the syntactic<br />

study of the British Library, based<br />

on axial accessibility maps (drawn on<br />

knee level) and Visibility Graph Analysis<br />

(VGA, constructed on eye level)<br />

(Turner, Doxa, O’Sullivan, & Penn,<br />

2001) with detailed and structured observations<br />

of space usage patterns. The<br />

following three standard Space Syntax<br />

observation techniques (Al-Sayed,<br />

Turner, Hillier, Iida, & Penn, <strong>2015</strong>;<br />

Grajewski, 1992) were used: gatecounts,<br />

traces by following people and<br />

snapshots.<br />

For the gate-counts, movement<br />

flows across a total of <strong>12</strong>7 imaginary<br />

gates on all six public floors of the<br />

British Library were counted for five<br />

minutes each in the morning, midday<br />

and afternoon on three days (including<br />

Saturday) in 2009 and on two days (including<br />

Sunday) in 2010. Gender and<br />

readership status 2 was recorded. Data<br />

was aggregated across all observations<br />

and collective hourly flow at each gate<br />

was calculated.<br />

Movement was also captured<br />

through traces, where observers picked<br />

up building users at entrances or other<br />

movement distributors on each floor<br />

plate (lift, staircases) and discretely followed<br />

them for 10 minutes (in 2009),<br />

5 minutes (in 2010) or until they had<br />

reached a destination (for instance a<br />

desk in a Reading Room or a seat in<br />

the café), or in fact left the floor plate<br />

or building. The route they took was<br />

traced on a floor plan and digitised<br />

in GIS. A total of 679 building users<br />

were shadowed during Library opening<br />

hours, and additional demographic<br />

and user specific information (gender,<br />

estimated age range, formal or informal<br />

attire, Reader or Non-Reader) was<br />

noted.<br />

Snapshots recorded the exact location<br />

and type of activity of building users<br />

at a precise moment in time. All six<br />

publicly accessible floors of the building<br />

were observed repeatedly throughout<br />

the course of the day. Most areas<br />

1<br />

Some of the books<br />

of the British<br />

Library are stored<br />

in its branch in<br />

Boston Spa in<br />

Yorkshire, from<br />

where they can<br />

be ordered to the<br />

Reading Rooms<br />

in St Pancras<br />

within 48 hours;<br />

basic statistics<br />

are from Wilson<br />

1998 and updated<br />

statistics on the<br />

building are taken<br />

from: https://<br />

en.wikipedia.<br />

org/wiki/British_<br />

Library<br />

2<br />

Building users<br />

were distinguished<br />

by visual cues:<br />

Readers could<br />

be recognised by<br />

their Reader’s<br />

passes, sometimes<br />

worn around<br />

people’s necks, or<br />

more obviously,<br />

by carrying their<br />

belongings in<br />

plastic carrier bags,<br />

which were the<br />

only bags allowed<br />

inside the reading<br />

rooms. This means<br />

that everyone<br />

categorised as<br />

a Reader in the<br />

observations<br />

definitely had a<br />

Reader’s pass, but<br />

the observations<br />

could be biased<br />

by not recognising<br />

all Readers as<br />

such (for instance<br />

those leaving their<br />

possessions in<br />

lockers or at a desk<br />

in the Reading<br />

Rooms and going<br />

for a coffee).<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • K. Sailer


were observed eight times in total with<br />

more intensively used areas captured<br />

up to 17 times to get a higher data resolution.<br />

Primary and secondary activities<br />

were recorded: primary activities<br />

included sitting, standing and walking<br />

as individual behaviours and interactions<br />

as group behaviours, while secondary<br />

activities distinguished a total<br />

of 22 different behaviours (such as<br />

searching, shopping, working on a laptop,<br />

reading, looking at an exhibition)<br />

and combinations of behaviours (such<br />

as laptop and reading, looking at an<br />

exhibition and talking, etc.). A total of<br />

7993 people were observed.<br />

5. The British Library: Diversity and<br />

dynamics of usage patterns<br />

Patterns of usage in the British Library<br />

will be analysed in this section,<br />

discussing the distribution of activities<br />

in space, the diversity of behaviours,<br />

rhythms and temporal patterns as well<br />

as emerging communities and their<br />

specific needs and activities.<br />

5.1. Movement flows<br />

As a first step in the analysis, it is of<br />

interest to understand the overall distribution<br />

of people in the building and<br />

investigate to which degree movement<br />

flows are driven by configuration (indicating<br />

a weakly programmed building)<br />

or in contrast by programme and<br />

function (indicating a strongly programmed<br />

building).<br />

Four spatial variables of the axial<br />

map were analysed regarding their relationship<br />

to the overall flow of people<br />

in the British Library, as well as to the<br />

flow of Readers and Non-Readers (using<br />

gate-count data): Connectivity, Integration<br />

Radius 3 (Local), Integration<br />

Radius N (Global) and Choice. No single<br />

relevant correlation was found, although<br />

Choice and Global Integration<br />

yielded highly significant / significant<br />

results for Non-Readers (p


30<br />

Figure 2 a-d. Movement traces of 427 Readers (red) and 149 Non-Readers (black) on the<br />

ground floor, mezzanine, first and second floor.<br />

es through the entrance, however it is<br />

not necessarily also the most integrated<br />

place in the building. Buildings with<br />

many floors often show the integration<br />

core placed around the geometric centre<br />

of the building as a whole, which is<br />

also is the case for the British Library,<br />

where the most integrated areas are<br />

found on the first floor. Again, this<br />

distorts the correlation between movement<br />

flows and configuration.<br />

The relationship between different<br />

user groups such as Readers and<br />

Non-Readers can also be analysed as a<br />

matter of the interface constructed by<br />

the building to bring people together or<br />

keep them apart. First of all movement<br />

traces of the two different user groups<br />

can be compared visually. It can be seen<br />

in figure 2a-d that movement flows between<br />

Readers and Non-Readers overlap<br />

in certain parts of the building such<br />

as the ground floor, mezzanine and first<br />

floor, yet, there are many spaces with a<br />

distinctive dominance of either Readers<br />

(upper floors, circulation, staircases,<br />

Reading Rooms) or Non-Readers<br />

(exhibitions, café, canteen). It can also<br />

be seen from the traces that Readers<br />

(shown in red in Figure 2a-d) move in<br />

a rather targeted fashion with straight<br />

routes, while Non-Readers (shown in<br />

black) tend to wander more aimlessly<br />

along curvy paths.<br />

The degree of co-presence between<br />

Readers and Non-Readers can also be<br />

investigated statistically by correlating<br />

total numbers for each group across<br />

the different locations in the building.<br />

With gate-count data a correlation of<br />

R2=0.28, p


31<br />

of Readers showed rather low counts<br />

of Non-Readers and vice versa. This<br />

means the building creates a controlled<br />

interface between the different user<br />

groups and keeps them apart rather<br />

than bringing them systematically together.<br />

It seems the Library offered attractive<br />

spaces to each group separately;<br />

they co-existed rather than cohered<br />

and came together.<br />

In summary, the analysis of movement<br />

flows has highlighted that the<br />

British Library is a predominantly<br />

strongly programmed building: overall<br />

flows do not follow configurational<br />

logic consistently and different user<br />

groups with distinct usage patterns<br />

(Readers vs Non-Readers) were separated<br />

to a high degree. A further analysis<br />

of strong and weak programming in<br />

buildings as a function of the diversity<br />

and distribution of activities will follow<br />

in the next section.<br />

5.2. Diversity and distribution of activities<br />

To investigate diversity and distribution<br />

of activities, a two-step approach<br />

was followed: firstly it was analysed<br />

whether primary and secondary activities<br />

differed according to their spatial<br />

properties of connectivity and integration<br />

(i.e. visual Mean Depth), retrieved<br />

from the VGA. This will highlight<br />

whether certain activities show preferences<br />

for areas with high or low direct<br />

visibility (connectivity) and for areas<br />

with strategically short or long visual<br />

paths (mean depth). Secondly, the distribution<br />

of activities will be brought<br />

together with the functional allocations<br />

of spaces to analyse whether specifically<br />

allocated areas attract usage<br />

differently from the overall building<br />

averages.<br />

Regarding the spatial logic of primary<br />

activities, i.e. sitting, standing<br />

and walking as individual behaviours<br />

and interactions as group behaviours,<br />

highly significant differences of connectivity<br />

and mean depth can be found<br />

between these activities in a statistical<br />

Analysis of Variance (ANOVA). Results<br />

of the ANOVA tests are shown in<br />

Table 2; Figures 3a-b show the VGA of<br />

the building for connectivity and mean<br />

depth. Differences in connectivity are<br />

more pronounced, leading to a higher<br />

coefficient of R 2 =0.07 (p


32<br />

Figure 3 a-b. Visual Graph Analysis of the British Library: Connectivity (a) and Mean Depth (b).<br />

behaviours; the ANOVA results for<br />

connectivity were highly significant<br />

(p


Table 3. Number and statistics [mean, standard error] of spatial properties connectivity<br />

[CONN] and mean depth [MD] of observed secondary activities from ANOVA tests.<br />

Activity Count Mean [CONN] Std Err [CONN] Mean [MD] Std Err [MD]<br />

Bag Cloak Locker 22 213.261 77.42 6.70176 0.15607<br />

Eating Drinking 133 211.232 31.49 6.03696 0.06348<br />

Eating Drinking Laptop 7 159.619 137.26 6.51515 0.27669<br />

Eating Drinking Reading <strong>12</strong> 203.076 104.83 5.54179 0.21132<br />

Eating Drinking Talking 115 218.767 33.86 5.88826 0.06826<br />

Exhibition 297 341.650 21.07 6.055<strong>12</strong> 0.04248<br />

Exhibition Talking 33 402.942 63.22 6.17684 0.<strong>12</strong>743<br />

Laptop 819 399.693 <strong>12</strong>.69 5.40453 0.02558<br />

Laptop Reading 311 929.028 20.59 6.03018 0.04151<br />

Laptop Talking 34 265.319 62.28 5.47077 0.<strong>12</strong>554<br />

Lift 4 333.188 181.57 5.93379 0.36602<br />

Looking 19 323.947 83.31 4.37154 0.16794<br />

Order 74 153.375 42.21 6.14963 0.08510<br />

Phone 47 314.777 52.97 4.69967 0.10678<br />

Reading 420 514.097 17.72 5.75063 0.03572<br />

Reading Talking 70 155.665 43.40 6.37389 0.08750<br />

Searching 8 195.458 <strong>12</strong>8.39 6.21016 0.25882<br />

Shopping 66 180.619 44.70 7.03216 0.09011<br />

Sitting 3534 752.236 6.11 5.767<strong>12</strong> 0.0<strong>12</strong>31<br />

Standing 208 430.779 25.18 5.75250 0.05076<br />

Talking 880 275.280 <strong>12</strong>.24 5.74283 0.02468<br />

Walking 625 425.535 14.53 5.57156 0.02928<br />

* Connectivity values larger than the building average and mean depth values lower than the<br />

building average are highlighted in red.<br />

building as a whole and comparing it to<br />

the distribution in different functional<br />

areas was applied here. In addition to<br />

investigating functional areas (Figure<br />

4a), the variation across the different<br />

floors was also scrutinised (Figure 4b).<br />

Looking at the building as a whole,<br />

it can be seen that using a laptop is the<br />

most predominant activity in the British<br />

Library, amounting to 40% of all<br />

observed activities, followed by talking<br />

(20%), reading (15%) and sitting (8%).<br />

While the mix of activities in the corridors<br />

and café strongly resembled<br />

those found in the entire building (see<br />

figure 4a), some more variation was<br />

found in the foyer (where 19% of people<br />

engaged with exhibition material<br />

33<br />

Figure 4 a-b. Distribution of ten core activities (based on 2009 data) across different functional areas [a] and<br />

floors [b] of the building in comparison to the whole building average. The lower ground and 2nd floor were not<br />

observed in 2009. Percentage values are rounded.<br />

The dynamics and diversity of space use in the British Library


34<br />

rather than just 3%) and the reading<br />

rooms (where laptop use rose to 63%);<br />

the highest level of variation however<br />

was found on the staircases and the<br />

exhibition spaces themselves. The figures<br />

obtained for the average variation<br />

in those two areas are in line with the<br />

ones reported by Capille and Psarra for<br />

a strongly programmed building. This<br />

means that some parts of the British Library<br />

enact a strong programme, distributing<br />

and shaping behaviours and<br />

the mix of activities in addition to the<br />

effect of spatial configuration, as argued<br />

in the previous section.<br />

Analysed floor by floor, the mix of<br />

activities on the mezzanine level, as<br />

well as the 1 st and 3 rd floors is comparable<br />

to the overall building distribution;<br />

only the ground floor showed significant<br />

variation, which is due to the high<br />

number of specialised functions on the<br />

ground floor, for instance exhibition<br />

spaces. The role of the ground floor<br />

in helping people to orient themselves<br />

also becomes obvious in the disproportionately<br />

high percentage of people using<br />

their phones (14% rather than 2%)<br />

and more than twice the percentage of<br />

people talking (43% rather than 20%).<br />

To summarise, the British Library<br />

is a building combining both elements<br />

of weak programming (since activities<br />

showed statistically significant<br />

preferences for integrated or segregated<br />

spaces) and strong programming<br />

(since activities were distributed unevenly<br />

across the functional areas of<br />

the building).<br />

5.3. Rhythms and temporal patterns<br />

of usage<br />

In addition to the analysis of the<br />

overall diversity of activities unfolding<br />

in the British Library, changes in usage<br />

patterns over time were also investigated.<br />

Regarding the distribution of movement,<br />

it can be seen that busy areas<br />

(with high flow intensity) during the<br />

week are not necessarily those also populated<br />

to a higher degree on weekends.<br />

A correlation of gate counts based on<br />

traces for the week versus the weekend<br />

reveals an R 2 =0.32 (p


35<br />

Figure 5 a-b. Average connectivity [a] and average mean depth [b] of activities on weekdays<br />

versus weekends (based on 2009 data only, since weekend observations were not done in<br />

2010).<br />

Figure 6. Variation of ten core activities plus interactions between<br />

people (based on 2009 data) over the course of the day. The time<br />

marked in the diagram highlights the starting time of the observation<br />

period.<br />

The dynamics and diversity of space use in the British Library<br />

more socialising opportunities on<br />

weekends and thus preferred to place<br />

themselves in more buzzy (hence integrated)<br />

areas.<br />

Looking at the distribution of activities<br />

across functional areas again,<br />

not much variation appeared between<br />

weekday and weekend, however interesting<br />

differences can be detected over<br />

the course of the day (as illustrated in<br />

Figure 6).<br />

Concentrated work such as reading<br />

or working on a laptop peaks in the afternoon<br />

(from 3-4pm); eating peaked<br />

at lunchtime and in the early afternoon<br />

as expected (between 1-3pm); social<br />

activities such as talking and interactions<br />

peaked mid-morning (11-<strong>12</strong>pm),<br />

at lunchtime (1-2pm) and in the late<br />

afternoon (5-6pm); and the engagement<br />

with exhibits showed a high in<br />

early morning (10-11am) after lunch<br />

(2-3pm) and in the afternoon (4-5pm).<br />

In summary, this analysis highlights<br />

how temporal patterns of usage evolve,<br />

creating a rhythm of activities and experiences<br />

over the course of a day with<br />

shifting preferences and locations of<br />

activities between weekday and weekend.<br />

Qualitative accounts of people’s<br />

engagement and behaviours in the


36<br />

British Library (Thomas, 2013) seem<br />

to underline this interpretation of user<br />

experience of rhythms and temporal<br />

patterns, where people chose to change<br />

activities as the day went on.<br />

5.4. Emerging communities and usage<br />

patterns<br />

Last but not least, specific usage patterns<br />

of emerging communities and<br />

particular groups of people can be investigated.<br />

From qualitative observations<br />

we know that a group of people<br />

using the British Library for working<br />

purposes queue outside the building<br />

every morning to take up seats in front<br />

of the Kings Library on the first floor,<br />

which offered good seating, nice individual<br />

lighting and power plugs in addition<br />

to the free wifi available in the<br />

whole building. Those spaces shown in<br />

Figure 7 offer both opportunities for<br />

socialising (as they are in a highly frequented<br />

route) as well as solitude (by<br />

the nature of the furniture) and were<br />

the most popular seats in the Library,<br />

essentially being occupied first thing in<br />

the morning and throughout the whole<br />

day. As an emerging community of so<br />

called ‘nomadic workers’, people have<br />

come to know each other and watched<br />

out for other people’s belongings.<br />

Other specific communities of people<br />

with particular space usage patterns<br />

were entrepreneurs using the IP and<br />

Business Centre of the British Library.<br />

All areas connected with the IP and<br />

Business Centre showed disproportionate<br />

numbers of males (four times<br />

as many males as females as opposed<br />

to a ratio of 1:1.15 for the building as<br />

a whole), but also higher numbers of<br />

users in the age range 40-60 (1.7 older<br />

people per younger people in contrast<br />

to a 1:1.03 ratio for the entire building).<br />

Other areas with an uneven distribution<br />

of users by additional demographic<br />

information include a female<br />

dominance in the Social Sciences<br />

Reading Room (3.4 females per male)<br />

and the shop (1.6 females per male)<br />

and a higher presence of older people<br />

(40-60 years of age) in the Philatelic<br />

Exhibition (3.6 older people per young<br />

person), whereas twice as many 20-40<br />

year olds as compared to 40-60 year<br />

olds were found around the areas of the<br />

Folio Society Gallery.<br />

Figure 7. Community of nomadic workers in front of the Kings<br />

Library. Photograph by Kerstin Sailer.<br />

This account of emerging communities<br />

and differences in the distribution<br />

of people with certain user demographics<br />

highlights how the building<br />

affords behaviours by particular groups<br />

of people in distinct ways.<br />

6. Conclusions: On diversity, dynamics<br />

and built form<br />

This paper presented evidence from<br />

observations of space usage patterns in<br />

the British Library in conjunction with<br />

an analysis of the spatial configuration<br />

of the building and its affordances for<br />

user behaviours. It was shown how<br />

movement flows in the British Library<br />

mostly defied configurational logic.<br />

In addition to a rather controlled interface<br />

between different categories of<br />

people such as Readers and Non-Readers,<br />

this drew a picture of a strongly<br />

programmed building. However, the<br />

analysis of the distribution of activities<br />

across space highlighted that activities<br />

and behaviours of people followed<br />

configurationally defined preferences<br />

and thus showed weak programming.<br />

Functional areas in contrast, in particular<br />

exhibition spaces and to a smaller<br />

degree the foyer and Reading Rooms<br />

maintained elements of strong programming,<br />

since the mix of activities<br />

there differed significantly from the<br />

overall building average, pinpointing<br />

the many ways in which the functional<br />

allocation and affordances of different<br />

spaces drove usage behaviours. The<br />

analysis of temporal dynamics, emerging<br />

communities and different user<br />

experiences over the course of the day<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • K. Sailer


37<br />

and between weekday and weekend<br />

highlighted how the building constantly<br />

evolved, shifted and changed, depending<br />

on perspective.<br />

The main contribution of this paper<br />

is therefore the conceptualisation of<br />

a building as a layered, dynamic and<br />

changing experience rather than as<br />

a definite entity impacting collective<br />

user behaviour in one particular way. It<br />

also shifts the attention of Space Syntax<br />

analysis away from top-level collective<br />

user behaviours to more nuanced and<br />

detailed understandings of the diversity<br />

and dynamics of the relation between<br />

configuration and space usage.<br />

Due to the nature of the used data<br />

set, this paper has clear limitations; issues<br />

include inconsistent data (for instance<br />

different observation standards<br />

in 2009 and 2010), missing data (for instance<br />

not all areas were covered equally<br />

well), and possibly limited quality of<br />

the data due to issues with interobserver<br />

reliability, specifically given that the<br />

data was collected by Master’s students<br />

in their first weeks of their degree.<br />

Wherever possible those limitations<br />

were taken into account for the different<br />

types of analysis.<br />

To conclude, this paper has investigated<br />

the diversity of different space<br />

usages of a building over time in relation<br />

to its spatial configuration. It has<br />

explored both temporal dynamics as<br />

well as usage diversity to incorporate a<br />

more differentiated perspective on who<br />

uses a building when for what purpose,<br />

or in short the ‘multiplicities of occupation’<br />

(Groák, 1992). Space Syntax<br />

can offer a fruitful framework for this<br />

exploration beyond mere aggregate<br />

and collective social patterns. Future<br />

research could focus on the nuances of<br />

temporal and user-specific dynamics<br />

more systematically to address what<br />

Brand (1994) called a ‘shocking lack<br />

of data’ on building usage. He highlighted<br />

the need for studies of all kinds<br />

of buildings in use and what changes<br />

from hour to hour, day to day, week<br />

to week, month to month and over the<br />

years. 20 years later this is still an open<br />

research question, which this paper<br />

hopes to contribute towards.<br />

Through its architecture and ‘versatility<br />

of form’, the British Library<br />

has clearly managed to be a space that<br />

‘builds relationships with individuals’<br />

as evident in the diverse and dynamic<br />

usage patterns showcased in this paper.<br />

Acknowledgements<br />

I would like to express my sincere<br />

gratitude to the staff at the British Library,<br />

in particular their Welcome<br />

Team and Mark Walton, who have<br />

made it possible to investigate the<br />

building and its usage. I would also like<br />

to thank two generations of students<br />

of the MSc ‘Advanced Architectural<br />

Studies’ (now called: ‘Spatial Design:<br />

Architecture and Cities’), who have<br />

collected the data used in this paper<br />

during long days in the field as part of<br />

their coursework; these are in alphabetical<br />

order: Eleni Alexiou, Min Hi<br />

Chun, Monica Datta, Jean-Francois<br />

Goyette, Birce Eren Karafazli, Eun Hye<br />

Kim, Tim Mason, Fiona McDonald,<br />

Gillian McNally, Nikolina Nikolova,<br />

Stella Parpa, Amanda Pluviano, Rosamund<br />

Pomeroy, Zhen (Alex) Qian,<br />

Carolina Rodriguez, Aabid Raheem,<br />

Khondoker Mobinur Rahman, Fernanda<br />

Lima Sakr, Ria George, Frederik<br />

Weissenborn and Jingcao Zhang (MSc<br />

AAS cohort of 2009-2010); and Rahwa<br />

Ayob, John Bingham Hall, Michelle<br />

Chan, Vasiliki Gogou, Rosie Haslem,<br />

Zahra Khaniki, Efstathia Kostopoulou,<br />

Annita Miltiadis, Krisangella Camacho,<br />

Rosica Pachilova, Fei Que, Zheng<br />

Xie and Kelin Yue (MSc AAS cohort of<br />

2010-2011). Last but not least, I would<br />

like to thank Dr Jaehong Lee for his<br />

help with the spatial analysis as well as<br />

with cleaning and processing observation<br />

data.<br />

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E., Pradinuk, R., MacKinnon, D.,<br />

& Hoofwijk, T. (2013). How Strongly<br />

Programmed is a Strong Programme<br />

Building? A Comparative Analysis of<br />

Outpatient Clinics in Two Hospitals. Paper<br />

presented at the 9th International<br />

Space Syntax Symposium, Seoul.<br />

Shoham, S., & Yablonka, I. (2008).<br />

Monumental Library Buildings in the<br />

Internet Era: the future of public libraries.<br />

IFLA Journal, 34(3), 266-279. doi:<br />

10.1177/0340035208097227<br />

Steadman, P. J. (2014). Building<br />

Types and Built Forms. Kibworth Beauchamp:<br />

Matador.<br />

Stonehouse, R. (2004). Composition<br />

and Context. In R. Stonehouse &<br />

G. Stromberg (Eds.), The Architecture<br />

of the British Library at St Pancras (pp.<br />

43-79). London: Spon Press.<br />

Thomas, I. (2013). In the Library.<br />

London Review of Books, 35(8). Retrieved<br />

from http://www.lrb.co.uk/<br />

v35/n08/inigo-thomas/in-the-library<br />

Till, J. (2009). Architecture Depends.<br />

Cambridge/MA: MIT Press.<br />

Turner, A., Doxa, M., O’Sullivan, D.,<br />

& Penn, A. (2001). From isovists to visibility<br />

graphs: a methodology for the<br />

analysis of architectural space. Environment<br />

and Planning B: Planning and<br />

Design, 28(1), 103-<strong>12</strong>1.<br />

Wilson, C. S. J. (1998). The Design<br />

and Construction of the British Library.<br />

London: The British Library.<br />

Wilson, C. S. J. (2007). The other tradition<br />

of modern architecture: the uncompleted<br />

project. London: Black Dog<br />

Publishing.<br />

Zong, W. (<strong>2015</strong>). Higher Education<br />

Libraries: Exploring the Library Users’<br />

Activities Facilitated with the Change<br />

of Learning Conceptions. MSc Dissertation,<br />

UCL, London.<br />

Zook, J. B., & Bafna, S. (20<strong>12</strong>). Imaginative<br />

Content and Building Form in<br />

the Seattle Central Public Library. Paper<br />

presented at the 8th International<br />

Space Syntax Symposium, Santiago de<br />

Chile.<br />

The dynamics and diversity of space use in the British Library


ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • 41-53<br />

Success in Basic Design Studios:<br />

Can seat selection be an advantage?<br />

Erincik EDGÜ<br />

erincik@gmail.com, erincikedgu@duzce.edu.tr • Department of Architecture,<br />

Faculty of Arts, Design and Architecture, Düzce University, Düzce, Turkey<br />

Received: May <strong>2015</strong> Final Acceptance: October <strong>2015</strong><br />

Abstract<br />

Socio-petal spaces have proven to be crucial for students’ social life especially<br />

in outdoor spaces and common gathering areas; however, actual design studio<br />

seating deserves to be examined as well. In various studies, it is revealed that there<br />

may be a correlation between seat location, seat selection and student performance.<br />

As social interaction is among the essential qualities of design education<br />

where training is based on table critiques and face to face discussions, studios<br />

ideally should provide the desired interaction. This research explores the students’<br />

preference of seating assuming that it affects the consequent success of the student,<br />

in terms of social interaction and movement pattern, conducted in classically<br />

arranged rows and columns based studio layout, far from being ideal, where<br />

the movement pattern among the tables and the visual field become the most<br />

important modes of communication between students and instructors. The syntactic<br />

values of tables located adjacent to windows or aisles, middle rows, or back<br />

seats, front lines or wall corners help to determine the reason behind preference<br />

and selection of these seats.<br />

Integration values along with mean depth data are used to explore the socially<br />

active and passive sections of the studio layout, while isovists are examined to<br />

analyse the visual scope of each assigned seat. The results indicate that when the<br />

medium is crowded the position of the tables located alongside of circulation path<br />

gains importance. When the medium is less crowded, students prefer to prioritize<br />

their visual scope rather than physical accessibility.<br />

Keywords<br />

Social interaction, Space syntax, Spatial preference, Studio layout, Visual field.


42<br />

1. Social interaction in studios<br />

As is the case in all design programs,<br />

studio courses constitute the essence<br />

of architecture program. The data, inputs,<br />

outputs and problems of the spatial<br />

design issues are alike regardless of<br />

the scale differences. It is important for<br />

students to see at the beginning of their<br />

education that different variations may<br />

occur in designs and different results<br />

can be achieved. Since, it is essential<br />

that each student makes original design,<br />

drawing and presentation, in a<br />

design course multiple instructors may<br />

be present in order for each instructor<br />

to deal with the student individually<br />

and supervise the project development<br />

process, whereas the students can have<br />

the opportunity to acquire different<br />

design views. The design students are<br />

distinctive with their designed products,<br />

the equipment they use, working<br />

hours, patterns of behaviour and their<br />

perceived image. Thus, design students<br />

usually form Gemeinschaft society<br />

thinking, working, consuming and<br />

living together, as suggested by Dobriner<br />

(1969). This method of education<br />

necessitates a well balanced communication<br />

between the instructor and the<br />

student as well as a sociopetal form of<br />

behaviour where face to face seating<br />

arrangements may be used for both<br />

parties. However, in most cases the<br />

advantages of this unique method of<br />

teaching takes time for a first year student<br />

to notice and discover.<br />

Previous researches conducted by<br />

Ünlü et al., (2001 and 2009) indicate<br />

that sociopetal spaces have proven to<br />

be crucial for students’ social life especially<br />

in outdoor spaces and common<br />

gathering areas; however, actual design<br />

studio seating deserves to be examined<br />

as well. There are researches examining<br />

the students’ seating preferences<br />

in relation to territorial behaviour<br />

in various classroom layouts (Guyot<br />

et.al, 1980; Pedersen 1994; Kaya and<br />

Burgess, 2007; Costa, 20<strong>12</strong>). In these<br />

studies, territoriality is regarded as<br />

a behaviour mechanism occurred in<br />

public territory (Altman & Chemers,<br />

1980) which is in fact related with self<br />

protection or defence (Sommer, 1969)<br />

rather than visual control. Miura and<br />

Sugihara (2011) emphasize in their<br />

research that large-sized classrooms<br />

may decrease the learning effect on<br />

the basis that as the distance between<br />

the teacher and the student increases,<br />

it would be difficult for the student to<br />

pay attention to the teacher. Another<br />

study within the context of economics<br />

courses conducted by Benedict<br />

and Hoag (2004) showed that in large<br />

lecture rooms, students who prefer to<br />

sit towards the front of the room, have<br />

higher probability of receiving good<br />

grades compared to the ones sitting at<br />

the back. Perkins et al. (2005) conducted<br />

a seating research in the context of<br />

a physics classroom, where they have<br />

found that the initial seat location significantly<br />

affected student attendance,<br />

performance and attitudes. Through<br />

these studies, it is seen that there may<br />

be a correlation between seat location,<br />

seat selection and student performance.<br />

However, these studies are usually<br />

executed within conventional lecture<br />

halls where students are assigned<br />

either tablet arm chairs or desks where<br />

they need to express their individuality<br />

by controlling their environment. In<br />

case of design courses however, the relationship<br />

modes of the students with<br />

the instructors and with their peers<br />

change extensively.<br />

Miura and Sugihara (2011) define<br />

studio as a place where students constantly<br />

interact within a group, with<br />

their peers and mentors. As Webster<br />

(2008) and Dutton (1991) emphasize,<br />

architectural education orients students<br />

into some aesthetic and ethical<br />

values along with specific manners and<br />

language, in which peer motivation<br />

gains more importance compared to<br />

conventional lecture based methods.<br />

Social interaction is among the essential<br />

qualities of design education where<br />

training is based on table critiques and<br />

face to face discussions, therefore studios<br />

should provide the formation of<br />

desired interaction. Ideally architectural<br />

school layouts are supposed to provide<br />

the optimum settings as an exemplar<br />

for the design students. Especially<br />

design studio layouts equipped with<br />

movable drafting tables, computer stations,<br />

modelling spaces and reference<br />

shelves are considered to be a necessity<br />

for widening the scope of design<br />

intellect. However, especially in newly<br />

established institutions, limitations of<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • E. Edgü


43<br />

the classroom facilities and teaching<br />

resources necessitate cases where the<br />

pragmatic solutions are deemed to be<br />

crucial. In these cases the courses vary<br />

according to the weekly schedule within<br />

the limits of the same studio space,<br />

where classically arranged rows and<br />

columns based seating pattern is observed.<br />

This type of layout indicates<br />

a focus on the instructor similar to a<br />

theoretical lecture; on the other hand,<br />

students’ seating also gains importance<br />

on the basis of providing concentration<br />

on the individual work or keeping<br />

uninterrupted eye contact with the instructor.<br />

Also, in classically arranged<br />

rows and columns based studio layout,<br />

the instructors’ movement pattern between<br />

the tables and the visual field of<br />

students become the most important<br />

modes of communication between the<br />

students and instructors.<br />

The layout of the physical setting<br />

and the seating arrangements, are interrelated<br />

with the user behaviour<br />

patterns such as participation, social<br />

interaction and consequent success.<br />

Tables located adjacent to windows or<br />

aisles, middle rows, or back seats, front<br />

lines or wall corners have all various<br />

syntactic values in terms of integration.<br />

For example, in a study investigating<br />

the relation between privacy preference<br />

and the location of selected seats<br />

in a classroom Pedersen (1994) indicate<br />

that, students who chose to sit in<br />

the back of the classroom desire to be<br />

out of the visual field and wanted less<br />

Figure 1. Student participation in a classic row and column layout<br />

(Adapted from Sommer, 1969).<br />

involvement with others. On the other<br />

hand, seating pattern studies searching<br />

the best layout for prevention of cheating<br />

by Pomales-Garcia et al. (2009)<br />

have concluded that concentric rectangles<br />

and look away arrangements are<br />

better alternatives to traditional classroom<br />

seating. Prevention of cheating<br />

necessitates non-contact between the<br />

students; so this situation is just the opposite<br />

of what is expected and desired<br />

in a design studio. Sommer (1969)<br />

found out that in row-and-column<br />

arrangements student participation<br />

in the front row and in the middle of<br />

each row is the highest as it is indicated<br />

in Figure 1; while for example, in the<br />

U-shaped arrangement the class participation<br />

was the highest among students<br />

sitting directly across from the<br />

instructor. Kaya and Burgess (2007)<br />

on the other hand compare traditional<br />

setting and U-shaped arrangement in<br />

the context of social interaction. They<br />

emphasize that U-shaped configuration<br />

in classroom layouts generates an<br />

increased sense of community, eases<br />

discussion and promotes social interaction<br />

while, the traditional rows and<br />

columns layout helps the concentration<br />

especially on teacher centred lecture<br />

based courses. In their research, they<br />

have also concluded that in rows and<br />

columns layout, seats that are located<br />

on the sides are territorially claimed<br />

compared to middle seats. This finding<br />

may be similar to the situation of<br />

this research where the assumption includes<br />

that the tables located alongside<br />

the movement axis are considered as<br />

syntactically integrated and therefore<br />

are likely to be preferred by the students.<br />

Wang, et al. (2010) emphasize that<br />

the needed knowledge in architectural<br />

design studio, is dynamic and complicated,<br />

in a way that an individual student’s<br />

knowledge is no longer sufficient<br />

to complete a good design project.<br />

McCormick, (2004) mentions the importance<br />

of knowledge sharing and resource<br />

exchange in dealing with complex<br />

design projects, whereas, Chiu<br />

and Shih (2005) emphasize the notion<br />

of peer to peer learning, indicating the<br />

importance of cooperation in a design<br />

studio as a learning alliance. These aspects<br />

are crucial to differentiate the seat<br />

Success in Basic Design Studios: Can seat selection be an advantage?


44<br />

selection of a design student who has<br />

to keep communication and social interaction<br />

both with the instructors and<br />

the peers, in order to come up with a<br />

good design. However, during the first<br />

few weeks of the freshman year, this<br />

social interaction is usually not settled<br />

yet. Ünlü et al. (2001) remark that social<br />

intelligibility of a space is not fully<br />

linked to social interaction level among<br />

users, but it is correlated to visual capacity<br />

of the environment. Thus, the<br />

research hypothesis assumes that regarding<br />

inexistent habitual attachment<br />

to specific seats, the low levels of acquaintances<br />

and yet lacking friendship<br />

bonds, the students are free to choose<br />

the seats they will occupy. Therefore,<br />

this research explores the students’<br />

preference of seating on the basis that<br />

it affects the consequent success of the<br />

student, in terms of social interaction<br />

and movement pattern of instructors.<br />

The mentioned social interaction both<br />

with peers and instructors and the<br />

movement pattern of instructors are<br />

tested in an actually unfit medium for<br />

design studio with fixed physical layout<br />

of rows and columns.<br />

2. Case study area and limitations<br />

Physical characteristics of studios in<br />

terms of shape or size, drafting table<br />

layouts, position and width of the circulation<br />

axes are among the important<br />

aspects of social interaction between<br />

the students and thus, seat selection.<br />

Referring to Georgiadou’s (2003), research<br />

done in the context of child care<br />

centres, in settings where internal configuration<br />

produces easily supervised<br />

areas, there seems to be less rigorous<br />

control needed and so autonomy for<br />

children can be offered.<br />

This situation is similar in a design<br />

studio context; indeed it is observed<br />

that in studios with smaller dimensions<br />

and smaller cohort sizes, it is<br />

easier to maintain social interaction<br />

through discussions. However this is<br />

unfortunately not the case for this research.<br />

In this research, an actually unfit<br />

medium for design studio with fixed<br />

physical layout of rows and columns is<br />

tested on the basis of students’ social<br />

interaction and the movement pattern<br />

of instructors.<br />

The case study is conducted with<br />

the freshman year basic design studio<br />

students of Architecture and Interior<br />

Architecture departments of Cyprus<br />

International University; a privately<br />

owned university with a student population<br />

less than 10.000 located on a<br />

single campus. As mentioned before,<br />

lack of physical resources necessitates<br />

the studio to be kept in traditional<br />

row-column layout to enable theoretical<br />

courses to be conducted in the same<br />

location as well. As a combined hall of<br />

two smaller units, B221 (Figure 2) is<br />

the largest design studio of the Fine<br />

Arts building with dimensions of 7.8<br />

m by 24.5 m almost totalling an area<br />

of 200 m². Although it faces a western<br />

sun, lacks acoustic comfort and ease<br />

of control for the instructors, with 76<br />

numbered drafting tables, studio embodies<br />

the largest groups of students.<br />

The studio also has a white board on<br />

the northern wall and ceiling fixed<br />

computer controlled equipment pro-<br />

Figure 2. Studio B221 existing layout.<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • E. Edgü


45<br />

jecting on this white board as well.<br />

Therefore, in this context, any comparison<br />

between different studio layouts<br />

with differing drafting table organisation<br />

is impossible to explore. However,<br />

behaviour patterns of two different<br />

groups of students of two following<br />

years are compared in a longitudinal<br />

study.<br />

In this aspect it is also important to<br />

mention that in this research, the instructor<br />

group delivering the course<br />

and the studio remained the same<br />

while students changed. The data concerning<br />

the seating preference of the<br />

students gathered from weekly photographs<br />

taken throughout the first few<br />

weeks of the basic design studio courses<br />

in the 2009-2010 and 2010-2011 fall<br />

semesters. Photos from the 3rd, 6th,<br />

9th and the <strong>12</strong>th week of the semester<br />

are matched with the drafting tables<br />

the students preferred to sit and the<br />

grades that they have for that specific<br />

week’s studio assignment. The selection<br />

of these weeks based on the exclusion<br />

of initial and final weeks to ensure<br />

attendance and midterm exam weeks<br />

because of a different time schedule.<br />

Keeping the distance of three weeks<br />

apart between the photos also made it<br />

possible for students to forget about the<br />

photo shooting and select their seats in<br />

a more randomly manner.<br />

The sample groups were all students<br />

of architecture and interior architecture<br />

departments however, cohort size<br />

of 2009-2010 was twice larger than the<br />

following year. This is due to the academic<br />

decision of separation of lectures<br />

into groups for a more flexible<br />

weekly schedule. When the number of<br />

students enrolled is smaller than the<br />

number of available seats, their scope<br />

of preference widens, and it would be<br />

possible to differentiate the logic behind<br />

seat selection. However when the<br />

cohort size is just barely equal to the<br />

number of seats available, then the first<br />

come first served rule applies, as it was<br />

seen in the case of 2009-2010 fall semester<br />

students’ seat selection.<br />

Basic design studios introduce a totally<br />

new world for the student with<br />

its own values and behaviours. It is<br />

important for students to see at the<br />

beginning of their education that different<br />

variations may occur in designs<br />

and different results can be achieved.<br />

As the studio is conducted with three<br />

to five instructors depending on the<br />

number of students, instructors take<br />

turns on attending to each student individually<br />

and students can have the<br />

opportunity to receive different design<br />

opinions. Thus, receiving critics from<br />

different instructors consolidates what<br />

the instructors have been pointing<br />

out. Therefore, students’ interaction<br />

and visual contact within the studio<br />

space, both with peers and instructors<br />

were the crucial aspect of the research.<br />

There were two policies of the<br />

researched basic design studio; one of<br />

them was to integrate basic design with<br />

space using short-term and daily studies<br />

that would create a design identity<br />

on an individual basis and the second<br />

one was to plan longer-term projects of<br />

team work that would create a sense of<br />

belonging, shown in Table 1. Therefore,<br />

it is assumed that for the daily assignments<br />

students would seek social interaction<br />

with the instructors by means of<br />

table critiques. On the other hand, the<br />

assumption is opposite for the short<br />

term group studies. The students select<br />

seats within close vicinity of the groupmembers<br />

to bond with them, while<br />

they disregard social interaction with<br />

the instructors. However, in this research<br />

only the results of daily assignments<br />

are explored.<br />

Students who have failed in attendance<br />

and the ones who had not<br />

submitted more than one of the assignments<br />

of the observed week were<br />

excluded from the sample set. A total<br />

of 72 student grades from 2009-2010<br />

fall semester and 36 student grades<br />

Table 1. Basic Design Studio conception.<br />

Design Methods<br />

Studio<br />

Aims<br />

Individual Work<br />

Development of a Designer Identity<br />

Teamwork<br />

Development of Sense of Belonging<br />

Success in Basic Design Studios: Can seat selection be an advantage?


46<br />

from 2010-2011 fall semester are com-<br />

WWpared on the basis of their daily individual<br />

applications, and the syntactic<br />

values of the seat positions that they<br />

have selected with regression analysis<br />

and Spearman’s rho correlation test in<br />

SPSS.<br />

3. Space syntax methodology and<br />

analyses<br />

Space syntax is defined as the set of<br />

rules that generate different spatial arrangements<br />

(Hillier and Leaman, 1974;<br />

Hillier et al., 1987). Space syntax is also<br />

used as a theory and a method in order<br />

to define the structural environment.<br />

According to this theory, there are relations<br />

among the exterior forces and<br />

the social forces, which generate the<br />

forms. As for the architectural point of<br />

view, space syntax helps to understand<br />

the interaction of design objectives and<br />

characteristics with social restrictions<br />

and formal possibilities. The essential<br />

concept of syntactic approach assumes<br />

that the interior and exterior geometry<br />

of spaces are shaped according to certain<br />

cultural considerations and these<br />

forms also affect social relations in one<br />

way or another. According to Hanson<br />

& Conroy Dalton (2007), space syntax<br />

is built on three distinct spatial units,<br />

each having a different representation.<br />

These are the axial lines, convex spaces<br />

and visual fields called as isovists. Axial<br />

lines denote movement as movement is<br />

essentially a linear activity. Social interaction<br />

on the other hand, necessitates<br />

a convex space in which all points of<br />

space can be seen from all other points,<br />

or users. Using convex shapes, and axial<br />

lines, space syntax data can be calculated<br />

mathematically in order to represent,<br />

quantify and interpret spatial<br />

configuration and visual perception.<br />

The University of Michigan registered<br />

software, Syntax 2D is used in for the<br />

analyses of the mentioned syntactic<br />

properties. In this research integration<br />

values along with mean depth data are<br />

used to explore the socially active and<br />

passive sections of the studio layout. In<br />

an architectural layout, integration denotes<br />

the socio-petal aspects, whereas<br />

the depth denote the opposite, almost<br />

hidden sections of the layout. On the<br />

other hand, visual scope that describes<br />

the visual area and the visual boundary<br />

of the users is another determinant to<br />

be considered. An isovist is the directly<br />

visible area within the space and the<br />

visual field changes when people move<br />

around in spaces. Therefore, both the<br />

visual scope of the instructors if seated<br />

on the assigned seat and the visual<br />

scope of the students on the preferred<br />

seats reveal the seen/unseen sections of<br />

the layout.<br />

When working with syntactic aspects,<br />

the initial concern was the<br />

movement of instructors and the accessibility<br />

of drafting tables by peers or<br />

instructors. The assumption was that<br />

the instructors can give table critiques<br />

or the student may stand up and go to<br />

the instructor or any other peer’s table<br />

for interaction. In this scenario, the position<br />

of the unmovable tables within<br />

the rows and columns layout was important.<br />

The drafting tables acted as<br />

blocking walls and they can only be<br />

reached by moving the assigned stools<br />

in front of them. Therefore, the integration<br />

analysis of the studio layout is<br />

calculated according to the blockage of<br />

the drafting tables (Figure 3). The tables<br />

just adjacent to circulation path in<br />

the centre and the ones with a room in<br />

Figure 3. Studio B221 integration analysis.<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • E. Edgü


47<br />

Figure 4. Integration analysis with people blocking the view.<br />

Figure 5. Visual scope of each seat assigned for students.<br />

front of them for an instructor to stop<br />

by and comment are assumed to be<br />

more accessible and therefore, should<br />

be initially preferred by students who<br />

seek interaction with the instructors or<br />

peers through movement.<br />

The second concern on the other<br />

hand, was the visual scope of each<br />

stool, i.e., the students themselves, in<br />

Success in Basic Design Studios: Can seat selection be an advantage?<br />

relation to instructors or peers (Figures<br />

4 and 5). In this scenario, the<br />

sitting mode was taken into consideration.<br />

Thus the positions of tables are<br />

neglected, as if the floor was raised to<br />

table height, while the position of the<br />

stools and so the students sitting on<br />

them, gained importance. The assumption<br />

here is again the students who<br />

seek interaction especially with the<br />

instructors would select the seats with<br />

wide visual range or other seats to keep<br />

an eye on the peers in case they come<br />

up with something interesting or such.<br />

Although the isovists have the capability<br />

of showing a visual scope of 360°,<br />

selected isovist nodes are all positioned<br />

to face the board, thus the instructors.<br />

In order to maintain this, the stools are<br />

considered as the blocking objects with<br />

students sitting on them. Therefore<br />

student’s default visual field is set to be<br />

towards the front to communicate with<br />

the instructors and sideways to communicate<br />

with peers.<br />

The last concern here was the actual<br />

visual scope of the instructor in sitting<br />

mode (Figure 6). Although this specific<br />

position provides a single datum, it was<br />

considered important especially for the<br />

social interaction between the instructor<br />

and the students selecting seats<br />

from the front rows. Therefore, this<br />

analysis is conducted solely with the<br />

thirty four seats that are within the visual<br />

scope of the instructor. However, it<br />

is also interesting to see that as the students<br />

sitting next to the corridor seats<br />

at the back of the studio can still keep<br />

their eye contact with the instructors<br />

as well as their peers (Figure 5) consistent<br />

with the high integration values<br />

of these seats and longer isovist perimeters.<br />

On the other hand, students on


48<br />

Figure 6. Visual scope of the instructor.<br />

the back seats are completely hidden<br />

from the instructor’s view while their<br />

large isovist area enables them to keep<br />

visual contact with their peers.<br />

4. Conclusions and discussion<br />

The integration results show the<br />

accessibility of the tables, while the<br />

isovist parameters show visual scope<br />

of the students, as well as the instructor.<br />

Correlation results from the daily<br />

assignment average on the predetermined<br />

weeks vs. the related seat’s syntactic<br />

values are conducted separately<br />

for the fall semesters of both academic<br />

years. In all of the analyses, the students’<br />

grades are considered as dependent<br />

variables, while the syntactic values<br />

are independent. The results of the<br />

regression analysis are shown in Table<br />

2. Regression analysis is investigated<br />

with the R values with significance<br />

between -1 and +1. It is assumed that<br />

the third week results would indicate a<br />

rather random range owing to lack of<br />

lesser prior experience, while following<br />

weeks would fall into a better range of<br />

correlations.<br />

Therefore, according to Table 2, integration<br />

level and success relationship<br />

is only seen on the relatively crowded<br />

group’s early settlement. The isovist<br />

area values of the seats present no correlation<br />

with grades, while isovist perimeters,<br />

i.e. the farthest distance that<br />

can be seen while working on the table<br />

are worth noting. Although the values<br />

shown in the table can be regarded<br />

Table 2. Fall semester regression analyses from both academic years with df=75.<br />

integration isovist area isovist perimeter<br />

3rd week<br />

grades<br />

2009-2010<br />

2010-2011<br />

R=0.225<br />

(p= 0,05=0,05)<br />

R=0.146<br />

(p= 0,208>0,05)<br />

R=0.131<br />

(p= 0,26>0,05)<br />

R=0.093<br />

(p= 0,422>0,05)<br />

R=0.101<br />

(p= 0,384>0,05)<br />

R=0.189<br />

(p= 0,101>0,05)<br />

6th week<br />

grades<br />

2009-2010<br />

2010-2011<br />

R=0.017<br />

(p= 0,887>0,05)<br />

R=0.143<br />

(p= 0,218>0,05)<br />

R=0.062<br />

(p= 0,595>0,05)<br />

R=0.034<br />

(p= 0,770>0,05)<br />

R=0.221<br />

(p= 0,055>0,05)<br />

R=0.335<br />

(p= 0,030,05)<br />

R=0.134<br />

(p= 0,248>0,05)<br />

R=0.001<br />

(p= 0,996>0,05)<br />

R=0.02<br />

(p= 0,863>0,05)<br />

R=0.093<br />

(p= 0,423>0,05)<br />

R=0.144<br />

(p= 0,215>0,05)<br />

<strong>12</strong>th<br />

week<br />

grades<br />

2009-2010<br />

2010-2011<br />

R=0.201<br />

(p= 0,082>0,05)<br />

R=0.159<br />

(p= 0,169>0,05)<br />

R=0.073<br />

(p= 0,529>0,05)<br />

R=0.062<br />

(p= 0,596>0,05)<br />

R=0.306<br />

(p= 0,007


49<br />

as mild correlations, the significance<br />

of isovist perimeter values versus the<br />

grades of sixth and twelfth weeks of<br />

both years is interestingly striking.<br />

When we compare the outcomes<br />

in the Spearman’s rho, the correlation<br />

between the 3rd week grades of the<br />

2009-2010 fall semester with integration<br />

values shows a high significance<br />

with r(76) = 0.428, p < 0.01, complying<br />

with the regression analysis results<br />

of Table 2. However, integration vs the<br />

grades of this year are striking. We see<br />

correlation between the integration<br />

and 6th week grades of the 2009-2010<br />

fall semester as r(76) = 0.284, p < 0.05,<br />

whereas 9th week grades and integration<br />

correlation is r(76) = 0.319, p <<br />

0.01, and lastly comparing <strong>12</strong>th week<br />

grades, a strong correlation appears<br />

as r(76) = 0.456, p < 0.01. This situation<br />

indicates that when the medium<br />

is crowded and early seat selection is<br />

crucial for interaction with instructors,<br />

then the position of the tables located<br />

alongside of the circulation path gains<br />

importance.<br />

On the other hand, for 2010-2011<br />

fall semester, where the seat selection<br />

options were more diverse than the<br />

previous year, there appears to be a<br />

strong negative correlation with isovist<br />

perimeter, in the 6th week grades<br />

r(76) = -0.359, p < 0.01, indicating that<br />

the students have selected seats on the<br />

front rows and mainly next to wall or<br />

window. While the 3rd and 9th week<br />

results don’t show significance again<br />

complying with Table 2, there appears<br />

to be another inverse correlation for<br />

isovist perimeter in <strong>12</strong>th week as r(76)<br />

= -0.369, p < 0.01 indicating a similar<br />

seat selection with the 6th week.<br />

The similar situation is also seen in<br />

the comparison with grades of the 9th<br />

week of 2009-2010 fall semester; where<br />

it gives us a negative correlation of r(76)<br />

= -0.250, p < 0.05. Inverse correlation<br />

means that there’s a relation between<br />

the isovist perimeters and the failure of<br />

the students instead of success.<br />

The instructor’s visual scope as<br />

shown in Figure 6, however, has not<br />

presented the expected correlations.<br />

Spearman correlations between the<br />

syntactic properties of the 34 seats that<br />

fall within the scope of the instructor’s<br />

visual field and the actual grades of the<br />

students who have selected these seats<br />

initially showed that visual field of the<br />

students with respect to their proximity<br />

to seated instructors had no impact<br />

on the grades. While isovist area and<br />

isovist perimeter presented no connection<br />

to the obtained grades, isovist circularity<br />

showed a negative correlation<br />

of r (34) = -0.353, p < 0.05, from the 6th<br />

week of 2010-2011 fall semester. Benedikt<br />

(1979) describes isovist circularity<br />

as another measure of compactness or<br />

complexity of the visual field like area<br />

and perimeter which don’t change according<br />

to vantage point. This result<br />

may imply that if given a variety of<br />

seat choice, the students prefer to have<br />

a small amount of visual contact with<br />

the instructors rather than a full scope<br />

or none. While the extent of this visual<br />

contact is more important than the<br />

width of visual range, it still does not<br />

give any valid information about the<br />

success level of the student.<br />

Although the unequal size of cohort<br />

may necessitate cautious interpretations,<br />

there are still some interesting results<br />

to be discussed. The results of the<br />

research imply a relationship between<br />

the seat selection and grades, in terms<br />

of physical and visual accessibility. The<br />

integration based correlations are seen<br />

mainly in the 2009-2010 fall semester<br />

where the student group is large, and<br />

sitting on the preferred table is a matter<br />

of coincidence, unless the student intentionally<br />

comes to the studio earlier.<br />

In the case of 2010-2011 fall semester<br />

however, since the number of students<br />

are almost half of the number of seats,<br />

the students of this group have a wider<br />

range of selection. It is seen that these<br />

students prefer to take first rows for a<br />

higher level of social interaction with<br />

the instructors, seats alongside the circulation<br />

axis for easy access and seats<br />

alongside the wall or window for longer<br />

visual scope.<br />

It is also discerned that, different cohort<br />

sizes also seem to affect the success<br />

of the basic design education. The ideal<br />

ratio of design studio lecturer per student<br />

changes between 8-15 according<br />

to semester and level of design complexity,<br />

however, it is seen that meeting<br />

the quantity requirements does not<br />

automatically satisfy the desired design<br />

quality. Having a group with cohort<br />

Success in Basic Design Studios: Can seat selection be an advantage?


50<br />

size not exceeding 35 opposed to a<br />

larger group also verifies the test results<br />

as well. When the students have an opportunity<br />

to select seats from a variety<br />

of tables, they prefer to prioritize their<br />

visual scope rather than accessibility;<br />

however this visual scope is mostly<br />

related with peer vision or general<br />

panorama of either studio or exterior<br />

space. While in design studios successful<br />

students show no significance in<br />

seat selection unlike theoretical lecture<br />

halls, average and upper average students<br />

prefer easy access to instructors’<br />

circulation paths and instructors’ visual<br />

field by selecting front rows.<br />

It was also assumed that the value<br />

of isovist area would be important<br />

as it denotes the width of the visual<br />

scope; however the results showed no<br />

significance. This would have been<br />

more important maybe in a lecture<br />

hall, where a clear view of the board<br />

or stage would be prioritized. However,<br />

the nature of any design studio also<br />

involves the movement of students as<br />

well as the instructors. Since usually, it<br />

allowed eating and drinking during the<br />

studio hours, the students select their<br />

tables for a longer period than any lecture<br />

based course. Therefore average or<br />

unsuccessful students seem to attach<br />

importance not to the easy accessibility<br />

of their tables either by the instructors<br />

or their peers but instead they prefer to<br />

have a longer visual axis, so as to control<br />

the instructors or their peers. That<br />

is why, for example if there is someone<br />

important for them, who is getting a<br />

critique from the instructors, they can<br />

easily come to listen as well, or check<br />

if someone is using a different material<br />

or having a better model. This situation<br />

also confirms the importance of information<br />

sharing and peer to peer learning<br />

through social interaction especially<br />

in design as denoted by Wang, et al.<br />

(2010); McCormick, (2004); Chiu and<br />

Shih, (2005). It may also be concluded<br />

that, regarding the student interaction<br />

thus desired peer to peer collaboration,<br />

traditional seating pattern with accessible<br />

movement routes, without walls<br />

and column like barriers that hinders<br />

visual scope can still be safely used in a<br />

studio layout.<br />

References<br />

Altman, I., Chemers, M. (1980).<br />

Culture and Environment. Monterey,<br />

CA: Brooks/Cole.<br />

Benedikt, M. (1979). To Take the<br />

Hold of Space: Isovists and Isovist<br />

Fields, Environment and Planning B:<br />

Planning and Design 6: 47-65.<br />

Benedict, ME., Hoag, J. (2004).<br />

Seating location in large lectures: Are<br />

seating preferences or location related<br />

to course performance? The Journal of<br />

Economic Education, 35(3), 215–231<br />

Chiu, S.H., Shih, S.G. (2005). Initiating<br />

and sustaining cooperation in<br />

an architectural design studio: An exploratory<br />

study with a Design Scope<br />

Model, National Science Council of<br />

ROC Taiwan, under the project number<br />

NSC 93-2211-E-011-033.<br />

Costa, M. (20<strong>12</strong>). Territorial Behavior<br />

in Public Settings, Environment<br />

and Behavior, 44(5), 713-721.<br />

Dobriner, W.M. (1969). Social<br />

Structures and Systems a Sociological<br />

Overview, Pacific Palisades, Ca: Goodyear<br />

Publishing Company, Inc.<br />

Dutton, T.A. (1991). Voices in architectural<br />

education: Cultural politics<br />

and pedagogy. New York, London:<br />

Bergin and Garvey.<br />

Georgiadou, Z. (2003). Question of<br />

social potential in space use. Proceedings<br />

of 4th International Space Syntax<br />

Symposium :69, London, United Kingdom.<br />

Guyot, G.W., Byrd, G. R., Caudle,<br />

R. (1980). Classroom seating: An expression<br />

of situational territoriality in<br />

humans. Small Group Behavior, 11:<br />

<strong>12</strong>0-<strong>12</strong>8.<br />

Hanson, J., Dalton, R. C. (2007).<br />

Feeling good and feeling safe in the<br />

landscape: a syntactic approach. Proceedings<br />

Open Space-People Space:<br />

Innovative Approaches to Research<br />

Excellence in Landscape and Health,<br />

Edinburgh.<br />

Hillier, B., Leaman, A. (1974). How<br />

is Design Possible?, Journal of Architectural<br />

Research and Teaching 3, 4-11<br />

Hillier, B., Burdett, R., Peponis, J.,<br />

Penn, A. (1987). Creating Life: or, Does<br />

Architecture Determine Anything, Architecture<br />

and Behaviour, Vol.3, No:3,<br />

233-250.<br />

Kaya, N., Burgess, B. (2007). Territoriality:<br />

Seat preferences in different<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • E. Edgü


51<br />

types of classroom arrangements. Environment<br />

and Behavior, (2007): 39,<br />

859-876.<br />

McCormick, R. (2004). Collaboration:<br />

The Challenge of ICT, International<br />

Journal of Technology and Design<br />

Education, (2004):14, 159-176.<br />

Miura, M., Sugihara, T., (2011).<br />

Effect of Students’ Seat Location on<br />

Programming Course Achievement,<br />

Knowledge-Based and Intelligent Information<br />

and Engineering Systems<br />

Lecture Notes in Computer Science,<br />

(2011): 6883, 539-547.<br />

Pedersen, D.M. (1994). Privacy preferences<br />

and classroom seat location.<br />

Social Behavior and Personality, 22,<br />

393-398.<br />

Perkins, K.K., Wieman, C.E. (2005).<br />

The surprising impact of seat location<br />

on student performance. The Physics<br />

Teacher (2005): 43, 30–33.<br />

Pomales-Garcia, C., Carlo, H.J., Ramos-Ortiz,<br />

T.M., Figueroa-Santiago,<br />

I.M., Garcia-Ortiz, S. (2009). Non-traditional<br />

exam seat arrangements.<br />

Computers & Industrial Engineering<br />

57(1), 188–195 Collaborative e-Work<br />

Networks in Industrial Engineering.<br />

Sommer, R. (1969). Personal space:<br />

The behavioral basis of design. Englewood<br />

Cliffs, NJ: Prentice Hall.<br />

Ünlü, A., Özener., O.Ö., Özden, T.,<br />

Edgü, E. (2001). An Evaluation of Social<br />

Interactive Spaces in a University<br />

Building, Proceedings, 3rd International<br />

Symposium on Space Syntax: 46,<br />

Eds. Peponis, J., Wineman, J., Bafna,<br />

S., College of Architecture and Urban<br />

Planning, University of Michigan, Ann<br />

Arbor.<br />

Ünlü, A., Edgü, E., Cimşit, F., Şalgamcıoğlu,<br />

M.E., Garip, E., Mansouri,<br />

A. (2009). Interface of Indoor and Outdoor<br />

Spaces in Buildings: A Syntactic<br />

Comparison of Architectural Schools<br />

in Istanbul, 7th International Space<br />

Syntax Symposium Proceedings: 132.<br />

Wang, W.L., Shih, S.G., Chien, S.F.<br />

(2010). A Knowledge Trading Game<br />

for Collaborative Design Learning in<br />

an Architectural Design Studio, International<br />

Journal of Technology<br />

and Design Education, 20(4) 433-451,<br />

Springer.<br />

Webster, H. (2008). Architectural<br />

Education after Schön: Cracks, Blurs,<br />

Boundaries and Beyond, Journal for<br />

Education in the Built Environment,<br />

Vol. 3, Issue 2: 63-74.<br />

Temel Tasarım Stüdyolarında başarı:<br />

Yer seçimi bir avantaj olabilir mi?<br />

1. Stüdyolarda sosyal etkileşim<br />

Tüm tasarım programlarının esasını<br />

tasarım probleminin verileri,<br />

çıktıları ile sorunlarının incelendiği<br />

stüdyo dersleri oluşturur. Öğrencilerin<br />

eğitimlerinin başlarından itibaren<br />

tasarımda farklı çeşitlemelerin ve sonuçların<br />

olabileceğini görebilmeleri<br />

gerekir, çünkü öğrencilerin özgün tasarım,<br />

çizim ve sunum yapması esastır.<br />

Bu nedenle, tasarım stüdyolarında<br />

öğrencilerin özgün tasarım süreçlerini<br />

tek tek ele alacak, projenin gelişimini<br />

denetleyecek ve öğrencilerin de kendilerinden<br />

farklı tasarım görüşlerini alabilecekleri<br />

birden çok eğitmen bulunabilir.<br />

Bu tür bir eğitim yöntemi yüz<br />

yüze oturma düzenleriyle dışadönük<br />

davranışı olduğu kadar, eğitmenler ile<br />

öğrenciler arasında dengeli bir iletişim<br />

kurulmasını da gerektirir. Ancak çoğu<br />

zaman, bu özgün eğitim yönteminin<br />

avantajlarının birinci sınıf öğrencileri<br />

tarafından farkedilmesi zaman alır.<br />

Öğrencilerin üniversite binalarındaki<br />

sosyal davranışları, birbirleriyle olan<br />

sosyal etkileşimleri ve toplanma alanları<br />

özellikle tasarım programları açısından<br />

son derece önemlidir. Ancak,<br />

Miura ve Sugihara’nın (2011) öğrencilerin<br />

arkadaşları ya da eğitmenleri ile<br />

sürekli olarak etkileşimde oldukları bir<br />

yer olarak tanımladıkları stüdyoların<br />

oturma düzenleri de araştırılmaya değerdir.<br />

Sosyal etkileşim masaüstü eleştirilere<br />

ve yüz yüze tartışmaya dayanan<br />

tasarım eğitiminin temel özelliklerindendir,<br />

bu nedenle stüdyolar istenen<br />

etkileşimi sağlayabilmelidirler.<br />

Öğrencilerin çeşitli sınıf düzenlerindeki<br />

oturma tercihlerini görüş alanından<br />

çok savunma odaklı egemenlik<br />

alanı davranışına bağlayan çalışmalar<br />

bulunmaktadır. Bu çalışmalarda büyük<br />

ölçekli sınıflarda öğrenci ile eğitmen<br />

arasındaki uzaklık arttıkça öğrenmenin<br />

güçleştiği, ön sıralarda oturan<br />

öğrencilerin arka sıralarda oturanlara<br />

oranla daha yüksek notlar aldığı,<br />

Success in Basic Design Studios: Can seat selection be an advantage?


52<br />

yer seçimi alışkanlığının devama ve<br />

performansa etki ettiği gibi sonuçlara<br />

varılmıştır. Ancak bu çalışmalar her<br />

öğrenciye kolçaklı bir sandalye verilen<br />

ve bireyselliği hedefleyen kuramsal<br />

içerikli derslerin verildiği geleneksel<br />

dersliklerde yürütülmüştür. Tasarım<br />

stüdyolarında ise öğrencilerin gerek<br />

arkadaşlarıyla gerekse eğitmenlerle<br />

farklı ilişkileri vardır.<br />

Mimarlık okullarında stüdyo düzenlerinin<br />

hareketli çizim masaları, bilgisayar<br />

donanımları, maket tezgâhları<br />

ve referans kütüphaneleriyle öğrenciye<br />

örnek olması beklenmekle birlikte,<br />

özellikle tasarım eğitimine yeni başlayan<br />

kurumlardaki bazı kısıtlar daha<br />

yararcı çözümleri gerektirebilir. Aynı<br />

stüdyonun kuramsal dersler için de<br />

kullanıldığı geleneksel sıra düzeninde<br />

oluşturulmuş mekânlarda odak noktası<br />

eğitmendir ve eğitmenin masa dizileri<br />

arasında dolaşırken öğrenciler ile<br />

kuracağı göz teması önemlidir.<br />

Fiziksel mekândaki oturma düzeni,<br />

sosyal etkileşim, derse katılma ve kullanıcının<br />

başarısı ile ilişkilidir. Pencere<br />

veya koridor yanındaki oturma elemanları,<br />

ön, orta ve arka sıraların her<br />

birinin bütünleşme değerleri farklıdır.<br />

Mahremiyet odaklı bir çalışmada Pedersen<br />

(1994) arka sıralarda oturan<br />

öğrencilerin görüş alanından ve diğerleriyle<br />

etkileşimden uzak olmayı tercih<br />

ettiklerini, Pomales-Garcia ve diğerleri<br />

(2009) ise, herkesin birbirinden farklı<br />

noktalara baktığı merkezi dikdörtgen<br />

düzenlerin kopya çekmeyi engellediğini<br />

öne sürerler. Oysa, bu tür bir düzen<br />

etkileşimi azalttığı ya da engellediği<br />

için tasarım stüdyosunda istenenin<br />

tam tersidir. Diğer yandan, geleneksel<br />

sıra dizisiyle oluşturulmuş dersliklerin<br />

U düzenle karşılaştırıldığı çalışmalarda<br />

(Sommer, 1969; Kaya ve Burgess,<br />

2007), ön ve orta sıralardaki öğrencilerin<br />

derse katılımının daha yüksek<br />

düzeyde olduğu ancak bu tür ortamlarda<br />

odak noktasının eğitmen olduğu,<br />

U düzende ise eğitmenin tam karşısındaki<br />

öğrenciler daha katılımcıyken ortamın<br />

kendisinin tartışmayı ve sosyal<br />

etkileşimi özendirdiği savunulur.<br />

Tasarım stüdyosunda gerek duyulan<br />

bilginin dinamik ve karmaşık yapısı<br />

nedeniyle öğrenciler arasında bilgi ve<br />

kaynak paylaşımının önemi artmakta<br />

(Wang ve diğ., 2010; McCormick,<br />

2004) ve akranlar arası öğrenme ile<br />

mesleğin özündeki disiplinler arası<br />

çalışma alışkanlığı oluşmaktadır. Bu<br />

nedenle, gerek eğitmenler gerekse arkadaşlar<br />

ile iletişim kurmayı sağlayacak<br />

yer seçimi iyi bir proje ortaya koyabilmek<br />

açısından önemlidir. Ancak<br />

birinci sınıfın ilk haftalarında sosyal<br />

etkileşim henüz tam olarak kurulmamıştır.<br />

Bu araştırmanın hipotezi henüz<br />

belirli yerlere karşı oluşmamış olan<br />

alışkanlık, kurulmamış sosyal ve arkadaşlık<br />

bağları nedeniyle öğrencilerin<br />

yer seçiminde daha bağımsız olacakları<br />

ve sabit düzendeki bir stüdyoda kuracakları<br />

sosyal etkileşimin başarılarını<br />

etkileyeceğidir.<br />

2. Araştırma alanı ve kısıtlar<br />

Kolayca denetlenebilen sınırlı ortamlardaki<br />

küçük gruplar arasında<br />

sosyal etkileşimin oluşması daha kolaydır<br />

ve tasarım stüdyoları açısından<br />

da bu istenen bir özelliktir. Ancak bu<br />

araştırma için seçilen alan tüm bu<br />

ideal şartların dışında kalan bir stüdyodur.<br />

Geleneksel sıra düzeninde 76<br />

çizim masası alabilen 200 m²’lik bu<br />

stüdyo, özel bir üniversitenin birinci<br />

sınıf mimarlık ve iç mimarlık öğrencileri<br />

ile ardışık iki yıl yapılan temel<br />

tasarım dersinde kullanılan ve kısıtlı<br />

fiziksel kaynaklar nedeniyle kuramsal<br />

derslerin de aynı yerde yürütüldüğü<br />

bir mekândır. Eğitmen grubunun aynı<br />

kaldığı, 2009-2010 ve 2010-2011 güz<br />

yarıyıllarını içeren çalışmada, 3, 6, 9<br />

ve <strong>12</strong>. haftalarda çekilen fotoğraflarla<br />

öğrencilerin yer seçimleri belirlenerek<br />

bu haftalara ait uygulamalarda aldıkları<br />

notlarla karşılaştırılmıştır. İncelenen<br />

iki yarıyıldaki önemli bir fark da 72 ve<br />

36 öğrenci ile ikinci yıla ait öğrenci sayısının<br />

ilk yılın yarısı kadar olduğudur.<br />

Yer seçimi havuzunu etkileyen bu fark<br />

sonuçlara da yansımıştır. Öğrencilerin<br />

eğitmenlerle ve arkadaşlarıyla farklı<br />

sosyal etkileşim alanını kullanacağı<br />

varsayılan günlük uygulamalar, stüdyo<br />

oturma düzeni, eğitmenlerin dolaşım<br />

aksı ile görüş açılarının dizimsel değerleri<br />

regresyon analizi ve Spearman<br />

korelasyonları ile karşılaştırılmıştır.<br />

3. Mekânsal dizim yöntemi ve analizleri<br />

Mekânsal dizim çeşitli mekânsal düzenleri<br />

üreten kurallar dizisi olarak ta-<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • E. Edgü


53<br />

nımlanabilir (Hillier ve Leaman, 1974;<br />

Hillier ve diğ., 1987). Hanson ve Conroy<br />

Dalton’a (2007), göre mekânsal dizimde<br />

farklı gösterim biçimleri olan üç<br />

birim bulunur; bunlar hareket belirten<br />

aks çizgileri, sosyal etkileşim belirten<br />

dışbükey mekânlar ve görsel kapsamı<br />

belirten eşgörüş alanlarıdır. Mimari<br />

düzende bütünleşme değerleri dışadönüklüğü,<br />

derinlik ise gizli alanları belirtir.<br />

Bu çalışmada çizim masalarının<br />

dolaşıma ve erişime olanak sağlayan<br />

düzenlerini araştırmak için bütünleşme<br />

değerleri, sosyal etkileşim için ise<br />

gerek eğitmenlerin gerekse öğrencilerin<br />

oturur durumdaki eşgörüş alanları<br />

dikkate alınmıştır. Çizim masalarının<br />

erişilebilirliği ve eğitmenlerin masalar<br />

arasındaki dolaşım aksının bütünleşme<br />

değerleri için masalar sabit kabul<br />

edilmiş, her bir taburenin görüş alanı<br />

için ise masaların konumu gözardı<br />

edilmiş ve en geniş görüş açısı araştırılmıştır.<br />

Eğitmenin görüş açısına giren<br />

masalar ayrıca analiz edilmiş ve özellikle<br />

stüdyonun arkalarında yer alan<br />

masalardaki öğrencilerin eğitmenin<br />

görüş açısından tamamen gizlenmelerine<br />

rağmen arkadaşlarıyla göz kontağı<br />

kurmaya devam ettikleri için bu masaları<br />

tercih ettikleri görülmüştür.<br />

4. Sonuçlar ve tartışma<br />

Yapılan analizlerde öğrencilerin<br />

notları bağımlı değişken, dizimsel veriler<br />

ise bağımsız değişken olarak ele<br />

alınmıştır. Tablo 2’de verilen sonuçlara<br />

göre, başarı ve bütünleşme değeri<br />

ilişkisi ancak kalabalık grubun ilk haftalarında<br />

görülmüştür; buna rağmen<br />

öğrenci sayısının neredeyse masa sayısına<br />

eşit olduğu bu dönemde sonuçlar<br />

rastlantısaldır. Bir sonraki yılda ise, seçenek<br />

çok daha fazlayken, orta düzeyin<br />

üstündeki öğrencilerin eğitmenlerle<br />

etkileşim için öndeki masaları, kolay<br />

erişim için dolaşım hattı boyundaki<br />

masaları, geniş görüş açısı için ise pencere<br />

veya duvar kenarlarındaki masaları<br />

tercih ettikleri görülmüştür. Öğrencilerin<br />

seçenekleri fazla olduğu zaman<br />

fiziksel erişim yerine geniş görüş alanını<br />

tercih ettikleri; ancak bu geniş görüş<br />

alanının önceliğinin arkadaş ya da<br />

manzara olduğu, eğitmen etkileşimiyle<br />

ilişkili olmadığı görülmüştür.<br />

Eğitmenlerin eşgörüş alanlarının<br />

öğrenci yer seçimi ve başarısıyla belirgin<br />

bir ilişkisi görülmezken, stüdyo kuramsal<br />

derslere oranla içinde daha çok<br />

zaman geçirilen bir yer olduğu için,<br />

eşgörüş çevresi her iki yıl sonuçlarında<br />

da özellikle orta ve düşük düzeyde başarılı<br />

öğrencilerin tercihleri açısından<br />

anlamlıdır. Bu araştırma tasarım süreci<br />

açısından ideal olmamakla birlikte, erişim<br />

kolaylığı sağlanabilen geleneksel<br />

masa düzeninde oluşturulmuş stüdyoların<br />

da hâlâ kullanışlı olmaya devam<br />

ettiğini göstermektedir.<br />

Success in Basic Design Studios: Can seat selection be an advantage?


ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • 55-70<br />

Tracing a biennial layout:<br />

Experiencing an exhibition layout<br />

through the syntactic analysis of<br />

Antrepo No. 3 at the 2013 Istanbul<br />

Biennial<br />

Mehmet Emin ŞALGAMCIOĞLU 1 , Fitnat CİMŞİT KOŞ 2 , Ervin GARİP 3<br />

1<br />

salgamcioglu@itu.edu.tr • Department of Architecture, Faculty of Architecture,<br />

Istanbul Technical University, Istanbul, Turkey<br />

2<br />

fitnatcimsit@gmail.com • Department of Architecture, Faculty of Architecture,<br />

Beykent University, Istanbul, Turkey<br />

3<br />

ervingarip@gmail.com • Interior Design and Environmental Design Department,<br />

Faculty of Art and Design, Istanbul Kültür University, Istanbul, Turkey<br />

Received: May <strong>2015</strong> Final Acceptance: October <strong>2015</strong><br />

Abstract<br />

The design of an exhibition gallery and its curatorial intension for either a temporary<br />

exhibition or a permanent museum installation requires understanding<br />

how its morphology influences the use of space, as well as the spatial experiences<br />

of visitors. The morphology of a gallery in terms of its shape and configuration<br />

may affect the display of the artwork, visitors’ activities and their movement<br />

through the space. This paper examines the layout of Antrepo No. 3, the main<br />

exhibition gallery of the 2013 Istanbul Biennial.<br />

This research explores: 1) how museum design influences integrated or segregated<br />

locations, as well as visitors’ use of the space during their visits; 2) how<br />

spatial layouts influence visitors’ explorations in gallery spaces; 3) which spaces<br />

are more or less visited; and 4) what the predominate path is depending on the<br />

number of visitors during a specific period of time. Answers to these questions<br />

are crucial for this study to understand the impact of the morphology of space on<br />

museum visitors. In this sense, syntactic correlations are key to grasping the idea<br />

of morphology and visitor experience relations in a curated space in exhibition<br />

design.<br />

For this investigation, gate counts within the exhibition space and snapshots<br />

showing the number of people and their patterns of interaction with the exhibition<br />

are correlated with syntactic parameters. Visitors’ spatial experiences and<br />

the use of the overall layout depending on the number of visitors during a certain<br />

period of time in a specific convex space are taken into account.<br />

Keywords<br />

Building morphology, Exhibition architecture, Space syntax, Spatial layout, Syntactic<br />

analysis.


56<br />

1. Introduction<br />

Built space is composed of patterns<br />

that are interrelated through different<br />

syntactic and semantic layers, and museum<br />

space layouts are no exception.<br />

According to Peponis and Wineman<br />

(2003), built space is to be understood<br />

as a relational pattern supporting that<br />

situation: “A pattern of distinctions,<br />

separations, interfaces, and connections,<br />

a pattern that integrates, segregates,<br />

or differentiates its parts in<br />

relation to each other” (Peponis and<br />

Wineman, 2003). The built environment<br />

has a “social logic” (Hillier and<br />

Hanson, 1984) that relates to the layout,<br />

the pattern of the space that hosts<br />

the activities of daily life or special occasions<br />

such as temporary or permanent<br />

curated museum exhibitions.<br />

Spaces of the built environment such<br />

as museum spaces also structure social<br />

relationships such that society and culture<br />

become intelligible through their<br />

spatial form (Peponis and Wineman,<br />

2003).<br />

2. Antrepo No. 3 and the conceptual<br />

framework of the 2013 Istanbul Biennial<br />

Antrepo is a complex made up of 4<br />

buildings previously used as warehouses<br />

at the Salıpazarı Harbour in the district<br />

of Tophane, Istanbul (Figure 1).<br />

The buildings have been used as venues<br />

for various Istanbul Biennials, and Antrepo<br />

3 was in fact honored as the best<br />

venue of the Istanbul Biennials. Antrepo<br />

3 has previously housed major<br />

artworks by contemporary artists such<br />

as Renée Green, Hung-Chih Peng, Yan<br />

Pei Ming, Ivan Grubanov, and Michael<br />

Rakowitz. The venue also houses art<br />

fairs as well as temporary exhibitions<br />

other than the Istanbul Biennials. The<br />

neighboring building, Antrepo No. 4,<br />

houses the Istanbul Modern Art Museum.<br />

The conceptual framework of the<br />

13th Istanbul Biennial is based on the<br />

main theme, “Mom, Am I a Barbarian?”<br />

Curator Fulya Erdemci declared<br />

that, “The notion of the public domain<br />

as a political forum will be the focal<br />

point of the 13th Istanbul Biennial. This<br />

highly contested concept will serve as a<br />

matrix to generate ideas and develop<br />

practices that question contemporary<br />

forms of democracy, challenge current<br />

models of spatio-economic politics,<br />

problematize the given concepts of civilization<br />

and barbarity as standardized<br />

positions and languages and, above all,<br />

unfold the role of contemporary art as<br />

an agent that both makes and unmakes<br />

what is considered public.” (Anon,<br />

<strong>2015</strong>) This idea is grounded in diverse<br />

historic, philosophical, theoretical and<br />

geo-political ideas. Questions of democracy,<br />

equality, civic rights and political<br />

debate are interpreted through<br />

the works in the Biennial largely in the<br />

main venue, Antrepo No 3. “From the<br />

existence of an artwork to the freedom<br />

of social media and the designation of<br />

urban spaces as public, the notion of<br />

public domain can cover a vast area<br />

where social engagement and political<br />

public debate are possible. It is this potentiality<br />

of public domain discourse<br />

that the exhibition aims to articulate.”<br />

(Anon, <strong>2015</strong>)<br />

The curated artwork in the exhibition<br />

is organized by several themes:<br />

fragility: “Am I Not A Citizen?”; spatio-economic<br />

justice: “How Is It Possible<br />

To Be ‘Rich’ In A World That Is<br />

Steadily Growing Poorer?”; agoraphobia:<br />

“Istanbul Is Ready, Target 2023”;<br />

the public domain as a battle-ground:<br />

“Conflict Or Consensus?”; and ‘Between<br />

Agency And Action’. Reflections<br />

of these themes are also seen in<br />

the works presented in Antrepo No.<br />

3 (Figure 3); a list of exhibiting artists<br />

Figure 1. 2013 map of Istanbul Biennial spaces, highlighting<br />

Antrepo No. 3 in relation to the Bosphorus, the Golden Horn and<br />

the historic peninsula of Istanbul.<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • M. E. Şalgamcıoğlu, F. Cimşit Koş, E. Garip


57<br />

is provided in this paper according to<br />

the locations of their artwork in the<br />

building (Figure 2). The syntactic values,<br />

such as the integration of visual<br />

and accessibility concerns in locating<br />

the artists’ work, the circularity values<br />

of the convex spaces in which the artworks<br />

exist, and the visitor frequencies<br />

depending on the convex spaces and in<br />

relation to the works of these artists are<br />

also considered in this paper.<br />

3. Research goals and relationship to<br />

existing theory and previous studies<br />

This research seeks to explore the<br />

main venue of the 2013 Istanbul Biennial,<br />

Antrepo No. 3, through syntactic<br />

analysis and semantic explorations.<br />

This study includes the interpretations<br />

about the morphology of exhibition<br />

spaces’ in terms of building morphology<br />

issues and explores the relations<br />

between the frequency of people and<br />

syntactic values of spaces. The relation<br />

between the geometry of the spaces<br />

and the perception issues in relation<br />

with the movement of visitors in those<br />

spaces are important in this study. In<br />

that sense, the term “building morphology”<br />

includes the issues about<br />

the shape of convex spaces that people<br />

move in or through while they are visiting<br />

the exhibition space. The physical<br />

pattern and the overall structure, layout<br />

of the exhibition venue, in terms<br />

of geometrical measures and shape<br />

characteristics of its convex spaces are<br />

important building morphology issues<br />

in relation with the syntactic measures<br />

such as “circularity” and “integration”.<br />

Experiencing the temporary exhibition<br />

layout of Antrepo No. 3 (Figure 2<br />

& Figure 3) is crucial to understanding<br />

the syntactic and semantic patterns<br />

that complement the social and physical<br />

patterns exposed in this study.<br />

Understanding the nature of Antrepo<br />

No. 3’s layout also requires grasping<br />

the idea of “the theory of natural<br />

movement” (Hillier, Penn, Hanson,<br />

Grajewski, & Xu, 1993), that the distribution<br />

of movement is a function<br />

of spatial configuration. The theory of<br />

“virtual community” (Hillier, 1989) is<br />

also a key to this understanding and<br />

“brings focus to a particular form of<br />

community that is based on the pattern<br />

of coawareness and copresence arising<br />

as a by-product of movement” (Peponis<br />

and Wineman, 2003). From this<br />

perspective, museum spaces hosting<br />

temporary or permanent exhibitions<br />

have the opportunity to attract people<br />

from various communities and act as<br />

a gathering space and a space of information<br />

and burgeoning intellectual<br />

values. Here, the Istanbul Biennial also<br />

acts around these values and its main<br />

venue should be investigated with this<br />

awareness.<br />

In this study, Perception and movement<br />

related issues should also be<br />

grasped in order to understand the<br />

morphology of exhibition layouts<br />

through their syntactic and semantic<br />

dimensions. Kuipers et al.’s (2003)<br />

study on the cognitive maps of movement<br />

of the people describes how visual<br />

perception and cognition plays a<br />

key role in the processes of navigation,<br />

movement, and wayfinding. In relation<br />

with the museum and exhibition environments,<br />

visual perception and accessibility<br />

of the spaces also play a significant<br />

role in movement and wayfinding.<br />

Dalton’s (Zimring & Dalton, 2003) approach<br />

to decisions of people in terms<br />

of visual perception of the space that<br />

is similar to Kuipers et al.’s (2003) approach,<br />

Zimring & Dalton (2003) was<br />

interested in decisions that people<br />

head to during their navigation and in<br />

route choice decisions that are made<br />

at path junctions. “She created an environment<br />

in which participants were<br />

presented with a variety of different<br />

junction types and then noted the sequence<br />

of decisions.” (Zimring & Dalton,<br />

2003). Dalton (Zimring & Dalton,<br />

2003) found that “Angles that deviated<br />

least from a continuous straight heading<br />

were preferable to sharp turns.”.<br />

Another interesting finding was “a<br />

strong evidence that participants tended<br />

to select routes that approximated<br />

a straight line and avoided routes that<br />

were particularly convoluted or meandering.”<br />

(Zimring & Dalton, 2003).<br />

The study of Wineman and Peponis<br />

(2010) point out the issues that construct<br />

spatial meaning through visitors’<br />

movement in museum and exhibition<br />

spaces, “The ways in which visitors are<br />

encouraged to move through an exhibition,<br />

whether along a clearly defined<br />

path or more freely weaving a self-di-<br />

Tracing a biennial layout: Experiencing an exhibition layout through the syntactic analysis of<br />

Antrepo No. 3 at the 2013 Istanbul Biennial


58<br />

rected path, will structure the overall<br />

impression of the exhibition.” Wineman<br />

and Peponis (2010) argue these<br />

two polarized point of view and introduces<br />

the term, “spatially guided movement”<br />

and evolve it to “spatially dictated<br />

movement” and “spatially random<br />

movement” from a third point of view<br />

in between these two polarized views.<br />

“Spatially guided movement” kind of<br />

understanding makes the connection,<br />

interrelation of geometrical space with<br />

the perception and movement in space.<br />

The spatial order and form of space is<br />

always a parameter effecting the perception<br />

and movement issues.<br />

Perception and understanding of<br />

visitors in exhibition spaces are constructed<br />

through “patterns of accessibility<br />

through the space of the exhibition,<br />

connections or separations<br />

among spaces or exhibition elements,<br />

sequencing and grouping of elements”<br />

(Wineman and Peponis, 2010).<br />

The issues related with perception<br />

of space and movement of visitors<br />

become more clear when we think of<br />

spatial relations based on patterns of<br />

access and choices effected by visibility,<br />

where the curatorial message of<br />

the exhibition is also a parameter effecting<br />

the decisions. The experience<br />

of the visitors when they start to move<br />

through the exhibition space is also<br />

unfolding based on the artwork and<br />

the order of spaces in relation with the<br />

content (Wineman and Peponis, 2010).<br />

“As a by-product of the exploration<br />

of museum content, visitors are seeing<br />

and being seen by others. Thus, museums<br />

function to construct a sense of<br />

community arising according to patterns<br />

of otherwise random copresence”<br />

(Wineman and Peponis, 2010; Hillier,<br />

Peponis, & Simpson, 1982; Peponis &<br />

Hedin, 1982). Actually, the circulation<br />

pattern and visibility sequence of the<br />

artwork were mentioned as key issues<br />

earlier in terms of cultural function<br />

in the literature (Gilman, 1923; Levin,<br />

1983; Montaner & Oliveras, 1986).<br />

In this study, examining the physical<br />

layout of exhibition spaces became<br />

possible using techniques of spatial<br />

analysis. Space syntax analysis is based<br />

on isovists (Benedikt, 1979; Hillier<br />

and Hanson, 1984); visual perception<br />

is taken into account and measures of<br />

Figure 2. Location of the artists throughout the exhibition space<br />

of Antrepo No. 3 at the 2013 Istanbul Biennial.<br />

Figure 3. Various views from the exhibition space of Antrepo No.<br />

3 at the 2013 Istanbul Biennial (View from Artist 42-Upper left;<br />

Artist 3&4-Upper right; Artist 2-Lower right; Artist 42&43-Lower<br />

left in relation with Figure 2).<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • M. E. Şalgamcıoğlu, F. Cimşit Koş, E. Garip


59<br />

accessibility and movement are also<br />

considered in the analysis. The key<br />

definitions of space syntax theory and<br />

methodology, such as isovists and convex<br />

space (Hillier et al., 1987), should<br />

also be introduced for a better understanding<br />

of the concepts of space syntax<br />

and exhibition space in this study.<br />

An isovist is a concept of spatial recognition<br />

that defines any particular viewpoint<br />

in a space by its visibility field;<br />

the visibility field of a single viewpoint<br />

can also be called the isovist field.<br />

Understanding the presence of the<br />

artwork in the exhibition space and<br />

the visitor frequency at the venue in<br />

relation to the isovist fields is crucial<br />

to understanding whether there is a<br />

correlation between the physical characteristics<br />

of the space and visitor frequencies<br />

depending on different convex<br />

spaces in the exhibition venue.<br />

As Hillier et al. (1993) note in Figure<br />

4, beyond the relationship between<br />

visitor frequency and the configuration<br />

of the space in the exhibition area, depending<br />

on the morphology of convex<br />

spaces as a whole, while attractors and<br />

movement may be mutually influential,<br />

the other two relationships are<br />

asymmetrical. The configuration may<br />

influence the location of attractors, but<br />

the location of attractors cannot influence<br />

configuration. Likewise, the configuration<br />

may influence movement,<br />

but movement cannot influence configuration.<br />

If strong correlations are<br />

found between movement and both<br />

configuration and attractors, the only<br />

logically possible lines of influence are<br />

from the configuration to both movement<br />

and attractors, with the latter two<br />

factors influencing each other. In this<br />

study, the relationship between visitor<br />

frequency and configuration is analyzed<br />

in detail; the attractors, namely,<br />

artworks by various artists, are also<br />

considered in this relationship through<br />

certain critical counts within the exhibition<br />

space.<br />

Various techniques of spatial analysis<br />

have been used to discuss the functions<br />

of museums (Peponis & Hedin, 1982;<br />

Wineman & Choi, 1991). Choi (1999)<br />

has analyzed visitors’ paths and found<br />

that integration was significantly correlated<br />

with “tracking scores,” the number<br />

of people who reached each convex<br />

space, and the correlation of tracking<br />

scores with “tracking frequencies” was<br />

investigated. “Spatial variables play an<br />

important role in structuring exploration<br />

even where the purpose of exploration<br />

is not to comprehend the layout<br />

itself but to view the displays in it. Choi<br />

also studied the distribution of people<br />

present in the museum, using normal<br />

behavioral mapping techniques” (Peponis<br />

and Wineman, 2003).<br />

4. Method of analysis in relation to<br />

the aim of the study<br />

The space syntax method will provide<br />

significant data in terms of the<br />

method of analysis and is an important<br />

theory used to define the structural environment.<br />

Used as a syntactic measurement<br />

method in the space syntax field, the<br />

Syntax 2D software developed by<br />

the University of Michigan makes its<br />

calculations starting from a logical<br />

ground built over vision fields we term<br />

“isovists” (Benedikt, 1979; Batty, 2001;<br />

Conroy, 2001; Edgü et al., 20<strong>12</strong>). As<br />

for the concept of convex space, ap-<br />

Figure 4. Attraction, configuration and movement (Hillier, et. all., 1993).<br />

Tracing a biennial layout: Experiencing an exhibition layout through the syntactic analysis of<br />

Antrepo No. 3 at the 2013 Istanbul Biennial


60<br />

proached by scrutinizing interspatial<br />

relations within space syntax theory,<br />

it reduces the differently sized plans,<br />

spaces whose relationships will be examined<br />

as cellular spaces. In space syntax<br />

analyses, studies within the framework<br />

of a base logic that progresses by<br />

examining the relationships among<br />

these cells, or convex spaces, are performed.<br />

Syntax 2D handles the analyses<br />

based on isovists. Within the definition<br />

of an isovist, the walls, furniture,<br />

exhibition systems, artwork and other<br />

systems obstructing our sight in the<br />

space are handled as walls and affect<br />

the determination of the visual field<br />

(Benedikt, 1979; Turner and Penn,<br />

1999; Batty, 2001; Turner et al., 2001;<br />

Conroy, 2001; Ünlü et al., 2009; Edgü<br />

et al., 20<strong>12</strong>; Salgamcioglu and Unlu,<br />

2013).<br />

For this study, it is key to specify an<br />

analysis method in Syntax 2D that will<br />

allow us to examine the relationships<br />

among the convex spaces of Antrepo<br />

No. 3, depending on the exhibition<br />

venue and visitor frequencies counted<br />

separately for the specified convex<br />

spaces on weekdays and weekends,<br />

which will be described in the next<br />

data analysis section of this study.<br />

Syntax 2D works by creating a grid<br />

fragmentation. A plan proportional to<br />

the actual size of the site was drawn<br />

digitally using AutoCAD (.dwg) and<br />

transferred to the Syntax 2D program.<br />

This enabled us to compare the plan integration<br />

and depth comparison values<br />

through different convex spaces within<br />

the same plan. Visible, perceived field<br />

(on the plan platform) analyses were<br />

performed within this context. This<br />

research explores how integrated or<br />

segregated locations in a museum influence<br />

the installation of artwork, museum<br />

design and visitors’ use of space<br />

during their visits; how spatial layouts<br />

influence visitors’ explorations of a gallery<br />

space; how the integration value of<br />

a space affects the number of visitors<br />

to a specific gallery in the museum;<br />

the impact of visiting time (weekday<br />

or weekend) on the number of visitors<br />

to the museum during a specific period<br />

of time; which spaces are more or<br />

less visited and which artworks more<br />

or less viewed; the predominate path,<br />

depending on the number of visitors<br />

on this path during a specific period of<br />

time; and whether visitor frequencies<br />

in the convex spaces of Antrepo No. 3<br />

are correlated with the syntactic values<br />

of the spaces.<br />

Of the data generated as a result of<br />

the analyses, the data utilized for every<br />

convex space were:<br />

• Mean depth<br />

• Mean integration<br />

• Mean circularity<br />

These three data points are three<br />

of the primary concepts addressed in<br />

space syntax theory. These data were<br />

calculated separately for every convex<br />

space. Subsequently, the values at the<br />

active grids of the exhibition plan were<br />

separated into these three data groups<br />

and added on three different charts,<br />

and a mean data value was obtained for<br />

the three concepts (see Tables 1 and 2).<br />

Contingently, calculations were made<br />

via the arithmetic averaging of the grid<br />

values for every convex space.<br />

To understand the impact of the<br />

morphology of space on visitors, gate<br />

counts and snapshot analyses were<br />

undertaken to understand visibility<br />

relations, the regions described and<br />

isovists. Gate counts for 6 gates (see<br />

Figure 6) in the exhibition gallery,<br />

which provide access to the exhibition<br />

and circulation areas of the exhibition<br />

gallery, are taken into consideration on<br />

a designated route (see Figure 6) for<br />

several time periods. During these gate<br />

counts, snapshots are also used to analyze<br />

the visitor frequencies in each convex<br />

space shown in Figure 5. Snapshots<br />

are created using the observations for<br />

one weekday and one weekend day in<br />

Antrepo No. 3. For both days, observations<br />

for the snapshots and gate counts<br />

were repeated 8 times per day, starting<br />

at 11:00 am and repeating hourly<br />

until 7:00 pm.. At the beginning of<br />

every hour, the researcher walked the<br />

route shown in Figure 6 and counted<br />

the number of visitors in each convex<br />

space (Figure 5). After completing the<br />

visitor count observations by walking<br />

the route, gate counts were taken for a<br />

period of 5 minutes at each gate, starting<br />

from gate 1 and ending at gate 6,<br />

to find the number of visitors passing<br />

through the gates; this is also shown in<br />

Figure 6. These gate count values provide<br />

information about the movement<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • M. E. Şalgamcıoğlu, F. Cimşit Koş, E. Garip


61<br />

Table 1. Syntactic scores and frequencies (number of visitors) according to the counts made on a weekday at<br />

hourly intervals for all the convex spaces specified in Figure 5.<br />

Convex space<br />

number<br />

Mean<br />

integration<br />

Mean<br />

depth<br />

Mean circularity<br />

Snapshot 11.00 am<br />

weekday<br />

Snapshot <strong>12</strong>.00 pm<br />

weekday<br />

Snapshot 13.00 pm<br />

weekday<br />

Snapshot 14.00 pm<br />

weekday<br />

Snapshot 15.00 pm<br />

weekday<br />

Snapshot 16.00 pm<br />

weekday<br />

Snapshot 17.00 pm<br />

weekday<br />

CS1 485785.00 161.52 2.22 8 5 10 6 21 20 9 4<br />

CS2 461897.00 151.65 2.24 10 <strong>12</strong> 4 24 <strong>12</strong> 3 4 5<br />

CS3 207877.67 62.14 2.77 10 3 5 <strong>12</strong> 10 6 <strong>12</strong> 5<br />

CS4 177923.00 56.<strong>12</strong> 2.73 2 5 1 15 7 8 1 3<br />

CS5 89785.00 29.67 2.98 3 0 0 5 4 1 0 0<br />

CS6 42111.00 92.59 2.85 20 0 7 11 13 6 4 7<br />

CS7 22<strong>12</strong>67.00 82.03 2.56 4 20 10 4 2 6 8 1<br />

CS8 25659.00 52.66 3.18 1 1 1 2 1 3 3 4<br />

CS9 265665.00 180.15 2.48 4 3 2 1 1 5 0 3<br />

CS10 302639.00 221.84 2.36 1 6 2 3 7 8 1 2<br />

CS11 195888.00 82.88 2.65 4 6 4 4 8 7 1 1<br />

CS<strong>12</strong> 307059.00 141.57 2.55 10 0 10 6 3 4 6 1<br />

CS13 259832.00 <strong>12</strong>0.83 2.57 28 17 9 9 39 14 18 11<br />

CS14 190268.50 93.32 2.70 2 0 5 0 5 5 2 3<br />

CS15 10535.00 19.07 4.59 4 2 2 5 9 2 2 2<br />

CS16 194992.00 <strong>12</strong>7.<strong>12</strong> 2.72 1 3 9 5 5 5 5 3<br />

CS17 183702.33 <strong>12</strong>4.98 2.75 2 5 7 6 3 5 3 9<br />

CS18 334739.00 277.37 2.25 0 0 2 0 0 0 0 0<br />

CS19 209709.50 178.87 2.55 17 14 7 11 8 5 2 4<br />

CS20 2680.00 20.85 5.63 10 0 11 6 5 1 10 9<br />

CS21 158177.00 118.42 2.65 0 1 3 1 6 5 2 5<br />

CS22 39099.00 48.11 3.51 <strong>12</strong> <strong>12</strong> 2 3 26 3 4 1<br />

CS23 <strong>12</strong>7174.00 150.67 2.67 5 2 2 5 3 5 1 1<br />

CS24 22777.00 23.50 3.98 0 0 0 0 4 0 0 0<br />

CS25 52023.00 87.65 2.77 0 0 1 0 1 4 6 0<br />

CS26 333477.00 204.53 2.22 0 7 1 0 0 3 1 0<br />

CS27 148304.00 203.25 2.53 3 0 0 3 3 2 1 0<br />

CS28 136294.00 133.46 2.56 8 0 5 4 4 4 1 13<br />

CS29 65502.00 46.70 2.99 0 0 2 3 4 9 0 0<br />

CS30 244243.75 115.98 2.55 19 10 9 5 7 5 20 3<br />

CS31 3377.00 27.83 3.98 0 3 1 0 <strong>12</strong> 1 0 0<br />

CS32 160970.00 141.29 2.55 22 <strong>12</strong> 3 0 8 5 5 2<br />

CS33 237413.00 101.73 2.53 3 16 1 11 10 4 7 7<br />

CS34 3<strong>12</strong>821.00 202.07 2.41 0 3 2 8 0 3 0 0<br />

CS35 61925.00 45.52 4.<strong>12</strong> 8 7 10 5 9 <strong>12</strong> 5 8<br />

CS36 10759.00 35.28 3.64 0 1 2 6 0 1 1 1<br />

CS37 351161.00 <strong>12</strong>9.52 2.36 0 0 1 0 1 0 0 0<br />

CS38 380872.50 180.00 2.27 1 8 20 5 14 7 9 1<br />

CS39 4474.86 159.37 2.28 5 1 4 6 3 2 5 3<br />

CS40 33192.00 4447.00 3.03 3 8 7 4 3 14 6 1<br />

CS41 104<strong>12</strong>.00 20.68 4.97 3 0 3 0 0 2 1 2<br />

Snapshot 18.00 pm<br />

weekday<br />

of visitors in the exhibition venue and<br />

will help us understand the movement<br />

between different groups of convex<br />

spaces depending on the syntactic and<br />

curational issues. The number of people<br />

passing through the gates is also<br />

examined by analyzing the space syntax<br />

with Syntax 2D: gate counts are<br />

performed at the 6 gates, the visitor<br />

frequency is noted and the syntactic<br />

scores of the gates are also used to understand<br />

the relationship between the<br />

Tracing a biennial layout: Experiencing an exhibition layout through the syntactic analysis of<br />

Antrepo No. 3 at the 2013 Istanbul Biennial


62<br />

Table 2. Syntactic scores and frequencies (number of visitors) according to the counts made on a weekend day at<br />

hourly intervals for all the convex spaces specified in Figure 5.<br />

Convex space number<br />

Mean<br />

integration<br />

Mean<br />

depth<br />

Mean circularity<br />

Snapshot 11.00 am<br />

weekend<br />

Snapshot <strong>12</strong>.00 pm<br />

weekend<br />

Snapshot 13.00 pm<br />

weekend<br />

Snapshot 14.00 pm<br />

weekend<br />

Snapshot 15.00 pm<br />

weekend<br />

Snapshot 16.00 pm<br />

weekend<br />

Snapshot 17.00 pm<br />

weekend<br />

CS1 485785.00 161.52 2.22 7 0 7 13 45 11 10 9<br />

CS2 461897.00 151.65 2.24 8 10 15 13 28 32 33 <strong>12</strong><br />

CS3 207877.67 62.14 2.77 7 9 18 33 15 35 32 24<br />

CS4 177923.00 56.<strong>12</strong> 2.73 2 6 <strong>12</strong> 17 <strong>12</strong> 21 10 7<br />

CS5 89785.00 29.67 2.98 0 0 0 0 2 0 0 0<br />

CS6 42111.00 92.59 2.85 5 14 13 7 16 19 16 13<br />

CS7 22<strong>12</strong>67.00 82.03 2.56 0 8 5 15 20 14 20 15<br />

CS8 25659.00 52.66 3.18 2 0 4 1 10 6 9 5<br />

CS9 265665.00 180.15 2.48 3 2 6 8 11 14 6 8<br />

CS10 302639.00 221.84 2.36 10 5 14 17 21 30 17 15<br />

CS11 195888.00 82.88 2.65 8 0 4 2 4 <strong>12</strong> 8 5<br />

CS<strong>12</strong> 307059.00 141.57 2.55 <strong>12</strong> 8 22 4 <strong>12</strong> 15 9 13<br />

CS13 259832.00 <strong>12</strong>0.83 2.57 19 16 36 33 47 53 46 27<br />

CS14 190268.50 93.32 2.70 0 3 0 2 8 16 10 5<br />

CS15 10535.00 19.07 4.59 3 5 6 7 15 13 7 16<br />

CS16 194992.00 <strong>12</strong>7.<strong>12</strong> 2.72 2 5 2 9 6 18 11 13<br />

CS17 183702.33 <strong>12</strong>4.98 2.75 0 5 4 20 9 17 16 8<br />

CS18 334739.00 277.37 2.25 1 1 0 0 4 2 8 2<br />

CS19 209709.50 178.87 2.55 4 4 9 8 16 22 4 20<br />

CS20 2680.00 20.85 5.63 6 0 0 0 13 <strong>12</strong> <strong>12</strong> 8<br />

CS21 158177.00 118.42 2.65 6 1 5 7 11 9 26 11<br />

CS22 39099.00 48.11 3.51 0 0 7 1 10 3 21 7<br />

CS23 <strong>12</strong>7174.00 150.67 2.67 3 3 4 0 6 8 8 6<br />

CS24 22777.00 23.50 3.98 0 0 2 0 2 5 15 4<br />

CS25 52023.00 87.65 2.77 0 1 1 9 8 8 7 3<br />

CS26 333477.00 204.53 2.22 1 2 4 3 7 <strong>12</strong> 6 5<br />

CS27 148304.00 203.25 2.53 1 0 1 2 4 5 0 6<br />

CS28 136294.00 133.46 2.56 2 2 1 3 8 8 5 9<br />

CS29 65502.00 46.70 2.99 8 3 2 2 20 6 13 13<br />

CS30 244243.75 115.98 2.55 13 1 5 11 16 31 14 16<br />

CS31 3377.00 27.83 3.98 1 0 0 2 3 5 6 0<br />

CS32 160970.00 141.29 2.55 1 0 7 9 14 7 18 6<br />

CS33 237413.00 101.73 2.53 7 3 14 9 16 30 18 28<br />

CS34 3<strong>12</strong>821.00 202.07 2.41 2 1 1 3 9 4 3 5<br />

CS35 61925.00 45.52 4.<strong>12</strong> 9 9 7 8 21 28 41 31<br />

CS36 10759.00 35.28 3.64 2 1 1 10 8 2 0 4<br />

CS37 351161.00 <strong>12</strong>9.52 2.36 0 4 3 2 2 7 1 0<br />

CS38 380872.50 180.00 2.27 5 15 14 7 28 19 1 10<br />

CS39 4474.86 159.37 2.28 0 9 0 4 3 24 1 10<br />

CS40 33192.00 4447.00 3.03 3 3 9 3 6 15 13 23<br />

CS41 104<strong>12</strong>.00 20.68 4.97 0 0 0 1 5 4 4 6<br />

Snapshot 18.00 pm<br />

weekend<br />

frequency of visitors and the syntactic<br />

measures such as integration, circularity<br />

and mean depth.<br />

To investigate the relationship between<br />

the number of visitors and the<br />

syntactic values of the exhibition space<br />

depending on the convex spaces, gate<br />

counts within the exhibition space<br />

and snapshots showing the number of<br />

people are used. Visitors’ patterns of<br />

interaction within the exhibition are<br />

correlated with syntactic parameters<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • M. E. Şalgamcıoğlu, F. Cimşit Koş, E. Garip


63<br />

and the results are discussed. During<br />

this investigation, visitors’ spatial experiences,<br />

their contact with exhibition<br />

content and the use of the overall<br />

layout is also considered to gain a better<br />

understanding of the relationship<br />

of syntactic measures and visitor frequency<br />

in the biennial venue.<br />

Finally, the statistical relationships<br />

between the number of people present<br />

during a certain period of time in a<br />

specific convex space and the syntactic<br />

measures of these spaces such as mean<br />

integration, mean depth and circularity<br />

are scrutinized and the correlations<br />

assessed using the Statistical Package<br />

for the Social Sciences (SPSS) program.<br />

5. Data analysis: Comparison of syntactic<br />

values and visitor frequency<br />

As noted above, in this study, it is<br />

important to specify an analysis method<br />

in Syntax 2D to examine the relationships<br />

among convex spaces shown<br />

in Figure 5 depending on the exhibition<br />

venue, i.e., Antrepo No. 3, a schematic<br />

of which is shown in Figure 6.<br />

The visitor frequencies are shown for a<br />

weekday and a weekend day in Tables<br />

1 and 2, respectively, counted at hourly<br />

intervals for the specified convex spaces.<br />

In addition to the convex space analysis,<br />

which depends on the visual field<br />

of the visitors and the accessibility to<br />

the spaces where artwork is exhibited,<br />

the gate count (see Table 3) analysis<br />

notes the visitor frequency (Table<br />

4) and syntactic scores (Figure 7) for<br />

6 gates to understand the relationship<br />

between visitor frequency and syntactic<br />

measures such as integration, circularity<br />

and mean depth. The number of<br />

visitors passing through a gate in the<br />

space of 5 minutes per gate at the selected<br />

hourly intervals in the daytime<br />

is counted to find the frequency data<br />

for gate counts. The gate count data are<br />

used to investigate the relationship between<br />

the syntactic values of the gates<br />

and the movement and circulation of<br />

people throughout the venue.<br />

In the process of this investigation,<br />

the statistical relationships between<br />

the number of people and the syntactic<br />

measures are examined and the addressed<br />

correlations further investigated<br />

using SPSS. In the first step of the<br />

Figure 5. Convex spaces in the exhibition<br />

space in Antrepo No. 3 during the 2013<br />

Istanbul Biennial according to visitor<br />

frequencies, shown in Tables 1 and 2.<br />

regression analysis for Antrepo No. 3,<br />

the syntactic parameters of mean integration,<br />

mean circularity, and mean<br />

depth of the gates and the gate count<br />

frequency parameter (i.e., the number<br />

of visitors passing through the selected<br />

gate for 5 minutes; see Table 3) are<br />

considered. The dependent variable is<br />

always the number of people passing<br />

through the gates at the hourly observation<br />

points (see Table 3) and the independent<br />

variables are the syntactic<br />

measures such as mean integration,<br />

circularity and depth of the gates.<br />

When the most integrated gate in<br />

the system, Gate 4 (see Table 3), has<br />

the highest frequency (see Table 3) at<br />

14:00 pm on the selected weekend day,<br />

the regression analysis of the frequency<br />

value and integration value shows a<br />

positive regression result of R=0.525<br />

(p=0.285>0.05) that is mildly close to<br />

significance. This type of relationship<br />

can be interpreted as meaning that<br />

when the number of visitors passing<br />

through a more integrated gate rises in<br />

the Antrepo No. 3 configuration of the<br />

Istanbul 2013 Biennial, the number of<br />

people passing through all gates in the<br />

Tracing a biennial layout: Experiencing an exhibition layout through the syntactic analysis of<br />

Antrepo No. 3 at the 2013 Istanbul Biennial


64<br />

Table 3. Frequencies (number of visitors passing through a gate for 5 minutes 8 hourly intervals) according to<br />

the counts made on a weekend day (WE) and a weekday (WD) for various hours in the gates shown in Figure 6.<br />

Gate<br />

Number<br />

WD<br />

11.00am<br />

WD<br />

<strong>12</strong>.00pm<br />

WD<br />

13.00pm<br />

Gate Counts / Weekday - Sunny<br />

WD<br />

14.00pm<br />

WD<br />

15.00pm<br />

WD<br />

16.00pm<br />

WD<br />

17.00pm<br />

WD<br />

18.00pm<br />

G1 24 28 28 33 32 34 20 23<br />

G2 17 11 16 24 28 37 9 19<br />

G3 18 35 24 20 33 16 41 14<br />

G4 15 34 34 21 26 37 43 28<br />

G5 47 46 28 31 30 18 34 17<br />

G6 53 107 66 52 36 40 47 13<br />

Total 174 261 196 181 185 182 194 114<br />

Gate<br />

Number<br />

WE<br />

11.00am<br />

WE<br />

<strong>12</strong>.00pm<br />

Gate Counts / Weekend Day - Sunny-Partly Cloudy<br />

WE<br />

13.00pm<br />

WE<br />

14.00pm<br />

WE<br />

15.00pm<br />

WE<br />

16.00pm<br />

WE<br />

17.00pm<br />

WE<br />

18.00pm<br />

G1 <strong>12</strong> 32 22 70 89 66 55 29<br />

G2 21 27 22 32 34 70 62 48<br />

G3 32 29 19 33 62 73 64 32<br />

G4 27 49 34 117 107 89 50 64<br />

G5 25 18 32 56 82 71 63 85<br />

G6 15 27 52 <strong>12</strong>5 190 195 96 76<br />

Total 132 182 181 433 564 564 390 334<br />

Table 4. The syntactic values of the 6 gate count nodes shown in<br />

Figure 6.<br />

Gate<br />

number<br />

Mean<br />

integration<br />

Mean<br />

circularity<br />

system also rises in accordance with<br />

the gates’ integration values, which has<br />

a slight significant correlation with the<br />

mean integration values of these gates<br />

in the system. One of the regression<br />

analysis results that supports this observation<br />

comes from the 11:00 am<br />

weekend count at Gate 4. At 11:00 am,<br />

the regression analysis between the parameters<br />

of the frequency value and<br />

the integration value in Gate 4 present<br />

no significance, with values of R=0.065<br />

(p=0.903>0.05), because the number<br />

of visitors passing through Gate 4 is<br />

one of the lowest counts, which affects<br />

all the frequency values in the venue.<br />

These types of results, which are<br />

taken into account by the change in<br />

the frequency of visitors, show that<br />

when the number of visitors passing<br />

through a highly integrated gate in the<br />

venue increases, the number of people<br />

passing through all the other gates in<br />

the system display a mildly significant<br />

correlation with the mean integration<br />

value scores of these gates. When the<br />

number of visitors passing through<br />

Gate 4, which is the most integrated<br />

gate, decreases, the number of visitors<br />

in the entire system may be still<br />

increasing—exemplified by the weekend<br />

visitor counts at 3:00 pm and 4:00<br />

pm—but there are no significant regression<br />

results linking the integration<br />

values of the gates and visitor frequency<br />

at these hours. Visitors’ tendency to<br />

leave the venue also increases by using<br />

the only entrance to the venue at these<br />

hours, Gate 6. Therefore, the entrance<br />

gate, Gate 6, shows high visitor frequency<br />

at those times of day.<br />

The results for weekday counts are<br />

somewhat different. A negative regression<br />

result of R=-0.574 (p=0.233>0.05)<br />

that is mildly close to significance is<br />

seen at 3:00 pm for the frequency and<br />

Mean depth<br />

G1 353866.50 164.45 2.43<br />

G2 293775.00 201.71 2.42<br />

G3 247349.33 146.21 2.41<br />

G4 506976.50 166.48 2.14<br />

G5 453497.00 163.09 2.27<br />

G6 328015.60 135.41 2.47<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • M. E. Şalgamcıoğlu, F. Cimşit Koş, E. Garip


65<br />

Figure 6. Antrepo No. 3 Plan of 2013 Istanbul Biennial showing the gate count nodes and<br />

selected route for snapshot counts on the left and plain plan of the venue on the right.<br />

Figure 7. Image of the circularity (left) and integration (right) analysis made using Syntax<br />

2D to find the syntactic scores for gate count nodes and convex spaces.<br />

Tracing a biennial layout: Experiencing an exhibition layout through the syntactic analysis of<br />

Antrepo No. 3 at the 2013 Istanbul Biennial


66<br />

integration value numbers of the gates.<br />

On weekdays, the number of people<br />

passing through a less integrated gate<br />

increases at one of the peak venue<br />

hours in terms of the total number of<br />

visitors; in other words, the less integrated<br />

gates attract more visitors, but<br />

the most integrated gates attract fewer<br />

visitors. This interesting result is not<br />

seen at any other hours of the weekday<br />

regression analysis, but examining the<br />

results for 3:00 pm, it may be argued<br />

that the weekday visitors tend to visit<br />

the less integrated spaces of the venue.<br />

This may be due to the artwork exhibited<br />

in the venue. On weekdays, visitors<br />

may spend more time looking at<br />

the artwork presented in less integrated<br />

spaces by passing through the gates<br />

that are less integrated in the system.<br />

As for the second part of regression<br />

analysis, the mean integration values of<br />

all the convex spaces and the number<br />

of visitors counted during the daytime<br />

hourly snapshots on both weekends<br />

and weekdays serve as parameters. The<br />

syntactic measure is independent and<br />

frequency is the dependent variable.<br />

At <strong>12</strong>:00 pm, R=0.325 (p=0.0380.05) is mildly positively<br />

significant; at 4:00 pm, R=0.279<br />

(p=0.078>0.05) is also mildly positively<br />

significant. Similarly, on the weekend,<br />

the results for 11:00 am, R=0.327<br />

(p=0.0370.05); 2:00 pm<br />

on the weekend with the value R=-<br />

0.254 (p=0.109>0.05); and 4:00 pm on<br />

the weekend with the value R=-0.236<br />

(p=0.138>0.05). The correlation of circularity<br />

and frequency, which is mildly<br />

close to significance, shows the tendency<br />

that the number of visitors increases<br />

when the convex spaces are more linearly<br />

shaped.<br />

As a result of the test between the<br />

mean circularity parameter and the<br />

frequency parameter of the convex<br />

spaces as explained above, all have the<br />

probability value (p) above 0.05, but it<br />

is interpreted that the close numerical<br />

findings to 0.05 shows a statistically<br />

mild significance, a tendency, which is<br />

close to significant results.<br />

A decrease in the value of mean circularity<br />

is an indicator of gradual differentiation<br />

throughout a convex space<br />

of the general averages of the mean dimensions.<br />

Briefly, this value is accepted<br />

as an indicator of dimensional tightening<br />

with the increasing differences between<br />

the width and the length of the<br />

convex space or a non-differentiating,<br />

a tendency to dimensional equilibrium<br />

of width and length of the convex<br />

space.<br />

In that sense, the statistical evaluation<br />

carried out over different hourly<br />

intervals of some weekday hours like<br />

<strong>12</strong>:00 pm and 4:00 pm and of some<br />

weekend hours like <strong>12</strong>:00 pm, 1:00 pm,<br />

2:00 pm and 4:00 pm shows that the<br />

number of visitors increases when the<br />

mean circularity values of convex spaces<br />

decreased. This shows the relation<br />

between the geometry of the space and<br />

the number of people visiting the space<br />

including their visual perception and<br />

movement. It could be inferred from<br />

this situation that when the differences<br />

among the lengths of the convex space<br />

morphologies in two dimension (i.e.,<br />

width and length) began to decrease<br />

and that the plan center began to shift<br />

to the center of the convex space, the<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • M. E. Şalgamcıoğlu, F. Cimşit Koş, E. Garip


67<br />

people circulating in that specific convex<br />

space has the tendency to rise.<br />

Alternatively, with the findings of the<br />

increasing circularity values that is related<br />

with the geometry of the convex<br />

spaces, the convex spaces with different<br />

integration values throughout the plan<br />

began to overlap in a single narrow<br />

field with a high integration value and<br />

were forced to use this field as a connection<br />

field due to tightening of the<br />

interconnecting areas among the convex<br />

spaces. This kind of results should<br />

be interpreted and discussed particularly<br />

around the circularity value.<br />

As explained, at some weekday<br />

hours like <strong>12</strong>:00 pm and 4:00 pm and<br />

at some weekend hours like <strong>12</strong>:00 pm,<br />

1:00 pm, 2:00 pm and 4:00 pm an increase<br />

is seen on the number of people<br />

where a morphological structure similar<br />

to a circle was observed due to the<br />

decrease in the mean circularity value.<br />

It was also observed that the general<br />

tendency toward a decrease in the<br />

mean circularity value was due to the<br />

divergence of areas connected with<br />

narrow interconnecting zones in the<br />

plan organization or more linearly<br />

shaped convex spaces in terms of the<br />

geometry of spaces. The mean circularity<br />

has a tendency to decrease in a<br />

structure in which the interconnecting<br />

areas among the areas are tightened,<br />

narrowed and concentrated on a single<br />

field with a high mean integration.<br />

The remaining relationships among<br />

the various syntactic value parameters<br />

and the remaining periods not described<br />

above are not significantly correlated<br />

with the frequency parameter.<br />

6. Conclusion<br />

In summation, this paper traces the<br />

layout of Antrepo No. 3 at the 2013<br />

Istanbul Biennial; as urban events, Biennial<br />

exhibitions can be discussed<br />

in terms of the interrelation of venues<br />

as well as that of art products and<br />

discussions. There are typically many<br />

exhibition venues at a biennial, and<br />

preferences are defined by pragmatic<br />

or thematic decisions. The goal here is<br />

to understand the performance of the<br />

main exhibition gallery’s layout syntactically<br />

to understand whether these<br />

layout decisions influenced the movement<br />

and number of visitors to the<br />

convex spaces of Antrepo No. 3.<br />

Ultimately, it appears that the attractors<br />

and movement were mutually<br />

influential in Antrepo No. 3, but<br />

the configuration of the venue had the<br />

strongest impact on the number of visitors.<br />

For example, the mild significant<br />

correlation of circularity and frequency<br />

at some weekday hours like <strong>12</strong>:00<br />

pm and 4:00 pm and at some weekend<br />

hours like at <strong>12</strong>:00 pm, 1:00 pm, 2:00<br />

pm and 4:00 pm shows that the number<br />

of visitors increases when the convex<br />

spaces are more linearly shaped in<br />

terms of the geometry of spaces. Such<br />

findings show that the geometry of the<br />

spaces has some strong impact on the<br />

perception of the spaces, the frequency<br />

and the movement through those spaces.<br />

When the total number of visitors<br />

to the venue rises dramatically at certain<br />

peak weekend hours, the visitors<br />

may be looking more to the artwork in<br />

the more integrated space in the venue,<br />

passing through the highly integrated<br />

gates such as Gate 4. On the other<br />

hand, when the number of total visitors<br />

in the system decreases on weekdays,<br />

visitors are more likely to look at<br />

the artworks in less integrated spaces,<br />

passing through a less integrated gate,<br />

as shown by the results for 3:00 pm on<br />

a weekday. This result shows that the<br />

increasing density of people circulating<br />

in the venue decreases the number<br />

of visitors circulating in the system and<br />

passing through less integrated gates.<br />

This further shows the situation depending<br />

on certain selected hours, but<br />

it is important to see that the impact of<br />

the configuration is independent from<br />

the installation of the artwork in relation<br />

to the number of people circulating<br />

in the venue. This kind of finding<br />

is also directly related with the geometry<br />

of the space and shows the highly<br />

strong impact of architectural design<br />

on the circulation of people in such exhibition<br />

spaces.<br />

We may also argue that the configuration<br />

influences the location of<br />

attractors here, but that the location<br />

of attractors cannot influence configuration.<br />

When we examine most of<br />

the selected hourly counts of visitor<br />

numbers in the convex spaces, we find<br />

a mild significant correlation between<br />

frequency and the integration values<br />

Tracing a biennial layout: Experiencing an exhibition layout through the syntactic analysis of<br />

Antrepo No. 3 at the 2013 Istanbul Biennial


68<br />

of each convex space. Similarly, mean<br />

depth and circulation show mildly significant<br />

correlations with visitor frequencies.<br />

Finally, configuration may influence<br />

movement, but movement cannot<br />

influence configuration. We see the<br />

reflections of that relationship in the<br />

considerably significant correlations of<br />

gate counts with the integration values<br />

of these gates. There are some mildly<br />

significant findings pertaining to this<br />

exhibition space that contradict results<br />

from previous studies by Choi (1999)<br />

and Peponis and Wineman (2003),<br />

where no correlation between scores or<br />

frequencies was found, but the present<br />

study also shows the parallel idea that<br />

spatial variables play an important role<br />

in structuring exploration.<br />

Acknowledgements<br />

First of all we would like to send our<br />

sincere appreciation to Prof.Dr.Alper<br />

Ünlü for preparing such a dossier<br />

dealing with architectural design and<br />

space syntax issues. Next, we would<br />

like to thank some of the MSc students<br />

at Istanbul Technical University (ITU)<br />

from several programmes but mostly<br />

from “Architectural Design MSc<br />

Programme”, Fulya Menderes, Barış<br />

Ateş, Şebnem Çakaloğulları and, Ecem<br />

Çalışkan, who have collected the data<br />

used in this paper during long hours in<br />

the field voluntarily. Lastly, in addition<br />

to our volunteers from ITU, we would<br />

like to thank Industrial Product Designer<br />

Bedii Engin Koş, who was also a<br />

volunteer, for his support and work for<br />

data collection in the field.<br />

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Bir bienal yapısının izini sürmek:<br />

2013 İstanbul Bienali Antrepo No.3<br />

yapısının sentaktik analizleri üzerinden<br />

sergi mekanının deneyimlenmesi<br />

Sergi galerilerinin mimari tasarımlarını<br />

ve küratörler tarafından belirlenen<br />

içeriklerini anlamak, bu galerilerin<br />

geçici veya kalıcı sergi mekanları<br />

olmalarına bağlı olmaksızın, morfolojilerinin<br />

mekan kullanımlarını nasıl<br />

etkilediğini ve ziyaretçilerin mekana<br />

ait deneyimlerini de anlamayı gerektirmektedir.<br />

Bir sergi galerisinin morfolojisi,<br />

bu galerinin konfigürasyonu<br />

ve formu gözönüne alındığı zaman,<br />

bu alanda sergilenen sanat yapıtlarının<br />

sergilenme biçimlerini, ziyaretçilerin<br />

aktivitelerini ve bu ziyaretçilerin mekan<br />

içerisindeki hareketlerini etkileyebilmektedir.<br />

Bu araştırma insan hareketleri<br />

ve sergilenen sanat eserleriyle<br />

ilişki bağlamında 2013 İstanbul Bienali’nin<br />

ana sergi mekanı olarak kullanılan<br />

Antrepo No.3’ün kurgusunun ve<br />

mekansal konfigürasyon özelliklerinin<br />

irdelenmesini içermektedir.<br />

Bu araştırmanın amaçları: 1) Müze<br />

veya sergi mekanlarının mimari tasarımının,<br />

bu mekanlardaki sığ veya derin<br />

alanların oluşumunu nasıl etkilediğinin<br />

ve ziyaretçilerin mekan kullanımlarının<br />

anlaşılması; 2) Mekana ait planlamanın,<br />

mekanların bir araya geliş<br />

ilişkilerinin ve düzeninin ziyaretçilerin<br />

galeri mekanlarındaki keşfetme süreçlerini<br />

nasıl etkilediğinin anlaşılması; 3)<br />

Bir sergi galerisinde hangi mekanların<br />

daha çok, hangilerinin daha az ziyaret<br />

edildiğinin anlaşılması; 4) Belirli bir<br />

zaman aralığı içerisinde ziyaretçi sayılarına,<br />

frekansa bağlı olarak sergi mekanlarında<br />

baskın olan kullanım ve dolaşım<br />

rotalarının, mekanlar arası geçiş<br />

alanlarının özelliklerinin irdelenmesi<br />

olarak ifade edilebilir. Bu araştırma sorularına<br />

ve irdeleme alanlarına verilebilecek<br />

cevaplar, mekan morfolojisinin<br />

müze ve sergi ziyaretçileri üzerindeki<br />

etkilerini anlamak için de önem taşımaktadır.<br />

Bu bağlamda, mekan dizimi<br />

yöntemi kullanılarak yapılacak olan<br />

sentaktik analizler ve bu analizler sonucunda<br />

ortaya çıkacak olan sonuçlar<br />

son derece önemlidir. Mekanın tasarımından<br />

kaynaklanan, fiziksel durumuna<br />

ait veriler ile ziyaretçiler tarafından<br />

mekanın kullanımına ait frekans verileri<br />

arasındaki istatistiksel ilişkilerin<br />

ortaya koyacağı sonuçlar araştırılmıştır.<br />

Sentaktik analizler, mekan morfolojisi<br />

ile tasarımın ilişkisinin anlaşılması<br />

ve küratörler tarafından oluşturulmuş<br />

mekanlarda ziyaretçi deneyiminin nasıl<br />

olduğunun irdelenmesi için anahtar<br />

bir rol oynamaktadır.<br />

Bu araştırmada, Antrepo No.3 sergi<br />

alanı içerisindeki konveks mekanlar<br />

arasında geçiş oluşturan 6 önemli noktada<br />

ziyaretçilerin hareket frekansına<br />

ait sayımlar (gate counts) yapılmıştır.<br />

Buna ek olarak, 41 konveks mekan içe-<br />

Tracing a biennial layout: Experiencing an exhibition layout through the syntactic analysis of<br />

Antrepo No. 3 at the 2013 Istanbul Biennial


70<br />

risinde anlık olarak ziyaretçi sayısını<br />

belirlemeye yönelik sayımlar (snapshots)<br />

belirli bir rota üzerinde ve farklı<br />

günlerdeki farklı zaman aralıklarında<br />

sistematik olarak yapılmıştır. <strong>Sayı</strong>mlar<br />

için hafta içine ve hafta sonuna ait birer<br />

gün seçilmiştir ve bu günler içerisinde<br />

8 farklı zaman aralığında sayımlar<br />

yapılarak, ziyaretçi frekansları tespit<br />

edilmiştir. Mekanlara ve mekanlar arası<br />

geçişlere ait bu frekans değerleri ile<br />

bütünleşme (integration) ve merkezilik<br />

(circularity) gibi mekanın sentaktik<br />

değerleri arasındaki ilişkiler istatistiksel<br />

olarak, SPSS (Statistical Package for<br />

the Social Sciences) programı ile araştırılmış,<br />

sonuç olarak ortaya çıkan veriler<br />

yorumlanmıştır. Regresyon analizleri<br />

ile ilişkilerin ne derece kuvvetli<br />

veya zayıf oldukları sorgulanmıştır.<br />

Araştırma sonucunda Antrepo No.3<br />

özelinde ortaya çıkan sonuçlar, daha<br />

önceki çalışmalarla ilişkileri bağlamında<br />

değerlendirilmiştir. Müze veya sergi<br />

mekanlarında mekanın morfolojisine<br />

ait veriler ile mekanın ziyaretçiler<br />

tarafından kullanım verilerinin sanat<br />

eserlerinin mekan içerisindeki konumları<br />

ile ne derece ilişkili olduğu sorgulanmıştır.<br />

İnsanların hareketine ilişkin<br />

teorik altyapı ile Antrepo No.3 ziyaretçilerinin<br />

mekanlardaki hareketlerinin<br />

ilişkileri tartışılmıştır. Bu tartışmada<br />

mekanın fiziksel tasarımı, plan kurgusu<br />

ve düzeni ile mekan içerisindeki<br />

eserlerin konumlanmasının ilişkileri<br />

de irdelenmeye çalışılmıştır. Bu ilişkilerin<br />

araştırılması aşamasında ziyaretçi<br />

frekanslarındaki artış veya azalmanın<br />

mekanın geometrisi, mekanlar içerisindeki<br />

hareket ve kullanım ile nasıl bir<br />

ilişkide olduğu da yorumlanmıştır.<br />

Antrepo No.3 içerisindeki farklı konumlarda<br />

çekici noktalar oluşturacağı<br />

öngörülebilecek birtakım eserlerin<br />

esasen mekanın kendi morfolojisinden<br />

bağımsız çekim noktaları oluşturamadıkları<br />

bulunmuştur. Araştırmanın yapıldığı<br />

belirli zaman dilimlerinde Antrepo<br />

No.3 içerisinde dolaşan ziyaretçi<br />

sayısı arttıkça daha derin geçiş noktalarında<br />

ve konveks mekanlardaki ziyaretçi<br />

sayılarının düştüğü görülmüştür.<br />

Buna karşılık, antrepodaki ziyaretçi sayısının<br />

düşmesi ile mekanın tümünde<br />

dolaşıma giren ve daha derin mekanları<br />

kullanan ziyaretçi sayılarında artışlar<br />

olduğu gözlenmiştir. Bu bulgular<br />

ışığında, mekan içerisindeki kurgudan<br />

dolayı derinleşen konveks mekanlarda<br />

insanların frekansındaki artışla birlikte<br />

keşfetme ve ziyaret düzeyi düşmekte,<br />

ziyaretçiler daha sığ ve görsel algısı<br />

daha yüksek konveks mekanlarda daha<br />

yoğun olarak dolaşmaktadırlar. Ziyaretçiler,<br />

toplam ziyaretçi sayısının artmasıyla<br />

Antrepo No.3’ü oluşturan 41<br />

konveks mekanda ve bunları bağlayan<br />

6 ana geçiş noktasında daha sığ fiziksel<br />

özelliklere sahip, daha dar bir dolaşım<br />

alanında kalmaktadırlar.<br />

Bu araştırmada ele alınan bütün<br />

ilişkilerin yorumlanması sonucu ortaya<br />

çıkan veriler, sadece Antrepo No.3<br />

sergi alanı için değil, aynı zamanda<br />

diğer müze veya sergi mekanı tasarım<br />

araştırmaları için de sorgulayıcı ve yol<br />

gösterici niteliktedir.<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • M. E. Şalgamcıoğlu, F. Cimşit Koş, E. Garip


ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • 71-87<br />

Thinking and designing with the<br />

idea of network in architecture<br />

Nilüfer KOZİKOĞLU 1 , Pelin DURSUN ÇEBİ 2<br />

1 nilufer.kozikoglu@izmirekonomi.edu.tr • Department of Architecture, Faculty<br />

of of Fine Arts and Design, Izmir University of Economics, Izmir, Turkey<br />

2<br />

dursunpe@itu.edu.tr • Department of Architecture, Faculty of Architecture,<br />

Istanbul Technical University, Istanbul, Turkey<br />

Received: May <strong>2015</strong> Final Acceptance: October <strong>2015</strong><br />

Abstract<br />

A spatial setup is designed considering the network of interrelations between<br />

its constituent units. This is a network significant for architectural discourse as it<br />

maps the interactions and social relations between users, defines the functional<br />

and latent routes, and indicates spatial proximities. Although design is subjective,<br />

design tools and methods provide objective criteria to interpret and iterate. Common<br />

tools of network thinking allow us to invoke scenarios that will lead us to<br />

visualize and exchange ideas about architecture, extrapolate up to date functional<br />

ratios, define ranges of proximities to bring forth spatial and potentialities of architectural<br />

program and test them within criteria.<br />

This study focuses on the idea of networks in architectural design and discusses<br />

the use of graph theory based tools in the design process. It presents the possibilities<br />

of systematic mapping of relations among spatial elements through their<br />

neighboring and attracting qualities in the initial phase whereby the relational<br />

network is still dynamic and non-hierarchical. The topic will be expressed by<br />

presenting two examples, one from an academic setting, the other elicited from<br />

practice. The first describes a workshop on systems thinking demonstrated with a<br />

game called “İkidebir”. The second is an iterative hospital campus design scheme<br />

in which functional and site specific relationships are modeled and animated with<br />

network modeling and assessment tools. Network-based thinking, graphs measurements,<br />

and the diagrammatic assessment of relationships between spatial organizations<br />

as a design exercise are valuable both for those who are in practice and<br />

in the education of architectural design.<br />

Keywords<br />

Networks, Architectural design, Relational thinking, Space syntax.


72<br />

1. Introduction: Space as a networked<br />

artifact<br />

Today, networks, which can be described<br />

as structural and organizational<br />

models, are pervasive in every<br />

aspect of our lives and range from<br />

genes to power systems and from social<br />

communities to transport routes.<br />

These networks are concerned with the<br />

structure of relations between things<br />

and are informative as they allow us to<br />

uncover those inherent principles and<br />

behaviors that regulate a variety of natural<br />

and artificial systems (Lima, 2011;<br />

Wigley, 2007).<br />

In the field of architecture, the study<br />

of networks has emerged as an inspiring<br />

concept in the description of built<br />

environments. After all, the design of<br />

a spatial setting inherently implies the<br />

network of interrelated spatial units,<br />

and so we can view the practice of architecture<br />

as mainly involved in the<br />

creation of the specific configuration of<br />

this network. In other words, the outcome<br />

of an architectural design process<br />

is essentially a configuration (Nourian<br />

et al., 2013). Network relationships are<br />

thus tools that the architect utilizes to<br />

propose his/her perceptions. These<br />

relationships once regarded as a mutable<br />

also constitute the potentials of<br />

encounters for the users through connections<br />

and borders, including even<br />

new ranges and thresholds. Thus they<br />

make up the base for the interactions<br />

and social relations between users,<br />

defining both functional and latent<br />

routes, and indicating spatial proximities<br />

and neighbors. According to<br />

Dovey and Dickson (2002), the spatial<br />

dispositions of buildings constitute social<br />

organizations. They are not formal<br />

types or archetypes, but, rather, clusters<br />

of spatial segments structured in<br />

certain formations with syntactic rules<br />

of sequence and adjacency. Lawson<br />

develops this view by defining architectural<br />

and urban spaces as containers<br />

that accommodate, separate, structure<br />

and organize, facilitate, heighten, and<br />

even celebrate spatial behavior. He says<br />

that space creates settings that organize<br />

our lives, activities and relationships<br />

(Lawson, 2005). Hillier suggests<br />

that buildings carry social ideas within<br />

their spatial forms (Hillier, 1996) and<br />

spatial formations can be seen as visual<br />

symbols of societies. We read the space<br />

and anticipate a life-style (Hillier and<br />

Hanson, 1984).<br />

To date, most of the research studies<br />

that set out to reveal the potentials of<br />

network systems have utilized graph<br />

theory, a theory that relies on the conversion<br />

of information into a network<br />

diagram that can be mathematically<br />

analyzed to determine the relative<br />

depth or significance of the nodes or<br />

e dge s t hat ma ke up t he ne t work<br />

(Ostwald and Dawes, 2013). Architectural<br />

applications of this method<br />

have also been developed by several<br />

researchers (Alexander, 1964; March<br />

and Steadman, 1971; March, 1976;<br />

Steadman, 1983; Hillier and Hanson,<br />

1984; Hillier, 1996). Generally speaking,<br />

these works discuss some of the<br />

concepts of mathematics and diagramming<br />

or graph theory based tools that<br />

have potential value in understanding<br />

architectural forms and spatial organizations.<br />

They primarily present<br />

the architectural designer with some<br />

mathematical methods of conceiving<br />

and manipulating the spatial configurations.<br />

An analysis of utilizations of graph<br />

theory based tools in architecture suggest<br />

there are in three different modes:<br />

(1) to analyze existing spatial formation<br />

(Hillier et al., 1987; March and<br />

Steadman, 1971), (2) to generate spatial<br />

form, (Mitchell et al., 1976; Steadman,<br />

1983), and (3) to evaluate architectural<br />

design (March, 1976; Hillier,<br />

1998; Space Syntax, 2002). The first<br />

of these types of utilizations begins by<br />

exploring the intrinsic nature of the<br />

existing built environment and then<br />

decoding the underlying principles<br />

and meanings. The second group uses<br />

a series of predefined rules in a computerized,<br />

automated process to search<br />

for a desired spatial product. The last<br />

group provides tools that architects<br />

may use to evaluate their design proposals<br />

and also gives them opportunities<br />

to argue for the best performing<br />

proposals. The criticism leveled against<br />

these approaches mostly stems from<br />

the following questions: To what degree<br />

does an architect become involved<br />

in this cognitive process and how does<br />

he/she evaluate their designs considering<br />

desirable social implications<br />

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73<br />

rather than focusing on an automated<br />

evolutionary process? (Nourian et al.,<br />

2013). In the last decade an analytical<br />

approach, space syntax theory and its<br />

applications, has made great strides in<br />

showing architects the possible effects<br />

of their design solutions and have enabled<br />

them to learn from their design<br />

solutions (Dursun, 2007, 20<strong>12</strong>). In this<br />

way such utilizations constitute evidence-based<br />

design processes (Hanson,<br />

2001).<br />

Space Syntax theory is constituted<br />

on two hypotheses (Dursun, 20<strong>12</strong>):<br />

1. The built environment functions as<br />

a spatial / social network. In this network<br />

the main interest is about relational<br />

characteristics of spaces rather<br />

than individual ones. Space is experienced<br />

through this spatial networks<br />

or relations. 2. Spatial networks create<br />

potentials of movement and describe<br />

a living pattern. Movement is the key<br />

element to decode man-space / manman<br />

relationship. Based on this network<br />

structure spatial configurations<br />

embody social or cultural meanings<br />

and generate or inhibit social interactions,<br />

movement patterns in built environments.<br />

Such analysis tools guide in the<br />

comprehension and depiction of the<br />

relational structures however there has<br />

been complicacies in the transfer of<br />

this research-based knowledge directly<br />

to design process. The design process<br />

is conventionally perceptive, experiential<br />

and subjective. The method to<br />

reference research based knowledge to<br />

the design process is a typically a matter<br />

of concern for most. Dovey tries to<br />

explain this contradiction by focusing<br />

on relation between phenomenological<br />

philosophy and Cartesian world. He<br />

describes these poles “lived space” (the<br />

realm of personal feelings, emotions<br />

and particulars) and “geometric space”<br />

(the space of plans, forms and universals)<br />

(Dovey, 1993). According to Dovey,<br />

geometric space is a representation<br />

of lived space with the meanings and<br />

values extracted. For him, geometric<br />

space is a universal language of spatial<br />

representation that has predictive value.<br />

How can one creatively externalize<br />

the spatial knowledge in a measurable,<br />

visible manner for evaluation for assessment<br />

and improvement even from<br />

the initial stages of the design process?<br />

Design is a complex cognitive process<br />

that continuously engenders both<br />

problems and solutions (Lawson,<br />

2003). It is a kind of experimental process<br />

that is largely learned and practiced<br />

through “making” (Schön, 1987;<br />

Al-Sayed, 20<strong>12</strong>). Rather than searching<br />

for optimal solutions (Simon, 1996),<br />

design is about experimenting and<br />

probing. Experiments lead architects<br />

to discover something, and then these<br />

help them to redefine their underlying<br />

concepts (Dursun, 2007). In network<br />

thinking the investigation focuses<br />

on systematically mapping relations<br />

among spatial elements through their<br />

shared and relative characteristics, in<br />

other words, neighboring and attracting<br />

qualities in rule-based dynamic<br />

network models. The “relations of the<br />

relations” and “the protocol between<br />

the rules,” which refer to the order and<br />

the scale that the rules will be enacted<br />

during the design process, are of prime<br />

importance in these models. By observing<br />

the effects, the creative process<br />

can be interpreted as a kind of choreography,<br />

one in which “pace” is also<br />

interrogated for the elements of the<br />

parametric model.<br />

It is possible to deduct that relational<br />

qualities that suggests life inside a<br />

spatial construct i.e. social interactions<br />

and the movement (form prone to flow<br />

patterns) and proximities are built up<br />

by formal qualities defined by rule sets<br />

i.e. distance close or far, vertical positions,<br />

below or over, and whether clustering<br />

or disparate. Dynamic network<br />

models suppose that spatial entities are<br />

in constant motion during the design<br />

process. Their exact positions are yet<br />

ambiguous, they hang in air, and sway,<br />

or jump from one location to another;<br />

they start to presume specific locations<br />

and concretize as their relationships<br />

among each other become more and<br />

more defined.<br />

This study aims to explore following<br />

question: How we can use the idea of<br />

network in architectural design? By<br />

focusing on the experimental and intellectual<br />

characteristics of the design<br />

activity the study tries to examine how<br />

this kind of thinking can be used as a<br />

creative and informative tool in design<br />

process. In the scope of the study first,<br />

Thinking and designing with the idea of network in architecture


74<br />

the main question is opened for discussion<br />

conceptually with architectural<br />

students by the help of a game, İkidebir.<br />

Secondly, the authors try to explore<br />

how this kind of thinking can be utilized<br />

in the design process by focusing<br />

on an iterative hospital campus design<br />

scheme from practice. Cross indicates<br />

that design has its own distinct intellectual<br />

culture and has its own ways<br />

of knowing, thinking, acting (Cross,<br />

2007). Based on this idea this experimental<br />

study aims to open a discussion<br />

about how, a scientific and graphic tool,<br />

network thinking and modeling, could<br />

feed the design thinking and making.<br />

2. Playing the systems game –<br />

“İkidebir”<br />

Played by architecture students as a<br />

component of the Architectural Morphology<br />

class at the ITU Faculty of<br />

Architecture in 2014, “Ikidebir,” is a<br />

game in which simple rules make up<br />

a network where the nodes are in motion<br />

until they asymptotically settle<br />

into a configuration that satisfies the<br />

rule for each individual. This game<br />

engenders a dynamic system in a given<br />

space, and has the following rules:<br />

(1) Players initially announce an avatar,<br />

a spatial entity in this case, they<br />

selected for themselves and represent it<br />

as a node; (2) each player then selects<br />

two other announced nodes in order<br />

to follow in discrete this time. (3) All<br />

players randomly position themselves<br />

in the confined space (game area). (4)<br />

Hearing the start signal the players try<br />

to stand at equal distance to the two<br />

nodes whom they have picked to follow<br />

(Figure 1). The students first write their<br />

selected spatial entities and later draw<br />

the relations that form on the board,<br />

(Figure 2). Then the system is opened<br />

for discussion with the students. After<br />

introducing some analytical tools,<br />

space syntax and other dynamic network<br />

models such as cytoscape to decode<br />

this relational structure, the authors<br />

re-evaluated the process by the<br />

feedbacks of the students.<br />

Network can be described as a structure<br />

that is constituted by the links between<br />

nodes. These nodes can represent<br />

different entities such as individual<br />

person, object, space or concept. Both<br />

countable and non-countable entities<br />

can be interrelated. For example in the<br />

first series of the workshops for this<br />

game in the Architectural Morphology<br />

class between 2008 and 2014, the<br />

students selected fictitious avatars and<br />

that had caused a more concentrated<br />

discussion on the nature of networks.<br />

However in the last workshop students<br />

selected to represent spatial units. Thus<br />

the composed networks lead the players<br />

to question the adopted relations<br />

that provide typical configurations.<br />

Recorded sessions are revealed at the<br />

blog: http://ikide1.wordpress.com.<br />

As soon as the game starts, players<br />

move in order to position themselves<br />

between their selected players.<br />

However as those players are also in<br />

movement, they continuously have to<br />

recalculate their target positions. This<br />

can be seen as a systemic flow, which<br />

sometimes accelerates and sometimes<br />

slows down. The simple rules create a<br />

dynamic set of nodes until the game<br />

settles into an arrangement that satisfies<br />

the rule for each player.<br />

Discussions with the students yielded<br />

the following key aspects:<br />

Figure 1. Ikidebir Game – A Demonstration of Game Evolution.<br />

Figure 2. Choice of Spaces and Relational Characteristics<br />

Visualized by Cytoscape Program.<br />

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75<br />

• The networked structure is informed<br />

by the choices made by the<br />

players.<br />

• The rule that the relation between<br />

spaces must be equidistant to the<br />

selected two spaces both triggers<br />

and organizes the motion.<br />

• The nodes, spatial entities in this<br />

case are fixed in terms of the links<br />

created whereas their geometric<br />

compositions are constantly changing.<br />

• By default each player selects two<br />

other spatial entities; therefore everyone<br />

is plotted into the network.<br />

• Only two spaces may be selected.<br />

This type of selection brings an important<br />

limitation for the interrelations<br />

among the nodes. Such that<br />

each space is connected by at least<br />

two spaces and remains linked with<br />

the whole. On the other hand some<br />

spaces are selected more than the<br />

others and this causes the system to<br />

lose homogeneity and leads it to a<br />

varied distribution.<br />

• The nodes selected by more nodes<br />

tend to be key elements in the system,<br />

in the given case “kitchen, entryway,<br />

and courtyard”. Their positions<br />

/ or fluctuations affect the<br />

whole group causing both accelerations<br />

and decelerations. Therefore<br />

these nodes are latent to change the<br />

form of the system.<br />

• Some nodes – such as porch and<br />

sofa – are less significant to the system<br />

and thus they either may be selected<br />

by only a few players or even<br />

by none at all. Their actions do not<br />

create major changes.<br />

• However, even though they may be<br />

less-selected, some nodes – such as<br />

the winter garden – may prove to<br />

be effective, especially so when they<br />

are selected by a single player who is<br />

selected by many.<br />

By the introduction of graph theory<br />

based tools such as space syntax<br />

and cytoscape to analyze the network<br />

structure the students tried to make<br />

this network legible and accessible<br />

to reading and assessing (Figure 2).<br />

Based on mathematical and graphical<br />

data, following questions are put into<br />

considerations: How do the selected<br />

nodes (avatars) behave in that particular<br />

system? How do they interact? How<br />

many connections do they have? What<br />

do they share? Are they interactive or<br />

are they inactive? Is there any key connection<br />

among them? Are there any<br />

groups or divisions (clusters) between<br />

them?<br />

The relational whole in the graphic<br />

and the calculated syntactic values,<br />

such as integration, connectivity,<br />

depth, choice, etc., rationally support<br />

the experience of the students’ perception<br />

of the choices (Figure 3). These<br />

explorations induce some valuable<br />

insights associated with the network<br />

structure:<br />

• In order to play students made random<br />

selections from spatial entities<br />

as avatars. The choices are mostly<br />

relevant in a residential setting, defining<br />

a quality or a program inherent<br />

to that space, like living room,<br />

kitchen, bathroom, WC, entryway,<br />

terrace, or nursery, or a few less<br />

common spaces like a cellar. The<br />

game also includes spaces more typical<br />

of traditional Turkish architecture,<br />

like the inner courtyard, iwan<br />

(vaulted hall) and sofa (connecting<br />

hall or egress space).<br />

• Hearing all the choices, students<br />

then selected two other two spatial<br />

avatars to be linked to from the<br />

available set in the group. These<br />

choices result in conventional relations<br />

such as sofa-courtyard, living<br />

room-kitchen, terrace-entryway,<br />

cellar-kitchen, kitchen-WC and<br />

some unusual relations such as liv-<br />

Figure 3. The Relational Whole and Calculated Values Visualized by Space Syntax for Grasshopper - İkidebir.<br />

Thinking and designing with the idea of network in architecture


76<br />

ing room-iwan, living room-bathroom,<br />

bathroom-kitchen, nursery<br />

room-WC. This allows the players<br />

to experiment on uncommon or<br />

secondary relationships.<br />

• These selections provide enough information<br />

to analyze and figure out<br />

the key entities in the network are<br />

“kitchen, entry way and courtyard”.<br />

These represent powerful nodes<br />

that have strong relations with the<br />

other nodes. The game also presented<br />

that these nodes initiated the<br />

motion and acted on the pace of the<br />

system. “Sofa and porch” tended to<br />

be inactive nodes. As they do not<br />

have strong relations with the other<br />

nodes, their effects on the spatial<br />

system are limited. Syntactic analyses<br />

clarify these characteristics.<br />

Integration values for the spaces<br />

reveal the following order: kitchen<br />

(2.636) > entryway = courtyard<br />

(2.197) > storehouse = winter garden<br />

= terrace = living room = WC<br />

(1.883) > bath (1.757) > iwan =<br />

stairs (1.647) > cellar (1.551) > foyer<br />

(1.318) > nursery = porch (1.255) ><br />

sofa (1.198).<br />

• Networks do not need to link nodes<br />

specifically of the same genre. Students’<br />

selections included vague<br />

spatial entities like “entryway” as<br />

well as very defined ones like a “cellar”.<br />

• Networks by default defy physical<br />

dimension; however, discrete<br />

groupings suggest varying snapshots<br />

of spatial possibilities. Iterative<br />

playing out of the rule hints<br />

form possibilities including proportions,<br />

zones, interior and exterior<br />

build-up, etc. Specific network<br />

visualization layouts simulate part–<br />

to-part and part-to-whole relationships<br />

and spatialize the network in<br />

2D (Figure 4). Visualizing the game<br />

with cytoscape, it is possible to visualize<br />

adjacencies and clustering<br />

possibilities, although the model is<br />

exempt of physical dimensions.<br />

In this workshop network thinking<br />

in architecture have been opened to<br />

discussion a. through students personal<br />

experience b. through graph theory<br />

related tools that analyze the demonstrated<br />

network. In other words abstract<br />

spatial network that emulates a<br />

spatial construct is experienced by the<br />

students participation and then examined<br />

in a cognitive scientific platform.<br />

The study imparts the following potentials<br />

network thinking in architectural<br />

design process:<br />

1. The spatial whole can be described<br />

as the relations among its constituent<br />

parts rather than as a sum<br />

of disparate units. The manner in<br />

which these relations are constituted<br />

may infer diverse connotations<br />

and there may be quantifiable aspects<br />

of these relational patterns.<br />

2. The rules that construct the network<br />

(one space must be selected<br />

by at least two other spaces) and the<br />

rules that enact on the form or the<br />

Figure 4. Network from the Game Modeled in Network Visualization Program Cytoscape.<br />

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77<br />

configuration (the relation between<br />

spaces must be equidistant to the<br />

selected two spaces) conform the<br />

flow and the proximities between<br />

nodes, is therefore constrained. Actual<br />

design processes include more<br />

complex and varied relationships<br />

and rules. However in both cases<br />

specified rules for distancing and<br />

clustering are indicative for the<br />

propositions of form. To understand<br />

the implications of these rule<br />

sets and their implementation is<br />

significant for the designer.<br />

3. Certain relationships tend to be<br />

prevalent and affect change to the<br />

whole, whereas other clusters of relationships<br />

are not at all effective to<br />

the whole, yet are dynamic in their<br />

groupings. It will be argued that this<br />

phenomenon relies on the designer<br />

and the brief. The game is a demonstration<br />

of the relational make-up<br />

and the dynamic quality of these<br />

relations when they need to attain<br />

spatiality. This conceptual visualization<br />

or modeling enables the architect<br />

to consciously model, through<br />

play, the bonds and proximities of<br />

spatial units and the site.<br />

4. Concentrating on the idea of network<br />

in architectural design, space<br />

syntax helps designer to develop<br />

spatial awareness by transforming<br />

relational spatial structures<br />

into graphical, mathematical and<br />

scientific forms. It explains what<br />

does these relations mean and how<br />

does the system works. By making<br />

non-discursive characteristics<br />

of space discursive, it presents a<br />

language for thinking and talking<br />

about space (Dursun, 2007).<br />

5. While space syntax provides a useful<br />

tool for architects in deciphering<br />

and assessing the relationship<br />

among spatial entities in terms of<br />

spatial accessibility and human flow,<br />

other dynamic network models<br />

such as cytoscape and customized<br />

parametric modeling reveals possibilities<br />

regarding on geometric-formal<br />

characteristics of this relational<br />

whole. In other words, these models<br />

visualize the possible formal end<br />

products of applied rules.<br />

6. Relevant graph theory concepts and<br />

criteria, diagrams, and produced<br />

data sets based on effective representation<br />

of spatial systems lead to<br />

powerful instigation, management,<br />

and assessment of design phases. It<br />

is thus that, in contrast to convention,<br />

these tools have potentials to<br />

be tools with which we can think<br />

(Hillier and Hanson, 1997) during<br />

the morphological stages. These<br />

tools are creative and constitute<br />

an educational component within<br />

the research-based design. They<br />

also lead the designer to better understand<br />

the relationship between<br />

form and its use (function), while<br />

opening up new possibilities for design<br />

based on research results and<br />

generative principles (Schneider et<br />

al., 2013).<br />

7. The experiment does not refer to<br />

the use of graph theory based tools<br />

including space syntax to extract<br />

potentials after the architectural<br />

form is solid rather during the initial<br />

stages of design. In this context<br />

it advances design thinking, enables<br />

interactive exploration of the effects<br />

of programmatic relations on form<br />

and suggests a method to structure<br />

correspondence of form and function.<br />

3. Design Research: Method to design<br />

a campus<br />

The second example is taken from<br />

practice and deals with a conceptual<br />

design scheme for a campus on psychiatry<br />

and neurology. Hospitals have<br />

been the subject of a great deal of research<br />

in the architectural literature,<br />

especially in regard to their functional<br />

and organizational structures. Human<br />

flow and way finding issues appear<br />

key concepts of these researches (Ünlü<br />

et al., 2005, Setola, 2009, Khan, 20<strong>12</strong>,<br />

Peponis et al., 1990). The aim of our<br />

study is to impart potentials of network<br />

thinking explored in developing<br />

this master design scheme. In parallel<br />

to existing research, this scheme also<br />

focuses on the human flow in terms of<br />

vehicular and pedestrian pace between<br />

specific subunits. The programmatic<br />

and site relationships and relations<br />

to the varied qualities of the site are<br />

modeled and animated by the use of<br />

custom-made modeling tools based<br />

on network thinking. Peculiar qualities<br />

Thinking and designing with the idea of network in architecture


78<br />

of the site – such as emergency-prone<br />

segments along a major artery, or the<br />

more tranquil neighboring residential<br />

areas, and/or the security latent zones<br />

are represented as polar attractors.<br />

This design exercise incorporates interrelated<br />

positioning; programs are<br />

attracted (tied up) to specific zones or<br />

segments, and also to one another, as<br />

are the nodes connected to each other<br />

by the students’ choices in the case of<br />

the game.<br />

In the initial phase the separable<br />

programmatic units, regardless of their<br />

sizes, are scripted to move around an<br />

abstract container, pulling and pushing<br />

one another and the poles of the<br />

container in terms of their space/use<br />

related attributes. These disparate units<br />

are determined according to the administrative<br />

organization chart and the<br />

patient flow described by the clinical<br />

team. Attributed criteria to these units<br />

are urgency, security and privacy. Each<br />

program unit is specified with varying<br />

degrees of these attributes (Figure<br />

5). “Urgency” pole attracts programs<br />

with emergency zones such as the<br />

emergency of the neurology hospital,<br />

privacy node attracted the acute psychiatric<br />

clinical program nodes, public<br />

pole pulled the outpatient nodes, and,<br />

finally, security node pulled forensic<br />

clinical nodes. By regarding these contained<br />

program units as a network, the<br />

script allows similar attribute grades<br />

to accumulate and the defined polarities<br />

to pull each other, and to move the<br />

groupings toward specified poles of the<br />

abstract container. The script also allows<br />

for negotiations among the varying<br />

degrees of these attributes.<br />

In the second iteration, shown in<br />

Figure 6, the group formations are<br />

clustered in the layout to allow propagation<br />

to the actual site. In this case<br />

the rules for propagation are parameterized<br />

by diffusion, overlap possibility,<br />

and size. The rule implementation<br />

follows a hierarchical order. Certain<br />

program units link to others like their<br />

satellite, and certain units have priori-<br />

Figure 5. Conceptual Polarities Mapped in Relational Modeling among Program Units and<br />

Specific Attributes.<br />

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79<br />

ty in maintaining proximity to the defined<br />

abstract polar zones. For example,<br />

the rehabilitation unit is a sub-unit<br />

orbiting the psychiatric clinics, bound<br />

by the everyday personnel and patient<br />

flow, which has been quantified as<br />

300m walking distance. The emergency<br />

department has first priority to be in<br />

proximity to the main artery which is<br />

the main urgency pole (node).<br />

These interrelations and hierarchy<br />

are plotted and evaluated on a table<br />

matrix. Size is derived from the “List of<br />

Requirements” as well as the height and<br />

floor space limitations as a work area<br />

serving both a group of patients and<br />

a health team: 20-30 patients to one<br />

floor, as in the case of the neurology<br />

inpatient building – up 100 patients in<br />

total. The floors of the building floors<br />

are limited to eight in total, suggesting<br />

a footprint area of 1500sqm depicted<br />

with a circle with equal area (Figure 6).<br />

In the site implementation, the value<br />

sets and interrelated network are then<br />

mapped to the site directly referencing<br />

the preferred poles and axis to certain<br />

nodes. This ‘machinic’ diagrammatic<br />

exercise is modeled and run iteratively.<br />

The distances between units<br />

are defined in ranges proportional to<br />

time and the pace of pedestrian and<br />

vehicle reach (Figure 7). For example,<br />

the emergency pavilion for the three<br />

departments (psychiatry, neurology<br />

and neurosurgery) are located in the<br />

same spot; however, once a patient is<br />

to be transferred to an inpatient unit,<br />

the neurological unit is accessed via a<br />

flight of ramps and elevators, taking a<br />

total of ten minutes, whereas psychiatric<br />

patients are transferred by vehicle<br />

to the psychiatric inpatient clinic. One<br />

is vertical in positioning whereas the<br />

other is horizontal.<br />

Each unit “behaves” and situates<br />

according to the specified rules, with<br />

emergency related units tending to<br />

prefer the artery neighboring zones,<br />

the inpatient units moving towards the<br />

residential borders, etc. The process is<br />

further rationalized with the use of a<br />

major axis for pedestrian and vehicular<br />

flow and its possible orientation on<br />

one hand and the variations provided<br />

by possible positions of a hypothetical<br />

center of the system on the other, certain<br />

units only following other units as<br />

satellites (Figure 8).<br />

This exercise is repeated in iterations<br />

for assessment of the resulting configurations.<br />

Units that are directly linked to<br />

site poles and units that have more links<br />

to other units have greater potentials in<br />

defining the working configuration.<br />

The position of an emergency plateau<br />

close to the major road is a straightforward<br />

design decision; however the role<br />

of the diagnosis department and its location<br />

to the other departments is one<br />

example where probing is necessary.<br />

The process enables fine-tuning and<br />

easy reassessments of multiple possibilities.<br />

The space syntax analysis also<br />

demonstrated that the diagnosis department<br />

is the key spatial unit in the<br />

network as it represents a powerful<br />

node that has strong relations with the<br />

other nodes. The rehabilitation block<br />

and inmate unit tend to be inactive<br />

spaces. Based on the syntactic analyses<br />

integration values for the spaces reveal<br />

the following order: diagnosis (4.435)<br />

Figure 6. Matrix of Relations of Program and Site.<br />

Thinking and designing with the idea of network in architecture


80<br />

Figure 7. Setup Order for the Abstract Programmatic Polarities Diagram.<br />

Figure 8. Relational Site Model in Iterations.<br />

> psychiatric inpatient = umatem =<br />

forensic (1.267) > neurology inpatient<br />

= amatem (1.109) > psychiatric outpatient<br />

(0.986) > rehabilitation block =<br />

inmate units (0.634) (Figure 9).<br />

The focus of these design research<br />

sessions is to be able to abstract and<br />

re-evaluate relationships regarding<br />

the program, and the site, and reconstruct<br />

corresponding layout options<br />

with their interrelation degrees in reference<br />

to specific attraction criteria.<br />

These attractions and repulsions, in<br />

other words the polarized units, hint at<br />

building/structure-prone units by their<br />

capacity to conjoin and to cluster as<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • N. Kozikoğlu, P. Dursun Çebi


81<br />

buildings around a courtyard, for example.<br />

Through a series of assessment,<br />

multiple layout potentials are derived<br />

and compared. The process gradually<br />

narrows into a discursive scheme and<br />

potentials for the master plan are extrapolated.<br />

With the parametric configuration it<br />

was possible to convey the fact that the<br />

project model is only a snapshot of the<br />

possible set, and yet major decisions<br />

are more defined than others, and that<br />

there is room for development. It is<br />

thus a map for action (Figure 10).<br />

While the project was actualized<br />

in 2009, it is still under discussion as<br />

the stakeholders continue to bear a<br />

great burden of existing patients and<br />

economical strain; however, it is important<br />

to note that the project has<br />

remained viable, despite the passage<br />

of time and change of certain personnel.<br />

This is mainly due to the fact that<br />

the project is in itself a tool that allows<br />

evaluation of site and program conditions,<br />

and has the potential to change<br />

in accordance with modification of the<br />

site and evolving needs.<br />

The idea of network has been influential<br />

in the process o conceptual design<br />

scheme for this campus project.<br />

The clinical team asked for the project<br />

to correspond with the new understandings<br />

as well as the client required<br />

to evaluate all possible scenarios at the<br />

site. Both interests were met the project.<br />

The process imparts the following<br />

potentials of relational thinking in architectural<br />

design process:<br />

1. Same as case one, here it is demonstrated<br />

that the spatial whole can be<br />

described as the relations among its<br />

constituent parts rather than as a<br />

sum of disparate units. The manner<br />

in which these relations are constituted<br />

may result is diverse consequences<br />

as to form and these relational<br />

patterns can be mapped in a<br />

quantifiable manner although they<br />

are based on concepts.<br />

2. The rules that construct the network<br />

(common conceptual/spatial<br />

qualities that can refer to both the<br />

site and the functional units) and<br />

the rules that enact on the form<br />

or the configuration (the distances<br />

attributed between units as a function<br />

of pedestrian and vehicular<br />

motion) conform the flow and the<br />

proximities between nodes. Spec-<br />

Figure 9. The Relational Whole and Calculated Values by Space Syntax for Grasshopper – Hospital Campus.<br />

Figure 10. Propagated Site Model.<br />

Thinking and designing with the idea of network in architecture


82<br />

ified distances as well as clustering<br />

operations (orbiting, attraction to<br />

axis and positioning with hierarchy)<br />

are indicative for the propositions<br />

of form. To understand the<br />

implications of these rule sets and<br />

the order and the pace in which<br />

they are implemented are of value<br />

for the designer.<br />

3. Certain nodes and links (relationships)<br />

are more effective to change<br />

the whole, whereas other clusters in<br />

the network are not at all effective to<br />

the whole, yet can be active in their<br />

local groupings. It is important<br />

to note that the designer takes his<br />

position rather than an automated<br />

generation of form in orchestrating<br />

the relational model. Also in<br />

relational models enable to demonstrate<br />

peculiar qualities of networks<br />

such as an overlooked unit linked to<br />

a major node has equal effect on the<br />

system, and therefore may act on<br />

the design discourse equally.<br />

4. The project made use of custom-made<br />

parametric models<br />

that animated the network of both<br />

subjective (based on functional<br />

qualities) and objective (based on<br />

functional size, distance and orientation)<br />

relations. This enables to<br />

link attractive qualities with their<br />

corresponding spatial abstractions.<br />

This is made possible by the advance<br />

in the now ubiquitous digital<br />

tools that enable live change and<br />

tracking of parametric relational<br />

models. Thus it is possible to have<br />

variations as well as breeds of solutions<br />

to a brief.<br />

5. This process requires a sustained assessment<br />

strategy for the variations<br />

arrived by the modeling. Space syntax<br />

or network visualization and<br />

assessment with software like cytoscape<br />

enable the assessment of the<br />

relationships among spatial entities<br />

in terms of spatial accessibility and<br />

human flow, as well as other network<br />

measurements like closest<br />

path, clustering, etc.<br />

6. The process involves iteration: restructuring<br />

the initial relational<br />

setup, remodeling, and reformulating<br />

the physical ties (distances and<br />

ratios), reassessment of the order of<br />

rule enactment. It is crucial to the<br />

process that the model is remade<br />

up after the initial run which serves<br />

more as a prototype to the machine-like<br />

dynamic model.<br />

7. In this project case, the units were<br />

thought of as clustering similar<br />

attributes of spatial concepts like<br />

public/private together. However<br />

the pattern to distribute and propagate<br />

the units at the site could have<br />

been different then clustering the<br />

likes. The model only allows the designer<br />

to apply his design decisions<br />

in a prototypical manner that he<br />

can observe exceptions, derivatives,<br />

and possible modifications live on<br />

the model.<br />

4. Conclusion<br />

Architectural design is ultimately<br />

about the configurations, connections,<br />

shape, and orientations of physical<br />

forms (Do and Gross, 2001). It deals<br />

with designing connections, borders,<br />

new ranges and thresholds in the<br />

space. Two case studies (one derived<br />

from architectural education and the<br />

other from architectural practice) are<br />

valuable both in terms of their effort<br />

to conceptualize the idea of network<br />

in design and to use this idea to trigger<br />

production of space in design process.<br />

Networks are dynamic forms in<br />

which relations are alive, in that they<br />

are in states of constant change. By<br />

exploiting this way of thinking in early<br />

stages of architectural design, it becomes<br />

possible to keep the negotiation<br />

alive, which is important for a creative<br />

process. This approach also provides<br />

informative tools for architects as it<br />

permits designers to see different potentials<br />

and possibilities in design and<br />

constitutes mediums for experimenting<br />

and probing.<br />

This study mainly concentrates on<br />

the idea that a critical understanding<br />

of the network in spatial constructs can<br />

inform, shape, and enhance the design.<br />

To exemplify the discussion, the authors<br />

first engage architecture students<br />

in a game designed to explore how a<br />

space paradigm can be conceptualized<br />

through a process of dynamic network<br />

rules. Secondly, the authors also try to<br />

explore how this kind of thinking can<br />

be utilized in the design process by<br />

focusing on hospital campus design<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • N. Kozikoğlu, P. Dursun Çebi


83<br />

scheme from practice.<br />

The first example aims to trigger the<br />

architecture students to develop the<br />

idea of spatial network in design by the<br />

help of a system thinking game in which<br />

all the students are actively involved.<br />

Network thinking in architecture is<br />

opened for discussion conceptually in<br />

order to decipher the potentials of the<br />

space and make its un-discursive, intangible<br />

characteristics discursive and<br />

tangible. This experiment constitutes<br />

a conceptual ground that permits the<br />

designer to understand the dynamic<br />

interaction among the design parameters,<br />

and also permits evaluation of the<br />

relationships and their meanings in the<br />

design. Here network thinking appears<br />

as a powerful tool in order to underline<br />

the notion that design activity is<br />

neither a closed box nor an automated<br />

process, but is rather an intellectual<br />

process in which the architect plays an<br />

active role as a spatial choreographer.<br />

The second sample concentrates on<br />

a design practice, one in which programmatic<br />

and site relationships are<br />

modeled and animated by customized<br />

modeling and assessed by graph theory<br />

based tools such as space syntax.<br />

The main aim here is to explore how<br />

relational thinking can be integrated<br />

into the architectural and urban design<br />

process. This example is important as it<br />

regards a need for a dynamic design instrument<br />

that can satisfy the changing<br />

needs in a long-term process. The architect<br />

can use the resulting parametric<br />

work and relational thinking to reveal<br />

and/or meet the requirements.<br />

In networks, nodes are not constituted<br />

from the same genre. They can<br />

be structured with different components<br />

including not only spaces, but<br />

also design criteria or concepts. This<br />

is an opportunity to link tangible with<br />

non-tangible qualities in a cognitive<br />

process.<br />

In terms of network thinking, the<br />

two experiments in this study are structured<br />

through three main stages: (1)<br />

Description of the relational structure,<br />

(2) Analysis of this structure and (3)<br />

Application of a rule-based design. The<br />

first process concentrates on achieving<br />

an understanding of how the networks<br />

are constituted and reveals the linking<br />

filter that organize these complex sets<br />

of relationships. The second process<br />

deals with the analyzing or decoding<br />

potentials of the constituted networks.<br />

The third introduces a phase in which<br />

definite metric design rules are applied<br />

to the network of nodes. In this way,<br />

relational structures are transformed<br />

into spatial form from which the design<br />

proposals emerge (Figure 11).<br />

In the fırst stage of the game main<br />

determinant is the choices of the students.<br />

The constituted network can<br />

be referred to as a conceptual and<br />

nonhierarchical one in principal. In<br />

the example from practice however<br />

the spatial relations are structured by<br />

the clients preferences and through<br />

data arrived from user questionnaires.<br />

Therefore in this case the network is<br />

not only a mental construct but also<br />

has physical impositions, yet they are<br />

also nonhierarchical in terms of their<br />

networking. In the following stages in<br />

both cases, the spatial potentials of the<br />

structured networks are expedited by<br />

network assessment and graph theory<br />

based tools that include space syntax.<br />

In the process space syntax imparts<br />

flow, transition, integration among<br />

spatial units whereas other dynamic<br />

network modeling whether analogue<br />

or digital set forth clustering, neighboring<br />

conditions and their meanings.<br />

Such graph theory based tools including<br />

space syntax appear as informative<br />

and creative tools to think, talk about<br />

and engage in space and spatial constitutions.<br />

In the third stage we can<br />

denote that form is designated by the<br />

enactment of the geometric rules. The<br />

operative rule is “to remain in the median<br />

axis of the other chosen two” in<br />

the game described in the initial sample,<br />

and in the next sample it is the<br />

distances designated for the units to<br />

satisfy in reference to one another. It<br />

is possible to say that design process is<br />

the iteration between these stages, i.e.<br />

the assessment of the “fixed” form and<br />

its consequences in the third stage are<br />

examined and tested with tools mentioned<br />

in the second stage. Therefore<br />

the process continues with the feedbacks<br />

of the second stage reconfiguring<br />

rule sets of the third stage and rerunning<br />

these relational metric rules.<br />

Network thinking equips architects<br />

with data regarding space and enhanc-<br />

Thinking and designing with the idea of network in architecture


84<br />

Figure 11. Talking about Two Experiments.<br />

es their spatial awareness. Mathematical<br />

and graphical tools render previously<br />

invisible characteristics of space<br />

visible, measurable, and discursive. In<br />

respect to other generative tools for design<br />

network modeling in architecture<br />

can thus be transformed into a design<br />

tool with which the designer can freely<br />

think, play and model.<br />

References<br />

Alexander, C. (1964). Notes on the<br />

Synthesis of Form. Harvard University<br />

Press.<br />

Al_Sayed, K. (20<strong>12</strong>). Can Knowledge<br />

Inform Creativity? Paper presented<br />

in Design Creativity Workshop 20<strong>12</strong>,<br />

Texas A&M University, USA.<br />

Cross, N. (2007). Designerly Ways<br />

of Knowing. Birkhauser. Basel. Boston.<br />

Berlin.<br />

Dursun, P. (2007). Space Syntax in<br />

Architectural Design. Paper presented<br />

at the meeting of Sixth International<br />

Space Syntax Symposium, ITU Faculty<br />

of Architecture, <strong>12</strong>-15 June 2007.<br />

Dursun, P. (20<strong>12</strong>). Dialog on Space,<br />

Spatial Codes and Language of Space.<br />

AZ, Vol.9, 104-119.<br />

Do, E. Y., Gross, M. D. (2001).<br />

Thinking with Diagrams in Architectural<br />

Design. Artificial Intelligence Review,<br />

Vol.15, 2001 Kluwer Academic<br />

Publishers, 135-149.<br />

Dovey, K. (1993). Putting Geometry<br />

in its Place: Toward a Phenomenology<br />

of the Design Process. Building, Seeing<br />

and Designing: Toward a Phenomenological<br />

Ecology. Editor: David Seamon.<br />

Suny Series in Environmental and Architectural<br />

Phenomenology. Albany,<br />

NY: State University of New York Press,<br />

247-270.<br />

Dovey, K., Dickson, S. (2002). Architecture<br />

and Freedom? Programmatic<br />

Innovation in the Work of Koolhaas/<br />

OMA. Journal of Architectural Education,<br />

Vol. 56 (1), September 2002, 4-13.<br />

Hanson, J. (2001). Morphology and<br />

Design. Paper presented at the meeting<br />

of Third International Space Syntax<br />

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Atlanta.<br />

Hillier, B., Hanson, J. (1984). The So-<br />

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cial Logic of Space. Cambridge: Cambridge<br />

University Press.<br />

Hillier, B., Hanson, J. (1997). The<br />

Reasoning Art: or, The Need for an Analytical<br />

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UCL, London.<br />

Hillier, B., Hanson, J., Graham, H.<br />

(1987). The Ideas are in Things: An<br />

Application of Space Syntax Method to<br />

Discover House Genotypes. Environment<br />

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Vol.14, 363-385.<br />

Hillier, B. (1996). Space is the Machine.<br />

Cambridge: Cambridge University<br />

Press.<br />

Hillier, B. (1998). From Research<br />

to Design. Urban Design Issue, Vol.68,<br />

October 1998, 35-37.<br />

Khan, N. (20<strong>12</strong>). Analyzing Patient<br />

Flow: Reviewing Literature to Understand<br />

the Contribution of Space Syntax<br />

to Improve Operational Efficiency in<br />

Healthcare Settings. Presented at the<br />

meeting of Eighth International Space<br />

Syntax Symposium, Pontificia Universidad<br />

Católica de Chile, Santiago de<br />

Chile, 20<strong>12</strong>.<br />

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Think. Architectural Press.<br />

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Space. Architectural Press, Oxford, UK.<br />

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Mapping Patterns of Information.<br />

Princeton Architectural Press.<br />

March, L., Steadman, J. P. (1971). The<br />

Geometry of Environment, An Introduction<br />

to Spatial Organization in Design.<br />

London: Riba Publications Limited.<br />

March, L. (1976). The Architecture of<br />

the Form. Cambridge University Press.<br />

Mitchell, W.J., Steadman, J.P., Liggett,<br />

R.S. (1976). Synthesis an Optimization<br />

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(2013). A Syntactic Architectural Design<br />

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meeting of Ninth International Space<br />

Syntax Symposium, Seoul, Korea.<br />

Ostwald, M., J., Dawes, M. (2013).<br />

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C., Conroy-Dalton, R., Kunert, A., Kulik,<br />

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Architecture Students to Design Buildings<br />

From the Inside Out: Experiences<br />

from a Research-Based Design Studio.<br />

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Ninth International Space Syntax Symposium,<br />

Seoul, Korea.<br />

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Reflective Practitioner. San Francisco:<br />

Jossey-Bass, A Wiley Imprint.<br />

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to the Flows System Analysis in the<br />

Teaching Hospitals. Paper presented at<br />

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Space Syntax Symposium, School of<br />

Architecture and the Built Environment,<br />

KTH, Stockholm.<br />

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the Artificial. MIT Press, Cambridge,<br />

Massachusetts, London, England.<br />

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of the Proposed Layouts, Space Syntax<br />

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A Space Syntax Based Model in Evacuation<br />

of Hospitals. Paper presented at the<br />

meeting of Fifth International Space<br />

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Architectural Press, 30-53.<br />

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86<br />

Mimarlıkta ağ düşüncesi ile düşünmek<br />

ve tasarlamak<br />

Bir mekan kurgusunun tasarımı<br />

onun parçaları arasındaki ilişkiler ağının<br />

düzenlenmesi ile ilgilidir. Bu ağ yapısı<br />

mimarlık söyleminde kullanıcılar<br />

arasındaki sosyal ilişkileri, etkileşimleri<br />

resmettiği, mekanda fonksiyonel ve<br />

potansiyel rotaları deşifre ettiği, mekansal<br />

yakınlıkları gözler önüne serdiği<br />

için önemlidir. Mimari tasarım öznel<br />

bir süreç ise de kimi tasarım araçları ve<br />

metotları tasarımcıya tasarlananı değerlendirmek,<br />

öğrendikleriyle yeniden<br />

üretmek için nesnel kriterler sunar.<br />

Ağ düşüncesi içeren mekan kurma ve<br />

ölçme araçları mimarlığa ilişkin düşünceleri<br />

görselleştirme ve tartışmaya<br />

açmaya, verilerden mekansal ilişkilere<br />

dair yeni oranlara ulaşmaya, mimari<br />

programa yönelik potansiyelleri ortaya<br />

çıkaracak çeşitlilikleri tanımlamaya ve<br />

kriterlerle test edebilmek için senaryolar<br />

geliştirmeye olanak verir.<br />

Bu çalışma mimari tasarımda ağ<br />

düşüncesinin kullanılmasına odaklanır<br />

ve tasarım aktivitesinin deneysel<br />

ve zihinsel özelliklerine vurgu yaparak<br />

bu tür bir düşünme biçiminin tasarım<br />

sürecinde yaratıcı ve bilgilendirici bir<br />

araç olarak nasıl işlevselleşebileceğini<br />

araştırır. Çalışma, kural temelli dinamik<br />

ağ modelleri içindeki komşuluk<br />

ve çekim özellikleri yardımıyla mekanı<br />

oluşturan elemanların ilişkilerinin sistematik<br />

haritalanmasına yönelik araştırmalar<br />

sunar.<br />

Mimarlıkta ağ düşüncesine odaklanan<br />

çalışmalar incelendiğinde temelde<br />

üç amaçla kullanıldığı söylenebilir.<br />

(1) Var olan mimari biçimi anlama<br />

(Hillier ve diğerleri, 1987; March ve<br />

Steadman, 1971), (2) Mimari biçimi<br />

üretme (Mitchell ve diğerleri, 1976;<br />

Steadman, 1983), (3) Mimari biçimi<br />

değerlendirme (March, 1976; Hillier,<br />

1998; Space Syntax, 2002). İlkinde varolan<br />

mekansal biçimlenmelerin kendilerini<br />

oluşturan dinamiklerin keşfi<br />

için analiz edilmesi hedeflenir. Tanımlayıcı<br />

ve açıklayıcı yönleri ön planda<br />

olan bu çalışmalar mimarın mekana<br />

ilişkin bilinç düzeyini arttırarak tasarım<br />

sürecini besleyecek bilgi birikimini<br />

çoğaltır. İkinci grup çoğunlukla<br />

bilgisayar odaklı, mekanik bir süreç<br />

içinde ve önceden belirlenmiş kurallar<br />

bütününde istenen mekansal biçimi<br />

aramaya niyetlidir. Burada çoğunlukla<br />

üretilen biçimin nasıl bir yaşam biçimi<br />

kurguladığı sorgulanmadan tüm olasılıklar<br />

tasarımcının gözü önüne serilir.<br />

Son grup çalışmada ise tasarımcı<br />

üretilmiş mekansal kurgular arasında<br />

istenen kurallar, sınır şartlarına uygun<br />

en iyiyi seçme görevini üstlenir.<br />

Burada kritik olan ve çokça eleştirilen<br />

konu tasarımcının bu bilişsel sürece ne<br />

denli dahil olabildiği, mekanın belirli<br />

bir kural setini aramak ötesinde ürettiği<br />

olası yaşam senaryoları ile ne denli<br />

değerlendirilebildiğidir (Nourian ve<br />

diğerleri, 2013). Nitekim son donemde<br />

mekan dizimi çalışmaları tasarımcıya<br />

tasarladıkları mekansal kurguların nasıl<br />

yaşandığını göstererek, kendi tasarımından<br />

öğrenmesine, önerisini yeni<br />

düşüncelerle geliştirmesine olanak sağlamaya,<br />

bilgi temelli tasarım sürecinin<br />

de özünü biçimlemeye niyet etmiştir<br />

(Hanson, 2001; Dursun, 2007, 20<strong>12</strong>).<br />

Bu noktadan hareketle bu çalışma mimarlıkta<br />

ağ düşüncesinin tasarımcının<br />

birebir dahil olduğu bir interaktif araştırma<br />

süreci içinde tasarımın ilk evrelerinde,<br />

yaratıcı bir araç olarak nasıl<br />

kullanılabileceğine odaklanmaktadır.<br />

Yazıda bu olgu biri mimarlık eğitimi<br />

diğeri mimarlık pratiğinden seçilmiş<br />

iki deneyim üzerinden tartışılmıştır.<br />

Bunlardan ilki mimarlıkta ağ düşüncesinin<br />

kavramsal olarak sorgulandığı<br />

“ikidebir oyunu”dur. Bu atölye çalışmasında<br />

amaç, öğrencilerde ağ düşüncesine<br />

yönelik bir kavrayış ve farkındalık<br />

geliştirmektir. Mekana ilişkin oluşturulan<br />

karmaşık ağ yapısının ne tür potansiyeller<br />

ürettiğinin, ağın karakteristik<br />

özelliklerinin, bu ağ yapısının nasıl<br />

görünür, tartışılabilir ve de değerlendirilebilir<br />

kılındığının öğrencilerle birlikte<br />

irdelenmesi hedeflenmiştir. Sentaktik<br />

ve grafik-teorik araçlar oyunda<br />

kurgulanan ilişkiler ağını analiz etmek<br />

için kullanılır. Bu deneysel çalışmanın<br />

amacı mekan tasarımının belirli kurallar<br />

çerçevesinde parçalarının, parametrelerinin<br />

karşılıklı ilişkide olduğu<br />

bir sistem kurmak olduğunun soyut bir<br />

model üzerinden altını çizmektir.<br />

Yazıda tartışılan ikinci örnek ise<br />

yerleşim ve programa ilişkin kararlarının<br />

dinamik ağ modelleme araçları ile<br />

değerlendirildiği bir hastane kampüsü<br />

tasarımıdır. Bu deneyim söz konusu<br />

kavrayışın yani mimarlıkta ağ düşün-<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • N. Kozikoğlu, P. Dursun Çebi


87<br />

cesinin, mekanı kurarken, tasarlarken<br />

nasıl kullanılabileceği ile ilgilidir. Burada<br />

temsil edilen yerine deşifre edilerek<br />

aranan, potansiyelleri sınanarak<br />

geliştirilen bir mekansal kurgudan söz<br />

edilebilir. Benzer şekilde sentaktik ve<br />

grafik-teorik araçlar da mekanın potansiyellerini<br />

çözümlemek için kullanılır.<br />

Bu deneysel çalışma doğrudan,<br />

üretilen bilgi ile sürecin beslendiği bir<br />

mekan yapma pratiği ile ilgilidir.<br />

Mimarlıkta ağ odaklı düşüncenin<br />

mekansal organizasyonların ölçülmesine<br />

ve bir tasarım araştırması olarak<br />

kullanılmasına yönelik olarak ortaya<br />

konan deneysel çalışmalar mimarlığı<br />

öğrenen ve gerçekleştirenler için değerli<br />

olacaktır.<br />

Thinking and designing with the idea of network in architecture


ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • 89-103<br />

Behavioral responses of the elderly<br />

regarding spatial configuration: An<br />

elderly care institution case study<br />

Esra ÖZSÜT AKAN 1 , Alper ÜNLÜ 2<br />

1<br />

esakan65@hotmail.com • Graduate School of Science, Engineering and<br />

Technology, Istanbul Technical University, Istanbul, Turkey<br />

2<br />

aunlu@itu.edu.tr • Department of Architecture, Faculty of Architecture, Istanbul<br />

Technical University, Istanbul, Turkey<br />

Received: May <strong>2015</strong> Final Acceptance: October <strong>2015</strong><br />

Abstract<br />

This article details a study presenting behavioral responses of elderly users regarding<br />

spatial configurations within an elderly care institution, using the “Space<br />

Syntax Method” within the framework of ”Environment Behavior Studies”.<br />

The case study reveals a variance of both adaptive and maladaptive behavioral<br />

responses towards spatial configurations regarding the elderly and their residential<br />

environment. A linear configuration is seen at the Maltepe Elderly Care &<br />

Rehabilitation Institution where behavioral responses are emphasized by analyses<br />

of how the design of elderly care institution corresponds directly with the spatial<br />

behaviors of elderly users’ overtime, utilizing the Observation Method. The linear<br />

configured elderly care institution shows an increase in behavioral responses in<br />

low level interaction (socio-fugal) areas whereas a decrease is seen in highly social<br />

interaction (socio-pedal) areas. Two different syntactic analyses are made with the<br />

inclusion of the garden area and without demonstrating the visual relationship<br />

with outer space. In doing such, it can be seen that both affective and behavioral<br />

needs of this particular age group into the design of elderly care institutions are a<br />

relevant parameter to be included as a conceptual framework within the architectural<br />

design process.<br />

Keywords<br />

Behavioral responses, Elderly, Elderly care institution, Spatial configuration,<br />

Space syntax.


90<br />

1. Introduction<br />

The aging of the population is an increasingly<br />

important issue in this century,<br />

especially considering how this<br />

issue affects all aspects of society including<br />

but not limited to health, social<br />

security, environment, architecture,<br />

socio-cultural activities and family.<br />

From the beginning of the 20 th<br />

century, influenced by the age of industrialization,<br />

rapidly improving<br />

technologies, urbanization and an individualized<br />

life cycle there have been<br />

many changes in both family and social<br />

structures. The transition from extended<br />

family structures to immediate family<br />

which has been influenced by status<br />

and the decreased ability of function<br />

in the elderly has caused many of the<br />

elderly to become isolated. Factors<br />

such as the change in traditional family<br />

structure, death of spouse, decrease<br />

in income levels, not having social<br />

security, nor security in living alone<br />

have made the lives of the elderly living<br />

alone quite difficult. Therefore for<br />

these and other reasons, elderly care<br />

institutions have become the preferred<br />

living space for the elderly in recent<br />

times. However whereas trends may<br />

have changed in recent times, until<br />

now little importance has been given to<br />

studies on the spatial features of such<br />

elderly care institutions being sufficient<br />

in meeting the physical, social, psychological<br />

needs and expectations of the<br />

elderly.<br />

2. Conceptual framework<br />

As part of “Environment Behavior<br />

Studies”, the conceptual framework<br />

includes the scope of “psycho-spatial”<br />

and “psycho-social” concepts as well as<br />

“architectural design” and “elderly user<br />

spatial behavior and responses” which<br />

due to their importance are being set<br />

forth and examined syntactically with<br />

the Space Syntax Method. Due to having<br />

a framework which holds multiple<br />

disciplines together, the importance<br />

of parameters regarding the study are<br />

being discussed with a transactional<br />

approach.<br />

2.1. Environment behavior studies<br />

According to Altman (1975), the features<br />

of human-environment relations<br />

are classified in biological, physical,<br />

psychological and socio-cultural levels.<br />

In research, the psycho-spatial processes<br />

concerning the elderly have multiple<br />

conceptual infrastructures. For this<br />

reason, separate identification of these<br />

concepts is important in terms of the<br />

behavioral spatial processes of the elderly<br />

users in order to understand and<br />

measure information concerning elderly<br />

care institutions. These concepts<br />

are the factors that form behavioral<br />

patterns concerning spaces and are<br />

discussed within the context of ecological<br />

harmony regarding the elderly and<br />

environmental stress, personal space,<br />

belonging, and social interaction, in<br />

order to form a space syntax relation.<br />

Osmond (1959) classified two kinds of<br />

conversational space; non-supportive<br />

socio-fugal and supportive socio-pedal.<br />

Being large, open, and expansive,<br />

with high ceilings and bright lighting,<br />

socio-fugal spaces tend to drive people<br />

apart and discourage social interaction.<br />

In opposition, he believed that smaller<br />

spaces with lower overhangs and<br />

close lighting, socio-pedal spaces tend<br />

to bring people together, encouraging<br />

conversation. Both these concepts are<br />

important regarding the elderly care<br />

institutions meeting their social needs.<br />

The literature suggests that older adults<br />

want to see rather than be seen, they sit<br />

in the areas surrounding open spaces,<br />

almost preferring the exterior edges of<br />

socio-pedal spaces (Sommer 1969).<br />

The primary target of analysis conducted<br />

is to understand the potential<br />

of physical spaces bringing the elderly<br />

users together dependent on their spatial<br />

behaviors. Within the scope of this<br />

article, the harmony of elder users’ spatial<br />

behaviors within spatial configurations<br />

form interactions at specific locations<br />

anticipated by the architect or<br />

reactions towards spatial configuration<br />

in which conversion or localizations of<br />

space in the different areas were seen.<br />

Within the context of Environment<br />

Behavioral Studies, Lawton and Nahemow<br />

(1973), as part of “Ecological<br />

Theory of Adaptation and Aging”<br />

evaluated the affective and behavioral<br />

conditions with personal efficiency,<br />

competence and the warnings received<br />

from the interaction between the physical<br />

and social environment or as a results<br />

of its relation with environmental<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • E. Özsüt Akan, A. Ünlü


press. When a user reaching a certain<br />

level of competence shows behavior<br />

in an environment where there is also<br />

a certain level of press, the behavioral<br />

output is seen in the zone continuing<br />

between positive and negative zones.<br />

These zones are rated according to<br />

their level of behavior and influenced<br />

between competence and press is defined<br />

as the adaptation level.<br />

If environmental press reaches a<br />

high level, it means the competence<br />

level is also increased. Alternatively<br />

when there is a drop in environmental<br />

press, although behavioral output<br />

is generally positive if in fact it is of<br />

any significant measure the situation<br />

may lead to distress, sensory illness<br />

and behavioral anxiety, which is not<br />

organized (Ünlü, 1998). In that sense,<br />

elderly people in their institutional<br />

care environments show behavioral reactions<br />

against spatial configuration or<br />

harmony with their spatial behaviors<br />

such as when modifying the function<br />

of the space.<br />

Site Planning and Design for the Elderly,<br />

by Carstens (1993), did discuss<br />

issues relating to aging and presented<br />

recommendations for meeting elderly<br />

requirements and preferences (orientation<br />

and wayfinding, predictability<br />

and control, socializing, sensory stimulation,<br />

and environmental comprehension)<br />

and the practical requirements<br />

(safety and security, comfort,<br />

and physical, psychological and visual<br />

access).<br />

Figure 1. Lawton & Nahemow’ s ecological model of aging (1973).<br />

According to psychology, institutionalized<br />

elderly residing in a corporate<br />

environment are at a greater risk<br />

for depression. Long term care institutions<br />

recommend the elderly and their<br />

relatives to bring familiar and personal<br />

belongings in order to personalize the<br />

environment and alter the perception<br />

of the environment. Yet although significant,<br />

a negative impact is still seen<br />

(Eshelman et al., 2002). However, regarding<br />

interior decoration objects,<br />

wallpaper upholstery materials combined<br />

with a friendly environment<br />

similar to a home image accentuated<br />

with the use of lighting elements aids it<br />

giving a feeling of familiarity and safety<br />

(Kopec, 20<strong>12</strong>).<br />

According to Zeisel’s (2005) case<br />

study in the Alzheimer’s Assisted Living<br />

Treatment Residence, both the<br />

design and layout were modified for<br />

people living with Alzheimer’s disease<br />

and the architecture, landscape<br />

and interior were planned to augment<br />

memories and the ability of self or auto-functioning.<br />

By taxing the areas of<br />

residents’ brains which functioned well<br />

and relieving damaged areas, the entire<br />

individual was supported. Residents<br />

felt at home, competent and in control<br />

as much as their age allowed.<br />

2.2. Social structure of space and<br />

space syntax based theories<br />

Space syntax is a theory and methodology<br />

used to define structural environments.<br />

The theoretical base was<br />

first set forth by Hiller and Hanson<br />

(1984) in a book entitled “Social Logic<br />

of Space” in which the thesis states<br />

there is a relation between outside<br />

factors that generate forms and social<br />

powers. According to Hiller and Hanson<br />

(1984) the biggest obstacle in creating<br />

better designs lies in the fact that<br />

the relation between social structure<br />

and spatial organization was not being<br />

fully understood. In order to achieve<br />

this more emphasis must be placed on<br />

the interdisciplinary literature of space<br />

and society. The Space Syntax theory is<br />

used as a parameter of spatial scheme<br />

defining behavioral changes, cultural<br />

differences and social functions. This<br />

theory is used within the context of<br />

elderly care institutions by measuring<br />

the design forms of buildings as well as<br />

Behavioral responses of the elderly regarding spatial configuration: An elderly care institution case<br />

study<br />

91


92<br />

the interaction between elderly users,<br />

which aims to provide readability from<br />

an architect’s perspective.<br />

According to Seamon’s (1994) phenomenological<br />

approach, humans are<br />

in close relationship with the world and<br />

it is believed that the two create and<br />

reflect upon each other. For example,<br />

long, narrow roads are cold, give little<br />

feeling of space and are perceived with<br />

their one-dimensional axial shapes,<br />

movement flow and circulation area.<br />

On the other hand, large convex spaces<br />

are the places where elderly people<br />

rest, children play and district bazaars<br />

are set up. If axial spaces are mostly<br />

connected with gradual change and interaction<br />

amongst residential districts<br />

and neighborhoods, convex places are<br />

connected with the meaning of these<br />

spaces which provides an opportunity<br />

to read architectural plans with Space<br />

Syntax analysis (Edgü, 2003).<br />

In a study regarding the elderly conducted<br />

on the remodeling of a care institution,<br />

progressive privacy is turned<br />

towards access to public and common<br />

areas as much as possible such as outside<br />

sheltered areas and can be controlled<br />

entirely by the user dividing the<br />

space into subsections (Trotter et al.,<br />

1998). The Progressive Privacy Model<br />

with public, semi-public and private<br />

areas separated into different zones allows<br />

balance to be kept in the levels of<br />

access and control.<br />

Concerning Wojgani and Hanson<br />

(2007) their configuration in which<br />

they redesigned an elderly care and<br />

rehabilitation center, located general<br />

spaces around the main entrance<br />

where social interaction was strong,<br />

removing personal spaces that enabled<br />

privacy from the entrance. With that<br />

configuration, they identified the physical<br />

features of spatial configuration as<br />

well as determined the social interaction<br />

of the space.<br />

In this context, we see a move away<br />

from a home environment towards one<br />

that involves more experiences forcing<br />

users into a new environment for<br />

the elderly which carries the perimeter<br />

which includes psycho-spatial behaviors.<br />

In the thesis study that formed the<br />

basis for this article, the hypothesis was<br />

that spatial configuration in elderly<br />

care institutions is a determining factor<br />

on spatial behaviors and perception<br />

of elderly users. Therefore, with that in<br />

mind elderly care institutions should<br />

be analyzed in terms of environmental<br />

perception combined with the influence<br />

of spatial configuration which is<br />

demonstrated in this case study. It has<br />

been shown that spatial configuration<br />

does in fact cause behavioral responses<br />

on elderly users and the relation of spatial<br />

configuration in elderly care institutions<br />

concerning behaviors of these<br />

users are set forth and examined at a<br />

syntactic level.<br />

3. Case study<br />

In this case study, to what extend<br />

spatial configurations conflicted with<br />

spatial behaviors of the elderly and<br />

the level of relation between them<br />

have been emphasized as well as the<br />

adaptive or maladaptive behavioral responses<br />

imposed from the elderly.<br />

In the elderly care institution that<br />

was chosen for this case study, behavioral<br />

responses of elderly users were<br />

emphasized by analysis of the influence<br />

of spatial configuration on spatial<br />

behaviors and responses as well as the<br />

interactions between them. Behavioral<br />

patterns within the scope of the architectural<br />

program were determined by<br />

observational method and perceptional<br />

features were digitized within Space<br />

Syntax parameters including the interaction<br />

between space configuration<br />

and users responses. By interpreting<br />

usage frequency of the space with a<br />

syntactic value and socio-pedal or socio-fugal<br />

space characters, the developed<br />

adaptive or maladaptive behavioral<br />

responses of users towards spatial<br />

configurations were shown.<br />

The Maltepe Elderly Care & Rehabilitation<br />

Institution (MECRI) was<br />

designed by Yalçın Emiroğlu in 1975<br />

and included in the complex was a residence<br />

for mobile and semi-mobile elderly<br />

with two units for eighty to one<br />

hundred people, a rehabilitation center,<br />

social services unit, central kitchen,<br />

laundry, infirmary and recreational<br />

facility. Each unit has three floors<br />

with gardens and sitting areas between<br />

them. The structural complex has a linear<br />

plan scheme on a horizontal settlement<br />

plan (Figure 2).<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • E. Özsüt Akan, A. Ünlü


93<br />

Figure 2. MERCI, layout and ground floor plan.<br />

Figure 3. Views from the observation points on the ground floor.<br />

Figure 4. Views from the observation points on the first floor.<br />

With regards to the scope of this<br />

case study, Block A and C apartment<br />

units are discussed and have living<br />

units that generate a linear layout by<br />

lining up across along a corridor. All<br />

living units have a balcony and face<br />

south overlooking the landscape. The<br />

social block unit was planned separately<br />

from the living units, connected to<br />

the administration and in the entrance<br />

lies waiting, secretary, manager and<br />

meeting rooms. Further on the social<br />

area unit is accessible where in lies a<br />

multi-purpose hall, service area and<br />

cafeteria (Figures 3-4).<br />

3.1. The identification of the method<br />

of case study<br />

The relation between numerical values<br />

obtained and social structure are<br />

objectively identified. During identification<br />

of this relation, outcomes were<br />

obtained from two stages of analyses<br />

providing definition of the different<br />

point characteristics of space. Firstly,<br />

by Observation Method, data acquisition<br />

at the MECRI was conducted on<br />

a day from 10:00 a.m. to 5:00 p.m. Secondly,<br />

by using the Space Syntax Method<br />

to acquire numerical and graphical<br />

data: Integration, Mean Depth, Isovist<br />

Area, Isovist Perimeter Analyses were<br />

made. These analyses and obtained values<br />

were then input into a two-dimensional<br />

plan of the space in the University<br />

of Michigan licenses “Syntax 2D”<br />

program and floor plans with the Space<br />

Syntax Method.<br />

Data and Space Syntax data were<br />

overlapped with the “SPSS (Statistical<br />

Package for the Social Sciences)” statistical<br />

analysis program. During the first<br />

stage, correlation values were formed<br />

by overlapping elderly usage frequency<br />

data acquired with Observation Method<br />

and syntactic values acquired with<br />

the Space Syntax Method were then<br />

interpreted within the context of the<br />

hypothesis.<br />

In order for these studies to me conducted<br />

initially effective parameters<br />

on spatial behavior and perception of<br />

the elderly users in an elderly care institution<br />

were set forth and associated<br />

(Figure 5).<br />

Next, the necessary data within the<br />

context of the parameters and methods<br />

used to acquire data were determined.<br />

While specifying the method of study,<br />

concepts such as the elderly users, spatial<br />

configuration, spatial behaviors<br />

and perceptions were approached conceptually<br />

within the scope of the Space<br />

Figure 5. Parameters of elderly user’s spatial<br />

behavior and perception in the elderly care<br />

institution.<br />

Behavioral responses of the elderly regarding spatial configuration: An elderly care institution case<br />

study


94<br />

Syntax. By observing how elderly user<br />

perceived the environment and how<br />

they were affected by it, their spatial<br />

behavior was evaluated together with<br />

their adaptive or maladaptive behavioral<br />

responses.<br />

The study conducted within this<br />

context is as follows:<br />

• The method of periodic observation<br />

was used to present the frequency<br />

and duration of interaction<br />

between elderly users and spatial<br />

configuration.<br />

• Analysis was performed regarding:<br />

integration, mean depth, isovist<br />

area and isovist perimeter utilizing<br />

the Space Syntax Method.<br />

• Data were overlapped and read using<br />

the SPSS to determine if the designs<br />

of elderly care institutions act<br />

in coincidence with elderly users<br />

as well as the behavioral responses<br />

which the designs created on the<br />

user.<br />

3.2. The data from observation<br />

In the MECRI, interaction with spatial<br />

configuration and elderly users was<br />

conducted with the Observation Method.<br />

For elderly users to be observed in<br />

the institution, identification of the<br />

spaces where social interaction was<br />

most intense was necessary and such<br />

observations were conducted on the<br />

ground and first floors of the preferred<br />

spaces.<br />

It was observed that elderly users<br />

preferred areas such as corridors and<br />

block entry areas which involved activity<br />

rather than places which were<br />

originally planned to be the social interaction<br />

areas. All observed points are<br />

described as follows:<br />

• MA1 (A Block Entry Area),<br />

• MA2 (A Block Ground Floor Corridor<br />

Area),<br />

• MA3 (A Block First Floor Corridor<br />

Area),<br />

• MA4 (A Block Daily Resting<br />

Room),<br />

• M1 (Cafeteria),<br />

• M2 (Multi-Purpose Hall),<br />

• MC1 (C Block Entry Area),<br />

• MC2 (C Block Ground Floor Corridor<br />

Area),<br />

• MC3 (C Block First Floor Corridor<br />

Area),<br />

• MC4 (C -Social Block Connection<br />

Area).<br />

The areas allocated in the architectural<br />

planning as social interaction<br />

areas and also the spaces preferred by<br />

elderly users which were transformed<br />

to social interaction areas over time as<br />

well as the paths they followed while<br />

reaching these spaces are marked below<br />

(Figure 6-7).<br />

In addition the behavioral patterns<br />

and the number of elderly users that<br />

were affected by the use of these spaces<br />

as well as their frequency have been<br />

shown below (Table1).<br />

Utilizing the Observation Method,<br />

spaces and how often elderly users in<br />

the institutions used them along with<br />

behavioral moods and patterns which<br />

were periodlically performed in this<br />

institution as well as social areas with<br />

high/low interaction levels are indicated<br />

in the below figures (Figures 8-9).<br />

The light colored areas are inter-grated,<br />

highly social interaction and socio-pedal<br />

areas, while the dark areas<br />

indicate depth and low social interac-<br />

Figure 6. Ground floor observation points in MECRI.<br />

Figure 7. First floor observation points in the MECRI.<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • E. Özsüt Akan, A. Ünlü


95<br />

Table 1. The usage and the frequency of the spaces in the MECRI.<br />

BEHAVIORAL MODES<br />

SPACES<br />

OBSERVATION<br />

PERIOD<br />

PERIOD<br />

(10:00-<br />

13:00)<br />

PERIOD<br />

(14:00-17:00)<br />

Waiting,<br />

Looking<br />

Around;<br />

Drinking<br />

Tea or<br />

Coffee<br />

etc.<br />

INDIVIDUAL MODES<br />

Watching<br />

TV<br />

Reading<br />

Newspaper<br />

or Book etc.<br />

PUBLIC INTERACTIVE<br />

MODES<br />

Standing<br />

Chat<br />

Sitting<br />

Chat<br />

Playing<br />

Card<br />

Game<br />

NUMBER<br />

OF<br />

PEOPLE<br />

PASSING<br />

(30min<br />

Periyod)<br />

USAGE<br />

FREQUENCY<br />

(Number of<br />

Total Users)<br />

M A1 (A<br />

Block Entry<br />

Field)<br />

M A2<br />

(A Block<br />

Corridor<br />

Area On<br />

The Ground<br />

Floor)<br />

M A3<br />

(A Block<br />

Corridor<br />

Area On The<br />

First Floor)<br />

10:00-17:00 44 0 0 8 3 0 99 154<br />

41 0 0 6 1 0 51 99<br />

10:00-17:00<br />

10:00-17:00 0 0 0 11 0 0 32 43<br />

MA 4 (A Blok<br />

Day Resting<br />

Room)<br />

10:00-17:00 25 19 20 6 24 0 0 94<br />

M C1 (C<br />

Block Entry<br />

Field)<br />

10:00-17:00 5 1 0 1 1 0 20 28<br />

M C2<br />

(C Block<br />

Corridor<br />

Area On The<br />

Ground)<br />

M C3<br />

(C Block<br />

Corridor<br />

Area On The<br />

First Floor)<br />

10:00-17:00<br />

10:00-17:00<br />

13 18 0. 0 0 0 13 31<br />

9 0 4 0 0 0 21 34<br />

M C4 (C -<br />

Social Block<br />

Connection<br />

Area)<br />

10:00-17:00 23 1 8 4 16 0 3 55<br />

M 1<br />

(Cafeteria)<br />

10:00-17:00 5 0 5 0 0 39 0 49<br />

M 2 (Multi-<br />

Purpose Hall)<br />

10:00-17:00 4 6 0 0 0 0 0 10<br />

Behavioral responses of the elderly regarding spatial configuration: An elderly care institution case<br />

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96<br />

Figure 8. Ground floor social interaction<br />

character analysis in MECRI.<br />

Figure 9. First floor social interaction<br />

character analysis in the MECRI.<br />

tion and socio-fugal areas.<br />

To what extent spatial configuration<br />

of the instiution was, to what effect<br />

on the intergration level of the elderly<br />

was made and to what extent as well as<br />

the behavioral responses of the elderly<br />

were determined.<br />

In the model below, set within the context<br />

of Person-Environment-Behavior,<br />

A- Environment Figures is quantitative<br />

figure for the MECRI, set forth by the<br />

Space Syntax Method. However, B- the<br />

Behavior in the Environment is qualitative<br />

and was acquired in the case<br />

study (Figure 10).<br />

3.3. Space syntax data<br />

The functional structure of the observed<br />

elderly institution was defined<br />

mathematically by identification of<br />

space and relations among them as a<br />

network.<br />

The relation between the acquired<br />

numeric data and social structure was<br />

defined objectively and determined<br />

using the Space Syntax Method. For<br />

acquiring numerical and the graphical<br />

data four analyses were made; Integration,<br />

Mean Depth, Isovist Area, and<br />

Isovist Perimeter Analysis. Values were<br />

obtained by accessing the University<br />

of Michigan licensed ‘’Syntax 2D’’program<br />

in which separate analyses for<br />

the institution, the interaction between<br />

the spatial configuration and the elderly<br />

user behavior were questioned.<br />

Figure 10. The model of space syntax association with the<br />

elderly user’s spatial behavior and perception in the elderly care<br />

institutions.<br />

Proceeding from this, how much the<br />

spatial configurations of the institution<br />

conformed to elderly behaviors and<br />

their behavioral responses were discussed.<br />

The spatial configuration of the<br />

floor plan was questioned with regards<br />

to the design of the elderly institution.<br />

These values were converted to numerical<br />

data by the Space Syntax Method<br />

combined with the Observation Method,<br />

then overlapped by the SSPS statistical<br />

program.<br />

Therefore analysis regarding the design<br />

and the elderly user’s spatial behaviors<br />

in the elderly institution, as well as<br />

adaptive or maladaptive responses that<br />

elderly users formed against the spatial<br />

configuration was set forth. There is a<br />

possibility to compare different forms<br />

on the same quantitative basis with<br />

the Space Syntax analyses (Kim, 1999;<br />

Penn, 2003). The concepts being set<br />

forth by this method help the space, together<br />

with the physical and lexical parameters<br />

in the elderly care institutions<br />

to be understood. Space Syntax data<br />

analysis was calculated separately by<br />

inserting Ground Floor and First Floor<br />

plans into the Syntax 2D program with<br />

Isovist Area, Isovist Perimeter, Integration,<br />

and Mean Depth.<br />

Based on the Syntax 2D and isovist<br />

area, by defining the border of the plans<br />

to be analyzed and the walls inside it,<br />

the area to be analyzed was determined<br />

and the relations within the scope of<br />

this area were searched (Figure 11).<br />

The program working with a grid<br />

system, after determining a grid towards<br />

this influence area, was connected<br />

with identical field of view and the<br />

grid separations, calculating the physical<br />

space relations within the borders<br />

selected for analysis (Şalgamcıoğlu,<br />

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97<br />

2013). The Isovist Area is; the value<br />

that gives the surface area of the isovist<br />

area.<br />

The perimeter values of the isovist<br />

area, differ from the Isovist Area, and<br />

do not provide the surface value of 360<br />

degrees of the Isovist area on separate<br />

points but instead the calculation of<br />

the perimeter value of a two-dimensional<br />

polygon. This situation demonstrates<br />

about whether the sizes of the<br />

space perceived from each point are<br />

thin, long or not. When being discussed<br />

on the basis of the institution,<br />

it also reveals the differences between<br />

convex spaces having close sizes and<br />

convex space geometrics have different<br />

size values. The Perimeter of the Isovist<br />

Area and the size of the perceived<br />

space from the chosen point is show<br />

to be long or short. The Integration<br />

value comes first among the syntactic<br />

values, having the property of giving<br />

information. It enables interpretation<br />

of the information on which spaces are<br />

deep or shallow in overall general relation<br />

with the integration analysis. It is<br />

interpreted, that the mean depth value<br />

is contradictive of the integration value.<br />

In those spaces, this value is related<br />

with an accumulation amount in stage<br />

wise engagement within each other as<br />

shown in the Space Syntax Analysis<br />

Figure 11. Visual field area from observation<br />

points with the garden.<br />

in Figure <strong>12</strong>. Where the garden was<br />

included, the Isovist Area of the front<br />

garden, Isovist Perimeter and Integration<br />

value came out to be highest. In<br />

this connection, the A block entrance<br />

faces the front garden, and although<br />

MA1 is a narrow space, it had the highest<br />

integration value (Figure <strong>12</strong>).<br />

The aim of this study was to attempt<br />

to find the spatial behavioral responses<br />

towards spatial configuration in an elderly<br />

institution.<br />

For this reason, the syntactic data<br />

values were calculated separately for<br />

two plans, including the values of sectors<br />

differentiated as “with the garden”,<br />

“without the garden” to read adaptive<br />

and maladaptive behavioral responses<br />

on the spatial configuration.<br />

The mean syntactic values were obtained<br />

for the four concepts listed by<br />

dividing the total data value of institution<br />

plans on its own grid count (Table2;<br />

Table 3).<br />

The names applied for each data<br />

group for which a value was obtained<br />

are listed below;<br />

• Integration<br />

• Mean Depth<br />

• Isovist Area<br />

• Isovist Perimeter<br />

In the Space Syntax Analysis made;<br />

with the isovist fields, the space that<br />

users could see a complete 360 degrees,<br />

was scanned. A user sitting by the window<br />

could easily perceive both the outside<br />

and inside and hold the isovist area<br />

at the highest level. As a result when<br />

observed, these spaces had the characteristic<br />

of being the most preferred.<br />

When the plan without the garden<br />

was taken into account, the isovist area<br />

graphs from the observed points are as<br />

follows (Figure 13).<br />

When we look at configuration of<br />

the elderly institution without a garden,<br />

as the colors of living units are indicated<br />

by deep and dark blue colors,<br />

corridors, multipurpose hall and cafeteria<br />

are green and yellows color in a<br />

complimentary manner (Figure 14).<br />

Figure <strong>12</strong>. Syntactic analyses of isovist area,<br />

isovist perimeter integration and mean<br />

depth with the garden.<br />

3.4. Correlations<br />

Finally, the statistical relationship of<br />

the different phases was also be evaluated,<br />

and the addressed comparisons<br />

examined using the “SPSS”. This was<br />

the comparison of Usage Frequency<br />

Behavioral responses of the elderly regarding spatial configuration: An elderly care institution case<br />

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98<br />

Table 2. Space syntax values with the garden.<br />

SPACE SYNTAX VALUES<br />

SPACES<br />

ISOVIST<br />

AREA<br />

ISOVIST<br />

PERIMETER<br />

INTEGRATION MEAN DEPTH<br />

M A1 (A Block Entry Field) 32226642 5<strong>12</strong>10 4977347 1,74<br />

M A2 (A Block Corridor Area On The<br />

Ground Floor<br />

M A3 (A Block Corridor Area On The First<br />

Floor<br />

2479086 32139 278231 2,2<br />

2608088 27342 181608 2,33<br />

MA 4 (A Blok Day Resting Room) 21609831 60606 1975202 1,85<br />

M C1 (C Block Entry Field) 9659796 24699 1<strong>12</strong>6038 2,28<br />

M C2 (C Block Corridor Area On The<br />

Ground<br />

M C3 (C Block Corridor Area On The First<br />

Foor<br />

M C4 (C Block- Social Block Connection<br />

Area)<br />

1832321 19931 173346 2,4<br />

<strong>12</strong>54736 <strong>12</strong>378 51665 2,68<br />

18664697 41169 1738030 1,86<br />

M 1 (Cafeteria) 4864848 20902 514467 2,3<br />

M 2 (Multi-Purpose Hall) 5878802 30147 414171 2,24<br />

Figure 13. Visual field area from observation<br />

points without the garden.<br />

Figure 14. Syntactic analyses of isovist area,<br />

isovist perimeter, integration and mean<br />

depth without the garden.<br />

and Syntactic Values.<br />

The case study attempts to ascertain<br />

the effect of space configuration on elderly<br />

users’ responses. Four relationships<br />

were examined in the network in<br />

the use of the parameters of the spatial<br />

frequency range.<br />

• Frequency- Integration<br />

• Frequency- Mean Depth<br />

• Frequency- Isovist Area<br />

• Frequency- Isovist Perimeter<br />

When we consider Syntactic Values<br />

with a garden and the Usage Frequency<br />

correlation; Usage Frequency- Integration<br />

(r = 0,730; p= 0,017), Usage<br />

Frequency-Isovist Area (r = 0,707;<br />

p= 0,022) and Usage Frequency- Isovist<br />

Area Perimeter (r = 0,795; p=<br />

0,006) correlations are positively related,<br />

Usage Frequency- Mean Depth (r<br />

= -0,704; p= 0,023) correlation turned<br />

out to be negative (Figure 15).<br />

Elderly users preferred to settle in<br />

those spaces with a higher integration<br />

value, isovist area and perimeter.<br />

When we take into account the Syntactic<br />

Values and Usage Frequency<br />

correlation, without considering the<br />

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99<br />

Table 3. Space syntax values without the garden.<br />

SPACE SYNTAX VALUES<br />

SPACES<br />

ISOVIST<br />

AREA<br />

ISOVIST<br />

PERIMETER<br />

INTEGRATION MEAN DEPTH<br />

M A1 (A Block Entry Field) 708210 6638 <strong>12</strong>911 3,24<br />

M A2 (A Block Corridor Area On The<br />

Ground Floor)W<br />

M A3 (A Block Corridor Area On The<br />

First Floor)<br />

1<strong>12</strong>9119 9413 161<strong>12</strong> 3,83<br />

1<strong>12</strong>9108 94<strong>12</strong> 21950 1,55<br />

MA 4 (A Blok Day Resting Room) 572034 6528 7317 1,95<br />

M C1 (C Block Entry Field) 1174176 10237 13811 4,31<br />

M C2 (C Block Corridor Area On The<br />

Ground)<br />

M C3 (C Block Corridor Area On The<br />

First Floor)<br />

M C4 (C Block- Social Block Connection<br />

Area)<br />

827673 8168 8576 5,21<br />

1156290 10071 17088 2,88<br />

741519 7416 17711 2,3<br />

M 1 (Cafeteria) 2201933 <strong>12</strong>834 68053 1,81<br />

M 2 (Multi-Purpose Hall) 1664376 8106 38425 2,78<br />

Figure 15. Correlation analyses of usage frequency and syntactic<br />

values with the garden plan.<br />

garden; Usage Frequency is not related<br />

with an integration value (r = -0,463;<br />

p= 0,178). The Usage Frequency and<br />

the Isovist Area correlation is (r= -620;<br />

p= 0,056) nearly negatively related. Usage<br />

Frequency and the Isovist Perimeter<br />

correlation is also negatively related<br />

(r = -0,740; p= 0,014). However, the<br />

Usage Frequency and Mean Depth correlation<br />

is not related one another (r =<br />

0,049; p= 0,893) (Figure 16).<br />

The garden as seen in the analysis<br />

of correlation between the external environment<br />

with the use of spatial frequencies<br />

ranges close to negative values<br />

without any visual interaction however<br />

a significant relationship was found in<br />

that elderly users did not move along<br />

with the spatial construction.<br />

Figure 16. Correlation analyses of usage frequency and syntactic<br />

values without the garden plan.<br />

3.5. Results and discussion<br />

The methodology of this study was<br />

set forth and examined within the concept<br />

relation between the spatial configuration<br />

in the elderly care institutions<br />

with the elderly users’ behavioral<br />

moods and patterns at perceptional<br />

and behavioral levels syntactically.<br />

Behavioral responses of the elderly regarding spatial configuration: An elderly care institution case<br />

study


100<br />

With reference to this context, the case<br />

study conducted in MECRI focused on<br />

how much spatial configurations affected<br />

the spatial behaviors of elderly<br />

users, and how elderly people responded<br />

towards the configuration, as well as<br />

the mutual interaction and conversion<br />

between the spatial configuration in<br />

the elderly care institution and elderly<br />

users spatial behaviors.<br />

Within the scope of the case study<br />

conducted with the Observation Method,<br />

it was determined that elderly users<br />

are against spatial configuration instead<br />

localizing and interacting within<br />

spaces which were not the intended<br />

function. It was determined that the<br />

mostly used spaces in the institutions<br />

were the A Block entrance, connection<br />

corridors and the heads of corridors<br />

instead of the configured social<br />

interaction area. Although there was a<br />

weak interaction inside the linear order,<br />

elderly users moved social spaces<br />

to shallow regions. As Ünlü et.al (2001)<br />

stated, the average depth value of the<br />

spaces show that the social interaction<br />

is weak. The fact that the spaces such<br />

as the multi-purpose hall and cafeteria<br />

in the general spatial configuration,<br />

overlooking the backyard where the<br />

social interaction can be formed, by<br />

not being able to meet the sensory and<br />

affective needs of the elderly people,<br />

lowered their usage frequency.<br />

When the focusing on the correlation<br />

which was obtained with the<br />

“SPSS”; the Syntactic values such as<br />

Isovist Area, Isovist Perimeter, Integration<br />

and Mean Depth values, which<br />

have been obtained from the architectural<br />

plan and Usage Frequency from<br />

Observation in the MECRI were overlapped;<br />

the values found with the garden<br />

correlation analyses are as follows:<br />

r= 0,730; p= 0,017, r= 0,707; p=<br />

0,022, r= 0, 795; p= 0,006, r= - 0,704;<br />

p= 0,023.Through these values, it is<br />

seen that the Usage Frequency forms<br />

a positive correlation with the Isovist<br />

Area, Isovist Perimeter and Integration<br />

values coming from Space Syntax.<br />

Also, there is a negative correlation<br />

between Usage Frequency and Mean<br />

Depth. These correlations demonstrate<br />

that the elderly users preferred shallow<br />

and integrated spaces that, included<br />

movement, high isovist field and sunshine.<br />

Isovist Area, Isovist Perimeter, Integration<br />

and Mean Depth Syntactic<br />

values found without the garden along<br />

with the Usage Frequency correlation<br />

analyses were as follows: r=-0,620;<br />

p=0,056, r=-0,740; p=0,014, r=-0463;<br />

p=0,178, r=-0,049; p=0,893. These correlation<br />

results demonstrate that the<br />

Usage Frequency and Space Syntax values<br />

did not have any correlation. Elderly<br />

users used social interaction spaces<br />

available that were not included in the<br />

planned layout of the garden. Rather<br />

they localized in the places having high<br />

integration and connectivity values as<br />

the social integration area in the general<br />

configuration.<br />

Configurations have adaptive and<br />

maladaptive varied effects within the<br />

scope of the elderly users’ sensory and<br />

affective capabilities on their spatial<br />

behavior responses. While the users<br />

also show maladaptive behaviors towards<br />

the configured space in the ME-<br />

CRI, they behaving improperly against<br />

the spatial configuration, perform the<br />

expected spatial behavior.<br />

The social areas are fictionalized<br />

in the architectural design of the socio-pedal<br />

areas and it is seen that they<br />

became socio-fugal areas as a result of<br />

behavioral responses. Simultaneously,<br />

areas design as socio-fugal areas were<br />

turned into socio-pedal areas using<br />

external functions of the elderly users’<br />

response.<br />

4. Conclusion<br />

Within the scope of the case study;<br />

spatial syntax properties and the effects<br />

of these properties on the elderly user’s<br />

spatial behaviors and the responses<br />

were examined. In the institution being<br />

discussed, the presence of the relation<br />

between the elderly user’s own behavior<br />

and the syntax values of the space<br />

and its quality, were set forth by means<br />

of the observation method, case study,<br />

and acquiring the space syntax values<br />

providing the combined analyses.<br />

When the correlation between Syntactic<br />

Values and Usage Frequency is<br />

considered the elderly people begin to<br />

behave rather adaptively to space configuration<br />

with the garden, whereas<br />

they begin to behave rather adversely<br />

developing maladaptive behavior to<br />

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101<br />

space configuration without the garden.<br />

The elderly users reacted quiet uninterestedly<br />

in the space configuration<br />

without the garden. Additionally, they<br />

did not use the presently configured<br />

multi- purpose hall and cafeteria. Elderly<br />

users in the MECRI did not use<br />

those spaces or rarely used and responded<br />

behaviorally in an adversely<br />

effecting manner, which were built as<br />

social inaction area and configured<br />

into inactive spaces, or corridors needed<br />

to be walked or even those blocks<br />

reached though entrance from administration<br />

buildings.<br />

In conclusion of evaluation regarding<br />

this case study, it is put forth that<br />

the elderly care institutions in a country<br />

where new investments are made,<br />

should consider the physical and psycho-social<br />

and psycho-spatial features<br />

of this specific age group and contribute<br />

those features into future architectural<br />

designs of elderly care institutions,<br />

while simultaneously building a<br />

detailed database so as to develop a parameter<br />

within the architectural design<br />

process as a conceptual framework.<br />

Acknowledgments<br />

I am very much thankful to my<br />

advisor Prof. Dr. Alper Ünlü for his<br />

valuable guidance, encouragement at<br />

various stages through my dissertation<br />

period.<br />

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& Company.<br />

Yaşlıların davranışsal tepkilerinin<br />

mekansal kurgu üzerinden okunması;<br />

yaşlılık kurumu örneği<br />

Yaşlı birey ile çevresi arasında ki<br />

etkileşimde; kullanıcıda yaşlılık kurumunun<br />

mimari tasarımına bağlı olarak<br />

mekansal kurguya karşı uyumlu ya da<br />

uyumsuz davranışsal tepkiler oluşmaktadır.<br />

Makale; yaşlı kullanıcıların<br />

mekansal davranışları yoluyla yaşlılık<br />

kurumunun mekansal kurgusuna karşı<br />

geliştirdikleri tepkilerin varlığını ve<br />

niceliğini ortaya koymaya yönelik çalışmaları<br />

ve sonuçlarını içermektedir.<br />

Bu makalede sunulan çalışmalar ile<br />

yaşlılık kurumu tasarımı ve yaşlı kullanıcı<br />

davranışsal tepkileri arasındaki<br />

ilişki “Çevre Davranış Çalışmaları” ana<br />

çerçevesi içinde “Mekansal Dizim Yöntemi”<br />

ile ele alınmaktadır.<br />

Alan çalışması ile mekansal kurgunun,<br />

yaşlı kullanıcı davranışları üzerindeki<br />

etkileri incelenerek farklılaşan<br />

mekansal davranış tepkileri saptanmış<br />

ve mekanların dizimsel değerleri çıkartılmıştır.<br />

Lineer mekan kurgusuna<br />

sahip Maltepe Yaşlı Bakım ve Rehabilitasyon<br />

Kurumunda yapılan alan çalışması<br />

sırasında Gözlem Tekniği ile<br />

kullanıcıların hangi mekanları hangi<br />

sıklıkta kullandıkları periyodlar halinde<br />

gözlemlenerek yoğun ve düşük<br />

etkileşimli sosyal alanlar belirlenmiştir.<br />

Space Syntax Yöntemi kullanılarak<br />

ta mekanların Eşgörüş Alanı, Eşgörüş<br />

Alanı Çevresi, Bütünleşme ve Derinlik<br />

değerleri elde edilmiştir. Bu bağlamdan<br />

hareketle; yaşlılık kurumunun tasarım<br />

performansı, mekansal dizim değerleri<br />

ile yaşlı kullanıcıların davranışsal tepkileri<br />

çakıştırılarak tartışılmaktadır.<br />

Sonuçta; yaşlı kullanıcıların mimari<br />

tasarımdan gelen mekansal kurguya<br />

karşı davranışsal tepkiler geliştirdikleri<br />

ortaya konulmaktadır. Yaşlılık<br />

kurumu tasarımı yaşlı kullanıcıların<br />

duyuşsal ve davranışsal ihtiyaçlarına<br />

cevap verip vermemesine göre uyumlu<br />

ya da uyumsuz davranışsal tepkilere<br />

sebep olmaktadır. Lineer kurguya<br />

sahip yaşlılık kurumunda davranışsal<br />

tepki artarak uyum azalmakta, yüksek<br />

etkileşim (socio-pedal) düzeyi düşmekte,<br />

bireysel düşük etkileşimli (socio-fugal)<br />

ilişki düzeyi artmaktadır.<br />

Maltepe Yaşlı Bakım ve Rehabilitasyon<br />

Kurumunda yaşlıların mekansal kurgu<br />

üzerinde sosyal etkileşim alanları<br />

olarak tasarlanmış Çok Amaçlı Salon<br />

ve Kafeterya gibi alanları kullanmadığı<br />

gözlemlenmiştir. Tasarımın sosyal<br />

mekan çözümünde bu yaş kuşağına<br />

yönelik olarak yeterli olmadığı sosyal<br />

alanların az ya da hiç kullanılmadığı<br />

görülmektedir. Bu durumun başlıca<br />

nedenleri; bu mekanların hareketi görmeyen,<br />

arka bahçeye bakan, uzun bir<br />

yol yürüyerek ulaşabilecekleri ya da<br />

idari bloktan geçilerek gidilebilen alanlarda<br />

kurgulanmış olmalarıdır. Yaşlılar<br />

hareketi gören, kolay ulaşabildikleri,<br />

idari bölümle ilişkisiz olan A Blok girişi,<br />

bağlantı holleri, koridor başları gibi<br />

sirkülasyon alanlarını fonksiyonları<br />

dışı değiştirip dönüştürerek sosyal etkileşim<br />

alanları gibi kullanmaktadırlar.<br />

Bu yolla yaşlı kullanıcılar duyuşsal ve<br />

davranışsal ihtiyaçlarına cevap verip<br />

vermemesine göre mekanın fonksiyonunu<br />

değiştirmekte, kullanarak ya da<br />

kullanmayarak tepki oluşturmaktadırlar.<br />

Mimari tasarımda sosyal etkileşim<br />

alanları olarak kurgulanan mekanlara,<br />

davranışsal tepkileri sonucu gitmeyerek<br />

düşük sosyal etkileşimli mekanlar<br />

haline dönüştürebildikleri gibi bunun<br />

tersini de yapabilmektedirler.<br />

Bu noktada yaşlı kullanıcı davranışsal<br />

tepkisi ile mekan kurgusu arasında<br />

nasıl bir ilişki kurulabileceği sorusu<br />

önem kazanmaktadır. Çalışma kapsamında<br />

mekansal kurgunun kullanıcı<br />

davranışına uyumu ya da uyumsuzluğu<br />

Gözlem Tekniği ve Mekansal Dizim<br />

Yöntemi arasındaki korelasyonlar ile<br />

ortaya konulmaktadır. Mekansal Dizim<br />

Yöntemi ile Bütünleşme, Derinlik, Eş<br />

Görüş Alanı ve Eş Görüş Alanı Çevresi<br />

Analizleri yoluyla mekansal kurgu üzerinde<br />

belirlenen noktaların dizimsel<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • E. Özsüt Akan, A. Ünlü


103<br />

değerleri ayrı ayrı çıkartılmıştır. Bahçe<br />

dahil edilerek ve edilmeyerek yapılan<br />

iki farklı dizimsel analiz sonuçlarına<br />

göre yaşlı kullanıcının mekan kullanımında<br />

dış mekanla kurduğu görsel<br />

ilişki önemli bir parametre olarak öne<br />

çıkmaktadır. Kullanıcı görsel etkenlere<br />

bağlı olarak mevcut sosyal alanları kullanmak<br />

yerine kendi sosyal alanlarını<br />

kurgudan bağımsız, dış ortamı gören<br />

blok girişlerine, koridor başlarına ve<br />

bağlantı koridorlarına taşımaktadır.<br />

Mekansal Dizim Yöntemi ile elde<br />

edilen dizimsel değerler ve gözlemlerden<br />

çıkartılan kullanım frekansı arasındaki<br />

korelasyonlar ile davranışsal<br />

tepkinin varlığı ve niteliği yorumlanmaktadır.<br />

Bahçeli ve bahçesiz korelasyon<br />

değerleri göstermektedir ki yaşlı<br />

kullanıcı lineer kurguya göre hareket<br />

etmeyerek davranışsal tepki vermektedir.<br />

Kurumun mevcut kurgu düzeni;<br />

uzun yol yürümeyi gerektirerek sosyal<br />

alanlara ulaşımı zorlaştırdığından ve<br />

hareketi görme ihtiyacına yönelik dış<br />

ortamla görsel ilişkiyi azalttığından<br />

dolayı yaşlı kullanıcının duyuşsal ve<br />

davranışsal ihtiyaçlarına cevap verememektedir.<br />

Kullanıcı dış ortamla görsel ilişki<br />

kurduğu bahçeli plan kurgusunda; Eş<br />

Görüş Alanı, Eş Görüş Alanı Çevresi<br />

ve Bütünleşme değerleri yüksek olan<br />

yerleri fonksiyonu dışı değiştirip dönüştürerek<br />

sosyal etkileşim alanları<br />

olarak kullanmayı tercih etmektedir.<br />

Çalışmayla birlikte örnek yaşlılık<br />

kurumunun tasarımının yaşlı kullanıcıların<br />

mekansal davranışlarıyla ne<br />

kadar uyumlu oldukları irdelenerek<br />

davranışsal tepkileri ortaya konulmaya<br />

çalışılmaktadır. Bu suretle gelecekteki<br />

yaşlılık kurumları tasarımlarında bu<br />

yaş grubunun duyuşsal ve davranışsal<br />

ihtiyaçlarının da dikkate alınarak mimari<br />

program kapsamına bir parametre<br />

olarak sokulmasının gerekliliği ileri<br />

sürülerek kavramsal bir çerçeve oluşturulmaktadır.<br />

Behavioral responses of the elderly regarding spatial configuration: An elderly care institution case<br />

study


ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • 105-113<br />

The influence of architectural<br />

configuration on the pedestrian<br />

network in Büyük Beşiktaş market<br />

Ervin GARİP 1 , Mehmet Emin ŞALGAMCIOĞLU 2 , Fitnat CİMŞİT KOŞ 3<br />

1<br />

ervingarip@gmail.com • Department of Interior Design and Environmental<br />

Design, Istanbul Kultur University, Istanbul, Turkey<br />

2<br />

salgamcioglu@gmail.com • Department of Architecture, Faculty of Architecture,<br />

Istanbul Technical University, Istanbul, Turkey<br />

3<br />

fitnatcimsit@gmail.com • Department of Architecture, Faculty of Architecture,<br />

Beykent University, Istanbul, Turkey<br />

Received: May <strong>2015</strong> Final Acceptance: October <strong>2015</strong><br />

Abstract<br />

A study of trading can help us understand a wider range of organizations and<br />

building types. Many shopping centers have been built in Istanbul over the past<br />

twenty years. Although these privately owned places serve as social spaces and<br />

provide an area for many public activities, their size and close proximity separate<br />

them from the urban environment and choke off daily urban street life. Buyuk<br />

Besiktas Market, which is selected as the subject of the case study has a specific<br />

architectural form. Multiple entrances and a conductive interface converts the<br />

building and especially the ground floor into a common area and urban domain<br />

that hosts concerts, urban activities and special meetings.<br />

The study seeks to understand how does the architectural form and syntactic<br />

pattern of the outer layer play a role in changing the pedestrian network inside the<br />

building and how do basic architectural elements such as inner courtyards and<br />

open spaces affect pedestrian flow and preferences?<br />

The research procedure is based on two main steps. The first step comprises<br />

a gate count of the people passing through the gates and a density analysis. The<br />

second step is to analyze the architectural configuration using Syntax 2D program<br />

developed by scientists at the University of Michigan.<br />

The results of the study support the idea that particularly for multi-entrance<br />

buildings, the urban environment can be more dominant or at least effective in<br />

manipulating the natural movement in buildings. Independent from the structure<br />

of the building, the configuration which was set by urban dynamics is so dominant.<br />

Keywords<br />

Architectural layout, Pedestrian movement, Syntactical configuration.


106<br />

1. Introduction<br />

Many shopping centers have been<br />

built in Istanbul over the past twenty<br />

years. Although these privately owned<br />

places serve as social spaces and provide<br />

an area for many public activities,<br />

their size and close proximity separate<br />

them from the urban environment<br />

and choke off daily urban street life.<br />

Yet, from the perspective of commercial<br />

land use patterns, shopping spaces<br />

should be able to integrate urban spaces<br />

in a continuous way. In this manner,<br />

this study examines the syntactic character<br />

of the market places that affect<br />

people’s movement, particularly the<br />

interface between architectural layout<br />

and urban form that affects that movement.<br />

Istanbul’s Buyuk Besiktas Market is<br />

selected as the subject of the case study.<br />

It has a specific architectural form that<br />

can be characterized as a semi-open,<br />

interior courtyard shopping building<br />

with multiple entry points that is located<br />

in a dense shopping district in Istanbul.<br />

The configuration of the building<br />

will be structurally analyzed considering<br />

the architectural layout, pedestrian<br />

flow and integration. The study seeks<br />

to answer the questions below:<br />

• How does the architectural form<br />

and syntactic pattern of the outer<br />

layer play a role in changing the pedestrian<br />

network inside the building?<br />

• How do basic architectural elements<br />

such as inner courtyards,<br />

open spaces and store allocation<br />

affect pedestrian flow and preferences?<br />

2. Retail pattern and pedestrian<br />

movement<br />

A study of trading can help us understand<br />

a wider range of organizations<br />

and building types. Trading has<br />

a pervasive effect on urban form and<br />

land use patterning as well as building<br />

interiors and appears in one form or<br />

another in every society and in every<br />

period of history (Penn, 2005). As Hillier<br />

(2005) noted, buildings and cities<br />

exist for us in two ways: as the physical<br />

forms that we build and see and as the<br />

spaces that we use and move through.<br />

In a situation where movement, configuration,<br />

and attraction are all in<br />

agreement, logic strongly suggests<br />

configuration as the primary ‘cause’<br />

of movement. Logically, the presence<br />

of attractors can affect the presence<br />

of people; however, these attractors<br />

cannot affect the fixed configurational<br />

parameters that describe the spatial<br />

location. Similarly, configuration may<br />

affect movement; however, configurational<br />

parameters cannot be affected<br />

by movement; see Figure 1, (Hillier et<br />

al., 1993). Differences in layout affect<br />

movement independently from the attractors.<br />

As Hillier (1993) illustrated in Figure<br />

2, attractors and movement may<br />

affect each other; however, the other<br />

two relations are asymmetrical. Configuration<br />

may affect the location of<br />

attractors, but the location of attractors<br />

cannot affect configuration. Likewise,<br />

configuration may affect movement,<br />

but movement cannot affect configuration.<br />

If strong correlations are observed<br />

between movement and both<br />

configuration and attractors, the only<br />

possible lines of influence are from<br />

configuration to both movement and<br />

attractors, with the latter two influencing<br />

each other.<br />

We can better understand how cities<br />

work if we draw a distinction between<br />

movement ‘to’ or ‘from’ spaces and<br />

movement ‘through’ spaces. Movement<br />

‘to’ or ‘from’ spaces is primarily<br />

Figure 1. (a) The more central segments of<br />

the ‘main street’ are likely to be the most<br />

frequently used.<br />

(b) The two most central vertical elements,<br />

one above and one below the ‘main street,’<br />

would be on shorter routes than the more<br />

peripheral vertical elements (Hillier, et. all.,<br />

1993).<br />

Figure 2. Attraction, configuration and<br />

movement (Hillier, et. all., 1993).<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • E. Garip, M. E. Şalgamcıoğlu, F. Cimşit Koş


107<br />

a function of land use, whereas movement<br />

‘through’ spaces is primarily a<br />

function of configuration. More importantly,<br />

urban configuration creates<br />

an interface between those two types<br />

of movement. Thus, these two types of<br />

movement can be evenly balanced in<br />

some spaces and unevenly emphasized<br />

in others. Liveness, however, appears<br />

to require that both components be<br />

present and mutually supportive (Peponis,<br />

Ross, Rashidi, 1997).<br />

The actual patterns of agglomeration<br />

and differentiation of retail functions<br />

that we observe in urban property use<br />

patterns appear to be strongly related<br />

to both the geometry and network topology<br />

of the urban street system. Two<br />

theories have sought to account for<br />

this phenomenon from a space syntax<br />

perspective. The first theory is the theory<br />

of natural movement (Hillier et al.,<br />

1993), which proposes that the configuration<br />

of the street grid accounts for<br />

a substantial proportion of pedestrian<br />

movement in urban areas. Retail land<br />

use is demonstrated to affect movement<br />

patterns by acting as a multiplier,<br />

transforming a linear relationship<br />

between spatial integration and<br />

pedestrian flows in mono-functional<br />

residential areas into an exponential<br />

relationship in mixed-use areas.<br />

The thesis is that the primary factor<br />

is urban spatial configuration, which<br />

then causes a pattern of space use that<br />

makes certain locations more attractive<br />

than others for retail. Retail occupies<br />

these locations preferentially and<br />

then becomes an attractor of new trips<br />

in its own right. The result is a multiplier<br />

in which configurationally strategic<br />

through routes become dominant retail<br />

aggregations. The result is an emergent<br />

correlation between land use, pedestrian<br />

movement and configuration that<br />

demonstrates immense stability over<br />

time. The second theory is the theory<br />

of the movement economy (Hillier<br />

& Penn, 1992; Hillier, 1996; 1997),<br />

which proposes that as a by-product<br />

of every trip between an origin and a<br />

destination, one passes opportunities<br />

for interaction and transaction in spaces<br />

along the way. We propose that this<br />

phenomenon allows for multi-purpose<br />

trips and is the link between urban spatial<br />

configuration and movement flows<br />

that provides logic for the disposition<br />

of land uses. An additional phenomenon<br />

exists, however, which is recognizable<br />

in many different city forms and<br />

cultures. This phenomenon involves<br />

how land use patterns remain roughly<br />

similar as one travels along a street but<br />

change radically as one turns a corner.<br />

The traditional ‘gravity’ model employed<br />

by shopping mall developers<br />

attempts to create an artificial ‘flow’<br />

of pedestrian movement between two<br />

known attractors. Shopping malls<br />

generally work on the premise of the<br />

classic dumb-bell concept; the large<br />

competing ‘anchor’ stores at two ends<br />

working as ‘magnets’ spaced between<br />

a two sided mall of smaller multi-cellular<br />

units (Fong, 2003) . Although<br />

Hillier (1993, 1996) has argued that<br />

movement is determined mainly by<br />

the configuration of space, a case study<br />

that was done on seven super regional<br />

shopping centres (Fong, 2003) shows<br />

that variables of attraction could best<br />

predict movement distribution rather<br />

than variables of configuration. In cases<br />

where the functional attractors like<br />

big stores do not exist, the interface<br />

of the building must be examined by<br />

considering that some environmental<br />

relational or urban links may serve as<br />

urban attractors that can affect pedestrian<br />

flow.<br />

3. Conductive interface<br />

Building surfaces play a significant<br />

role in the relationship between<br />

buildings and the urban environment.<br />

Especially at the ground floor level,<br />

building surfaces act as a “membrane”<br />

that serves as an interface between the<br />

building and the urban environment.<br />

As more of these surfaces enable the<br />

transition, the buildings become urban<br />

interiors and their gates become the<br />

nodes of the urban environment.<br />

The Buyuk Besiktas Market (BBM),<br />

which is examined in this study, is a<br />

three-story building with 184 stores<br />

selling accessories, shoes and clothing,<br />

in addition to other facilities like<br />

a post office and pay offices. Multiple<br />

entrances and a conductive interface<br />

converts the building and especially<br />

the ground floor into a common area<br />

and urban domain that hosts concerts,<br />

urban activities and special meetings<br />

The influence of architectural configuration on the pedestrian network in Büyük Beşiktaş market


108<br />

(Figure 3). This provides us with an<br />

opportunity to study the architectural<br />

characteristics affecting the pedestrian<br />

flow and preferences.<br />

The surface of the BBM can be described<br />

as a conductive interface with<br />

multiple entrances that connect the<br />

building to its urban environment. The<br />

entrances demonstrate several common<br />

attributes that can be categorized<br />

and gives us the opportunity to discuss<br />

how the pedestrian flow is affected by<br />

architectural characteristics and the<br />

urban interface.<br />

Although the entrances that connect<br />

the building to the urban grid are defined<br />

as “street based,” the entrances<br />

located on the periphery and that activate<br />

the surface of the building act<br />

as a “periphery.” Further, the connections<br />

with other shopping areas can be<br />

defined as “transition based” (Fig. 4).<br />

This predefinition of gates allows us<br />

to compare and discuss the role of the<br />

interface of the building in pedestrian<br />

movement and preference.<br />

Figure 3. Image showing the open courtyard and ground floor<br />

level as urban use.<br />

Figure 4. Representation of each gate.<br />

4. Method<br />

BBM is selected for the case study.<br />

The research procedure is based on<br />

two main steps. The first step comprises<br />

a gate count of the people passing<br />

through the gates and a density analysis,<br />

which provides the distribution<br />

of people inside the building. To understand<br />

the tendency of movement,<br />

people leaving or entering the market<br />

are calculated separately. These observations<br />

provide information about<br />

the preferences and distribution of pedestrians<br />

according to their choices of<br />

roles. In other words, this analysis will<br />

provide clues about how the conductive<br />

interface of the buildings affects<br />

public movement and how the existence<br />

of the inner courtyard manipulates<br />

that movement.<br />

The second step is to analyze the architectural<br />

configuration. This will help<br />

us understand the syntactic pattern of<br />

the building and its basic architectural<br />

characteristics such as galleries, corridors<br />

and shop layout. Furthermore,<br />

analyzing the configuration will provide<br />

significant data about integration,<br />

which is known to have an effect on<br />

natural movement. The space syntax<br />

method, a key theory used to define the<br />

structural environment, will provide<br />

significant data in terms of analysis.<br />

Figure 5. Locations of entrances (A) and convex spaces (B).<br />

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109<br />

The Syntax 2D program developed by<br />

scientists at the University of Michigan<br />

provides data about the level of integration<br />

between convex spaces considering<br />

their spatial properties.<br />

4.1. Analog method<br />

• Gate count: Recording the number<br />

of people passing through the gates<br />

(frequency) for 10 minutes synchronically<br />

on weekdays and weekends<br />

during the morning, midday,<br />

and afternoon.<br />

• Density: Mapping the distribution<br />

of pedestrians, considering the cells<br />

defining the convex space.<br />

4.2. Syntactic analysis<br />

There are two basic architectural<br />

components characterizing the market:<br />

the gate composition that gives<br />

the building multiple entrances and<br />

the open inner garden that makes the<br />

configuration unique. Integration is<br />

evaluated by considering the inner<br />

garden as a connective space regulating<br />

the pedestrian movement around<br />

it. We therefore seek to understand<br />

whether the open garden serves as an<br />

edge that distributes movement or as a<br />

perceptive continuity that attracts pedestrians.<br />

Syntax 2D creates a grid fragmentation<br />

that enabled us to compare the<br />

plan integration and depth comparison<br />

values through different convex spaces.<br />

The mean integration (Figure 6) and<br />

mean depth data (Figure 7) are generated<br />

as a result of the analyses. These<br />

are two main concepts addressed in<br />

space syntax theory that can help us<br />

understand how some convex spaces<br />

are more integrated and shallow than<br />

others. For gates, the calculation uses<br />

the arithmetic average of entrance<br />

lines, whereas the calculation of convex<br />

space uses the arithmetic average<br />

of homogeneously divided equal areas.<br />

Figure 6. Image of the integration analysis, completed using<br />

Syntax 2D to find the syntactic scores for gate count nodes and<br />

convex spaces.<br />

Figure 7. Image of the mean depth analysis.<br />

5. Syntactic comparisons and analysis<br />

Matching the syntactic data (integration<br />

and depth value) with the<br />

gate count will help us to explore the<br />

influence of architectural configuration<br />

on the people passing through the<br />

gates. Additionally, the comparison of<br />

the syntactic data and people located<br />

in convex spaces helps us to explore<br />

how integrated or segregated locations<br />

influence pedestrian movement, and<br />

whether there is any correlation between<br />

the architectural configuration<br />

of the market and the distribution of<br />

movement.<br />

A schematic shown in Table 1 and<br />

Table 2 examines the relationship between<br />

the syntactic values (integration<br />

and mean depth) of the market gates<br />

and the frequency of people passing<br />

through the gates during weekdays and<br />

weekends, counted at regular hourly<br />

intervals.<br />

As previously defined in the space<br />

syntax literature, convex spaces have<br />

distinctive properties that characterize<br />

each space as unique and common<br />

(Hillier et al., 1987). The comparison<br />

shown below in Table 3 and Table 4<br />

indicates the relationship between the<br />

The influence of architectural configuration on the pedestrian network in Büyük Beşiktaş market


110<br />

Table 1. Syntactic values and the number of people passing through each gate on weekdays.<br />

Table 2. Syntactic values and the number of people passing through each gate on weekends.<br />

Table 3. Syntactic values and frequencies of people in each convex space on weekdays.<br />

Table 4. Syntactic values and frequencies of people in each convex space on weekends.<br />

syntactic value of predefined convex<br />

spaces and the frequency of people<br />

passing or spending time in the following<br />

convex space. For consistency, the<br />

analysis is made over the same time intervals<br />

used for the gate count.<br />

The statistical analysis was performed<br />

using SPSS software considering<br />

the gate count numbers (people<br />

passing through the gates) and convex<br />

number (people located in convex<br />

space) as the dependent variables<br />

and syntactic values (integration and<br />

depth) as the dependent variables. All<br />

regression analyses are shown in Figure<br />

8.<br />

First, the regression analysis of the<br />

gate count and syntactic value using<br />

both the integration and mean depth<br />

was performed for each time interval<br />

and day shown in the figure. Interestingly,<br />

no significant relationship was<br />

found between the syntactic values<br />

of the ground floor and the people<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • E. Garip, M. E. Şalgamcıoğlu, F. Cimşit Koş


111<br />

passing through the gates. The same<br />

result was investigated both for weekdays<br />

and weekends. For instance at the<br />

15.15 time interval, the regression between<br />

the integration and gate count<br />

yields no significant result (Weekday:<br />

R=0.145; p=0.732>0.05, Weekend:<br />

R=0.220; p=0.6>0.05); nevertheless,<br />

for the same time interval, no significant<br />

relationship was found between<br />

the mean depth and gate count (Weekday:<br />

R=0.145; p=0.732>0.05, Weekend:<br />

R=0.220; p=0.6>0.05). Almost parallel<br />

results were seen for every time interval,<br />

as shown in Figure 8.<br />

Second, a regression analysis was<br />

performed to examine the relationship<br />

between the syntactic values and convex<br />

space frequency. At the 17.00 time<br />

interval, no positive relationship was<br />

found between the integration value<br />

and convex space frequency (Weekday:<br />

R=0.507; p=0.680>0.05, Weekend:<br />

R=0.518; p=0.<strong>12</strong>5>0.05). Although<br />

there was no significant relationship<br />

between the syntactic value and convex<br />

space frequency (Figure 10), the values<br />

were higher than the results of the gate<br />

count analyses. The negative results for<br />

the comparison of both the gate count<br />

– syntactic value and convex space frequency<br />

– and the syntactic value invite<br />

a different perspective for the research.<br />

These findings encourage us to discuss<br />

the architectural layout of the market<br />

in terms of the urban context and immediate<br />

surroundings.<br />

6. Discussion and conclusions<br />

Considering the trends in the number<br />

of people entering and leaving the<br />

market, every gate shows different patterns.<br />

For example, more people tend<br />

to enter than leave through Gates 3 and<br />

6, whereas more people leave through<br />

Gates 4 and 5. At Gates 1, 2, 6 and 8,<br />

the number of people entering and<br />

leaving is almost equal.<br />

Referring to Hillier’s “through-to<br />

movement” theory and considering<br />

the data gathered from BBM, it is clear<br />

that street-based movement character-<br />

Figure 8. Regression comparison results a. syntactic values-convex space (above), b. syntactic<br />

values-gate count (below). WD weekday; WE weekend.<br />

The influence of architectural configuration on the pedestrian network in Büyük Beşiktaş market


1<strong>12</strong><br />

izes both through and to movement,<br />

where pedestrians move with intention<br />

and motivation (Gate 3, Gate 6). Transition-based<br />

movement characterizes<br />

“through movement,” when people act<br />

with intention (Gates 4 and 5). On the<br />

other hand, peripheral-based movement<br />

is identified as “to movement,”<br />

when people behave self oriented. By<br />

taking into account the people entering<br />

and leaving the marketplace, it is clear<br />

that every gate has a different character.<br />

It was surprising to see clearly that<br />

there was no relationship between<br />

the architectural layout configuration<br />

and the distribution of people passing<br />

through the gates. Although the most<br />

significant characteristic of the market<br />

place is its multiple entrances, the<br />

importance of gate location stems not<br />

from local integration but from the urban<br />

context, which can be described as<br />

urban gravity. Moreover, a case study<br />

done by Zhang et al. (20<strong>12</strong>), compares<br />

the multilevel and single level shopping<br />

buildings to predict the accesibility<br />

and pedestrian flow. Related study<br />

suggests that multi‐level commercial<br />

cases, measures of configuration can<br />

not explain the pedestrian flows well.<br />

Being a multilevel building, might be<br />

seen as another reason of uncorrelation<br />

between pedestrian flow and syntactic<br />

values of ground floor of Buyuk<br />

Besiktas Market.<br />

Independent from the structure of<br />

the building, the configuration which<br />

was set by urban dynamics is so dominant.<br />

The gates have different frequencies<br />

due to these dynamics. Whether<br />

the building have an introvert occupancy<br />

its gates creates a new syntactical<br />

discussion on urban interfaces.<br />

The peripheral, transitional and street<br />

based flows are the main attractors in<br />

this discussion. The differentiations of<br />

these gates are independent from inner<br />

syntactical configuration however defines<br />

the movement patterns through<br />

urban interfaces.<br />

The results of the study support the<br />

idea that particularly for multi-entrance<br />

buildings, the urban environment<br />

can be more dominant or at least<br />

effective in manipulating the natural<br />

movement in buildings. In particular,<br />

Istanbul’s Büyük Beşiktaş Market has<br />

a very distinctive architectural layout<br />

that has the potential to connect<br />

the interior to its urban surroundings<br />

at almost every surface of the building.<br />

This design decision connects the<br />

building to its environment and makes<br />

the building indispensable to its environment.<br />

References<br />

Fong, P. (2003). What makes big<br />

dumb bells a mega shopping mall? Proceedings<br />

of The 4th International Space<br />

Syntax Symposium, London, UK.<br />

Hillier, B., Penn, A. (1992). Dense<br />

civilizations: The shape of cities in the<br />

21st century. Applied energy 43(1), 41-<br />

66.<br />

Hillier, B., Penn, A., Hanson, J., Grajewski,<br />

T., Xu, J. (1993). Natural movement:<br />

Or, configuration and attraction<br />

in urban pedestrian movement. Environment<br />

and planning b 20(1): 29-66.<br />

Hillier, B. (1997). Cities as movement<br />

economies. In P. Droege (Ed.),<br />

Intelligent environments: spatial aspects<br />

of the information revolution<br />

(pp. 295-342). Elsevier.<br />

Hillier, B. (2005). The art of place<br />

and the science of space. World Architecture,<br />

185, 96-102.<br />

Penn, A. (2005). The complexity<br />

of the elementary interface: shopping<br />

space. In The Proceedings of 5 th International<br />

Space Syntax Symposium,<br />

Delft, Netherlands.<br />

Peponis, J., Wineman, J. (2002).<br />

Spatial structure of environment<br />

and behavior. In R. B. Bechtel & A.<br />

Churchman (Eds.), Handbook of environmental<br />

psychology (pp. 271-291).<br />

New York, NY: John Wiley.<br />

Peponis, J., Ross, C., Rashid, M.<br />

(1997). The structure of urban space,<br />

movement and co-presence: The case<br />

of atlanta. Geoforum 28(3-4), 341-358.<br />

Zhang, L., Zhuang, Y., Dai, X. (20<strong>12</strong>).<br />

A configurational study of pedestrian<br />

flows in multi-level commercial space<br />

- case study Shanghai. Proceedings<br />

of The 8 th International Space Syntax<br />

Symposium, Santiago, Chile.<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • E. Garip, M. E. Şalgamcıoğlu, F. Cimşit Koş


113<br />

Mimari konfigürasyonun Büyük<br />

Beşiktaş Çarşısı’ndaki yaya dolaşımı<br />

üzerindeki etkisinin irdelenmesi<br />

İstanbul şehri, son 20 yıl içerisinde<br />

alışveriş merkezlerinin hızla çoğalması<br />

ile farklı bir morfolojik düzene<br />

doğru evrilmektedir. Bu yapılar, kendi<br />

içlerinde sosyal bir yaşam ve kamusal<br />

kullanımlar önerseler de, ölçekleri ve<br />

genellikle dışa kapalı özellik sergilemeleri<br />

dolayısıyla bulundukları çevreden<br />

ve kentsel süreklilikten kopuk<br />

özellik göstermektedir. Bu bağlamda<br />

yapı çeperleri, mimari kurguları ile beraber<br />

önem kazanmaktadır. Sunulan<br />

çalışma, mimari kurgu – yapı çeperi<br />

– ve kent ilişkisini İstanbul-Beşiktaş’ta<br />

bulunan Büyük Beşiktaş Çarşısı<br />

üzerinden irdelemektedir. Söz konusu<br />

çarşı, yukarıda sözü edilen kapalı alışveriş<br />

merkezlerinden farklı olarak, çok<br />

girişli, kent içerisine yayılan, yarı açık<br />

ve açık galerileri ile özgün bir mimari<br />

kimliğe sahiptir. Sahip olduğu dış<br />

çeper, çok girişli ve geçirgen yapısıyla<br />

giriş katını kentsel bir arayüze dönüştürmekte,<br />

iç mekanın dışarıya, dış mekanın<br />

da içeriye sızdığı bir kurgusal<br />

düzen sergilemektedir. Bu tespitlerden<br />

hareketle çalışma kapsamında gerçekleştirilen<br />

alan çalışmasının araştırma<br />

soruları aşağıdaki gibidir;<br />

• Mimari form ve yapı çeperinin<br />

dizimsel özellikleri bina içindeki<br />

yaya akışı ve dağılımlarını etkiler<br />

mi?<br />

• İç avlu, açık mekan ve dükkan dizilimi<br />

gibi mimari özellikler yayaların<br />

rota seçimlerini nasıl etkiler?<br />

Büyük Beşiktaş Çarşısı’nın giriş<br />

noktaları, hem bina ile kurdukları<br />

ilişki hem de kent ile kurdukları ilişki<br />

bağlamında özgün özellikler sergilemektedir.<br />

Bu farklı karakteristikler,<br />

yapının dizimsel değerleri ve gözlemlerden<br />

elde edilen özellikler ile karşılaştırıldığında<br />

yayaların rota tercihleri,<br />

ve mekansal seçimleri hakkında bilgi<br />

verebilmektedir. Söz konusu analizler,<br />

yapı çeperinin kullanımı (frekans) ve<br />

mimari kurgu içindeki rota tercihlerini<br />

ortaya koymaktadır.<br />

Araştırma prosedürü, iki aşamadan<br />

oluşmaktadır. İlk aşamada bir hafta<br />

sonu ve bir hafta içi olmak üzere gün<br />

içindeki 5 zaman diliminde ve 10 dakikalık<br />

aralıklarda giriş noktalarınındaki<br />

insan akışı gözlemlenmiş, bunun<br />

yanında aynı zaman aralıklarında mimari<br />

kurgu içerisinde tanımlanan konveks<br />

mekanlarda kullanıcı dağılımı not<br />

edilmiştir. İkinci aşamada mekanın dizimsel<br />

özellikleri Syntax 2D programı<br />

ile ortaya konmuş, binanın bütünsellik<br />

ve derinlik değerleri tanımlanmıştır.<br />

Giriş noktalarının dizimsel değerleri<br />

ile aynı noktalardaki insan akışının<br />

karşılaştırılması, bu akışın mimari<br />

kurgu kaynaklı olup olmdığı hakkında<br />

bilgi vermekte, iç mekan kurgusunun<br />

dizimsel değerleri ile konveks mekanlardaki<br />

insan dağılımlarının karşılaştırılması<br />

da bina içerisindeki yaya dağılımının<br />

sebeplerini ortaya koymaktadır.<br />

Verilerin analiz edilmesi sonucunda,<br />

giriş noktalarının dizimsel değerleri ile<br />

bu noktalardan geçen insan yoğunluğu<br />

arasında net bir şeklde anlamlı bir<br />

ilişki tespit edilmemiş, aynı şekilde mimari<br />

kurgunun dizimsel değerleri ile iç<br />

mekandaki insan dağılımı arasında da<br />

güçlü bir anlamsal ilişkiye rastlanmamıştır.<br />

Bu sonuçlar, bina içindeki insan<br />

akışının mimari kurgudan çok, kentsel<br />

dinamiklerden kaynaklandığını, yakın<br />

çevredeki sokak, açık pazar, meydan<br />

gibi katalizörlerin yaya akışını domine<br />

edici özellik sergileyebileceğini ortaya<br />

koymaktadır. Sonuç yargı olarak,<br />

Büyük Beşiktaş Çarşısı, kendi mimari<br />

strüktüründen bağımsız olarak kentsel<br />

dinamiklerden etkilenmektedir.<br />

Çalışma, kapalı ve çevresinden kopuk<br />

alışveriş merkezlerinden farklı<br />

olarak Beşiktaş Çarşısı’nın Kentsel<br />

dinamiklerden beslendiğini, kentin<br />

parçası haline geldiğini ve tekil olarak<br />

değil çevresi ile beraber bir bütün<br />

olarak var olduğunu ortaya koymakta,<br />

özellikle kamusal işlevler üstlenen yapılarda<br />

kentsel arayüzün önemini göstermektedir.<br />

The influence of architectural configuration on the pedestrian network in Büyük Beşiktaş market


ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • 115-<strong>12</strong>5<br />

A syntactic analysis of social<br />

interfaces in Istanbul Biennial<br />

patterns in case of biennial<br />

buildings in 2013<br />

Fitnat CİMŞİT KOŞ 1 , Mehmet Emin ŞALGAMCIOĞLU 2 , Ervin GARİP 3<br />

1<br />

fitnatcimsit@gmail.com • Department of Architecture, Faculty of Engineering<br />

and Architecture, Beykent University, Istanbul, Turkey<br />

2<br />

salgamcioglu@gmail.com • Department of Architecture, Faculty of Architecture,<br />

Istanbul Technical University, Istanbul, Turkey<br />

3<br />

ervingarip@gmail.com • Department of Interior Design and Environmental<br />

Design, Istanbul Kultur University, Istanbul, Turkey<br />

Received: May <strong>2015</strong> Final Acceptance: October <strong>2015</strong><br />

Abstract<br />

Biennial events in urban life can be discussed in terms of the interrelation of<br />

venues as well as art products and dialogues. There are a number of exhibition<br />

venues, where preferences are defined by pragmatic or thematic decisions, such as<br />

historical buildings, most common public spaces or contemporary popular places.<br />

These buildings are territorial markers of specific patterns and act as museum-like<br />

environments. This study aims to explore the potential and performative<br />

outcomes of these patterns in the Istanbul Biennial between 1995-2013 and aims<br />

to discuss the last biennial in 2013 with syntactical parameters and frequencies<br />

comparatively for each venue using interface activities and occupancy through<br />

the other biennials.<br />

For that purpose, this paper will try to answer the questions below:<br />

Do biennial space preferences have performative differences in their syntactical<br />

configurations through biennial history (between 1995-2013)?<br />

Is there a performative relationship between the syntactical values of the interfaces<br />

(for the 2013 biennial) and the frequency of each gate of the venues, considering<br />

the interface activities and moods?<br />

Comparison of the biennial patterns in Istanbul raises many questions in terms<br />

of spatial configuration, social network and functional hierarchy in addition to<br />

syntactic parameters such as the mean depth, integration or circularity. The territory<br />

of the 2013 biennial and its effects on frequencies will also be examined<br />

through biennial venues. To understand whether collective memory or accessibility<br />

is effective (dominant), audience frequencies are studied within the biennial<br />

pattern using gate counts and interface activities.<br />

Keywords<br />

Social interface, Urban performance, Syntactical configuration.


116<br />

1. Introduction<br />

Biennial events in urban life can be<br />

discussed in terms of the interrelation<br />

of venues as well as art products and<br />

dialogues. There are a number of exhibition<br />

venues, where preferences are<br />

defined by pragmatic or thematic decisions,<br />

such as historical buildings, most<br />

common public spaces or contemporary<br />

popular places. This study aims to<br />

explore the performative outcomes of<br />

exhibition space patterns in the Istanbul<br />

Biennial between 1995 and 2013<br />

and aims to discuss the last biennial<br />

in 2013 with syntactical parameters<br />

and frequencies comparatively for each<br />

venue using interface activities and<br />

occupancy throughout the other biennials.<br />

The performance activity of the<br />

Biennials should be examined through<br />

different patterns with different orientations<br />

of biennial venues. As Özpınar<br />

(2011) indicated, through the art,<br />

knowledge and criticism platform generated<br />

outside of the academic space, it<br />

is possible to argue the biennial’s public<br />

space quality as an operation where<br />

ideas, expressions and experiences are<br />

produced within a portion of the social<br />

life. The biennial is an event, generally<br />

organized by independent institutions,<br />

that aims to spread across the city with<br />

versatile activities but is often only realized<br />

in the city center.<br />

The difference between the biennial<br />

and classical museum exhibitions,<br />

international exhibitions or public art<br />

projects is not only the fact that the artifacts<br />

are not for sale but also that it<br />

is a local activity expected to spread<br />

across the city and communicate a<br />

message. Therefore, the positioning of<br />

the biennial within the city, its forms of<br />

exhibition, and the urban instruments<br />

and mediums it utilizes are extremely<br />

important. The choice of location and<br />

its past and future indications gain importance<br />

as exhibition practice. The<br />

interaction between the location and<br />

the installed artwork becomes a priority<br />

for this choice. The artwork can<br />

present itself as a contrast, a criticism,<br />

a compliment or an attraction to the<br />

location and the meanings it conveys<br />

(Özpınar, 2011).<br />

The Habermasian idea of the public<br />

sphere points to spaces created by the<br />

community where ideas, expressions<br />

and experiences are produced, explored,<br />

shared, spread and discussed.<br />

City streets can facilitate encounters,<br />

opportunities, and divergent identities.<br />

Because city streets are a place of socialization,<br />

the exhibits should have a<br />

permissive quality with open access to<br />

all sorts of social, human and individual<br />

performances. The utilization and<br />

presentation of the public space in the<br />

biennial is important in terms of reconstruction<br />

of the space, the city and<br />

the individual (Özpınar, 2011).<br />

For that purpose, this paper will try<br />

to answer the questions below:<br />

Do biennial space preferences have<br />

performative differences in their syntactical<br />

configurations through biennial<br />

history (between 1995 and 2013)?<br />

Is there a performative relationship<br />

between the syntactical values of the<br />

interfaces (for the 2013 biennial) and<br />

the frequency for each gate of the biennial<br />

venues, considering the interface<br />

activities and moods?<br />

2. Territories and social interfaces<br />

The space preference for biennial<br />

venues is a special urban territory open<br />

to public interaction. Venues, boundaries<br />

and movement patterns work to<br />

create a walking-based context, which<br />

creates a performative area in the city.<br />

Each biennial has the potential to create<br />

a specific micro-environment for<br />

urban events and interactions. The biennial<br />

buildings are territorial markers<br />

during the biennial period. Therefore,<br />

this study aims to study both<br />

this micro-environment pattern and<br />

the building interfaces in order to explore<br />

the potential and performances.<br />

Territorial space and behaviors are the<br />

keys to understanding this interactive<br />

pattern. The study includes different<br />

levels of space organization. These are<br />

the biennial patterns as micro-urban<br />

environments and social interfaces of<br />

buildings as territorial markers. The<br />

hierarchy in these specific micro-environments<br />

and their markers can be<br />

discussed using Stea’s (1970) theory.<br />

The three scales of territory are units,<br />

clusters and structures. The scales are<br />

interactive and conceptually interrelated<br />

(Figure 1).<br />

The micro-environments and their<br />

potentials in urban performances cre-<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • F. Cimşit Koş, M. E. Şalgamcıoğlu, E. Garip


117<br />

Figure 1. Three territorial spaces (Stea,<br />

1970).<br />

ate spatial practices. Walking based<br />

routes and moving based configurations<br />

creates a site-specific experience<br />

in biennials. As Hillier (2005) mentioned,<br />

buildings and cities exist in<br />

two ways: as the physical forms that<br />

we build and see and as the space that<br />

we use and move through. That’s why<br />

this study tries to explore the differentiations<br />

and similarities of different<br />

biennial patterns and analyses urban<br />

performances through spatial configurations.<br />

Contreras (2006) derived the<br />

term ‘The Urban Performance’ from<br />

the ‘representational space’ concept,<br />

which is a part of the spatial triad defined<br />

by Lefebvre (1974) and reinterpreted<br />

by lain Borden (Borden, 2001).<br />

The assumption is that spatial practices<br />

and representations are the things people<br />

do and the patterns they physically<br />

create for disrupting abstract space.<br />

The ‘potential energies’ of groups act to<br />

transform and create new social spaces.<br />

Thus, the Istanbul biennial has the<br />

power to organize these new social<br />

spaces.<br />

According to Borden (2001), the<br />

supposition is that in the urban realm,<br />

the idea of an activity in space is the<br />

key to understanding the representations<br />

and experience of space, and because<br />

of these actions or performances,<br />

we become true objects in time and<br />

space and not simply users or experiencers<br />

of but produced by, and products<br />

of, the architecture around us. A<br />

multi-stranded contemplation of the<br />

notion of “knowing a place” includes<br />

both the existence and the possibilities<br />

of architecture and the city. Whether<br />

for inhabitants or foreign audiences,<br />

the biennial pattern is a space for experience,<br />

coding or decoding. By movement<br />

through exhibition areas, cognitive<br />

maps are created by the mind and<br />

experienced by the public space itself.<br />

Through biennial patterns, movement<br />

and actions are simply dependent<br />

on markers. Thus, the ‘events’ and ‘activities’<br />

are the bodies that experience<br />

the biennial in different ways, routes,<br />

frequencies, etc. “If movement is to be<br />

one of the generating factors of architecture,<br />

it will not take a single form or<br />

configuration. There is random movement,<br />

as experienced on a flat plane,<br />

free of any attraction or constriction.<br />

But there is also vectorized movement,<br />

which interact with static spaces, often<br />

activating them through the motion of<br />

bodies that populate them” (Tschumi,<br />

2000).<br />

We also interact with the city conceptually<br />

as the events occur. In that<br />

specific time, with collective artifacts,<br />

the city is shared by the people. Thus,<br />

as Hillier (2009) indicated, we need a<br />

concept of distance which reflects not<br />

only the relationship of one part to another<br />

but of all parts to all others. In biennial<br />

patterns the question is, whether<br />

the venue is familiar or not, what are<br />

the parameters of performance? Even<br />

though people can move randomly,<br />

they need to orient themselves with<br />

the big picture of the biennial route.<br />

Exhibition points within the pattern<br />

should be seen as a path to reach a performative<br />

event. This is why movement<br />

possibilities inside the route have a relationship<br />

with the integration of exhibition<br />

points.<br />

The space syntax theory states that<br />

spatial configuration influences the<br />

distribution of movement within a network<br />

system and that when spaces are<br />

more directly connected to other spaces,<br />

they are likely to attract more movement<br />

(Peponis & Wineman 2002). Our<br />

concern with movement patterns over<br />

biennial patterns suggests a relationship<br />

between the legibility of physical<br />

space and the social occupation of that<br />

space.<br />

Beside the biennial patterns and<br />

their social possibilities, the exhibition<br />

buildings are also important markers<br />

A syntactic analysis of social interfaces in Istanbul Biennial patterns in case of biennial buildings<br />

in 2013


118<br />

with interfaces they have. When some<br />

markers are new, some others have a<br />

memory in biennials. The interfaces<br />

means interactive layouts both in<br />

memory and in physical environment.<br />

The audiences have a role to re-produce<br />

this spaces in each biennial. Thus,<br />

the pattern has a possibility to create<br />

new markers and a new spatial practice<br />

in the city. To Lefebvre (1974), all social<br />

space, at all scales of consideration,<br />

is produced. Lefebvre’s theory of space<br />

sets forth three principles or modes of<br />

production: ‘spatial practice’, ‘representation<br />

of space’ and ‘representational<br />

space’. (1) Spatial practice is what people<br />

- the enactors of social space - do.<br />

Though this may seem obvious, it is a<br />

considerable conceptual leap for those<br />

who assume that space (as a container)<br />

precedes activities in space. Spatial<br />

practice is ordered, and spaces take on<br />

order through (2) representations of<br />

space or the plans established by social<br />

bodies with the power to create blueprints<br />

for the world. Societies are thus<br />

said to inhabit (3) representational<br />

spaces that contain and are produced<br />

by spatial codes that change over time.<br />

The representational spaces of everyday<br />

life are produced by contemporary<br />

spatial codes, fragments of discarded<br />

codes, and echoes of revolutionary<br />

codes (Protevi, 2006). The biennial<br />

buildings are re-produced each time by<br />

audiences. The spatial experiences of<br />

audiences and how it has shared are the<br />

main concern to explore spatial characters<br />

of biennial buildings in each pattern.<br />

Thus, the second phase of analysis<br />

in this study aims to explore this spatial<br />

codes in interfaces.<br />

3. Method<br />

Through theoretical point of view<br />

the method includes different scales<br />

of studies both in micro-environments<br />

of biennials and building interfaces.<br />

The interactivity of these scales will<br />

be discussed with an introduction to<br />

the comparative analysis of biennial<br />

patterns through history. Comparison<br />

of biennial patterns in Istanbul raises<br />

questions in terms of spatial configuration,<br />

social networks and functional<br />

hierarchy.<br />

The similarities and the differences<br />

in the biennial layouts are the basis<br />

of a discussion on the elements and<br />

possibilities of the spatial configuration.<br />

The anticipated path movement<br />

of the pedestrian may differ according<br />

to context. Therefore, the relations of<br />

typologies, the venues, clusters and interconnections<br />

are the concerns of the<br />

research.<br />

The territory of the 2013 biennial<br />

and its effects on frequencies will be<br />

examined through the biennial venues.<br />

Biennial venues are different types of<br />

buildings where people both visit exhibitions<br />

and socialize. The pattern of<br />

the biennial is a designed integration<br />

that is a part of the collective memory.<br />

The number of times each building<br />

has been occupied throughout biennial<br />

history will also be considered. In order<br />

to understand whether collective<br />

memory or accessibility is effective<br />

(dominant), the audience frequencies<br />

are studied within the biennial pattern<br />

using gate counts and interface activities.<br />

The research for the 2013 pattern<br />

focuses on parameters such as the<br />

comparison of the frequency of audiences<br />

at the gates of biennial buildings,<br />

collective memory of these buildings<br />

throughout biennial history, the modes<br />

of the audiences in interfaces, and the<br />

syntactic values of the pattern and the<br />

gates of the venues.<br />

The social interfaces are performative<br />

spaces with social, individual and<br />

movement-based modes. These interfaces<br />

are the spaces where people wait,<br />

gather or pass through before exhibition<br />

in biennial buildings. At the end<br />

of the research, these modes will be examined<br />

and the interrelation between<br />

the syntactical values and the gate frequencies<br />

will be discussed.<br />

The following methods are applied<br />

for the biennial patterns in this study:<br />

3.1. Analog method<br />

• Gate count: Simultaneous recordings<br />

of the frequencies at the gates<br />

of biennial buildings for 10 minutes<br />

both during weekdays and weekends.<br />

• Interface frequencies: Simultaneous<br />

2-minute camera shots in each biennial<br />

buildings interfaces.<br />

• Interface moods: The interface<br />

moods are individual (waiting, sitting,<br />

etc), social (gathering, talking,<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • F. Cimşit Koş, M. E. Şalgamcıoğlu, E. Garip


119<br />

Figure 2. The biennial venues.<br />

etc.) and active (movement based)<br />

behaviours. in 2 minutes<br />

• Collective memory of buildings:<br />

How many times has these buildings<br />

occupied throughout the history<br />

of biennials<br />

3.2. Syntactic analysis<br />

• Visual space analysis including integration,<br />

circularity and mean depth<br />

for each biennial are comparatively<br />

studied for each biennial pattern<br />

(the active grid numbers for each<br />

100 m 2 were the same for all patterns,<br />

which are different in scale)<br />

• Syntactical analysis of the 2013 biennial<br />

pattern, including integration,<br />

circularity and mean depth<br />

• Focus on building analysis in order<br />

to explore the social interfaces<br />

which are the spaces where people<br />

Figure 3. The relationship between biennial venues and years /<br />

2013 venues.<br />

wait, gather or pass through before<br />

exhibition in biennial buildings.<br />

3.3. Statistical analysis<br />

• In the statistical analysis conducted<br />

with SPSS software, significant relationships<br />

are researched through<br />

regression analysis.<br />

The method includes transforming<br />

the patterns and the last biennial<br />

building interfaces to syntactic data<br />

(with the help of a program named<br />

“Syntax 2D” licensed by the University<br />

of Michigan) including mean depth,<br />

circularity and integration.<br />

4. Istanbul Biennial patterns as museum-Like<br />

environments and buildings<br />

as territorial markers<br />

The Istanbul Biennial is an international<br />

cultural network for local and<br />

international artists, curators and art<br />

critics showing new trends in contemporary<br />

art every two years. The Istanbul<br />

Biennial is an exhibition model that<br />

enables a dialogue between artists and<br />

the audience through the work of the<br />

artists, exhibitions, panel discussions,<br />

conferences and workshops. The Biennial<br />

is organized by the İstanbul Foundation<br />

for Culture and Arts (IKSV).<br />

The first two biennials were established<br />

under the general coordination of Beral<br />

Madra in 1987 and 1989. After<br />

1989, a curator system was established.<br />

The Istanbul Biennial does not have<br />

a permanent location. Although certain<br />

structures were used more than<br />

once, each biennial has had various<br />

locations. The biennial venues show<br />

differences in historical and contemporary<br />

context in Istanbul (Figure 2).<br />

The study was done in five biennial<br />

contexts defined by context-based<br />

walking characters. The biennials that<br />

took place in both the Asian and European<br />

sides of Istanbul were dismissed<br />

because of the need to consider public<br />

transportation in these cases. The<br />

configurations of biennials differed,<br />

whether in the number of venues or in<br />

the place references related to for each<br />

year (Figure 3). As a consequence, the<br />

last biennial will be examined with pattern<br />

syntactical parameters and gate<br />

frequencies with the interface activities<br />

of biennial venues in that pattern.<br />

The venues will also be discussed with<br />

A syntactic analysis of social interfaces in Istanbul Biennial patterns in case of biennial buildings<br />

in 2013


<strong>12</strong>0<br />

reference to the collective memory<br />

through all biennials.<br />

5. Syntactic analysis and discussion<br />

The space syntax helps us analyze<br />

the patterns of connection, differentiation<br />

and centrality that characterize<br />

urban systems and the relationship between<br />

the parts and the whole that they<br />

engender. The axial map comprises the<br />

fewest and longest lines that are necessary<br />

to cover all parts of the urban<br />

fabric. The number and length of the<br />

axial lines is a function of the degree to<br />

which other parts of the system are directly<br />

accessible and visible from each<br />

point. The intersections between axial<br />

lines are treated as the elementary relations<br />

between spaces. The key property<br />

of axial maps is integration. Integration<br />

measures the relationship of each line<br />

to the network as a whole (Peponis,<br />

Ross, Rashidi, 1997).<br />

The computation of integration values<br />

for the space of a given area is, of<br />

course, affected by the location of the<br />

area boundary. As Peponis et al. (1997)<br />

noted, an integration core that not only<br />

links all the parts together but that<br />

also relates the center to the periphery<br />

seems to encourage the diffusion<br />

of movement and the opportunities<br />

for exchange and interaction. The area<br />

boundaries and accessibility patterns<br />

for analysis have been chosen to indicate<br />

the possible movement routes between<br />

each venue (Figure 4).<br />

Figure 4. Selected biennial pattern layouts.<br />

1 st step: Descriptive discussion of biennial<br />

patterns from 1995 to 2013 due to<br />

urban performance:<br />

The locations of choice for the 4 th Biennial<br />

(1995) titled ‘Orient-ation’ were<br />

Antrepo (1), AKM art galleries (2), Aya<br />

Irini (3), and the Basilica Cistern (14).<br />

The locations situated the biennial in<br />

the historical peninsula and the modern<br />

front of Istanbul, with the two areas<br />

connected by the Galata Bridge (Figure<br />

4). The pattern can be described as<br />

a bridging quality with two different<br />

loops.<br />

The locations of choice for the 6th<br />

Biennial (1999) titled ‘The Passion and<br />

the Wave’ were Aya Irini (3), the Basilica<br />

Cistern (14) and Dolmabahce Palace<br />

(7). The locations situated the biennial<br />

in the historical peninsula with continuity<br />

through the Bosphorus connected<br />

by the Galata Bridge (Figure 4). The<br />

pattern can be described as a continuous<br />

linear quality with one loop.<br />

The locations of choice for the 8th<br />

Biennial (2003) titled ‘Poetic Justice’<br />

were Antrepo (1), Hagia Sofia (4), the<br />

Garanti Platform (9), Tophane-i Amire<br />

(<strong>12</strong>), and the Basilica Cistern (14).<br />

The locations situated the biennial in<br />

the historical peninsula and the modern<br />

front of Istanbul connected by the<br />

Galata Bridge (Figure 4). The pattern<br />

can be described as a bridging quality<br />

with two different loops extended<br />

through Istiklal Street, a main pedestrian<br />

street with high traffic. This biennial<br />

strived to join modern city life and<br />

addressed not to only specific target<br />

audiences but to everyone with access<br />

to the public space (Ozpınar, 2001).<br />

The locations of choice for the 9 th<br />

Biennial (2005) titled ‘Istanbul’ were<br />

Antrepo (1), Bilsar (5), Deniz Palas<br />

(6), the Garanti Platform (9), the Garanti<br />

Bank (10), Garibaldi (11), and the<br />

Tobacco Warehouse (13) (Figure 4).<br />

This biennial represented a modernist<br />

transformation of the city with the<br />

chosen locations giving reference to<br />

daily life through the use of the most<br />

crowded and integrated streets of Beyoglu.<br />

The biennial moved away from<br />

the historical peninsula. The pattern<br />

can be described as having a compact<br />

quality with one loop.<br />

The locations of choice for the 11th<br />

Biennial (2009) titled ‘What Keeps<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • F. Cimşit Koş, M. E. Şalgamcıoğlu, E. Garip


<strong>12</strong>1<br />

Mankind Alive?’ were Antrepo (1),<br />

Feriköy Greek School (8) and the Tobacco<br />

Warehouse (13) (Figure 4). The<br />

venue was limited, with only three locations.<br />

The route had more indirect<br />

possibilities for passing or landing. The<br />

pattern can be described as a continuous<br />

linear path with two ends without<br />

a loop.<br />

The locations of choice for the 13th<br />

Biennial (2013) titled ‘Mom, Am I Barbarian?’<br />

were Antrepo (1), the Garanti<br />

Platform (SALT Beyoğlu) (9), Arter<br />

(15), and Galata Greek School (16)<br />

(Figure 4). This biennial also represented<br />

the modernist transformation of the<br />

city, and the chosen locations gave reference<br />

to daily life in the context of the<br />

most crowded and integrated streets<br />

of Beyoglu with two new venues. The<br />

pattern can be described as having a<br />

compact quality with one loop through<br />

Istiklal Street, a main pedestrian street<br />

with high pedestrian traffic.<br />

The biennial pattern typologies and<br />

their syntactical values can be summarized<br />

as follows (Figure 4):<br />

1995, 4 venues, bridging typology<br />

with two different loops, 963 mean integration.<br />

1999, 3 venues, continuous linear<br />

typology with one loop, 1468 mean integration<br />

2003, 5 venues, bridging typology<br />

with two loops extended through a<br />

main pedestrian street with high frequency,<br />

1<strong>12</strong>1 mean integration<br />

2005, 7 venues, compact typology<br />

with one loop, 1768 mean integration<br />

2009, 3 venues, continuous linear<br />

path typology with two ends without a<br />

loop, 5080 mean integration<br />

2013, 4 venues, compact typology<br />

with one loop extended through a<br />

main pedestrian street with high frequency,<br />

1974 mean integration<br />

Table 1 summarizes the results of the<br />

syntactical data for selected biennial<br />

venues between 1995 and 2013. On the<br />

basis of this data set, ‘mean integration’<br />

values were produced to investigate the<br />

extent to which street connectivity and<br />

land use density explain the distribution<br />

of movement per street segment<br />

with the different typologies indicated<br />

above. As mentioned in previous figures,<br />

these patterns show differences in<br />

the form and character of the paths:<br />

The results of this analysis show that<br />

pattern configurations have a direct effect<br />

on syntactical values. The Golden<br />

Horn acts as a boundary in 1995 and<br />

1999, whereas bridging typology has<br />

the lowest integration (table 1).<br />

The linear configuration without<br />

a loop has the highest integration in<br />

Table 1. The syntactical data of biennial venues.<br />

A syntactic analysis of social interfaces in Istanbul Biennial patterns in case of biennial buildings<br />

in 2013


<strong>12</strong>2<br />

Figure 5. 2013 Istanbul biennial pattern.<br />

2009, with the least number of venues.<br />

The compact typologies have similar<br />

results in 2005 and 2013 with a different<br />

number of venues (table 1). Thus,<br />

the configuration seems more effective<br />

than the number of venues. The interrelation<br />

between venues, boundaries,<br />

paths and movement has a strong effect<br />

on syntactical outcomes.<br />

As mentioned above, the configuration<br />

may influence the location of attractors,<br />

but the location of attractors<br />

and their positions cannot influence<br />

configuration. In other words, patterns<br />

may influence movement, but movement<br />

cannot influence the configuration<br />

of the patterns. The syntactical<br />

values of configurations can orient a<br />

through movement in venue that is independent<br />

from the distance. The configuration<br />

has an effect on movement<br />

independent from specific attractors or<br />

choices. As Hillier et al. (1993) mentioned,<br />

layout differences have effects<br />

on movement independent from the<br />

attractors. The results of our analysis<br />

show that Antrepo, which is one of the<br />

most important and most occupied<br />

venues through the biennials, has the<br />

highest integration value and the lowest<br />

pattern integration value in 1995<br />

Table 1).<br />

and Galata Greek School. This biennial<br />

also represented a transformation from<br />

previous pattern choices with two new<br />

venues, Arter and Galata Greek School,<br />

and gave reference to daily life in the<br />

context of the most crowded and integrated<br />

streets of Beyoglu. This pattern<br />

was described above as having a compact<br />

quality with one loop (Figure 5).<br />

The research for the 2013 pattern focuses<br />

on parameters such as the comparison<br />

of the frequency of audiences<br />

at the gates of biennial venues , the<br />

occupancy of the venues through biennial<br />

history, the interface activities and<br />

modes and the syntactic values of the<br />

pattern and the gates (Table 2, Figure<br />

6-7). The outcomes can be summarized<br />

as follows:<br />

Even though they are both new venues<br />

in 2013, Galata Greek School has<br />

a higher gate count than Arter, and<br />

Galata Greek School has the highest<br />

integration value.<br />

2 nd step: Syntactical analysis of biennial<br />

pattern in 2013 due to social interfaces:<br />

The configuration of the 13 th Biennial<br />

(2013) titled ‘Mom, Am I Barbarian?’<br />

has four venues: Antrepo, the Garanti<br />

Platform (SALT Beyoğlu), Arter,<br />

Figure 6. 2013 Istanbul biennial buildings and interfaces.<br />

Table 2. The analogue and syntactical data of 2013 biennial buildings.<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • F. Cimşit Koş, M. E. Şalgamcıoğlu, E. Garip


<strong>12</strong>3<br />

Figure 7. 2013 Istanbul biennial building interfaces and syntactical<br />

analysis.<br />

Even though Arter is on the main<br />

pedestrian street in Istanbul, Galata<br />

Greek School has a higher frequency<br />

due to its highest integration value in<br />

the biennial configuration. As mentioned<br />

above, this is because the data<br />

reflect the propensity of spaces to be<br />

passed through on the way from all<br />

origins to all destinations. This shows<br />

that new venue preferences for the biennial<br />

should be considered with syntactical<br />

values of the biennial pattern<br />

instead of the urban pattern.<br />

Antrepo is the most occupied and<br />

the main venue through all biennials.<br />

Therefore, it has the highest gate frequency<br />

even though it has the lowest<br />

integration value.<br />

Antrepo and SALT Beyoglu are the<br />

most occupied venues during all biennials,<br />

with significant differences between<br />

weekdays and the weekend.<br />

Even though Arter and SALT Beyoglu<br />

are on the same street and have<br />

similar integration values, the gate<br />

frequencies are quite different. This<br />

means that attractors have less effect<br />

on traffic than the syntactical values of<br />

the venue itself. SALT Beyoglu, even as<br />

a well-known biennial space, could not<br />

affect the frequency of Arter.<br />

The interface of Antrepo is the most<br />

social and most integrated venue. The<br />

integration value of the interface is the<br />

highest.<br />

Arter is a relatively new venue and<br />

has a lower integration value. This affects<br />

the interface moods, and the total<br />

activity seems lowest despite the fact<br />

that the venue is on an active pedestrian<br />

street, Istiklal Street.<br />

The most active venue is SALT Beyoglu,<br />

which has three times the occupancy<br />

of other venues in biennial<br />

history, and the location is on an active<br />

pedestrian street, Istiklal Street.<br />

3 rd Step: Statistical analysis:<br />

In the statistical analysis conducted<br />

with SPSS software, we observed a<br />

significant relationship when we used<br />

gate count numbers (the number of<br />

people passing through a gate) as the<br />

dependent variable and when we used<br />

the integration values of these gates as<br />

the independent variable on weekends.<br />

The regression analysis between the<br />

integration values of the selected gates<br />

of biennial venues and the number of<br />

people (frequency) using these buildings<br />

(gates) shows a tendency of 80,7%<br />

and a mildly significant negative relationship,<br />

with R=-0,807.<br />

We observed another significant<br />

relationship when we used interface<br />

moods as the dependent variable and<br />

the integration values of these interfaces<br />

as the independent variable on<br />

weekends. These interfaces are the<br />

spaces where people wait, gather or<br />

pass through before exhibition in biennial<br />

buildings. The interface moods<br />

are individual (waiting, sitting, etc),<br />

social (gathering, talking, etc.) and active<br />

(movement based) behaviors. The<br />

regression analysis between the integration<br />

values of the selected interfaces<br />

of biennial venues and the moods<br />

of people using these interfaces shows<br />

a significant tendency of 92,7% and a<br />

significant positive relationship, with<br />

R=0,927.<br />

6. Conclusions<br />

The pattern of the biennial is a designed<br />

integration of venues that is<br />

also a part of the social interface. The<br />

biennial’s interactive structure provides<br />

potential for more effective social<br />

outcomes through the design of its<br />

location patterns and the use of buildings<br />

as territorial markers. The pattern<br />

configurations and their qualities have<br />

more effect than the metric distance related<br />

to certain directions. This is not<br />

just a matter of seeing buildings but is<br />

also about observing space. The visual<br />

distances, collective memories, and<br />

integrations on any level orient the<br />

movement more than the metric distances.<br />

The human relationship with<br />

space in cities is generated not only by<br />

movement but also by experience and<br />

interactions. These museum-like environment<br />

patterns define a street con-<br />

A syntactic analysis of social interfaces in Istanbul Biennial patterns in case of biennial buildings<br />

in 2013


<strong>12</strong>4<br />

figuration in a specific context based on<br />

walking, with buildings as markers. The<br />

use of buildings as territorial markers<br />

in these museum-like environments<br />

create social interfaces. These interfaces<br />

have an effect on social relations<br />

and gathering activities. Additionally,<br />

collective memory is important, and<br />

future decisions about biennial venues<br />

should consider its influence. The<br />

configuration of exhibition buildings is<br />

important to an active social network<br />

and performative territory. This study<br />

has analyzed venue preferences for<br />

specific public events such as biennials<br />

according to the interaction levels, integration<br />

and frequencies of interfaces<br />

related to a specific pattern for performative<br />

outcomes. The study’s aim has<br />

been to to discuss these multi-levels<br />

and to show that both scales should be<br />

discussed together. In this manner, this<br />

study will guide further research about<br />

performative pattern configuration<br />

choices and social interface outcomes<br />

for future biennials.<br />

Acknowledgments<br />

We would like to thank some of the<br />

MSc students at Istanbul Technical<br />

University (ITU) from several programmes<br />

but mostly from “Architectural<br />

Design MSc Programme”, Fulya<br />

Menderes, Barış Ateş, Şebnem Çakaloğulları<br />

and, Ecem Çalışkan, who<br />

have collected the data used in this paper<br />

during long hours in the field voluntarily.<br />

In addition to our volunteers<br />

from ITU, we would like to thank Industrial<br />

Product Designer Bedii Engin<br />

Koş, who was also a volunteer, for his<br />

support and work for data collection in<br />

the field.<br />

References<br />

Borden, I., Kerr, J., Rendell, J. Pivaro,<br />

A. (2001). The Unknown City, Cambridge,<br />

Massachusetts: MIT Press.<br />

Contreas, Christian, Beros. 2006.<br />

Space, Events and Urban Performance,<br />

Proceedings of the 10th Iberoamerican<br />

Congress of Digital Graphics (pp. 333-<br />

336). Santiago de Chile.<br />

Hillier, B., Penn, A., Hanson, J., Grajewski,<br />

T., Xu, J. (1993). Natural movement:<br />

or, configuration and attraction<br />

in urban pedestrian movement, Environment<br />

and Planning B: Planning and<br />

Design (Volume 20, pp. 29-66).<br />

Hillier, B. (2005). The art of place<br />

and the science of space, World Architecture<br />

(11/2005 p. 185). Beijing.<br />

Hillier, B. (2009). Studying cities to<br />

learn about minds: some possible implications<br />

of space syntax for spatial<br />

cognition, Environment & Planning B:<br />

Planning and Design.<br />

Lefebvre, H. (1974, 2004). The Production<br />

of Space, United Kingdom:<br />

Blackwell Publishing.<br />

Tschumi, B. (2000). Event-Cities 2.<br />

Boston: MIT Press.<br />

Özpınar, C. (2011). Istanbul Biennial<br />

in the Contexts of the Individuals, the<br />

City and the Public Sphere, Kült-Refereed<br />

Cultural Studies Journal (pp. 263-<br />

283). Istanbul: Istanbul Bilgi University<br />

Publications.<br />

Peponis, J., Ross, C., Rashid, M.<br />

(1997). The Structure of Urban Space,<br />

Movement and Co-presence: The Case<br />

of Atlanta. Geoforum (Vol.28, No.3-4,<br />

pp. 341-358).<br />

Peponis, J. & Wineman, J. (2002).<br />

Spatial structure of environment and<br />

behavior. In R.B.Bechtel & A. Churchman<br />

(eds.), Handbook of Environmental<br />

Psychology (pp. 271-291). New<br />

York, NY: John Wiley.<br />

Protevi, John (2006). A Dictionary of<br />

Continental Philosophy (pp. 356-357).<br />

Yale University Press.<br />

Stea, D. (1970). Space, Territory and<br />

Human Movements. In Proshansky,<br />

H., Ittelson, W., Rivlin, L. (eds.) Environmental<br />

Psychology: Man and His<br />

Physical Setting. New York: Holt, Rinehart<br />

and Winston, Inc.<br />

2013 İstanbul Bienal mekanları üzerinden<br />

İstanbul Bienal dokusunun<br />

sosyal arayüzlerinin sentaktik analizi<br />

Kent yaşamı içinde bienaller, sanat<br />

ürünleri ve diyaloglar kadar, bienal<br />

mekanlarının ürettiği ilişkiler ile de<br />

tartışılabilir. Tarihi binalar, popüler<br />

mekanlar, çağdaş mekan örnekleri<br />

gibi pragmatik ve veya tematik kararlar<br />

üzerinden tercih edilen bienal mekanları<br />

mevcuttur. Bu çalışma 1995 ve<br />

2013 yılları arasındaki bienal mekan<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • F. Cimşit Koş, M. E. Şalgamcıoğlu, E. Garip


<strong>12</strong>5<br />

örüntülerinin etkileşimli çıktılarını ve<br />

sonuç olarak 2013’te gerçekleşen son<br />

bienal çerçevesinde karşılaştırmalı olarak<br />

mekanların sentaktik parametreleri<br />

ve giriş frekanslarını, binaların oluşturduğu<br />

sosyal ara yüzleri ve bu ara<br />

yüzlerdeki eylem biçimlerini de dikkate<br />

alarak tartışmayı amaçlamaktadır.<br />

Bu amaçla, bu makale aşağıdaki sorulara<br />

cevap aramaktadır;<br />

1995 ve 2013 tarihleri arasında bienal<br />

tarihi boyunca mekan tercihlerinin<br />

sentaktik konfigürasyonları doğrultusunda<br />

etkin farklılıkları var mıdır?<br />

2013 bienali kapsamında mekanların<br />

yarattığı sosyal ara yüzler olan ön<br />

mekanlarının sentaktik değerleri ve<br />

frekansları arasında aktivite ve biçimleri<br />

de göz önüne alarak etkin bir ilişki<br />

var mıdır?<br />

İstanbul Bienal örüntülerinin karşılaştırması,<br />

sentaktik parametrelerin<br />

yanında sosyal ağ, fonksiyonel hiyerarşi,<br />

sosyal ara yüzler gibi bir çok soruyu<br />

da tartışmaya dahil etmektedir. 2013<br />

bienalinin etki alanı ve frekanslara<br />

etkisi bienal mekanları kapsamında<br />

tartışılmıştır. Bienal mekansal örüntüsü<br />

aynı zamanda ortak belleğin de bir<br />

parçası, tasarlanmış bir konfigürasyon<br />

ve etkileşim ağıdır. Bu nedenle her bir<br />

mekanın bienal tarihi boyunca kaç kez<br />

kullanıldığı ve bellekteki yeri de çalışma<br />

parametreleri arasındadır. Belleğin<br />

mi yoksa sentaktik değerlerin mi etkin<br />

olduğunun araştırılması için, kullanıcı<br />

frekansları hem kapıda yapılan sayımlarla<br />

hem de mekanın ürettiği ara<br />

yüzdeki aktivite ve biçimleri ile araştırılmıştır.<br />

2013 Bienali kapsamında bu<br />

tartışmalar bienal noktalarındaki kullanıcı<br />

frekansları, mekanın bienal tarihi<br />

boyunca kaç kez kullanıldığı, ara yüz<br />

aktiviteleri, hem bienal mekan örüntüsünün<br />

hem de mekanların sentaktik<br />

değerleri gibi parametrelere odaklanmaktır.<br />

Bu sosyal ara yüzler, sosyal<br />

ve bireysel eylem biçimleri ve hareket<br />

modları ile etkin mekanlar olarak değerlendirilir.<br />

Metot kapsamında Michigan<br />

Üniversitesi lisanslı Syntax 2D<br />

programı ile hem mekan örüntülerini<br />

hem bina ara yüzlerini sentaktik değerlere<br />

dönüştürerek, SPSS yardımı ile<br />

belirleyicilerin istatistik çalışması yapılmıştır.<br />

Çalışmanın sonucunda gelecek<br />

bienaller için daha etkin örüntü ve<br />

mekansal organizasyon öngörülerinin<br />

tartışmaya açılması amaçlanmaktadır.<br />

A syntactic analysis of social interfaces in Istanbul Biennial patterns in case of biennial buildings<br />

in 2013


ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • <strong>12</strong>7-140<br />

Can cognitive maps of children be<br />

analysed by space syntax?<br />

Nevşet Gül ÇANAKCIOĞLU<br />

gulcanakcioglu@gmail.com • Graduate School of Science Engineering and<br />

Technology, Istanbul Technical University, Istanbul, Turkey<br />

Received: May <strong>2015</strong> Final Acceptance: October <strong>2015</strong><br />

Abstract<br />

According to environment and behavior theories, individuals in their first years<br />

of cognitive development enter a world full of environmental stimuli motivating<br />

them to perceive and learn. As a result of many perceptual processes, people convert<br />

and transfer perceptual information to their cognitive schemata. The prominent<br />

researcher Piaget (1955), who analyzed the perceptual processes of children<br />

through cognitive development stages based on age, mainly studied the way that<br />

a child perceives the environment within a constructive approach. One of the<br />

methods of revealing constructed and stored data in the memory is through the<br />

analysis of cognitive maps that children have drawn as they each uniquely perceive<br />

the environment and construct specific cognitive schema.<br />

Additionally, Lynch (1960) contributes to the theory of perception with the<br />

idea that if an urban part has a strong imageable character in terms of paths, edges,<br />

districts, nodes and landmarks, one can orient oneself easily when influenced by<br />

the synthesis of perceptual processes. Some other scholars have also been investigating<br />

how cognitive maps can be analyzed within the theory of space syntax<br />

(Zheng & Weimin, 2010; Zimring & Dalton, 2003; Haq & Girotto, 2003; Kim &<br />

Penn, 2004).<br />

In this sense, this article aims to contribute to both the methodology through<br />

the analysis of cognitive maps by using justified permeability graphs within the<br />

theory of space syntax and to the understanding of how the perception of children<br />

differs depending on gender and socioeconomic status. This includes a case study<br />

of children aged 11 who have drawn their home and nearby surroundings as part<br />

of Çanakçıoğlu’s research (2011).<br />

Keywords<br />

Children’s cognition, Cognitive maps, Environmental perception, Space syntax.


<strong>12</strong>8<br />

1. Introduction<br />

Children learn their environments<br />

through their actions in physical settings<br />

and several schemata that they<br />

develop through their reciprocal relationship<br />

with physical environmental<br />

stimuli. What is learned by this motor-sensory<br />

correspondence is reflected<br />

in certain kinds of behaviour in<br />

children. This interactive process depends<br />

on both the developmental stage<br />

of the child and the characteristics of<br />

the physical environment. J. J. Gibson,<br />

who tackles environment and behaviour<br />

theories through an ecological approach,<br />

stresses the importance of individual<br />

movement in the extraction of<br />

environmental knowledge and defines<br />

this process as a perceptual system in<br />

which the senses, behaviour of the perceiver<br />

and the physical environment<br />

are inseparable parameters (Wohlwill<br />

and Heft, 1987).<br />

2. The development of perceptual<br />

process in children<br />

The reciprocal relationship between<br />

the physical setting and children, in the<br />

scope of developmental psychology, is<br />

studied by Jean Piaget (1955), who<br />

made great research contributions to<br />

how cognitive development is developed<br />

in children through a constructive<br />

approach. He argues that the cognitive<br />

development of children involves conditioning<br />

their behaviour by intuitions<br />

when they first meet the world; eventually<br />

as they grow up through ongoing<br />

experiences; they develop organized<br />

patterns of behaviours dependent on<br />

certain schemata. He argues that these<br />

organized patterns of behaviour eventually<br />

integrate children with the ongoing<br />

life around them and impact how<br />

they think through in a more questionable<br />

manner gradually depending on<br />

their age.<br />

Piaget classifies the perceptual system<br />

dependent on the cognitive development<br />

of children in four different<br />

stages depending on age (Cüceloğlu,<br />

2009): (1) Sensorimotor Stage (0-2<br />

years) in which children interact with<br />

the outside world with their intuitions<br />

and senses (Wilson, 1995); (2) Preoperational<br />

Stage (2-7 year-olds) through<br />

which children, behaving in an egocentric<br />

manner, start to represent the<br />

objects and occasions with symbols<br />

and words and classify the objects in<br />

groups (Hart and Moore, 1973); (3)<br />

Concrete Operational Stage (7-<strong>12</strong> yearolds)<br />

at which children form the ability<br />

to turn intuitions into operations, and<br />

can add, subtract, classify and put objects<br />

in order depending on their personal<br />

experiences; start to understand<br />

and feel empathy for others’ thoughts;<br />

and show a more adaptive behaviour<br />

to their environment (Piaget and Inhelder,<br />

1967); (4) Formal Operational<br />

Stage (<strong>12</strong>+ year-olds), which is defined<br />

as the completion of the constructive<br />

approach of cognitive development,<br />

when children develop such a systematic<br />

attitude that they can use cognitive<br />

operations to tackle problems so that<br />

they can use conceptions and symbols<br />

without residing in concrete issues<br />

(Hart and Moore, 1973).<br />

So, it can be summarized that while<br />

senses and intuitions are dominant<br />

in a child’s life in the first two stages,<br />

through interaction and stimuli caused<br />

by the environment, the child shows<br />

the ability to think and question the issues<br />

in the last two stages of their cognitive<br />

development (Cüceloğlu, 2009).<br />

2.1. Development of spatial perception<br />

in children<br />

According to Piaget and Inhelder<br />

(1967), the children define their positions<br />

in space depending on cues in the<br />

environment and later build relationships<br />

and paths between these cues.<br />

Piaget defines spatial representation in<br />

a child’s cognition as the reflection of<br />

environmental behaviour as symbolic<br />

and internalized cognitive information.<br />

Piaget and Inhelder reached four<br />

main findings about spatial perception:<br />

(1) children learn space through<br />

their ongoing individual activities; (2)<br />

children’s cognitive representations are<br />

constructed through the imitation of<br />

adult behaviour; (3) spatial perception<br />

is accomplished through four stages,<br />

which are sensorimotor, preoperational,<br />

concrete operational and formal operational<br />

stages, as stated earlier; (4) the<br />

development of spatial relationships is<br />

completed in three consecutive phases,<br />

which are topological, projective and<br />

metric or Euclidian spaces (Hart and<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • N. G. Çanakcıoğlu


<strong>12</strong>9<br />

Moore, 1973). These consecutive<br />

phases of spatial relationship are reflected<br />

in cognitive maps as follows:<br />

Topological space<br />

As children reach the age of 7, although<br />

they cannot measure and compare<br />

objects in an appropriate unit<br />

and scale, they intuit that significant<br />

relationships such as proximity, separation,<br />

order, enclosure and seriation<br />

exist between objects. They can represent<br />

these kinds of relations of objects<br />

by drawing the patterns or objects in<br />

certain manners such as within a row<br />

and sequence, receding or approaching<br />

each other (Piaget and Inhelder, 1967).<br />

Projective space<br />

Projective space parameters refer to<br />

the coordination of objects in relation<br />

to others. Objects can be observed as<br />

simple perspective expressions despite<br />

some distortions. The general coordination<br />

of perspective is set up in the<br />

drawing (Piaget and Inhelder, 1967).<br />

Metric (Euclidian) space<br />

Through gaining an awareness<br />

that objects retain their size relative<br />

to the distance in between them as<br />

they change locations, the child comprehends<br />

that the representation of<br />

objects varies depending on altered<br />

reference points. Thus, children can<br />

organize spatial representations within<br />

their cognitive maps with a better<br />

understanding of the rules of perspective,<br />

and can draw objects in appropriate<br />

sizes depending on their locations<br />

while accommodating a certain reference<br />

point of sight (Piaget and Inhelder,<br />

1967).<br />

Along with Piaget, Lynch puts forward<br />

‘image parameters’ to discuss how<br />

people perceive their environment,<br />

construct and recall cognitive data and<br />

remember places through some distant<br />

characteristics.<br />

2.2. Notion of image depending on<br />

Lynch’s theory<br />

According to Canter (1977), Lynch<br />

is the researcher who brought back the<br />

notion of image to the Earth by asking<br />

the question whether some cities<br />

are more imageable than others. He<br />

addresses this issue by revealing the<br />

link between the mind and the physical<br />

environment, and puts forward<br />

such a classification system through an<br />

extraction of his interviewees’ sketch<br />

maps. He argues in his influential book<br />

The Image of the City that five characteristics<br />

of the image of the cities can be<br />

examined: paths, edges, districts, nodes<br />

and landmarks.<br />

According to Lynch (1960), while<br />

paths refer to continuous axis, edges<br />

are defined as boundaries. Whereas<br />

districts have certain boundaries within<br />

their homogenous characteristics,<br />

nodes refer to intersection points of<br />

paths showing different modes of behaviour,<br />

and landmarks are distinct<br />

reference points of cities that give cues<br />

to the visitor.<br />

Lynch’s imaginative parameters<br />

can also be adapted to interior spaces.<br />

Nodes may represent common meeting<br />

spaces, paths may represent linking<br />

elements such as corridors, edges may<br />

represent separating elements such as<br />

walls, districts may represent spaces<br />

designed for different modes of behaviour<br />

and landmarks may represent<br />

diversely emphasized spaces or elements<br />

(Gür, 1996).<br />

So, having introduced how children<br />

perceive their environment and in what<br />

manner spatial perception is related to<br />

individual cognitive development, the<br />

next part of the paper discusses the<br />

first setting in which children meet,<br />

perceive and construct an image of<br />

home, in terms of a nest, in their cognitive<br />

schemata.<br />

2.3. Home as the first attachment<br />

place of children<br />

The home environment is the primary<br />

setting that children recognize<br />

and get familiarized and acquainted<br />

with. Although they participate in<br />

many institutions such as daycare centres,<br />

schools and playgrounds as they<br />

grow up, home remains the primary<br />

environment and the most dominant<br />

setting that children get to know<br />

(Wohlwill and Heft, 1987).<br />

The prominent French philosopher<br />

Gaston Bachelard (1969) discusses<br />

home through poetic language about<br />

his own experiences, and evaluates<br />

home as an existence with a wide and<br />

deep meaning. Moreover, he asserts<br />

Can cognitive maps of children be analysed by space syntax?


130<br />

that the existence of a being depends on<br />

the notion of the house so that house<br />

is not only a physical space containing<br />

a recollection of time and habits<br />

but rather a place full of memories.<br />

Bachelard says that children build up<br />

their first relationship with the rest of<br />

the world through their homes because<br />

“the house shelters daydreaming, the<br />

house protects the dreamer; the house<br />

allows one to dream in peace” (1969,<br />

p.88). Additionally, the house provides<br />

children the feeling of belonging to<br />

their families and society via a network<br />

of attachment and intimacy with others.<br />

While children grow up and adapt<br />

to their home environment as an origin<br />

point where they feel a sense of belonging,<br />

they gradually become acquainted<br />

with their nearby settings and experience<br />

a feeling of freedom. They start<br />

to discover the nearby environment<br />

attached to their homes: the entrance,<br />

stairways, terrace, porch, garden and<br />

urban elements such as the sidewalks,<br />

playgrounds and urban context in<br />

which the house is located. Simultaneously,<br />

this process means that children<br />

start to construct cognitive maps of the<br />

imaginary characteristics of the nearby<br />

setting of their homes.<br />

In this manner, Hart argues that the<br />

close setting of the home environment<br />

becomes the transitional space where<br />

children begin to experience the outside<br />

world. He discusses this transition<br />

as a multilateral process between the<br />

grownup, the child and the environment<br />

which should be well balanced by<br />

families in order to both give children<br />

the freedom to explore and experience<br />

but also to protect them from the<br />

risks and dangers of the environment<br />

(Chawla, 1991).<br />

3. Cognitive maps as a tool to analyse<br />

the interaction of children in the<br />

built environment<br />

As the vast amount of the built environment<br />

is generally designed to<br />

be appropriate for adults in terms of<br />

physical conditions, children tend to<br />

behave and become influenced in a different<br />

manner than adults. Therefore,<br />

to understand the interaction between<br />

children and the physical settings, it is<br />

necessary to develop diverse research<br />

methods to collect data through case<br />

studies that include the participation<br />

of children. According to Ziegler and<br />

Andrews (1987), there are some alternative<br />

methods to examine how the<br />

child interacts with the environment.<br />

Children can either be requested to (1)<br />

draw pictorial sketches, (2) show some<br />

objects in a representative setting, (3)<br />

locate objects on a representative model<br />

or (4) be interviewed for verbal comments.<br />

3.1. The scope, aim and outcomes of<br />

the previous study<br />

Since this study uses the cognitive<br />

data of a previous study, it initially<br />

gives a brief overview of previous research<br />

and outcomes for a comparison<br />

with more recent outcomes. The aim<br />

of the previous research was to investigate<br />

the factors affecting the processes<br />

of perception in children in the<br />

scope of environment and behaviour<br />

theories. The research question asks<br />

how the nearby environment with the<br />

child’s home at the centre of close surroundings<br />

and cultural setting affects<br />

the spatial perception and richness of<br />

the cognitive schemata of children.<br />

The home environment is defined as<br />

the physical setting that the child first<br />

meets in terms of a nest that brings the<br />

feeling or sense of attachment. For the<br />

comparative study, an equal number<br />

of 11-year-old children were selected<br />

from two different physical settings<br />

with contrasting urban characteristics<br />

in Istanbul: (1) a group of children were<br />

selected from an informal housing setting,<br />

or a gecekondu housing structure<br />

at the outskirts of the city; (2) a group<br />

of children were selected from a gated<br />

community setting at the periphery of<br />

Istanbul.<br />

The case study researches whether<br />

the two independent variables of gender<br />

and socioeconomic status play a<br />

role in spatial perception and cognitive<br />

maps.<br />

In the case study of the previous<br />

research, two elementary schools<br />

were selected, one from each of the<br />

above-mentioned housing communities.<br />

Each group of children were asked<br />

to draw their home environments with<br />

their nearby settings in a 40 minute<br />

session on two different days. A total<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • N. G. Çanakcıoğlu


131<br />

of 82 children participated in the case<br />

study, including 19 girls and 22 boys in<br />

the low socioeconomic group, and 21<br />

girls and 20 boys in the high socioeconomic<br />

group. Consequently, 82 cognitive<br />

maps were obtained to be analysed.<br />

The evaluation phase of the cognitive<br />

maps includes:<br />

(1) Piaget’s topological space parameters<br />

(proximity, separation, order, enclosure<br />

and seriation), projective space<br />

parameters (straight lines, parallel lines<br />

and perspective), metric (Euclidian)<br />

space parameters (conservation, block<br />

expression);<br />

(2) Lynch’s imaginative space parameters:<br />

paths, edges, districts, nodes<br />

and landmarks.<br />

Cognitive maps were analysed with<br />

respect to both gender and socioeconomic<br />

status. It should also be stated<br />

that an equivalent methodology was<br />

implemented in the research of Ünlü<br />

and Çakır (2002), which comparatively<br />

investigates the cognitive maps of primary<br />

school children going to school<br />

by foot, school bus and other vehicles.<br />

The research conclusions<br />

(Çanakçıoğlu, 2011) are summarized<br />

as follows:<br />

• An analysis of the income variable<br />

shows that there is a significant<br />

difference between the two socioeconomic<br />

groups. This outcome<br />

may result because children from<br />

high-income groups demonstrate<br />

cognitive maps that are richer in<br />

cognitive data. This may be due<br />

to the tendency of higher income<br />

families introducing more toys to<br />

their children. These toys may then<br />

trigger age-appropriate senses and<br />

stimulations.<br />

• A second outcome depending on<br />

the income variable is that the children<br />

from the high-income group<br />

living in the gated community draw<br />

maps focused more on interior<br />

spaces, which are already equipped<br />

with many belongings such as pianos,<br />

computers, vanity mirrors and<br />

guitars etc.<br />

• The children living in the informal<br />

setting, draw maps accentuating<br />

outdoor spaces such as the grocery<br />

store, motorways, internet cafes<br />

and fruit trees etc. since they tend<br />

to spend their spare time playing<br />

outside on the streets,<br />

• When the results are analysed in<br />

terms of gender, in both income<br />

groups, girls tend to draw interiors<br />

through a more comprehensive and<br />

detailed manner than the boys. This<br />

may result from the sociocultural<br />

norms of Turkish society that tends<br />

to raise girls in a comparatively<br />

more inward oriented manner than<br />

boys. Consequently, while the girls<br />

from the high-income group living<br />

in the gated community have<br />

their own rooms furnished with<br />

special possessions to keep themselves<br />

busy indoors, the girls from<br />

the low-income group living in an<br />

informal setting spend their time<br />

at home, where they do not have a<br />

separate room for themselves, and<br />

do not play outdoors as much as the<br />

boys.<br />

• The cognitive maps show that children<br />

living in the gated community<br />

are not as aware of the physical setting<br />

of their home environments as<br />

the children living in the informal<br />

setting. The reason for such an outcome<br />

could be that although a gated<br />

community is designed with recreational<br />

facilities appropriate for children,<br />

children cannot actually use<br />

them without the guidance of an<br />

adult. Since parents do not feel it is<br />

safe enough to allow a child at this<br />

age to go to the outdoor areas even<br />

though they live in a gated community,<br />

the cognitive maps of the children<br />

from the high-income group<br />

imply that they watch their immediate<br />

neighbourhood from their<br />

windows. In contrast, the children<br />

living in worse physical housing<br />

conditions reflect their urban experiences<br />

more onto cognitive maps.<br />

Although they probably cannot find<br />

appropriate facilities designed especially<br />

for them, they discover their<br />

play materials and spaces outdoors<br />

on the sidewalks and void lands.<br />

They play with mud, pebbles and<br />

bricks, and play hopscotch on the<br />

porches of their apartments, creating<br />

their own playing scenarios.<br />

As revealed in the previous study,<br />

the provided analyses are based on the<br />

spatial parameters of Jean Piaget (Piaget<br />

and Inhelder, 1967) and the image pa-<br />

Can cognitive maps of children be analysed by space syntax?


132<br />

rameters of Kevin Lynch (1960). There<br />

is an ongoing debate on the theory of<br />

space syntax whether space syntax can<br />

be used as a research tool to analyse<br />

cognitive data. The main aim of this<br />

paper is to find out whether the comparative<br />

quantitative method of analysis<br />

of space syntax may be an alternative<br />

method to examine the cognitive<br />

maps of children. Next, the paper will<br />

discuss attempting to use space syntax<br />

as a research tool to analyse cognitive<br />

maps through an interdisciplinary approach.<br />

3.2 Space syntax as a tool to analyze<br />

spatial cognition<br />

According to the research of Zheng<br />

and Weimin (2010), there is a significant<br />

relationship between the syntactic<br />

configurations of real spaces and cognitive<br />

maps of the interviewees who<br />

participated to the study. In addition,<br />

the analyses show that despite the errors<br />

in cognitive maps drawn by the<br />

interviewees, there still is a significant<br />

consistency between the maps and the<br />

real environmental situation. So, it is<br />

possible that cognitive maps can be<br />

used as an integrated research tool in<br />

space syntax studies.<br />

Additionally, Zheng and Weimin<br />

(2010) mention that the axial maps<br />

of spaces can also be evaluated as the<br />

simulations of cognitive data of people<br />

moving around these spaces. In the<br />

scope of their study, the researchers<br />

analyse both the values and correlations<br />

between global integration, local<br />

integration, connectivity and depth values,<br />

and figure out that cognitive map<br />

representations significantly correspond<br />

with the existing settings. Thus,<br />

it is debated through a progressive<br />

manner that cognitive maps integrated<br />

with space syntax can be used as a tool<br />

to analyse the association between spatial<br />

organization and spatial cognition.<br />

Moreover, Zimring and Dalton<br />

(2003) embrace the research area of<br />

space syntax and cognition through a<br />

collaborative manner. This contributes<br />

to (1) the understanding of the relationship<br />

between the physical characteristics<br />

of environment and cognitive<br />

representations, (2) reveals how physical<br />

space is related with behaviour and<br />

(3) offers an innovative methodology<br />

to analyse the existing spatial structures.<br />

In addition, Haq and Girotto<br />

(2003) in their study of two hospital<br />

settings contribute to this interdisciplinary<br />

research area using intelligibility<br />

as a measure to analyse cognitive<br />

maps, search for a way to analyse the<br />

idea of movement and offer a complementary<br />

grounded theory.<br />

Additionally, Kim and Penn (2004)<br />

seek to make research on space syntax<br />

interdisciplinary, and try to handle the<br />

issue through an integrated manner<br />

to reveal the relationship between the<br />

outcomes of human behaviour in the<br />

physical environment and spatial cognition.<br />

According to their survey comparing<br />

the sketch maps of residents<br />

with the existing layouts in a neighbourhood<br />

in London, they find that<br />

local integration degrees in cognitive<br />

maps are especially linked to the syntactic<br />

data of the actual environment.<br />

3.3. Space syntax as an alternative<br />

methodology to analyse children’s<br />

cognitive maps<br />

Within the framework stated above,<br />

this study aims to:<br />

1.search for a supplementary or alternative<br />

research tool to analyse cognitive<br />

maps of children<br />

2.contribute to the methodology of<br />

analysing cognitive maps of individuals<br />

through the quantitative method of<br />

space syntax.<br />

To implement this aim, 72 cognitive<br />

map drawings by children obtained<br />

through a case study as part of<br />

the research of Çanakçıoğlu (2011) are<br />

analysed. These maps, which have already<br />

been analysed within the spatial<br />

parameters of Piaget (Piaget and Inhelder,<br />

1967) and the image parameters of<br />

Lynch (1960) and have been concluded<br />

with some significant results, are now<br />

examined using justified permeability<br />

graphs within the concept of space syntax.<br />

The aim is to comprehend whether<br />

there are any unique and significant<br />

results. In this manner, it is also aimed<br />

to discuss whether space syntax can be<br />

implemented to analyse the cognitive<br />

maps of children as a substitute method.<br />

Having reviewed the previous interdisciplinary<br />

research in terms of space<br />

syntax and spacial cognition (Zheng<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • N. G. Çanakcıoğlu


133<br />

and Weimin, 2010; Zimring and Dalton,<br />

2003; Haq and Girotto, 2003; Kim<br />

and Penn, 2004), this paper targets to<br />

develop a new approach to analyse<br />

cognitive maps. The scope of this paper<br />

aims to contribute to the analysis<br />

of cognitive maps drawn by 11-yearold<br />

children from two distinct social<br />

groups.<br />

3.3.1. Steps of analysis of the study<br />

Obtaining significant results requires<br />

an equal number of drawings<br />

from both of the gender groups and<br />

income groups, meaning that 18 girls’<br />

and 18 boys’ drawings are selected randomly<br />

from each income group so that<br />

a total of 72 cognitive maps are analysed.<br />

Before explaining the steps of analysis,<br />

the acceptance procedure used in<br />

the evaluation phase of the drawings<br />

should be mentioned. It is not possible<br />

to analyse children’s drawings as<br />

typical layouts or spatial structures<br />

through conventional methods. As<br />

each child was requested to draw his or<br />

her home environment and nearby setting<br />

through his/her eyes, there is no<br />

need to compare such subjective data<br />

with any existing plan data. Therefore,<br />

each drawing on an A4 size paper accomplished<br />

by the children with their<br />

own subjective attitude is accepted as a<br />

total cognitive space no matter whether<br />

they have tried to draw their homes<br />

within a garden, house layout plans<br />

within a façade view or houses as a<br />

façade within a street silhouette as seen<br />

in Figure 1. Indeed, children draw their<br />

cognitive maps freely as a reflection of<br />

their experience. In fact, Kaplan (1973)<br />

supports this view, defining cognitive<br />

maps as “schematic, sketchy, incomplete,<br />

distorted and otherwise simplified<br />

and idiosyncratic” and “a product<br />

of experience, not of precise measurement”.<br />

Consequently, in this study, the<br />

analysis of cognitive maps is conducted<br />

by justified permeability graphs, or<br />

justified gamma maps, which Hillier<br />

and Hanson (1984) say, “permit easy<br />

measurement of these syntactic properties.<br />

Thus, justified gamma maps are<br />

intended to allow a form of analysis<br />

that combines the visual decipherment<br />

of pattern with procedures for quantification.”<br />

In addition to Table 1, the analysis<br />

steps are as follows:<br />

(1) Following the notion of convex<br />

map described by Hillier and Hanson<br />

(1984), a simplified drawing to clearly<br />

describe the spatial structure and<br />

connections between them within the<br />

drawing is prepared for each cognitive<br />

map.<br />

(2) Each space of the cognitive map<br />

is identified by a letter in a circle, defined<br />

as a node, to create a basis for a<br />

justified graph. Following the definition<br />

of root space by Hillier et al. (1987) and<br />

Klarqvist (1993), the exterior space of<br />

the house is identified as the root space<br />

in each spatial representation. Other<br />

spaces are identified with nodes sequentially,<br />

depending on the permeability<br />

factor between the spaces.<br />

(3) To conduct a syntactic analysis,<br />

justified permeability graphs are prepared<br />

for each cognitive map in order<br />

to show the direct relation between<br />

spaces by syntactic steps, including the<br />

permeability values and depth levels of<br />

the spatial structure (Klarqvist, 1993).<br />

Both the permeability and depth values<br />

are calculated for each cognitive map.<br />

Via the justified graphs prepared, it is<br />

possible to convert the subjective data<br />

Figure 1. Two examples of cognitive maps showing the house within a garden and within a<br />

neighbourhood. (Boy, 11; Boy, 11).<br />

Can cognitive maps of children be analysed by space syntax?


134<br />

Table 1. An example to demonstrate the steps followed to reveal syntactic value of each cognitive map.<br />

Original Cognitive Map<br />

(Girl, 11 years old)<br />

Step 1<br />

Simplified Drawing<br />

Showing the Spatial<br />

Structure with Nodes<br />

Step 2<br />

Justified Graph<br />

Permeability Value 8<br />

Step 3<br />

Depth Level 2<br />

expressed by children from a visual to<br />

mathematical verification, which can<br />

be concretely shown.<br />

(4) In the last step, tables are prepared<br />

to see whether any significant<br />

results arise and correlate with the total<br />

amounts and arithmetic mean value<br />

of permeability and depth values,<br />

dependent on gender and income level<br />

variables. Therefore, it is observed that<br />

there is the potential for a comparative<br />

discussion about boys’ and girls’ cognitive<br />

maps and different socioeconomic<br />

levels through a syntactic analysis.<br />

In the evaluation phase of the study,<br />

permeability and depth level data obtained<br />

from the cognitive maps are<br />

evaluated by Pearson chi-square analyses<br />

through the statistical software –<br />

SPSS Table 8 to find out any significant<br />

associations among the gender and income<br />

variables.<br />

Table 2. Distribution of permeability and depth levels depending<br />

on gender.<br />

Total Permeability<br />

Figure 2. Graph showing total amount of syntactic steps<br />

(permeability) and depth levels depending on gender.<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • N. G. Çanakcıoğlu<br />

Total Depth Level<br />

Boys 163 76<br />

Girls 155 68


135<br />

Table 3. Distribution of total permeability of boys’ drawings<br />

dependent on income group.<br />

Total Permeability of the Boys' Drawings<br />

Low Income Group 96<br />

High Income Group 67<br />

Table 4. Distribution of total permeability of boys’ drawings<br />

dependent on income group.<br />

Total Depth of the Boys' Drawings<br />

Low Income Group 50<br />

High Income Group 26<br />

Figure 3. Scattergram of boys’ cognitive maps showing the<br />

permeability dependent on the variable of income group.<br />

Figure 4. Scattergram of boys’ cognitive maps showing the depth<br />

level dependent on the variable of income group.<br />

Table 5. Distribution of total permeability of the girls’ drawings<br />

dependent on income group.<br />

Total Permeability of the<br />

Girls' Drawings<br />

Low Income Group 104<br />

High Income Group 51<br />

4. Results<br />

• Firstly, all 72 maps are analysed by<br />

means of the tree-like justified permeability<br />

graphs to find the total<br />

amount of permeability and depth<br />

levels of all executed data. The distribution<br />

of these two values dependent<br />

on gender variable can be<br />

monitored in Table 2 and Figure<br />

2. Considering total permeability,<br />

the cognitive maps of the boys reflect<br />

more syntactic steps in terms<br />

of permeability, meaning that the<br />

spaces are connected to each other<br />

through more branches, than the<br />

girls’. Considering the total depth<br />

level, the spaces drawn by boys are<br />

represented through a deeper manner<br />

than the girls’.<br />

• A second outcome is found dependent<br />

on the income variable.<br />

As seen in Tables 3-4 and Figures<br />

3-4, the total permeability and depth<br />

levels of boys’ cognitive maps from<br />

low-income group show higher values<br />

than the ones from the high-income<br />

group. The highest permeability<br />

value is detected as 22 with a<br />

depth level of 6 in the high-income<br />

group.<br />

• However, there is also an exception<br />

that contrasts with this result. One<br />

map from the high-income group<br />

shows 0 syntactic step, meaning<br />

that the child only drew one space<br />

and nothing attached or integrated<br />

with this space within the cognitive<br />

map. The children who drew only<br />

one space in their drawings mostly<br />

drew their own rooms without any<br />

other spaces connected to the space<br />

drawn. Cognitive maps reflecting<br />

only one space are mostly observed<br />

in the high-income group. These<br />

cognitive maps are evaluated as “0”<br />

in terms of both syntactic step and<br />

depth level.<br />

• As monitored from Tables 5-6 and<br />

Figures 5-6, the total amount of permeability<br />

and depth levels of girls’<br />

cognitive maps from the low-income<br />

group show higher values<br />

compared to the other girls’ maps<br />

from the high-income group. It is<br />

also noticed that the gap between<br />

the trend lines are wider in the girls’<br />

scattergrams than the boys’, which<br />

means that the cognitive maps<br />

Can cognitive maps of children be analysed by space syntax?


136<br />

of the girls from the low-income<br />

group show a more interconnected<br />

and deeper structure of spaces within<br />

their drawings. Nine out of 18<br />

girls’ drawings are evaluated as “0”<br />

since the girls from the high-income<br />

group living in the gated<br />

community only drew their own<br />

rooms without any other connected<br />

spaces to their rooms. Within<br />

these drawings, the one and only<br />

space which is highly accentuated<br />

and richly designated are their<br />

own private rooms; these children<br />

prefer to emphasize their personal<br />

equipment such as computer, TV,<br />

musical instruments etc. as seen in<br />

Figure 7. From these results, it may<br />

be inferred that these children tend<br />

to spend most of their time in their<br />

rooms and that they attach more<br />

personal significance to these because<br />

they hold their personal belongings.<br />

• In the final tables and figures, the<br />

analyses of all 72 cognitive maps of<br />

children are shown. As seen in Table<br />

7 and Figures 8-9, according to<br />

Pearson chi-square tests processed<br />

in SPSS, the changes in the total<br />

amount of permeability and depth<br />

level are significantly higher Table<br />

8 in the drawings of the children<br />

from the low-income group than<br />

those of the high-income group:<br />

• Income level; permeability:<br />

x²=<strong>12</strong>,359, df=4, p=0,015 < 0,05<br />

(significant)<br />

• Income level; depth level: x²=<br />

16,687, df= 2, p=0,000 < 0,05 (significant)<br />

• Both the permeability and depth values<br />

of the low-income group are almost<br />

twice that of the high-income<br />

group, revealing that children living<br />

in the informal setting are more<br />

aware of their nearby environments<br />

centred with their homes. Indeed,<br />

they display the ability to represent<br />

the spaces they are living in through<br />

a more complex interrelationship<br />

and integration within their cognitive<br />

maps.<br />

Figure 5. Scattergram of girls’ cognitive maps showing the<br />

permeability dependent on the variable of income group.<br />

Figure 6. Scattergram of girls’ cognitive maps showing the depth<br />

level dependent on the variable of income group.<br />

Table 6. Distribution of total depth of the girls’ drawings dependent<br />

on income group.<br />

Total Depth of the Girls' Drawings<br />

Low Income Group 42<br />

High Income Group 26<br />

Table 7. Distribution of total permeability and total depth of all<br />

cognitive maps dependent on income group.<br />

Total<br />

Permeability<br />

Total Depth<br />

Level<br />

Low Income Group 200 92<br />

High income Group 118 52<br />

Table 8. Association between permeability and depth level with gender and income level.<br />

Item x² df p significance<br />

Gender; Permeability 3,118 4 0,538 > 0,05 insignificant<br />

Gender; Depth level 1,468 2 0,480 > 0,05 insignificant<br />

Income Level; Permeability <strong>12</strong>,359 4 0,015 < 0,05 significant<br />

Income Level; Depth Level 16,687 2 0,000 < 0,05 significant<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • N. G. Çanakcıoğlu


5. Conclusion<br />

The aim of the study is to find a<br />

quantitative supplementary research<br />

tool to analyse the cognitive maps of<br />

children, thus contributing to the research<br />

methodology of analysing individual<br />

cognitive maps within the<br />

theory of space syntax. Through the<br />

analysis of children’s cognitive data, it<br />

is possible to contribute the following<br />

assertions to the debate:<br />

Figure 7. An example of a cognitive map of a girl from high income<br />

group representing only the child’s own room. (Girl, 11 years old).<br />

Figure 8. Scattergram of all children’s cognitive maps showing<br />

the amount of permeability dependent on the variable of income<br />

group.<br />

Figure 9. Scattergram of all children’s cognitive maps showing the<br />

depth level dependent on the variable of income group.<br />

Can cognitive maps of children be analysed by space syntax?<br />

137<br />

From the syntactic analyses of an<br />

equal number of drawings of girls and<br />

boys at the age of 11 for a total of 72<br />

cognitive maps, it is shown that boys’<br />

cognitive maps are more permeable<br />

and deeper in terms of spatial structure<br />

compared to girls’ cognitive maps. This<br />

difference results in both of the income<br />

groups. This outcome may be due to<br />

the sociocultural norms of Turkish society<br />

that is accustomed to raising girls<br />

in a more inward oriented manner<br />

than boys.<br />

• In addition, it is shown that half of<br />

the cognitive maps of the girls from<br />

the high-income group living in a<br />

gated community are evaluated as<br />

“0” in terms of syntactic value since<br />

they preferred to draw their own<br />

rooms in a fragmented manner, displaying<br />

their personal belongings.<br />

This finding could also enter the debate<br />

on sociocultural issues in Turkey,<br />

especially as families from both<br />

the middle class and high-income<br />

groups tend to have fewer children<br />

than those of the low-income group<br />

and have a greater chance to reserve<br />

a separate room for each of their<br />

kids.<br />

• In contrast to the above outcome,<br />

children from the low-income<br />

group, which does not have the opportunity<br />

to have a separate room,<br />

are the most likely to have more experience<br />

in the other rooms of their<br />

interiors and in the outdoor spaces<br />

attached to their homes. As low-income<br />

families tend to have more<br />

kids, they do not have the chance to<br />

reserve a separate room for each of<br />

the siblings. Also, since these children<br />

are used to going to school<br />

by foot alone or in the company of<br />

their siblings, friends or parents,<br />

they have more opportunities to<br />

observe their nearby environments<br />

within an urban context. Coming<br />

in contact with the urban layout<br />

becomes a bodily experience that a<br />

child may store in their cognition.<br />

Thus, it is possible to say that children<br />

from low-income groups living<br />

in an informal setting have more<br />

environmental experience and construct<br />

more knowledge within their<br />

cognitive schemata, thus reflecting<br />

deeper syntactic values onto their


138<br />

cognitive maps.<br />

• Another finding is that the children<br />

from the high-income group show<br />

a lower capacity, and produce shallower<br />

and low permeable cognitive<br />

maps as if they are used to watching<br />

the urban life happening around<br />

them from their windows in their<br />

own rooms. It is possible that these<br />

children may be (1) more engaged<br />

with their own technological devices<br />

such as tablets and laptops or (2)<br />

accustomed to going to school by<br />

private vehicles. Both lead to only<br />

visually experiencing the urban<br />

layout, and this is not enough for a<br />

child to store experience in cognition.<br />

Thus, it appears that children<br />

from a high-income group living in<br />

a gated community construct less<br />

environmental knowledge within<br />

their cognitive schemata and reflect<br />

shallower syntactic values onto their<br />

cognitive maps. This raises the concern<br />

about whether children from<br />

gated communities ever learn to<br />

discover the outdoors.<br />

• The three outcomes mentioned<br />

above show that the syntactic values<br />

of the cognitive maps of children<br />

depend significantly on the income<br />

level variable. The reason why the<br />

cognitive maps of children from<br />

the low-income group show a significantly<br />

higher degree of permeability<br />

and depth level may be due<br />

to the distant characteristics of the<br />

environments that the children live<br />

in and where they spend their spare<br />

time. Children who emphasize<br />

outdoor spaces in their maps may<br />

have had more opportunity to play<br />

outdoors and can therefore represent<br />

their home environments in a<br />

deeper and integrated manner. Alternately,<br />

children who merely emphasize<br />

their own rooms with their<br />

personal belongings may not have<br />

had the opportunity or preference<br />

to play outdoors as freely as the<br />

other children as they live in a gated<br />

community, an artificially designed<br />

environment with planned recreational<br />

activity areas for children.<br />

• According to these results, justified<br />

permeability graphs measuring the<br />

amount of permeability and depth<br />

values may be used to measure and<br />

analyse the cognitive maps of children.<br />

• In conclusion, cognitive maps of<br />

children can indeed be analysed by<br />

space syntax, giving an affirmative<br />

answer to the initial research question<br />

and title of the study.<br />

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Çocukların bilişsel haritaları mekân<br />

dizimi yöntemiyle irdelenebilir mi?<br />

Çevre ve davranış teorileri kapsamında<br />

ele alındığında, insanlar, çocukluk<br />

çağının ilk yıllarından itibaren,<br />

duyuları aracılığıyla etkileşim içinde<br />

bulundukları ve çevresel uyaranların<br />

tetiklediği bir ortam dâhilinde, bir algılama<br />

ve öğrenme sürecine dâhil olurlar.<br />

Art arda ve zincirleme bir biçimde<br />

devam eden bu algısal süreçler sonucunda,<br />

insanlar, çevreden edindikleri<br />

bilgiyi adeta zihinlerinde yeniden inşa<br />

etmek suretiyle özgün zihinsel şemalar<br />

oluştururlar. Bilişsel olarak sağlıklı bir<br />

insanın hayatı boyunca devam eden bu<br />

süreç, bireyin öğrenme mekanizması<br />

olarak da tanımlanabilir. Bu bağlamda,<br />

çocukların çevrelerini nasıl algıladıklarını<br />

ve öğrendiklerini konstrüktivist<br />

bir yaklaşım çerçevesinde irdeleyen<br />

gelişim psikoloğu Jean Piaget (1955),<br />

çocukların çevreyle olan etkileşimini<br />

ve algısal süreçlerini, yaşa bağlı olarak<br />

değişen bilişsel gelişim teorileri bağlamında<br />

inceler. Her çocuk, çevresini<br />

birbirinden farklı algıladığı ve çeşitli<br />

çevrelere ilişkin birbirlerinden farklı<br />

bilgiler biriktirdiği ve söz konusu<br />

bu çevrelere ilişkin kendilerine özgü<br />

Can cognitive maps of children be analysed by space syntax?<br />

zihinsel şemalar inşa ettiği için, her<br />

çocuğun ortaya koyduğu bilişsel haritanın<br />

da tekil ve özgün olarak değerlendirilmesi<br />

gerekmektedir. Çocukların<br />

çevrelerine ilişkin zihinlerinde inşa<br />

edilen ve depolanan bu bilgiyi ortaya<br />

çıkarmanın yöntemlerinden birisi, çocukların<br />

bizzat kendileri tarafından çizilen<br />

bilişsel haritaların analiz edilmesiyle<br />

gerçekleştirilebilmektedir.<br />

Zihinsel şemalar ve bilişsel haritaların<br />

analiz edilmesi konusunda çevre<br />

ve davranış teorileri kapsamında literatüre<br />

önemli katkılar sağlayan Kevin<br />

Lynch (1960), yollar, kenarlar, bölgeler,<br />

nodlar ve nirengi noktaları şeklinde<br />

sınıflandırdığı mekânsal bileşenlerin<br />

kullanıldığı güçlü ve nitelikli bir imgesellikle<br />

tasarlanmış olan kentsel çevrelerin,<br />

insanların algısal süreçlerine anlamlı<br />

bir katkı sağladığını ve bu sayede,<br />

bireylerin söz konusu bu çevrelerde<br />

oryantasyonlarını daha iyi kurabildiklerini<br />

belirtmektedir. Bununla birlikte,<br />

yukarıda belirtilen çevresel bileşenleri<br />

içeren çevrelerin, mekânların hatırlanmasında<br />

ve bununla birlikte bireylerin<br />

zengin bilişsel haritalar ortaya koymalarında<br />

önemli katkısı bulunduğunu<br />

ifade etmektedir. Bununla birlikte


140<br />

bazı araştırmalar kapsamında bilişim<br />

kavramı, mekân dizimi (space syntax)<br />

araştırmaları kapsamında irdelenmeye<br />

çalışılmaktadır (Zheng & Weimin,<br />

2010; Zimring & Dalton, 2003; Haq &<br />

Girotto, 2003; Kim & Penn, 2004).<br />

Yukarıda belirtilen tartışma alanı<br />

çerçevesinde bu çalışma, Piaget’ nin<br />

mekânsal algı parametreleri ile birlikte<br />

Lynch’in imge parametreleri kullanılmak<br />

suretiyle, çocukların mekânsal<br />

algı düzeylerinin cinsiyet ve sosyoekonomik<br />

durum değişkenlere bağlı olarak<br />

nasıl değiştiğinin kıyaslandığı bir<br />

çalışma için elde edilmiş olan bilişsel<br />

haritaların analiz edilmesine alternatif<br />

bir yöntem sunmayı amaçlamaktadır.<br />

Bu sebeple, çalışmanın tartışma alanı,<br />

farklı iki sosyoekonomik gruptan gelen<br />

11 yaş grubundan çocukların kendi<br />

ev ve yakın çevresine ilişkin mekânsal<br />

algılarının incelendiği “İstanbul’da<br />

Farklı Sosyal Grupların Yerleştiği Çevrelerde<br />

Yaşayan Çocukların Algısal<br />

Süreçlerinin Bilişsel Haritalar Yöntemiyle<br />

İrdelenmesi” başlıklı çalışmanın<br />

(Çanakçıoğlu, 2011), alan araştırması<br />

safhasında elde edilen bilişsel harita<br />

verilerinin mekân dizimi yöntemiyle<br />

analiz edilmesi üzerinedir. Başka bir<br />

deyişle, çalışmanın ana hedefi, bilişsel<br />

haritaların analiz edilme aşamasında,<br />

mekân dizimi (space syntax) yönteminin<br />

alternatif bir nicel analiz metodu<br />

olarak kullanılmasına olanak sağlayıp<br />

sağlamadığını araştırmaktır.<br />

Çalışmanın içeriğinde, mekân dizimi<br />

yöntemiyle irdelenen bilişsel haritalar,<br />

“koridor, giriş holü ve merdiven<br />

gibi lineer mekânların, erkek çocukların<br />

haritalarında kız çocuklarınkine<br />

kıyasla daha fazla vurgulanıp vurgulanmadığı”;<br />

buna paralel olarak, kız<br />

çocukların haritalarında içe dönük<br />

mekânların daha fazla miktarda ortaya<br />

çıkıp çıkmadığı” gibi konular cinsiyet<br />

değişkeni bağlamında, “üst sosyoekonomik<br />

grupta yer alan çocukların çoğunluğunun,<br />

kendilerine ait odalarının<br />

bulunması sebebiyle, alt sosyoekonomik<br />

gruptaki çocuklara kıyasla daha<br />

sığ (shallow) mekânsal ilişkilerin yer<br />

aldığı haritalar ortaya koyup koymadığı”<br />

gibi hususlar ise sosyoekonomik<br />

durum değişkeni bağlamında irdelenmek<br />

istenmektedir. Anlamlı sonuçlar<br />

elde edilmesi öngörülen bu hususların<br />

irdelenmesinde, doğrulanmış geçirgenlik<br />

haritalarına (justified permeability<br />

graphs) başvurulmak suretiyle derinlik<br />

(depth) analizleri uygulanmıştır.<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • N. G. Çanakcıoğlu


ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • 141-158<br />

Disintegration of urban housing<br />

areas: Districts and new gated<br />

housing settlements<br />

Suat APAK<br />

suatapak@yahoo.com • Department of Architecture, Faculty of Architecture,<br />

Istanbul Technical University, Istanbul, Turkey<br />

Received: May <strong>2015</strong> Final Acceptance: October <strong>2015</strong><br />

Abstract<br />

In Turkey and Istanbul, gated communities are produced rapidly and offered<br />

for use of the urban users particularly since 2000s. Urban spots created by the new<br />

gated settlement areas and the life style started appearing and spreading rapidly<br />

in outskirts of Istanbul.<br />

Starting from the emergence of these walled settlements rise, urban integrity<br />

gets disrupted and neighborhood lifestyle goes through a transition. The biggest<br />

problem posed by these islands in the city is the fact that they create non-interactive<br />

areas in the external world in contrary to the inner world.<br />

The objective of this study is to determine the interaction level between these<br />

wealth islands and existing texture and constituents of the existing texture by using<br />

the space syntax approach. First, the strength of the bonds within the current<br />

environment is determined by using the space syntax program on the current<br />

environmental plans. The methodology also followed determining the physical<br />

and social behavior patterns of the streets, mainly the paper concentrated on the<br />

intersected spaces belonging to such different life styles.<br />

These observations were made on the quality of the physical environment (order,<br />

graffiti, vandalism, etc.) and the utilization intensity. In the final stage, the<br />

data is collected by using the space syntax program and it was analysed to determine<br />

whether there is a correlation between the existence of graffiti and space<br />

syntax determinants.<br />

Results show that the interaction within the existing texture gets weaker at substantial<br />

levels around the walls of the island,contraversially the existence of graffiti<br />

increases,and sociologically existing users living around the walled islands turn to<br />

be “societies around / bottom the walls”.<br />

Keywords<br />

Districts, Gated communities, Security, Space syntax, Graffiti and vandalism.


142<br />

1. Introduction<br />

By rapid production of gated housing<br />

settlements started from 1980s and<br />

in particular 2000s in Turkey and firstly<br />

we observed their emergence in Istanbul.<br />

When the world has been starting<br />

to be globalized, it brought a capital<br />

movement, but also it has effects in the<br />

society as economic dispersion around<br />

the world and income distribution<br />

disparity. Because of the capital movement<br />

effects, the economic, technologic<br />

and organizational development of<br />

the firms boosted increasing the supply<br />

and as reverse we witnessed demand<br />

and rapid expansion of the luxury gated<br />

community settlements in these era.<br />

Self-enclosed and privatization of<br />

the streets are the indicative directions<br />

of such kind of new life concept. The<br />

rich and luxury life including expensive<br />

homes, golf clubs, tennis clubs, and<br />

fitness centers have been constructed.<br />

The security and richness create the<br />

key positions, in order to overcome<br />

undesirable events such as crime, drug,<br />

vandalism, unrespectable behaviors<br />

towards public and private properties,<br />

the walls and doors that have been established<br />

as physical barriers. Protection<br />

of the settlement physically means<br />

the protection of the virtue and wealth<br />

values based on the settlement accordingly.<br />

Hence, the protection of these<br />

values is as important as physical security<br />

(İçli, 2010). On the other hand,<br />

Blakely and Snyder (1997) states that<br />

gated communities could be combined<br />

within three main categories. These are<br />

lifestyle communities, prestige communities<br />

and security zone communities.<br />

The dominant factor regarding<br />

a settlement in this categorical approaches,we<br />

may perceive that many<br />

privileges have been provided and controlled<br />

in the gated community island.<br />

This makes these settlements profitable<br />

(Görücü and Pektas, 2014) and this is<br />

the most important factor for the investment<br />

firms and entrepreneurs.<br />

Such new settlement areas and new<br />

living styles have started to appear in<br />

Istanbul and mainly outskirts in the<br />

existing neighborhoods of Istanbul.<br />

Since the walled such settlements, the<br />

urban integrity has started to be separated<br />

and street living culture has entered<br />

into the transition period.<br />

The social problems have been apparently<br />

observed around these islands<br />

and we may perceive the contradiction,<br />

in spite of wealthy life style inside, the<br />

low-income families are located in the<br />

surroundings,as outside. When such<br />

islands provide the living groups as<br />

their wishes as well as living conditions<br />

and their securities, contoversially they<br />

create insecure areas in their external<br />

worlds. As it was stated by Oscar Newman<br />

(1972), “when a town is defended<br />

individually (private group)-or lived,<br />

it means that the struggle against the<br />

crime at that town is lost”.<br />

2. The negative effects of the gated<br />

housing settlements in the urban life<br />

The Gated Housing Islands have<br />

damaged the current urban structure<br />

and have barricaded the integration<br />

and the development of the region. On<br />

the other hand, they have damaged the<br />

sustainability of the districts and traditional<br />

district culture, as contrary<br />

they have created and submitted the<br />

local artificial tissues and different life<br />

models for the community that is not<br />

peaceful to their neighbors. In some<br />

cases, these walls and fences not only<br />

prevent access to the facilities of their<br />

own but also they might make it hard<br />

for the public to access common areas<br />

such as streets, pavements, parks,<br />

beaches, rivers, paths, children playgrounds<br />

and other local resources<br />

(Blakely and Snyder, 1997).<br />

When we turn back to the current<br />

structure, it creates insecure areas in<br />

the contact lines. The treats are mostly<br />

directed to the people who are living in<br />

these islands as well as current people<br />

who are using such routes. By means<br />

of the rails, secure walls and security<br />

cameras based on twenty four hours<br />

monitoring, the precautions against all<br />

possible threats toward the inside have<br />

been taken. The undefended areas are<br />

the external belt zones as a result of<br />

such extraordinary exclusion.<br />

2.1. The surveillance in terms of creating<br />

secure environment<br />

One of the basic components of the<br />

social control is the natural surveillance<br />

mechanism. In the books of Jane Jacobs<br />

(1961) called as “The Death and Life of<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • S. Apak


Figure 1a. Tpical access control and surveillance concepts and<br />

classifications (Crowe, T.,D.,1991).<br />

Figure 1b. The conceptual shift from organized and mechanical<br />

concepts has led to the natural CPTED concepts (Crowe,<br />

T.,D.,1991).<br />

Disintegration of urban housing areas: Districts and new gated housing settlements<br />

143<br />

Great American Cities”, she signed the<br />

importance of the natural surveillance<br />

by stating the phrase of “the eyes in<br />

the street”. Jacobs mostly attributes her<br />

determinations based on the surveillance<br />

principle and she is one of them<br />

who emphasized the “defensible space”<br />

concept where such components have<br />

an important place. She stated that “in<br />

some cases to help for a stranger or to<br />

call for the police, in order to enable<br />

the person to act, he/she must own the<br />

street and he/she must believe that if<br />

he/she will need for a help, will have<br />

the urgent help”. However, she also stated<br />

that the most important think rather<br />

than acting and the condition to act<br />

are the surveillance and he stated the<br />

importance of the surveillance (Jacobs,<br />

1961). Newman (1972) considers the<br />

surveillance function in the category of<br />

“physical design capacity that will provide<br />

the surveillance possibility to the<br />

user and their relatives”. He explains<br />

this category as the mechanics towards<br />

increasing the surveillance capacity<br />

continuously and their internal and<br />

external areas of the people. He also<br />

states that they are the integral parts<br />

of the three basic mechanisms. On the<br />

other hand, Crowe (1991), in his book<br />

called as “Crime Prevention through<br />

Environmental Design” talks about the<br />

availability of three overlapped strategy<br />

in CPTED. These are natural access<br />

control, natural surveillance, and territorial<br />

reinforcement. He states that<br />

access control and surveillance are the<br />

primary design concepts of the physical<br />

design programs (Figure 1a, Figure<br />

1b).<br />

Stollard (1991) argues about the<br />

availability of the design options to<br />

use it for deterring from the crime and<br />

he states that there are some common<br />

agreements and conciliations over<br />

some general principles. Stallord collected<br />

such principles under six groups<br />

and he placed the surveillance principle<br />

in the first instance. This principle<br />

is related to the natural or passive<br />

surveillance of the homes and public<br />

places around the homes. When this<br />

situation is considered as the indicative<br />

factor for the uninvited guests, it is<br />

accepted that deterring from the crime<br />

is the most basic and essential element.<br />

Natural surveillance can be defined<br />

as the impression that residents<br />

of the dwelling are guarded or can be<br />

guarded if necessary and that there is<br />

an eye on neighbors and on their residences.<br />

Architects and planners should<br />

take into account of current options to<br />

maximize the opportunities of the resident<br />

users (Stollard, 1991).<br />

By considering these thoughts, one<br />

of the design and settlement principles<br />

for safe residential area proposed in<br />

the “defensible space” is to direct the<br />

buildings to the streets. These directions<br />

provide opportunities that have<br />

been made by the residential building<br />

for the surveillance and also encourage<br />

them and that increase the “eyes on the<br />

street” accordingly (Figure 2).<br />

In a research that was made in Istanbul,<br />

Levent, it was understood that the<br />

house direction has been made on the<br />

streets and the streets that have high


144<br />

natural surveillance capacity are intensively<br />

used by the pedestrians. The<br />

side of the streets that are limited by<br />

the walls and garden walls of the houses<br />

and they are less preferred by the<br />

pedestrians and they are determined<br />

that the deaf walls along the streets are<br />

mainly neglected and used as the graffiti<br />

ground (Apak, 2005).<br />

2.2. Permeability as the integration<br />

tool<br />

The permeability is an important<br />

factor to integrate physical volumes<br />

and to give permissiveness for human<br />

behaviors. In the assessment of this<br />

factor, the scale and intensity should<br />

be primarily taken into the consideration.<br />

In the settlement where the<br />

scale is small and intensity is low, we<br />

may conclude that “the permeability is<br />

minimized”.<br />

“The settlements have been designed<br />

around the cul-de sac” exclude the foreigners<br />

and create confidential and the<br />

safe areas (Ünlü, 1986), in such areas,<br />

social control is not expected from the<br />

interaction of the in-out settlement<br />

users but it is expected from the settlement<br />

owner. Apart from the security<br />

feeling, the visibility and monitoring is<br />

controlled by the the user of the area.<br />

It is quite natural that, foreigners<br />

were regarded as suspects when they<br />

were observed in front of the tents<br />

(yurt) at nomadic times before the<br />

permanent settlement (Küçükerman,<br />

2007). If we observe the cul-de sacs<br />

that are surrounding square , they are<br />

inhabited by people who know each<br />

other well in traditional permanent<br />

settlement system. The existence of<br />

semi-public and private areas as shown<br />

in Newman’s chart of territorial area<br />

(Figure 3) supported with the opportunities<br />

of observation. Certainly, the<br />

subjects like intensity and urban liveliness<br />

are not desirable in these areas.<br />

In current town structures where<br />

the scale is getting larger, the blood<br />

relation, close relativeness, close neighborhood<br />

and other relevant elements<br />

are removed and where the settlement<br />

users become stranger, the subjects like<br />

the permeability and creating vitality<br />

may be considered as important factors.<br />

In 9th part of the book called as<br />

Jacobs’ “the Death and Life of Great<br />

American Cities”, the requirement for<br />

small block has been stated in detail.<br />

By considering the example of<br />

Manhattan, it is stated that stable long<br />

blocks create desperate long, monotone<br />

and dark strips. If there were<br />

streets that cut such wide blocks lies<br />

from the east to west and if there were<br />

more than shorter blocks, it is stated<br />

that there would not be any need to use<br />

such monotone way to go somewhere<br />

and the alternative routes could be<br />

chosen (Figure 4). Thus, she defenses<br />

that the distribution of the stores and<br />

Figure 3. Schematic sketch illustrating territorial definition<br />

reinforced with surveillance opportunities (Newman,1972).<br />

Figure 2. Houses should face each other<br />

along the street (Poyner, B., Webb, B., 1991).<br />

Figure 4. Small block requirement in Manhattan (Jacobs,1961).<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • S. Apak


145<br />

eligibility of the stores and commercial<br />

places will be increased as a result of<br />

the interaction. She argues that, in this<br />

way, streets will not be isolated but they<br />

will get mixed to each other which will<br />

ensure significant increase in the number<br />

of trade destinations and improvement<br />

in the availability and expansion<br />

of shops. She emphasizes that, streets<br />

do not end at successful or attractive<br />

neighborhoods. On the contrary, the<br />

number or streets increases where possible<br />

(Jacobs, 1961).<br />

Bentley & Alcock & et al. (1993) reserve<br />

the first part of the books to the<br />

permeability and deal the permeability<br />

in detail. They state that only places<br />

that let the people could provide options<br />

for them and the quality of the<br />

permeability is related to the number<br />

of the alternative ways that pass from<br />

one area. In the left diagram of Figure<br />

5, comparing with the top layout with<br />

the sub layout, it provides large option<br />

possibility so the top layout is more<br />

than permeable. In the right diagram<br />

of the same figure, it is concentrated on<br />

the advantages of the small blocks.<br />

They deal with the permeability as<br />

physical and visual permeability, they<br />

also reiterate that a place with the small<br />

blocks provide more option than the<br />

area with the large block and they state<br />

that large block layout has only three<br />

alternative route without returning between<br />

A and B and small block version<br />

has a little short distance nine alternatives<br />

with the public route (Bentley and<br />

Alcock, et al., 1993). They draw the attention<br />

of the availability of the three<br />

design approach that works against the<br />

public location permeability and they<br />

organize them as increasing the scale<br />

of the settlement, hierarchic layout using<br />

and pedestrian/vehicle separation.<br />

Figure 5. Different approach alternatives in the permeability sense<br />

for the same area (left) and small block requirement between A-B<br />

axles (right) (Bentley,Alcock,Murrain, McGlynn, Smith, 1993).<br />

On the other hand, Crankshaw<br />

(2009) states that permeable street<br />

walls could be provided by the door entrances,<br />

windows and stores. A monolithic<br />

building without any openings<br />

creates insecurity and it gives you a<br />

disturbing feeling like you are all alone,<br />

walking naked along a street (Crankshaw,<br />

2009).<br />

2.3. Urban vitality / commerce in the<br />

sense of mixed utilization<br />

It is clear that the urban vitality in<br />

the urban structure of the commercial<br />

functions has very important place in<br />

the vitality of the life. The commercial<br />

life particularly in the town scale is related<br />

to the accommodation functions<br />

of the town, the interactions, solidarity<br />

and living together in the same area.<br />

When considering the opposite angle<br />

in terms of the solidarity of the parties,<br />

in the understanding the modern town<br />

planning (however, the functional difference<br />

is essential in this understanding),<br />

despite the fact that the sub center<br />

settlements focused on the commercial<br />

activities when they become deserted<br />

at the night time. Jacobs, who<br />

emphasized mixed-use over separated<br />

dwellings or commercial places, also<br />

prioritized the liveliness of the people<br />

in current neighborhoods in her book<br />

which is full of the most original and<br />

powerful claims of her age (Jacobs,<br />

1961). There is no doubt that in the<br />

sense of the urban vitality and “commercial<br />

vitality” street understanding<br />

that is the supporting element in the<br />

mixed utilization, the interaction along<br />

the street and the supporting attitudes<br />

are more than important even if they<br />

are competitors.<br />

It is possible to see the examples in<br />

the traditional and historical structure<br />

of Istanbul. When approaching to the<br />

end of 18th century, Istiklal Street that<br />

has many opposite buildings and in<br />

which complete design was completed<br />

in the second half of 19th century<br />

(Cadde-I Kebir) is one of the most important<br />

street where the luxury buildings,<br />

European types of stores, recruitment<br />

and resting places are located<br />

after the reorganizations, nowadays,<br />

it keeps the same style indeed so that<br />

the commercial vitality has been observed.<br />

On the other hand, the spice<br />

Disintegration of urban housing areas: Districts and new gated housing settlements


146<br />

bazaar that is one of the oldest shopping<br />

centers has the covered street plan<br />

where many stores are located. The interaction<br />

between small commercial<br />

units (such as the flower bazaar, street)<br />

which stick to external, blind walls as<br />

required by the inward-oriented structure<br />

and the commercial units at the<br />

ground floors of the buildings that are<br />

located opposite the street, they are the<br />

most significant elements in the union<br />

of the bazaar with the surrounding pattern<br />

(Figure 6).<br />

When talking about the urban vitality,<br />

the availability of the stores is required.<br />

On the other hand, in our history,<br />

from the shopping stores (arasta) to<br />

the local bazaars, streets, and covered<br />

bazaars and even in our modern world,<br />

large shopping centers, shopping malls<br />

(that contrary approach to our opinion<br />

– withdrawn huge masses ) has mutual<br />

shop units. In this plan approach, face<br />

to face organization, sequence and interaction<br />

are basic elements.<br />

The pavements are social spaces.<br />

The streets, pavements need ultimate<br />

attention to continue their living powers<br />

apart from the channels where the<br />

pedestrians use. They should be encouraged<br />

to create social interaction<br />

and activity together with their adjacent<br />

external selling areas in front of<br />

the stores and pavement cafés (Crankshaw,<br />

2009).<br />

3. Model<br />

Ralph B. Taylor (1987) separated<br />

the scale organized from the least serious<br />

to the most serious in the figure<br />

called as the continuum of disorder.<br />

He showed the graffiti in the condition<br />

concept and he included the vandalism<br />

in the crime case based on the most serious<br />

step.<br />

The graffiti that could be defined as<br />

using the private and public properties<br />

by unpermitted letter or paints. Their<br />

existence affected the environmental<br />

image and it has created the negative<br />

effect on the sense of security. The<br />

graffiti could be performed under the<br />

direction various purposes. The “gang<br />

graffiti” that could be a sign how power<br />

the gangs and illegal organizations<br />

could be used as interaction tools to<br />

show their powers and to remove others<br />

from these areas (Taylor, 1988).<br />

On the other hand, one of the graffiti<br />

type is the “taggers” graffiti etc. Each<br />

graffiti has not written by the member<br />

of the gang. These could be used to<br />

state how to find the drug, drug users<br />

etc. They could have some threat messages<br />

against other races, religious and<br />

genders. Some graffiti is the sample of<br />

the swearword and profanity. Some of<br />

them could reflect the politic views and<br />

some also could be classified as “gum<br />

balloon” like “ Ali loves Ayse” etc.<br />

The type of the graffiti could be<br />

changes based on the time and place.<br />

However, the graffiti is possibly coming<br />

from the “taggers” who sign their activities<br />

by their typical names. The taggers<br />

expect and hope that they would be<br />

admired because of their respective activities<br />

and personal based works. The<br />

taggers could seek excitement. Such<br />

excitements could include the danger<br />

to make graffiti in the high place or to<br />

violate the laws accordingly. The taggers<br />

could act alone or they could be<br />

gang to make graffiti as a team.<br />

In the recent researches, there are<br />

different approaches on the graffiti.<br />

Some researchers think that the graffiti<br />

is a kind of vandalism that is located on<br />

the roads, in the public transportation<br />

and stations, commercial regions and<br />

residential areas and some researchers<br />

think that these are urban artwork<br />

(Figure 7) and some of them consider<br />

that the graffiti is an activity to draw<br />

the attention of the young people to<br />

positive study fields.<br />

Figure 6. Two- sided commercial using of the streets, İstiklal street<br />

and Çiçek Pazarı street ( Apak, S. <strong>2015</strong>).<br />

Figure 7. An example of graffiti as an art work and a vandalism<br />

example on the same street in Kadikoy ( Apak, S. <strong>2015</strong>).<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • S. Apak


Figure 8. The cart of the theoric model.<br />

When dealing with undesirable action,<br />

it is seen that various methods<br />

have been applied to be prevented.<br />

Apart from the publications and internet<br />

possibilities that facilitate the<br />

processes what we should do especially<br />

for raising the social awareness,<br />

there are precautions towards prevention<br />

the crime factor. Such precautions<br />

have been dealt and evaluated in three<br />

categories in the researches such as<br />

“law application and implementation”<br />

where the law application precautions<br />

are provided by means of the criminal<br />

proceeding system, “perpetration<br />

on time” to minimize the damage and<br />

lost and “potential guilty prevention”<br />

to care about the young people and to<br />

draw their attention to the different<br />

places (Stafford & Pettersson, 2003).<br />

Though graffiti might give messages<br />

in some cases such as the gang graffiti,<br />

it disturbs the society as an illegal<br />

act regardless of its content or form<br />

(whether it has an artistic value or not).<br />

When it damages to the public and private<br />

properties and when it is against<br />

the authority, in the context of the environmental<br />

image, they are significant<br />

signs weakening the environment’s potential<br />

to create the feeling of safety.<br />

Apart from such messages provided<br />

to the users, it affects the environment<br />

and the population deeply. The value<br />

of the properties could be decreased<br />

and possible commercial advantages<br />

could be lost. The population could be<br />

self-enclosed, the neighborhood relations<br />

could be weaken and the sensitivity<br />

could be lost as well as these<br />

Disintegration of urban housing areas: Districts and new gated housing settlements<br />

147<br />

could be the reason for social-economic<br />

damage and disruption. While they<br />

might indicate negligence, dereliction<br />

or ignorance they might also indicate<br />

that social/environmental control is<br />

lacking or there is unwillingness to<br />

perform such control. Even if some<br />

part of the society think that these are<br />

not important, they create illegal environment<br />

and they provide clue for illegal<br />

behavior possibilities and such kind<br />

of behaviors.<br />

As a result of such negative effects of<br />

the graffiti, it has created an important<br />

fact as the indicator of the weakness<br />

related to the trust and confidence in<br />

the current urban fabric especially in<br />

the intersections of the gated islands.<br />

Without emphasizing the reasonability<br />

of the graffiti, the factors that facilitate<br />

the application and that enable the environment<br />

to be created as is defined<br />

in the theoretical framework of the<br />

activity are surveillance/ visibility, permeability,<br />

vitality, syntactic integration<br />

value. The availability or lacks of such<br />

factors are the reason of presenting,<br />

decreasing or increasing the graffiti applications.<br />

The key component of those factors<br />

is based on the permeability. Due to<br />

the fact that it has a one by one effect<br />

on other factors if a piece of urban<br />

texture is permeable or not and these<br />

could affect directly or indirectly the<br />

graffiti applications. As it is seen in the<br />

current model, permeability, within<br />

the context of visual permeability, by<br />

eliminating the possibility of identifying<br />

the route through the external user<br />

and surveillance/visibility of the external<br />

area through the internal user, the<br />

minimal occupancy, uncontrolled areas<br />

and routes have been created (Figure<br />

8).<br />

On the other hand, when considering<br />

the physical permeability, it has<br />

minimized the neighborhood relations<br />

together with the adjacent current urban<br />

fabric. Because of the immense<br />

deathfullness created by the walls as<br />

the border element, such borders have<br />

lost the chance to transform the lively,<br />

illuminated areas such as shopping<br />

store, café, etc. It has minimized the vitality<br />

at those areas and it has prevented<br />

the possible potential development<br />

accordingly. It has also created negative


148<br />

effects on the vitality of current tissue.<br />

In these areas, decreasing the vitality<br />

means decreasing the number of the<br />

responsible eyes that will provide the<br />

social control at those areas and decreasing<br />

the opportunity of being supported.<br />

This huge area where the permeability<br />

is not available has provided<br />

their relations with the external world<br />

by one or two controlled doors and they<br />

have turned their backs to the current<br />

urban fabric. Their relations are almost<br />

little or nothing. In this case, it has created<br />

important effects on the syntactic<br />

integration values. The syntactic integration<br />

values that are not integrated<br />

with the network of the current urban<br />

fabric is minimized and disconnected,<br />

uncontrolled, desolate environments<br />

have been created.<br />

These environments provide more<br />

comfortable opportunities for the graffiti<br />

applications that could be perceived<br />

as the indicator so that the most important<br />

crimes could be committed.<br />

These factors that have unilateral or<br />

bilateral interactions could increase<br />

or decrease the applicable physical<br />

ground and opportunity of the graffiti.<br />

4. Method / Case studies<br />

While determining the case study<br />

areas, the attention was paid that they<br />

should be neighbor with the unplanned<br />

and undeveloped urban structure, new<br />

gated community islands. The purpose<br />

here is to catch the clues clearly to reflect<br />

the relations of such islands with<br />

their surroundings. In this framework,<br />

“Maslak-İstinye Park” that is neighbor<br />

to Pınar district that is illegally structured<br />

area (Figure 9a), “TEM1 Avrupa<br />

Residences” which are located at<br />

4th Region slum prevention area of<br />

Gaziosmanpaşa Town which has developed<br />

badly in a mixture of planned<br />

and unplanned construction (Figure<br />

9b) and “Zeytinburnu Kiptaş Topkapı<br />

Merkez Residence“ (Figure 9c) were<br />

selected as case study areas.<br />

Main common points of these areas<br />

are the weakness socio-economic<br />

structure along with an unplanned and<br />

badly developed urban structure and<br />

side by side closed residence islands<br />

addressing the particular income<br />

group and their ownership characters .<br />

Maslak-İstinye Park Residence<br />

among the case study area was constructed<br />

as 19 blocks was composed of<br />

406 residential units. The entrance to<br />

the island is made from one gated access.<br />

On the other hand, TEM1 Avrupa<br />

Residences is composed of 36 blocks<br />

includes 3100 residential units and the<br />

entrance could be provided from three<br />

points. Topkapı Merkez Evleri is also<br />

composed of 803 residential units including<br />

5+7 and totally <strong>12</strong> blocks. In<br />

each of two staged island, there are one<br />

entrance point.<br />

In the selected three case study areas,<br />

the method is applied to obtain data<br />

based on the observations regarding<br />

the current urban structure around the<br />

gated community areas and intermediate<br />

zones. As the assessment variables,<br />

the users living in the vicinity of islands<br />

have been taken into the account. The<br />

intensity route or points in the urban<br />

area regarding the user and their experiences<br />

have been recorded. Regarding<br />

the physical environment, the environmental<br />

quality was determined as<br />

the scale of good-medium-bad and in<br />

the adjacent environment and intermediate<br />

zones, the availability of the<br />

graffiti and vandalism is searched and<br />

the determination of the places were<br />

achieved accordingly.<br />

Figure 9. The case study areas, a; Istinye Park Residences-Maslak, b; TEM Avrupa Residences<br />

– Gaziosmanpaşa, c;Topkapı Merkez Residences – Zeytinburnu.<br />

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149<br />

In the parallel of these studies, updated<br />

maps regarding these three areas<br />

that have been defined based on<br />

the observation criteria. The reason<br />

for having the updated maps is to reveal<br />

the rapid development of Istanbul<br />

and to show that new settlements have<br />

been performed in last 5-6 years. The<br />

integration where the updated maps<br />

have been used as data input that is the<br />

second important step for the determination<br />

of the syntactic integration<br />

analysis. The principle spatial element<br />

is the axes of the urban structure. The<br />

organization of the building or the district<br />

is based on the organization of its<br />

axes, that is, they reflect the behaviors,<br />

the sequence of behavioral experiences.<br />

The axis is fundamental because the<br />

experience of architecture is an experience<br />

of movement (Hillier 1996).<br />

For the analysis of the syntactic integration,<br />

the Syntax 2D program by<br />

the Michigan University is used. By<br />

selecting axial line analysis and preparing<br />

axial maps, it is aimed to define the<br />

integration values of the close neighborhood<br />

around the these gated community<br />

islands.<br />

By the achieved observation data,<br />

the integration values are compared<br />

and they are searched that if the<br />

low-high integration area and graffiti<br />

is overlapped or not. According to<br />

the hypothesis, the main task that is<br />

searching if there is any correlation between<br />

the deep integration values and<br />

increase of graffiti or not. In particular,<br />

the research concentrates on the<br />

specific places in the vicinity of gated<br />

islands, the occurrence of the graffiti<br />

applications and their meanings, their<br />

syntactic integration with the physical<br />

environment.<br />

5. Discussion<br />

5.1. Graffiti points observed around<br />

the sampled gated community islands<br />

According to the determinations<br />

based on the observation, around the<br />

gated community islands of the three<br />

case study areas, the availability of the<br />

graffiti is observed. The long deaf walls<br />

extending uninterruptedly and their<br />

horizontal plane form may be quite<br />

appropriate space for graffiti. In the<br />

north of Istinye Park Residences, on<br />

İğde Street in the intermediate section<br />

of “Pınar Mahallesi (District)” (Figure<br />

10a İ1), in Sarıyer Street and its opposite<br />

and in the walls of Enka Schools<br />

(Figure 10a İ2), in the western part of<br />

Gaziosmanpaşa TEM1 Avrupa Residences,<br />

on the walls located in 16<strong>12</strong>th<br />

Street and its extension (Figure 10b<br />

A1), in western part of the Kiptaş Topkapı<br />

Merkez Residence, G-36th Street<br />

(Figure 10c M2) and on Gümüşsuyu<br />

Davut Paşa Street (Figure 10c M1), the<br />

graffiti samples are mainly observed<br />

areas.<br />

By going around the surrounding<br />

Figure 10. The regions where the graffiti was applied on the walls of the gated community<br />

islands.<br />

Disintegration of urban housing areas: Districts and new gated housing settlements


150<br />

walls of each three samples, the place<br />

and number where the graffiti has been<br />

applied are signed and determined on<br />

the plans. In the determinations that<br />

have been made, the type and size of<br />

the graffiti is ignored. The existence of<br />

graffiti has been recorded numerically.<br />

In accordance with these determinations,<br />

the graffiti has been recorded<br />

intensively applied in these case study<br />

areas.<br />

It was observed that the walls of İstinye<br />

Park Residence is on İğde Street<br />

and partly in Kılıç Street. The determined<br />

graffiti number around the wall<br />

on this street is (Figure 10-i1) (26 İğde<br />

Street+13 Kılıç Street) totally 39 points<br />

(Figure 11).<br />

There is also graffiti situated in<br />

Gaziosmanpaşa TEM1 Avrupa Residence,<br />

and at the same, an intensive<br />

graffiti has been observed on the wall<br />

throughout 16<strong>12</strong>th Street with the adjacent<br />

current urban fabric (Figure 10-<br />

A1). The number of graffiti that was<br />

signed by counting on those walls are<br />

22 indicators (Figure <strong>12</strong>).<br />

In the Zeytinburnu Topkapı Merkez<br />

Residence part 1 and 2, the intensive<br />

graffiti applications that have been frequently<br />

used, applied and re-painted<br />

have been observed on the throughout<br />

street and stair walls that provides<br />

connection between recreation area<br />

(that located two parts of the gated<br />

residences) and Davutpaşa Gümüşsuyu<br />

Street (Figure 10-M1). The graffiti<br />

paint number that was determined at<br />

the time of observation are <strong>12</strong> in stair<br />

walls and 16 on the walls at Gümüşsuyu<br />

Street and totally 28 at the same<br />

region (Figure 13).<br />

It was observed and determined<br />

that the contents of these graffiti could<br />

be political, class difference and they<br />

could also be inserted as the type of<br />

“gum balloon” that is not important.<br />

5.2. The determinations regarding<br />

the permeability specifications of the<br />

sampled gated community islands<br />

As it is known that the basic principle<br />

of the gated community is to prevent<br />

the uncontrolled entrance and to<br />

create impermeable areas where the<br />

controlled entrance is provided. In order<br />

to provide the security, to prevent<br />

the infrastructural using share, to cre-<br />

Figure 11. Graffiti on the walls of the island of İstinye Park<br />

Residence (İ1) and İğde Street ( Apak, S. <strong>2015</strong>).<br />

Figure <strong>12</strong>. Graffiti on the walls of the island of TEM1 Avrupa<br />

Konutlari (A1) and neighbourhood ( Apak, S. <strong>2015</strong>).<br />

Figure 13. Graffiti on the walls of the island of Topkapi Merkez<br />

Evleri (M1) and parked cars ( Apak, S. <strong>2015</strong>).<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • S. Apak


151<br />

ate the social status living types and<br />

similar groups, firstly under the direction<br />

of providing the physical impermeability,<br />

the basic approach is to surround<br />

these areas by the walls. For the<br />

sake of minimizing the internal-external<br />

irritation and increasing the security,<br />

apart from the height and type of<br />

those walls, the visual impermeability<br />

is provided and internal-external relation<br />

has been cut completely (Table 1).<br />

The number of blocks and resident<br />

units, size of the covered areas and<br />

shortest – longest lengths of the areas<br />

belongs to these three case studies are<br />

given in table 1. Also quantities and<br />

qualities of these surrounding walls are<br />

important features for permeability.<br />

The total length of the walls that surrounds<br />

İstinye Park Residence, Gaziosmanpaşa<br />

TEM1 Avrupa Residences<br />

and Zeytinburnu Topkapı Merkez Residences<br />

are <strong>12</strong>38 meters, 1665 meters<br />

and 1524 meters. There is only one<br />

entrance-exit door at İstinye Park Residence<br />

and Topkapı Merkez Residences<br />

1- 2. (seperately). On the other hand<br />

there are three entrance-exit doors at<br />

Gaziosmanpaşa TEM1 Avrupa Residences<br />

due to its size of the covered<br />

area (Table 1).<br />

The heights, qualities and materials<br />

that have been used for each surrounding<br />

walls of three case studies are given<br />

in Table 2. These walls are prohibiter as<br />

the visual permeability, the transparency<br />

that provides communication,as<br />

well as the physical permeability. All<br />

these features could be completely or<br />

partly observed in each samples.<br />

The front of the walls on Abdi İpekçi<br />

Street that is the important artery<br />

was concealed by the green plants. The<br />

height of the bottom reinforced concrete<br />

part around 16<strong>12</strong>th Street where<br />

this wall is interacted with the current<br />

urban fabric was approximately<br />

increased from 40 cm. to 160 cm (Table<br />

2). On the other hand, in order to<br />

end the visual relation, the back of the<br />

iron fences was closed by semi opaque<br />

plastic panels. Zeytinburnu, Topkapı<br />

Merkez Residences are composed of<br />

two parts. For second section, there<br />

Table 1. The quantitative specifications of the sampled gated residential areas and the length of surrounding walls.<br />

İstinye Park<br />

Residence<br />

Gaziosmanpaşa<br />

TEM1 Avrupa R.<br />

Topkapı Merkez<br />

Residence sec.1<br />

Topkapı Merkaz<br />

Residence Sec.2<br />

Number<br />

of block<br />

Number of<br />

Residence<br />

Area<br />

(m2)<br />

Perimeter<br />

(m)<br />

19 406 75395 <strong>12</strong>38<br />

Number of<br />

Ent-Exit door<br />

1+ (1 from<br />

mall, pedest.)<br />

Length<br />

- short<br />

Length<br />

- long<br />

226 430<br />

36 3100 141082 1665 3 445 550<br />

5<br />

22780 704 1 156 240<br />

803<br />

1+ (1 from<br />

7 34300 820<br />

185 280<br />

mall, pedest.)<br />

Table 2. The qualitative specificaitons and the heights of surrounding walls of the sampled gated residential areas.<br />

İstinye Park<br />

Residence<br />

Gaziosmanpaşa<br />

TEM1 Avrupa<br />

R.<br />

Topkapı<br />

Merkez<br />

Residence<br />

The height of the walls<br />

Base<br />

(cm.<br />

)<br />

Mid.<br />

(cm.<br />

)<br />

Top<br />

(cm.)<br />

Tota<br />

l<br />

(cm.<br />

)<br />

200 170 - 370<br />

40 180 80 300<br />

300 150 40 490<br />

The quality and materials of the walls<br />

Base Mid. Top<br />

reinforced<br />

concrete<br />

reinforced<br />

concrete<br />

reinforced<br />

concrete<br />

natural panel<br />

wire fence<br />

forged iron<br />

fence<br />

natural panel<br />

wire fence<br />

-<br />

double razor<br />

wires<br />

single razor<br />

wires<br />

Disintegration of urban housing areas: Districts and new gated housing settlements


152<br />

are also pedestrian accesses from the<br />

shopping. In the middle of both section,<br />

there is a recreation area and open<br />

shopping units for public and these<br />

two sections could be considered as<br />

two different gated islands. The quality<br />

of the walls that surround these islands<br />

could be regionally different. The<br />

recreation area between two islands is<br />

defined by the shopping units’ facades.<br />

It is also observed that 2nd part of island<br />

walls on Davutpaşa Gümüşsuyu<br />

Street and G-32th Street are composed<br />

by shopping units’ facades which is<br />

constructed under residential blocks.<br />

In Topkapı Merkez Residences, together<br />

with the physical obstacles and by<br />

the massive material such as concrete,<br />

the visual barrier was maximized. The<br />

positive side of this sample is to provide<br />

residential blocks together with<br />

the shopping units.<br />

5.3. The integration analysis of the<br />

sampled gated community islands<br />

and surroundings<br />

In each three case studies, surrounding<br />

gated community islands, neighbor<br />

streets integration-n of Syntax 2D values<br />

have transformed into the table.<br />

For each case study, approximately 30<br />

streets give us an idea about general<br />

characters of the close existing urban<br />

texture. For each area, the mean of<br />

integration values are calculated and<br />

when we compared the integration-n<br />

values of the cross sections around the<br />

gated community, the significant results<br />

are emerged.<br />

The mean of the integration-n values<br />

of 25 street belonged to the current settlement<br />

surrounding Istinye Park Residence<br />

is 11590,98. On the other hand,<br />

the mean average of the integration-n<br />

values belonged to the roads surrounding<br />

Istinye Park walls is 2023,35. When<br />

these values are calculated based on<br />

30 streets surrounding TEM1 Avrupa<br />

Residence, it was achieved to 10998,55,<br />

on the other hand integration- n values<br />

of the roads adjacent to surrounding<br />

walls are calculated as 2786,95. In<br />

Zeytinburnu Topkapı Merkez Residence,<br />

the mean value of 30 streets<br />

adjacent to the current settlement is<br />

<strong>12</strong>039,80. Average values are calculated<br />

in the parallel streets of islands’<br />

borders, around 1st section is about<br />

344,71 and in the second section, it is<br />

performed as 2355,65 (Figure 14).<br />

Hillier (1996) stated that the distribution<br />

of integration in the axial map<br />

defines an “integration core” which<br />

generates not only a movement pattern<br />

but also a distribution of land uses<br />

such as shops and residences which are<br />

sensitive to movement. In the axial line<br />

analysis of Pınar Mahallesi (District)<br />

and Istinye Park Residences, when<br />

considering the integration-n diagram,<br />

the integration value of the İğde Street<br />

(3796,28) adjacent to the Istinye Residences<br />

where graffiti is applied is very<br />

low. However, Çamlıbel Street (Figure<br />

15) that is the most populated street<br />

of the “Pınar Mahallesi (District)” has<br />

highest integration values (22555,91)<br />

in the red color scale and as is mentioned<br />

by the Hiller, it appears as the<br />

core of the integration. Naturally, on<br />

this street, due to the fact that there are<br />

many shopping units and due to the vitality<br />

of the street, it is more significant<br />

to overlap the core in the integration<br />

map.<br />

It is observed that 16<strong>12</strong>th Street and<br />

its extension where the graffiti points<br />

are highly observed on the border walls<br />

of TEM1 Avrupa Residences in Gaziosmanpaşa<br />

has lowest integration values<br />

in the dark blue color scale in the axial<br />

line diagram produced for this region.<br />

On the other hand, the integration<br />

values are rather low at G-36th Street<br />

axis hosting graffiti on deaf and castle<br />

type of walls surrounding Topkapı<br />

Figure 14. The Axial Line Analysis and Integration-n Values of the three case studies (Istinye Park Residence –<br />

Gaziosmanpasa TEM1 Residence – Topkapi Merkez Residence).<br />

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153<br />

Merkez Evleri and the vicinity of<br />

Gümüşsuyu Davutpaşa Street axis that<br />

are divided by the tram line.<br />

Figure 15. Camlibel Street (on the left), Igde Streets (on the right)<br />

( Apak, S. <strong>2015</strong>). Integration Values of Istinye Residence and<br />

Pinar Mahallesi district (below).<br />

Figure 16. The overlapping the determination maps of the region<br />

where the intensive graffiti applications are available in three<br />

case studies with the value map of the Axial Line Analysis /<br />

Integration-n. (a) Istinye Park Residence – (b) Gaziosmanpasa<br />

TEM1 Residence – (c) Topkapi Merkez Residence).<br />

5.4. The determined graffiti applications<br />

and syntactic integration analysis<br />

study<br />

Along with the graffiti point maps<br />

achieved by the observations, the integration-n<br />

value maps obtained by<br />

Syntax2D are also compared and interposed<br />

and this paper reinforces that<br />

there is a high correlation between the<br />

increase of graffiti and low integration-n<br />

values around the gated communities<br />

(Figure 16).<br />

The mean of integration-n values of<br />

24 streets in Pınar District that is current<br />

urban fabric surrounding partly<br />

Istinye Park Residences is calculated as<br />

11590,98. The axis numbered 81 that<br />

is the starting point of İğde Street connected<br />

to Camlıbel Street (where the<br />

mean value is 22555,91) is 7274,00 as<br />

integration value. The axis numbered<br />

82 where the graffiti is intensively seen<br />

has a value of 3796,28 and it is located<br />

between İğde Street and Kılıç Street.<br />

The axis numbered 91 represents Kılıç<br />

Street. Its integration value is 2819,87<br />

and 13 graffiti points determination<br />

is made on the walls at these streets.<br />

The integration value of the axis coded<br />

92 is 1450,18 and it is part of the<br />

wall between Kılıç Street and site entrance<br />

door. The axes numbered 95<br />

and 96 have the values of 787,22 and<br />

807,81. These are connection ways between<br />

Kılıç Street entrance-exit door<br />

and Sarıyer Street connection. Due to<br />

the proximity to the controlled area<br />

with the security guard there are not<br />

any graffiti applications. On the other<br />

hand, because of their too low integration<br />

values, this area is a type of urban<br />

fabric has the weakest relations with<br />

their environments (Table 3).<br />

The mean of the integration-n values<br />

of 30 streets related to the current<br />

urban fabric around Gaziosmanpaşa<br />

TEM1 Avrupa Residences is 10998,55.<br />

The axis coded 0 has the value of<br />

2222,43 and it is entrance point to the<br />

existing adjacent fabric from Abdi İpekçi<br />

Street. The axis coded 1 is the entrance<br />

way to the current fabric from<br />

Abdi İpekçi Street (<strong>12</strong>77,87) and it is<br />

the part that provides connection to<br />

16<strong>12</strong>th Street and on each two axes.<br />

We may oberve here that there is not<br />

any current indicator about the graffiti<br />

points. The axes of 2 (<strong>12</strong>74,28) and<br />

3 (3419, 37) are extensions of 16<strong>12</strong>th<br />

Street and the adjacent walls to the of<br />

TEM 1 Avrupa Residences and particularly,<br />

there are graffiti points on these<br />

walls along two axes. The number of<br />

these points is 22. The axis coded 47<br />

(2316,06) represents the entrance door<br />

and Abdi İpekçi Street connection way<br />

and the axis coded 48 (1140,71) represents<br />

the extension of the entrance<br />

door and they show the weak relation<br />

tie in the rare points where they could<br />

integrate with the integration values<br />

less than (10998,55) of current fabric<br />

average of Gaziosmanpaşa.<br />

The arithmetic average of 30 streets<br />

was taken in the adjacent area of Zeytinburnu<br />

Topkapı Merkez Residences and<br />

Disintegration of urban housing areas: Districts and new gated housing settlements


154<br />

the integration-n values are <strong>12</strong>039,80.<br />

The consecutive axes coded 116, 117,<br />

118 represent the way between the 1st<br />

section walls and tramway station. Respectively,<br />

they have integration values<br />

of 960,50 – 375,17 – 237,99. We<br />

may consider that this region where<br />

the graffiti applications are intensively<br />

used. 16 graffiti points are determined.<br />

The axes numbered 148 (375,18) and<br />

149 (228,91) represent the stairs to the<br />

public area between two sections from<br />

this region. The continuous graffiti applications<br />

are observed horizontally on<br />

the walls in both side of the stairs and<br />

this area has been restricted by painting<br />

through the administration. <strong>12</strong> graffiti<br />

points are determined on the day when<br />

the observation is carried out. The axis<br />

numbered 25 (175,52) in the 2nd section,<br />

the axis numbered 27 (257,14)<br />

in the 1st section that represents the<br />

pedestrian ways in front of the shopping<br />

units under the blocks that they<br />

face to the public area. Due to the fact<br />

that these areas are not eligible to apply<br />

graffiti and there are some monitoring<br />

residential units such as living rooms<br />

over the stores. These areas have very<br />

low integration-n values however it<br />

is hard to remark of traces about the<br />

graffiti activities (Table 3).<br />

The integration values obtained<br />

from the axial line analysis of the surrounding<br />

streets limited by the walls<br />

are comparatively are very low, contoversially<br />

we may record that the<br />

high occurence of graffiti on the walls.<br />

The surrounding wall of the island has<br />

blue and dark blue colors that they represent<br />

the low values in the color scale.<br />

It means that the great gated islands<br />

that are not integrated with the current<br />

structure, and they make cool their environment<br />

as well. Such areas that are<br />

adjacent the gated community islands<br />

are the weakest and colorless routes of<br />

the urban/neighborhood interaction<br />

and they become the area as vacant car<br />

parking locations that may also cause<br />

blockading the pedestrian movements.<br />

6. Result<br />

Such case study areas like the representatives<br />

of the most of the gated<br />

community islands around Istanbul<br />

have the mean of their negative specifications.<br />

The negative aspects might<br />

also be found in implementations of<br />

state based organisations like Housing<br />

Development Administration of<br />

Turkey (TOKI). The assessment of the<br />

valuable lands belonged to the public<br />

organizations within current urban<br />

structure on one public sector hand,<br />

and profitability of the different lands<br />

that are the properties of the private<br />

sector on the other hand, the both sec-<br />

Table 3. Comparing the sampled three gated community areas surrounding and adjacent street integration values<br />

and graffiti point numbers.<br />

İstinye Park<br />

Residence<br />

Gaziosmanpaşa<br />

TEM1 Avrupa<br />

K.<br />

Topkapı<br />

Merkez<br />

Evleri<br />

Integration<br />

value<br />

(Avg.)<br />

Number of<br />

Graffiti<br />

points<br />

11590,98 39<br />

10998,55 22<br />

<strong>12</strong>039,80 28<br />

Graffiti locations (frequently seen)<br />

Cod<br />

e<br />

Int. value Name of the location<br />

81 7274,00 Igde Street<br />

82 3796,28 Mid part of Igde-Kilic S<br />

91 2819,87 Kilic Street<br />

92 1450,18 Kilic Street- Entrance<br />

95 787,22 Entrence-Sariyer Street<br />

0 2222,43 Abdi Ipekci St.-Existing t.<br />

1 <strong>12</strong>77,87 Abdi Ipekci St.-16<strong>12</strong>.St.<br />

2 <strong>12</strong>74,28 16<strong>12</strong>.St. adjacent to ex.t.<br />

3 3419,37 16<strong>12</strong>.St. adjacent to ex.t<br />

48 1140,71 Entrence –TEM1 Reside.<br />

116 960,50 Davutpasa Gumussuyu S.<br />

117 375,17 Davutpasa Gumussuyu S.<br />

118 237,99 Davutpasa Gumussuyu S.<br />

148 375,18 Stairs<br />

149 228,91 Stairs<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • S. Apak


155<br />

tors may boost these problems around<br />

the constructed neighborhoods.<br />

The weakness in the local town-planning<br />

applications, the lack of authorization<br />

of producing local town-planning<br />

and codes and the planning and<br />

design cosiderations as the isolated<br />

islands of the Housing Development<br />

Administration of Turkey (TOKİ) create<br />

continuously the lack of the urban<br />

plan integrity, permeability and vitality<br />

problems within the existing urban life.<br />

In the location selection of the gated<br />

community islands, the economic feasibility<br />

has been become the most basic<br />

factor.However, the social-cultural-economic<br />

structures of the adjacent<br />

areas of the islands coexisted within<br />

the current urban life at surroundings<br />

have not taken into the consideration<br />

and the permeability of human movements<br />

and the structural continuity of<br />

the districts are completely ignored.<br />

The results within the scope of the<br />

research show that the interaction<br />

in the current structure is declined<br />

around the island walls. As it is seen<br />

in the syntactic integration analysis<br />

clearly, the mean of the integration<br />

values achieved by taking the current<br />

urban fabric are the strongest evidence<br />

in this comparison. It is observed that<br />

such the mean values are time by time<br />

higher than the integration values of<br />

the street surrounding the gated community<br />

areas. In these areas, when the<br />

intensive of the graffiti points increases,<br />

this indication is the proof that<br />

those areas are becoming so desolate<br />

areas. Besides, it could be seen that by<br />

the analysis that the current situation<br />

is sharply overlapping with the real life<br />

and how the vitality and permeability<br />

notions in planning issue how they are<br />

removed.<br />

By the analysis of the observed and<br />

calculated data, the zones between<br />

such wealthy islands and existing life at<br />

surroundings are isolated and ineffective<br />

formations. As supported by analyses,<br />

they come up that these available<br />

spaces for graffiti cause to disturbance<br />

and displeasure among the neighborhood<br />

situated around the endless<br />

walls. Psychologically, existing graffiti<br />

on long walls is a kind of a message and<br />

scream to the sensitive community. It<br />

is also a sign for threatening indicator<br />

damaging safety and moreover it creates<br />

the weakening for the perception<br />

of the feeling of safe and uncontrolled<br />

environment.<br />

At this point, it could not be expected<br />

to break the walls and to bring very<br />

different social –economic and cultural<br />

communities together. Such a kind of<br />

expectation cannot been demanded<br />

by parties at this moment. At presently,<br />

the gated community users could<br />

not accept different social and physical<br />

structure so that they have been injected.<br />

They cannot communicate as much<br />

as possible in the vicinity. They attempt<br />

to make connection with the towns by<br />

their private cars without communicating<br />

with close social areas .<br />

The solution is based on defining<br />

new gated settlement locations and<br />

integrated and permeable areas. In<br />

the local applications, for the sake of<br />

the economic income, instead of producing<br />

gated community islands, it is<br />

better to develop open structures that<br />

might be integrated with the environment<br />

and to reveal the district based<br />

on the synthesis as well. In the large<br />

scale, without establishing exact lines,<br />

sharp sides, the aim must be an urban<br />

planning approach comprising more<br />

peaceful and transitive altitude (from<br />

low income to high etc.) and to process<br />

and to apply more productive urban<br />

planning understanding that will not<br />

cause any attempt to the high income<br />

groups to have a right to implement<br />

hidden and wealthy gated community<br />

solutions.<br />

References<br />

Acar, S., Kumral, B. (1997). “İş<br />

– Alışveriş Merkezleri”, YEM (Yapı-<br />

Endüstri Merkezi Yayınları), Tunç<br />

Matbaacılık A.Ş., İstanbul.<br />

Apak, S. (1998). “Güvenli Çevrelerin<br />

Oluşturulmasında Kullanılabilecek<br />

Kavramsal Bir Model”, (Unpublished<br />

doctoral dissertation), İstanbul Teknik<br />

Üniversitesi, Fen Bilimleri Enstitüsü,<br />

İstanbul.<br />

Apak, S. (2005). “Bir Konut Bölgesi<br />

Yaya Sirkülasyonunda Tercihlerin<br />

Güvenlik Duygusu Bağlamında Değerlendirilmesi”,<br />

Konut Değerlendirme<br />

Sempozyumu, İstanbul Teknik Üniversitesi,<br />

Mimarlık Fakültesi Baskı Atölyesi,<br />

s;83-96, İstanbul.<br />

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156<br />

Bentley, I., Alcock , A., Murrain,P.,<br />

McGlynn,S., Smith, G. (1993), “Responsive<br />

Environments – A Manual For<br />

Designers”, Butterworth – Heinemann<br />

Ltd., Printed by Hartnolls Ltd., Cornwall.<br />

Blakely, E.,J., Snyder , M.,G. (1997).<br />

“Fortress America – Gated Communities<br />

in the United States”, Brookings Institution<br />

Press., Printed by R. R. Donnelley<br />

& Sons Co., Washington D.C.<br />

Crankshaw, N. (2009). “Creating Vibrant<br />

Public Spaces – Streetscape Design<br />

in Commercial and Historic Districts”,<br />

Island Press, Washington D.C.<br />

Crowe, Timothy, D. (1991). “Crime<br />

Prevention Through Environmental Design<br />

– Applications of Architectural Design<br />

and Space Management Concepts”,<br />

The British Library Document Supply<br />

Centre, National Crime Prevention Institute,<br />

Butterworth – Heinemann Ltd.,<br />

Stoneham, Massachusetts<br />

Görücü, E.,Ö., Pektaş (2014). “İstanbul<br />

– Gaziosmanpaşa- Küçükköy Mahallesi<br />

Avrupa konutları TEM-2 Projesi<br />

Değerleme Raporu”, (Emlak Konut –<br />

<strong>12</strong>.14 – 161 nolu Rapor), Yetkin Gayrimenkul<br />

Değerleme ve Danışmanlık<br />

A.Ş., İstanbul.<br />

Hillier, B. (1996). “Space is the Machine<br />

– A Configurational Theory of<br />

Architecture”, Cambridge University<br />

Press, New York.<br />

İçli, G. (2010). “Statü Sembolü<br />

Olarak Konut ve Konut Kullanımı Denizli<br />

Örneği”, Pamukkale Üniversitesi<br />

Yayınları, No:13, Denizli.<br />

Jacobs, J. (1961). “The Death and<br />

Life of Great American Cities”, Vintage<br />

Books, New York.<br />

Küçükerman, Ö. (2007). “Turkish<br />

House in Search of Spatial Identity”,<br />

Türkiye Turing ve Otomobil Kurumu,<br />

Euromat Entegre Matbaacılık, Istanbul.<br />

Newman, O. (1972). “Defensible<br />

Space – People and Design In The Violent<br />

City”, Architectural Press, W & J<br />

Mackay Ltd., Great Britain, Chatham.<br />

Poyner, B., Webb, B. (1991). “Crime<br />

Free Housing”, The British Library<br />

Document Supply Centre, Butterworth<br />

– Heinemann Ltd., M & A Thomson<br />

Litho Ltd., Scotland.<br />

Stollard, P. (1991). “Crime Prevention<br />

Through Housing Design”, Chapman<br />

& Hall, London.<br />

Ünlü, A. (1986). “Geleneksel Çevrelerde<br />

Tasarım Verilerinin Saptanması<br />

İçin Bir Model”, (Published doctoral<br />

dissertation), İstanbul Teknik Üniversitesi,<br />

Fen Bilimleri Enstitüsü, İstanbul.<br />

Stafford, J., Pettersson, G. (2003).<br />

http://www.dft.gov.uk/stellent/groups/<br />

gft_mobility/documents/ page/dft_<br />

mobility_025965-11.hcsp<br />

(http://www.gophaber.com/haber-<br />

3847-arsiv.html).<br />

Kent konut alanlarının parçalanması:<br />

Mahalleler ve yeni kapalı konut<br />

yerleşmeleri<br />

Türkiye ve İstanbul’da özellikle<br />

2000’li yıllardan sonra kapalı konut<br />

yerleşmeleri büyük bir hızla üretilerek<br />

kent kullanıcılarının kullanımına<br />

sunulmaya başlanmıştır. Sermayesi<br />

gelişmiş özel girişimciler ve / veya özel<br />

– kamu işbirliği ile planlanan bu yeni<br />

tip yaşam anlayışlı sunumlar, bir mega<br />

kent olan İstanbul’un dahi bu oranlarda<br />

hiç karşılaşmadığı ölçek ve sayılardaki<br />

yeni konut alanlarıyla hazırlıksız bir<br />

şelikde karşı karşıya kalmalarına neden<br />

olmuştur. Bu yeni kapalı yerleşim<br />

alanları ve yaşam tarzının oluşturduğu<br />

kentsel lekeler, İstanbul’un içlerinde ve<br />

eteklerinde hızla belirmeye ve yayılmaya<br />

başlamıştır.<br />

Bu lekelerin, yapay adacıkların kent<br />

için en büyük problemi, mevcut kent<br />

dokusuna yapışarak veya mevcut doku<br />

içlerindeki mevcut veya kentsel dönüşümle<br />

elde edilen boşlukları doldurma<br />

yöntemiyle mevcut dokuyu iteleyerek<br />

sıkıştığı alanın kendisine ait yarattığı<br />

iç dünyasının tersine dış dünyasında<br />

etkileşimsiz alanlar yaratmasıdır. Mevcut<br />

dokudan koparılan bu parçalar ile<br />

mevcut alanların birbirleri ile olabilecek<br />

olası etkileşim, birleşme şanslarının<br />

da ellerinden almasıdır.<br />

Tüm bu olumsuzluklarının yanı sıra,<br />

bazı durumlarda, duvar ve parmaklıklar<br />

ile sadece kendilerine ait donatılara<br />

erişimi değil, caddelere, kaldırımlara,<br />

parklara, plajlara, nehirlere, patikalara,<br />

çoçuk oyun alanlarına, lokal tüm vatandaşlar<br />

tarafından paylaşılacak tüm<br />

kaynaklara kamusal geçişi de engelleyebilmekte,<br />

zorlaştırabilmektedirler<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • S. Apak


157<br />

(Blakely and Snyder, 1997).<br />

Mevcut dokunun ihmal edilip dışlanması<br />

ile karşı komşulukları ile etkileşim<br />

şansları ellerinden alınarak,<br />

bu sokak kullanıcıları yalnızlaştırılmakta,<br />

geçirgenliği sağlayacak, arttıracak,<br />

doku ve sokak süreklilikleri kesilmekte,<br />

kentsel canlılığı zayıflatılmış,<br />

ticaret potansiyeli azaltılmış çevreler<br />

yaratılmaktadır. Neticede kullanıcı yoğunluğunun<br />

endişe yaratacak boyutta<br />

azaldığı, doğal gözetim olanaklarının<br />

ortadan kaldırılıp, güvenlik hissinin<br />

zayıfladığı kuşaklar yaratılmaktadır.<br />

Makalenin teorik tabanında, güvenli<br />

ortam yaratma bağlamında doğal<br />

gözetim, kullanımı teşvik ederek<br />

sosyal kontrol perspektifinden pozitif<br />

yoğunluk yaratacak bir bütünleşme<br />

aracı olarak geçirgenlik ve fonksiyonel<br />

ayrışmışlık yerine karma kullanım unsurları<br />

ortaya konularak derinlemesine<br />

irdelenmiş ve makalenin yaklaşımı<br />

doğrultusunda kuramsal bir çerçeve<br />

oluşturulmaya çalışılmıştır.<br />

Mevcut kent dokusu içleri ve eteklerine<br />

serpiştirilen, gerektiğinde tıkıştırılan<br />

bu lekeler, bu farklı dokuların yarattığı<br />

ara kesitler bağlamında, düzen<br />

ve güven ortamının zayıflık göstergesi<br />

olarak duvar yazıları (grafiti) ve vandalizm<br />

ele alınmış, özellikle duvar yazılarının<br />

fiziksel çevrenin niteliği ve bu<br />

çevrenin kullanıcılar üzerindeki psikolojik,<br />

sosyolojik ve ekonomik etkilerini<br />

konu edinmiş düşünsel ve araştırmalara<br />

dayalı çalışmalar ortaya konulmuştur.<br />

Mevcut doku ile sırtı dönük adacıklar<br />

arasındaki temas bölgelerinin<br />

geçirgenliği, kullanım tercihliği ve<br />

yoğunluğu, canlılık ve sosyal kontrol,<br />

doğal gözetim varlığı veya yokluğu ile<br />

güvenlik hissine etkisi bağlamında duvar<br />

yazılarının varlığı, uygulanabilme<br />

ortamı bulabilmesi ve verdiği mesajlar<br />

makalenin ana omurgasını oluşturmaktadır.<br />

Bu açıdan çalışma alanlarının seçiminde<br />

mevcut kent dokusu ile yakın<br />

temas halinde olan kapalı konut adacıklarının<br />

seçimine özen gösterilmiştir<br />

ve özellikle plansız veya kötü gelişim<br />

göstermiş kentsel dokuyla komşu, iç<br />

içe geçmiş, yeni kapalı konut adalarının<br />

bu özenli seçiminde amaçlanan,<br />

lüks tüketim özellikleri gösteren bu<br />

adaların çevreleri ile olan ilişkilerinin<br />

dışa yansımasının ip uçlarını daha belirgin<br />

olarak yakalayabilmektir.<br />

Çalışma yöntemi açısından mevcut<br />

dokunun kendi içindeki geçirgenliği,<br />

bütünleşmesi ve bu dokunun kapalı<br />

konut adacıkları ile bütünleşmesinin,<br />

aradaki bağların varlığının, bağların<br />

zayıflığı veya kuvvetliliğinin yani bütünleşme<br />

değerlerinin tespiti önemli<br />

bir bileşeni oluşturmaktadır. Diğer bileşen<br />

olarak, kapalı konut adalarının<br />

yakın çevrelerindeki mevcut kent dokusunun<br />

ve ara zonlara ilişkin gözlem<br />

ve bu gözlemlere dayalı verilerin elde<br />

edilmesi gelmektedir. Gözlem değerlendirme<br />

kriterleri olarak, ada dışı<br />

kullanıcılar ve fiziki çevre nitelikleri<br />

üzerine odaklanılmıştır. Fiziki çevreye<br />

ilişkin tespitlerde, yakın çevre ve ara<br />

zonlarda grafiti ve vandalizmin varlığı<br />

araştırılmış ve olan / yoğunlaşan yerlerin<br />

tespiti yapılmıştır.<br />

Bir binanın veya kent dokusunun<br />

organizasyonu, deneyimlenmesinin<br />

ardışıklığı nedeniyle, akslarının organizasyonudur.<br />

Mimarinin deneyimlenmesi,<br />

bir hareketin bir akımın<br />

deneyimlenmesi olması sebebiyle aks<br />

esastır, temeldir (Hillier 1996). Bu nedenle,<br />

bütünleşme değerlerinin saptanmasi<br />

için Axial line analizi seçilmiş<br />

ve çalışma alanlarına uygulanmıştır.<br />

İntegrasyon analizi için Michigan<br />

Üniversitesinin geliştirdiği Syntax2D<br />

programı kullanılmıştır. Güncel haritalardan<br />

axial line haritaları herbir<br />

bölge için ayrı ayrı Autocad programı<br />

ile hazırlanmış ve hazırlanan bu haritalar<br />

Syntax2D programına aktarılarak<br />

integrasyon değerleri hesaplanmıştır.<br />

Axial line haritalarının hazırlanmasında<br />

bölgenin sokak örüntü ağı ve bu ağı<br />

oluşturan sokaklara açılan herbir kapının<br />

eklenilmesi esas alınmıştır.<br />

Elde edilen gözlem verileri ile entegrasyon<br />

değerleri karşılaştırılması<br />

yapılarak, Düşük-Yüksek entegrasyon<br />

alanları ile grafiti Varlığı- Yokluğu örtüşmelerinin<br />

ve değişkenler arasında<br />

bir korelasyon bulunlup bulunmadığı<br />

araştırılması yapılmıştır. Özellikle<br />

sık grafiti uygulamalarının olduğu<br />

noktalara yoğunlaşılmış, bütünleşme<br />

değerleri arasındaki ilişkilerdeki anlamlılıklar<br />

sorgulanmış, fiziksel çevre<br />

niteliği ve kullanımına yansımaları irdelenmiştir.<br />

Gözleme dayalı yapılan tespitlere<br />

Disintegration of urban housing areas: Districts and new gated housing settlements


158<br />

göre, her üç çalışma alanının kapalı<br />

konut adaları çevrelerinde grafiti<br />

varlığına rastlanmıştır. Doğal olarak<br />

metrelerce kesintisiz uzanan bu sağır<br />

duvarlar grafiti için çok elverişli düşey<br />

düzlemler, grafitiye altlıklar oluşturmaktadır.<br />

Grafiti nokta haritaları ile<br />

Syntax2D ile elde edilen integration-n<br />

değer haritaları enterpoze edilip karşılaştırıldığında<br />

çok büyük bir oranda<br />

örtüşme olduğu görülmektedir. Pınar<br />

mahallesi semtinin ve İstinye Evlerinin<br />

axial line analizinde İstegrasyon-n<br />

diyagramını değerlendirdiğimizde<br />

“Pınar Mahallesi” semtinin en işlek<br />

caddesi olan Çamlıbel Caddesinin,<br />

koyu kırmızı renk sıkalasında en yüksek<br />

integrasyon değerine sahip olduğu<br />

hesaplanmakta ve Hillier’in de ortaya<br />

koyduğu gibi bölgenin bir integrasyon<br />

çekirdeği olarak belirmektedir. Buna<br />

karşın, İstinye Evlerinin duvarlarına<br />

yapışık İğde Sokağının integrasyon<br />

değerinin oldukça düşük olduğu ve<br />

gözlemlerle elde edilen verilere göre<br />

özellikle yaya kullanım yoğunluğunun<br />

çok az olduğu, ticari birimlerin yer almadığı<br />

ve duvar yazılarının yoğunlukla<br />

yer aldığı çevresiyle bütünleşemeyen<br />

bantlar olarak göze çarpmaktadır.<br />

Kapalı konut adalarında bir çok ayrıcalıkların<br />

sağlanmış ve kontrol edilebilir<br />

halde tutulması yeni yerleşim yatırımlarını<br />

ekonomik açıdan daha karlı<br />

hale getirmektedir (Görücü and Pektas<br />

2014) ve yatırımcı firma veya girişimciler<br />

tarafından en önemli bu tercih<br />

sebebi olmaktadır. Kamu ve özel sektörün<br />

elindeki boş veya farklı fonksiyona<br />

sahip arsaların kapalı konut adaları inşaası<br />

yoluyla daha fazla kar elde edilebilir<br />

hale getirilme isteği ve ekonomik<br />

fizibiliteler bu uygulamaların lokasyon<br />

seçiminde en önemli öncelikli unsur<br />

olmuştur. Enjekte edildikleri mevcut<br />

kent dokusunda oluşturulan adaların<br />

bitişik çevrelerinin sosyal – kültürelekonomik<br />

yapıları dikkate alınmamış,<br />

mahallelerin dokusal sürekliliğine<br />

dikkat edilmemiştir. Verilerin analizi<br />

ile ortaya konulduğu gibi, bu refah<br />

adacıkları ile mevcut doku arasındaki<br />

zonlar etkileşimsiz, yalnızlaştırılmış<br />

alanlar haline dönüştürülmüştür.<br />

Bu zonlarda doku uyuşmazlığı ortaya<br />

çıkmıştır (http://gophaber.com/haber-3847-arsiv.html).<br />

Analizlerin desteklediği<br />

gibi, uçsuz bucaksız duvarlara<br />

komşu, bitişik çevrenin rahatsızlık<br />

ve hoşnutsuzluğu grafiti olarak ortaya<br />

çıktığı gözlemlenmektedir.<br />

Gelinen bu noktadan sonra duvarların<br />

yıkılıp çok farklı sosyo-ekonomik,<br />

kültürel yapıda kesimlerin bir araya<br />

gelmesi şüphesiz ki beklenemez. Zaten<br />

böyle bir beklenti, talep taraflarda<br />

da bulunmamaktadır. Çözüm mevcut<br />

doku içindeki yeni kapalı yerleşmelerin<br />

lokasyonlarının belirlenmesinde<br />

mevcut sosyal doku faktörünün ön plana<br />

çıkarılmasıdır. Lokal uygulamalarda,<br />

ekonomik rant uğruna kapalı konut<br />

adaları üretmek yerine, mevcut bünyenin<br />

kabul edebileceği, çevre ile bütünleşebilen<br />

açık dokunun geliştirilmesi,<br />

mahalle anlayışının ön plana çıkarılmasıdır.<br />

Daha üst ölçekte ise, keskin<br />

cepheler, hatlar oluşturulmadan, daha<br />

barışkın, geçişken bir kademelenme<br />

anlayışı ile kapalı konut adacıkları uygulamalarına<br />

gerek bırakılmayacak<br />

kentsel planlama anlayışının ve uygulamasının<br />

hayata geçirilmesi olmalıdır.<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • S. Apak


ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • 159-173<br />

A diachronic approach on<br />

heterochronic urban space<br />

İlgi TOPRAK 1 , Alper ÜNLÜ 2<br />

1<br />

hacihasanoglu@itu.edu.tr • Department of Architecture, Faculty of Architecture,<br />

Istanbul Technical University, Istanbul, Turkey<br />

2<br />

aunlu@itu.edu.tr • Department of Architecture, Faculty of Architecture, Istanbul<br />

Technical University, Istanbul, Turkey<br />

Received: May <strong>2015</strong> Final Acceptance: October <strong>2015</strong><br />

Abstract<br />

As the fourth principle of heterotopias defined in Foucault’s controversial yet<br />

inspiring text named “Of Other Spaces”, heterochronies define places that accumulate<br />

time, as well as temporary spatial formations. This study interprets urban<br />

spaces with historical backgrounds, which can accommodate both the accumulation<br />

of time and the temporariness, as heterochronic urban spaces.<br />

This study aims to evaluate the reflection of socio-cultural background of<br />

historical neighbourhoods on the morphological and semantic change of their<br />

heterochronic elements throughout history. The deconstructive methodology of<br />

the study consists of a diachronic research involving three parts: deconstructing,<br />

analysing and reconstructing history. By “deconstructing history” through<br />

a multi-layered “timeline” developed with important historical thresholds and a<br />

“zoning”, morphological or socio-cultural changes and “situations” are defined.<br />

“Analysing deconstructed history” involves the syntactic analyses of these “situations”<br />

in terms of historically persistent elements and temporary formations, to<br />

grasp the morphological and socio-cultural evolution of the heterochronic urban<br />

space. “Reconstructing history”, as a synthesis, semantically interprets syntactic<br />

findings signalizing accumulations, discontinuities, shifts or losses of meaning.<br />

The case study is Kuzguncuk neighbourhood, a heterochronic urban space on<br />

the Asian side of Istanbul, an old Bosphorus village, which mainly used to consist<br />

mostly of a welcoming and peaceful residential area co-inhabited by Jews, Christians<br />

and Muslims, later by Black Sea migrants. The area is gentrified within the<br />

last thirty years. The findings of the case study show that Kuzguncuk is one of the<br />

heterochronic urban spaces, as well as a palimpsest where a majority of meanings<br />

perish, leading to fake re-valuation.<br />

Keywords<br />

Diachronic research, Heterochrony, Kuzguncuk, Space syntax.


160<br />

1. Introduction<br />

Heterochronies, as in Foucault’s<br />

fourth principle of heterotopias, define<br />

multiple temporalities in a single place.<br />

Besides architectural interpretations<br />

such as libraries and museums, heterochronies<br />

can also define urban spaces<br />

in smaller or bigger scales, collecting<br />

various morphological and socio-cultural<br />

traces of time. In fact, so-called<br />

“heterotopic urban spaces” construct<br />

a perpetual time accumulation and become<br />

timeless.<br />

The first section of this paper aims<br />

to discuss how temporality is handled<br />

in Foucault’s heterotopias in “Of Other<br />

Spaces” and define what heterochrony<br />

means as a spatio-temporal notion interpreting<br />

similar and following studies<br />

mainly about architectural and urban<br />

heterochronic spaces, notably the ones<br />

of Heidegger, Sartre, Merleau-Ponty,<br />

and Rossi. This part of the work concentrates<br />

in theoretically describing<br />

“heterochronic urban space”.<br />

The second section explains the<br />

deconstructive methodology that is<br />

adopted in this study to examine heterochronic<br />

urban space in depth. The<br />

methodology consists of three parts:<br />

deconstructing, analysing and reconstructing<br />

history. This methodology<br />

aims to uncover the history by deconstructing<br />

and layering historical data<br />

of a heterochronic urban space within<br />

a “timeline”, analyse layered historical<br />

components using Space Syntax, and<br />

finally holistically reconstruct history,<br />

as today’s reality, with a synthesis of<br />

syntactic findings and their semantic<br />

interpretation.<br />

The third chapter concentrates on<br />

the case study. The case study involves<br />

the historical evolution of the Kuzguncuk<br />

neighbourhood, an old Bosphorus<br />

village on the Asian side of Istanbul<br />

using Space Syntax, diachronically<br />

analysing changing syntactic values of<br />

heterochronies: historically persistent<br />

elements as “heterochronic constants”,<br />

gatherings and “situations” as “heterochronic<br />

variables” between the years<br />

1932 and 2014.<br />

Finally, the conclusion of the study<br />

focuses on the semantic interpretation<br />

of the current state of the neighbourhood<br />

to answer the question to what<br />

extents Kuzguncuk can be defined as<br />

a heterochronic urban space. As the final<br />

step of the three-fold methodology,<br />

this holistic interpretation attempts to<br />

do a synthesis of the case study.<br />

2. Heterochrony: Temporality in<br />

Foucault’s heterotopias and its translation<br />

into urban spaces<br />

Heterotopias are closely linked to<br />

concerns about time, notably time<br />

intervals, breaks, accumulations and<br />

transitions. Between the eternal and<br />

the temporary, heterotopic spaces refer<br />

to temporal formations in different<br />

contexts. Among the principles of heterotopias<br />

in Foucault’s highly controversial<br />

text “Of Other Spaces”, it is indicated<br />

that there is not a universal form<br />

of heterotopia; functions of heterotopias<br />

are variable, and that heterotopias<br />

can gather multiple incompatible spaces<br />

together. They have an opening-closing<br />

system, and are generally not freely<br />

accessible like public spaces. They always<br />

have a function relating to external<br />

spaces (Foucault, 1986). According<br />

to the fourth principle of heterotopias,<br />

which is the main concern of this paper,<br />

heterotopias linked to “slices of<br />

time” named as “heterochronies”. Heterotopias<br />

are working at full capacity in<br />

case of rupture of the traditional time<br />

for humans, as in the case of a cemetery,<br />

an intersection of loss of life and<br />

eternal rest. The first significant type of<br />

heterochrony is indefinite time accumulation<br />

as for libraries and museums.<br />

It is an endless gathering of things, accumulating<br />

and archiving in a specific<br />

place, a place that becomes itself out<br />

of time. Another type of heterotopias<br />

stands out as quite the opposite of the<br />

previous one, defining spaces as temporary<br />

structures, fugacious and finite<br />

occurrences. These heterochronies are<br />

strictly temporal and can be translated<br />

to many architectural and spatial<br />

experiences such as fairgrounds, vacation<br />

villages or Olympic villages. These<br />

two entirely opposite sides of heterochronies<br />

reflect the eternal and the<br />

temporary at the same time (Foucault,<br />

1986).<br />

Can urban spaces really be studied<br />

as heterochronies? Mc Leod (1996)<br />

criticizes Foucault for having forsaken<br />

the “messy and in-between urban<br />

spaces” such as the residence, the<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • İ. Toprak, A. Ünlü


161<br />

workplace, the street and many others.<br />

The limited illustration and description<br />

of spaces depicted as heterotopias<br />

in “Of Other Spaces” seem to restrain<br />

the boundaries of the concept, referencing<br />

pre-defined spaces. However,<br />

the idea of heterochrony itself can be<br />

subject to define a double-sided reality<br />

of permanence and transience of the<br />

actual urban pattern. It can be assumed<br />

that heterochronies create a bridge between<br />

time and space. The combination<br />

of accumulation of time and fugitive<br />

experiences form them, and like<br />

in every heterotopic case, they show<br />

several inconsistencies. Heterochronic<br />

urban spaces reflect continuity and iteration,<br />

depicting history and present<br />

at the same time. Everyday experiences<br />

actualize together in urban spaces with<br />

references to the past. In that way urban<br />

space as heterochrony, can verify<br />

Foucault’s argument that urban spaces<br />

as heterochronies are sources of immediate<br />

knowledge. Like museums and<br />

libraries, they offer finite, compiled<br />

and quick information. However, the<br />

everydayness of heterochronic environments<br />

is not to be undermined.<br />

Because places such as library, a museum,<br />

a fairground or a farmers’ market<br />

welcome everyday strollers, readers,<br />

contemplators, chatters and shoppers.<br />

Two-sided experience of the urban<br />

space as heterochrony, constructs a<br />

bridge between accumulation/deletion<br />

of historical traces through time and<br />

everyday “situations” involving cultural,<br />

social changes, not in a way that a<br />

museum exposes an agglomeration of<br />

time segments, but experiential space<br />

through which different indicators<br />

of time accumulation find a place for<br />

themselves.<br />

In respect of the communities and<br />

the situations that define them, heterochronies<br />

are surrounded by discontinuities,<br />

altering and sometimes decaying<br />

meanings. The changing nature of<br />

heterochronies appears more clearly,<br />

especially with everydayness, collective<br />

experience of co-habitant communities.<br />

Otherness becomes valuable,<br />

in most of the circumstances, as each<br />

moment in history and the collective<br />

memory associated to it become a<br />

particular “situation” of its own. Many<br />

philosophers studied the spatiality of<br />

“situation” such as Sartre and Merleau-Ponty<br />

who primarily investigated<br />

the anthropological depth and the<br />

conception of embodiment of “situation”<br />

(Ha, n.d.), according importance<br />

to personal and sociological insights<br />

of what embodies the self. However<br />

Heidegger differentiated the conception<br />

of “situation” from the general<br />

situation depicting inauthentic spatiality<br />

of the “They” (das Man) therefore,<br />

“situation” has a more socio-cultural<br />

potential (Heidegger, 1996; Ha, n.d.).<br />

Each situation has its own characteristics<br />

and cultural phenomena related to<br />

it, defining moments and slices of lived<br />

spaces. In architectural thought, “situation”<br />

might be equivalently studied<br />

with the idea of “urban artefact” (Rossi,<br />

1982). An urban artefact can appear<br />

as a square, a building or a street that<br />

signifies a certain moment in history,<br />

in a constantly changing urban pattern<br />

(Rossi, 1982). Urban artefacts coexist<br />

and therefore form a city, which brings<br />

back the argument of the Collage City<br />

(Koetter & Rowe, 1978) suggesting a<br />

theory of urban fragmentation. Another<br />

conception, “palimpsest” that<br />

means writing, erasing and rewriting<br />

on parchment; describes a “non-contemporaneity<br />

with itself of the living<br />

present” in Derrida’s words (Derrida,<br />

1994). Its urban interpretation “urban<br />

palimpsest” (Huyssen, 2003; Bjur&Azimzadeh,<br />

2007) explains the multi-layered<br />

and diachronic attributes of urban<br />

environments, and especially the need<br />

to explore present pasts in order to understand<br />

past and present experiences<br />

and sensibility of time, from both historical<br />

and phenomenological viewpoints.<br />

Sometimes in urban palimpsests,<br />

urban artefacts or their cultural<br />

and sociological “situations” cannot<br />

overcome decay. At this point, it is also<br />

relevant to talk about temporal and<br />

spatial discontinuities; especially “historical<br />

discontinuities” (Teyssot, 1980)<br />

that can reflect the segmented nature<br />

of heterochronies, especially when sociological<br />

or cultural corruptions affect<br />

some “situations”, and let them become<br />

new “situations”. In historical urban areas,<br />

migration and gentrification tend<br />

to shift “situations”. In postmodern<br />

urban landscapes, historical architectural<br />

forms are amalgamated into new<br />

A diachronic approach on heterochronic urban space


162<br />

buildings, to recall a collective memory<br />

(Boyer, 1996, Mills, 2004) however in<br />

case of shifting situations, amalgams<br />

can appear fake and without identity,<br />

resulting in a decay of meaning.<br />

Time collection is the most significant<br />

issue that constructs the idea<br />

of heterochrony in urban spaces. Although<br />

Foucault’s approach seems<br />

to involve a relatively artificial time<br />

accumulation, as time accumulating<br />

heterochronies are defined as artificial<br />

collections that have been gathered<br />

from different periods in history and<br />

put in a context to which they do not<br />

belong; a majority of heterochronies<br />

in urban context has a steady and natural<br />

time accumulation. For instance,<br />

urban spaces gather different slices of<br />

time together, with buildings and street<br />

patterns that belong to various timescapes,<br />

and not at once, but in a long<br />

term, they ensure the accumulation of<br />

time in themselves. According to Rossi<br />

(1982), urban artefacts sometimes remain<br />

as they are, however sometimes<br />

they decay, and then their forms, their<br />

physical marks stay persistent. This<br />

permanence is called “locus” and it<br />

solidifies with collective memory. Locus<br />

‘emphasizes the conditions and<br />

qualities within undifferentiated space<br />

which are necessary for understanding<br />

an urban artefact’ (Rossi, 1982). Therefore,<br />

locus witnesses many ‘situations’<br />

and is the most interesting pathway to<br />

the exploration of an urban artefact.<br />

Rossi (1982) also points out the importance<br />

of rituals and collective nature<br />

of religious activity in the formation<br />

of historically permanent elements<br />

(monuments), as they determine the<br />

initiation of a certain religious and socio-cultural<br />

activity in an urban pattern,<br />

and provides a key to understand<br />

urban contexts. “The theory of permanences”<br />

suggests that it is incorrect to<br />

think of a persistent urban artefact as it<br />

is related to only one historical period.<br />

The dynamic nature of the city leans<br />

towards an evolutionary process that<br />

not only helps the preservation of historically<br />

permanent elements but also<br />

presents them as promoters of evolution<br />

(Rossi, 1982). This view of evolutionary<br />

process somehow contradicts<br />

with the idea of “palimpsest” which<br />

supports a more realistic viewpoint on<br />

the change of urban pattern; given that<br />

the historically permanent elements do<br />

not always evolve but they sometimes<br />

perish as well.<br />

3. Methodology<br />

Any urban space can accumulate<br />

time, as Doreen Massey (1995) argues,<br />

“The past of a place is as open to a multiplicity<br />

of readings as is the present”.<br />

However, historical urban spaces are<br />

more likely to host several periods of<br />

time with different social, cultural as<br />

well as morphological settings where<br />

their changes and breaks are more<br />

apparent and easier to compare than<br />

they are in newer urban environments.<br />

Historical backgrounds are suitable to<br />

uncover different fashions, interrelated<br />

slices of time and significant events,<br />

transformations, thresholds and milestones.<br />

This research aims to make a diachronic<br />

research on shifting “situations”<br />

and permanent elements of historical<br />

neighbourhoods with syntactic<br />

analysis. In order to achieve this, a<br />

three-fold deconstructive methodology<br />

is adopted:<br />

• Deconstructing history through a<br />

“timeline”<br />

• Analysing deconstructed history<br />

through “Space Syntax”<br />

• Reconstructing history through a<br />

“semantic interpretation”.<br />

The methodology is schematized in<br />

relation with the theoretical section<br />

and the case study in Figure 1, and<br />

then each step is explained in detail.<br />

3.1. Deconstructing history through<br />

“timeline” and “zoning”<br />

Heterochronic neighbourhoods can<br />

have a chaotic and multi-layered historical<br />

background. Therefore, an ex-<br />

Figure 1. Schematic representation of the methodology.<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • İ. Toprak, A. Ünlü


163<br />

tensive historical research about the<br />

history of the neighbourhood is indispensable<br />

in order to understand the<br />

temporal interrelations of important<br />

events, shifting situations, architectural<br />

and urban changes. This deconstruction<br />

will be made through a multi-layered<br />

timeline that aims to represent<br />

several aspects of time relating to the<br />

neighbourhood. Multiple temporalities<br />

are investigated with historically<br />

persistent elements, temporary formations,<br />

and socio-cultural and morphological<br />

thresholds. Therefore, the timeline<br />

is crucial in order to understand<br />

the dynamics of the current state of the<br />

neighbourhood, as many different cultural<br />

and social backgrounds are intermingled.<br />

The “timeline” concentrates<br />

on historical events, thresholds and<br />

periods (if any), maps, aerial photos,<br />

and the construction culturally significant<br />

buildings later used in the study as<br />

“heterochronic constants”.<br />

The “zoning” represents the temporary<br />

patterns of formations such as<br />

cultural gatherings or functions on a<br />

map. The zoning of residential patterns<br />

of different cultural gatherings is later<br />

used in the syntactic integration assessment<br />

of “heterochronic variables”<br />

in this study.<br />

3.2. Analysing deconstructed history<br />

through “space syntax”<br />

A morphological-syntactical study<br />

(Griffiths, 20<strong>12</strong>) on the deconstructed<br />

history will be presented in two different<br />

methods: The first method involves<br />

the axial map analysis, in order to<br />

analyse visual interrelations and depth<br />

for comparing maps in which urban<br />

morphology changed significantly.<br />

The axial map analysis will include the<br />

comparative general intelligibility (local-global<br />

scattergram and regression<br />

analysis) and integration grid analysis<br />

of different maps referring to distinct<br />

maps throughout history, to understand<br />

the overall evolution of the syntactical<br />

pattern and intelligibility and<br />

to make inferences on the change of local/global<br />

integration levels of the area<br />

and their correlations through time.<br />

The second method will involve two<br />

different kinds of analysis: In order to<br />

understand the “situations” given in the<br />

timeline, isovist and integration analyses<br />

concerning “heterochronic constants”<br />

and “heterochronic variables”<br />

will be put forward. Heterochronic<br />

constants are historically persistent<br />

elements (ex. cultural buildings, ritual<br />

buildings, monuments) and heterochronic<br />

variables are more temporary<br />

formations (ex. cultural gatherings and<br />

their housing zones) both found in urban<br />

heterochronic spaces.<br />

The first step is to detect “heterochronic<br />

constants”. According to Levy this<br />

kind of diachronic research “focuses<br />

on the role of constants, or historically<br />

persistent elements, in the fabric as the<br />

city evolves from one stage to the next.<br />

These elements play an important role<br />

in the determining the present configuration<br />

of the city” (Levy, 1999). In<br />

this study, these historically persistent<br />

elements are called “heterochronic<br />

constants”, buildings or monuments<br />

having cultural, ethnic or religious significance,<br />

associated with urban artefacts<br />

and their underlying meanings,<br />

similar to the concept of “monuments”<br />

in “The Architecture of the City” (Rossi,<br />

1982). They signify the locus, the<br />

time accumulation, and one or several<br />

related urban artefacts throughout<br />

their entire existence. Places of rituals,<br />

as the key to understand urban context,<br />

a reference to the foundation of a city,<br />

possess a collective nature and most<br />

importantly signify an unchanging<br />

reality remaining out of time (Rossi,<br />

1982). That is why as houses of myths<br />

and rituals, religious buildings’ time<br />

accumulation and locus would be significant<br />

to understand the alteration of<br />

their syntactic values, especially their<br />

integration on a global scale. Average<br />

depth of morphological and functional<br />

imprints on the historical area, their<br />

comparative values and mutual effects<br />

of integration/segregation degrees and<br />

sociological/cultural meanings are analysed.<br />

Isovists (area and perimeter<br />

values) are equally important to understand<br />

their impacts and visibility from<br />

surroundings, as well as their strategic<br />

location and the amount of visible area.<br />

Their syntactic significance can be<br />

measured according to the interrelated<br />

alterations of integration and isovist<br />

values. If they both rise, visually, functionally<br />

and meaningfully, those ritual<br />

spaces become more integrated in the<br />

A diachronic approach on heterochronic urban space


164<br />

area. If they both decrease, those ritual<br />

spaces become more segregated. In<br />

both circumstances, the social and cultural<br />

context and historical data will be<br />

investigated in order to understand any<br />

enhancement or decay of meaning. If<br />

integration values and isovist values alter<br />

inversely proportional, that means<br />

either the building is more integrated<br />

but less perceivable or vice versa. This<br />

shows that there may be complex issues<br />

with the building, its surroundings<br />

and its users. The historical data<br />

about the building will be explored to<br />

explain this complexity. The other isovist-based<br />

parameter that is used for<br />

measuring in order to understand the<br />

convexity of spaces is circularity. High<br />

circularity levels accentuate the shape<br />

of a circle in a space, but the centrality<br />

of the viewpoint also a determinant<br />

(Edgü et al, 20<strong>12</strong>). Therefore, in smaller<br />

urban settings, circularity is a parameter<br />

that promotes enclosure and<br />

embodiment, determining a level of<br />

perceptive inclusion.<br />

Another way to examine “situations”<br />

is to reveal more temporary formations<br />

and their evolution. These types of<br />

buildings are secondary elements constructing<br />

urban form, however their<br />

meanings remain very crucial for the<br />

society and the collective memory of<br />

citizens. In this study, they are called<br />

“heterochronic variables”. They form<br />

the everyday experiences of neighbourhood<br />

life, and according to shifting<br />

“situations”, they can change appearance,<br />

function or even disappear.<br />

Their mutual relations and patterns<br />

can alter. The first category of these less<br />

persistent formations is “gatherings”,<br />

having a rapidly changing housing pattern,<br />

as they are subject to restoration<br />

and renewal, or even abandonment,<br />

resulting from many reasons but mainly<br />

social and cultural changes in the<br />

community using them, such as migration<br />

and gentrification. This study examines<br />

cultural gatherings as changing<br />

aspects of “situations” and analyse the<br />

integration values of their settlement<br />

localizations in order to explain the social<br />

integration, daily lives and permanence<br />

in the area, comparing integration<br />

values with each other, examining<br />

every gatherings’ relation with its ritual<br />

space(s) according to integration values<br />

of respective heterochronic “variable”<br />

(gathering) and “constant” (ritual<br />

place).<br />

All syntactical analyses in this study<br />

will be made with the software “Syntax2D”<br />

developed in University of<br />

Michigan using the parameters area,<br />

perimeter, circularity to determine<br />

isovist characteristics of space, and<br />

the ease of spatial perception in heterochronic<br />

constants; and integration<br />

parameter to analyse both heterochronic<br />

constants’ and variables’ degree<br />

of adaptation in terms of integration/<br />

segregation to the global system.<br />

3.3. Reconstructing history through a<br />

“semantic interpretation”<br />

In the conclusion section of the<br />

study, the findings of the case study<br />

will be semantically interpreted. The<br />

aim of this interpretation is to holistically<br />

evaluate what has really happened<br />

in the heterochronic urban space. The<br />

first step is to concentrate on “situations”.<br />

Situations are discovered while<br />

creating the timeline and the zoning,<br />

or while examining heterochronic<br />

constants and variables. The idea is to<br />

retrieve useful information from syntactic<br />

findings, and to make a commentary<br />

with the aid of current and past<br />

“situations”. A more general synthesis<br />

can be retrieved from the semantic interpretation<br />

of the case study. The aim<br />

of this synthesis is not to generalise all<br />

similar cases, but to create an opening<br />

to discuss the resilience of multi-cultural<br />

heterochronic urban spaces.<br />

4. A heterochronic case in Istanbul:<br />

history and evolution of Kuzguncuk<br />

4.1. Kuzguncuk as a heterochronic<br />

urban space<br />

Kuzguncuk can be described as a<br />

heterochronic urban space because<br />

it involves many properties significant<br />

to the accumulation of time, as<br />

well as fleeting aspect of temporality.<br />

We can mention several heterochronic<br />

elements in the area, mainly of two<br />

different types: first, called “heterochronic<br />

constants” in this study, mainly<br />

investigate strategic places that remain<br />

intact over centuries. As ritual places<br />

witness the entire existence of a cultural<br />

gathering in an urban space, re-<br />

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ligious buildings of Kuzguncuk (Greek<br />

and Armenian churches, a synagogue<br />

and a mosque) compose the only typology<br />

of “heterochronic constants” in<br />

this study. “Heterochronic constants”<br />

symbolize the cultural gathering spaces<br />

and ensure the existence of those<br />

gatherings, however they can lose impact<br />

with changing “situations”, and<br />

dying urban artefacts. Second, called<br />

“heterochronic variables” include the<br />

temporary characteristics and changing<br />

aspects of urban space, especially<br />

“situations” and different social and<br />

cultural gatherings deriving from those<br />

“situations”. Greeks, Armenians, Jews,<br />

Muslims, migrants and gentrifiers are<br />

some of the gatherings in Kuzguncuk<br />

throughout history, and the arrival of<br />

some of these gatherings are interrelated<br />

with new situations. For example,<br />

when gentrifiers entered the neighbourhood,<br />

“gentrification” became a<br />

new situation.<br />

4.2. Deconstructing the history of<br />

Kuzguncuk with “timeline” and<br />

“zoning”<br />

On the Asian shore of the Bosphorus,<br />

one of the small neighbourhoods<br />

along the shoreline, Kuzguncuk was<br />

once known as a mixed community<br />

of Greeks, Jews, and Armenians<br />

(Akin, 1994). Although many sources<br />

indicate that Kuzguncuk’s name once<br />

was Chrysokeramos, many historians<br />

have not agreed this idea, as it stood<br />

for neighbourhood and church names<br />

in three adjacent Bosphorus villages<br />

Kuzguncuk, Beylerbeyi and Çengelköy<br />

(Bektaş, 1996). According to İncicyan,<br />

the name Kuzguncuk is a derivation<br />

from “Kosinitsa”, the old name of the<br />

district (İncicyan, 1976; Bektaş,1996).<br />

Kuzguncuk was a Jewish neighbourhood<br />

in the beginning, although when<br />

Jews settled is still unknown. There is<br />

a strong possibility that they settled<br />

into the area after emigrating from<br />

Spain in 1492. In 18th century, Armenians<br />

started to move into the area and<br />

started to grow their community in<br />

the 19th century (Bektaş, 1996). Starting<br />

from 18th century, mostly Jews,<br />

Greeks and few Armenians were residents<br />

of Kuzguncuk. Hagios Georgios<br />

Church was one of the churches that<br />

belonged to the Greeks in Kuzguncuk<br />

A diachronic approach on heterochronic urban space<br />

165<br />

and was constructed in 1821 on İcadiye<br />

Street (Tonguç & Yale, 20<strong>12</strong>). Another<br />

Greek Church, Hagios Pantalemion,<br />

was built in 1831 and its bell tower was<br />

added in 1890. Armenians had built<br />

the Surp Krikor Lusavoric Church in<br />

1831, which was later rebuilt in 1861.<br />

Two synagogues were built, one in<br />

1878 (although other sources indicate<br />

1818) named Beth Ya’akov Synagogue,<br />

also known as the Big Synagogue on<br />

Icadiye Street, along with a smaller one<br />

in Yakup Street named Kal de Ariva<br />

Synagogue built in 1840. Finally, there<br />

are two mosques, the older one named<br />

Üryanizade Mosque with the simple<br />

building but with an interesting wooden<br />

minaret, built in 1860 on the shoreline,<br />

and the new mosque built in 1952,<br />

named Kuzguncuk Mosque.<br />

Other important landmarks are two<br />

baths: Small Bath and Mountain Bath;<br />

three fountains: İsmet Bey Fountain,<br />

İskele Fountain and Hacı Ahmed Efendi<br />

Fountain (destroyed); Kuzguncuk<br />

Pier and finally Old Police Station (destroyed).<br />

There are three cemeteries in<br />

Kuzguncuk: Jewish Cemetery, Greek<br />

Orthodox Cemetery and Nakkaş Baba<br />

Muslim Cemetery. Housing patterns in<br />

Kuzguncuk are also worth mentioning.<br />

According to Bektaş (1996) besides<br />

important mansions by the shore<br />

(yali), the housing pattern that address<br />

to people with middle income are very<br />

interesting. Greek houses commonly<br />

used timber frame and wood, while<br />

Armenians preferred masonry houses.<br />

A very special housing pattern is<br />

found in Üryanizade Street, consisting<br />

of row houses with small jetties, wooden<br />

houses with embellished façades in<br />

Simitçi Tahir Street and are some of<br />

most famous patterns in Kuzguncuk<br />

Figure 2. Current state of Kuzguncuk<br />

neighborhood.


166<br />

(Figure 2).<br />

Non-Muslim “minorities left Istanbul<br />

in response to the frightening political<br />

climate between the 1940s and<br />

the 1960s. During this same period,<br />

rural-urban migration from Anatolian<br />

villages created a cultural shift in the<br />

old mahalle (neighbourhood)” (Mills,<br />

2004). The main crisis was about an<br />

incident on 6th and 7th of September<br />

1955. Greeks, Jews, and Armenians<br />

who had not left the area after this incident,<br />

moved to newer areas in Istanbul.<br />

According to Tümertekin (1997),<br />

in a research he conducted during 60’s<br />

and 70’s, Kuzguncuk’s residents mainly<br />

consist from Istanbulians with 46% of<br />

the total residents, the majority of them<br />

live closer to the shoreline, whereas migrants<br />

settle in the rear side of the area<br />

(Figure 4). Black Sea migrant community<br />

forms the majority of Kuzguncuk<br />

(İcadiye) residents today, and has since<br />

late 1930s when they migrated to larger<br />

cities. Presently, non-Muslims form a<br />

minority of the residents. (Mills, 2004).<br />

In the 1980s, with the first process of<br />

gentrification in Istanbul, Kuzguncuk<br />

become a popular place (Ergun, 2004).<br />

Many Turkish architects, poets and<br />

artists followed famous architect Cengiz<br />

Bektaş, who first bought a house<br />

in Kuzguncuk that he renovated afterwards<br />

and made a participative planning<br />

and renovation process without<br />

any charge during the following years<br />

in the area (Ergun, 2004; Uzun, 2002),<br />

making possible the first wave of gentrification<br />

in Istanbul (Ergun, 2004).<br />

The first morphological findings<br />

about Kuzguncuk show that a few<br />

buildings are present close to the shoreline<br />

and a triangular street pattern is<br />

depicted on Kauffer Map (1776), Konstantin<br />

Kaminar Map (1813) as well as<br />

Moltke Map (1837). With Stolpe map<br />

(1863-1880), connections of the area<br />

with Üsküdar and İcadiye become more<br />

visible (Bektaş, 1996). Starting from the<br />

first quarter of the 1800’s, many heterochronic<br />

constants, especially religious<br />

buildings have been constructed and<br />

a majority of them survived until our<br />

days. Thresholds are related to the start<br />

of different housing developments occupied<br />

by distinct cultural groups, and<br />

important events significant to the cultural<br />

or morphological change of the<br />

area. Different maps, thresholds and<br />

heterochronic constants of Kuzguncuk<br />

and their dates can be seen on the<br />

timeline (Figure 3).<br />

Kuzguncuk has seen many changes,<br />

ruptures and historical discontinuities,<br />

that is why gatherings symbolizing<br />

different “situations” have locational<br />

importance, and their integration to<br />

the system is crucial in order to understand<br />

their subsistence. The mapping<br />

of these gatherings is made with reference<br />

to memories of a very small sample<br />

of interviewees in books and theses<br />

(Bektaş, 1996, Mills, 2004). According<br />

to the zoning, along the main street<br />

(İcadiye Street) there are mainly shops<br />

and residential area, however wealthy<br />

Turkish residents are situated along the<br />

shoreline road (Paşalimanı Avenue).<br />

There are two large residential areas,<br />

one in the centre of Kuzguncuk, where<br />

residents from all backgrounds live together;<br />

another in the outskirts of the<br />

neighbourhood towards İcadiye, mostly<br />

occupied by Black Sea migrants. Finally,<br />

Üryanizade Street is known with<br />

the start of gentrification in Kuzguncuk.<br />

The area around Üryanizade Street<br />

still welcomes many new residents as a<br />

Figure 3. Timeline: thresholds, maps and heterochronic constants.<br />

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167<br />

Figure 4. Zoning of Kuzguncuk neighborhood.<br />

result of gentrification (Figure 4).<br />

4.3. Analysing deconstructed history<br />

of Kuzguncuk through “space syntax”<br />

From the timeline, three maps are<br />

used for syntactic analysis. These maps<br />

and aerial photos are chosen accordingly<br />

to important dates in history and<br />

morphological and sociological changes<br />

in the area. 1932 Pervititch insurance<br />

map shows all heterochronic constants<br />

except the mosque, and all non-Muslim<br />

gatherings are present. 1966 aerial<br />

photo shows a situation after the 1955<br />

incident when many non-Muslims left<br />

and migrants settled. Finally, 2014 map<br />

is a reflection of the present where all<br />

heterochronic constants are present<br />

and residents, migrants and gentrifiers<br />

live together. The boundaries of the analysed<br />

area are based on the Pervititch<br />

insurance map and are exactly applied<br />

to the other two sources.<br />

To understand the area globally, first<br />

axial line and grid integration analyses<br />

of the whole system are shown in Table<br />

1. Axial line analysis shows the most<br />

integrated streets, and grid integration<br />

analysis shows the most integrated areas<br />

in the system. Intelligibility is the<br />

correlation between connectivity and<br />

integration, which permits the understanding<br />

of the global relation of space<br />

from what can be observed (Klarqvist,<br />

1993). Looking at the intelligibility values<br />

of three maps, the r-squared value<br />

of the total system changes slightly according<br />

to the axial lines of three subsequent<br />

periods. In 1932, r-squared value<br />

is 0.96 and according to axial lines and<br />

integration values the void space towards<br />

the west is generally integrated<br />

in the system. In 1966, r-squared value<br />

slightly increases to 0.97, and the<br />

system becomes slightly more intelligible<br />

as well, and the shoreline and all<br />

heterochronic constants through it is<br />

more integrated in the system. In 2014,<br />

however, there was a decrease in the<br />

r-squared value to 0.94; the system becomes<br />

less intelligible, leaving only the<br />

intersection of the main street and the<br />

shoreline as the most integrated area<br />

in the system. According to axial line<br />

analysis, the secondary street in the<br />

east is more visually integrated than it<br />

was in the past (Table 1).<br />

Table 2 investigates the alterations of<br />

heterochronic constants and variables<br />

during the defined period. The comparative<br />

syntactic analysis of heterochronic<br />

constants is made referring to<br />

five religious buildings that are found<br />

in the spectrum of the map boundary:<br />

Hagios Panteleimon Greek Church,<br />

Hagios Georgios Greek Church, Beth<br />

Ya’akov Synagogue (Main Synagogue),<br />

Kuzguncuk Mosque and finally Surp<br />

Krikor Armenian Church.<br />

Hagios Panteleimon Greek Church<br />

has still a great imprint on the area,<br />

due to its bell tower as a special feature,<br />

although its integration values severely<br />

decrease from 851 to 405 then to<br />

352. Its isovist area and perimeter respectively<br />

decrease in 1966, and rises<br />

again in 2014. Hagios Georgios Greek<br />

Church similarly becomes less integrated<br />

by time, however its isovist (area<br />

and perimeter) values stay steady. The<br />

reason behind this might be the decline<br />

of the main avenue’s overall integration<br />

statistics. The circularity also decreases<br />

gradually for both Greek churches, de-<br />

A diachronic approach on heterochronic urban space


168<br />

riving from the dominant linearity of<br />

the main avenue.<br />

Beth Ya’akov Synagogue entry has<br />

very close integration values to Hagios<br />

Georgios Greek Church, showing approximate<br />

fashions with it as they are<br />

neighbouring (Table 2). However Beth<br />

Ya’akov Synagogue’s isovist area and<br />

perimeter values decrease respectively<br />

from 3.674 and 620 in 1932, to 3.382<br />

and 544 in 1966, and then increase to<br />

3.625 and 585. Its circularity values first<br />

decreased from 104 to 87 then went up<br />

to 94. Beth Ya’akov Synagogue and Hagios<br />

Georgios Greek Church entrances<br />

seem visually hidden from the main<br />

street, and do not appear at first to everyday<br />

stroller unless they are searched<br />

for. The reason behind this fact could<br />

be that the actual religious buildings<br />

are behind the entrance walls, which<br />

separate the street from the buildings.<br />

The mosque did not exist in 1932,<br />

thus the slightly larger building in its<br />

place had an integration value of 268,<br />

which in 1966, after the construction<br />

of the mosque in 1952, rises to 293 becoming<br />

more integrated as well as the<br />

shoreline axis, whereas in 2014 it decreases<br />

to 235, as the system’s highest<br />

integration values concentrate on the<br />

main road/shoreline intersection (Table<br />

2). Its isovist area decreased from<br />

2707 in 1966 to 2522 in 2014, although<br />

its perimeter increased from 499 to<br />

608, as well as circularity rising from<br />

91 to 146, less perceivable and less embodied<br />

as a result of the reconstruction<br />

across the road (Table 2).<br />

The most important increase in integration<br />

values are marked with Surp<br />

Krikor Armenian Church, which from<br />

1932 to 1966 has tripled its integration<br />

values, followed by a slight decrease in<br />

2014. Same fashions for isovist area/<br />

perimeter/circularity values: the increase<br />

in 1966 may have been resulted<br />

from the widening of the coastline road<br />

and the demolition of the old wooden<br />

house on the coast, but both buildings<br />

(Armenian Church and Mosque) became<br />

more likely to be perceived and<br />

situated in a more embodied space (Table<br />

2).<br />

Although according to axial line<br />

analysis (Table 1), the main (İcadiye)<br />

Table 1. Integration, axial line analysis and intelligi ibility of Kuzguncuk.<br />

1932<br />

1966<br />

2014<br />

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169<br />

Table 2. Syntactic values of heterochronic constants and variables of Kuzguncuk.<br />

HETEROCHRONIC CONSTANTS<br />

1932 1966 2014<br />

1932 1966 2014<br />

1 Hagios Panteleimon (GC) 851 405 352<br />

2 Hagios Georgios (GC) 604 380 317<br />

3 Synagogue 601 386 335<br />

4 Mosque 268 293 235<br />

5 Surp Krikor (AC) 136 442 357<br />

1 Hagios Panteleimon (GC) 5408 3726 3996<br />

2 Hagios Georgios (GC) 36<strong>12</strong> 3387 3439<br />

3 Synagogue 3674 3382 3625<br />

4 Mosque 1796 2709 2522<br />

5 Surp Krikor (AC) 1056 4079 3839<br />

1 Hagios Panteleimon (GC) 1014 632 663<br />

2 Hagios Georgios (GC) 631 560 524<br />

3 Synagogue 620 544 585<br />

4 Mosque 594 499 608<br />

5 Surp Krikor (AC) 361 874 682<br />

1 Hagios Panteleimon (GC) 190 107 108<br />

2 Hagios Georgios (GC) 110 92 79<br />

3 Synagogue 104 87 94<br />

4 Mosque 196 91 146<br />

5 Surp Krikor (AC) <strong>12</strong>3 187 116<br />

HETEROCHRONIC VARIABLES<br />

1932 1966 2014<br />

Integration<br />

Area<br />

Perimeter<br />

Circularity<br />

Mean integration<br />

residents<br />

+movers<br />

1932 1966 2014<br />

Jews 191,94<br />

Turks 490,26<br />

Armenians 216,51<br />

Greeks 240,27<br />

Residents 284,74 253,77 272,86<br />

Migrants 157,09 90,81<br />

Gentrifiers <strong>12</strong>7,70<br />

A diachronic approach on heterochronic urban space


170<br />

street becomes highly integrated by<br />

time, isovist analysis (Table 2) shows<br />

that locally, heterochronic constants’<br />

integration values decrease regularly,<br />

with some small exceptions showing<br />

improvement closer to 2014. The<br />

shoreline is more and more integrated<br />

over time according to axial line analysis.<br />

However strategic importance of<br />

the Armenian Church and Mosque and<br />

the alteration of the building erections<br />

around them result in the elevation of<br />

integration values around 1966, followed<br />

by a slight decrease in 2014. The<br />

increase in the integration of the axial<br />

line along the street near the Armenian<br />

Church, perpendicular to the shoreline<br />

is very important for these two buildings<br />

to become more integrated into<br />

the system.<br />

Heterochronic variables of 1932<br />

consist of the cultural mosaic once<br />

found in Kuzguncuk that symbolized<br />

the mutual tolerance of the cultural<br />

gatherings. Jews are generally located<br />

in the rear parts of the main street,<br />

according to some witness memories<br />

(Bektaş, 1996). The mean integration of<br />

the area they lived is 191,94 a relatively<br />

low integration value, which may approve<br />

the fact that lower-income Jews<br />

settled in Kuzguncuk. The main synagogue’s<br />

integration value however was<br />

601, one of the highest values in heterochronic<br />

constants in 1932, which may<br />

mean that Jews in Kuzguncuk attach<br />

importance to their ritual places’ location<br />

more than their homes, although<br />

the second synagogue (not included<br />

in the map) is located in a relatively<br />

segregated place. Turks living mostly<br />

along the coastline are wealthy people,<br />

their integration is highest (490,26)<br />

among others. Armenian and Greek<br />

settlements have similar integration<br />

values, 216,51 and 240,27 respectively,<br />

although Greek churches are more integrated<br />

with 851 and 604, the Armenian<br />

church is even more segregated<br />

than Armenians’ settlement mean integration,<br />

with 136. Today, Surp Krikor<br />

Armenian Church is as integrated as<br />

all other ritual places in the system,<br />

despite the reduction in the number of<br />

Armenian residents.<br />

In 1966, probably the political climate<br />

affected the integration of current<br />

residents decreasing from 284,74 to<br />

253,77. Many non-Muslims moved and<br />

left their places to Black Sea migrants,<br />

whose locations have a mean integration<br />

of 157,09 which seems quite integrated,<br />

probably resulting from the<br />

moving decisions of non-Muslims and<br />

selling their properties to migrants below<br />

their value. In 2014 however, migrants<br />

had a lower mean integration<br />

of 90,81 and residents rise to 272,86<br />

in consequence of the increasing economic<br />

gap between them. The integration<br />

of the mosque slightly drops in<br />

2014 as well as the migrants’ gathering<br />

mean integration. The “gentrifiers”,<br />

more integrated than migrants but less<br />

integrated than residents with <strong>12</strong>7,70,<br />

probably prefer to rejuvenate more<br />

segregated places, but still be globally<br />

integrated and close to main street.<br />

They especially are numerous in Üryanizade<br />

Street.<br />

5. Conclusion: Reconstructing history<br />

through a “semantic interpretation”<br />

Today, Kuzguncuk known as a socially<br />

inclusive neighbourhood can still<br />

be considered as a welcoming urban<br />

space. The axial analysis approves that<br />

the main perpendicular lines along<br />

the shoreline and the neighbourhood,<br />

create an integrated space. Through<br />

many changes and accumulations of<br />

the sociological and cultural patterns;<br />

Kuzguncuk acquires syntactical-morphological<br />

and phenomenological<br />

multi-layered structure, which can be<br />

called in this case an urban palimpsest<br />

through which several heterochronic<br />

constants are collected along with<br />

many sociological “situations” as heterochronic<br />

variables.<br />

Looking from today, Kuzguncuk’s<br />

heterotopic constants are crucial for<br />

the richness of the area, as they contribute<br />

to its positive reputation and to the<br />

idea of an inclusive neighbourhood.<br />

However, many of these heterochronic<br />

constants became less integrated<br />

in 1966, then slightly ameliorated in<br />

2014, They show that their meanings<br />

are determined by shifting “situations”,<br />

which in this case are the desertion of<br />

non-Muslims and arrival of migrants<br />

just before 1966 resulting in the segregation;<br />

however re-appropriation<br />

and valuation of religious buildings by<br />

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171<br />

gentrifiers before 2014 resulted in the<br />

higher integration of the heterochronic<br />

constants. In 2014, the integration values<br />

of heterochronic constants become<br />

closer; objectified and clarified of underlying<br />

meanings; only their “locus”<br />

is now present. When we look at the<br />

overall picture for heterochronic constants,<br />

their syntactic values seem to<br />

make sense with changing “situations”,<br />

however heterochronic variables have<br />

internal dynamics as well, such as the<br />

segregation of migrants’ settlements<br />

relation with their identity and social<br />

belonging issues.<br />

From a wider perspective, through<br />

morphological or sociological interventions<br />

to the urban pattern, heterochrony<br />

as a notion is reinforced:<br />

heterochronic spaces have indicative<br />

traces of palimpsest environment. The<br />

definition of palimpsest is a highly sociological<br />

issue, depending on lives and<br />

lived experiences accorded with slices<br />

of time. Heterochrony has a fuzzy nature,<br />

dealing with both permanent and<br />

fleeting aspect of time and space, at<br />

this point; this study shows that even<br />

constant elements of the urban pattern<br />

result in “the loss and shift of meaning”.<br />

The loss or shift of meaning in heterochronies<br />

affect the urban fabric as a<br />

palimpsest as well, since the ageing urban<br />

palimpsest seem to accumulate a<br />

collection of memories and meanings<br />

relating to places, however in reality,<br />

a majority of these meanings perish,<br />

only their “locus” persist in heterochronic<br />

constants, giving opportunity<br />

in cases like gentrification to “fake<br />

re-valuation” of the aura of these traces<br />

amalgamated in the palimpsest, independent<br />

of lived experiences.<br />

References<br />

Akın, N. (1994). Kuzguncuk. Dünden<br />

Bugüne İstanbul Ansiklopedisi.<br />

[From Yesterday to Today: Istanbul Encyclopedia],<br />

Istanbul: Türkiye Ekonomik<br />

ve Toplumsal Tarih Vakfı, 145-146.<br />

Bektaş, C. (1996). Hoşgörünün Öteki<br />

Adı: Kuzguncuk [The Other Name<br />

for Tolerance: Kuzguncuk]. İstanbul:<br />

Tasarım Yayın Grubu.<br />

Bjur, H., Azimzadeh, M. (2007). The<br />

urban palimpsest: the interplay between<br />

the historically generated layers in urban<br />

spatial system and urban life. Paper<br />

presented at the Sixth International<br />

Space Syntax Symposium, İstanbul.<br />

Boyer, C. (1996). The City of Collective<br />

Memory: Its Historical Imagery and<br />

Architectural Entertainments. Boston:<br />

MIT Press.<br />

Derrida, J. (1994). Specters of Marx:<br />

The State of the Debt, the Work of<br />

Mourning and the New International.<br />

Oxon: Routledge.<br />

Edgü, E., Ünlü, A., Şalgamcıoğlu,<br />

M.E., Mansouri, A. (20<strong>12</strong>). Traditional<br />

Shopping: A Syntactic Comparison of<br />

Commercial Spaces in Iran and Turkey.<br />

Paper presented at the Eighth International<br />

Space Syntax Symposium, Santiago<br />

de Chile.<br />

Ergun, N. (2004). Gentrification in<br />

Istanbul. Cities, 21(5), 391– 405.<br />

Foucault, M. (1986). Of Other Spaces.<br />

[Des Espaces Autres] transl. by Miskowiec,<br />

J., Diacritics, 16(1), 22-27.<br />

Griffiths, S. (20<strong>12</strong>). The use of space<br />

syntax in historical research: current<br />

practice and future possibilities. Paper<br />

presented at the Eighth International<br />

Space Syntax Symposium, Santiago de<br />

Chile.<br />

Ha, P. (n.d.). Heidegger’s Concept<br />

of the Spatiality of Dasein: The philosophical<br />

discourse on the localization<br />

in the global age [pdf]. Retrieved<br />

from http://www2. ipcku.kansaiu.ac.<br />

jp/~t980020/Husserl/ appliedPhenomenology/ha.pdf<br />

Heidegger, M. (1996). Being and<br />

Time: A Translation of “Sein und Zeit”.<br />

Albany: State University of New York<br />

Press.<br />

Huyssen, A. (2003). Present Pasts:<br />

Urban Palimpsests and the Politics of<br />

Memory. Stanford: Stanford California<br />

Press.<br />

İncicyan, P. G. (1976). 18. Asırda<br />

İstanbul [Istanbul in 18th Century]. İstanbul:<br />

İstanbul Enstitüsü Yayınları.<br />

Klarqvist, B. (1993). A Space Syntax<br />

Glossary. Nordisk Arkitekturforskning,<br />

1993(2), 11-<strong>12</strong>.<br />

Koetter, F., Rowe, C. (1978). Collage<br />

City. Boston: MIT Press.<br />

Levy, A. (1999). Urban morphology<br />

and the problem of the modern urban<br />

fabric: some questions for research. Urban<br />

Morphology, 3(2), 79-85.<br />

Massey, D. (1995). Places and Their<br />

Pasts. History Workshop Journal, 39,<br />

182-192.<br />

A diachronic approach on heterochronic urban space


172<br />

McLeod, M. (1996). Everyday and<br />

“Other” Spaces. In D.L. Coleman, E.A.<br />

Danze, C.J. Henderson (Eds.), Architecture<br />

and Feminism (pp. 1-37). New<br />

York: Princeton Architectural Press.<br />

Mills, A. (2004). Streets of Memory:<br />

The Kuzguncuk Mahalle in Cultural<br />

Practice and Imagination (Unpublished<br />

doctoral dissertation). University<br />

of Texas at Austin, Austin.<br />

Rossi, A. (1982). The Architecture of<br />

The City. Boston: MIT Press.<br />

Teyssot, G. (1980). Heterotopias and<br />

the History of Spaces. In M. Hays (Ed.),<br />

Architecture Theory since 1968 (pp.<br />

296-305). Cambridge: The MIT Press.<br />

Tonguç, S. E., Yale, P. (20<strong>12</strong>). İstanbul<br />

Hakkında Her Şey [All About Istanbul].<br />

Istanbul: Boyut Publishing.<br />

Tümertekin, E. (1997). İstanbul İnsan<br />

ve Mekan [İstanbul People and<br />

Space]. İstanbul: Türkiye Ekonomik ve<br />

Toplumsal Tarih Vakfı.<br />

Uzun, C. N. (2002). Kentte Yeni bir<br />

Dönüşüm Süreci ve Yasal Düzenlemeler<br />

[A New Transformation Process<br />

in the City and Legal Organizations].<br />

Planlama, 2002 (1), 37–44.<br />

Heterokronik kentsel mekanların<br />

artzamanlı yaklaşımla irdelenmesi<br />

Foucault, pek çok düşünüre esin<br />

kaynağı olsa da aynı zamanda tartışma<br />

konusu olan “Başka Mekanlara Dair”<br />

adlı metninde tanımlanan heterotopya<br />

kavramının dördüncü özelliğine göre,<br />

heterokroni kavramı ile zaman biriktiren<br />

yerlerin yanısıra geçici mekanları<br />

da tanımlamaktadır. Bu çalışmada,<br />

hem zaman biriktirme hem de geçicilik<br />

özelliklerini birlikte barındıran tarihi<br />

mahalleler, heterokronik kentsel mekanlar<br />

olarak irdelenecektir.<br />

Bu çalışma sosyo-kültürel etkilerin<br />

tarihi mahalleler üzerine yansımalarını,<br />

mahallelerdeki heterokronik öğelerin<br />

morfolojik, sentaktik ve semantik<br />

değişimini inceleyerek değerlendirmeyi<br />

amaçlamaktadır. Bu amaçla, çalışmada<br />

heterokronik kentsel mekanı<br />

derinlemesine irdelemek için, yapısökümcü<br />

bir metodoloji kullanılmıştır.<br />

Metodolojik kurgu, tarihin yapısökümü,<br />

mekansal dizim ile sentaktik irdeleme<br />

ve tarihin yeniden inşası (sentez)<br />

olmak üzere üç aşamadan oluşmaktadır.<br />

Birinci evrede, heterokronik kentsel<br />

mekana ait önemli tarihi olaylar,<br />

binalar, çeşitli dönemleri yansıtan harita<br />

ve hava fotoğrafları, çok katmanlı<br />

bir zaman çizelgesi yardımıyla parçalara<br />

ayrılmıştır. Zaman çizelgesi heterokronik<br />

kentsel mekanın tarihindeki<br />

eşiklerin, morfolojik ve sosyo-kültürel<br />

değişimlerin ve bu değişimlerin arasında<br />

kalan zaman dilimlerinin belirlenmesinde<br />

rol oynamaktadır. İkinci<br />

aşamada, parçalarına ayrılmış zaman<br />

çizelgesinden yararlanarak, heterokronik<br />

bölgenin sentaktik irdelemesi gerçekleştirilmektedir.<br />

Bu sentaktik irdeleme,<br />

heterokronik kentsel mekanın<br />

iki şekilde, yani tarihte iz bırakan kalıcı<br />

öğeler ile geçici oluşumlar üzerinden<br />

değerlendirilmesini, ve mekandaki<br />

morfolojik ve sosyo-kültürel evrimin<br />

anlaşılmasını sağlamaktadır. Tarihte<br />

iz bırakan kalıcı öğeler bu çalışma<br />

kapsamında “heterokronik sabitler”<br />

olarak değerlendirilmiştir, ve sadece<br />

farklı kültürel gruplara ait dini binalara<br />

indirgenmiştir. Morfolojik ve sosyolojik<br />

değişimleri oluşturan farklı “durumlar”<br />

(situations) ise “heterokronik<br />

değişkenler” olarak adlandırılmıştır,<br />

ve bu çalışmada farklı sosyo-kültürel<br />

toplulukların yerleşim dokuları üzerinden<br />

değerlendirilmiştir. Üçüncü<br />

aşama, “tarihin yeniden inşası”, parçalara<br />

ayrılarak sentaktik irdelemesi yapılan<br />

mekanların, zaman çizelgesinden<br />

yararlanarak, semantik bir okuma ile<br />

holistik bir şekilde yorumlanmasıdır.<br />

Sentaktik bulgular, morfolojik veya<br />

sosyolojik değişimlere, anlam kaybı,<br />

anlamsal kayma, devamsızlık ve birikmelere<br />

işaret edebilir. Bu nedenle “tarihin<br />

yeniden inşası”, çalışmada sentaktik<br />

ve semantik anlamda bir bütünlük<br />

oluşturmayı, ve heterokronik kentsel<br />

mekanların artzamanlı evriminin sentezini<br />

yapmayı hedeflemektedir.<br />

Alan araştırması, Kuzguncuk mahallesinde<br />

yapılmıştır. İstanbul’un<br />

Anadolu Yakası’nda bulunan bir boğaz<br />

köyü olan Kuzguncuk, çalışmadaki<br />

heterokronik kentsel mekan özelliklerine<br />

uyan bir mahalledir. Genel olarak,<br />

huzurlu ve yaşanılır olarak nitelendirilen<br />

mahallede, geçmişte çok sayıda<br />

Musevi, Ermeni, Rum ve Türk birlikte<br />

yaşamışlardır. Yakın geçmişte Karadeniz<br />

Bölgesi’nden çok sayıda göç<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • İ. Toprak, A. Ünlü


173<br />

alan mahalle, son otuz yılda ise soylulaştırma<br />

(gentrifikasyon) yolu ile sosyo-kültürel<br />

değişime uğramıştır. Alan<br />

çalışmasının sonuçlarına göre Kuzguncuk<br />

Mahallesi, bulanık bir kavram<br />

olan heterokroniyi güçlendirmektedir.<br />

Palimpsest yapıdaki kentsel mekanda,<br />

yaşanmışlıktan ziyade, anlamsal bir<br />

birikme söz konusu olmuştur. Birçok<br />

anlam de geçicilik göstermiş, kaybolmuş<br />

veya değişmiştir.<br />

A diachronic approach on heterochronic urban space


ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • 175-188<br />

Divided shopping: A syntactic<br />

approach to consumer behaviour<br />

Erincik EDGÜ 1 , Meray TALUĞ 2 , Nezire ÖZGECE 3<br />

1<br />

erincik@gmail.com, erincikedgu@duzce.edu.tr • Department of Architecture,<br />

Faculty of Arts, Design and Architecture, Düzce University, Düzce, Turkey<br />

2<br />

talug.meray@gmail.com, mtalug@ciu.edu.tr • Department of Architecture,<br />

Faculty of Fine Arts, Design and Architecture, Cyprus International University,<br />

Haspolat, Lefkoşa, Northern Cyprus<br />

3<br />

nezireozgece@gmail.com, nozgece@ciu.edu.tr • Department of Architecture,<br />

Faculty of Fine Arts, Design and Architecture, Cyprus International University,<br />

Haspolat, Lefkoşa, Northern Cyprus<br />

Received: May <strong>2015</strong> Final Acceptance: October <strong>2015</strong><br />

Abstract<br />

Shopping is a socially interactive consumer activity that involves preference, selection<br />

and leisure. As historical city centres are still cores of traditional shopping<br />

and an asset improving social attraction, attractive routes and spaces for pedestrian<br />

movement provided by articulation in the setting are worth examining. Buildings<br />

on small sized plots located in a bounded environment usually encourage<br />

pedestrian flow, presenting more options of interest on a unit street scale; whereas<br />

spatial layout of the urban form, compactness of the circulation routes or visual<br />

scope of the users should also be examined.<br />

This paper focuses on the comparison of consumer shopping behaviour in such<br />

a historical city centre, Walled City of Nicosia, the capital of Cyprus Republic and<br />

TRNC. Regarding the lost centrality due to the UN buffer zone, divided city has<br />

gone through different physical and social development patterns in terms of land<br />

uses and functional changes. Assuming that physical accessibility reinforces social<br />

and economic attraction, the paper deals with the,<br />

• syntactic hints examined through line analysis underlying the physical development<br />

of the urban layout in three different periods of the city,<br />

• preferences of the pedestrians, emphasizing functional and spatial pattern that<br />

orient the consumer behaviour.<br />

The outcomes indicate that narrow long roads promote pedestrian flow in a<br />

movement based activity, while the curvy organic formed streets disperse pedestrian<br />

movement. Pedestrians tend to shop for retail based products in a linear layout,<br />

and tend to eat or drink in a dispersed organic layout. On the other hand, as<br />

an aspect of political curiosity both sides of the buffer zone also serve as attraction<br />

nodes regardless of the functions.<br />

Keywords<br />

Attraction, Historical urban core, Pedestrian behaviour, Shopping, Space syntax.


176<br />

1. Introduction<br />

In terms of user satisfaction, within<br />

time, historical city centres may fail to<br />

meet the needs and expectations of the<br />

occupiers; however, Lewicka (2008)<br />

argues that historical centres create a<br />

sense of continuity with the past, embody<br />

the group traditions and facilitate<br />

place attachment, as well. That is why<br />

even though there may unpredictable<br />

population fluctuations or major factors<br />

such as wars and regime changes<br />

occur, historical city centres are still<br />

cores of attraction and they struggle<br />

to maintain their vitality. Weltevreden<br />

et al., (2005) state that historic city<br />

centres are not competitive in terms<br />

of prices but they remain attractive as<br />

a retail location only if they are able<br />

to generate new sectors offering new<br />

products. When we think of attraction<br />

in the historic city centre, shopping facility<br />

as an attractor plays a major part,<br />

but on the other hand, inner cities are<br />

also places to meet people, socialise<br />

and recreate as Weltevreden and Rietbergen<br />

(2007) discuss. They add that<br />

attractiveness of an inner city depends<br />

on four factors; these are an environment<br />

with characteristic aspects such<br />

as being historical, or having an ambiance,<br />

a concentration of a large variety<br />

of functions other than shopping<br />

such as restaurants, theatres, museums,<br />

the amount and variety of shops, and<br />

lastly the crowdedness. Among these<br />

aspects, crowdedness issue is related<br />

with the number of pedestrians. Existence<br />

of a pedestrian flow is crucial for<br />

attracting social interaction, as Hillier<br />

(1999) emphasises that attraction plays<br />

an important role in drawing people to<br />

the city centres.<br />

There are various researches which<br />

examined city centre activities through<br />

social attraction, for example, Portnov<br />

(1998) examined the social attraction<br />

in Siberian urban layout in three aspects,<br />

which were the general residential<br />

attractiveness, quality of physical<br />

environment and attractiveness for<br />

business activity. The outcomes of his<br />

research showed that perceptions of<br />

the professional spe cialists on spatial<br />

quality were different than of the city<br />

dwellers. While the specialists attach<br />

importance to access to city centre<br />

and recreational areas, dwellers attach<br />

importance to ecological and functional<br />

issues such as social facilities<br />

and services. Kemperman et al. (2009)<br />

on the other hand, emphasise that attractive<br />

downtown historic centres are<br />

recognised as potential magnets for<br />

tourist shopping. Tourists prefer links/<br />

streets that are physically attractive,<br />

having a good visibility, and are pedestrian<br />

friendly. They believe pedestrian<br />

movement is an important indicator of<br />

shopping behaviour and assume that<br />

tourist shopping behaviour is related<br />

to the motivation for shopping, the familiarity<br />

with the shopping area, and<br />

whether or not the shopping route was<br />

planned in advance.<br />

Space syntax theory introduced<br />

by Hillier and Leaman (1974) use the<br />

term syntax to refer to rules that generate<br />

different spatial arrangements,<br />

in which spaces are considered to be<br />

shaped due to certain cultural considerations<br />

and these forms in return<br />

affect social relations in one way or<br />

another. As space syntax is defined as<br />

a methodology to represent, quantify<br />

and interpret spatial configuration and<br />

visual perception of exterior or interior<br />

spaces of various scales by means of<br />

convex shapes, and axial lines, (Hillier<br />

et.al, 1987; Peponis, 2000) it is necessary<br />

to briefly explain the terms used<br />

in this sense. Integration exposes the<br />

distance to a convex shape from all<br />

points within the system. If the real or<br />

global integration value of the shape is<br />

high, it means that reaching to this certain<br />

shape from any point within the<br />

system, is relatively easy and indirect.<br />

Connectivity refers to number of cells<br />

directly connected to a shape within<br />

the system. If the shape is located somewhere<br />

close to the centre of the system,<br />

then it means that the shape has many<br />

surrounding cells, thus increasing its<br />

integration. On the other hand, if the<br />

shape is located somewhere close to<br />

the outermost parts of the system, its<br />

integration value decreases, increasing<br />

its mean depth value (Edgu, 2003).<br />

Therefore, factors such as relationship<br />

between the integration and<br />

connectivity of axial lines give ideas<br />

whether a town centre is an agreeable<br />

place with good vitality in the shopping<br />

streets (Hillier et al., 1993). Pedestrian’s<br />

perceptions on physical characteristics<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • E. Edgü, M. Taluğ, N. Özgece


177<br />

such as distance, building composition<br />

and urban pattern are important aspects<br />

of attraction. In the historical city<br />

centres, local’s attraction as well as the<br />

tourist attraction can be provided by<br />

a good circulation of pedestrian flow<br />

supported by facilities like recreational<br />

gathering spaces and retail functions<br />

such as eating, clothing and such shopping.<br />

Ünlü et. al. (2009) suggest that<br />

regardless of its kind, the occupancy<br />

of a space can be determined with a<br />

function attached to it, and the reason<br />

of using a space can be related with socially<br />

attractive functions such as cafeterias,<br />

small shopping units. Thus, it<br />

is important to distinguish the reason<br />

of pedestrian gathering or movement<br />

within the historic urban core. Hatz<br />

(2006) suggests that unlike retailing in<br />

US downtown areas, the historic city<br />

centres in European cities remain at<br />

the top of the retail hierarchy. By retail<br />

hierarchy he refers to the centrality of<br />

shopping streets and centres, which<br />

are defined by retail space, sales figures<br />

and catchment areas, but also by the<br />

range of goods. According to his study,<br />

middle term consumption goods such<br />

as clothing sector hold the leading position<br />

in hierarchy, and the higher the<br />

rank of a shopping district, the greater<br />

is the dominance of the clothing sector.<br />

Hatz (2006) also suggests that goods<br />

of short-term consumption indicate<br />

the opposite compared to middle term<br />

consumption goods. He emphasises<br />

that the lower ranking a shopping street<br />

or district, the higher the proportion of<br />

shops offering products of short-term<br />

consumption. On the other hand, in<br />

their research of grocery-shopping behaviour,<br />

Wang and Lo (2007) emphasised<br />

that consumption is less about<br />

economic rationality and more about<br />

cultural values and meanings, whereas<br />

location preferences are based on<br />

image and identity rather than narrow<br />

economically driven criteria. Supporting<br />

Wang and Lo, we assume that<br />

shopping is a consumer activity that<br />

involves preference, selection and leisure<br />

that allows social interaction as<br />

well. Kemperman et al. (2009) discuss<br />

that the pedestrians walk from node to<br />

node in a way that they walk forward<br />

until the next decision point which is<br />

usually on the street intersections. They<br />

assume that the path pedestrians take,<br />

depends on the relative attractiveness,<br />

such as shopping supply and other features<br />

that may affect the attractiveness<br />

as the history of the path walked so far.<br />

Buildings on small sized plots located<br />

in a bounded environment usually<br />

encourage pedestrian flow. As Crompton<br />

and Brown (2006) indicate that<br />

small scaled places without cars may<br />

seem much larger to the walking person,<br />

than expected. Especially in complicated<br />

car-free cities with traditional<br />

architectural pattern such as Venice<br />

or Fez, tourists believe that the places<br />

felt larger than they seem on the map.<br />

With the help of entrance doors, these<br />

small sized buildings present more options<br />

of interest on a unit street scale<br />

that can be shifted to economic benefit.<br />

Kemperman et. al’s (2009) research<br />

also supports this hypothesis. They<br />

found out that tourists prefer streets/<br />

links that are part of a long straight line<br />

offering a long view, with buildings<br />

on both sides as variations of façades.<br />

Therefore, considering the pedestrian<br />

movement, historical city centres are<br />

still cores of traditional shopping and<br />

assets which improves the social attraction<br />

of the city (Ülken & Edgü, 2005).<br />

The historical structure is an asset<br />

that improves attraction. This paper focuses<br />

on the comparison of pedestrian<br />

movement and shopping behaviour of<br />

the occupants as well as the functional<br />

differences of land use in the context of<br />

predetermined nodes of attraction located<br />

on both sides of the buffer zone<br />

in the historical Walled City of Nicosia.<br />

As it will be discussed in the following<br />

section in a more detailed manner,<br />

Walled City of Nicosia has a unique<br />

star shaped architectural layout which<br />

is unfortunately divided by UN buffer<br />

zone into two unequal halves. Therefore<br />

considering the distinction of having<br />

two different communities settled<br />

on each side, the pedestrian movement<br />

in terms of shopping also has its unique<br />

flow as well. As the research assumes<br />

that physical accessibility reinforces<br />

social and economic attraction, the paper<br />

aims to search,<br />

• the syntactic hints examined<br />

through line analysis underlying<br />

the physical development of the urban<br />

layout in three different periods<br />

Divided shopping: A syntactic approach to consumer behaviour


178<br />

of the Walled City, thus exploring<br />

the changes of accessibility through<br />

integration<br />

• spatial preferences of the pedestrians,<br />

emphasizing functional and<br />

spatial pattern that orient the consumer<br />

behaviour.<br />

2. Case study area<br />

As an island that has been colonised<br />

by various nations throughout the history,<br />

Cyprus has encountered both the<br />

prosperity and downfall of her physical<br />

location in the midst of historic<br />

crossroads of trade and culture of the<br />

Eastern Mediterranean region. However,<br />

the conflict between the two major<br />

communities of the island, which started<br />

during the 1950’s has been dominating<br />

the political structure of the region<br />

ever since. The unresolved political<br />

situation followed by the complete division<br />

of the island and separation of<br />

Greeks and Turks after 1974, unfortunately<br />

did not help the solution of<br />

the problem. Turkish region declared<br />

a self-determinant government of<br />

Turkish Republic of Northern Cyprus<br />

(TRNC), in 1983; while Greek region<br />

was granted full membership of the EU<br />

in 2004 as Cyprus Republic (CR).<br />

Division of the island was a critical<br />

decision in terms of geography, natural<br />

resources and social structure, where<br />

the two communities remained unattached<br />

until 2003. The citizens of the<br />

Turkish region have been fatigued from<br />

the isolations and serious financial difficulties<br />

due to economic embargo, so<br />

as a manoeuvre, TRNC government<br />

opened two border gates for mutual<br />

passes. However, division of the capital<br />

city Nicosia produced even more severe<br />

outcomes. One of the harms of the<br />

buffer zone called as Green Line, occupied<br />

by the UN forc es is undermining<br />

the city’s centrality.The 450 years<br />

old star shaped city walls with eleven<br />

bastions were also divided ruining the<br />

integrity of urban structure and architecture<br />

as well (Figure 1). The divided<br />

city of more than thirty years has gone<br />

through different physical and social<br />

development patterns around the divided<br />

Venetian walls, providing different<br />

functions. For example, business<br />

area has moved out of the city where<br />

the land is cheaper. As the immediate<br />

exterior of the city walls in Turkish<br />

side are occupied by administrative<br />

and educative purposes, the Greek side<br />

is occupied by business and commercial<br />

purposes. The inner core, on the<br />

other hand remained as a retail district<br />

with small shops of clothing, food and<br />

restaurants, home supplies, and some<br />

manufacturing. The differences in the<br />

socioeconomic status of both sides affected<br />

the development and urban improvement<br />

as well. While due to lack<br />

of financial resources, Turkish side<br />

preserved the majority of historic urban<br />

layout, Greek side, renovated and<br />

transformed the historical city to some<br />

extent, such as changes in plot sizes,<br />

and vertical dimensions. On the other<br />

hand, as traffic congestion and lack of<br />

sidewalks prevented the pedestrians’<br />

easy flow, lack of parking areas made<br />

it hard for vehicular access to the shopping<br />

zones, in both parts as well.<br />

Five years later, after the opening of<br />

initial border gates in 2008, Lokmacı<br />

Gate at the end of the Ledra Street was<br />

opened for pedestrian access therefore,<br />

though, through a weak axis, the connections<br />

beyond the Green Line was<br />

established once more. This gate working<br />

as the check point is the only civilian<br />

connection within the Walled City,<br />

and is the crucial point in pedestrian<br />

movement.<br />

As for the shopping locations within<br />

the Walled City, the division left<br />

the traditional shopping bazaar Bandabulya,<br />

few inns and arasta in Turkish<br />

side, while the expensive shopping<br />

strip remained in Greek side, excluding<br />

the plots lost to the control of UN<br />

forces. Hatz (2006) suggests that the<br />

Figure 1. Nicosia Walled City (map from Google Earth).<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • E. Edgü, M. Taluğ, N. Özgece


structure of retailing in city centres is<br />

not to be examined in terms of a shopping<br />

destination serving only local residents<br />

and customers. The city centre<br />

with its unique atmosphere becomes<br />

part of consumption as well. He also<br />

adds that, retailing in the city centre<br />

is determined by the transformation<br />

of the city into a leisure destination,<br />

in which the consumption of cultural<br />

goods and experiences become prominent.<br />

He states that transformations of<br />

downtown areas into themed shopping<br />

spaces, equipped with artists’ quarters,<br />

art galleries, bars and restaurants are<br />

among the aspects that help a historic<br />

city centre to maintain a consumable<br />

atmosphere. Similarly, as the shopping<br />

facilities outside of the city walls in<br />

both sides follow the market demands<br />

and trends, the atmosphere helps to<br />

preserve the social attraction within<br />

the city walls. Even though lately,<br />

promising restoration and renovation<br />

projects of significant buildings are<br />

being undertaken, emergence of workshops<br />

and depots among the residential<br />

buildings, dilapidation, and obsolescence<br />

are still crucial aspects of the<br />

urban quality in the Turkish region.<br />

3. Methodology and syntactic analyses<br />

According to Hillier et al, (1993),<br />

even though, shops may serve as attractors<br />

for the pedestrian movement,<br />

Figure 2. Line analysis of Nicosia Walled City before 1974.<br />

Divided shopping: A syntactic approach to consumer behaviour<br />

179<br />

syntactically they do not change the<br />

configuration of the urban layout.<br />

However, in order to figure out the pedestrian<br />

preferences due to shopping,<br />

we first have to present the syntactic<br />

hints examined through line analysis<br />

underlying the physical development<br />

of the urban layout in three different<br />

periods of the Walled City. As it was<br />

mentioned before, integration denotes<br />

the socio-petal, thus vital nodes<br />

and highly connected axes; therefore,<br />

exploring the changes of accessibility<br />

through the city within time shows us<br />

the shift of spatial vitality. These data<br />

acquired will then be compared with<br />

actual preferences of the pedestrians.<br />

The University of Michigan software,<br />

Syntax 2D is used in for the<br />

syntactic calculations. Syntactic properties<br />

of the case study area are analysed<br />

initially with the line analysis of<br />

the Nicosia Walled City in three phases<br />

(Figures 2, 3 and 4) before the division,<br />

during the non-contact years and after<br />

the opening of gates. These line analyses<br />

show the transformation of the<br />

city layout within a span of forty years,<br />

and also the accessibility routes that are<br />

formed through political requirements<br />

and precautions taken towards these<br />

within the recent history of a city. The<br />

syntactic properties of the nodes on the<br />

other hand, are examined through grid<br />

analyses, where each grid unit is set to<br />

be 6 x 6 metres due to the maximum<br />

public distance of interaction. Integration<br />

n levels, circularity and isovist<br />

properties are among the calculated<br />

measurements. The obtained numeric<br />

data is compared and analysed through<br />

regression analyses and Spearman correlations<br />

using SPSS.<br />

As it can be seen from the diachronic<br />

line analysis maps of Nicosia Walled<br />

City from prior to 1974, from 1974 to<br />

2008 and after 2008, (Figures 2, 3 and 4)<br />

the mean integration n values change<br />

drastically due to the formation of buffer<br />

zone that interrupts the pedestrian<br />

or vehicular movement. It is clearly<br />

exposed in the maps that prior to 1974<br />

the city maintains its centrality by denoting<br />

the most integrated axes located<br />

close to the centre with a mean integration<br />

n figure of 1,2320x10 9 . In this map<br />

Ledra Street the shopping strip, seems<br />

to have a high integration level as one


180<br />

of the parallel streets reaching to central<br />

horizontal axis that is connecting<br />

the main roads from Paphos gate to Famagusta<br />

gate. The axis from the north<br />

Kyrenia gate on the other hand seems<br />

to have a secondary degree integration<br />

while, the central axes present a deeper<br />

structure.<br />

After the division and the settling of<br />

the UN buffer zone, the mean integration<br />

n figure drops drastically to<br />

6,478x108. During the long thirty four<br />

years of no connection between the<br />

two regions of the city, it is seen that<br />

there were two different centres formed<br />

within the walls (Figure 4). However if<br />

we compare the situation with the previous<br />

map, we see that while the most<br />

integrated axis of north gains strength,<br />

the most integrated axis of south weakens.<br />

In both regions, this interruption<br />

was compensated by moving the vital<br />

public or commercial functions to out<br />

of the Walled City, thus abandoning<br />

the historical city centre.<br />

Finally after the reconnection of two<br />

regions with a single pedestrian passage<br />

of Ledra Street/Lokmacı Gate in<br />

2008, we see a considerable improvement<br />

of integration n level with a figure<br />

of 8,2102x10 8 . As this situation weakens<br />

the most integrated axis in north<br />

region, it strengthens southern axis,<br />

while reintegrating the central streets<br />

to a mild shallowness (Figure 5). We<br />

also see minor changes around the<br />

northern axis, in terms of newly built<br />

roads or opened passages that leads to<br />

mild levels of integration in northeast<br />

regions compared to the era prior to<br />

division.<br />

Crompton (2006) suggests that<br />

complexity disturbs our judgment<br />

of walking distances, Crompton and<br />

Brown (2006) discovered that the more<br />

turns, slopes, intersections, and features<br />

a walk has, the longer it appears<br />

and thus a journey will seem longer<br />

when there is more information to<br />

be observed. The Nicosia Walled City<br />

has a unique organic layout which<br />

presents exciting vistas for exploring<br />

tourists; on the other hand, it serves as<br />

a maze which prevents shortcuts. As<br />

mentioned before, comparison of consumer<br />

shopping behaviour of the occupants<br />

and the differences of land use in<br />

both sides of Walled City of Nicosia are<br />

Figure 3. Line analysis of Nicosia Walled City between 1974 and<br />

2008.<br />

Figure 4. Line analysis of Nicosia Walled City after 2008.<br />

among the main concerns of the paper.<br />

We should also keep in mind that,<br />

traditional shopping district remained<br />

in Turkish side, while the expensive<br />

and trendy shopping strip called Ledra<br />

Street remained in Greek side. In<br />

order to understand the behaviour of<br />

the occupants and the attraction activity<br />

route, observations are executed on<br />

the two determined main shopping regions,<br />

from both sides of the city.<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • E. Edgü, M. Taluğ, N. Özgece


Figure 5. Predetermined nodes of analysis.<br />

Divided shopping: A syntactic approach to consumer behaviour<br />

181<br />

Since within the Walled City, there<br />

is currently only one connection between<br />

the divided regions, the chosen<br />

axes had to start with Ledra Street, pass<br />

the mentioned check point Lokmacı<br />

Gate, and continue to north (Turkish)<br />

side. As of coincidence, Ledra Street<br />

historically used to be the most famous<br />

shopping street in the Walled City, as<br />

well. Therefore, we initially considered<br />

examining a total of three nodes<br />

from each side; one node from each<br />

starting point that is close to check<br />

point, a middle point of some specific<br />

characteristics such as a square or an<br />

attractive function and finally an ending<br />

point before exiting the walls. The<br />

nodes were set to be virtual circles with<br />

a diameter of 30 metres, regarding the<br />

size of the largest gathering area. However,<br />

the route to out of the city walls<br />

in Turkish side disperses due to the<br />

organic layout of smaller sized plots<br />

and the pedestrian axis takes a branch<br />

like shape generating from the Lokmacı<br />

Gate, i.e. the first gathering location<br />

from the border. Regarding this<br />

situation, and also to see the situation<br />

in the original shopping centre of the<br />

city, three nodes from the Ledra Street<br />

on Greek side, and six nodes from the<br />

Turkish side were selected for analyses<br />

and comparison (Figure 5).<br />

As it is seen in Figure 5 immediate<br />

surroundings of the selected nodes and<br />

the main axes are set to be the area of<br />

observation. The selected portion of<br />

the walled city reaches from southwest<br />

to north extending to actual central Selimiye<br />

Mosque Square in east. Within<br />

this context, Kyrenia Gate, Sarayönü<br />

(Atatürk) Square, İşbankası Node and<br />

Lokmacı Node have been chosen from<br />

northern part of the Walled City. On<br />

the other hand, original, i.e. prior to<br />

1974, central gathering and shopping<br />

spaces of Kumarcılar Inn and Selimiye<br />

Mosque Node are also included in<br />

the analyses. Although these are surrounded<br />

by shops, nowadays, these latter<br />

nodes are frequently used as transitional<br />

spaces in order to reach main<br />

shopping axes.<br />

Analyses of nodes are executed due<br />

to pedestrian flow, functional use and<br />

syntactic properties. The pedestrian<br />

flow is analysed through observations<br />

of 15 minute video recordings. As the<br />

pedestrian flow is an important indicator<br />

of attraction, number of passers-by<br />

present implications of path<br />

selection, which in turn points out the<br />

potential shopping behaviour. Additionally<br />

shopping behaviour was also<br />

measured according to number of pedestrians<br />

with shopping bags. Thus,<br />

during the process, video recordings<br />

are counted in each node regarding<br />

the total number of pedestrians with<br />

or without shopping bags. Considering<br />

the customary preference for most of<br />

the small retail shops to be closed on<br />

Sundays and the extremely hot weather<br />

during summer months, video shooting<br />

has been done during the period<br />

between <strong>12</strong>:00 and 14:00 on two Fridays<br />

and Saturdays in April and May.<br />

These dates are set regarding the most<br />

preferred days for shopping, the most<br />

crowded period due to lunch time, and<br />

also most pleasant weather condition<br />

for outdoor space use.<br />

Referring to Hatz’s (2006) hierarchy<br />

of middle term and short term con-


182<br />

sumption goods, the attractive functional<br />

uses taken into consideration<br />

are set to be the retail shops such as<br />

clothes, shoes or mobile phone like<br />

electronics and the eating-drinking<br />

spaces such as cafes, restaurants and<br />

bars. The ground floor functional uses<br />

of the buildings within the determined<br />

nodes are counted and categorized. Although<br />

counted in the total number,<br />

vacant units and public functions are<br />

disregarded in the comparison. As the<br />

actual dimensions of the shop units are<br />

excluded from the research, the number<br />

of units, thus the variations gained<br />

importance in the analyses.<br />

Visual boundaries formed by wall<br />

like dense building plots may affect to<br />

pedestrian perception and preference<br />

of shopping. Psychological aspect of<br />

this situation is discussed in Yönet and<br />

Yirmibeşoğlu’s (2009) gated community<br />

research, where they resemble gated<br />

communities to medieval fortress settlements,<br />

in which living behind the<br />

gates increases the fear of the unknown<br />

that is outside. Even though as we<br />

move closer to the walls of the Walled<br />

City, our visual scope widens, this theory<br />

is supported especially in the central<br />

sections of the city, where pausing<br />

and relaxing is shifted to continuous<br />

circulation. As for the syntactic aspects<br />

of the mentioned visual boundary,<br />

Ülken and Edgü (2005) point out that,<br />

long, narrow streets possess convexity<br />

and their one-dimensional axial shape<br />

promotes movement and circulation<br />

flow, as we see this in the case of Ledra<br />

Street. On the other hand, fatter convex<br />

spaces are traditionally places that<br />

support events and occasions, such as<br />

the squares and selected nodes. Circularity<br />

analysis is an important spatial<br />

characteristic that helps to examine the<br />

compactness of the spaces or motivations<br />

that drive people to pass through<br />

certain streets. Circularity defined as<br />

the ratio of the square of the perimeter<br />

to area is one of the six geometric<br />

measures such as area, perimeter, occlusivity,<br />

variance and skewness to obtain<br />

isovist field (Benedikt, 1979; Batty,<br />

2001). Circularity is both a measure of<br />

the shape of a space and the measure of<br />

centrality of the viewpoint within that<br />

space. In her museum analysis, Kaynar<br />

(2005) argues that deformed circularity<br />

that means lower levels of circularity<br />

motivates longer visit durations. She<br />

also adds that the movement is more<br />

distributed in areas that provide opportunities<br />

to discover new visual information.<br />

Supporting this situation,<br />

articulation in an urban setting provides<br />

attractive routes and spaces for<br />

pedestrian movement which is inevitable<br />

for historical city centre shopping.<br />

As the structural pattern gets articulated<br />

in an organic system, the envi-<br />

Table 1. Mean syntactic values, pedestrian flow and functional values of the selected nodes.<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • E. Edgü, M. Taluğ, N. Özgece


183<br />

ronment tends to present surprising<br />

spaces that are appreciated especially<br />

by exploring tourists.<br />

The syntactic aspects of the research<br />

base on the comparison of spatial parameters<br />

such as integration levels, circularity<br />

and visual fields, which help us<br />

to further examine the physical structure<br />

of the predetermined nodes. The<br />

map used for these analyses is derived<br />

from the 2008 map with single connection<br />

between two regions. Therefore<br />

it is necessary to remember that after<br />

the reconnection of two regions with a<br />

single pedestrian passage, the most integrated<br />

axis in north region has weakened,<br />

while the southern one strengthened,<br />

with mild improvement on the<br />

central streets. The functional uses of<br />

streets, positions of gathering spaces,<br />

figures of pedestrian flow are also examined<br />

in the research. Table 1 indicates<br />

the syntactic values along with<br />

the environmental cues of the selected<br />

nodes from both regions. Integration n<br />

values for the Kyrenia Gate, Sarayönü<br />

and Ledra Street also comply with the<br />

line analysis results indicated in Figure<br />

5, with the highest overall integration<br />

levels.<br />

Connectivity values are the highest<br />

Table 2. Regression analyses from the selected nodes.<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

for Sarayönü and Kyrenia Gate again<br />

parallel to the data presented in Figure<br />

2, however, Ledra Street is lower<br />

in connectivity due to the linear nature<br />

of the path and the visual boundary of<br />

the dense buildings. While connectivity<br />

values indicate an easy accessibility<br />

through neighbouring grids, it also<br />

works reciprocally, as easily exiting to<br />

neighbouring grids. Therefore when<br />

we compare the connectivity values<br />

of these two nodes, with Ledra Street<br />

nodes in terms of the number of total<br />

pedestrian count, lower connectivity<br />

values explain the high percentage of<br />

pedestrian flow in Greek side. On the<br />

other hand, the number of total pedestrians<br />

also seems to be related with the<br />

number of shops in both sides excluding<br />

restaurants and cafes. This result<br />

also complies with Kemperman et. al’s<br />

(2009) findings that the tourists’ shopping<br />

route choice behaviour is affected<br />

by the supply and accessibility of shops,<br />

however tourists do not prefer links<br />

with restaurants, lunchrooms, bars and<br />

such as these necessitate pausing and<br />

lingering for a longer period compared<br />

to retail shops.<br />

The most crowded pedestrian movement<br />

with or without shopping bags in<br />

Turkish side is observed in Lokmacı<br />

node, followed by Selimiye node. As<br />

Lokmacı Gate being the starting node<br />

from the check point, with relatively<br />

large number of shop units this crowdedness<br />

can be explained. In case of Selimiye<br />

however, the pedestrian flow is<br />

owed to the centrality of the location<br />

within the city along with existence<br />

of traditional covered bazaar Bandabulya.<br />

In both cases however, we see<br />

a striking fact that shopping with bags<br />

concentrates mostly on the central<br />

core of the Walled City. In both cases<br />

frequency of shopping bags decreases<br />

as we move towards the north and<br />

south exits. Comparing the percentage<br />

of shopping bags respecting the total<br />

frequency of the pedestrians, Ledra 1<br />

node with 21.02% followed closely by<br />

Ledra 3 with 19.48% are the highest<br />

shopping nodes of Greek side. Similar<br />

numbers are also seen in Turkish side<br />

as well; Işbankası node with 21.97%<br />

has the highest value while the second<br />

largest number is seen at Kumarcılar<br />

node with 20.22%.<br />

Divided shopping: A syntactic approach to consumer behaviour


184<br />

Ledra Street on the other hand, presents<br />

striking number of pedestrians<br />

compared to Turkish side. Although<br />

the number of shop units is similar in<br />

number of attraction points, the pedestrian<br />

flow is observed to be much<br />

greater. This situation complies with<br />

Kemperman et. al’s (2009) findings<br />

assuming that tourists prefer to circulate<br />

on streets/links that are part of a<br />

long straight line offering a long view,<br />

with buildings on both sides as variations<br />

of façades. Ledra 1 and Ledra 3<br />

nodes have the highest values of isovist<br />

perimeters enabling a longer vision for<br />

pedestrians to perceive the direction of<br />

movement from a longer distance and<br />

move towards the crowd, i.e. attraction.<br />

In the regression analyses shown in<br />

Table 2, pedestrian flow and shop unit<br />

data were considered as dependent<br />

variables, while the syntactic values are<br />

considered as independent. Regression<br />

analysis is investigated with the R values<br />

with significance between -1 and<br />

+1. Strong correlations are shown in<br />

dark shaded cells while although not<br />

statistically significant, mild implications,<br />

which are worth noting are also<br />

shown in lighter shaded cells.<br />

The regression analyses indicated<br />

in Table 2 show the correlations of the<br />

syntactic and environmental figures<br />

of the selected nodes given in Table 1.<br />

Circularity of the nodes and circularity<br />

of the isovists from the centre of the<br />

nodes are significantly correlated with<br />

shopping behaviour, and pedestrian<br />

flow as a whole. This situation leads us<br />

to refer to Kaynar, (2005) once again,<br />

as she argues that lower levels of circularity<br />

motivates longer visit durations,<br />

which explains the shopping behaviour<br />

occurring on dispersed nodes of Kumarcılar<br />

and Selimiye. On the other<br />

hand, theory is supported by the higher<br />

levels of circularity promoting movement<br />

as in our cases of pedestrian flow<br />

in Ledra Street, while a distraction and<br />

dispersion is seen in branch like street<br />

axes in Turkish side.<br />

As for the location and attraction<br />

levels of commercial units, we see that<br />

while cafes and restaurants are placed<br />

randomly with a smaller number of<br />

units, they do not present significant<br />

outcomes. However as for retail shops,<br />

we see a strong correlation both with<br />

isovist area and connectivity aspects.<br />

If the pedestrians are looking for certain<br />

types of items the size of the isovist<br />

area presents better scope of exploration.<br />

Therefore we see that the number<br />

of shop units increases in a more<br />

widely perceived layout. Connectivity<br />

correlations of the shops also support<br />

this finding as higher the level of connectivity<br />

higher the level of integration<br />

thus accessibility from the perspective<br />

of pedestrians, in their search for specific<br />

brand or good types.<br />

4. Conclusion and discussion<br />

In Ledra Street of the Greek region,<br />

the shopping preferences of the pedestrians<br />

are observed to concentrate on<br />

retail rather than recreational spaces,<br />

thus indicating a conscious selection of<br />

brands to shop from in a linear street<br />

layout. In the case of Turkish region<br />

however, central nodes present highest<br />

number of pedestrian flow, significantly<br />

dropping at the end points<br />

of the axes, again in accordance with<br />

the number of shop units. However, in<br />

these regions, pedestrian flow is also<br />

parallel with the existence of squares<br />

with recreational attraction points,<br />

such as the cafes and restaurants. This<br />

result implies a preference of eating<br />

spaces over retail shopping spaces in<br />

the organic street layout.<br />

The research indicated that narrow<br />

long roads promote pedestrian flow in<br />

a movement based activity, while the<br />

curvy organic formed narrow streets<br />

disperse the pedestrian movement. As<br />

for the percentages of shopping bags,<br />

both sides of the buffer zone present<br />

similarities denoting an approximate<br />

rate of 20% of shopping for pedestrian<br />

count. As the retail shop units increase,<br />

the percentage of shopping as expected,<br />

also increases. If these units are located<br />

in corners of narrow street nodes,<br />

the shopping percentage also increases.<br />

However if the shop units are located<br />

on square like spaces with number of<br />

cafes and restaurants, then the shopping<br />

tendency decreases, which can be<br />

explained by losing attention or distraction<br />

of perception.<br />

The results of the research emphasise<br />

that the division of the Walled<br />

City has an immense impact on the<br />

perception of the pedestrians, which<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • E. Edgü, M. Taluğ, N. Özgece


185<br />

leads to the dispersion of the attraction<br />

points. It is observed that the psychological<br />

effects of the war and division<br />

on the occupants from both regions<br />

are still valid, thus this situation leads<br />

to a drawback from the buffer zone,<br />

towards more secure areas within the<br />

city. Referring back to Yönet and Yirmibeşoğlu<br />

(2009), outside the walls of<br />

the city seems to be more secure for<br />

both communities and after long years<br />

of fearing whatever is on the other side<br />

of the buffer zone has yet to be dealt<br />

with. However, we also observed that<br />

the existence of the buffer zone also<br />

serves as a type of political attractor,<br />

displaying a large amount of mobility<br />

at both sides of the check point. Kemperman<br />

et al.’s (2009) assumption of<br />

the tourist movement route ending at<br />

the starting point is also apparent in<br />

this research stressing that since the<br />

only option of turning back to the entrance<br />

is through Ledra Gate, pedestrian<br />

activity increases around the nodes<br />

closest to the check point and these<br />

nodes serve as meeting points rather<br />

than shopping preference.<br />

Pedestrian flow supports syntactic<br />

outcomes especially with isovist and<br />

circularity values. Variations of shopping<br />

spaces promotes pedestrian flow,<br />

small sized units especially serve the<br />

level of attraction in historical environments.<br />

However, actual physical<br />

interruption of any layout definitely<br />

presents a non healing setting that certainly<br />

affects the spatial preferences of<br />

the us ers, as seen in the case of the UN<br />

Buffer zone.<br />

References<br />

Batty, M. (2001). Exploring Isovist<br />

Fields: Space and Shape in Architectural<br />

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Benedikt, M. (1979). To Take the<br />

Hold of Space: Isovists and Isovist<br />

Fields. Environment and Planning B:<br />

Planning and Design, 6(1), 47-65.<br />

Crompton, A. (2006). Perceived Distance<br />

in the City as a Function of Time,<br />

Environment and Behavior, 38(2), 173-<br />

182.<br />

Crompton, A. and Brown, F. (2006).<br />

Distance Estimation in a Small-Scale<br />

Environment, Environment and Behavior,<br />

38 (5), 656-666.<br />

Edgü, E. (2003). A Syntactic Approach<br />

to Space. 1st International Symposium<br />

of Interactive Media Design,<br />

Yeditepe University, İstanbul.<br />

Hatz, G. (2006). Competition and<br />

Complementarity of Retailing in the<br />

Historic City Center of Vienna. Competition<br />

and Complementarity in Retailing,<br />

1, 135-154.<br />

Hillier, B. (1999). Centrality as a<br />

Process: Accounting For Attraction<br />

Inequalities in Deformed Grids. Urban<br />

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Hillier, B., Burdett, R., Peponis, J.,<br />

Penn, A. (1987), Creating Life: or, Does<br />

Architecture Determine Anything.<br />

Architecture and Behaviour, 3(3), 233-<br />

250.<br />

Hillier, B., Leaman, A. (1974), how<br />

is Design Possible?. Journal of Architectural<br />

Research and Teaching, 3, 4-11.<br />

Hillier, B., Penn, A., Hanson, J.,<br />

Grajewski, T. and Xu, J. (1993). Natural<br />

Movement: or Configuration and<br />

Attraction in Urban Pedestrian Movement.<br />

Environment & Planning B:<br />

Planning & Design, 20, 29-66.<br />

Kaynar, İ. (2005). Visibility Movement<br />

Paths and Preferences in Open<br />

Plan Museums: An Observational and<br />

Descriptive Study of the Ann Arbor<br />

Hands-on Museum. 5 th International<br />

Space Syntax Symposium, Delft, the<br />

Netherlands.<br />

Kemperman, A.D.A.M., Borgers,<br />

A.W.J., Timmermans, H.J.P. (2009).<br />

Tourist Shopping Behavior in a Historic<br />

Downtown Area. Tourism Management,<br />

30(2), 208-218.<br />

Lewicka, M. (2008). Place Attachment,<br />

Place Identity, and Place Memory:<br />

Restoring the Forgotten City Past.<br />

Journal of Environmental Psychology,<br />

28, 209–23.<br />

Peponis, J. (2000). A Syntactic Approach<br />

to Space. Rertived from http://<br />

undertow.arch.gatech.edu/homepages/3sss/<br />

introduction text for the 3rd<br />

International Symposium on Space<br />

Syntax/ Georgia Tech Atlanta<br />

Portnov, B.A. (1998). Social Attractiveness<br />

of the Urban Physical Environment:<br />

Cities of Siberia. Annals of<br />

Regional Science, 32 (4), 525-548.<br />

Ülken, G. and Edgü, E. (2005). Social<br />

Dynamics of Urban Transformation.<br />

5th International Space Syntax<br />

Divided shopping: A syntactic approach to consumer behaviour


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Symposium Proceedings, 2, 669-679.<br />

Ünlü, A., Edgü, E., Cimşit, F., Şalgamcıoğlu,<br />

M E., Garip, E., and Mansouri,<br />

A., (2009). Interface of Indoor<br />

and Outdoor Spaces in Buildings: A<br />

Syntactic Comparison of Architectural<br />

Schools in Istanbul, 7th International<br />

Space Syntax Symposium Proceedings,<br />

132.<br />

Wang, L. and Lo, L. (2007). Immigrant<br />

Grocery-Shopping Behavior:<br />

Ethnic Identity versus Accessibility.<br />

Environment and Planning A, 39 (3),<br />

684-699.<br />

Weltevreden, J.W.J., Atzema, O. and<br />

Frenken, K. (2005). Evolution in city<br />

centre retailing: the Case of Utrecht.<br />

International Journal of Retail and Distribution<br />

Management, 33 (11), 824-<br />

841.<br />

Weltevreden, J.W.J., Rietbergen,<br />

T.V., E-shopping versus City Centre<br />

Shopping: the Role of Perceived City<br />

Centre Attractiveness. Tijdschrift voor<br />

Economische en Sociale Geografie, 98,<br />

68–85.<br />

Yönet, N.A. and Yirmibeşoğlu, F.<br />

(2009). Gated Communities in Istanbul:<br />

Security and Fear of Crime.<br />

ENHR 2009, Prague, Changing Housing<br />

Markets; Integration and Segmantat,<br />

Prague.<br />

Bölünmüş alışveriş: Tüketici davranışlarına<br />

dizimsel bir yaklaşım<br />

Tarihî kent merkezleri, zaman içinde<br />

kullanıcı memnuniyeti açısından<br />

sakinlerinin ihtiyaç ve beklentilerini<br />

karşılamaktan uzaklaşabilir. Lewicka<br />

(2008), tarihî merkezlerin, sürekliliği<br />

sağlama ve yere bağlılığı kolaylaştırmanın<br />

yanı sıra, var olan gelenekleri<br />

somutlaştırdığını belirtir. Bu nedenle,<br />

yaşanan beklenmedik nüfus dalgalanmaları<br />

veya savaş ve yönetim değişikliği<br />

gibi, ortaya çıkabilecek bazı temel<br />

etmenlere rağmen, tarihî kentler hâlâ<br />

çekim merkezi olmaya devam etmekte<br />

ve özellikle perakende arzı açısından<br />

ekonomik ve kültürel canlılıklarını<br />

sürdürmektedirler. Weltevreden<br />

ve Rietbergen’in (2007) belirttiği gibi<br />

tarihî kent merkezlerine olan ilgiyi<br />

arttırmada, alışveriş önemli rol oynar;<br />

kent merkezleri aynı zamanda insanların<br />

buluştukları, sosyalleştikleri ve<br />

eğlendikleri mekânlardır. Kent merkezlerinin<br />

birer cazibe merkezine dönüşmesinde<br />

dört ana faktör önemlidir;<br />

bunlar, karakteristik bir çevreye sahip<br />

olmak, alışveriş dışında, müze, tiyatro,<br />

restoran gibi farklı işlevler sunabilmek,<br />

dükkânların sayısı ve çeşitliliği ile kalabalıklık<br />

olarak sıralanmaktadır. Kalabalıklık<br />

ile sosyal etkileşimin artması,<br />

yaya akışının sağlanabilmesine bağlıdır.<br />

Kent merkezlerindeki eylemleri<br />

sosyal cazibe üzerinden değerlendiren<br />

çeşitli çalışmalar bulunmaktadır;<br />

bunlar arasında, Kemperman ve diğerlerinin<br />

(2009) çalışmasında tarihî<br />

kent merkezlerinin turistik alışverişler<br />

için çekim merkezi olduğu vurgulanmaktadır.<br />

Bu çalışmaya göre, turistler<br />

fiziksel açıdan çekici, geniş görüş alanına<br />

sahip, yaya dostu sokakları tercih<br />

ederler; yaya hareketi ve çevreye aşinalık<br />

alışverişe özendirir.<br />

Hillier ve Leaman’a (1974) göre<br />

mekânsal dizim belirli sosyal ve kültürel<br />

varsayımlara göre şekillenen farklı<br />

mekânsal düzenler üretmek için kullanılabilecek<br />

kurallar dizisidir. Çeşitli ölçeklerdeki<br />

iç ve dış mekân biçimlenişleri<br />

ve görsel algıları dışbükey şekiller<br />

ve aks çizgileri ile yorumlanabilmektedir<br />

(Hillier ve diğ., 1987; Peponis,<br />

2000). Bütünleşme değeri dışbükey bir<br />

şekil içinde yer alan tüm noktaların, o<br />

sistem içinde birbirlerine olan uzaklıkları<br />

ile ilgilidir. Buna göre, eğer bir<br />

noktanın gerçek bütünleşme değeri<br />

yüksek ise, diğer bütün noktalardan<br />

o noktaya erişim kolay ve dolaysızdır.<br />

Bağlaşıklık değeri hücrelere doğrudan<br />

bağlı olan komşu hücrelerin sayısıdır.<br />

Bu nedenle eğer hücre sistemin ortalarına<br />

yakınsa etrafında sayıca daha fazla<br />

hücre bulunur ve bütünleşme değeri<br />

artar. Diğer yandan hücrenin sistemin<br />

çeperlerine yakın olması bütünleşme<br />

değerini azaltır ve ortalama derinlik<br />

değerini arttırır. Bu nedenle yol olarak<br />

tanımlayabileceğimiz aksların bütünleşme<br />

ve bağlaşıklık değerleri arasındaki<br />

ilişki herhangi bir mekânın yaya<br />

hareketine uygun olup olmadığını da<br />

belirler.<br />

Kent dokusu, binaların kompozisyonu<br />

ve kent içindeki mesafeler gibi<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • E. Edgü, M. Taluğ, N. Özgece


187<br />

fiziksel özelliklerin yayalar tarafından<br />

algılanması, kentin cazibesini arttıran<br />

önemli etkenlerdendir. Tarihî kent<br />

merkezlerinde, eğlence mekânları ve<br />

butik, restoran gibi ticarî alanlarla desteklenen<br />

ve yaya akışını özendiren iyi<br />

bir dolaşımın bulunması yerli halk ve<br />

turistlerin ilgisini canlı tutar. Yayaların<br />

seçmiş oldukları dolaşım yolları, bu<br />

yolların göreceli olarak ne kadar cezbedici<br />

oldukları ve üzerlerinde yer alan<br />

kısa ve orta vadeli tüketim ürünlerini<br />

barındıran işlevlerle ve bunlara bağlı<br />

alışkanlıklarla da ilgilidir (Hatz, 2006;<br />

Wang ve Lo, 2007).<br />

Sınırlı bir çevrede, küçük parseller<br />

üzerine yerleşmiş olan binaların<br />

oluşturduğu tanımlı sokaklar da yaya<br />

akışını özendirmektedir. Crampton ve<br />

Brown (2006) küçük ölçekli ve araç<br />

trafiğinin olmadığı yerlerin, yaya trafiğinde<br />

artış yarattığını, yaya olarak<br />

dolaşılan bu alanın turist tarafından<br />

olduğundan daha geniş olarak algılandığını<br />

belirtirler. Dolaşımın rahat<br />

sağlandığı bu yerlerde, bir sokak üzerine<br />

dizilmiş olan küçük ölçekli binaların<br />

giriş kapıları, oluşturdukları<br />

farklı seçeneklerle ekonomik fayda da<br />

sağlayabilmektedirler. Kemperman ve<br />

diğerlerinin 2009’da yaptığı çalışmada,<br />

turistlerin iki tarafı binalarla tanımlanmış<br />

ve uzun görüş açısı sağlayan<br />

sokakları tercih ettikleri belirlenmiştir.<br />

Bu nedenle, yaya hareketleri göz önünde<br />

tutulduğunda, tarihî kent merkezleri,<br />

birer sosyal çekim noktası olarak<br />

halen geleneksel alışverişin odağıdırlar<br />

(Ülken ve Edgü, 2005).<br />

Kentin tarihî yapısının cazibeyi arttıran<br />

bir unsur olduğunun varsayıldığı<br />

bu araştırma, yaya hareketleri ve alışveriş<br />

davranışlarına odaklanmaktadır. Bu<br />

çalışma, hem Kıbrıs Cumhuriyeti’nin,<br />

hem de Kuzey Kıbrıs Türk Cumhuriyeti’nin<br />

başkenti olan Lefkoşa’da Suriçi<br />

olarak bilinen, tarihî kent merkezinde,<br />

tüketici alışveriş davranışlarına karşılaştırmalı<br />

bir yaklaşımı benimsemiştir.<br />

Birleşmiş Milletler tarafından oluşturulan<br />

ve Yeşil Hat olarak bilinen askerî<br />

tampon bölge ile eşit olmayan iki yarıya<br />

bölünen onbir burçlu yıldız biçimli<br />

tarihî kentte merkezîlik kaybolurken,<br />

buna bağlı olarak fiziksel ve sosyal gelişim<br />

örüntüleri değişmiştir. Örneğin,<br />

tarihî şehir içindeki iş alanları, arazi fiyatlarının<br />

daha ucuz olduğu şehir dışına<br />

kaymıştır. Bu bağlamda, Türk tarafında<br />

sur duvarlarının hemen dışında<br />

yönetim ve eğitim amaçlı yapılaşma,<br />

Rum tarafında ise daha çok iş ve ticarî<br />

amaçlı bir yapılaşma gözlenmektedir.<br />

Buna karşılık, sur duvarlarının içindeki<br />

tarihî bölge, küçük butikler, yemek<br />

yeme alanları, imalâthaneler ve hediyelik<br />

eşya satan küçük dükkânların<br />

olduğu ticarî ağırlıklı bir bölgeye dönüşmüştür.<br />

Ekonomik tercihler Rum<br />

tarafındaki tarihî örüntünün yüksek<br />

katlı binalarla yer değiştirmesine neden<br />

olurken Türk tarafında yenilenme<br />

sınırlı kalmış ve özgünlük korunabilmiştir.<br />

Fiziksel ulaşılabilirliğin sosyal<br />

ve ekonomik cazibeyi güçlendirdiğinin<br />

varsayıldığı bu araştırma, iki konu üzerinde<br />

yoğunlaşmaktadır:<br />

• çizgi analizi yöntemi ile kentin<br />

üç farklı dönemdeki fiziksel<br />

örüntüsünün gelişimini ortaya<br />

koyan dizimsel ipuçlarının belirlenmesi,<br />

• tüketici davranışlarını yönlendiren<br />

işlevsel ve mekânsal örüntüleri vurgulayan<br />

yaya tercihlerinin ortaya<br />

konması.<br />

Alan çalışmasında Lefkoşa tarihî<br />

kent merkezinin 1974 öncesi, 1974 ile<br />

karşılıklı geçişlerin başladığı 2008’e<br />

kadar olan iletişimsiz dönem ve 2008<br />

sonrası açılan tek yaya gümrük kapısı<br />

(Ledra Caddesi’ne bağlanan Lokmacı<br />

kapısı) ile yeniden kurulan kuzey-güney<br />

bağlantısının incelendiği haritalarda<br />

öncelikle gerçek bütünleşme<br />

değerlerine bakılmış ve kentin özgün<br />

merkezî düzeninin geçirdiği evreler<br />

yorumlanmıştır. Diğer yandan, alışveriş<br />

davranışını belirlemek üzere<br />

kentin mevcut durumunda gözlemler<br />

yapılmış, toplanma, geçiş ve alışverişe<br />

dayalı işlevsel kullanım alanları sosyal<br />

uzaklığa bağlı olarak nisan ve mayıs<br />

aylarında iki ayrı Cuma ve Cumartesi<br />

günlerinde elde edilen onbeşer<br />

dakikalık video kayıtları ile belirlenmiştir,<br />

yaya akışı ve alışveriş torbaları<br />

sayılmıştır. Bölünmeyle birlikte tarihî<br />

kentin Bandabulya olarak bilinen geleneksel<br />

pazaryeri, bazı hanları ve arastası<br />

Türk tarafında kalırken, pahalı<br />

dükkânların yer aldığı alışveriş caddesi<br />

Rum tarafında kalmıştır. Her iki bölgede<br />

de suriçi dışında kalan alanda pazar<br />

talepleri ve güncel eğilimler baskınken,<br />

suriçinin tarihî atmosferinin cazibeyi<br />

Divided shopping: A syntactic approach to consumer behaviour


188<br />

korumaya yardımcı olduğu görülmüştür.<br />

Lefkoşa Suriçi’nin 1974 öncesi,<br />

1974-2008 arası ve 2008 sonrası artzamanlı<br />

çizgi haritalarının ortalama<br />

bütünleşme değerleri incelenmiştir.<br />

Bölünmeden önceki süreçte kentin<br />

merkezîliğinin vurgulandığı, bölünmeyle<br />

birlikte iki farklı merkez oluştuğu,<br />

güney daha ılımlı bir bütünleşme<br />

gösterirken, kuzeyde Girne kapısı aksının<br />

belirginleştiği, yeniden bağlantı<br />

sağlandıktan sonra ise kuzey aksının<br />

zayıfladığı ancak devamındaki Ledra<br />

aksının güçlendiği görülmektedir.<br />

2008 sonrasındaki alışveriş davranışını<br />

belirlemek için Rum tarafından üç<br />

adet, dağınık organik yapısı nedeniyle<br />

Türk tarafından ise altı adet 30 m çaplı<br />

düğüm noktası analiz edilerek karşılaştırılmıştır.<br />

Zemin katlarda yer alan<br />

yiyecek, giyim, elektronik eşya türündeki<br />

perakende dükkânlar bağlamında<br />

yaya ve alışveriş hareketi incelenmiştir.<br />

Bütünleşme değeri, döngüsellik, bağlaşıklık<br />

ve eşgörüş analizi gibi dizimsel<br />

bulgular, Rum tarafındaki uzun ve dar<br />

sokakların yaya akışını hareket odaklı<br />

eylemlere teşvik ederken, Türk tarafındaki<br />

kıvrımlı ve organik biçimli dar<br />

yolların yaya akışını dağıttığını göstermiştir.<br />

Alışveriş torbalarının sayısı<br />

merkezde yoğunlaşırken, sur dışına<br />

doğru azalmaktadır. Bunun yanında,<br />

tüketicilerin çizgisel sokak düzeninde<br />

bağlaşıklık ve bütünleşme değerlerinin<br />

de desteklediği gibi marka odaklı perakende<br />

tüketim eğilimleri oluşurken,<br />

dağınık organik bir düzende ise daha<br />

çok yeme-içme odaklı aktiviteye yöneldikleri<br />

belirlenmiştir. Bununla birlikte,<br />

tampon bölgenin politik olarak<br />

merak uyandıran iki tarafı da, işlevsel<br />

kullanımdan bağımsız olarak, öne çıkan<br />

çekim ve buluşma noktaları haline<br />

gelmektedir.<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • E. Edgü, M. Taluğ, N. Özgece


ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • 189-207<br />

Modeling walkability: The effects<br />

of street design, street-network<br />

configuration and land-use on<br />

pedestrian movement<br />

Ayşe ÖZBİL 1 , Demet YEŞİLTEPE 2 , Görsev ARGIN 3<br />

1<br />

ayse.ozbil@ozyegin.edu.tr • Department of Interior Architecture and<br />

Environmental Design, Faculty of Architecture and Design, Ozyegin University,<br />

Istanbul, Turkey<br />

2<br />

demetyesiltepe@gmail.com • Department of Urban and Regional Planning,<br />

Faculty of Architecture, Istanbul Technical University, Istanbul, Turkey<br />

3<br />

gorsevargin@gmail.com • Department of Urban and Regional Planning, Faculty<br />

of Architecture, Istanbul Technical University, Istanbul, Turkey<br />

Received: May <strong>2015</strong> Final Acceptance: October <strong>2015</strong><br />

Abstract<br />

This study explores the relative association of street design –local qualities of<br />

street environment–, street network configuration –spatial structure of the urban<br />

grid–, and land use patterns with the distribution of pedestrian flows. The aim<br />

is to better understand the extent to which systematically measured street-level<br />

urban design qualities and objectively measured street network configuration are<br />

related to pedestrian movement, controlling for land use.<br />

20 2kmx2km areas in Istanbul were studied in order to establish correlations<br />

between street design, street configuration and densities of pedestrian movement.<br />

Pedestrian data were collected on selected road segments within the areas.<br />

Same road segments were characterized through detailed field-surveys in terms<br />

of aesthetic qualities, signage, sidewalk design, pedestrian crossings/traffic lights,<br />

ground floor uses as well as GIS-based hosing plot-level (parcel-level) land use<br />

density and street-level topography. Street network configurations within the areas<br />

were evaluated using angular segment analysis (Integration and Choice) as well as<br />

two segment-based connectivity measures (Metric and Directional Reach). Linear<br />

models were developed to investigate the relationships among street design,<br />

street network configuration, land use, and walking behavior.<br />

This study contributes to the literature by offering insights into the comparative<br />

roles of urban design qualities of the street environment and street network layout<br />

on pedestrian movement. Preliminary findings imply that notwithstanding the<br />

significance of certain aspects of the street environment that relate to local urban<br />

design qualities, the overall spatial configuration of street network may prove to<br />

be a significant variable for the description and modulation of pedestrian movement.<br />

Keywords<br />

Istanbul, Land use, Pedestrian movement, Street design, Street network configuration<br />

.


190<br />

1. Introduction<br />

Creating walkable urban environments<br />

have implications for public<br />

health and environmental welfare as<br />

well as urban sustainability (US Department<br />

of Health and Human Services,<br />

1996), but intervention strategies<br />

need to be built through empirical<br />

research that identifies correlates of<br />

walking behavior (Sallis, Owen, & Fotheringham,<br />

2000). While socio-demographic<br />

(i.e. ethnicity, income, age)<br />

correlates of walking have been widely<br />

probed in the literature (Sallis et al.,<br />

2000; Timperio et al., 2006), physical<br />

environmental variables have been<br />

studied with much less rigor. However;<br />

the limited number of studies on<br />

the link between the built environment<br />

and physical activity demonstrate that<br />

physical environmental variables are<br />

significantly associated with walking<br />

behavior controlling for socio-demographic<br />

factors (Giles-Corti & Donovan,<br />

2002).<br />

1.1. Street design, urban form and<br />

pedestrian movement<br />

Researches in health and urban design<br />

investigating the environmental<br />

correlates of walking have sufficiently<br />

documented associations between<br />

street-level design and pedestrian<br />

activity. The majority of emphasis is<br />

placed on the qualities of urban design,<br />

treated with reference to the immediate<br />

condition of individual streets. The<br />

local correlates of the street environment<br />

used in empirical studies range<br />

from the dimensions and design of<br />

sidewalks to the frontages of retail or<br />

the prevailing levels of environmental<br />

comfort that may encourage pedestrian<br />

movement (Badland & Schofield, 2005;<br />

R. Ewing, Brownson, & Berrigan, 2006;<br />

R. Ewing & Handy, 2009; Gehl, Kaefer,<br />

& Reigstad, 2006). Pedestrian safety,<br />

of course, is also shown to be a major<br />

factor in determining physical activity<br />

levels (Boarnet, Anderson, Day,<br />

McMillan, & Alfonzo, 2005). Safe and<br />

pleasant conditions encourage walking<br />

(Brown, Werner, Amburgey, & Szalay,<br />

2007; C. Brown, Jones, & Braithwaite,<br />

2007). The presence of street crossings,<br />

attractive landscaping, tree covers, and<br />

signalization (Agrawal, Schlossberg, &<br />

Irvin, 2008; Cao, Mokhtarian, & Handy,<br />

2007), as well as aesthetic or safety features,<br />

such as cleanliness, interesting<br />

sights, and architecture (Appleyard,<br />

1982; Gehl, 2011), have been shown<br />

to encourage walking in adults and<br />

children. In a literature review study<br />

in the health and behavioral sciences,<br />

Humpel, Owen, and Leslie (2002) concluded<br />

that accessibility to recreational<br />

facilities, opportunities for physical<br />

activity, and aesthetic attributes were<br />

consistently and significantly related<br />

to physical activity, while weather and<br />

safety attributes were less consistently<br />

associated with the behavior.<br />

Evaluating such local urban design<br />

attributes is clearly important<br />

in creating environments supportive<br />

of walking. However; walking is<br />

a context-dependent activity that requires<br />

navigating through spaces, not<br />

in spaces. Thus, it cannot be fully explained<br />

based on the local qualities<br />

of the individual street isolated from<br />

its surroundings. Any type of walking<br />

(exploratory or directed) requires pedestrians<br />

to explore perceptually available<br />

connections or exploit available<br />

connections that have been cognitively<br />

registered.<br />

Researchers in transportation and<br />

planning, on the other hand, have<br />

focused on urban form aspects of<br />

walkability, characterized in terms of<br />

proximity (distance) and connectivity<br />

(directness of traveled route) (Frank,<br />

2000), to uncover their associations<br />

with pedestrian movement. Proximity<br />

relates to the distance between trip<br />

origins and destinations. Proximity is<br />

measured by two urban form variables.<br />

The first is density, or compactness of<br />

land uses. Density is thought to shape<br />

pedestrian activity by bringing numerous<br />

activities closer together, thus<br />

increasing their accessibility from trip<br />

origins (Cervero & Kockelman, 1997;<br />

Krizek, 2003). It is suggested that people<br />

are willing to use slower modes of<br />

travel, such as walking, for shorter distances,<br />

especially if many trips can be<br />

chained (Frank & Pivo, 1994; Marshall<br />

& Grady, 2005). The second component<br />

of proximity is land use mix, or<br />

the distance between or intermingling<br />

among different types of land uses,<br />

such as residential and commercial<br />

uses. Similarly, land use mix increases<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • A. Özbil, D. Yeşiltepe, G. Argın


191<br />

accessibility by increasing the number<br />

of available destinations within<br />

walking range. It is argued that commingling<br />

of offices, shops, restaurants,<br />

residences and other activities influences<br />

the decisions to walk by making<br />

it more convenient to walk to shops or<br />

to get to work (Cervero, 2002; Rodri<br />

guez & Joo, 2004) while having destinations<br />

within walking distance from<br />

origins (homes, stations, schools, etc.)<br />

increases the odds of walking (Frank &<br />

Engleke, 2000; Handy & Clifton, 2001).<br />

Whereas proximity considers airline<br />

(crowfly) distances between origins<br />

and destinations, connectivity<br />

characterizes the directness of travel<br />

between households, shops and places<br />

of employment, and the number of<br />

alternative route choices within street<br />

network (Saelens, Sallis, & Frank,<br />

2003). The connectivity of street networks<br />

increases accessibility in two<br />

ways. First, it makes it more likely that<br />

a short or more direct route is available<br />

for any given pair of origin and destination.<br />

Second, the more the length of<br />

streets in a given area, the greater the<br />

number of frontages, and thus of destinations,<br />

that are likely to be available<br />

at walking range. Potentiality, defined<br />

as the availability of accessible streets<br />

and destinations offered by the urban<br />

fabric, is significantly related to pedestrian<br />

travel. Destinations are certainly<br />

an aspect of land use, but their number<br />

is generally proportional to the street<br />

length accessible within a walking distance.<br />

Fine-grained urban networks of<br />

densely interconnected streets improve<br />

transit and pedestrian travel by providing<br />

relatively direct routes, thus reducing<br />

the distance between origins and<br />

destinations.<br />

Prevalent measures of connectivity<br />

within the literature have been limited<br />

to average measures of street networks,<br />

such as block length (Cervero & Kockelman,<br />

1997), block size (Hess, Paul<br />

M.; Muodon, Anne V.; Snyder, Mary<br />

C.; Stanilov, 1999; Song, 2003), intersection<br />

density (Cervero & Radisch,<br />

1995; Reilly & Landis, 2002), percent<br />

four way intersections (M. Boarnet &<br />

Sarmiento, 1998; Cervero & Kockelman,<br />

1997), street density (S. Handy,<br />

1996; Matley, Goldman, & Fineman,<br />

2001), connected intersection ratio<br />

(Song, 2003), and link node ratio (Ewing,<br />

1996). Apart from average measures<br />

of street density, some studies<br />

have investigated the underlying differences<br />

of street types, such as the distinctions<br />

between traditional vs. suburban<br />

and grid vs. cul-de-sac, to show<br />

a statistically significant relationship<br />

between street design with a grid-like<br />

geometry and increased frequency of<br />

walking trips (Greenwald & Boarnet,<br />

2001; S. L. Handy, 1992; Rajamani,<br />

Handy, Knaap & Song, 2003; Shriver,<br />

1997). However; the foregoing findings<br />

underline the multi-collinearity<br />

between such measures, hence the ambiguity<br />

of specific recommendations<br />

with regard to street network design.<br />

A number of studies have attempted<br />

to improve the explanatory power of<br />

street network design by developing<br />

composite variables that account for<br />

multiple dimensions of urban form,<br />

such as the “Pedestrian Environmental<br />

Factor” (Parsons Brinkerhoff Quade<br />

and Douglas Inc. et al. 1993) or walkability<br />

index” (Goldberg et al., 2007).<br />

1.2. Spatial configuration and pedestrian<br />

movement<br />

While most of these studies show<br />

positive associations between measures<br />

of connectivity and walking, recent papers<br />

point out that many of these positive<br />

associations are weak, even when<br />

statistically significant (Handy, 2005;<br />

Oakes, Forsyth, & Schmitz, 2007; Rodríguez,<br />

Aytur, Forsyth, Oakes, & Clifton,<br />

2008). One reason is the absence<br />

of measures that can systematically<br />

characterize the spatial structures of<br />

urban street networks at various scales<br />

and hierarchies. The significance of<br />

spatial structure in affecting pedestrian<br />

movement has been addressed through<br />

the framework of configurational analysis<br />

of space syntax. The methodology<br />

of space syntax involves measuring the<br />

accessibility of all parts of a network<br />

under consideration from each individual<br />

street element. The intent is to<br />

provide a generalized description of<br />

spatial structure and connectivity hierarchy<br />

without evoking information<br />

about land use or making assumptions<br />

about desirable or typical trips. In the<br />

case of space syntax, particular attention<br />

is given to the number of direc-<br />

Modeling walkability: The effects of street design, street-network configuration and land-use on<br />

pedestrian movement


192<br />

tion changes that are needed in order<br />

to move from one location to another.<br />

The claim that the ordering of connectivity,<br />

measured by direction changes,<br />

plays an important role in determining<br />

the distribution of movement is consistent<br />

with research findings in spatial<br />

cognition which suggest that direction<br />

changes, as an aspect of configuration,<br />

are related with the cognitive<br />

effort required to navigate through an<br />

area (Bailenson, Shum, & Uttal, 2000;<br />

Crowe, Averbeck, Chafee, Anderson,<br />

& Georgopoulos, 2000; B. Hillier &<br />

Iida, 2005; Jansen-Osmann, P.; Wiedenbauer,<br />

2004; Montello, 1991; Sadalla<br />

& Magel, 1980). Earlier studies have<br />

shown that road segments that are accessible<br />

from their surroundings with<br />

fewer direction changes tend to attract<br />

higher flows (Hillier, Penn, Hanson,<br />

Grajewski, & Xu, 1993; Peponis, Ross,<br />

& Rashid, 1997). Recent research has<br />

demonstrated street network design to<br />

be significantly related to recreational<br />

(Lee & Moudon, 2006) as well as transportation<br />

walking behaviors (Ozbil &<br />

Peponis, 20<strong>12</strong>). Since walking occurs<br />

according to the fine grain of environment<br />

as well as according to its larger<br />

scale structure, appropriately discriminating<br />

measures of street connectivity<br />

are critical for designing for walkability.<br />

This study contributes to the literature<br />

by offering insights into the<br />

comparative roles of street design –local<br />

qualities of street environment–,<br />

street network configuration –spatial<br />

structure of the urban grid–, and land<br />

use patterns with the distribution of<br />

pedestrian flows. The aim is to better<br />

understand the extent to which systematically<br />

measured street-level urban<br />

design qualities and objectively<br />

measured street network configuration<br />

are related to pedestrian movement,<br />

controlling for land use.<br />

1.3. The case of Anatolian part of Istanbul<br />

The study areas are drawn from diverse<br />

neighborhoods that vary substantially<br />

in walkability (street connectivity<br />

patterns), as well as their<br />

locations within the city (Figure 1).<br />

Kadıköy and Üsküdar are central-city<br />

districts, which include some of the<br />

most densely walked street segments<br />

within the city. Ataşehir, which became<br />

a district in 2008, is a contemporary<br />

in-town environment with high-end<br />

residential gated-communities and office<br />

skyscrapers while Ümraniye and<br />

Kartal are peripheral districts. The underlying<br />

reason for studying the Anatolian<br />

part is due to the different urban<br />

patterns dominating each continent.<br />

The European part is mostly dominated<br />

by high-rise mass housing, service<br />

and commercial land uses, whereas the<br />

Anatolian part reflects mostly a residential<br />

character with mixed land uses<br />

prevailing the central parts. Although<br />

the selected areas represent a small<br />

cross-section of the entire city, the sum<br />

of their population equals to one-sixth<br />

of Istanbul’s total population.<br />

Table 1 presents a quantitative profile<br />

of the selected areas in terms of<br />

street patterns, population density,<br />

movement densities and land use compositions<br />

summarized based on their<br />

districts. This preliminary benchmarking<br />

demonstrates notable differences<br />

between areas. The population densities<br />

of the areas, calculated on the<br />

basis of the census blocks associated<br />

with the street segments for which pedestrian<br />

counts were taken, range from<br />

145 to 290 per hectare with Üsküdar,<br />

Figure 1. Locations of (a) selected districts and surveyed areas.<br />

Maps are colored based on (b) Metric Reach (800m), and (c)<br />

boundaries of the selected districts.<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • A. Özbil, D. Yeşiltepe, G. Argın


Ataşehir and Kadıköy having similar<br />

densities. The mean density of moving<br />

pedestrians per 100m is 38, 29, 24, 24,<br />

and 19 for Ümraniye, Kartal, Ataşehir,<br />

Kadıköy, and Üsküdar respectively.<br />

The areas summarized in terms of their<br />

districts also differ significantly in their<br />

average street density. Average metric<br />

193<br />

reach, from high to low, is consistently<br />

in descending order from Ümraniye to<br />

Üsküdar, Ataşehir, Kadıköy and Kartal<br />

for 2km radii. However, Kadıköy<br />

has the highest two-directional reach,<br />

whereas Üsküdar and Kartal have similar<br />

lower averages. The magnitude of<br />

land use densities follows the same or-<br />

Table 1. Urban form characteristics of selected areas summarized in terms of their districts.<br />

Ataşehir Kadıköy Kartal Ümrani<br />

ye<br />

Üsküdar<br />

Numbers of selected areas and audited<br />

segments<br />

Number of 2kmx2km areas selected 4 6 3 3 4<br />

Number of segments audited 158 238 <strong>12</strong>0 116 158<br />

Densities of residential population and<br />

pedestrians<br />

Average population density per hectares 202 201 170 145 209<br />

Average number of pedestrians per 100m 23.98 23.87 29.16 37.59 18.66<br />

Characteristics of street network configuration<br />

Average Metric Reach (1600 m) 61.45 54.83 54.71 77.49 62.39<br />

Average 2-Directional Reach (20 o ) 5.07 8.08 4.14 5.93 3.25<br />

Average global Integration (n) 6373 6162 5309 6644 5919<br />

Average global Choice (n) (in millions) 331 346 225 603 183<br />

Land use characteristics (in thousands)<br />

Average total residential sq mt 857 855 706 999 836<br />

Average total non-residential sq mt 188 167 240 238 46<br />

Average total sq mt 1046 1022 946 <strong>12</strong>37 882<br />

mixed-use entropy index 0.38 0.37 0.57 0.44 0.19<br />

Figure 2. (a) Graphic representation of observed pedestrian densities through circles of<br />

differing diameters denoting the differing densities of observed movements. (b) Location of<br />

pedestrian observations on the configurational map showing metric/directional accessibility<br />

according to Metric Reach (1600mt). Dark-to-light lines denote higher-to-lower metric<br />

accessibility within the overall Anatolian part of the city.<br />

Modeling walkability: The effects of street design, street-network configuration and land-use on<br />

pedestrian movement


194<br />

der as that of street density. Ümraniye<br />

and Kartal have the highest land use<br />

intensifications while Üsküdar has the<br />

lowest total land use density. Non-residential<br />

land use density is highest in<br />

Kartal and Ümraniye, which also have<br />

relatively higher mixed-use entropy<br />

indices, and lowest in Üsküdar, which<br />

is primarily a residential district. In<br />

terms of residential building square<br />

meter, Ümraniye has the highest density<br />

while Kadıköy, Ataşehir and Üsküdar<br />

are found to have similar densities<br />

for the 2-kilometer buffer range with<br />

Kartal having the lowest density.<br />

Overall, the initial tabulation suggests<br />

a strong correspondence between<br />

the average volume of pedestrian<br />

movement and the average density of<br />

streets and land development. As higher<br />

development densities are located<br />

in areas with denser street networks,<br />

it seems plausible that the association<br />

between pedestrian density and street<br />

density is a by-product of land use. In<br />

the next section, however, the examination<br />

of the data at street segment level<br />

suggests that street connectivity has a<br />

strong role in determining the distribution<br />

of pedestrian density across and<br />

within areas.<br />

2. Methodology<br />

This study was conducted in 5 consecutive<br />

stages. In the first stage, data<br />

on actual pedestrian volumes were<br />

recorded by conducting on-site observations<br />

in the selected areas. In the<br />

second stage, detailed field surveys<br />

were conducted to assess the degree of<br />

street-level accessibility and pedestrian<br />

quality. In the third stage, GIS-based<br />

plot-level land use compositions were<br />

measured at the street-segment scale.<br />

In the fourth stage, street network<br />

configuration of the Anatolian part of<br />

Istanbul was evaluated using various<br />

topo-geometric configurational measures.<br />

In the last stage, the associations<br />

between distribution of pedestrian<br />

movement, street design qualities,<br />

street-level land use compositions,<br />

and street network configuration were<br />

studied using linear statistical analyses.<br />

2.1. Pedestrian observations<br />

Due to resource limitations, only<br />

40 street segments within each 2kmx-<br />

2km study area were audited. The selection<br />

of audited street segments were<br />

based on two criteria: (1) not a deadend<br />

street, (2) representative of a wide<br />

range of configurational qualities of the<br />

street network. These sampling criteria<br />

Figure 3. (a) Land use compositions within a selected 2x2km urban area, and (b) gross<br />

densities of buildings that have their access on the individual road segment associated with<br />

each segment along the path.<br />

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195<br />

ensured consistency among the sampled<br />

segments in terms of the overall<br />

pedestrian facilities. Based on these<br />

criteria, audited-segments were selected<br />

to include street-segments with differing<br />

structural levels (Figure 2).<br />

2.2. Field surveys<br />

Street segments were characterized<br />

through detailed field surveys in terms<br />

of the pedestrian quality attributes that<br />

are shown to affect navigation in urban<br />

environments through their impacts<br />

on pedestrians’ perceptions. These include<br />

accessibility –sidewalk width<br />

(average width on both sides) and<br />

maintenance; street sign (presence of<br />

street name on audited segment); safety<br />

(number of pedestrian crossings and<br />

traffic-signals on audited segments relativized<br />

by street length; average width<br />

of buffer between the sidewalk and the<br />

streets on both sides as well as posted<br />

speed limit on the audited segment);<br />

aesthetics –enclosure along sidewalks<br />

(average building setback from the<br />

sidewalk) and street trees (presence of<br />

trees on either side of the audited segment);<br />

street-front land uses (number<br />

of residential and non-residential land<br />

uses opening directly on each individual<br />

street segment relativized by street<br />

length); as well as street level topography<br />

(average degree of slope along<br />

the audited street segment). Since this<br />

study is quantitative in nature, soft-architectural-parameters,<br />

such as smell,<br />

noise and light, which are harder to<br />

quantify were not considered in the<br />

field surveys.<br />

Hence, a total number of 800 street<br />

segments were audited, and the average<br />

length of audited segments was<br />

88.87 meters. Street segments whose<br />

total length was


196<br />

Angular Choice which measures how<br />

many times a space is selected on journeys<br />

between all pairs of origins and<br />

destinations (Hillier & Iida, 2005). In<br />

other words, integration measures how<br />

easy it is to access one space (road segment)<br />

from all others in the network;<br />

whereas Choice measures how likely<br />

it is for a space to be selected moving<br />

from one space to another in the network<br />

(Hillier & Iida, 2005). These two<br />

measures represent the to and through<br />

movement potentials of the street segments<br />

(Hillier, Yang, & Turner, 20<strong>12</strong>).<br />

Choice and Integration at radii 400-,<br />

800-, and 1600-meter were calculated.<br />

Street network configuration of the<br />

entire region was evaluated by using<br />

two parametric segment-based measures<br />

of connectivity (Peponis, Bafna,<br />

& Zhang, 2008). Metric Reach captures<br />

the density of streets and street connections<br />

accessible from each individual<br />

road segment. This is measured by<br />

the total street length accessible from<br />

each road segment moving in all possible<br />

directions up to a parametrically<br />

specified metric distance threshold.<br />

Directional Reach measures the extent<br />

to which the entire street network is<br />

accessible with few direction changes.<br />

This is measured by the street length<br />

which is accessible from each road segment<br />

without changing more than a<br />

parametrically specified number of directions.<br />

Metric Reach was computed<br />

for 1600-, 800- and 400-meter walking<br />

distance thresholds. Directional Reach<br />

was computed for two direction changes<br />

subject to a 20° angle threshold. The<br />

20° angle threshold was selected to set<br />

the threshold low enough to make the<br />

analysis sensitive to street sinuosity.<br />

Computing directional reach for two<br />

direction changes provides an estimate<br />

of how well a street segment is embedded<br />

in its surroundings from the point<br />

of view of directional distance. In other<br />

words, it takes high values as streets<br />

become more linearly extended and<br />

as intersections to other linearly extended<br />

streets become denser. Figure<br />

4 illustrates Integration and Choice at<br />

a radius of 800 meters, Metric Reach<br />

(800m), and 2-directional Reach (20 o )<br />

respectively.<br />

2.5. Statistical analyses<br />

Multivariate regression analyses<br />

were conducted to examine the associations<br />

between street-level urban design<br />

features, land use characteristics,<br />

and street-network configuration in explaining<br />

the distribution of pedestrian<br />

densities. The analyses were conducted<br />

in two stages. In the first stage, density<br />

of pedestrian flows was modeled for all<br />

areas considered as a single set. Street<br />

design measures were entered into the<br />

regression first to allow for the evaluation<br />

of these variables in context relative<br />

to other factors affecting pedestrian<br />

behavior. Configurational measures<br />

and land use variables were then added<br />

into the model respectively to demonstrate<br />

the effect of adding each to the<br />

model and to identify the comparative<br />

effect and significance levels of each<br />

measure. In the second stage of analyses,<br />

separate multivariate regression<br />

models were estimated for the distribution<br />

of movement densities within<br />

the individual areas summarized according<br />

to their districts. Since configurational<br />

measures computed for 800<br />

meter radius produced higher coefficients<br />

in the analyses, these measures<br />

are reported in the following tables.<br />

Logarithmic transformation was applied<br />

to the dependent variable (pedestrian<br />

density relativized by 100m) as its<br />

distribution indicated some degree of<br />

skewness.<br />

3. Results<br />

3.1. Regression analyses for all areas<br />

considered as a single set<br />

Table 2 summarizes the results of<br />

regression models for 3 sets of models<br />

estimating the distribution of pedestrian<br />

densities for all areas considered<br />

as a single set. For street design measures,<br />

the most significant correlate of<br />

movement density is average sidewalk<br />

width. In fact the impact of average<br />

sidewalk width along road segments<br />

on the distribution of movement is<br />

quite consistent even when configurational<br />

and land use variables are added.<br />

The results indicate that movement<br />

densities increase with increased sidewalk<br />

width and sidewalk maintenance<br />

along the segments. Surprisingly, the<br />

signs of speed limit and the presence of<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • A. Özbil, D. Yeşiltepe, G. Argın


Figure 5. Scatter plot showing the natural log of pedestrian<br />

movement densities by the multivariate regression model.<br />

197<br />

street trees are positive and negative respectively,<br />

which is contrary to a priori<br />

expectations and earlier results. This<br />

may be due to the fact that there is not<br />

enough variability among the selected<br />

areas in terms of street speed limits<br />

(min. 10km/hour; max. 45 km/hour)<br />

and tree aligned streets. Average road<br />

segment slope is negatively and significantly<br />

associated with movement densities.<br />

Indeed the impact of street-level<br />

gradient on the distribution of movement<br />

is quite consistent across models<br />

suggesting that increased wavy topography<br />

hinders the willingness to walk.<br />

The inclusion of configurational<br />

measures, Choice and Integration at radius<br />

800 meters as well as Metric Reach<br />

(800m) and 2-Directional Reach (20 o ),<br />

adds a considerable increase of 14%<br />

(p


198<br />

measures and pedestrian flows are<br />

statistically significant for the objective<br />

GIS-based measures of residential<br />

and non-residential land uses<br />

(both the number of frontages and the<br />

gross densities) at the road segment<br />

scale. The most significant predictor<br />

of movement densities is the number<br />

of non-residential uses having direct<br />

access from the road segments. The<br />

results indicate that movement densities<br />

are significantly associated with<br />

both increased number of active uses<br />

and increased non-residential land<br />

use density as well as with decreased<br />

number of residential uses along road<br />

segments across areas. This suggests<br />

that increasing non-residential activities<br />

both at the ground floor level and<br />

the road segment scale and reducing<br />

residential uses would significantly<br />

increase pedestrian movement densities.<br />

Figure 5 illustrates the scatter plot<br />

showing the natural log of pedestrian<br />

densities as affected by variables in the<br />

multivariate regression model and Figure<br />

6 shows the prediction equations<br />

for each variable in the model.<br />

Finally, street-level urban design<br />

quality attributes, configurational<br />

measures and land uses were entered<br />

together into a stepwise regression<br />

based on the forward selection method<br />

to compare each variable’s individual<br />

contribution and to identify the<br />

significant variables in explaining the<br />

distribution of pedestrian flows (Table<br />

3). The results are similar with the previous<br />

multivariate regression models.<br />

The number of non-residential land<br />

uses associated with road segments<br />

(positive) entered the model as the<br />

most significant predictor. In fact, active<br />

frontages on the ground floor at<br />

the road segment scale alone explain<br />

35% of the variation in movement densities.<br />

From street network configuration<br />

measures Integration within 800<br />

meters is the most significant variable.<br />

This indicates that to-movement within<br />

urban areas is positively associated<br />

with the choice to walk. 2-Directional<br />

Reach (20 o ), Metric Reach (800m) and<br />

Choice at a radius of 800 meters also<br />

entered the model as significant variables<br />

along with the number of residential<br />

uses, average slope, non-residential<br />

density, setback distance, and<br />

sidewalk maintenance, but with much<br />

less contribution to the overall model.<br />

While adding Integration and av-<br />

Figure 6. Prediction equations for the variables in the multivariate regression model.<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • A. Özbil, D. Yeşiltepe, G. Argın


Table 3. Parameter estimates for the stepwise regression model<br />

estimating the distribution of movement densities for all areas<br />

considered as a single set.<br />

#non-residential<br />

(100m)<br />

uses<br />

R 2 β AIC p value<br />

0.35 0.07 2288.61 0.00<br />

Integration (800m) 0.41 0.00 2213.3 0.02<br />

avg. sidewalk width 0.46 0.00 2140.23 0.00<br />

#residential uses (100m) 0.48 -0.03 2<strong>12</strong>1.08 0.00<br />

2-Directional<br />

(20 o )<br />

Reach<br />

0.49 0.02 2111.41 0.00<br />

Metric Reach (800m) 0.50 0.05 2098.94 0.00<br />

avg. slope 0.50 -0.08 2091.14 0.00<br />

Choice (800m) 0.51 0.00 2086.<strong>12</strong> 0.01<br />

non-residential density<br />

(100m)<br />

0.51 0.00 2082.25 0.02<br />

setback distance 0.51 0.00 2079.56 0.03<br />

sidewalk maintenance 0.51 0.00 2078.85 0.08<br />

residential density 0.52 0.00 2079.55 0.14<br />

traffic signal existence<br />

[no]<br />

0.52 0.00 2082.00 0.40<br />

avg. buffer width 0.52 0.00 2083.50 0.83<br />

street names [no] 0.52 0.00 2085.24 0.64<br />

crosswalk existence 0.52 0.00 2089.04 0.62<br />

street trees [no] 0.52 0.00 2091.11 0.31<br />

speed limit 0.52 0.00 2093.23 0.58<br />

N 790<br />

erage sidewalk width to the model<br />

results in a consequential increase in<br />

the predictive power of the model (R 2<br />

change=7-6%; p


200<br />

be statistically significant for two areas<br />

(Üsküdar and Ümraniye respectively)<br />

at a 95% confidence level. This implies<br />

that pedestrian movement at the road<br />

segment scale is significantly shaped<br />

by the potentiality of a street for metric<br />

and directional accessibility rather<br />

than both for through- and to-movement.<br />

The evidence relating street design<br />

factors to walking is stronger for some<br />

of the measures. Average sidewalk<br />

width is positively and significantly associated<br />

with pedestrian flows across<br />

all models (except for Kadıköy, which<br />

has more or less a uniform standard<br />

of sidewalk width), while average road<br />

segment slope is negatively and significantly<br />

associated with movement for<br />

all areas (except for Kadıköy and Ümraniye,<br />

which have relatively smooth<br />

terrain). On the other hand, no other<br />

consistent associations are found for<br />

the rest of the street design variables.<br />

4. Conclusions<br />

The findings of this research lend<br />

specific support for three key findings,<br />

which may have implications for urban<br />

planning and urban design decisions<br />

aimed to reduce automobile dependence<br />

and induce non-auto commuting.<br />

These will be summarized under<br />

three headings: street network configuration,<br />

street design, and land use.<br />

#1. Street network configuration is<br />

strongly associated with the distribution<br />

of pedestrian movement. The findings<br />

presented in this article confirm that the<br />

spatial structure of urban areas plays a<br />

significant role in the way movement<br />

densities of pedestrians are distributed<br />

in the city. It is shown that street network<br />

configuration, measured through<br />

syntactic measures of Integration and<br />

Choice at a radius of 800 meters as well<br />

as connectivity measures Metric Reach<br />

(800m) and 2-Directional Reach (20 o ),<br />

is strongly associated with movement<br />

densities when controlling for land use<br />

characteristics as well as street design<br />

attributes at the road segment scale.<br />

Linear models developed suggest that<br />

rather than the to- or through-movement<br />

potential of road segments, the<br />

density of street intersections has a<br />

greater impact on the distribution of<br />

flows. However, the results presented<br />

Table 4. Parameter estimates for the multivariate regression model<br />

estimating the distribution of movement densities for Kadıköy.<br />

here also underscore the significance of<br />

the spatial structure of street networks,<br />

specifically the alignment of streets<br />

and the directional distance hierarchy<br />

engendered by the street network. The<br />

fact that direction changes are as important<br />

as metric distance in describing<br />

street network configuration points<br />

to the role of cognitive factors. While<br />

Metric Reach extends uniformly along<br />

the streets surrounding a given road<br />

segment, Directional Reach may exβ<br />

t std β<br />

avg. slope 0.04 0.49 0.03<br />

setback distance 0.00* 2.26* 0.<strong>12</strong>*<br />

avg. sidewalk width 0.00 1.17 0.09<br />

avg. buffer width 0.00 0.11 0.01<br />

sidewalk maintenance 0.17 0.89 0.05<br />

street trees [no] -0.02 -0.30 -0.02<br />

crosswalk existence [no] -0.13* -2.01* -0.10*<br />

traffic signal existence [no] -0.11 -1.36 -0.07<br />

street names [no] 0.02 0.42 0.02<br />

speed limit 0.01 0.79 0.05<br />

Integration (800m) 0.00 0.40 0.03<br />

Choice (800m) 0.00 1.04 0.07<br />

Metric Reach (800m) 0.03 1.10 0.08<br />

2-Directional Reach (20 o ) 0.02 3.75 0.20<br />

#residential land use (100m) -0.05* -3.21* -0.19*<br />

#non-residential land use (100m) 0.06 8.38 0.49<br />

residential land use density (100m) 0.00 0.56 0.04<br />

non-residential land use density (100m) 0.00* 2.09* 0.11*<br />

N: 238<br />

R 2 0.57<br />

R 2 adjusted 0.53<br />

Bold: p


201<br />

Table 6. Parameter estimates for the multivariate regression model<br />

estimating the distribution of movement densities for Ümraniye.<br />

of distance and time, but they do not<br />

take into account the intelligibility of<br />

urban form. Integrating considerations<br />

of intelligibility can lead to enhanced<br />

models of urban form and function.<br />

The analyses presented in this paper<br />

suggest that it is possible to incorporate<br />

measures of street density and measures<br />

of cognitively significant configurational<br />

variables in the same model.<br />

However; it should be noted that the<br />

effect of spatial structure is not to determine<br />

pedestrian volume, but rather<br />

to explain how it is distributed. This<br />

is important for urban planners from<br />

the point of view of designing for urban<br />

liveliness. Space can shape land use<br />

patterns and urban densities, which are<br />

essential elements of lively cities, by affecting<br />

the distribution of pedestrian<br />

movement. To ensure urban liveliness<br />

the spatial configuration of an urban<br />

area must modulate movement densities<br />

in an economically viable manner<br />

to encourage multiple functions to occur<br />

simultaneously.<br />

#2. Higher non-residential land uses<br />

designed at the ground floor level encourage<br />

walking. The spatial structure<br />

of street network does not work independently<br />

of land use. On the contrary,<br />

based on the standardized coefficients<br />

estimated in regression models, number<br />

of active uses opening directly onto<br />

the street segment is the main driver<br />

of the distribution of flows both for all<br />

areas considered as a single set and for<br />

individual areas summarized within<br />

their districts. This supports the findings<br />

of various studies highlighting<br />

the significance of the availability of<br />

non-residential destinations nearby<br />

pedestrian-oriented nodes, such as<br />

schools and transit stations, in walking<br />

behavior (Cervero, 2002; Lee, Zhu,<br />

Yoon, & Varni, 2013). To better understand<br />

the associations between land<br />

use compositions and movement densities,<br />

street segments are categorized<br />

in terms of their ground floor designs<br />

based on the number of non-residential<br />

uses associated with each segment,<br />

as developed by Gehl et al. (2006) and<br />

Gehl (2010). Streets are classified into<br />

4 types: active/friendly (≥10 active uses<br />

per 100m with mostly small units);<br />

mixture (6-10 active uses with a mix of<br />

large and small units); boring (2-5 acβ<br />

t std β<br />

avg. slope -0.03 -0.47 -0.03<br />

setback distance 0.00 0.52 0.04<br />

avg. sidewalk width 0.00* 2.14* 0.18*<br />

avg. buffer width — — —<br />

sidewalk maintenance -0.25 -1.10 -0.08<br />

street trees [no] -0.02 -0.18 -0.01<br />

crosswalk existence [no] -0.05 -0.24 -0.02<br />

traffic signal existence [no] 0.22 0.82 0.07<br />

street names [no] 0.00 0.00 0.00<br />

speed limit -0.00 -0.39 -0.03<br />

Integration (800m) 0.00 0.25 0.03<br />

Choice (800m) 0.00* 2.29* 0.25*<br />

Metric Reach (800m) 0.10 1.78 0.17<br />

2-Directional Reach (20 o ) 0.05* 2.47* 0.18*<br />

#residential land use (100m) -0.02 -0.66 -0.10<br />

#non-residential land use (100m) 0.05 2.69 0.30<br />

residential land use density (100m) 0.00 0.74 0.10<br />

non-residential land use density (100m) 0.00 1.44 0.<strong>12</strong><br />

N: 116<br />

R 2 0.60<br />

R 2 adjusted 0.53<br />

Bold: p


202<br />

tive uses with many blind or uninteresting<br />

units); and inactive (0-2 active<br />

uses with blind or passive units). Here<br />

active uses indicate land uses, such as<br />

retail, office and commercial establishments,<br />

dependent on passerby movement<br />

for economic viability. Figure 7<br />

shows street scenes from four different<br />

study areas demonstrating the classification<br />

of street types based on their<br />

ground floor design.<br />

The Student’s t test (p


203<br />

Table 9. Results of comparisons of means of street types using Student’s t test.<br />

type type difference std err dif lower CL upper CL p-value<br />

4 1 2.1507 0.0945 1.9651 2.3363


204<br />

el can mediate between urban design<br />

and architectural design given the fact<br />

that the urban situations of buildings<br />

and land uses that can be accommodated<br />

at the ground level are sensitive<br />

to frontage and the character of the associated<br />

street. Therefore, future studies<br />

should focus on different attributes<br />

of street design, including but not limited<br />

to street widths, in conjunction<br />

with street network configuration and<br />

land use compositions both at ground<br />

floor-level and road segment-scale.<br />

Acknowledgements<br />

The authors would like to thank Dr.<br />

Fatih Terzi for his invaluable support<br />

with the analyses. This study was funded<br />

through The Scientific and Technological<br />

Research Council of Turkey<br />

(TUBITAK 113K796).<br />

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Timperio, A., Ball, K., Salmon, J.,<br />

Roberts, R., Giles-Corti, B., Simmons,<br />

D., Baur, L. A., & Crawford, D. (2006).<br />

Personal, family, social, and environmental<br />

correlates of active commuting<br />

to school. American Journal of Preventive<br />

Medicine, 30(1), 45–51.<br />

Turner, A. & Friedrich, E. (2010-<br />

2011). Depthmap Software, Version<br />

10.14.00b. University College London:<br />

London.<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • A. Özbil, D. Yeşiltepe, G. Argın


207<br />

Yürünebilirliğin modellenmesi:<br />

sokak tasarımı, yol-ağı örgütlenmesi<br />

ve arazi kullanımının yaya<br />

hareketine etkisi<br />

Bu çalışma sokak tasarımı –sokak<br />

çevresinin yerel nitelikleri-, yol-ağı örgütlenmesi<br />

–kentsel dokunun mekânsal<br />

yapısı-, ve arazi kullanım örüntüsünün<br />

yaya hareket dağılımıyla olan<br />

ilişkisini incelemektedir. Çalışmanın<br />

amacı, sistematik olarak ölçülen yol<br />

ölçekli kentsel tasarım nitelikleri ile<br />

nesnel olarak ölçülen yol-ağı örgütlenmesinin<br />

yaya hareketi ve arazi kullanımı<br />

ile arasında ne derecede bir bağıntı<br />

olduğunu ortaya koymaktır.<br />

Sokak tasarımı, yol örgütlenmesi ve<br />

yaya hareket yoğunlukları arasındaki<br />

bağıntıyı ortaya koymak için İstanbul’un<br />

Anadolu yakasında seçilen 20<br />

adet 2kmx2km’lik alan çalışılmıştır.<br />

Yaya yoğunlukları ile ilgili veriler alan<br />

içinden seçilen yol-parçalarında gerçekleştirilen<br />

yaya sayımları aracılığıyla<br />

elde edilmiştir. Aynı yol-parçaları; estetik<br />

nitelikler, sokak işaretleri, kaldırım<br />

tasarımı, yaya geçitleri/trafik ışıkları,<br />

giriş katı kullanımları ve CBS kaynaklı<br />

parsel ölçekli arazi kullanım yoğunlukları<br />

ve sokak ölçekli topografya verileri<br />

bağlamında detaylı saha analizlerine<br />

tabi tutulmuştur. Alanlardaki yol-ağı<br />

örgütlenmesi açısal yol-parçası analizi<br />

(Bütünleşme ve Tercih) ile parametrik<br />

bağıntılılık ölçütleri (Metrik ve Açısal<br />

Erişim) ile değerlendirilmiştir. Sokak<br />

tasarımı, yol-ağı örgütlenmesi, arazi<br />

kullanımı ve yürüme davranışı arasındaki<br />

ilişkiyi incelemek için doğrusal<br />

modelleme yöntemi kullanılmıştır.<br />

Bu çalışma, sokak çevresinin kentsel<br />

tasarım niteliklerinin ve sokak ağı<br />

örüntüsünün yaya hareketi üzerindeki<br />

karşılaştırmalı rollerine dair ortaya<br />

koyduğu bulgularla önceki çalışmalara<br />

katkıda bulunmaktadır. Ön bulgular;<br />

-sokak çevresinin yerel kentsel tasarım<br />

nitelikleriyle ilintili bazı özelliklerinin<br />

önemi göz ardı edilmeksizin- yol ağının<br />

genel mekânsal örgütlenmesinin,<br />

yaya hareketinin tanımlanması ve düzenlemesinde<br />

önemli bir değişken olduğunu<br />

göstermektedir.<br />

Modeling walkability: The effects of street design, street-network configuration and land-use on<br />

pedestrian movement


ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • 209-225<br />

Does favorite design lead to good<br />

design?: Taxi design competitions<br />

in Istanbul and New York City<br />

Harun EKİNOĞLU 1 , Gülname TURAN 2<br />

1<br />

harun.ekinoglu@gmail.com • Department of City and Regional Planning,<br />

Graduate School of Science, Engineering and Technology, Istanbul Technical<br />

University, Istanbul, Turkey<br />

2<br />

gulname.turan@gmail.com • Department of Industrial ProductDesign, Faculty<br />

of Architecture, Istanbul Technical University, Istanbul, Turkey<br />

Received: May 2014 Final Acceptance: June <strong>2015</strong><br />

Abstract<br />

The changes in both urban and national bureaucracy over the last few decades<br />

have been described as a shift from “government” to “governance” or as a move<br />

from the “old government” to “new governance” (Kjaer, 2009, p. 138). A shift in<br />

the public affairs from old public management to the new public management has<br />

reasoned the emergence of pluralism and open-discussion platforms into the public<br />

tradition, which has also triggered a new paradox: The challenge of pluralism.<br />

Although pluralism is an essential ingredient of participation, it accommodates<br />

difficulties. The society consists of a huge diversity of different social, cultural, anthropological<br />

and emotional attachments. We have different moral codes. When<br />

our design ideas compete, so do our values and societal commitments. We recognise<br />

those tensions in the rival claims of ideology, ethnicity, gender, religion and<br />

locality (Bellamy, 1999, p. 1). Within this article the struggle between the searches<br />

for good design vs. popular phenomena is being questioned out of Istanbul and<br />

New York City’s (NYC) taxi design competitions’ methodologies and results. Experiences<br />

revealed from both case studies prove that the challenge between the<br />

popular taste and search for good design may not always promote either design<br />

itself or the promoter.<br />

Keywords<br />

Design, Society, Good design, Popularity, Competition, Governance.


210<br />

1. Introduction<br />

1.1. Theoretical approach<br />

According to Kjaer (2009), since the<br />

1980s, public administration has been<br />

reformed towards a new focus and<br />

hierarchy between politics and public<br />

administration through the term<br />

governance. This was also a shift to an<br />

organisational set up emphasising the<br />

functionalities of the networks and<br />

juxtaposing roles of politicians, public<br />

administrators and civic actors (Kjaer,<br />

2009, p. 138). This is no less the case<br />

in the local state where the change has<br />

been described as a move from “local<br />

government” to “community governance”.<br />

Urban Governance theory thus<br />

highlights changes in urban bureaucracy<br />

such as the move towards a blurring<br />

of public private boundaries, the rise of<br />

an increasing number of governance<br />

networks and a greater inclusion of<br />

actors other than the local state in the<br />

pursuit of community goals (Kjaer,<br />

2009, p. 138).<br />

In late 1960s, rationalist architects<br />

such as Christopher Jones, Christopher<br />

Alexander, Tom Markus and Ray<br />

Studer claimed that considering some<br />

mathematical models could objectify a<br />

better programmed decision-making<br />

process (Broadbent, 1980). However,<br />

by the 1970s these highly rationalist<br />

design methods had been rejected<br />

since they were also setting the goals<br />

in a top-down approach defining the<br />

problems away from a world made up<br />

of a great diversity of values and priorities<br />

(Comeiro, 1990). Scholars underlined<br />

the difficulties faced when applying<br />

mechanical-rationalistic methods<br />

to design problems. Contemporary<br />

society has complicated issues related<br />

to everyday urban life that straight<br />

methods of planning can no more<br />

deal with. Conventional approaches<br />

to already defined problems could no<br />

longer be adapted to the wide array of<br />

today’s wicked problems which are in<br />

fact symptoms of some other everyday<br />

problems with no formulated solutions.<br />

Different layers of the society<br />

with different value judgements would<br />

no longer face the problems triggered<br />

by some other problems with the same<br />

set of criteria. There is no common<br />

“true” or “false” where of incomplete<br />

and contradictory knowledge with a<br />

vast amount of people and opinions<br />

involved. In such ambiguity, the search<br />

of a solution that works for everyone<br />

becomes a useless struggle with conventional<br />

top-down decision making<br />

traditions (Comeiro, 1990). Thus urban<br />

life-related design problems would<br />

be best solved in a process that paves<br />

the way for direct involvement and<br />

deliberative dialogue among the all<br />

concerned ones. Hence, design comes<br />

up as a public discourse and paves the<br />

way for public debate in order to expose<br />

and spread the current state of art<br />

knowledge about the problem, since no<br />

one in fact has expertise to come with<br />

a solution. Fischer (2000) in “Symmetry<br />

of Ignorance” draws a core understanding<br />

and states that individuals are<br />

not equal in what they know, but in<br />

what they do not know. The knowledge<br />

or the opinion that each of us has, may<br />

greatly alter and evolve the content and<br />

profile of the solution. This view, especially<br />

in metropolitan cities, encourages<br />

rejecting the conventional top-down<br />

methods to find out solutions to design<br />

related urban problems. Thus, it surely<br />

encourages democratic and open-discussions<br />

where all the stake holders or<br />

interest groups should have their interests<br />

and opinions articulated.<br />

By the late 1980s a clear change<br />

occurred in local administrations’<br />

approach to commissioning design.<br />

Accordingly, they started to plan the<br />

entire design process in a participatory<br />

manner, opening up to all stake<br />

holders in collaboration with actors of<br />

private sector and academia. This new<br />

pluralist, open and transparent “Second<br />

Generation Design Method” (Comeiro,<br />

1990) resulted not only in a new<br />

role of the public authorities but also<br />

for designers. Governance in design<br />

triggered a trend from user-centered to<br />

user-led design (Sanders, 2002). Blurry<br />

lines between the designer and user<br />

ushered in a rise of highly programmed<br />

interactive platforms for understanding<br />

the user’s experiences, needs and<br />

reactions. In a transition from government<br />

to governance, the notion of<br />

design has surely had its share from<br />

this transition. The focus of the design<br />

activity shifted from the design object<br />

itself towards participative and inclu-<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • H. Ekinoğlu, G. Turan


1<br />

Istanbulites<br />

experienced this<br />

type of a collective<br />

decision making<br />

before the new taxi<br />

competition, for<br />

selecting the new<br />

city boat in 2006.<br />

The Department of<br />

Istanbul Maritime<br />

Lines asked people<br />

to vote for their<br />

favorite boat design<br />

out of 8 different<br />

alternatives. The<br />

majority (41% of<br />

the voters), voted<br />

for the design<br />

resembling the<br />

former the most<br />

(Hurriyet, 2006).<br />

Today, the old<br />

and new boats<br />

float among giant<br />

oil tankers on<br />

the Bosphorus,<br />

surrounded by<br />

armies of seagulls<br />

(ZeroIstanbul,<br />

20<strong>12</strong>, p. 110).<br />

sionary character of the process of the<br />

design. The core contribution of participatory<br />

design methods is, to the extent<br />

possible, that the user’s knowledge and<br />

intervention is collected and utilized in<br />

design process. Theory of participatory<br />

design methods also underlines that in<br />

addition the democratizing the design<br />

it also promotes the identification of<br />

the point-in-question design matter.<br />

Participation is also considered as a<br />

method for legitimizing the majority’s<br />

views and unifying the opposing views<br />

in a collective way. Thus, participation<br />

as a tool acts like an educative and socialization<br />

catalyser (Comeiro, 1990).<br />

The reflection of “new governance”<br />

in design finds itself as “participatory<br />

design”. Participatory design in architecture<br />

and planning, together with its<br />

theory and techniques have been on<br />

the agenda of city planners and architects<br />

since the 1970s, as a considerable<br />

movement towards the direct involvement<br />

of the public in the definition of<br />

their physical environment. Participatory<br />

industrial design later followed<br />

the way. Participation is a matter of<br />

control over decisions by the participants.<br />

Having explained the shift from<br />

local government to a new governance<br />

and its synergy of win-win interactions<br />

between public, private and community;<br />

and the relationship between the<br />

new governance and participatory design,<br />

two participatory design intend<br />

from two different cities -Istanbul and<br />

New York- that are comparable in certain<br />

aspects will be discussed. In the<br />

two design competitions discussed<br />

here, the activity of “participation” is<br />

enabled through competitions where<br />

professional/independent designers or<br />

manufacturers were invited to make<br />

new taxi designs and public to select<br />

its favourite by the local governments<br />

of two metropolitan cities 1 . According<br />

to Wulz (1986/1990, p. 39), a design<br />

competition is a solution to alienation<br />

between designers and users through<br />

allowing users to employ their influence<br />

in the design or decision making<br />

process. Participation is a general<br />

concept with different forms of decision<br />

making methods by the involved<br />

parties. Participation can be active or<br />

passive as Wulz defines in seven different<br />

forms and stages: Representation,<br />

211<br />

Questionnaire, Regionalism, Dialogue,<br />

Alternative, Co-decision and Self-decision<br />

(Wulz, 1986/1990, p. 41).<br />

According to Wulz (1986/1990, p.<br />

41), representation is a passive form<br />

of participation where designer, with a<br />

clear social sensitivity, considers himself/herself<br />

as the user or client in design<br />

process and designs accordingly.<br />

Questionnaire is another passive form<br />

of participation of the anonymous user.<br />

The objective is clear; more observable<br />

and statistically comprehensible data<br />

can better take the designer to the<br />

user needs and experiences. Regionalism<br />

appears as a solid concern for the<br />

place based values and references of a<br />

particular territory where the design<br />

is made for. Dialogue is based on the<br />

concept of using people’s knowledge as<br />

a source and asking them to comment<br />

on the designer’s proposal while the design<br />

process is in progress. This sort of<br />

dialogue may either happen face to face<br />

or through a dynamic interface. Alternative<br />

is a form of participation where<br />

the users are encouraged to make selection<br />

out of a number of different design<br />

alternatives. The critical aspect of<br />

this type of participation is the possible<br />

restrictive effects of the presentation.<br />

The way that the alternatives are presented<br />

is vital in terms of the impression<br />

created. Co-decision is a participation<br />

method where the citizen/user<br />

has the biggest role starting from the<br />

design process to decision making out<br />

of alternatives. The promoting agency<br />

manages the entire process without<br />

imposing or dominating the design.<br />

The citizens are both active designers<br />

and the decision makers throughout<br />

the entire process. Competitions from<br />

ideas, emerged from the public, to the<br />

selection of the final design among the<br />

alternatives have a lot to offer in sense<br />

of co-decision way of participation<br />

(Volker, 2010) (Nasar & Kang, 1989).<br />

Self-decision is a participation model<br />

where not only the majority but everybody<br />

has equal right to influence the<br />

design. Wulz (1986/1990, p. 46) states<br />

that this is a form of self-build or selfhelp<br />

method where the designer or<br />

architect is engaged as a consultant.<br />

However, self-decision design method<br />

can only be applied in small groups<br />

for productive design processes. If not,<br />

Does favorite design lead to good design?: Taxi design competitions in Istanbul and New York City


2<strong>12</strong><br />

representatives of the groups need to<br />

work with the consultant and this may<br />

undermine the synergy of this method.<br />

Below the steps taken in “taxi design”<br />

attempt of both cities are discussed<br />

with reference to aforementioned participatory<br />

design methods where there<br />

are similarities.<br />

2. A brief review of both design competitions:<br />

commonalities and differences<br />

The necessity of new design concepts<br />

led to design competitions for<br />

taxi cars in NYC and Istanbul during<br />

approximately the same time period.<br />

Istanbul’s competition launched in<br />

March 2011 while NYC’s occurred in<br />

May 2011. In NYC, pre-competition<br />

process and R&D phase started in 2007<br />

with a vast amount of public consensus<br />

studies. The city administration<br />

issued a request for proposals for the<br />

manufacturers and designers to submit<br />

their designs for a purpose-built taxi<br />

design to serve as NYC’s taxi of tomorrow<br />

(DTPS, 2007) (nyc.gov, 2011). The<br />

shortlisted entrants to NYC competition<br />

were announced in February 2011<br />

for the online voting and the winning<br />

entry was announced in April 2011.<br />

Istanbul’s early pre-competition studies<br />

started in 2009, through meetings<br />

with Chamber of Istanbul Taxi Drivers,<br />

Istanbul Metropolitan Municipality’s<br />

(IMM) Mass Transportation Services,<br />

independent designers and manufacturers,<br />

lasting from 2009 to 2010 (IBB,<br />

2010). The competition design brief<br />

was prepared in 2010 and the competition<br />

has been launched in March 2011<br />

(www.taksitasarim.ibb.gov.tr, 2011).<br />

This paper draws a critical perspective<br />

on the participatory design attempts<br />

for designing the next generation<br />

of taxis by two world class cities,<br />

NYC and Istanbul, with diversified<br />

rankings of business activity, human<br />

capital, information exchange, cultural<br />

experience and political engagement<br />

(Hales, Peterson, Pena, & Gott, 2014).<br />

The paper builds a critical review on<br />

both cities’ participatory design activisms<br />

in their differences and similarities.<br />

Apparently, two cases have methodological<br />

differences as well as some<br />

similarities. Differences of both cases<br />

are considered to be factors contributing<br />

to the argument for questioning<br />

the tension between the search of good<br />

design and challenge of popular phenomena.<br />

Two important points need to be<br />

stated in the beginning of the paper,<br />

one of which is about the term good<br />

design, and the second is the involvement<br />

of the authors in the mentioned<br />

competitions. It is obvious that there<br />

are different sets of characteristics attributed<br />

to good design when gazed<br />

into design history and theory, and<br />

the paper is held within this acception.<br />

On the other hand, there are common<br />

characteristics such as usefulness, understandability,<br />

unobtrusiveness, aesthetics,<br />

honesty, sustainability and<br />

environmental friendliness, most of<br />

which can be traced in the ten commandments<br />

of good design put by<br />

the German designer/architect Dieter<br />

Rams in the 1970s. The first author of<br />

the paper, free from evaluation of the<br />

entries, was in charge of providing independent<br />

design consultancy to the<br />

City of Istanbul throughout the entire<br />

competition.<br />

Both cities witnessed a thorough<br />

R&D process as the private sector and<br />

NGOs focused on the quality of taxi<br />

services. Thus both cities perceived the<br />

issue as a societal matter as well as design<br />

and they planned an open process<br />

for designers and for the citizens who<br />

would be able to vote for their own favourite<br />

taxi concept.<br />

3. Istanbul and New York City cases:<br />

Istanbul case<br />

Taxi service in Istanbul is a complex<br />

issue. Considering Istanbul’s<br />

heavy traffic congestions make it clear<br />

that taxi cabs are effective for the citizens,<br />

thus they bear an importance<br />

not only for their service but also for<br />

the aesthetic effects created by the taxis<br />

within the city. It is not only a vital<br />

part of daily transportation but also<br />

the centre of controversies with its ever<br />

growing chronic problems on city’s<br />

agenda. IMM’s Department of Mass<br />

Transportation Services reports that<br />

there are 18,000 registered cabs, and<br />

between 30,000 to 60,000 illegal taxis<br />

giving service around Istanbul, a city<br />

of 14 million (IBB, 2010). According to<br />

Aydinonat general public perception<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • H. Ekinoğlu, G. Turan


213<br />

about the service quality of the taxis<br />

in Istanbul is remarkably low (Aydinonat,<br />

2013). Principally IMM restricts<br />

the number of registered taxi plates,<br />

which can be leased for taxi service.<br />

Thus an ever increasing demand at the<br />

city for taxi service is making the value<br />

of a single taxi plate a very profitable<br />

investment tool, in free market. Today<br />

the value for a taxi plate is listed at almost<br />

1,2 million Turkish Lira (approx.<br />

$500.000) (milliyet, 2013). Ownership<br />

of constantly increasing taxi plates is<br />

perceived as an alternative investment<br />

instrument. Therefore providing a high<br />

quality taxi service has become less important.<br />

Problems with Istanbul taxis’<br />

low service quality are more or less a<br />

result of this fact together with the issue<br />

that there exists no rivalry on the<br />

quality of service provided by taxis.<br />

There are also illegal taxis around<br />

the city because of growing demand<br />

for taxi services. These illegal ones are<br />

fulfilling this need. It is estimated that<br />

government’s annual tax loss due to<br />

illegal taxis is approximately 100 million<br />

Turkish Liras (cnbce, 2013). Under<br />

these circumstances, the rationale<br />

behind the restrictions on the number<br />

of registered plates becomes dubious.<br />

One answer could be the vested interests<br />

of current holders of these plates.<br />

In Table 1, Aydinonat (2013) sheds<br />

some light on facts and figures about<br />

number of the taxis around the world<br />

metropolitan areas as in the following<br />

(TUBITAK & Cetin&Oguz, 2007,<br />

Table 1. Number of the taxis around some<br />

of the world’s important metropolitan areas<br />

(TUBITAK & Cetin&Oguz, 2007, 2010,<br />

2013, 2008).<br />

2010, 2013, 2008);<br />

The above numbers show that on average<br />

a single legal taxi is giving service<br />

to 800 people in Istanbul, versus 662<br />

people in NYC. Although the numbers<br />

for Istanbul point out an insufficient<br />

amount of legal taxis in the city,<br />

authorities still prefer not to increase<br />

the number of the registered plates.<br />

Apparently as long as the numbers of<br />

the registered plates remain constant,<br />

the service quality of the legal taxis will<br />

have no reason to increase in Istanbul.<br />

In other words, currently there is no<br />

reason for emergence of competition<br />

for a higher quality taxi service among<br />

the taxi service providers in Istanbul<br />

apart from IMM’s concerns. Nevertheless<br />

under these circumstances in the<br />

period between 2009 and 2010, IMM’s<br />

Department of Urban Design began<br />

to work organising a taxi design competition<br />

to increase the standards and<br />

service quality of Istanbul taxis (IBB,<br />

2010).<br />

City of Istanbul’s main concern was<br />

to make a process of design involving<br />

open dialogue, communication and<br />

trust as Sanoff cites as the integral parts<br />

of participatory design (Sanoff, 1990,<br />

pp. 5-21). Istanbul’s attempt, almost in<br />

the same period with NYC, to launch<br />

a taxi design competition for the city,<br />

was a national and two-phased “Taxi<br />

System Design Competition”. In March<br />

2011, IMM has launched Istanbul’s<br />

new Taxi System Design Competition<br />

as a design idea competition to seek<br />

and promote creative ideas, approaches<br />

and new design concepts under 4<br />

sub-design themes: a taxi for the general<br />

purposes, eco-taxi, a taxi communication<br />

system and a taxi stop/service<br />

point, and with 3 different designer<br />

profiles; professional designers, university<br />

teams and high school students.<br />

The city’s participatory design proposition<br />

as Sanoff (1990, pp. 6-7) also de-<br />

scribes was based on a belief that people<br />

affected by design decisions should<br />

be involved in the process of making<br />

those decisions. In other words, IMM<br />

paved the way for the emergence of the<br />

local creativity.<br />

Having understood the reasoning<br />

behind the attempt of a design competition<br />

for the city’s new taxi concept,<br />

searching for a consensus at second<br />

Does favorite design lead to good design?: Taxi design competitions in Istanbul and New York City


214<br />

stage for the shortlisted design proposals<br />

presented another challenge: finding<br />

balance between the creativity of emergence<br />

and stability of design (Hamdi,<br />

2004, p. 18). The finalists in each design<br />

case were announced on the competition’s<br />

web site and their proposals were<br />

put to a popular vote. All around the<br />

world, nearly 1.5 million people visited<br />

Istanbul’s taxi design competition web<br />

pages and more than 340.000 people<br />

voted for the shortlisted design proposals<br />

over 15 days (www.taksitasarim.<br />

ibb.gov.tr, 2011). Finally an interdisciplinary<br />

jury made its decisions for the<br />

award winning designs in line with<br />

people’s votes through considering the<br />

amount of the online votes for each design<br />

proposals. The whole process was<br />

a step-by-step interactive design activity<br />

from the beginning till the end and<br />

an “open to everybody’s ideas” process<br />

intending to make the new taxis “everybody’s<br />

taxi”. Sanoff states his experience<br />

in user participation in design as<br />

“the main source of user satisfaction is<br />

not so much the degree to which his or<br />

her needs have been met, but the feeling<br />

of having influenced the decision”<br />

(Sanoff, 2006, p. 140)<br />

3.1. The general structure of Istanbul’s<br />

design competition<br />

Istanbul’s competition granted a<br />

feeling of control over the new design<br />

ideas was also a social contract between<br />

the city and citizens as Sanoff<br />

(1990, pp. 5-21) depicts, implying that<br />

their needs, values and ideas would be<br />

taken into consideration. The competition’s<br />

design brief explained that the<br />

city authority invited all the professionals,<br />

college and high schooled designers<br />

into the competition no matter<br />

what company or manufacturer they<br />

were working for. Istanbul city authority<br />

and the jury both accepted this<br />

principle to provide and strengthen the<br />

equality and avoid any conflict of interest<br />

between the contestants, the jury<br />

and the city authority (IBB_Design-<br />

Brief, 2011).<br />

As a step by step interactive design<br />

activity, Istanbul’s taxi design competition<br />

was a collaboration between<br />

the contestants, executing authority of<br />

the city and the members of a multidisciplinary<br />

jury. By definition of participatory<br />

design Wulz defines this as<br />

co-decision in his approach of seven<br />

forms and stages of participatory design<br />

(Wulz, 1986/1990, p. 41). Prior<br />

issue of co-decision is developing a<br />

balance between design process and<br />

decision-making. According to Wulz<br />

(1986/1990) co-decision involves the<br />

stake holders from the beginning of a<br />

design process and aims at user’s direct<br />

and active participation.<br />

The jury of Istanbul’s competition<br />

has been chaired by a keynote personality,<br />

Önder Küçükerman, who<br />

pioneered both the establishment of<br />

industrial design education and corporate<br />

design activities in Turkey. By the<br />

Figure 1. Shortlisted final 4 design proposals presented at the<br />

online poll (www.taksitasarim.ibb.gov.tr, 2011).<br />

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215<br />

Figure 2. General view of Istanbul’s winning<br />

taxi design proposal (www.taksitasarim.ibb.<br />

gov.tr, 20<strong>12</strong>).<br />

Figure 3. General view of Istanbul’s winning<br />

taxi design proposal (www.taksitasarim.ibb.<br />

gov.tr, 20<strong>12</strong>).<br />

Figure 4. General inner view of Istanbul’s<br />

winning taxi design proposal, (www.<br />

taksitasarim.ibb.gov.tr, 20<strong>12</strong>).<br />

end of the first step evaluations of the<br />

design proposals, high school students’<br />

category award winning designs were<br />

determined by the jury (IBB-Rec1,<br />

2011). The shortlisted design proposals<br />

on each of the four sub-themes belong<br />

to professionals’ category and university<br />

students/teams’ category have been<br />

chosen and announced, as entrant<br />

codes, on the competition’s website<br />

(IBB-Rec2, 2011). Another two months<br />

of project developing process was given<br />

with a new set of criteria developed<br />

by the multi-disciplinary jury for the<br />

shortlisted projects in each design cases<br />

(IBB-Rec2, 2011). By the end of the<br />

second phase, the jury again chose the<br />

properly and satisfyingly developed<br />

four design proposals in Figure 1. to<br />

present at online polls at competition<br />

web site during fifteen days (IBB-Rec3,<br />

2011). According to the city authorities,<br />

people’s votes were meant to distinguish<br />

the good designs and to end<br />

up the all process without ambiguity<br />

and discussion (IBB-Rec5, 2011). Online<br />

poll results clearly pointed people’s<br />

favourite designs on each theme for<br />

both contestant profiles. Sanoff defines<br />

it as “the issue of individual influence<br />

in decision making and its proportional<br />

impact that can best be resolved by<br />

the participants themselves” (Sanoff,<br />

1990, p. 1).<br />

Taxi for the general purpose of the<br />

Professionals Category online poll results<br />

were shaped as in the following<br />

(IBB-Rec4, 2011) (www.taksitasarim.<br />

ibb.gov.tr, 2011):<br />

According to the jury evaluations,<br />

the project with P4 code was one of<br />

the most promising one in terms of its<br />

satisfying and advanced project presentation<br />

shown as in Figures 2, 3 and<br />

4 (IBB-Rec4, 2011). This fact was appreciated<br />

by the jury at the last meeting<br />

before the online voting process<br />

(IBB-Rec4, 2011). However, the project<br />

also conveyed some unqualified<br />

design decisions and incorrect technical<br />

resolutions (IBB-Rec4, 2011).<br />

Even though the jury was impressed<br />

with its professional presentation, the<br />

odds with specific design and technical<br />

proposal were also openly criticised<br />

(IBB-Rec4, 2011) (IBB-Rec5, 2011).<br />

The jury articulated the general problems<br />

as exaggerated proportions, bad<br />

seat positions and inappropriate placement<br />

of the sliding doors (IBB-Rec4,<br />

2011) (IBB-Rec5, 2011). According to<br />

the members of the jury, the majority<br />

of the voters would have never seen<br />

the projects through the eye of a technical<br />

expert but his/her own personal<br />

taste of aesthetic or beauty (IBB-Rec4,<br />

2011) (IBB-Rec5, 2011). The modest<br />

and appropriate design features and<br />

the consistent inner and outer technical<br />

resolutions in appropriate proportions<br />

of the taxi design project with<br />

the P21 code were also noted and appreciated<br />

by the jury (IBB-Rec4, 2011)<br />

(IBB-Rec5, 2011). <strong>12</strong>9,575 votes had<br />

Does favorite design lead to good design?: Taxi design competitions in Istanbul and New York City


216<br />

Figure 5. Jury and technical committee<br />

studies ( IMM-Department of Urban Design<br />

Archive, 20<strong>12</strong>).<br />

been clicked for the finalist four design<br />

projects in general taxi design category<br />

(IBB-Rec5, 2011). The design proposal<br />

P21 was voted by 41,2%, while project<br />

P4 was preferred by 28,5% of the voters<br />

(IBB-Rec5, 2011). The jury has chosen<br />

P21 as the winning design of the<br />

general taxi design category and it was<br />

awarded with 100,000 Turkish Liras<br />

(IBB-Rec5, 2011).<br />

In spite of the written objections<br />

raised by the designers of P4, the jury<br />

and the technical committee in Figure<br />

5, noted that “We have been looking<br />

for a taxicab with clear taxi proportions<br />

not a taxicab with minivan proportions”<br />

(IBB-Rec5, 2011). Jury also<br />

states that “Online poll results are also<br />

clearly pointing out to this vital detail.<br />

This is why the winner of this theme is<br />

the project P21” (IBB-Rec5, 2011). According<br />

to the jury, citizens’ favourite<br />

design was obviously the fruitful result<br />

of the search of “good design” in Istanbul’s<br />

taxi design competition (IBB-<br />

Rec5, 2011).<br />

3.2. New York City case<br />

“A taxi is not a car; it is a moveable<br />

public space. It may have four wheels<br />

and carry passengers, but the circumstances<br />

are completely different”<br />

(DTPS, 2007). A Ford’s Crown Victoria<br />

Taxi cab, shown in Figure 6, in NYC<br />

are both loved and hated by the New<br />

Yorkers. They are assumed as practical<br />

and alternative modes of transportation<br />

over Manhattan throughout the<br />

routes not sufficiently fulfilled by the<br />

subways (www.ny.com). One can say<br />

that the traffic that results alongside<br />

the Manhattan’s streets is the flood of<br />

the yellow cabs. With over 10,000 yellow<br />

cabs giving service to NYC is the<br />

prior reason to the mid-town traffic<br />

Figure 6. In yellow-cab form, Ford’s Crown<br />

Victoria has been an integral part of the<br />

New York cityscape for years (http://news.<br />

drive.com.au/drive/motor-news/revealed-<br />

new-yorks-new-yellow-cab-20110504-<br />

1e79l.html).<br />

(DTPS, 2007). Goldberger, the Dean<br />

of the Parsons The New School for Design,<br />

says that “What is troubling about<br />

the NYC taxi is not that it is ubiquitous,<br />

but that it is so ill-suited to its job.<br />

There is something brightening to the<br />

cityscape in the constant flow of deep<br />

yellow vehicles along the city streets<br />

but then you get into one of them, and<br />

you are reminded that it is hard to enter,<br />

hard to leave, uncomfortable to sit<br />

in, and awkward to carry luggage in.<br />

It is as likely as not to be dirty, and it<br />

may or may not have a functioning air<br />

conditioner. It is hard to communicate<br />

with the driver. And, although you are<br />

unlikely to realize this is as a passenger,<br />

the NYC taxi is no friend to the environment<br />

(Goldberger).”<br />

There is no doubt, hailing a cab in<br />

NYC -with its spirit of freedom, power,<br />

and anonymity - is more and more a<br />

“must to do” thing in the city. A number<br />

of people visiting the city and experiencing<br />

the taxi cabs are making the<br />

“NYC cab notion” among top tourist<br />

attractions (DTPS, 2007). Although<br />

taxis still accommodate a crucial NYC<br />

experience, few would oppose to the<br />

idea that they should be more comfortable,<br />

better designed, and accessible<br />

for all. Hence at the hundredth anniversary<br />

of the gasoline powered taxi in<br />

2007, the NYC’s Design Trust for Public<br />

Space has been studying how this<br />

iconic wealth of transportation could<br />

be revised, with the eventual goal of<br />

making a new taxi design for the century<br />

turn over. In total, over 50 designers<br />

and taxi stakeholders took part in a<br />

spirited discussion of all things about<br />

taxi where the participants discussed<br />

trends in taxi design, the taxi’s role as<br />

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217<br />

a public space, and the ideal taxi of the<br />

future, from the perspective of a taxi<br />

passenger. On the basis of the effective<br />

and operative efforts developed by the<br />

NYC’s Design Trust for Public Space,<br />

Table 2. NYC’s poll results for the “Taxi<br />

of tomorrow” (Taxi of Tomorrow Survey<br />

Results, NYC, TLC, 2011).<br />

the studies and workshops have been<br />

done for capacity building processes in<br />

the search for NYC’s taxi of tomorrow<br />

(DTPS, 2007).<br />

Later on, in 2007, city officials convened<br />

a group of stakeholders, including<br />

representatives of taxi drivers,<br />

owner and passengers, to create a set<br />

of goals for the next NYC taxi cab,<br />

a project called the “Taxi of Tomorrow”.<br />

In December 2009, the authorities<br />

initiated a “request for proposals,”<br />

inviting auto manufacturers and designers<br />

to submit their best ideas for<br />

a purpose-built vehicle to serve as a<br />

NYC taxicab. On May 3, 2011 it was<br />

announced that the NV200, designed<br />

by Nissan had been chosen as the<br />

winner of the competition (nyc.gov,<br />

2011) (DTPS, 2007) where the other<br />

two finalist producers were Ford, and a<br />

Turkish company Karsan.<br />

Participatory point of NYC’s process<br />

of seeking the “Taxi of Tomorrow”<br />

is its online poll process for the<br />

three finalist automotive companies’<br />

design proposals. According to the poll<br />

results, as appears in Table 2, Karsan<br />

was voted as the “most loved” design,<br />

with 38,9% of the “Love it” votes, by the<br />

New Yorkers. The poll raised a unique<br />

question; “What do you think of the<br />

new designs?” and requested five dif-<br />

ferent feelings for each design from the<br />

citizens: The results, for the design proposals<br />

shown in Figure 7,were shaped<br />

as in the Table 2 (nyc.gov, 2011);<br />

For each of the following design<br />

proposals;<br />

Eventually, NYC authority chose<br />

Nissan as the “Taxi of Tomorrow” by<br />

putting the poll results aside assuming<br />

that the New Yorkers “loved” the Nissan’s<br />

design too. However, this decision<br />

has led to some controversy. Journalist<br />

and blogger James Wagner wrote in<br />

Fi<br />

gure 7. Design proposals for the New York’s<br />

“Taxi of Tomorrow”(www.taxiofto omorrow.<br />

com, 2011).<br />

Fi<br />

gure 8. Prototype of selected design<br />

concept of Ni<br />

ssan NV 200 model. (www.<br />

taxioft<br />

omorrow.com, 2011).<br />

Does favorite design lead to good design?: Taxi design competitions in Istanbul and New York City


218<br />

his e-article “NYC gets yesterday’s taxi,<br />

not ‘The Taxi of Tomorrow’ “ stating<br />

“Although the very modern, beautifully-designed,<br />

extraordinarily-roomy<br />

and fully-accessible Karsan V1 was<br />

hailed by New Yorkers as their favourite,<br />

the City ended up choosing the<br />

least popular entry, the hideous Nissan<br />

NV 200” (Wagner, 20<strong>12</strong>).<br />

He continues by saying “While the<br />

Nissan was certainly the most conservative<br />

response to an important challenge,<br />

in the end it will prove to have<br />

been the most impractical choice, and<br />

therefore the most radical, given the<br />

parameters of the search: Of the three<br />

finalists it responds the least well to<br />

current taxi needs, and its environmental<br />

and accessibility inadequacies,<br />

among others, will look even more<br />

grotesque as time goes by. According<br />

to Wagner “in picking the barely-adequate,<br />

ungainly and unlovely Nissan<br />

“they” struck out once more, embarrassing<br />

New Yorkers who actually care<br />

about the city’s ability to get things<br />

right (both better than and before others<br />

do, if possible)” (Wagner, 20<strong>12</strong>). As<br />

a response to the critics and reactions,<br />

city authority informed that a French<br />

designer François Farion would work<br />

on the Nissan’s proposal to make it better<br />

in design as the “Taxi of Tomorrow”<br />

for the New Yorkers.<br />

Immediately after TLC has announced<br />

their final choice of the competition,<br />

City Authority of NYC signed<br />

an agreement worth $1 billion with<br />

Nissan to supply city’s new unique taxi<br />

cabs each for $29,000 market price<br />

for the next ten years. Queens based<br />

Taxi Safety Committee came out with<br />

a claim that Nissan NV200, shown in<br />

Figure 8, models were not up to date in<br />

terms of taxi cab safety issues and they<br />

litigated. Recently in early October of<br />

2013, the Supreme Court decided for a<br />

suspension of execution on the account<br />

to the fact that the city has no privilege<br />

to designate one single company to<br />

provide city’s new taxi cabs (NYTimes,<br />

2013). Apparently this has brought a<br />

new and unexpected twist to the city’s<br />

agenda on the process of implementation<br />

of the new taxi cabs.<br />

Wulz in his article of “The Concept<br />

of Participation” claims that there is<br />

always a controversy in participatory<br />

design when majority’s choice dominates<br />

minority’s expectations (Wulz,<br />

1986/1990, pp. 41-44). In NYC case,<br />

city’s final choice that paying no attention<br />

to citizens’ decision is beyond<br />

disturbing for both parties. Although<br />

there may be many different reasons<br />

on the selection of the Nissan’s design,<br />

NYC’s decisions reminds the challenge<br />

of “what happens when the most favourite<br />

design is not approved as the<br />

good design?”<br />

4. Potential outcomes and critical<br />

comparison of both cases<br />

In NYC the designer companies<br />

have been technically briefed prior to<br />

making their bids. However in Istanbul,<br />

IMM purposely let the designers<br />

free for encouraging original ideas in<br />

the first phase and briefed the shortlisted<br />

entries on technical details in the<br />

second phase of the competition (IBB-<br />

Rec3, 2011). People in NYC expressed<br />

their feelings for each design entry in<br />

5 different ways from “like it” to “take<br />

it or leave it” while in Istanbul, people<br />

have only been asked to choose their<br />

favourite design out of four finalist<br />

entries. This paper considers the ratio<br />

of “love it” votes in NYC as an equivalent<br />

parameter to the ratio of “favourite”<br />

votes in Istanbul’s poll. Other four<br />

feelings for each of the three finalists’<br />

design proposals in NYC are valuable<br />

and yet might be considered as data for<br />

another case study.<br />

Post-competition agendas of Istanbul<br />

and NYC were slightly different.<br />

NYC authorities openly expressed that<br />

it was a purpose built design competition<br />

while City of Istanbul stated that<br />

the winner design proposal could partially<br />

or fully be implemented or considered<br />

as a capacity building activity<br />

for better taxi service standards for the<br />

future (nyc.gov, 2011) (IBB_Design-<br />

Brief, 2011). In addition to that, City<br />

authority of Istanbul also required the<br />

entrants to contest, free from their<br />

corporate attachments, as independent<br />

designers. These methodological<br />

differences affected the profile of the<br />

entrants in both competitions. Due<br />

to differently articulated purposes<br />

of the competitions, corporates and<br />

manufacturers such as Nissan, Ford<br />

and Karsan entered the competition<br />

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219<br />

in NYC while designers participated<br />

in the competition in Istanbul as independent<br />

contenders. From this point<br />

of view Istanbul’s design competition<br />

aims at involving the citizens in this<br />

design experience as independent designers<br />

while in NYC companies are in<br />

charge of design and citizens are only<br />

getting involved in the process via online<br />

voting. The backbone of the participative<br />

process of NYC design case<br />

is mainly structured on getting people’s<br />

feedback on the features of each design<br />

proposal. Istanbul in this respect<br />

is programming the entire competition<br />

with a concern for promoting the citizen<br />

involvement as much as possible<br />

for different designer profiles and different<br />

design themes (IBB_Design-<br />

Brief, 2011, p. 5).<br />

Both processes had different methodological<br />

characteristics. Even though<br />

NYC had three design proposals with<br />

complete R&D backgrounds developed<br />

by the manufacturers, the entire<br />

process was finalized by the “least<br />

loved” design (NYCTLC, 2011). On<br />

the other hand, Istanbul’s design competition<br />

for taxi and its system pieces<br />

have promised to be multidisciplinary<br />

design opportunities for the independent<br />

designers and design teams. Even<br />

though Istanbul’s method seems more<br />

risky and challenging especially for the<br />

post-competition progress and the industrialization<br />

of the designs, the high<br />

calibration between people’s favourite<br />

designs and jury selections have<br />

proved the success of the participation.<br />

Istanbul’s design competition in<br />

Wulz’s (1986/1990, pp. 44-45) terms is<br />

a co-decision participation model that<br />

mostly occurred as a balanced decision<br />

making process. Likewise influencing<br />

population had a direct influence on<br />

the final decisions in Istanbul’s competition.<br />

Jury showed highest effort to get<br />

in line with people’s favourite designs<br />

in all themes (IBB-Rec5, 2011). As an<br />

exception, although one of the finalist<br />

design proposals on “taxi stop/service<br />

point” category was the most favourite<br />

one by the poll, due to a considerable<br />

amount of objection emails from the<br />

public against it, the jury approved the<br />

second most favourite design as the<br />

winner (IBB-Rec5, 2011).<br />

Putting the manufacturers or designers<br />

at the very centre in the process<br />

and encouraging them for new design<br />

concepts for the city’s new taxi design<br />

is somehow a serious task and a heavy<br />

responsibility. Considering the vital<br />

claims of “taxi is a design object” and<br />

“taxi is not a car but a moving public<br />

space,” its comfort, security, and<br />

urban identity issues are respectfully<br />

vital. Thus design of a taxicab may<br />

become an even more complex issue.<br />

When this sort of responsibility is programmed<br />

as a step by step interactive<br />

design process between city authority,<br />

designers and citizens genuinely, then<br />

the new design ideas inevitably may<br />

have the chance to emerge from the inside<br />

of the city. That is to say, the collective<br />

taste of design may appear on the<br />

stage. The good potential of the pluralism<br />

in the society may activate a fruitful<br />

discussion for the different design<br />

ideas. However, academia emphasizes<br />

that good design does not always have<br />

to mirror the users’ wishes and tastes.<br />

Users’ tastes, desires and interests on a<br />

particular design object do not always<br />

imply the success of it (nyc.gov, 2011).<br />

One can say that the politicians behind<br />

both Istanbul’s and NYC’s processes<br />

did not only disregard this claim but<br />

also the question of “is publicly favourite<br />

design enough?” (Maile, 20<strong>12</strong>).<br />

Numerous similar experiences exist<br />

between the cases of NYC and Istanbul.<br />

One of the design proposals in<br />

both cases had clearly been highlighted<br />

by significant public support. The city<br />

authorities would have never felt better<br />

about the results had they not consulted<br />

with the broader society. Apparently<br />

none of the political figures in both<br />

cities would disagree on these clear<br />

outcomes. Thanks to the well-organized<br />

propaganda which is one of the<br />

greatest weapons of pluralist western<br />

democracies, missions in both cities<br />

created successful PR processes out of<br />

taxi and design issues. Yet the results<br />

evolved differently.<br />

Leading political authorities’ final<br />

decisions in both cities had vital role<br />

on the results of both processes. There<br />

existed a respectful amount of a public<br />

support for one particular design<br />

idea, and the rejection of that design<br />

for concerns of avoiding failures, and<br />

continuing with a “least loved” de-<br />

Does favorite design lead to good design?: Taxi design competitions in Istanbul and New York City


220<br />

sign proposal, triggered enormous<br />

controversy in NYC. Avoiding the institutional<br />

failures but faced with unpleasant<br />

critics may be defined as the<br />

unforeseen risk of the game. According<br />

to McGrath “most organizations<br />

are profoundly biased against failure<br />

and make no systematic effort to study<br />

it. Executives hide mistakes or pretend<br />

they were always part of the master<br />

plan. Failures become undiscussable,<br />

and people grow so afraid of hurting<br />

their career prospects that they eventually<br />

stop taking risks” (McGrath, 2011).<br />

This is, more or less, what happened<br />

in NYC where the process was barely<br />

supported by the civic society until the<br />

politicians decided to continue with<br />

the “least loved” design concept of the<br />

competition (nyc.gov, 2011). This situation<br />

had increased a public tension<br />

especially at intellectuals’ side of the<br />

city. They all raised the same question:<br />

Is the taxi of tomorrow the least loved<br />

design idea? Where is the vision in it?<br />

The fact is that the visions may be revised.<br />

Lootsma states “let us define our<br />

terms” and continues: “revisionism is a<br />

tendency where in general politics take<br />

position (Lootsma, 2011). This is a tendency<br />

to conserve what once existed<br />

and still aims at radical change in the<br />

present system. Revisionism is a path<br />

between revolution and conservatism.<br />

Needless to say that this is the route<br />

and the tension of post-modernism<br />

(Lootsma, 2011). Apparently this tension<br />

was the major struggle that politicians<br />

in both cities have faced.<br />

Relatively Istanbul’s experience is<br />

no more different in this respect. The<br />

Istanbulites’ favourite design and the<br />

common taste of design of the public<br />

majority was awarded as the winner<br />

design which had a support of 41,2%<br />

amongst all (IBB-Rec5, 2011).To this<br />

end, Istanbul’s competition did not<br />

only award the designers but also to<br />

the public opinion and its common<br />

taste. Due to no prior commitment for<br />

the production of the winning design,<br />

designers had no concrete expectation<br />

for the production. Following the city’s<br />

responsible authorities decided not to<br />

produce the winner design but considering<br />

and implementing its high<br />

service and design standards for the<br />

different type of taxicabs that will provide<br />

service within the city in the near<br />

future (hurriyet, 2011). Being different<br />

from NYC, Istanbul’s design competition<br />

and its following process, with 4<br />

major design cases, 3 major designer<br />

profiles and online voting to search<br />

for a public consensus, was a city wide<br />

capacity building process. Istanbul has<br />

never committed the production of the<br />

winning design concepts as a whole as<br />

New York did. To this end public discomfort<br />

against to all process in public<br />

opinion in Istanbul is much harmless<br />

when comparing to the opposition<br />

voices in New York.<br />

When considering the controversial<br />

topic on the post-competition progress<br />

of NYC’s “taxi of tomorrow” project,<br />

one can say that NYC does not have<br />

a publicly-supported new taxi design<br />

concept as Istanbul achieved at the end<br />

of the whole competition. Differently<br />

from Istanbul, NYC wanted to develop<br />

the new design concept for the<br />

city’s new taxicabs through a process<br />

that invited and included manufacturers.<br />

Similarly, both NYC and Istanbul<br />

made the citizens to vote online for the<br />

shortlisted design ideas. Istanbul and<br />

NYC political authorities’ enthusiasm<br />

to consider public reactions for taxi<br />

and its system design made both processes<br />

into a popular design activity.<br />

4.1. Comparative and theoretical discussions:<br />

The challenge of plurality in<br />

design<br />

The Reagan and Thatcher era of the<br />

1980s was characterized by an array of<br />

new public management reforms that<br />

were, if not global, then at least very<br />

widespread in geographical scope. Although<br />

there is no agreed upon definition<br />

of new public management, most<br />

observers seem to agree that it entails<br />

at least seven aspects transferred from<br />

private sector management principles<br />

to the public sector, such as handsoff,<br />

professional management, explicit<br />

standards and measures of performance,<br />

managing by result and value<br />

for money, privatization, agentification,<br />

competition, decentralization<br />

and citizen empowerment (Kjaer, 2009,<br />

p. 138). However, a new paradox appeared:<br />

challenge of pluralism. Needless<br />

to stay, discussions in open and<br />

pluralist platforms are far more chal-<br />

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221<br />

lenging than those happening behind<br />

the doors.<br />

According to Bellamy, such pluralism<br />

gets into modern societies, the<br />

mixed blessing of their differentiation<br />

and openness (Bellamy, 1999, p. 1).<br />

When the associated diversity enhances<br />

one’s everyday life’s efficiency, it may<br />

also reason many of its troubles being<br />

obliged to choose between conflicting<br />

constraints, purposes, rules and considerations.<br />

The theory and practice<br />

of politics are no less stable in a world<br />

of rapidly growing social and value<br />

pluralism. Due to a trend of becoming<br />

more and more heterogeneous, citizens<br />

hold ever more atypical and often contrary<br />

identities, ideologies and interests<br />

in western developed societies. Not<br />

only private but also public life may encounter<br />

problematic and occasionally<br />

even tragic choices. However these circumstances<br />

place contemporary orders<br />

in a dilemma: can they respect plurality<br />

yet produce collective contracts that<br />

govern an unobligated loyalty?<br />

When reconsidering the concepts of<br />

the popularity of design and the power<br />

of plurality in the same pot, Istanbul’s<br />

taxi design competition is inspiringly<br />

convincing to develop inquisitorial<br />

analogies about the tension between<br />

popularity of design objects and the<br />

search of good design. Both cases<br />

suggest that crediting the majority’s<br />

“good” as “good” without experiencing<br />

it, emerges to be a paradoxical issue.<br />

5. Discussion and conclusion<br />

Populist Politicians react with a postmodern,<br />

but confused, way (Lootsma,<br />

2011). Confusion may appear in any<br />

way that the politician would not prefer<br />

to be a part of, especially after all his attempts<br />

to reach to the pluralist creative<br />

opinion of the society via a well-organized<br />

process. A dilemma between<br />

public opinion and some technical or<br />

legal concerns may put the politician in<br />

an opposite position in comparison to<br />

overall mission of the process.<br />

Beyond a doubt this kind of change<br />

in expression and in mind setting<br />

might result by a decrease in his or her<br />

public support. Looking for innovation<br />

to upgrade the urban life may be energized<br />

through populism from a political<br />

point of view. However, possible<br />

conflicts between populism and real<br />

world constraints especially for design<br />

ideas obtained via open public processes<br />

may naturally bring up some unexpected<br />

concerns on public stage. One<br />

can say that developing creative ideas<br />

for design objects for wide public use<br />

throughout an open and participatory<br />

process has its own rules.<br />

This may imply a shift in literal and<br />

technical definition of governance in<br />

design issues. Evidence gained from<br />

both metropolitan cities’ participatory<br />

design processes suggests that when<br />

the deal is design, populism does not<br />

always take us to good design and the<br />

political promoter may somehow be<br />

harmed through the process. Instead of<br />

making generalizations on the issue of<br />

good design versus the popular one and<br />

its relation to participatory approach,<br />

two concrete competitions with similarities<br />

depicted a fruitful platform to<br />

engage critical review. Is the most popular<br />

design always the good design? or<br />

“Is publicly favourite design enough?”<br />

Design thinkers and academia suggest<br />

that the answer might just be “no”<br />

(Maile, 20<strong>12</strong>) (McGrath, 2011). Experience<br />

revealed from both of the different<br />

approaches of NYC’s and Istanbul’s<br />

design competitions and post-competition<br />

discussion and decisions inform<br />

us that the design preferred by the<br />

public on paper may not always be the<br />

good design unless it is produced, used<br />

and proved. On the other hand a good<br />

design as defined and agreed by the experts<br />

may not always be the most popular<br />

design for people who may have<br />

different criteria and taste from those<br />

who determine what the good design<br />

is.<br />

References<br />

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ve Devletin İstanbul Taksi Piyasası<br />

ile İmtihanı” Türkiye Ekonomi Politikaları<br />

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April 23, 2013, from http://www.tepav.<br />

org.tr/upload/files/1366701330-1.Korsanla_Mucadele_ve_Devletin_Istanbul_Taksi_Piyasasi_ile_Imtihani.pdf.<br />

Bellamy, R. (1999). Bellamy, R. “Liberalism<br />

and Pluralism: Towards a Politics<br />

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Broadbent, G. (1980). The Morality<br />

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Comeiro, M. C. (1990). Community<br />

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Symmetry of Ignorance and Meta-Design.<br />

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May 1, 2011, from www.nyc.<br />

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Hales, M., Peterson, E., Pena, A.<br />

M., & Gott, J. (2014). ATKearney 2014<br />

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Hamdi, N. (2004). Small change:<br />

About the Art of Practice and The Limits<br />

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hurriyet. (2011). “Taksilerde Devrim<br />

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IBB-Rec2. (2011). (TUT2) Istanbul<br />

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IBB-Rec3. (2011). (TUT3) Istanbul<br />

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taksitasarim.ibb.gov.tr/Sayfalar/<br />

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IBB-Rec4. (2011). (TUT4) Istanbul<br />

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Tutanagi-4(Istanbul Taxi<br />

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IBB-Rec5. (2011). (TUT5) Istanbul<br />

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Tasarim Yarismasi Web Sitesi: http://<br />

taksitasarim.ibb.gov.tr/Sayfalar/<br />

Duyurular.aspx<br />

Kjaer, M. A. (2009). Globalization<br />

and Urbanism in the Non-Western<br />

World: Governance and Urban Bureaucracy.<br />

Sage.<br />

Lootsma, B. (2011). From Pluralism<br />

to Populism: Architectural Criticism in<br />

Times of Internet. Serbian Architectural<br />

Journal 3, 254-269.<br />

Maile, M. (20<strong>12</strong>). Design Criticism<br />

For the 21st Century. Retrieved September<br />

25, 20<strong>12</strong>, from www.core77.<br />

com: www.core77.com/blog/education/design_criticism_for_the_21st_<br />

century_1<strong>12</strong>36.asp<br />

McGrath, G. R. (2011). Failing By<br />

Design. Retrieved April 5, 2013, from<br />

Harvard Business Review: https://hbr.<br />

org/2011/04/failing-by-design<br />

McGrath, G. R. (2011). Failing By<br />

Design. Harvard Business Review.<br />

milliyet. (2013). http://ekonomi.milliyet.com.tr.<br />

Retrieved August 5, 2013,<br />

from milliyet: http://ekonomi.milliyet.com.tr/istanbul-da-taksi-plakasi-<br />

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223<br />

primde-yuzde-40-i buldu/ekonomi/<br />

ekonomidetay/31.<strong>12</strong>.2011/1482692/<br />

default.htm<br />

Nasar, J. L., & Kang, J. (1989). A<br />

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Center for the Visual Arts. . Environment<br />

and Behaviour, 21, 464-484.<br />

nyc.gov. (2011, April). Taxi of Tomorrow.<br />

Retrieved May 20, 2011, from<br />

http://www.nyc.gov/html/media/totweb/taxioftomorrow_home.html<br />

NYCTLC, N. Y. (2011). Taxi of Tomorrow<br />

Survey Results. NYC: NYCT-<br />

LC.<br />

NYTimes. (2013). Court Blocks City’s<br />

Plan for ‘Taxis of Tomorrow’. Retrieved<br />

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http://www.nytimes.com/2013/10/09/<br />

nyregion/judge-blocks-new-york-cityplan-for-taxi-of<br />

tomorrow.html?adxn-<br />

nl=1&adxnnlx=13818624<strong>12</strong>-wukwgX-<br />

0OPZUTEsOa7ZMuFw<br />

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to Participatory Design Approaches.<br />

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Social Sciences. Taylor & Francis Books<br />

Limited.<br />

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theory and Technics. North Caroline<br />

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Sanoff, H. (2006). Multiple Views of<br />

Participatory Design. METU Journal of<br />

the Faculty of Architecture.<br />

TUBITAK, & Cetin&Oguz. (2007,<br />

2010, 2013, 2008). Gathered from Various<br />

Sources.<br />

Volker, L. (2010). Designing a Design<br />

Cpmpetition: The Client Perspective.<br />

Retrieved December 2014, from<br />

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proceedings of the DRS 2010 conference<br />

in Montreal): http://www.<br />

designresearchsociety.org/docs-procs/<br />

DRS2010/PDF/<strong>12</strong>5.pdf<br />

Wagner, J. (20<strong>12</strong>). NYC gets yesterday’s<br />

taxi, not ‘The Taxi of Tomorrow.<br />

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jameswagner.com: jameswagner.<br />

com/20<strong>12</strong>/04/post_28.html<br />

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of Participation” edited by Henry Sanoff<br />

in his book of “Participatory Design,<br />

Theory & Techniques” . North Caroline<br />

State University, USA.<br />

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June 2013, from http://www.<br />

ny.com/transportation/taxis/<br />

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March). Retrieved from Istanbul Taksi<br />

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taksitasarim.ibb.gov.tr<br />

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İyi tasarımı “favori tasarım” yoluyla<br />

aramak: İstanbul ve New<br />

York taksi tasarım yarışmaları<br />

Son bir kaç on yıldır ulusal ve kentsel<br />

bürokraside yaşanan değişimler<br />

“Yönetimden” “Yönetişime” veya “Eski<br />

Yönetim” biçiminden “Yeni Yönetişim”<br />

biçimine geçiş olarak tanımlanmaktadır<br />

(Kjaer, 2009). Bu aynı zamanda<br />

çeşitli ortak özel amaçlar için bir araya<br />

gelen yerel yöneticiler, kamu idarecileri,<br />

akademisyenler veya kar amacı<br />

gütmeyen sivil aktörlerden oluşan bir<br />

ağ yapısının hedeflenen belli bir amaca<br />

dönük tanımlanan bir organizasyon<br />

yapısı olarak kurulmasıdır. Literatürde<br />

bu şekilde özel bir amaca dönük yatay<br />

ve dikey hiyerarşileri olmayan esnek<br />

ve çoğulcu örgütlenme biçimi “Yerel<br />

Yönetim” den, “Toplumsal Yönetişim”e<br />

geçiş olarak da tariflenmektedir. Yönetişim<br />

teorisi bunu kamu, özel ve sivil<br />

toplum arasındaki kesin çizgilerin bulanıklaşması<br />

olarak da tanımlarken söz<br />

konusu ağ yapılanmasının başarısını;<br />

ilgili tüm aktörleri dahil edebilmesi ve<br />

hedeflenen amacı gerçekleştirmeye dönük<br />

kurduğu ilişkileri ile de orantılar<br />

(Kjaer, 2009, p. 138). 1960’larda Christopher<br />

Jones, Christopher Alexander,<br />

Tom Markus ve Ray Studer gibi rasyonalist<br />

düşünce temsilcisi mimarlar bir<br />

takım matematiksel modellerin tasarımcıları<br />

daha iyi karar alma süreçlerine<br />

götürebileceğini savunmaktaydı<br />

(Broadbent, 1980). Ancak 1970’lerde<br />

oldukça rasyonalist bu önerilerin aslında<br />

muazzam bir değerler ve öncelikler<br />

çeşitliliğini içinde barındıran bir dünyaya<br />

ait problemleri doğru tanımlamada<br />

yetersiz kaldığı görüşü önem kazandı<br />

(Comeiro, 1990). Günümüz çok<br />

sesli ve çok katmanlı modern toplumları<br />

için kent hayatına dair karmaşık<br />

Does favorite design lead to good design?: Taxi design competitions in Istanbul and New York City


224<br />

sorunlara çözüm üretmede geleneksel<br />

yukarıdan-aşağı tek yönlü karar alma<br />

süreçleri yetersiz kalmaktadır. Bu yetersizlik<br />

kendini en çok geniş halk kitlelerini<br />

ve kent hayatını doğrudan ilgilendiren<br />

tasarım problemlerinin doğru<br />

tanımlanması ve iyi tasarım önerileri<br />

geliştirilmesi ihtiyacında göstermektedir.<br />

Bu ihtiyacın beraberinde getirdiği<br />

sorunsallardan en önemlisi ise “çesitlilik”<br />

olarak kendini göstermektedir.<br />

Toplumsal yapı farklı sosyal, kültürel,<br />

antropolojik ve duygusal bağları olan<br />

yüksek bir çeşitliliği bünyesinde barındırmaktadır.<br />

Hepimizin farklı estetik<br />

ve ahlak/etik kodları bulunmaktadır.<br />

Bu nedenledir ki; kamu çalışmalarında<br />

eski kamu yönetiminden yeni<br />

kamu yönetimi anlayışına kayış; çoğulcu<br />

ve tartışmalara açık platformların<br />

kamu geleneği içinde kendini göstermesiyle<br />

birlikte yeni bir paradoksu tetikledi:<br />

Çoğulculuk Meselesi. Çoğulculuk<br />

katılım için olmazsa olmaz bir girdi<br />

olmasına rağmen bir takım zorlukları<br />

da beraberinde getirmektedir. Kendi<br />

içinde yüksek bir çeşitlilik ve çok seslilik<br />

barındıran bir kent toplumunun<br />

günlük yaşam standartlarını ilgilendiren<br />

tasarım problemlerine çözüm ararken<br />

genel-geçer doğru ve yanlışlardan<br />

söz etmek ve herkes için işleyen bir çözüm<br />

geliştirmek güç bir durum halini<br />

almaktadır. Çünkü toplumsal çeşitlilik<br />

ve farklılıkların tasarımdaki karşılığı<br />

yaklaşımların, fikirlerin ve önerilerin<br />

çeşitliliği olarak ortaya çıkmaktadır.<br />

Bizler tasarım fikirlerimizi yarıştırırken<br />

diğer yandan değerlerimizi ve<br />

toplumsal, sosyal ve mekansal yorumlarımızı<br />

da yarıştırmaktayız. Tüm bu<br />

gerilimi, eğitimin, ideolojinin, etnik<br />

yapının, toplumsal cinsiyetin, dinin ve<br />

yerelliğin birbiriyle örtüşmeyen, rekabet<br />

eden veya çelişen kabulleri içinde<br />

teşhis etmekteyiz (Bellamy, 1999, p.<br />

1). Bu makalede “iyi tasarım arayışı”<br />

ile “popülerlik / favori olma durumu”<br />

ya da daha anlaşılır bir ifadeyle “halk<br />

tarafından belirlenme ve benimsenme”<br />

olgusu arasındaki gerilim, İstanbul ve<br />

New York kentlerinin taksi tasarım yarışmalarının<br />

yöntemleri ve sonuçları<br />

üzerinden sorgulanmaktadır.<br />

Tasarım yarışmaları bu çesitliliği<br />

tasarıma girdi olarak değerlendirirken<br />

halk oylamaları herkesi kapsamayı hedefleyen<br />

çoğulcu bir karar alma yöntemi<br />

olarak karşımıza çıkmaktadır. Bu<br />

açıdan değerlendirildiğinde katılımcı<br />

tasarım kuramlarına göre tasarım yarışmaları<br />

ve halk oylamaları “birlikte<br />

karar alma/co-decision” modeli olarak<br />

tanımlanmaktadır (Wulz, 1986/1990,<br />

p. 41). Bu makalede anlamlı benzerlikleri<br />

olan iki örnek olay olarak, “İstanbul<br />

için Taksi Tasarım Sistemi Yarışması”<br />

ve “New York için Geleceğin Taksisi /<br />

Taxi of Tomorrow for New York”, tasarım<br />

yarışmaları ve halk oylamaları<br />

yukarıda tanımlanan “birlikte karar<br />

verme” katılımcı tasarım uygulamaları<br />

örnekleri olarak incelenmiştir. Her iki<br />

tasarım yarışması kendine özgü farklılıklara<br />

sahip olmakla birlikte özellikle<br />

katılımcı tasarım uygulamaları<br />

açısından benzerlikler arz etmektedir.<br />

İki yarışmanın birbirinden ayrılan en<br />

belirgin özelliği, yarışmaya katılabilecek<br />

kişilerin nasıl tanımlandığıdır. İstanbul’un<br />

yarışması özgün fikirleriyle<br />

katkı sunabilecek her kesimden insanı<br />

-orta öğretim öğrencileri, üniversite<br />

ekipleri, profesyonel tasarımcılar kategorileriyle<br />

- bağımsız tasarımcılar<br />

olarak tasarım sürecine dahil ederken;<br />

New York yarışma komitesi, tasarım<br />

sürecini davet ettiği otomotiv sektörünün<br />

temsilcileri, Nissan, Ford, Karsan<br />

gibi profesyonel tasarım oluşumlarıyla<br />

sürdürmektedir. Her iki yarışmada<br />

finalist tasarım önerilerinin yarışma<br />

web siteleriyle halk oyuna sunulması<br />

izlenen temel ortak katılım yöntemidir.<br />

Makalenin argümanı İstanbul’un<br />

halk oylamasında profesyonel kategoride<br />

genel amaçlı taksi tasarımı için<br />

en yüksek oyu alan, diğer bir deyişle<br />

“en favori” tasarım, New York’un halk<br />

oylamasında ise en beğenilen, yani en<br />

yüksek oranda “love it” oyunu alan, tasarım<br />

önerileri ve bu tasarımlara dair<br />

tartışmalar üzerine kurulmuştur.<br />

Her iki örnek olayda ortaya çıkan<br />

durum şöyle özetlenebilir: Popüler beğeni<br />

ile iyi tasarım arayışı arasındaki<br />

mücadelenin, temelde aynı amaca dönük<br />

arayışlar gibi gözükseler de, farklı<br />

kaygıları bulunabilmektedir. Daha<br />

konforlu, daha “modern” ya da “güncel”,<br />

daha güvenli ve kent kimliğine katkıda<br />

bulunacak başarılı taksi tasarımlarının<br />

kent yaşamının standartlarını yükseltmeye<br />

dönük, katılım boyutu ön planda<br />

olan bir “iyi tasarım arayışı” sürecinin<br />

veya yarışmasının toplum tarafındaki<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • H. Ekinoğlu, G. Turan


225<br />

algılanışı ile hedeflenen amaca dönük<br />

ağ yapısını kurgulayan ve yöneten yerel<br />

yönetim tarafındaki algılar, kaygılar ve<br />

anlayışlar farklılık arz edebilmektedir.<br />

Bu makalede incelenen örnek olaylar<br />

şu ilişkiyi açıklamaktadır; kullanıcının<br />

tasarım sürecine katılım şansı ve süreci<br />

etkileyebilme yetisi, onun süreçten<br />

beklentisini doğru orantılı olarak etkilemektedir.<br />

Bir diğeri de kentsel yaşam<br />

kalitesini ilgilendiren tasarım problemlerinde<br />

tasarım sürecine, tasarımcı<br />

veya en beğendiği tasarım için oy kullanan<br />

kullanıcı olarak katılım sağlayan<br />

aktör ile süreci kurgulayan ve yöneten<br />

aktörün süreçten beklentisi arasındaki<br />

farklılık ne denli fazla ise de, elde edilen<br />

sonuçların toplam başarıya etkisinin<br />

o denli az olduğu görülmektedir.<br />

Bir diğer deyişle; iyi tasarım arayışını<br />

“en favori veya en popüler olan tasarım”<br />

üzerinden kurgulayan süreçlerin<br />

yukarıda sayılan nedenlerden dolayı<br />

bazen ne hedeflenen tasarımın kendisini<br />

ne de süreci başlatan, ağ yapısını<br />

oluşturan ve organize eden aktörü yüceltmeyebileceğini<br />

göstermektedir.<br />

Sonuç olarak, bu çalışma ile irdelenen<br />

argüman ve örnek olay incelemeleri,<br />

hedeflenen şey geniş kitleleri<br />

ve kent yaşamını ilgilendiren tasarım<br />

konuları olduğunda, yönetişim olgusunun<br />

teorik ve teknik tanımının yetersiz<br />

kaldığına işaret etmektedir. Her iki<br />

örnek olaydan elde edilen çıkarımlar,<br />

ulaşılmak istenen amaç iyi tasarım olduğunda,<br />

“popüler olan” veya “en beğenilen”<br />

tasarımların bizi her zaman<br />

iyi tasarıma götürmeyebileceği gibi,<br />

süreci kurgulayan ve yöneten aktörün/<br />

ağ yapısının süreçten olumsuz etkilenmesine<br />

de yol açabildiğidir. “En beğenilen”<br />

veya “herkesçe en popüler olan<br />

tasarım” her zaman iyi tasarım mıdır?<br />

sorusuna cevap ise “hayır” olmaktadır<br />

(Maile, 20<strong>12</strong>) (McGrath, 2011). Makalede<br />

karşılaştırmalı olarak incelenen iki<br />

örnek olay da buna işaret etmektedir.<br />

Sorgulanan argüman özelinde incelenen<br />

örnek olaylar ile şu sonucun olumlandığı<br />

görülmektedir: Çoğunluğun<br />

beğendiği ancak henüz üretilmemiş ve<br />

deneyimlenmemiş tasarım her zaman<br />

iyi tasarım olmayabilir. Öte yandan uzmanlarca<br />

iyi tasarım olarak tanımlanmış<br />

ve üzerinde uzlaşılmış tasarımlar<br />

ise farklı kriter, beğeni ve deneyimlere<br />

sahip kullanıcılarca en beğenilen veya<br />

en favori olan tasarım olarak kabul<br />

görmeyebilir.<br />

Does favorite design lead to good design?: Taxi design competitions in Istanbul and New York City


ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • 227-247<br />

Continuity of architectural<br />

traditions in the megaroid<br />

buildings of rural Anatolia: The<br />

case of Highlands of Phrygia<br />

Alev ERARSLAN<br />

aleverarslan@gmail.com • Department of Architecture, Faculty of Architecture,<br />

Istanbul Aydın University, Istanbul, Turkey<br />

Received: May <strong>2015</strong> Final Acceptance: October <strong>2015</strong><br />

Abstract<br />

Rural architecture has grown over time, exhibiting continuities as well as adaptations<br />

to the different social and economic conditions of each period. Continuity<br />

in rural architecture is related to time, tradition and materiality, involving<br />

structural, typological, functional and social issues that are subject to multiple<br />

interpretations.<br />

This fieldwork was conducted in an area encompassing the villages of the districts<br />

of today’s Eskişehir Seyitgazi and Afyon İhsaniye districts, the part of the<br />

landscape known as the Highlands of Phrygia. The purpose of the fieldwork was<br />

to explore the traces of the tradition of “megaron type” buildings in the villages of<br />

this part of the Phrygian Valley with an eye to pointing out the “architectural continuity”<br />

that can be identified in the rural architecture of the region. The methodology<br />

employed was to document the structures found in the villages using<br />

architectural measuring techniques and photography. The buildings were examined<br />

in terms of plan type, spatial organization, construction technique, materials<br />

and records evidencing the age of the structure. The study will attempt to produce<br />

evidence of our postulation of architectural continuity in the historical megara of<br />

the region in an effort to shed some light on the region’s rural architecture.<br />

The study results revealed megaroid structures that bear similarity to the plan<br />

archetypes, construction systems and building materials of historical megarons<br />

in the region of the Phrygian Highlands. These structures were classified in a typology<br />

that evidenced the existence of an architectural continuity of megaroid<br />

building tradition, which this study seeks to present.<br />

Keywords<br />

Megaron, Megariod buildings, Architectural continuity, Rural architecture.


228<br />

1. Introduction<br />

Rural architecture is a type of architecture<br />

that is based on local needs and<br />

construction materials, and it reflects<br />

local traditions at the same time. The<br />

general characteristics of rural architecture<br />

are traditionality, functionality,<br />

adaptation to environmental conditions<br />

and local materials.<br />

Rural houses are important elements<br />

of heritage that have historical<br />

and cultural continuity. They are less<br />

liable to be affected by rapid cultural<br />

changes and has grown over time, exhibiting<br />

continuities as well as adaptations<br />

to the different social and economic<br />

conditions of each period. Some<br />

part of Turkish communities preserved<br />

their nomadic lifestyle until the end of<br />

the 19 th century when they began to<br />

abandon their yörük tents to build permanent<br />

houses during their transition<br />

from a nomadic existence into a settled<br />

lifestyle. It is believed that it was in this<br />

period that they must have adopted the<br />

housing plans used by the local populations<br />

in the places in which they settled.<br />

2. The aim and the methodology of<br />

the research<br />

The process of exploring Anatolia’s<br />

rural settlements is still in its beginning<br />

stages. There is still controversy over<br />

which parameters were influential in<br />

the choice of the house plans, materials<br />

and building systems used in the transition<br />

of the Turks into permanent settlements.<br />

The general belief is that the<br />

nomads adapted to the housing culture<br />

of indigenous societies in that period.<br />

It is for this reason that research on<br />

Anatolian rural architecture is of great<br />

importance.<br />

This fieldwork was conducted in<br />

the area encompassing all villages of<br />

the districts of Eskişehir Seyitgazi and<br />

Afyon İhsaniye, referred to in history<br />

as the “Highlands of Phrygia” (Figures.<br />

1, 2). The main goal of this research is<br />

to reveal the similarities between the<br />

megaroid structures in the Highlands<br />

of Phrygia and the plan, spatial organization,<br />

building systems and materials<br />

used in the historical megara, and to<br />

uncover any architectural continuity<br />

as is believed to exist in the area. This<br />

will shed some light on the question<br />

Figure 1. Eskişehir Seyitgazi. Researched villages (drawn by Uğur<br />

Süleymanoğlu).<br />

Figure 2. Afyon Ihsaniye. Researched villages (drawn by Uğur<br />

Süleymanoğlu).<br />

of whether there is in fact cultural and<br />

architectural continuity in Anatolian<br />

rural architecture.<br />

To reach our goals, we investigated<br />

all of the villages in the region. All the<br />

houses were examined in terms of the<br />

plan type, spatial organization, materials,<br />

construction systems and records<br />

evidencing the age of the buildings.<br />

The samples chosen were documented<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • A. Erarslan


229<br />

using architectural measuring methods<br />

and photography. In addition, interviews<br />

were held with the members<br />

of the households living in the houses<br />

and with village elders to learn about<br />

the age of the buildings, the history of<br />

the villages, the daily lifestyle and the<br />

use of space.<br />

3. The historical background of the<br />

megaron<br />

Megaron (plural megara) refers to<br />

an elongated rectangular building with<br />

an entrance on one of the short sides,<br />

provided with a porch. In Homer, the<br />

megaron refers to the great halls of the<br />

Mycenean palaces (Knox, 1973). Homer<br />

regards the function of the megaron<br />

as “the hall of the men”. Heredotus<br />

holds it equal to the sacred room of<br />

the adyton of the temple dedicated to<br />

Helen (Işık, 1998). According to Deroy,<br />

“megaron” is a word in Sanskrit that<br />

means “a room with a hearth” (Deroy,<br />

1948).<br />

Dörpfeld, Schliemann and Blegen<br />

were the first to apply the term “megaron”<br />

to prehistoric remains, in the palace<br />

at Tiryns in 1885 and later for the<br />

large buildings of Troy II (Dörpfeld,<br />

1902); Schliemann, 1885). They used<br />

the term “megaron” in the Homeric<br />

sense of a large hall or a main hall in a<br />

palace (Ivanova, 2013). In his 1953 excavation<br />

report, Blegen described the<br />

megaron as “a room of great size, the<br />

principal apartment of the palace”. It is<br />

referred to as a megaron of the classic<br />

mainland type, consisting of a great<br />

hall, a vestibule, and a two-columned<br />

portico fronting a court, in most respects<br />

similar to corresponding suites<br />

at Mycenae and Tiryns (Blegen, 1953).<br />

The term has subsequently been used<br />

to refer to other buildings in Greece<br />

and elsewhere that contain a long hall<br />

fronted by a porch, as well as freestanding<br />

buildings with this alignment of<br />

rooms (Warner, 1994).<br />

There are different views about the<br />

roots of the megaron. The simplest<br />

type, namely an isolated rectangle, is<br />

attested for Thrace, Macedonia and<br />

Thessaly in Neolithic (Müller, 1944).<br />

Buildings of this type consist of a single<br />

room without porch or anteroom.<br />

They have pitched roofs, flat roof or the<br />

barrel roof.<br />

Other early examples can be seen in<br />

Sesklo and Dhimini in Eastern Thessaly<br />

in the late Neolithic (Bintliff, 20<strong>12</strong>).<br />

Sesklo has in fact been named the earliest<br />

“megaroid-style building” in the<br />

middle of the acropolis. The structure<br />

is made up of a porch, a main chamber<br />

and a back room. In the same way, the<br />

acropolis at Dhimini boasts a megaron<br />

larger than others that stands in the<br />

middle of the circular walls. These are<br />

centrally-located structures and protected<br />

by fortification walls. They have<br />

been interpreted as the rulers’s residences<br />

or the temples (Bintliff, 20<strong>12</strong>).<br />

Poliochni and Thermi had row-houses<br />

of megaroid character during EBI.<br />

These long and narrow buildings are<br />

composed of a closed antechamber and<br />

of a main chamber. These structures<br />

have been placed on the street perpendicularly.<br />

They were constructed<br />

as row houses with common side walls<br />

(Warner, 1994). Mellink presumes that<br />

these long houses are the ancestors of<br />

the megaron (Mellink, 1986).<br />

Lerna IV (Early Helladic II) is a<br />

small one-room megaron of classical<br />

form facing east onto a large courtyard<br />

(Warner, 1994). In the Middle and Late<br />

Helladic, the megaron plan continued<br />

to develop and a number of new types<br />

emerged, particularly in houses. In the<br />

Peloponesus, the Mycenaean palaces<br />

of ruler forts of Late Helladic III, Mycenae,<br />

Tiryns and Pylos exhibit structures<br />

of the megaron type. The most<br />

well-known is Nestor’s palace at Pylos,<br />

of which we hear much in Homer’s<br />

Odyssey. It consists of a hall, a forehall,<br />

and a porch with two columns in antis<br />

to support the roof. The main hall contains<br />

a large circular hearth at center,<br />

surrounded by four columns (Blegen,<br />

Rawson, 1966).<br />

Looking at Anatolian examples of<br />

megaron-type, Hacilar IIA from the<br />

Early Chalcolithic presents buildings<br />

of megaroid character. These contiguous<br />

buildings of one or two stories<br />

have features similar to megaron type<br />

because they display a forecourt of<br />

a sort. The houses are arranged with<br />

their backs to the defensive wall. Each<br />

consists of a main room with a hearth<br />

set in the middle of the floor and an anteroom<br />

(Mellart, 1970).<br />

Another precurser of the mega-<br />

Continuity of architectural traditions in the megaroid buildings of rural Anatolia: The case of<br />

Highlands of Phrygia


230<br />

ron-like structure in Anatolia can be<br />

seen in Yümüktepe XVI. Here stand a<br />

series of houses of megaroid character<br />

adjoining the city walls, all with a<br />

closed porch and a main room in back<br />

(Garstang, 1953).<br />

At the start of 4000 BC in the Late<br />

Chalcolithic, in Beycesultan XXIV,<br />

appeared a structure that may be said<br />

to be a precursor to the megaron type<br />

in Anatolia. Here, at the west end of a<br />

building, projecting walls created an<br />

open porch; from this, one entered<br />

through a doorway with a raised step<br />

into the main chamber, which had a<br />

circular hearth in the center (Lloyd,<br />

Mellaart, 1962).<br />

An increase in megaron-type buildings<br />

appeared in Anatolia by the EB.<br />

Troia I consisted of parallel rows of<br />

long buildings of megaroid character.<br />

House 102 has one room and a porch<br />

and without rear antae. It had a hearth<br />

at the center (Blegen, 1937, Ivanova,<br />

2013). At Troia II, large houses of the<br />

megaron-type have been brought to<br />

light on the citadel. Megaron IIA with<br />

a central hearth probably served as an<br />

assembly room or an audience-hall,<br />

and maybe in its last phase (Ilh), it was<br />

a place of cultic activity (Mellart, 1959).<br />

The long-room units arranged in<br />

rows were very common in the western<br />

part of Anatolia in the EB. The coastal<br />

communities along the Anatolian littoral<br />

at Beşiktepe, Bakla Tepe and Liman<br />

Tepe VI, and on the eastern Aegean<br />

islands at Yeni Bademli, built mainly<br />

long-room dwellings arranged in a row<br />

(Ivanova, 2013). Some of these long<br />

houses may be defined as of megaroid-style<br />

because of their side wall extensions<br />

(Erkanal, 1996).<br />

The most numerous examples of the<br />

megaron plan were uncovered in an EB<br />

village at Karataş-Semayük. The basic<br />

characteristics of these freestanding<br />

rectangular structures are two structural<br />

long walls with cross-walls inserted<br />

to form a main room and a front<br />

porch which are entered axially on the<br />

short side. The long walls end in antae<br />

at the front; the rear cross-wall is often<br />

set back from the ends of the long<br />

walls, which thus project as rear antae<br />

(Warner, 1979, 1994). Each is entered<br />

through a door centrally located in the<br />

front cross wall between the porch and<br />

the main room. The roofing sytem is<br />

the gabled roof.<br />

In all of the occupation levels dated<br />

to the EB at Beycesultan, megaroid<br />

houses and shrines are quite prevalent.<br />

They have main rooms with hearths,<br />

sometimes with small rooms in the<br />

back and with a porch. This continued<br />

to be a feature of megaron-type buildings<br />

right up to the end of the LB at site<br />

(Lloyd, Mellaart, 1962).<br />

The Antalya Bademağacı, Eskişehir<br />

Küllüoba, Demircihöyük and<br />

Keçiçayırı settlements of the EB had<br />

two-roomed structures in the megaron<br />

style. They contained a central open<br />

area around which there were examples<br />

on a radial plan adjoining the city<br />

walls. In Bademağacı, the EBA II town<br />

were megaron-like houses with openporched<br />

and with rear rooms (Duru,<br />

2003; Korfmann, 1983). Küllüoba in<br />

Early Bronze II consists of an upper<br />

city, at the center of which there are<br />

two megara complexes that have public<br />

functions. Surrounding these structures<br />

on three sides are long houses<br />

and two- or three-roomed houses in<br />

megaroid shape, their rear rooms abutting<br />

against the fortification wall (Efe,<br />

Ay-Efe, 2001; Efe et al. 2011).<br />

The megaron-type in Marmara however<br />

can be seen at the end of the EB.<br />

The acropolis of Kanlıgeçit has three<br />

adjacent large megara arranged linearly.<br />

These buildings are observed to be<br />

of the type that has a single main room<br />

with an open porch in front with rear<br />

antae (Özdoğan, 2002).<br />

Phrygian architecture represents<br />

the period in which the megaron plan<br />

prevails as the most characteristic<br />

plan type. The buildings in the citadel<br />

in Gordion are freestanding and each<br />

consisted of a large hall with central<br />

hearth and a porch and anteroom,<br />

and with a flat or double pitched roof<br />

(Young, 1960).<br />

The megaron-type can also be established<br />

in central Anatolia. In the period<br />

of Phrygian expansion to the east, the<br />

Iron Age of Büyükkale, small megaron<br />

houses are typically of Phrygian construction<br />

and plan. The most frequent<br />

type displayed an open entrance hall/<br />

porch in antis. There are also other<br />

variations with semi- or completely<br />

closed porches (Neve, 1996).<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • A. Erarslan


231<br />

At Kültepe in the EBIII, a megaron-shaped<br />

architectural complex is a<br />

temple. In the middle of a large room<br />

lies a round hearth, surrounded by<br />

four posts. Smaller rooms are grouped<br />

around this central hall (Özgüç, 1963).<br />

A megaron-shaped architectural complex<br />

was also found on Stratum IIa in<br />

Kaman Kalehöyük. The structure was<br />

surrounded by corridors (Omura,<br />

1999).<br />

At Kerkenes Dağ, some structures<br />

that can be identified as megaron have<br />

been uncovered. They are freestanding<br />

buildings that have one main room<br />

with a central hearth and an open<br />

porch (Summers et al., 2004). They<br />

have double-pitched roofs and served<br />

some special public function or the<br />

residences for the ruling elite (Summers<br />

et al., 2004).<br />

Tell Tayi’nat Building XVI was a long<br />

room divided into a portico, a main<br />

hall and a shrine. It is a temple complex<br />

and its plan is in antis style (Harrison,<br />

Osbourne, 20<strong>12</strong>).<br />

Besides these examples, some researchers<br />

assert that there are buildings<br />

of the megaroid character in the<br />

Near East as well. Some have named<br />

the long-axis corridor house/pierhouse<br />

type of house found to be widespread<br />

in the southern Levant in Middle<br />

PPNB “megaron” (Wright, 1985;<br />

Garstang, Garstang, 1940). A central<br />

hearth is a common feature of the plan.<br />

Wright states that the PPNB temple<br />

at Jericho E is a megaron since the flank<br />

walls project as antae (Wright, 1985).<br />

Wright also claims that the Langbau<br />

type of temples in the Near East in the<br />

LB and Iron Ages are of the megaron<br />

style (Wright, 1985; Davey, 1980). They<br />

have a single long room and a shallow<br />

entrance porch designed in antis (Hundley,<br />

2013).<br />

4. A history of the settlement of the<br />

region<br />

The Highlands Phrygia cover the<br />

whole of the districts of Afyonkarahisar<br />

and the districts of Ihsaniye,<br />

Işcehisar and Bayat as well as a part<br />

of Bolvadin and Seyitgazi and Han in<br />

Eskişehir, and a part of central Kütahya<br />

and Tavşanlı (Aşılıoğlu, Memlük,<br />

2010; Haspels, 1971; Kortanoğlu, 2011)<br />

(Figure 3). The region has been named<br />

Figure 3. The Highlands Phrygia (https://<br />

www.academia.edu/1670748/Highlands_<br />

of_Phrygia-Map).<br />

after the Phrygians. Ancient Phrygia<br />

was a neighbor to Cappadocia to the<br />

east and later to Galatia, the regions of<br />

Lykaonia, Pisidia Kabalis, Milyas Kibyratis<br />

in the south, and Mysia, Lydia,<br />

Karia to the west and the regions of<br />

Bithynia and Paphlagonia to the north<br />

(Sevin, 2007). The capital Gordion,<br />

Pessinous, Mideon, Dorylaeum, Laodikeia<br />

and Kolossai may be mentioned<br />

as the most important cities of ancient<br />

Phrygia (Sevin, 2007).<br />

The oldest name for Afyon was<br />

Akronio. In the period of the Hittite<br />

Empire, Afyon gained importance because<br />

of the campaigns of Murshilish II<br />

against the kingdom of Arzava. It was<br />

after the fall of the Hittite Empire and<br />

following the ensuing Dark Ages that<br />

the Phyrgians entered the scene. The<br />

region was known as Phyrgia thereafter<br />

up until the end of the Byzantine<br />

Era (Ilaslı, 2004).<br />

As a result of the Cimmerian attacks,<br />

dominion over Central Anatolia<br />

passed from the Phyrgians to the Lydians<br />

(Akurgal, 2000). From the middle<br />

of the sixth century BC, the Persians<br />

captured sovereignty over the Afyon<br />

region. From 30 BC onward, Anatolia<br />

was under the leadership of Rome.<br />

During the Roman Era, new towns and<br />

cities were established in the region.<br />

The city of Amorium gained importance<br />

in the Byzantine Era and Phyrgia<br />

was divided in two, one part becoming<br />

Continuity of architectural traditions in the megaroid buildings of rural Anatolia: The case of<br />

Highlands of Phrygia


232<br />

annexed to Galatia, the other remaining<br />

as Phrygia Salutaris.<br />

During <strong>12</strong>75-1343, Sahipataoğulları<br />

was established in Afyonkarahisar<br />

(Karazeybek, 2004). <strong>Yıl</strong>dırım Beyazıt<br />

annexed the region to the Ottoman<br />

lands in 1390. After WWI, Afyon too<br />

was invaded by the Greeks. The city<br />

was liberated on August 27, 1922 in the<br />

Great Offensive.<br />

Seyitgazi is a small district of Eskişehir,<br />

4 km. to its south. The oldest<br />

settlements in the area dates back to<br />

the EB (Altınsapan, 1999). The region<br />

was conquered by the Hittites in the<br />

fifteenth century BC and the Phyrgians<br />

entered the area around <strong>12</strong>00 BC, establishing<br />

a strong kingdom in the environs<br />

of Eskişehir. In the eighth century<br />

BC however, with pressures from<br />

the Lydians, and because of the steady<br />

loss of strength as a result of the the<br />

Assyrian invasions, the Phrygian kingdom<br />

was destroyed by the Cimmerians,<br />

remaining under Lydian rule until<br />

the Persian invasion in 546 BC. In the<br />

Hellenistic Era, Rome began to reign in<br />

Anatolia and Seyitgazi, named “Nacolea”,<br />

became an important guard post<br />

of Rome (Aşılıoğlu, Memlük, 2010).<br />

After 395 AD, many Byzantine cities<br />

were established in the region.<br />

In the period of the Seljuks, Nacolea<br />

was conquered by the Danişments and<br />

the Seljuk tribes. Seyitgazi was annexed<br />

to Ottoman lands during the reign of<br />

Murat I. Seyitgazi participated in the<br />

War of Liberation with a special battalion;<br />

the troops were partially incapacitated<br />

in the Greek invasion and on<br />

1922, with the coming of the Turkish<br />

armies, it became a part of the Turkish<br />

Republic (Altınsapan, 1999).<br />

5. Plan typologies and general characteristics<br />

of the structures in the region<br />

In this work, the term “megaron”<br />

has been used to signify structures<br />

with 2 long walls ending in antae at the<br />

front, a front porch which is entered<br />

axially on the short side, and a rectangular<br />

single main room. However, to<br />

be precise, these structures have also<br />

been described as megaroid buildings,<br />

megaroid-style buildings, megaroid-shaped<br />

buildings, megaron-like<br />

buildings and the like.<br />

The region’s megaroid buildings<br />

have a main room and a front porch,<br />

comprised thus of two structural archetypes.<br />

They constitute a longitudinal<br />

mass. The buildings vary in size.<br />

The main rooms are almost square or<br />

in the form of a longitudinal rectangle<br />

and form the core of the building.<br />

They are used for sleeping, eating and<br />

for most domestic activities. The main<br />

room sizes vary. They are usually of<br />

the size 3x3 m. None of the examples<br />

exhibit a central hearth. The hearth<br />

would occupy the wall across from the<br />

door. There are niches in the walls of<br />

the main room. The buildings can be<br />

directly accessed from the main room.<br />

In none of the examples is the door of<br />

the main room on the central axis, but<br />

either to the right or the left.<br />

The term “porch” is used to refer to<br />

the roofed area between the extensions<br />

of the long walls of the main room. The<br />

two long walls of the main room extended<br />

beyond the short front and constituted<br />

a porch at the front. The roof<br />

extended over the porch and provided<br />

additional working space. The porches<br />

are shallow in general. On the average,<br />

the depth of the porches is 1 m. In<br />

only a few examples, the porches are<br />

deep. The people of the region refer to<br />

the ground level porch as the “ev önü”<br />

(front of the house), and to the porch<br />

on top of the barns as the “hayat”. In<br />

no example are the porches paved with<br />

a special floor covering. None of the<br />

houses had a rear anta/rear porch.<br />

While most structures are one-storied,<br />

some buildings rise above a barn.<br />

Examples rising above a barn are few<br />

in the area. Some of the single-storied<br />

structures are built on ground level<br />

while some have been built on a stone<br />

basement. In this case, the structure<br />

has a raised porch with stairs leading<br />

to a porch. The stairs can be at the<br />

center of the house or on one side of<br />

the porch. The stairways open to the<br />

porch. The people in the region call<br />

the houses on ground level as “Yer Ev”<br />

(Ground House).<br />

The region has six types of megaroid<br />

structure. This typology was attained<br />

from a total of 33 buildings among<br />

the houses scanned for the research<br />

throughout the region (Figure 4, 5).<br />

Some of them are in ruins. Of those<br />

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233<br />

Figure 4. Graph showing the dispersion of the plan types according to villages in Eskişehir Seyitgazi.<br />

Figure 5. Graph showing the dispersion of theplan types according to villages in Afyon Ihsaniye.<br />

Figure 6. Plan type 1 (Drawn by Salih<br />

Ceylan).<br />

Figure 7. The megaroid building built in<br />

type 1A.<br />

surviving, some have either been abandoned<br />

or converted into storage space.<br />

Rebuilding has occurred in some houses.<br />

The full age range of the houses is<br />

not known exactly. However, the average<br />

age of all of the examples, according<br />

to the testimony of the villagers, is<br />

<strong>12</strong>0-140 years.<br />

1. Type with 2 antae: This is the most<br />

widespread plan in the region (Figures<br />

4, 5). This type consists of a main room<br />

and a porch at the front (Figures 6-8).<br />

The side walls of the main room extend<br />

to form a porch at the front. They<br />

are antae walls. The antae form a solid<br />

wall. A building is built on a stone<br />

basement. In this case, the structure<br />

has a raised porch with stairs leading<br />

to a porch (Figures 6: B, 8). In general,<br />

these types of structures are freestanding<br />

on a road.<br />

2. Type in antis: This is the second<br />

widespread plan (Figures 4, 5). In this<br />

type, the structures are single-roomed<br />

with an open porch and one, two or<br />

Continuity of architectural traditions in the megaroid buildings of rural Anatolia: The case of<br />

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234<br />

Figure <strong>12</strong>. The megaroid building built in<br />

type 2B.<br />

Figure 8. The megaroid building built in<br />

type 1B.<br />

Figure 13. The megaroid building built in<br />

type 2C.<br />

Figure 9. Plan type 2 (Drawn by Salih<br />

Ceylan).<br />

Figure 10. The megaroid building built in<br />

type 2A.<br />

Figure 14. Plan type 3 (Drawn by Salih Ceylan).<br />

Figure 11. Inside of the same house. The<br />

hearth.<br />

three wooden posts placed between<br />

antae (Figure 9). In this form, the<br />

structures appear to be monostyle<br />

in antis, distyle in antis and tristyle<br />

in antis (Figures. 9-13). The monostyle<br />

in antis is the simplest form. The<br />

porches are very shallow and there are<br />

Figure 15. The megaroid building built in<br />

type 3A.<br />

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235<br />

Figure 16. The megaroid building built in<br />

type 3B.<br />

Figure 21. Plan type 4 (Drawn by Salih<br />

Ceylan).<br />

Figure 17. The megaroid building built in<br />

type 3C.<br />

Figure 22. The megaroid building built in<br />

type 4A.<br />

Figure 18. The megaroid building built in<br />

type 3D.<br />

Figure 19. The megaroid building built in<br />

type 3E.<br />

Figure 20. The megaroid building built in<br />

type 3F.<br />

Figure 23. The megaroid building built in<br />

type 4B.<br />

no rear antae. In only one example of<br />

these buildings, which are generally on<br />

ground level, is the structure accessed<br />

with stairs consisting of a few steps<br />

(Figure 9: C, 13). While the structures<br />

are generally freestanding on a road,<br />

one of the buildings is attached parallel<br />

to the courtyard wall (Figure 10).<br />

3. Type with a single anta: This is the<br />

third plan type in the region (Figures<br />

4, 5). In this type, there is a single anta<br />

wall of the building. One of the antae<br />

forms the solid long side of the main<br />

room and one or more wooden post/<br />

columns are found at the other end<br />

(Figure 14). Generally this type appears<br />

as a single wooden post/column<br />

Continuity of architectural traditions in the megaroid buildings of rural Anatolia: The case of<br />

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236<br />

Figure 24. The megaroid building built in<br />

type 4C.<br />

Figure 25. Inside of the same house. The<br />

hearth.<br />

Figure 26. The megaroid building built in<br />

type 4D.<br />

on the other end of a solid long side<br />

wall which is one of the antae walls<br />

(Figures 14: A-D, 15-18). Sometimes<br />

2 or 4 wooden posts may be found in<br />

front of the porch (Figures 14: E-F, 19-<br />

20). In applications with a single post/<br />

column, sometimes a wooden door<br />

opened to the courtyard is built on the<br />

post/column side of the porch (Figures<br />

14: B-C, 16-17). Both freestanding<br />

and attached structures parallel to the<br />

courtyard wall structures can be seen<br />

at the location. In the structure on the<br />

location attached parallel to the courtyard<br />

wall, the courtyard wall forms the<br />

single anta (Figure 18).<br />

4. Prostyle type: This is the other<br />

type in the region (Figures 4, 5). Prostyle<br />

is a term defining freestanding<br />

columns across the front of the building<br />

and refers to a building having<br />

posts only along the front side. This<br />

type of building does not possess antae.<br />

The prostyle porch has been used<br />

in the region in the distyle and tristyle<br />

prostyle (Figure 21). In the distyle prostyle,<br />

a wooden post/column is found<br />

at each end of the porch in front of the<br />

structure (Figures 21: A-B, 22-23). In<br />

the tristyle prostyle, the structure has<br />

3 wooden posts/columns in front (Figures<br />

21: C-D, 24-26). In general, the<br />

prostyle type has been implemented<br />

in examples built on a high sub-basement<br />

or barn and these structures are<br />

accessed by stairs. The structures are<br />

freestanding on a road.<br />

5. Closed porch type: This type of<br />

plan, which is only encountered in a<br />

single example in the region, comprises<br />

a main room with a double entrance<br />

and a closed porch/anteroom in front<br />

(Figures 4, 27: A, 28). It is without rear<br />

antae. The building is freestanding on<br />

a road.<br />

6. Type with a rear room: In this<br />

plan, which is only uncovered in a single<br />

example, the main room is subdivided<br />

by a wall to create a back room<br />

(Figure 4). A partition wall divides the<br />

interior into two rooms. Thus, a small<br />

rear room is formed in back of the main<br />

room of the structure (Figures 27: B,<br />

29), the long main room being flanked<br />

by the smaller room at the back. There<br />

is a deep porch with a single anta in<br />

front of the structure. The building is<br />

attached parallel to the courtyard wall.<br />

While the courtyard wall forms the<br />

single anta of the structure, in the other<br />

direction, 3 wooden posts stand in<br />

front of the porch (Figure 29).<br />

These megaroid-style buildings are<br />

characterized in three locations; freestanding<br />

on a road or on a courtyard,<br />

adjacent or abutting another structure<br />

and attached to parallel to the courtyard<br />

wall.<br />

In the first type of location, the<br />

structures are freestanding and<br />

self-contained structures on a road or<br />

on a courtyard. They are single unit<br />

structures. Their porticos have been<br />

built to face the south. Their orientation<br />

is looking out toward open spaces<br />

and streets (Figures 8, 17, 23, 24, 26).<br />

In the second type of location, the<br />

structures are buildings where a few<br />

families live together and which also<br />

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237<br />

have a barn, a hayloft and stand in a<br />

courtyard along with other houses.<br />

These buildings are either freestanding<br />

inside the courtyard, looking out<br />

toward the road, or they have been<br />

built attached to parallel to the courtyard<br />

wall. In this case, one wall of the<br />

house is also the wall of the courtyard<br />

(Figures 10, 18, 29). In other words, the<br />

courtyard wall forms one of the antae<br />

of the building.<br />

In the third type of location, the<br />

structure is leaning on another structure<br />

at the back. The building usually<br />

leans on another structure (an annex),<br />

most likely a barn or hayloft. Only<br />

in very few examples, this annex is a<br />

house (Figure 17). The annex is not entered<br />

from the main building. It is separately<br />

roofed. There is only one example<br />

of an annex added to the long side<br />

of the building, but the construction of<br />

this indicates that the annex was built<br />

later (Figure 20).<br />

The organization of the façades of<br />

the buildings is made up of a door and<br />

one adjacent window opening out into<br />

the main room. With this arrangement,<br />

the buildings have a two-element<br />

structure on their façades. Only<br />

in some examples were the windows<br />

on the façades closed off afterwards.<br />

Figure 27. Plan type 5 and 6 (Drawn by<br />

Salih Ceylan).<br />

The side walls of the buildings too have<br />

windows but some structures remain<br />

windowless. The rear façades of the<br />

buildings however are without windows.<br />

All of the megaroid structures in<br />

the region have a roof that is one of 3<br />

types—flat roof, low-pitched roof or<br />

gabled—but all of the types are wooden.<br />

In all the types of roof, the roof<br />

extends over the porch. In the case of<br />

the flat roof, some of these are sometimes<br />

tiled with bricks but sometimes<br />

covered with earth. The low-pitched<br />

roof and the gabled roof however are<br />

tiled with brick. Because the rooms<br />

are small, no internal wooden posts or<br />

a central post carrying the roof in the<br />

main room have been encountered.<br />

Two types of wall technique have<br />

been used on the walls of the structures-<br />

stone wall construction and<br />

timber-reinforced stone construction.<br />

In the timber-frame supported stone<br />

wall, walls were supported by a wooden<br />

framework of horizontal, transverse<br />

and vertial timbers. While rubble stone<br />

was generally used as material for the<br />

walls, it can also be seen that both rubble<br />

stone and finely cut stones were<br />

used together. In some buildings, mudbrick<br />

was used along with the stone. In<br />

addition to this mixed material, mixed<br />

wall construction can also be observed.<br />

In very few examples, timber-frame<br />

stone and mud-brick construction can<br />

be seen together in a mixed wall construction<br />

system. In one example, bağdadi<br />

(lath and plaster) was used on one<br />

anta wall of the structure (Figure 7).<br />

Sometimes the walls were covered with<br />

clay and straw plaster.<br />

None of the houses have toilets. All<br />

of the toilets are outside. In one corner<br />

of the main room stands a wooden<br />

platform that serves as a bath.<br />

Figure 28. The megaroid building built in<br />

type 5.<br />

Figure 29. The megaroid building built in<br />

type 6.<br />

Continuity of architectural traditions in the megaroid buildings of rural Anatolia: The case of<br />

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238<br />

6. Comparison of the historical megara<br />

When the megaroid buildings in the<br />

region are compared with historical<br />

megarons of ancient Anatolia and Near<br />

East, it can be noticed that the plan<br />

types, construction systems, building<br />

materials and roofing sytems display<br />

some common elements.<br />

The first plan type in the region is<br />

the “type with 2 antae”. This type consists<br />

of an almost square or longitudinally<br />

rectangular main room and a<br />

porch at the front (Figure 6). There are<br />

no rear antae. Similar types of this plan<br />

can be seen in ancient Anatolia in Troia<br />

I (House 102), Troia II, Karataş-Semayük,<br />

Bademağacı, Büyükkale, Beycesultan<br />

X-IX, Keçiçayırı, Gözlükule<br />

Tarsus and Kerkenes. All have megaroid<br />

structures that are single-roomed,<br />

with an open porch and without rear<br />

antae. The side walls of the main room<br />

extend to form a porch at the front<br />

and they constitute the antae walls. So,<br />

the antae walls of the buildings are the<br />

solid side walls of the main room. In<br />

general, these types of buildings are<br />

freestanding. Some of the buildings are<br />

attached to each other because of the<br />

“Anatolian settlement siedlungschema”<br />

(Blegen, 1937; Neve, 1996; Summers<br />

et al., 2004; Efe et al, 2011; Lloyd, Mellaart,<br />

1962; Warner, 1979; Naumann,<br />

1998; Duru, 2003).<br />

Another plan in the region is the<br />

“type in antis”. In this type, one, two<br />

or three wooden posts are placed between<br />

antae (Figure 9). The porch is<br />

very shallow and there are no rear antae.<br />

These structures display a porch<br />

arrangment of monostyle, distyle and<br />

tristyle in antis type. This type porch<br />

arragement resembles the façades of<br />

Phrygian rock-cut shrines and Phrygian,<br />

Lycian, Hellenistic and Roman<br />

periods rock-cut tombs (Kortanoğlu,<br />

2011). It was Ch. Fellows and later<br />

Benndorf and Niemann who asserted<br />

that these tombs might have been influenced<br />

by wooden houses in ancient<br />

Lycia (Işık, <strong>Yıl</strong>maz, 1996). The façades<br />

of the tombs resembled house façades<br />

because the tombs were considered the<br />

residences of the dead (Ambrossini,<br />

2011). Thus houses began to be seen<br />

as the precursers of the Lycian rock<br />

tombs and Phrygian rock-cut shrines<br />

and tombs (Kjelden, Zahle, 1975). In<br />

the book he wrote in 1853, “Ein Ausflug<br />

nach Kleinasien und Entdeckungen<br />

in Lycien”, Ch. Fellows drew pictures of<br />

the Turkish houses and storehouses he<br />

saw in the Xanthos plains and he called<br />

attention to the resemblance between<br />

these houses and the wooden house<br />

architecture of ancient Lycia and the<br />

Lycian rock tombs (Figure 30) (Işık,<br />

<strong>Yıl</strong>maz, 1996). These house tombs imitated<br />

the appearance of wooden Lycian<br />

houses, with their stone reproductions<br />

of wooden architectural features<br />

(Metzger , Coupel, 1963). These tombs<br />

have the same shape, all small temples<br />

with pediments supported by columns.<br />

Their façades have a pediment and columns<br />

between the projecting side walls<br />

(antae). They generally have façades<br />

with an arrangement of 1, 2, 3 or 4 columns<br />

between antae (in antis). Besides<br />

having gabled roofs, there are also examples<br />

of flat roofs.<br />

The Phrygian rock-cut façades provide<br />

a clue about the megaron façade<br />

arrangements at Gordion. Some of<br />

them consist of a façade, varying in<br />

size, generally depicting the front of a<br />

house. The most prominent feature of<br />

the Phrygian rock-cut façades is a focal<br />

niche with a surrounding façade decorated<br />

with geometrical motifs. They<br />

are thought to have imitated the front<br />

of a building of public importance.<br />

The appearance of Phrygian houses<br />

may be gauged from the carved rocks<br />

representing the façades of buildings,<br />

probably temples, illustrated in stone<br />

in Arslankaya, Bahşayiş, Demirkale<br />

or Midas City (Barnett, 1967). Berndt-Ersöz<br />

assert that the rock-cut<br />

façades are not true copies of Phrygian<br />

houses, but may be imitations (Berndt-Ersöz,<br />

1998; 2006).<br />

The porch in antis is also reminis-<br />

Figure 30. 19th century houses and<br />

storehouses in the plain of Xanthos from Ch.<br />

Fellows (Işık, <strong>Yıl</strong>maz 1996: 178).<br />

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239<br />

cent of Greek temples. Greek temples<br />

generally made use of the “distyle in antis”<br />

plan. The houses in the region with<br />

the in antis plan also resembled the<br />

columned prostas house of the classical<br />

Greek period. Here, in front of the<br />

oikos was a columned porch (prostas)<br />

which opened out onto the courtyard.<br />

House plans with prostas were derived<br />

from megaron. Other similar examples<br />

of porch in antis can be seen in<br />

Ain Dara and Tell Tayinat Building II .<br />

These temples are buildings where the<br />

lateral walls of the main hall of worship<br />

are continued on the façade with a vestibule/porch<br />

on either side. Both have<br />

two columns between antae.<br />

Another plan encountered in the<br />

region is the “prostyle type”. This type<br />

does not possess antae. There is a<br />

wooden columned porch in front of<br />

the main room. This type has been<br />

used in the region in distyle and tristyle<br />

prostyle (Figure 21). In distyle prostyle<br />

porch, a wooden post/column is found<br />

at each end of the porch in front of the<br />

building. The distyle prostyle is reminiscent<br />

of the rock-cut tombs façade<br />

of the Hellenistic and Roman in Highlands<br />

of Phrygia (Kortanoğlu, 2011).<br />

The façade of Ayazini and Yapıldak,<br />

there is a distyle prostyle porch arragement<br />

(Figure 31). Here, a column is<br />

placed in each end of the porch.<br />

The prostyle porch is also reminiscent<br />

of prostyle Greek temples. A<br />

Greek prostyle temple has a colonnaded<br />

porch in front of the cella. There are<br />

however generally 4 columned porches<br />

in front of the cella. Besides in the<br />

Greek temples, the prostyle porch is<br />

encountered in the Neolithic wooden<br />

houses of the Cucuteni-Tripolye-Ariuşd<br />

cultural groups. In the houses<br />

of these cultures, a porch made up<br />

of wooden posts stands in front of<br />

the main room (Figure 32: A) (Laszlo,<br />

2000). A shrine in Jericho, dated<br />

to the PPNP, is the other resemble of<br />

this type. Here on level XI, in front of<br />

a building that Garstang believes to<br />

be a shrine is a veranda-like vestibule<br />

supported by six wooden pillars (Figure<br />

32: B). Garstang describes it as a<br />

prostyle porch (Garstang, Garstang,<br />

1940; Banning, Byrd, 1988). However,<br />

both Cucuteni-Tripolye-Ariuşd and<br />

the shrine in Jericho have semi-antae,<br />

a feature that is different from the prostyle<br />

types in our field of study.<br />

The other plan in the region is the<br />

closed porch type. This plan is only<br />

encountered in a single example. The<br />

building is without rear antae. It consists<br />

of a main room with a double entrance<br />

and a closed porch/anteroom in<br />

front (Figure 27: A). The closed porch<br />

is very widely used in the megaron style<br />

of buildings in Anatolia. Examples of<br />

a single-entrance main room and a<br />

closed porch/anteroom can be seen<br />

in Gordion, Küllüoba, Demircihöyük,<br />

Mersin, Hacılar IIA and Büyükkale.<br />

The main room with a double entrance<br />

is seen in Anatolia at Karataş-Semayük<br />

V-VI and in Bademağacı. At<br />

Bademağacı, in the EBII settlement,<br />

there are megaron-style buildings with<br />

a main room having double entrances<br />

with open porches (Figure 32: C, D).<br />

There is also a building with a double<br />

entrance and a closed porch/anteroom<br />

in front (Figure 32: E). At Semayük<br />

Karataş V-VI, although the main room<br />

in the megaron structures have a double<br />

entrance, these have open porches<br />

(Figure 32: F) (Warner, 1979). These<br />

buildings have no rear antae, but a rear<br />

room.<br />

Another type of megaroid structure<br />

in the region is the plan type that has<br />

a rear room. In this plan, the main<br />

room is subdivided by a wall to create a<br />

back room. Thus, a small rear room is<br />

formed in back of the main room (Figure<br />

27: B). In front of the main room is<br />

an open porch. At Bademağacı, House<br />

30 is a building with a rear room (Figure<br />

32: G). At Karataş-Semayük V-VI,<br />

rear rooms are found in several houses.<br />

There are megaroid structures at<br />

Küllüoba with a closed porch and rear<br />

Figure 31. Afyon Ayazini<br />

(http://www.webrehberi.net/yerel/<br />

afyonkarahisar/#!prettyPhoto[gallery2]/1/).<br />

Continuity of architectural traditions in the megaroid buildings of rural Anatolia: The case of<br />

Highlands of Phrygia


240<br />

room. These rear/back rooms are used<br />

as storage facilities.<br />

The other type of plan in the region<br />

was the “type with a single anta”. In<br />

this type, one of the antae forms the<br />

solid long side of the main room and<br />

one or more wooden posts/columns<br />

are found at the other end (Figure 14).<br />

This type with a single anta wall is not<br />

encountered in the historical megara<br />

and appears to be a local characteristic<br />

completely unique to the region.<br />

The porches in the megaroid structures<br />

in the region are shallow in<br />

general. This type porch resembles<br />

the Anatolian megarons of Küllüoba,<br />

Semayük-Karataş and Bademağacı.<br />

These structures all have porches in<br />

front that are not very deep. However,<br />

there is some example of a considerably<br />

deep porch in the region; this example<br />

brings to mind a pronaos (Figure<br />

14: D-E; 27: B). Megarons with deep<br />

porches in Anatolia are seen at Troia I<br />

(House 102), Troia II, Bademağacı, and<br />

Küllüoba.<br />

None of the megaroid structures in<br />

the region have rear antae. They have<br />

front antae only. Examples of megarons<br />

without rear antae are found in Anatolia<br />

at Karataş-Semayük, Bademağacı,<br />

Gordion, Küllüoba, Troia I (House<br />

102) and the Troia II, VI.<br />

Three types of roof have been used<br />

in the region—a wooden flat roof, a<br />

low pitched roof and a gabled roof. In<br />

all of the roof types, the roof extended<br />

over the porch. Of the historical megarons,<br />

Gordion exhibits the use of 3 distinct<br />

groups of roof systems—the gabled<br />

roof, the pitched roof and the flat<br />

roof (Berndt-Ersöz, 2006). The megara<br />

at Gordion probably had gabled roofs,<br />

as indicated by a completely preserved<br />

poros akroterion whose lower parts<br />

follow the outline of a pitched roof,<br />

and three double-pitched poros blocks<br />

found at Gordion. Gabled buildings are<br />

also seen in the drawings incised on the<br />

exterior walls of Megaron 2, inscribed<br />

on potsherds from Midas City, and<br />

represented by three building models<br />

(Roller, 2009). In Troia, the roofs are<br />

flat. At Küllüoba too, because of the<br />

“Anatolian settlement siedlungschema”<br />

and since the houses are laid out in<br />

a row, it is hard to use a gabled roof.<br />

For this reason, the megarons in the<br />

Figure 32. The comparision of the historical megaroid structures.<br />

A: A house of Cucuteni-Tripolye-Ariuşd culture. B: A shrine in<br />

Jericho. C, D, E: Bademağacı. F: Semayük Karataş. G: Bademağacı,<br />

House 30 (drawn by Salih Ceylan).<br />

settlement are covered with flat roofs.<br />

The long houses built as independent<br />

structures, however, may have used<br />

the gabled roof form (Fidan, 20<strong>12</strong>). In<br />

Bademağacı for the same reason, the<br />

megaroid buildings are flat roof-covered.<br />

In freestanding buildings at<br />

Karataş Semayük too there is evidence<br />

that the gabled roof was used (Warner,<br />

1994). In all of these historical examples,<br />

the roof extended over the porch.<br />

In the structures of the region, two<br />

types of wall technique are observed—<br />

stone wall construction and timber-reinforced<br />

stone construction. The wall<br />

materials were generally rubble stone<br />

but there are also examples of rubble<br />

stone and finely cut stone used together.<br />

In some buildings, a smooth mudbrick<br />

was used together with the stone.<br />

Besides these mixed materials, some<br />

examples also display a mixed wall<br />

construction. There are very few examples<br />

of timber-frame stone and mudbrick<br />

construction mixed together in a<br />

wall construction system. At Troia, the<br />

superstructure of the walls is mudbrick<br />

and supported by a wooden framework.<br />

At Bademağacı, the buildings are<br />

built on a stone foundation and mudbrick<br />

superstructures. Houses at Gordion<br />

are built of stone or crude brick,<br />

using a half-timber structure (Barnett,<br />

1967). At Gordion, the walls are put<br />

together with a wooden framework<br />

and filled in-between with masonry<br />

screens, forming a skeleton for the construction<br />

(Young, 1962). Timber-reinforced<br />

mud walling construction can<br />

also be seen at Karataş Semayük (Warner,<br />

1994). At Küllüoba, the remnants<br />

of wooden planks have been found<br />

between the stone foundations and the<br />

mudbrick wall above.<br />

The megaroid buildings in the region<br />

are generally one-storied. Some<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • A. Erarslan


241<br />

are on ground level but some rise above<br />

a sub-basement. A few have megaroid<br />

structures rising above a barn. The<br />

structures built on top of sub-basements<br />

are accessed with a few steps of<br />

stairs. At Tell Tayinat Building II and<br />

XVI, although the structures are on<br />

ground level, entrance was gained by<br />

means of a stepped porch, flanked by<br />

two columns in antis (Harrison, 20<strong>12</strong>).<br />

The annexes used as barns or haylofts<br />

in the megaroid buildings in the<br />

region are generally attached to the<br />

short side of the structure in the back<br />

but in only one example, an annex<br />

has been added to the long side of the<br />

building (Figure 20). In the historical<br />

megara, House 66 is the only example<br />

in Karataş-Semayük of an annex<br />

added to the long side of the building<br />

(Warner, 1979). The annex was probably<br />

built later both in Karataş and in<br />

the region. The annex was not entered<br />

from the main building and is separately<br />

roofed (Warner, 1979).<br />

The megaroid buildings in the region<br />

are located in three locations;<br />

freestanding, adjacent or abutting another<br />

structure and attached parallel to<br />

the courtyard wall. But, the historical<br />

megara (except the Anatolian settlement<br />

siedlungschema) were freestanding<br />

structures.<br />

7. Conclusion<br />

As can be seen, the megaroid structures<br />

in the Phrygian highlands share<br />

with the historical megara, the similarities<br />

in their plan types, construction<br />

systems and materials, point to the<br />

existence of this type in the regional<br />

memory of rural architecture and to an<br />

architectural continuity in the region.<br />

How do we explain these similarities<br />

exhibited by the historical megaras and<br />

those existing in the houses used today<br />

by Turkmen groups in the area after<br />

all this time has passed? The nomadic<br />

Turkmen tribes entered Anatolia in<br />

the 11 th century. They transitioned into<br />

their settled lifestyle only at the end of<br />

the 19 th century after a long period of<br />

living as nomads (Ögel, 1991; Kavas,<br />

20<strong>12</strong>). With the start of their settled<br />

inhabitation, the Turkmen tribes who<br />

had made use of yörük tents during<br />

their nomadic and semi-nomadic periods<br />

were inevitably influenced by indigenous<br />

Anatolian cultures (Tanyeli,<br />

1996; Köse 2005). They chose the existing<br />

house plans of the indigenous people<br />

in the region when the time came<br />

for them to meet their need for permanent<br />

housing. This choice, which is the<br />

result of cultural adaptation, creates<br />

natural architectural continuity.<br />

A look into the plan types, materials<br />

and constructions systems Turkish<br />

populations preferred in their transition<br />

to a settled lifestyle reveal a close<br />

similarity with the traditional housing<br />

patterns of the regions that they<br />

settled in (Tanyeli, 1996; Köse, 2005).<br />

The Anatolian culture is not homogeneous.<br />

Each subregion contained various<br />

cultural traditions. It was because<br />

of this that displayed different regional<br />

plan types. At the same time, new<br />

environmental conditions such as climate,<br />

geography and topography, as<br />

well as cultural interaction were also<br />

influential in this choice. They were<br />

however adapted to particular needs.<br />

We found the megaroid buildings in<br />

the region reflecting the regional taste<br />

in that the local house plans in the<br />

region appear both socially and functionally<br />

suitable for the newly migrating<br />

nomadic Turks.<br />

Many historical house types are still<br />

being used in the rural architecture of<br />

Anatolia and the Near East can be seen<br />

in other plan types as well. Researchers<br />

Klinhott, Ragette, Yagi, Cerasi, Kobychev<br />

and Robakidze have reported that<br />

rural houses constructed in the style of<br />

historical plan types such as megaron,<br />

bit-hilani, tarma house, riwaq house,<br />

iwan house, houses with inner courtyards<br />

and houses with a front sofa, are<br />

still used in Syria, Iraq, Iran, Afghanistan,<br />

Daghistan and the Caucasion<br />

region, among other areas (Klinhott,<br />

1978; Ragetta, 1974; Yagi, 1983; Cerasi,<br />

2014; Kobychev, Robakidze, 1969).<br />

This is because traditional rural architecture<br />

is less prone to the impact of<br />

rapid cultural change and has evolved<br />

as a result of cultural continuity.<br />

Anatolian traditional rural architecture<br />

also has a very rich cultural heritage<br />

related to the past. With this as<br />

its starting point, research conducted<br />

about Anatolia rural architecture constitutes<br />

an important resource that will<br />

shed light on studies into comparative<br />

Continuity of architectural traditions in the megaroid buildings of rural Anatolia: The case of<br />

Highlands of Phrygia


242<br />

evaluations of the housing architecture<br />

to be found in the layers of history hidden<br />

in any particular region. The concept<br />

of the Anatolian Turkish house has<br />

been in interaction for centuries with<br />

the Anatolian cultures that have been a<br />

part of this region, and has accordingly<br />

matured and reached a synthesis.<br />

Acknowledgements<br />

Firstly, I extend my deepest respects<br />

and gratitude to the distinguished<br />

scientist Prof. Dr. Jak Yakar, who has<br />

contributed extensively to Anatolian<br />

archeology and guided me in my work<br />

with his most valuable viewpoint and<br />

comments. I am also thankful for the<br />

kind contributions of Prof. Dr. Timothy<br />

P. Harrison in helping me to access<br />

some sources that I could not reach.<br />

I am strongly indebted to Dr. Caner<br />

Göçer, who accompanied me to the<br />

district. I am very grateful to Salih Ceylan,<br />

who took on the task of drawing<br />

up all plans. My deep gratitude goes<br />

to Uğur Süleymanoğlu, who drew the<br />

maps. I extend a special thank you to<br />

all the residents of the villages in Seyitgazi<br />

and Ihsaniye, who showered me<br />

with warm hospitality and assistance.<br />

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Kırsal Anadolu’nun megarorid yapılarındaki<br />

mimari geleneğin sürekliliği:<br />

Dağlık Frigya örneği<br />

Megaron, ortasında ocak bulunan<br />

uzun dikdörtgen şeklindeki bir ana<br />

oda ile bu odanın yan duvarlarının<br />

(ante duvarları) uzaltılmasıyla yapının<br />

önünde oluşturulan üzeri örtülü bir<br />

portikodan/ante odasından (sundurma)<br />

oluşan yapıdır. Planın erken evrelerinde<br />

megaron, portikosuz/ante odasız<br />

tek bir oda iken ilerleyen evrelerde<br />

plana bazen ana odanın yan duvarlarının<br />

arkaya doğru uzatılmasıyla oluşturulmuş<br />

bir arka portiko/arka ante<br />

(sundurma) eklenir. Megaron planlı<br />

yapılarda örtü genelde beşik çatı iken<br />

düz çatı da kullanılmıştır.<br />

Dörpfeld, Tiryns ve Pylos daki Miken<br />

sarayları için megaron terimini<br />

kullanan ilk araştırmacıdır. Megaron<br />

türü yapıların kökenine dair farklı görüşler<br />

bulunmakla birlikte araştırmacılar<br />

en erken megaron türü yapılarla<br />

Neolitik Çağ’da Trakya, Makedonya ve<br />

Tesselya ovasındaki konutlarda rastlanıldığı<br />

konusunda hem fikirdirler.<br />

Megaron planın bu ilk örnekleri izole<br />

şekilde konumlandırılmış, uzun dikdörtgen<br />

şeklinde tek odalı, bazıları düz<br />

bazıları ise beşik çatılı yapılardır. Tunç<br />

Çağı, megaron planın en yaygın kullanıldığı<br />

dönemdir. Bu dönemde Poliochni,<br />

Thermi ve Miken saraylarında<br />

megaron planlı saray ve bey konutlarına<br />

rastlanılır.<br />

Megaron plan Anadolu’da da sevilerek<br />

kullanılmış bir plandır. Erken<br />

örneği Kalkolitik Çağ’da Hacılar II, Yümüktepe<br />

XVI ve Beycesultan XXIV da,<br />

Tunç Çağları’nda ise Troia I-II kalelerinde,<br />

kıyı Ege’de Beşiktepe, Bakla Tepe<br />

ve Liman Tepe VI yerleşmelerindeki<br />

uuzn evler, Beycesultan’da ev ve kutsal<br />

yapılar, Antalya Bademağacı ve Karataş-Semayük,<br />

Eskişehir Küllüoba, Demircihöyük<br />

ve Keçiçayırı yerleşmeleri<br />

ile Marmara Bölgesi’ndeki Kanlegeçit<br />

megaron planın ünlü temsilcileridir.<br />

Frig mimarisi ise megaron planla özdeşleştirilmiş<br />

durumdadır. Megaron<br />

plan Anadolu’da orta Anadolu’ya kadar<br />

yayılmış olup bu bölgelerdeki Büyükkale,<br />

Kültepe ve Kerkenes dağı yerleşmeleri<br />

Geç Tunç ve Demir Çağları’nda<br />

megaron planlı yapılar içerir (Neve,<br />

1996; Özgüç, 1963; Summers et al.,<br />

2004).<br />

Bu alan araştırması, Frigya vadisinin<br />

Dağlık Frigya olarak bilinen bölümünün<br />

günümüzde kapladığı alan olan<br />

Eskişehir Seyitgazi and Afyon İhsaniye<br />

ilçelerinin köylerini kapsayan alanda<br />

gerçekleştirilmiştir. 2014 yılı Ağustos<br />

ayında gerçekleştirilen bu çalışmanın<br />

amacı, Frigya vadisinin bu bölgesindeki<br />

köylerinde “megaron türü” yapı<br />

geleneğinin izlerini arayarak, bölgede<br />

kırsal mimaride var olduğu tarafımızca<br />

ileri sürülen “yapısal sürekliliğe” işaret<br />

etmektir.<br />

Bölgede bu amaçla gerçekleştirilen<br />

arazi çalışmasında megaron özelliği<br />

gösteren, bir ana oda ve önünde<br />

portikodan (sundurma) oluşan, düz<br />

ve beşik çatılı yapılara rastlanmış ve<br />

temkinli olmak amacıyla bu yapılar<br />

“megaronumsu”, “megaron benzeri”<br />

ve “megaron özellikli” yapılar olarak<br />

tanımlanmıştır. Bölgenin mimari kim-<br />

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247<br />

liğini oluşturmada önemli payı olduğu<br />

gözlenen bu yapıların bugün bir kısmı<br />

yıkıktır. Ayakta olanların bir kısmı ise<br />

ya terkedilmiş ya da depoya dönüştürülmüştür.<br />

Bölgede bugün in use<br />

durumunda hiçbir yapıya rastlanmamıştır.<br />

Yapıların kesin yaşları bilinmemekle<br />

birlikte kullanıcılarından alınan<br />

bilgilere göre ortalama yaş aralıkları<br />

<strong>12</strong>0-140 yıl arasındadır. Bölgede 2 anteli,<br />

in antis, tek anteli, prostyle, kapalı<br />

portikolu ve arka odalı, olmak üzere 6<br />

megaron özellikli plan tipi tespit edilmiştir.<br />

Bu yapılar Anadolu ve Yakın Doğu’daki<br />

tarihsel megaronlarla karşılaştırıldığında<br />

plan, yapım tekniği, yapı<br />

malzemesi ve çatı sistemi açısından<br />

bazı benzerlikler taşıdıkları görülmektedir.<br />

Bu durum bölgede megaron<br />

benzeri yapılar açısından kesintisiz bir<br />

mimari sürekliliğe işaret etmektedir.<br />

Tarihsel megaronlarla bölgedeki megaron<br />

tarzı yapılar arasındaki benzerlik<br />

açıklanmaya çalışıldığında ise bu<br />

durum, bölgeye 11. yüzyıldan itibaren<br />

gelmeye başlayan Türkmen grupların<br />

yerleşik düzene geçiş sürecinde, göçebe<br />

ve yarı göçebe dönemin yörük çadırını<br />

terkederek bölgedeki yerli halktan gördükleri<br />

bu planı kalıcı konut planı olarak<br />

tercih ettikleri şeklinde düşünülmektedir<br />

(Tanyeli, 1996; Ögel, 1991;<br />

Kavas, 20<strong>12</strong>).<br />

Continuity of architectural traditions in the megaroid buildings of rural Anatolia: The case of<br />

Highlands of Phrygia


ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • 249-265<br />

The reflection of religious diversity<br />

and socio-cultural meaning on the<br />

spatial configuration of Traditional<br />

Kayseri Houses<br />

Özlem ATAK 1 , Gülen ÇAĞDAŞ 2<br />

1<br />

ozlematak@erciyes.edu.tr • Department of Architecture, Faculty of Architecture,<br />

Erciyes University, Kayseri, Turkey<br />

2<br />

cagdas@itu.edu.tr • Department of Architecture, Faculty of Architecture,<br />

Istanbul Technical University, Istanbul, Turkey<br />

Received: December 2014 Final Acceptance: August <strong>2015</strong><br />

Abstract<br />

Recent studies on domestic spaces have demonstrated that social meaning and<br />

cultural values are mostly reflected by means of spatial organizations of houses,<br />

thus, in that way, different cultures express themselves through different spatial<br />

models. In this respect, space syntax and visibility graph analyses arise as the<br />

computational approaches to discover the interactions between space and culture.<br />

These methods have essentially been constructed through the relationships<br />

of permeability based on movement and visibility based on the perception of a<br />

moving observer. In the examination of the entire house or it’s certain spaces in<br />

the context of introversion and extroversion, they are effective methods which are<br />

used to understand the privacy related to spaces, control mechanisms, the level of<br />

the internal relations of the household and the relations between the household<br />

and the visitors.<br />

In this study, domestic space was examined through twenty-seven traditional<br />

houses of Kayseri in Central Anatolia, Turkey, where people from different religious<br />

beliefs have lived for long years, within the contexts of space syntax and<br />

visibility graph analyses. The houses were analyzed by using the Depthmap-UCL<br />

software developed by Alasdair Turner.<br />

After the permeability and visibility analyses, the study focuses on how socio-cultural<br />

meanings are reflected on the spatial configuration of traditional<br />

Kayseri houses, what common and/or different characteristics are demonstrated<br />

by the houses in terms of the spatial configuration and visibility structure, and the<br />

importance of permeability and visibility structures in the spatial configuration<br />

of houses.<br />

Keywords<br />

Traditional Kayseri Houses, Space syntax, Visibility.


250<br />

1. Introduction<br />

One of the important research fields<br />

in the relationship between spatial organization<br />

and social structure is the<br />

domestic space. Studies conducted on<br />

the domestic space demonstrate that<br />

social meaning and cultural values are<br />

mostly reflected by means of spatial organizations<br />

of houses, thus, in that way,<br />

different cultures express themselves<br />

through different spatial models. In<br />

this respect, the space syntax claims its<br />

place in researches as a computational<br />

architectural theory and a morphological<br />

analysis method that examines the<br />

interactions between the society and<br />

all kinds of spatial configurations.<br />

The space syntax, proposed by Hillier<br />

and Hanson in 1984, implies that<br />

the socio-cultural structure and processes<br />

exhibit themselves in the space<br />

with spatial configuration. According<br />

to the theory, the social structure and<br />

the space mutually interact with each<br />

other. The most essential strategy is to<br />

attempt to discover several stable aspects<br />

in the spatial configuration and<br />

to transform them into cultural human-interaction<br />

patterns. This theory,<br />

through the departure point that there<br />

exists a direct relationship between<br />

the spatial organization and the social<br />

structure, attempts to explore the ways<br />

how people perceive and use the space,<br />

depending on permeability in spatial<br />

organization and visual fields. A number<br />

of computational analysis technique<br />

and tool have been developed<br />

for the configurational analysis of the<br />

space, and they analyze spatial organizations<br />

by configurationally defining<br />

the entire structure.<br />

In addition, Turner proposes the<br />

visibility graph analysis method that<br />

is based on Benedikt’s isovist concept<br />

and the space syntax, and develops the<br />

Depthmap-UCL software that is able to<br />

carry out this and other spatial analyses<br />

within the context of space syntax.<br />

İsovist concept initially introduced by<br />

Tandy (1967), and was formalized by<br />

Benedikt (1979). İsovist is the set of<br />

all points visible from a point in the<br />

space. The shape and size of the isovist<br />

differ according to the observer’s<br />

point of view and stance (Benedikt,<br />

1979). According to this method, visibility<br />

structure of spaces based on the<br />

perception of a moving observer, along<br />

with the spatial characteristics of spaces<br />

based on permeability relations, play<br />

important roles in the presentation of<br />

spatial configuration. The information<br />

provided by visual field in the urban<br />

environment and in buildings might<br />

help the user find his/her way. In addition,<br />

it is possible through visual fields<br />

to control the information provided to<br />

the user within the system.<br />

Therefore, permeability and visibility<br />

relations reveal the spatial organization<br />

of all spatial systems including<br />

houses, and the ways the household<br />

and visitors perceive the house. In addition,<br />

the level of the internal relations<br />

of the household and the relations between<br />

the household and the visitors<br />

are arranged through permeability and<br />

visibility structures. The level of privacy<br />

(interpersonal interaction) within<br />

the house can be determined by defining<br />

physical or invisible boundaries.<br />

While physical boundaries are the ones<br />

that control the visibility, that is to say,<br />

the movement, invisible boundaries<br />

are the control of the visual knowledge<br />

provided through physical boundaries<br />

such as the prevention of eye contact.<br />

Moreover, the level of privacy<br />

differs between different societies and<br />

cultures. This difference is shaped according<br />

primarily to the family’s social<br />

structure and its relations with visitors.<br />

Therefore, analyzing the permeability<br />

and visibility structures in houses will<br />

help us to understand the level of privacy<br />

in that culture and, thus, the interactions<br />

within the family and between<br />

the family and visitors, and the statuses<br />

of the functions that belong to the domestic<br />

space within the permeability<br />

and visibility structures.<br />

Space syntax and visibility methods,<br />

which enable the determination of<br />

permeability and visibility structures,<br />

lead us to results concerning the relationship<br />

between the space and the<br />

socio-cultural structure by considering<br />

the space and its configuration through<br />

the user’s movement within the space<br />

and his/her visual perception. In this<br />

study, these two methods will be used<br />

in order to demonstrate how social<br />

and cultural meanings are reflected<br />

on the spatial configuration of traditional<br />

Kayseri houses in Central Ana-<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • Ö. Atak, G. Çağdaş


251<br />

tolia where people from different religion<br />

and cultures coexisted for long<br />

years.<br />

2. Traditional Kayseri Houses<br />

Kayseri one of the few Anatolian<br />

cities in which a substantial Christian<br />

minority lived. Towards the end of the<br />

sixteen-century there were fifty Muslim,<br />

thirteen Christian and nine-mixed<br />

town-quarters (Jennings, 1976). In the<br />

seventeen-century Muslim quarters<br />

declined to thirty-five, the number of<br />

Christian quarters was fourteen, while<br />

mixed population town-quarters was<br />

twelve (Faroqhi,1987). The proportion<br />

of Christian population remained<br />

more or less the same until the establishment<br />

of the Republic. Two groups,<br />

Gregorian Armenians and Orthodox<br />

Greeks, lived with the Muslims in a<br />

friendly and cooperative way (İmamoğlu,<br />

2006).<br />

‘The traditional Kayseri house until<br />

the twentieth century was a living entity,<br />

a process, a natural phenomenon, not a<br />

finished product on going organic process<br />

within a family lot over several generations.<br />

Continuous additions or alterations<br />

of room or service spaces on the<br />

ground or upper levels were considered<br />

natural. As a result, overlapping and intermingled<br />

volumes, and superimposed<br />

walls and planes were common. Houses<br />

were divided among brothers and sisters<br />

after their parents passed away, independent<br />

units being added at the expense of<br />

smaller gardens or courtyards. Nothing<br />

stopped this organic process in any period.<br />

This flexible and dynamic attitude<br />

towards buildings has undergone some<br />

changes in the 20 th century with practices<br />

borrowed from Europe, generally<br />

by the Christian community, who built<br />

complete and finished rectangular houses.<br />

Even these houses, too, were altered<br />

either by adding rooms or service spaces,<br />

or changing their functions. In short,<br />

spaces grew and spaces died just like<br />

their owners, but the family lots were<br />

continuously in use. Evolution or change<br />

within continuity, perhaps reflecting the<br />

essence of life, was implicit principles.’<br />

(İmamoğlu, 2006).<br />

In general, a traditional Kayseri<br />

house is the outcome of a natural<br />

and unpretentious building process,<br />

inward looking and asymmetrically<br />

growing a courtyard or a garden.<br />

Houses were generally designed and<br />

built by masons, according to custom,<br />

as well as, requirements and desires of<br />

the owner. Many daily activities of the<br />

house are carried out in the courtyard<br />

except cold days, rooms are oriented<br />

towards the courtyard and they have<br />

windows looking at the courtyard.<br />

Each room generally carries out more<br />

than one function; however, the main<br />

function of a room is clear. In rooms,<br />

especially in halls (sofa), there exist<br />

room-entrances called “seki altı”. “Seki<br />

altı” is lower than the main floor (seki).<br />

Hall has a different meaning in these<br />

houses. Its function to direct the house<br />

arrangement and as a space of distribution<br />

stays in the background. It has<br />

many functions such as being the entrance<br />

of the house, a reception place,<br />

a guest room, a living room, a prayer<br />

place and a bedroom for elders. “Tokana”<br />

is a space used as kitchen, winter<br />

room and storeroom. A cooker is located<br />

in the seki altı part of the tokana.<br />

“Harem room” is a private place where<br />

strangers are not desired to enter. Family<br />

members -especially women and<br />

children- spend most of the house time<br />

Figure 1. Examples from Traditional Kayseri Houses and Streets (İmamoğlu, 2006).<br />

The reflection of religious diversity and socio-cultural meaning on the spatial configuration of<br />

Traditional Kayseri Houses


252<br />

Figure 2. Examples from Traditional Kayseri Houses, ground floor plan and east elevation of House Öztaşcı House,<br />

19th Century, Muslim house example (İmamoğlu, 2006).<br />

Figure 3. Examples from Traditional Kayseri Houses, ground floor plan and section of İmamoğlu House, late 19th<br />

Century, Christian house example (İmamoğlu, 2006).<br />

in the harem room. Kiosks (köşk) are<br />

designed as semi-closed sitting units<br />

around the garden or courtyard (İmamoğlu,<br />

2006).<br />

Traditional houses are generally one<br />

or two storied. Generally, upper storey<br />

started to be seen in examples from the<br />

19th Century. It is stated in the literature<br />

that all units of a house have been<br />

rendered private by closing the house<br />

to other houses and to the street by<br />

surrounding it with high courtyard or<br />

building walls. It is of high importance<br />

especially for Muslim families to protect<br />

privacy within the house and the<br />

courtyard. It is apparent that security<br />

concerns too, along with privacy, play<br />

important roles in this attitude. Another<br />

reason to shelter houses is the fact<br />

that people leave the city in the summer<br />

and go to vineyards. Security concerns<br />

are in the foreground in houses<br />

built before the last century, however,<br />

such measures started to be loosened.<br />

Traditional houses generally have few<br />

and small windows. Basically, stone,<br />

wood and iron have been used in the<br />

construction of houses (İmamoğlu,<br />

2006).<br />

It is observed that low- and middle-income<br />

families in Kayseri live in<br />

similar small houses, regardless of their<br />

religion. Among high-income families,<br />

on the other hand, houses of Muslim<br />

families have a simple plan. One of the<br />

important features desired in Muslim<br />

houses is the privacy provided to women.<br />

High walls surrounding the courtyard,<br />

low number of windows on the<br />

ground floor and the distant position<br />

of the living room from the street can<br />

be considered to be a set of design rules<br />

in order not only to ensure security but<br />

also to distinct women from men. In the<br />

19th Century, the Christian minority<br />

started to lead a bourgeois lifestyle. In<br />

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253<br />

this period, Christian houses are twotwo<br />

and a half storied, and have very<br />

small gardens or green areas. According<br />

to the literature, the plan of these<br />

houses started to transform from being<br />

inward-looking to outward-looking.<br />

In early this century, while well to do<br />

Muslim houses continued to have incomplete<br />

organic constructs, Christian<br />

house plans started to become more<br />

organized, symmetric, inclusive of all<br />

functions and complete rectangles.<br />

Rooms are situated around a courtyard<br />

or a central hall. All rooms have<br />

been constructed in similar manners<br />

without considering or highlighting<br />

an order of importance. While Muslim<br />

houses have two different entrances<br />

and courtyards as harem room and selamlık<br />

(private and public), Christian<br />

houses do not have such a distinction.<br />

However, after the establishment of<br />

the Republic, Muslim’s understanding<br />

of privacy started to change gradually,<br />

and modern values both in privacy<br />

and interactions with the opposite sex<br />

have been mostly embraced (İmamoğlu,<br />

2006).<br />

İmamoğlu (2006) explains the difficulty<br />

to classify Traditional Kayseri<br />

Houses in terms of religion as follows;<br />

‘First of all, since Muslims were in a<br />

majority, remaining houses are mostly<br />

Muslim houses and the number of<br />

Christian examples are limited. This<br />

limitedness is more explicit for the period<br />

before the 1835 earthquake, because<br />

the small number of houses that remain<br />

from that time belongs only to Muslims.<br />

Another reason is the distribution of<br />

population according to income. The<br />

majority of Kayseri natives, regardless<br />

of their religion, were of low and middle<br />

income type, living in modest houses,<br />

most probably of similar, if not identical<br />

character and layout. However, careful<br />

researcher with additional information<br />

from the community may be able to distinguish<br />

between the houses of well-todo<br />

people of different religions.<br />

3. Spatial and visual analyses of Traditional<br />

Kayseri Houses<br />

Most of traditional Kayseri houses<br />

have been destroyed or ruined although<br />

they were certified and included<br />

in urban protected areas. In this<br />

study, a total of twenty-seven houses<br />

- seven houses (House 3, 5, 6, 7, 14,<br />

17, 18) included in Vacit İmamoğlu’s<br />

book (2006) and twenty houses included<br />

in Gonca Gündoğdu’s master thesis<br />

(1986)- were considered. Most of these<br />

houses belong to the 19th and early<br />

20th centuries, and only a house from<br />

18th century. Except some of them,<br />

religious beliefs of the constructors or<br />

owners of these houses remain unclear.<br />

Classification of these houses in terms<br />

of religion based on information from<br />

İmamoğlu’s book (2006) and his book<br />

review (2006) on Büyükmıhçı’s book<br />

(2005) (Table 1). Most of the examined<br />

houses are courtyard-type houses frequently<br />

observed among traditional<br />

Kayseri houses. However, three of these<br />

houses do not have courtyards (House<br />

1, 5, 9). Three of them exhibit a similar<br />

spatial configuration: single-storied,<br />

symmetrically designed and having a<br />

central hall surrounded by rooms. Also<br />

these houses are examples of Christian<br />

houses. In houses with courtyards,<br />

on the other hand, the shape of the<br />

courtyard, its size and place within the<br />

house differ. Some of the houses with<br />

courtyards are single-storied, some<br />

have a semi second storey and some<br />

are two-storied completely (Table 1).<br />

The analyses were carried out on<br />

the models of the houses abstracted<br />

through the principles of the Depthmap<br />

UCL software developed by Turner.<br />

In addition, by researching several<br />

spatial features of traditional houses,<br />

their users, and the era’s cultural, social<br />

and economic characteristics; the<br />

interaction between space configurations<br />

and the socio-cultural structure<br />

was explored by establishing relations<br />

of causality through these data. In order<br />

to display and interpret the depth<br />

of social and cultural knowledge on the<br />

domestic space, two types of analyses<br />

were carried out for all houses in the<br />

study.<br />

The first type of analysis is convex<br />

space analysis that is based on accessibility<br />

relations depending essentially<br />

on human movement. In this analysis,<br />

all spaces are represented as convex<br />

spaces in order to see how various<br />

functions relate to each other and their<br />

positions within the whole. Each house<br />

is reduced to fewest and largest convex<br />

spaces. Then, convex spaces are related<br />

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Traditional Kayseri Houses


254<br />

Table 1. Traditional Kayseri houses which examined in this study – house names, century of<br />

built, religion of owners- R (Muslim – M, Christian-C) and plans of houses.<br />

House<br />

name<br />

century<br />

R<br />

plans<br />

plans<br />

House<br />

century R<br />

ground floor Upper floor name<br />

ground floor upper floor<br />

House 1<br />

Ahmet<br />

Karaca<br />

House<br />

… C -<br />

House 15<br />

Hoca Haser<br />

House<br />

…..<br />

…<br />

House 2<br />

Körükçüoğlu<br />

House<br />

late 19 th … -<br />

House 16<br />

Haci<br />

İbrahim G.<br />

House<br />

19 th<br />

/second<br />

h.<br />

…<br />

House 3<br />

Öztaşcı<br />

House<br />

19 th<br />

/second<br />

h.<br />

M -<br />

House 17<br />

Bezircioğlu<br />

House<br />

19 th 20 th M<br />

House 4<br />

Muhittin<br />

Gürbaz<br />

House<br />

….<br />

…<br />

House 18<br />

Camcıoğlu<br />

House<br />

Late 19 th<br />

C<br />

House 5<br />

İmamoğlu<br />

House<br />

Late<br />

19 th<br />

C -<br />

House 19<br />

Şükrü<br />

Karaca<br />

House<br />

…..<br />

…<br />

House 6<br />

Gavremoğl<br />

u House<br />

18 th<br />

/second<br />

h.<br />

M -<br />

House 20<br />

Yapıkçılar<br />

House<br />

…...<br />

…<br />

House 7<br />

Baldöktü<br />

House<br />

19 th<br />

/second<br />

h.<br />

M -<br />

House 21<br />

D. İzzet<br />

House<br />

…...<br />

C<br />

House 8<br />

Hüseyin Kış<br />

House<br />

….<br />

…<br />

House 22<br />

H. Ali<br />

Yapaner<br />

House<br />

19 th<br />

/second<br />

h.<br />

…<br />

House 9<br />

Müftü House<br />

late 19 th C -<br />

House 23<br />

A.<br />

Bakkaloğlu<br />

House<br />

….<br />

…<br />

House 10<br />

Hacı Ahmet<br />

Ağa H.<br />

early<br />

20 th M -<br />

House 24<br />

Efendi<br />

Ağalar<br />

House<br />

…..<br />

C<br />

House 11<br />

Mustafa<br />

Hızırel<br />

House<br />

19 th<br />

/second<br />

h. C -<br />

House 25<br />

Hacı<br />

Türkaslan<br />

House<br />

early 20 th<br />

…<br />

House <strong>12</strong><br />

A.<br />

Pastırmacı_<br />

oğlu H.<br />

early<br />

20 th<br />

…<br />

House 26<br />

Gazioğlu<br />

House<br />

19 th<br />

/second<br />

h.<br />

C<br />

House 13<br />

Nuri Sezer<br />

House<br />

…..<br />

…<br />

House 27<br />

Selçukoğlu<br />

Osman<br />

early 20 th<br />

…<br />

House 14<br />

Çalıka<br />

House<br />

early<br />

20 th<br />

M<br />

to each other depending on the permeability<br />

principles among them. After<br />

all these stages, the software creates<br />

various measurements and maps of<br />

these measurements. Obtained measurements<br />

are the measurements of the<br />

system such as connection, integration,<br />

mean depth and controllability.<br />

This analysis was carried out in two<br />

different types in this study: internal<br />

relations of the house were focused in<br />

the first analysis without including the<br />

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255<br />

outer space and the relationship of the<br />

house with the outer space and changes<br />

taking place in its internal structure<br />

were focused in the second one by including<br />

the outer space. In order to be<br />

able to read these results and changes<br />

clearly, integration maps of all houses<br />

with and without the outer space were<br />

obtained and compared. In this map,<br />

spaces are colored up from red to dark<br />

blue according to their integration<br />

levels. Red color represents the most<br />

integrated space, while dark blue represents<br />

the most nonintegrated space.<br />

The second type of analysis is visibility<br />

graph analysis. Through visibility<br />

graph analysis, houses were compared<br />

according to the spaces they include<br />

and visual areas they have, to the visual<br />

integration scores obtained from visual<br />

area maps, and to the integration scores<br />

obtained from convex space maps. In<br />

addition, their visual perception and<br />

movement relations were investigated.<br />

This analysis is based on the visual<br />

perception of the moving observer.<br />

With this analysis conducted from the<br />

eye level, measurements and maps of a<br />

space such as visual integration, connection,<br />

visual mean depth and visual<br />

controllability were obtained. In this<br />

type of analysis, as is the case in the<br />

convex space analysis, a color interval<br />

ranging from red to dark blue is used.<br />

While red represents the most visually<br />

integrated areas, dark blue represents<br />

the most visually non-integrated areas.<br />

Measurements and maps obtained<br />

from these two types of analysis based<br />

on human movement and the perception<br />

of the moving observer were firstly<br />

evaluated individually, and then by<br />

making comparisons within each type<br />

of analysis and between each other. In<br />

this way, based on the houses’ permeability-visibility<br />

structures and relationships<br />

with each other; it was attempted<br />

to understand the interaction between<br />

the spatial configuration of Traditional<br />

Kayseri Houses and the socio-cultural<br />

structure.<br />

3.1. Spatial analysis findings<br />

Hillier and Hanson conceptually<br />

define buildings as the regulation of<br />

different human categories through<br />

a control mechanism. In domestic<br />

space, these categories are defined as<br />

the household living in the house and<br />

visitors. The domestic space, according<br />

to this definition, regulates both the<br />

internal relations of the household and<br />

the relations between the household<br />

and visitors through the control and<br />

permeability relations between the internal<br />

and external parts of the house<br />

(Hillier and Hanson, 1984). In this way,<br />

the domestic space is essentially related<br />

to the regulation of two types of spatial<br />

relations in terms of the domestic<br />

space accessibility relations. These are<br />

the internal relations of the house and<br />

the relations between the internal and<br />

external parts of the house. In this respect,<br />

in order to understand the internal<br />

relations of the house and the<br />

relations between the internal and external<br />

parts of the house, convex space<br />

analyses were first carried out without<br />

including the outer space and then repeated<br />

by including the outer space.<br />

Table 2 demonstrates the ranking of<br />

the average integration scores obtained<br />

without including the outer space,<br />

from the most integrated house to the<br />

non-integrated house. In the convex<br />

space analysis carried out without including<br />

the outer space, the House 1 is<br />

the most integrated house with an integration<br />

score of 1,192. It is followed<br />

by the House 2 and House 3 with integration<br />

scores of 1,152 and 1,040,<br />

respectively. House 1 exhibits an integrated<br />

structure with its integration<br />

score within the integration-separation<br />

distinction that is based on permeability<br />

relations. House 2 and House 3 are<br />

situated on the frontier within this distinction.<br />

Other houses have non-integrated<br />

structures. Therefore, it is possible<br />

to conclude that all houses except<br />

the first three of them have more tendencies<br />

to non-integrated in terms of<br />

the composition of their spaces. The<br />

first three houses that have integrated<br />

structures have completely different<br />

spatial compositions. House 1 is one<br />

of three houses that have a central hall.<br />

House 2 is a double-storied house with<br />

a central courtyard, and House 3 is a<br />

single-storied house with an organic<br />

structure and a fragmented courtyard.<br />

Among the other houses, there are<br />

examples similar to these three houses.<br />

For example, House 5 and House 9<br />

exhibit a spatial composition similar to<br />

The reflection of religious diversity and socio-cultural meaning on the spatial configuration of<br />

Traditional Kayseri Houses


256<br />

Table 2. Convex space analysis results (House names, century, religion of house owners(R), integration without the<br />

outer space, integration including the outer space, controllability-C,) (Atak, 2009).<br />

them have outward-looking structures.<br />

Two of three houses that have halls exhibit<br />

a more inward-looking structure;<br />

the third one has an outward-looking<br />

structure and most of the houses with<br />

courtyard exhibit outward-looking<br />

structures.<br />

If a place has a large visual area that<br />

is composed of numerous points, the<br />

environment can be controlled easily.<br />

This measurement in convex space<br />

analysis is based on permeability relations.<br />

The minimum controllability<br />

among the examined examples belongs<br />

to House 14 with a controllability score<br />

of 0,106 in Table 2, and the maximum<br />

controllability score belongs to House<br />

7 with a score of 0,176. It means that<br />

House 14 has a weaker composition<br />

while House 7 exhibits a stronger structure<br />

in terms of controllability. However,<br />

it should be noted that there is not a<br />

big difference between these minimum<br />

and maximum scores. For House 14, it<br />

can be stated that the upper storey of<br />

this house is used as extensively as the<br />

ground floor and, therefore, the connr<br />

House Nr. Houses Century R<br />

Integration (HH) Integration-outer space C<br />

Averag Min. Max. Average Min. Max.<br />

1 House 1 Ahmet Karaca H. ….. C 1,192 0,616 2,157 1,183 0,619 2,177 0,118<br />

2 House 2 Körükçüoğlu House late 19 th … 1,152 0,653 2,611 1,056 0,562 2,3<strong>12</strong> 0,135<br />

3 House 3 Öztaşcı House 19 th /second h. M 1,040 0,592 2,045 1,021 0,597 2,015 0,152<br />

4 House 4 Muhittin Gürbaz …. … 0,963 0,469 1,875 0,969 0,475 1,917 0,133<br />

5 House 5 İmamoğlu House Late 19 th C 0,931 0,419 1,679 0,907 0,420 1,610 0,117<br />

6 House 6 Gavremoğlu House 18 th /second h. M 0,922 0,480 1,811 0,940 0,488 1,883 0,117<br />

7 House 7 Baldöktü House 19 th /second h. M 0,914 0,551 1,653 1,088 0,650 1,734 0,176<br />

8 House 8 Hüseyin Kış House …. … 0,907 0,597 2,091 0,976 0,631 2,079 0,114<br />

9 House 9 Müftü House late 19 th C 0,889 0,468 1,579 0,928 0,484 1,686 0,<strong>12</strong>9<br />

10 House 10 Hacı Ahmet Ağa H. early 20 th M 0,873 0,533 1,782 0,849 0,493 1,693 0,175<br />

11 House 11 Mustafa Hızırel H. 19 th /second h. C 0,857 0,507 1,610 0,878 0,521 1,530 0,<strong>12</strong>1<br />

<strong>12</strong> House <strong>12</strong> A. Pastırmacıoğlu H early 20 th … 0,853 0,408 1,470 0,849 0,408 1,485 0,156<br />

13 House 13 Nuri Sezer House ….. … 0,843 0,514 1,148 0,856 0,520 1,210 0,135<br />

14 House 14 Çalıka House early 20 th M 0,824 0,559 1,210 0,808 0,521 1,214 0,106<br />

15 House 15 Hoca Haser House ….. … 0,804 0,532 1,335 0,807 0,529 1,332 0,<strong>12</strong>6<br />

16 House 16 Haci İbrahim G. H. 19 th /second h. … 0,802 0,584 1,286 0,8<strong>12</strong> 0,576 1,343 0,160<br />

17 House 17 Bezircioğlu House 19 th 20 th M 0,771 0,413 1,347 0,790 0,425 1,367 0,119<br />

18 House 18 Camcıoğlu House Late 19 th C 0,768 0,534 1,278 0,781 0,538 1,299 0,140<br />

19 House 19 Şükrü Karaca House ….. … 0,757 0,489 1,152 0,785 0,498 1,219 0,135<br />

20 House 20 Yapıkçılar House …... … 0,702 0,396 1,166 0,721 0,401 1,223 0,158<br />

21 House 21 D. İzzet House …... C 0,692 0,341 1,<strong>12</strong>5 0,731 0,350 1,175 0,144<br />

22 House 22 H. Ali Yapaner H. 19 th /second h. … 0,691 0,391 1,042 0,695 0,397 1,040 0,164<br />

23 House 23 A. Bakkaloğlu H. …. … 0,671 0,381 1,<strong>12</strong>5 0,679 0,400 1,<strong>12</strong>5 0,145<br />

24 House 24 Efendi Ağalar H. ….. C 0,630 0,387 1,007 0,653 0,389 1,083 0,137<br />

25 House 25 Hacı Türkaslan H. early 20 th … 0,619 0,404 0,827 0,640 0,402 0,948 0,140<br />

26 House 26 Gazioğlu House 19 th /second h. C 0,6<strong>12</strong> 0,360 1,033 0,622 0,363 1,060 0,142<br />

27 House 27 Selçukoğlu Osman early 20 th … 0,548 0,351 0,800 0,552 0,349 0,814 0,166<br />

that of House 1. Although these houses<br />

exhibit a similar spatial composition,<br />

they have non-integrated structures.<br />

Therefore, it is apparent that it is not<br />

possible to draw general conclusion on<br />

whether these houses have integrated<br />

or non-integrated structures departing<br />

from differences such as having courtyards<br />

or central halls, having complete<br />

or incomplete geometrical forms.<br />

As Table 2 demonstrates, in the convex<br />

space analysis, integration scores<br />

of houses differ when the street -that<br />

is considered to be the outer space- is<br />

included. Integrated ones among these<br />

houses (House 1, House 2 and House<br />

3) show a tendency to non-integrated<br />

when the outer space is included in the<br />

analysis. Therefore, it can be argued<br />

that these houses have inward-looking<br />

structures. While the integration scores<br />

of seven houses decreased after the inclusion<br />

of the outer space to the analysis,<br />

those of twenty houses increased.<br />

Hence, less than one-third of the examined<br />

houses have inward-looking<br />

structures, and more than two-third of<br />

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257<br />

Table 3. Convex space integration maps and visibility integration maps (Atak, 2009).<br />

trollability between storeys becomes<br />

difficult to achieve. Although House<br />

7 is a house non-integrated as harem<br />

room-selamlık and the selamlık part<br />

has low integration and -thus- controllability<br />

scores, there exist alternative<br />

passageways to the other spaces of the<br />

house. It can be argued that this situation<br />

caused the house to get a high<br />

controllability score in terms of accessibility.<br />

What is important here is the<br />

role of multiple alternative transitions<br />

in the controllability measurement that<br />

is based on accessibility. In this respect,<br />

high controllability scores of the courtyard<br />

and central hall are associated<br />

with the existence of transitions from<br />

many other spaces to these spaces.<br />

Table 3 demonstrates the houses’<br />

convex maps from the most integrat-<br />

The reflection of religious diversity and socio-cultural meaning on the spatial configuration of<br />

Traditional Kayseri Houses


258<br />

ed to the non-integrated and visibility<br />

integration maps. The most integrated<br />

space is the central hall in houses with<br />

central halls (House 1, 5, 9), and the<br />

whole or some parts of the courtyard<br />

in almost all houses with courtyards.<br />

The general conclusion obtained from<br />

the spatial analysis based on accessibility<br />

relations is that the courtyard plays<br />

a key role that holds together all units<br />

of the house and connects them to the<br />

outer space. In other words, the house<br />

that is intensively used is of a character<br />

that controls the movement and activities<br />

or various spaces in it, and structures<br />

these relations. It is observed<br />

that this function is carried out by the<br />

central hall in houses that have central<br />

halls.<br />

As indicated before, this measurement<br />

in convex space analysis is based<br />

on permeability relations. However,<br />

visible areas play significant roles for<br />

the controllability of a space. When<br />

inner spaces have a composition that<br />

does not allow them to see each other,<br />

it is possible for the controllability<br />

score obtained in convex space analysis<br />

to yield similar results with the<br />

score obtained in visibility measurement.<br />

However, it is not clear whether<br />

the same results will be obtained<br />

or not with the controllability score<br />

obtained in convex space analysis in<br />

the existence of permeable units such<br />

as windows and glass walls as well as<br />

doors that allow spaces to see each other.<br />

In the examined houses, there exist<br />

windows in inner spaces opening to<br />

the courtyard or to each other. In this<br />

respect, it is expected to obtain significant<br />

results by comparing the integration<br />

and controllability scores of houses<br />

obtained through convex space and<br />

visibility graph analyses.<br />

3.2. Visibility graph analysis findings<br />

In revealing the social logic lying<br />

behind houses, visibility relations<br />

play roles as significant as those of<br />

accessibility relations. The visibility<br />

graph analysis carried out by using the<br />

Depthmap UCL software provides several<br />

special measurements representing<br />

local and global visual characteristics<br />

of houses. The measurement scores<br />

of traditional Kayseri houses obtained<br />

through visibility graph analysis are<br />

presented in Table 4. The table demonstrates<br />

the ranking of the houses, from<br />

the most visually integrated house to<br />

the non-integrated one. It is evident<br />

that the visual integration ranking is<br />

different from the integration ranking<br />

obtained through permeability analysis.<br />

The most visually integrated houses<br />

are those that have a big courtyard<br />

and/or a garden, which can easily be<br />

seen from other spaces. Another factor<br />

is the existence of high numbers of<br />

windows opening from spaces to each<br />

other and especially to the courtyard.<br />

In addition, the upper storey, if any,<br />

of the house has a visual relation with<br />

the yard as well. Houses having central<br />

halls (House 1, House 5, and House 9)<br />

occupy lower ranks in terms of visual<br />

integration. These three houses are<br />

Christian house samples. This situation<br />

stems from the lack of numerous<br />

windows in inner spaces of houses that<br />

make visual connection, as it is the case<br />

in houses with courtyards.<br />

Most of the houses have outward-looking<br />

structures in terms<br />

of permeability relations and inward-looking<br />

structures visually. Facades<br />

of houses, especially of Muslim<br />

houses, do not have many windows<br />

and courtyard walls are very high.<br />

However, these houses have sides looking<br />

at the courtyard and these sides<br />

have many windows. Therefore, spaces<br />

within the house for the common use<br />

such as courtyards have significance in<br />

terms of visibility. Therefore, houses’<br />

visual integration scores might yield<br />

more sensitive and different results<br />

than the integration scores based on<br />

permeability. Moreover, while spaces<br />

other than doors such as windows are<br />

not important in permeability relations,<br />

these spaces and their sizes are<br />

important in visibility analysis.<br />

The visual controllability measurement<br />

differentiates the spaces that can<br />

be visually controlled easily. If a place<br />

has a large visual area that is composed<br />

of numerous points, it is possible to define<br />

the environment as controllable.<br />

The controllable amount of the space<br />

decreases towards points with fewer<br />

spaces and especially towards doorsides<br />

in corridors. On the other hand,<br />

controllable spaces are spaces that cannot<br />

see other spaces much, but can eas-<br />

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259<br />

Table 4. Visibility analysis results (House Names, Century, Religion of house owners –R,Visual Integration, Visual<br />

Controllability-VC, Visual Coefficient Clustering -VCC) (Atak, 2009).<br />

Nr<br />

House<br />

Visual Integration (int.HH)<br />

Houses Century R<br />

Nr.<br />

Average Min. Max.<br />

VC VCC<br />

1 House 13 Nuri Sezer House ….. … 34,290 5,625 50,958 0,711 0,855<br />

2 House 17 Bezircioğlu House 19 th 20 th M 24,867 6,711 43,980 0,599 0,765<br />

3 House 20 Yapıkçılar House …... … 20,647 7,195 30,195 0,563 0,767<br />

4 House 15 Hoca Haser House ….. … 20,546 4,815 31,670 0,560 0,798<br />

5 House 2 Körükçüoğlu House late 19 th … 17,<strong>12</strong>5 5,763 27,967 0,370 0,645<br />

6 House 22 H. Ali Yapaner H. 19 th /second … 17,031 5,305 27,685 0,521 0,750<br />

7 House 3 Öztaşcı House 19 th /second M 16,152 5,828 27,009 0,423 0,764<br />

8 House <strong>12</strong> A.Pastırmacıoğlu H. early 20 th … 15,113 4,862 24,490 0,458 0,685<br />

9 House 23 A. Bakkaloğlu …. … 14,820 5,315 27,215 0,491 0,756<br />

10 House 19 Şükrü Karaca House ….. … 14,600 5,600 23,410 0,430 0,762<br />

11 House 21 D. İzzet Efendi …... C 13,760 5,417 30,416 0,468 0,716<br />

<strong>12</strong> House 8 Hüseyin Kış House …. … 13,676 5,031 20,844 0,435 0,714<br />

13 House 10 Hacı Ahmet Ağa H. early 20 th M 13,488 4,733 24,540 0,345 0,696<br />

14 House 4 Muhittin Gürbaz H. …. … 13,342 4,866 24,119 0,372 0,687<br />

15 House 24 Efendi Ağalar …. C 13,132 6,456 21,155 0,440 0,648<br />

16 House 16 Hacı İbrahim G. H. 19 th /second … 13,076 5,458 21,866 0,403 0,741<br />

17 House 27 Selçukoğlu Osm. H. early 20 th … <strong>12</strong>,477 5,465 25,703 0,407 0,725<br />

18 House 9 Müftü House late 19 th C 11,399 5,066 18,488 0,249 0,602<br />

19 House 25 Hacı Türkaslan H. early 20 th … 11,210 3,834 19,153 0,449 0,715<br />

20 House 7 Baldöktü House 19 th /second M 10,948 4,849 17,188 0,259 0,680<br />

21 House 14 Çalıka House early 20 th M 10,835 3,637 20,090 0,346 0,665<br />

22 House 18 Camcıoğlu House Late 19 th C 10,684 6,067 17,386 0,365 0,599<br />

23 House 6 Gavremoğlu House 18 th /second M 10,634 4,677 16,742 0,341 0,711<br />

24 House 1 Ahmet Karaca … C 10,466 1,886 18,108 0,227 0,663<br />

25 House 11 Mustafa Hızırel 19 th /second C 9,681 4,050 16,190 0,333 0,691<br />

26 House 5 İmamoğlu House Late 19 th C 9,162 3,185 16,796 0,318 0,752<br />

27 House 26 Gazioğlu House 19 th /second C 8,728 3,130 14,459 0,495 0,772<br />

ily be seen from other spaces. House 13<br />

has the highest controllability in terms<br />

of the visual integration score. The<br />

lowest score belongs to House 1 with a<br />

score of 0,227, which has a central hall<br />

and which is ranked first in the integration<br />

ranking based on permeability relations.<br />

It is seen that other houses that<br />

have central halls have low controllability<br />

scores (House 5, 9). In short, it is<br />

possible to conclude that visually integrated<br />

houses and spaces have high visual<br />

controllability scores. Coefficient<br />

clustering measurement, on the other<br />

hand, shows how long the visual area<br />

of an observer will remain the same<br />

and to what degree the spatial perception<br />

of the observer will change at the<br />

end of his/her movement from a point<br />

to a more distant point. If there will occur<br />

a big loss of visual knowledge after<br />

the observer becomes distant, the coefficient<br />

clustering score becomes low.<br />

The highest score (0,855) belongs to<br />

House 13, which has the highest visual<br />

integration and controllability scores,<br />

while the lowest score (0,599) belongs<br />

to House 18.<br />

The visual integration maps in Table<br />

3, while the most visually integrated<br />

points are represented in red on the<br />

map, the most non-integrated points<br />

are represented in dark blue. It is observed<br />

that courtyards, gardens and<br />

central halls are mostly more integrated<br />

spaces. These spaces are followed<br />

by spaces for common use such as<br />

halls and kiosks. Spaces such as toilets,<br />

storerooms, upper-storey rooms<br />

and kitchen (tokana) are more visually<br />

non-integrated spaces. Another important<br />

situation is that the selamlık<br />

part of houses that are non-integrated<br />

as harem room and selamlık is rendered<br />

visually different from the other units<br />

of the house. This situation is also seen<br />

in convex space analyses based on permeability<br />

relations. In addition, it is<br />

observed that more visually integrated<br />

spaces have higher visual controllability<br />

scores.<br />

In addition, isovists were produced<br />

from points determined in several<br />

spaces within houses. Isovist defines<br />

the visual knowledge that an observer<br />

obtains by rotating 360 degrees on<br />

a vantage point. Firstly, isovists were<br />

produced from entrances of all hous-<br />

The reflection of religious diversity and socio-cultural meaning on the spatial configuration of<br />

Traditional Kayseri Houses


260<br />

Table 5. İsovists, (a) from entrance of houses and (b) the center of these spaces (Atak, 2009).<br />

(a)<br />

es in order to determine what kind of<br />

a visual knowledge is obtained and<br />

what spaces are seen as one enters the<br />

house. Then, they were produced from<br />

the central points of these spaces in<br />

order to determine the visual knowledge<br />

that is obtained as one arrives at<br />

the centers of entrances (Table 5). Isovists<br />

obtained from house entrances<br />

demonstrated that the first person who<br />

enters the house perceives the whole or<br />

a large part of the entrance space seen<br />

as a courtyard or a central hall. In addition,<br />

other spaces can also be seen,<br />

although to limited degrees, through<br />

openings on their surfaces looking<br />

at the entrance. However, this visual<br />

knowledge provided through door<br />

and window openings in spaces such<br />

as rooms is a controllable knowledge.<br />

In houses having harem room-selamlık<br />

distinction, isovists obtained from the<br />

entrances of these parts show that they<br />

have a very limited visual relationship<br />

with each other. This might be an example<br />

of a deliberate visual distinction.<br />

Isovists obtained from the centers of<br />

(b)<br />

entrances indicate that the whole entrance<br />

space and large parts of other<br />

spaces are perceived from this space,<br />

although to limited degrees. While<br />

spaces open to public use such as halls<br />

and kiosks are spaces that can easily<br />

be seen from this space, spaces such as<br />

rooms and kitchen allow a limited and<br />

controllable vision through their openings.<br />

4. Discussion and conclusions<br />

Space syntax and visibility graph<br />

analyses are the methods effectively<br />

used in the examination of a house or<br />

some parts of a house in terms of inwardness-outwardness,<br />

and the determination<br />

of spatial privacy, control,<br />

social hierarchy within the household<br />

and the degree of relations between the<br />

household and visitors. These methods<br />

have essentially been constructed<br />

through the relations of permeability<br />

based on movement and visibility<br />

based on the perception of a moving<br />

observer.<br />

Permeability and visibility relations<br />

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261<br />

reveal the spatial mechanisms of houses<br />

and the ways the household and<br />

visitors experience these systems. In<br />

addition, the level of the internal relations<br />

of the household and the relations<br />

between the household and the<br />

visitors are arranged through these<br />

relations. The level of privacy within a<br />

house can be determined by defining<br />

physical or invisible boundaries. While<br />

physical boundaries are the ones that<br />

control the visibility, that is, the movement;<br />

invisible boundaries are the control<br />

of the visual knowledge provided<br />

through physical boundaries such as<br />

the prevention of eye contact. However,<br />

the level of privacy ensured through<br />

the control of these knowledge areas<br />

differs between different societies and<br />

cultures. In this respect, in the fieldwork,<br />

in order to reveal the spatial configuration<br />

of traditional Kayseri houses<br />

and the social and cultural knowledge<br />

lying behind this configuration, both of<br />

these analyses were carried out together;<br />

and the houses’ spatial and visibility<br />

structures’ characteristics that support<br />

each other and their differences were<br />

explored.<br />

In the sample, the dominant presence<br />

of the courtyard-integrated spatial<br />

theme is clearly apparent. In two<br />

groups from different religious, common<br />

house type is courtyard-house<br />

type. Courtyard still remains the importance<br />

in these centuries for two<br />

groups. However in early 20 th century,<br />

while well to do Muslim houses continued<br />

to have incomplete organic constructs,<br />

Christian house plans started<br />

to become more organized, symmetric,<br />

inclusive of all functions and complete<br />

rectangles. Rooms are situated around<br />

a courtyard or a central hall.<br />

The general conclusion obtained<br />

from the spatial analysis based on accessibility<br />

relations is that the courtyard<br />

plays a key role by not only connecting<br />

all units of the house to the<br />

outer space by holding them together,<br />

but also structuring the main spaces of<br />

the house. Central halls play this role<br />

in a small number of examples having<br />

central halls. However, the central<br />

hall does not have a function similar<br />

to that of the courtyard. Almost all of<br />

the examined houses show a tendency<br />

of separation in terms of the ways their<br />

spaces come together. In addition,<br />

while two-third of the houses exhibit<br />

outward-looking structures, only onethird<br />

of them exhibit inward-looking<br />

structures. This finding demonstrates<br />

that traditional Kayseri houses, which<br />

are defined as inward-looking houses,<br />

actually exhibit an outward-looking<br />

structure in terms of accessibility relations.<br />

This finding might be correlated<br />

with the extroversion trend observed<br />

in the social structure in the 19 th and<br />

20 th Centuries. However, the information<br />

that is essentially needed is about<br />

the question of in what terms the houses<br />

will be characterized as inward looking.<br />

In spatial analysis; ground-floor<br />

rooms, upper-storey rooms in houses<br />

that have upper-storey, kitchens, toilets,<br />

storerooms and the outer space are<br />

predominantly located in the “non-integrated”<br />

side of houses’ integration<br />

averages and, on the other hand, courtyards,<br />

central halls, arcades, kiosks,<br />

entrance halls, halls and seki altı parts<br />

of kitchens are located in the “integrated”<br />

side. However, it is seen in most<br />

of outward-looking houses that the<br />

outer space gets a score very close to<br />

the integration average and it is sometimes<br />

located in the integrated side of<br />

the average. It is known that almost<br />

all daily functions of traditional Kayseri<br />

houses except sleeping are carried<br />

out in the courtyard especially when<br />

the weather is good. This is a fact that<br />

renders meaningful the position of the<br />

courtyard as the most integrated space<br />

within the system. In addition, hall and<br />

kiosk are the other spaces where visitors<br />

are received and the daily time is<br />

spent. Moreover, doorstep and street<br />

are social spaces where relationships<br />

are established with neighbors.<br />

In revealing the social logic lying<br />

behind houses, it is apparent that visibility<br />

relations that are based on the<br />

perception of the moving observer play<br />

roles as significant as those of permeability<br />

relations. It was observed that the<br />

houses were ranked according to their<br />

integration scores obtained in visibility<br />

analyses in a manner different than<br />

that in the spatial analysis. The ranking<br />

demonstrated that houses that have<br />

large courtyards, windows looking at<br />

the courtyard or at other inner spaces,<br />

The reflection of religious diversity and socio-cultural meaning on the spatial configuration of<br />

Traditional Kayseri Houses


262<br />

and alternative passageways in the inner<br />

space are more visually integrated,<br />

while houses that have central halls and<br />

contain more than one dwelling are<br />

more visually non-integrated. Courtyards,<br />

gardens and central halls are<br />

predominantly more visually integrated<br />

spaces. These spaces are followed by<br />

spaces for common use such as halls<br />

and kiosks, while spaces such as toilets,<br />

storerooms, upper-storey rooms and<br />

kitchens are more visually non-integrated<br />

spaces. However, the point that<br />

needs to be emphasized is that while<br />

most of ground-floor rooms exhibit<br />

a more non-integrated structure in<br />

terms of permeability, they exhibit a<br />

more integrated structure in terms of<br />

visual integration. However, it is necessary<br />

to note that this information<br />

can be controlled by closing doors and<br />

windows that render rooms more visually<br />

integrated, that is, privacy can be<br />

established by visually separating spaces.<br />

Numbers of windows on the façades<br />

of traditional Kayseri houses are not<br />

high even though they increased in the<br />

19 th and 20 th Centuries. However, there<br />

exist many windows and doors opening<br />

to the courtyard. Taking this situation<br />

and houses’ visible area structures<br />

into consideration, it is concluded that<br />

houses are indeed inward-looking in<br />

terms of their visibility structures.<br />

As indicated before, houses’ integration<br />

and visual integration rankings<br />

are not in parallel with each other. This<br />

situation essentially stems from the<br />

fronts and windows that houses have<br />

in their inner spaces. In spatial analysis,<br />

surfaces that allow visibility but<br />

are not permeable are considered no<br />

different than other frontiers; however,<br />

these openings are included in the<br />

analysis in visibility analysis. These two<br />

analyses are expected to yield similar<br />

results when houses do not have windows<br />

in their inner spaces. However,<br />

the situation in the sample is different.<br />

As a result of this characteristic of<br />

the houses, it is apparent that drawing<br />

conclusions about the spatial configurations<br />

of houses on the basis of only<br />

the accessibility relations will be inadequate.<br />

It is important to demonstrate<br />

the visibility structures of these houses<br />

due to the window openings they have<br />

in the inner space. Although the spatial<br />

and visual integration rankings do not<br />

support each other, it is seen that spatially<br />

and visually integrated spaces fit<br />

into each other. This situation indicates<br />

that the permeability and visibility<br />

structures of the inner spaces of houses<br />

function together.<br />

In conclusion, this study examined<br />

the accessibility and visibility structures<br />

of the traditional Kayseri houses.<br />

It was seen that visibility analyses<br />

are more sensitive than permeability<br />

analyses since they yield significant results<br />

by considering variables such as<br />

the openings other than the openings<br />

that makes transition possible between<br />

spaces and sizes of these openings. As<br />

the knowledge obtained through the<br />

permeability and visibility analyses<br />

demonstrate, in traditional Kayseri<br />

houses in particular and in courtyard-type<br />

houses in general, exploring<br />

the spatial configurations of houses on<br />

the basis of only the permeability relations<br />

will yield limited and inadequate<br />

results. In this respect, it is apparent<br />

that visibility analyses have important<br />

roles in such studies. It is expected that<br />

this study will be a guide to studies to<br />

be conducted on similar spatial organizations<br />

and to new designs.<br />

References<br />

Atak, Ö. (2009). Traditional Kayseri<br />

Houses in the context of Space Syntax<br />

and Visibility Graph Analyses (master<br />

thesis), Graduate School of Science<br />

Engineering and Technology, İstanbul<br />

Technical University, İstanbul.<br />

Atak Ö., Çağdaş G. (2010), Traditional<br />

Kayseri Houses In The Context<br />

Of Space Syntax And Visibility Graph<br />

Analyses, XXXVII IAHS World Congress<br />

on Housing Science “Design,<br />

Technology, Refurbishment And Management<br />

Of Buildings”, Santander,<br />

Spain.<br />

Benedikt, M. L. (1979). To Take<br />

Hold Of Space: Isovists and Isovist<br />

Fields, Environment and Planning B:<br />

Planning and Design, 6 (1), 47-65.<br />

Büyükmıhçı, G. (2005). Kayseri’de<br />

Yaşam ve Konut Kültürü, Kayseri: Erciyes<br />

University Publication.<br />

Faroqhi, S. (1987). Men of Modest<br />

Substance House Owners and House<br />

Property in Seventeeth Century Ankara<br />

and Kayseri, Cambridge: Cambridge<br />

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University Press.<br />

Gabriel, A. (1954). Kayseri Türk<br />

Anıtları, Translation: A. Akif Tütenk,<br />

Ankara.<br />

Gündoğdu, G. (1986). A Research on<br />

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Sit Alanı İçinde Yer Alan Sivil Mimarlık<br />

Örnekleri Üzerine Bir Araştırma) (master<br />

thesis), Mimar Sinan University of<br />

Institute of Science Engineering and<br />

Technology,., İstanbul.<br />

Güney, İ.Y. (2007). Analyzing Visibility<br />

Structures in Turkish Domestic<br />

Spaces, 6th International Space Syntax<br />

Symposium, Istanbul.<br />

Hanson, J. (1998). Decoding Homes<br />

and Houses, Cambridge: Cambridge<br />

University Press.<br />

Hillier, B., Hanson, J. (1984). The Social<br />

Logic of Space, Cambridge: Cambridge<br />

University Press.<br />

Hillier, B. (1996). Space is the Machine;<br />

A Configurational Theory of<br />

Architecture, Cambridge: Cambridge<br />

University Press.<br />

İmamoğlu, V. (2006). Traditional<br />

Kayseri Houses, Kayseri Municipality<br />

Culture Ltd.<br />

İmamoğlu, V. (2006). On the book<br />

“Kayseri’de Yaşam ve Konut Kültürü”,<br />

METU Journal of the Faculty, 23 (1),<br />

83-92.<br />

Jennings, R. C. (1976). Urban Popultion<br />

in Anatolian Sixteenth Century:<br />

A Study of Kayseri, Karaman, Amasya,<br />

Trabzon and Erzurum, International<br />

Journal of Middle East Studies 7, 21-57.<br />

Kırşan, Ç. ve Çağdaş, G., (2004).<br />

Ethnicity and Domestic Space ( In Turkish,<br />

Etnik Kimlik ve Evsel Mekan), A<br />

Symposium on House Evaluation, İstanbul<br />

Technical University Faculty of<br />

Architecture, İstanbul.<br />

Tandy, C. R. (1967). The İsovist<br />

Method of Landscape Survey, in Methods<br />

of Landscape Analysis Ed. H.C.<br />

Murray, London: Landscape Research<br />

Group.<br />

Turner, A., Doxa, M., O’Sullivan, D.<br />

And Penn., A. (2001), From Isovists<br />

to Visibility Graphs, Environment and<br />

Planning B, 28(1), 103-<strong>12</strong>0.<br />

Turner, A., (2003). Depthmap: A<br />

Program to Perform Visibility Graph<br />

Analysis, 4th International Space Syntax<br />

Symposium, London.<br />

Dinsel çeşitlilik ve sosyo-kültürel<br />

anlamların Geleneksel Kayseri<br />

Evleri’nin mekân organizasyonuna<br />

yansıması<br />

Kentleşmenin ve kentlerde nüfusun<br />

ar Mekân organizasyonu ve sosyal<br />

yapı arasındaki ilişkinin en belirgin<br />

görüldüğü çalışma alanlarından biri,<br />

evsel mekândır. Evsel mekân üzerine<br />

yapılan birçok araştırma, sosyal anlam<br />

ve kültürel değerlerin büyük ölçüde<br />

konutların, mekân organizasyonları<br />

aracılığıyla yansıtıldığını böylece farklı<br />

kültürlerin farklı mekânsal modellerle<br />

kendini ifade ettiğini ortaya koymaktadır.<br />

Bu noktada, mekân dizimi ve görünür<br />

alan analizleri bina ölçeğinden<br />

kent ölçeğine varan her türlü mekân<br />

organizasyonu ile toplum arasındaki<br />

etkileşimi inceleyen hesaplamalı yöntemler<br />

olarak karşımıza çıkmaktadır.<br />

Bu yöntemler temel olarak harekete<br />

dayalı erişim ve hareketli gözlemcinin<br />

algısına dayalı görünürlük ilişkileri<br />

üzerinden ortaya konulmuştur.<br />

Hillier ve Hanson tarafından 1984’de<br />

ortaya konan mekân dizimi, sosyo-kültürel<br />

yapının ve süreçlerin, tek başına<br />

olmasada mekânsal düzenleyim ile<br />

kendilerini mekânda ortaya koyduklarını;<br />

sosyal yapı ve mekânın karşılıklı<br />

etkileşim içinde olduğunu ifade<br />

etmektedir. Bu anlamda mekân dizimi<br />

yönteminin en temel stratejisi, mekân<br />

örüntüsündeki bir takım değişmezleri<br />

keşfederek bunları kültüre özgü insan<br />

etkileşim örüntülerine dönüştürmeye<br />

çalışmaktır.<br />

Bunun yanı sıra Turner 2001’de, temeli<br />

Benedikt’in isovist tanımlaması ve<br />

mekân dizimine dayanan görünür alan<br />

analiz yöntemini ortaya koyar. Görünür<br />

alan mekânda belirlenen bir noktadan<br />

görünen bütün noktaların takımıdır<br />

(Benedikt,1979). Bu yönteme<br />

göre mekân organizasyonunun ortaya<br />

konulmasında, mekânların erişim ilişkilerine<br />

dayanan mekânsal tanımlamalarının<br />

yanı sıra hareketli gözlemcinin<br />

algısına dayanan görünürlük ilişkileri<br />

de önemli rol oynar. Kentsel çevrede<br />

ve binalarda görsel alanlarla sağlanan<br />

bilgi, kullanıcının yol bulmasına yardımcı<br />

olabildiği gibi görsel alanlarla<br />

The reflection of religious diversity and socio-cultural meaning on the spatial configuration of<br />

Traditional Kayseri Houses


264<br />

kullanıcıya sağlanan bilginin kontrolü<br />

de mümkündür.<br />

Dolayısıyla mekân dizimi ve görünür<br />

alan analizleri, tüm mekânsal<br />

sistemlerin ve özel olarak konutların<br />

mekânsal olarak işleyiş ve kullanıcılar<br />

yani hane halkı ve ziyaretçiler tarafından<br />

deneyimlenme biçimini erişebilirlik<br />

ve görünürlük ilişkileri üzerinden<br />

ortaya koymaya çalışmaktadır. Konutun<br />

tamamının veya belirli mekânlarının<br />

içe kapalılık - dışa dönüklük bağlamında<br />

incelenmesinde, sosyal anlamda<br />

mekâna ilişkin mahremiyet, kontrol,<br />

hane halkı ve hane halkı ile ziyaretçiler<br />

arasındaki ilişkilerin düzeyini kavramada<br />

kullanılan etkin yöntemlerdir.<br />

Mahremiyet seviyesi (kişiler arası<br />

etkileşim) fiziksel veya görünmez sınırların<br />

tanımlanması ile belirlenebilir.<br />

Fiziksel sınırlar, erişilebilirliği yani<br />

hareketi kontrol eden sınırlar olurken,<br />

görünmez sınırlar göz temasından kaçındırma<br />

gibi fiziksel sınırlar aracılığı<br />

ile sağlanan görsel bilginin kontrolüdür.<br />

Ayrıca mahremiyet düzeyi her<br />

toplum ve kültürde farklılık gösterir.<br />

Bu farklılık başta ailenin ve ait olduğu<br />

toplumun sosyal yapısı ve ziyaretçileri<br />

ile olan ilişkilerine göre şekillenmektedir.<br />

Bu yüzden, özellikle geleneksel<br />

evlerde erişebilirlik ve görünürlük yapılarını<br />

incelemek, o kültüre ait mahremiyet<br />

seviyesini anlamaya, böylelikle<br />

aile içi ve ziyaretçilerle olan etkileşimi,<br />

evsel mekâna ait işlevlerin erişilebilirlik<br />

ve görünürlük yapıları içindeki<br />

durumunu ortaya koymaya yardımcı<br />

olacaktır.<br />

Çalışma kapsamında evsel mekân,<br />

uzun yıllar farklı dini inanışlara sahip<br />

halkın bir arada yaşadığı Kayseri kent<br />

merkezinde yer alan 27 geleneksel ev<br />

üzerinden ele alınmıştır. Bu evlerin<br />

sadece 14 tanesinin sahiplerinin hangi<br />

dini inanışa sahip olduğuna ilişkin<br />

bilgi elde edilebilmiş diğerlerine ilişkin<br />

ise bilgi elde etmek mümkün olmamıştır.<br />

Ele alınan evlerden Müslüman evi<br />

olarak bilinen evlerin birçoğu avlulu<br />

ve daha organik bir yapı sergilerken,<br />

Gayrimüslim evi olarak bilinen evlerin<br />

birçoğu merkezi hollü evlerdir. Ancak<br />

bunu bir genellemeye dönüştürmek<br />

doğru olmayacaktır; çünkü bu genellemeyi<br />

bozacak bazı örnekler bulunmaktadır<br />

ve ele alınan evlerin ancak<br />

yarısına ilişkin bu anlamda bilgi elde<br />

edilebilmiştir.<br />

Evlerin analizinde Turner tarafından<br />

geliştirilen Depthmap yazılımı<br />

kullanılarak her iki analiz türü birden<br />

gerçekleştirilmiş, evlerin mekânsal<br />

ve görünür alan yapılarının birbirini<br />

destekleyen özellikleri ve farklılıkları<br />

ortaya konulmuştur. Bu analizler sonucu<br />

avlu-bütünleşik mekânsal temanın<br />

baskın varlığı net bir şekilde görülmektedir.<br />

Geçirgenlik ilişkilerine dayanılarak<br />

avlunun, güçlü bir merkezi kontrol<br />

noktası olarak konuttaki ana ve yardımcı<br />

mekânları bir arada tutarak dış<br />

mekâna bağlayan ve bir taraftan da<br />

konutun ana mekânlarını yapılandıran<br />

kilit rolü üstlenmekte olduğu sonucuna<br />

ulaşılmıştır. Merkezi hollü örneklerde<br />

ise merkezi hol bu görevi görmektedir.<br />

Ancak merkezi hol işlev bakımından<br />

avlu gibi bir işleyişe ve kullanıma sahip<br />

değildir. Ele alınan evlerin hemen hemen<br />

hepsi, mekânlarının bir araya geliş<br />

biçimi açısından ayrışma eğilimi gösterir.<br />

Ayrıca evlerin üçte ikisi dışa dönük<br />

bir yapı sergilerken sadece üçte biri<br />

içe dönük bir yapı sergilemektedir. Bu<br />

durum çoğunlukla içe dönük bir yapıya<br />

sahip olduğu sıklıkla vurgulanan<br />

Geleneksel Kayseri Evleri’nin özellikle<br />

avlulu evlerin (çoğunluğunun Müslüman<br />

ailelere ait olmasından ötürü de<br />

daha içe dönük olarak değerlendirilen<br />

evlerin), aslında erişebilirlik ilişkileri<br />

açısından bakıldığında dışa dönük bir<br />

yapı sergilediğini ortaya koymaktadır.<br />

Bu durum, evlerin tarihlendiği geç 19.<br />

ve 20. yy.’larda, sosyal yapıda görülen<br />

dışa dönüş ile ilişkilendirilebilir. Ancak<br />

temel ulaşılması gereken bilgi, evlerin<br />

hangi açıdan içe veya dışa dönük olarak<br />

nitelendirileceğidir.<br />

Evlerin, görünürlük analizlerinde<br />

elde edilen bütünleşme dereceleri açısından,<br />

diğer analizden farklı bir sıralamaya<br />

sahip olduğu görülmüştür. Sıralamada,<br />

büyük avlulu ve avluda ve iç<br />

mekânda pencereleri ve alternatif geçişleri<br />

olan evlerin görsel açıdan daha<br />

bütünleşik sırada yer aldığı, merkezi<br />

hollü evlerin ise daha ayrışık sırada olduğu<br />

görülmüştür. Baskın eğilim olarak<br />

avlu, bahçe ve merkezi holler görsel<br />

açıdan daha bütünleşik mekânlardır.<br />

Üstünde durulması gereken önemli bir<br />

nokta zemin kat odalarının büyük bir<br />

kısmının erişilebilirlik açısından daha<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • Ö. Atak, G. Çağdaş


265<br />

ayrışık bir yapı sergilerken görsel bütünleşme<br />

açısından daha bütünleşik<br />

bir yapı sergilediğidir. Ancak odaların<br />

görsel açıdan daha bütünleşik olmasını<br />

sağlayan pencerelerin ve kapıların<br />

kapatılarak bu bilginin kontrol edilebileceğini<br />

yani istendiği takdirde görsel<br />

olarak da daha ayrıştırılarak mahremiyetin<br />

sağlanabileceğini belirtmek<br />

gerekir. Geleneksel Kayseri Evleri’nin<br />

dış cephelerinde yer alan pencere sayıları,<br />

19. ve 20. yy. da artış göstermesine<br />

rağmen yine de sayı olarak çok fazla<br />

değildir. Ancak avluya açılan pencere<br />

ve kapılar çok sayıdadır. Bu durum<br />

göz önünde bulundurulduğunda ve<br />

görünür alan yapılarına bakıldığında,<br />

evlerin aslında görünürlük yapıları<br />

açısından içe dönük olduğu sonucuna<br />

ulaşılmaktadır. Daha önce belirtildiği<br />

gibi evlerin bütünleşme ve görsel bütünleşme<br />

sıralamaları birbiriyle paralel<br />

değildir; ancak mekânsal ve görsel açıdan<br />

bütünleşik mekânlara bakıldığında,<br />

bu mekânların birbirleri ile örtüştüğü<br />

görülmektedir. Bu durum, evlerin<br />

iç mekânlarının erişilebilirlik ve görünürlük<br />

yapılarının beraber işlediğine<br />

işaret eder.<br />

Bu çalışma mekân dizimi analiz<br />

sonuçlarını, geleneksel Kayseri evlerine<br />

ilişkin elde edilen tüm bilgilerle<br />

yorumlamaya çalışarak sosyo-kültürel<br />

anlamların, evlerin mekân kurgusuna<br />

nasıl yansıdığını ortaya koymaya çalışmaktadır.<br />

The reflection of religious diversity and socio-cultural meaning on the spatial configuration of<br />

Traditional Kayseri Houses


ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • 267-283<br />

Cross border cooperation in<br />

Edirne-Kırklareli border region:<br />

New institutionalist perspectives 1<br />

Ervin SEZGİN 1 , Gülden ERKUT 2<br />

1<br />

ervinsezgin@gmail.com • Department of Urban and Regional Planning, Faculty<br />

of Architecture, Istanbul Technical University, Istanbul, Turkey<br />

2<br />

gerkut@itu.edu.tr • Department of Urban and Regional Planning, Faculty of<br />

Architecture, Istanbul Technical University, Istanbul, Turkey<br />

Received: February <strong>2015</strong> Final Acceptance: September <strong>2015</strong><br />

Abstract<br />

This article aims to elaborate the current stage of institutionalization of cross<br />

border cooperation programme between Turkey and Bulgaria using the theoretical<br />

tools of new institutionalism. The geographical focus is on the Edirne- Kırklareli<br />

border region on the Turkish side of the border. It is argued that new institutionalist<br />

approaches provide different perspectives that shade light on different aspects<br />

of cross border cooperation and at the final stage they help to establish a coherent<br />

framework for understanding the institutionalization of cross border cooperation<br />

in the region. Drawing on interviews conducted with 49 cross border cooperation<br />

related people including public officials, civil society and business representatives<br />

and civil servants; this study conducts an institutional ethnographic analysis with<br />

a new institutionalist perspective to grasp the institutionalization process of cross<br />

border cooperation in the region. The literature review part of the article consists<br />

of two chapters: first new institutionalism theory and the different perspectives<br />

its three strands, rational choice, sociological and historical institutionalism provide;<br />

and second the scientific literature on new institutionalism in the field of<br />

cross border cooperation and border regions are elaborated. After the literature<br />

review, the article analyses the current condition of cross border cooperation in<br />

the Edirne- Kırklareli border region by using the tools new institutionalism theory<br />

provides. Finally the conclusion chapter discusses how the three strands of new<br />

institutionalism can be brought together to develop a comprehensive understanding<br />

of the institutional structure of cross border cooperation in the region.<br />

Keywords<br />

Cross border cooperation, New institutionalism, Edirne-Kırklareli border<br />

region.


268<br />

1. Introduction<br />

“Well, they are good, but people<br />

rarely see their results. They are<br />

much more like a game played by<br />

some elites in the region” (Personal<br />

Interview, 2013).<br />

“They are playing neighbourliness”<br />

would be a good title for the summary<br />

of 40 minutes long interview with one<br />

of the administrative officers in the Edirne-<br />

Kırklareli border region. The subject<br />

of the discussion was cross border<br />

cooperation (CBC), a phenomenon<br />

existing since 1950’ies in Europe and<br />

intensely finding place in the Turkish-<br />

Bulgarian border regions over a period<br />

of one decade, thanks to Turkey’s official<br />

candidacy for the European Union<br />

(EU) membership.<br />

The basic premise of CBC in the<br />

EU context is to contribute to the regional<br />

development of border regions<br />

while establishing neighbourly relations<br />

among border societies (Ricq,<br />

2006). The expanding scholarly interest<br />

on border regions emphasizes their<br />

changing condition from “barriers to<br />

bridges” by stressing the increasing<br />

porosity of borders in the course of<br />

globalization that allows establishing<br />

economic, social and political links<br />

between local communities across borders<br />

(Church and Reid, 1999; Niebuhr,<br />

2006; O’Dowd, 2003). Critiques have<br />

provided powerful arguments that a<br />

“borderless world” is rather a myth<br />

than a reality, especially in Europe,<br />

where, while internal borders are arguably<br />

diminishing, external ones are<br />

erected to fortify the “Fortress Europe”<br />

that now resembles a gated community<br />

(Johnson et al, 2011; Van Houtum,<br />

2007). Nevertheless, cross border interactions<br />

among local border communities<br />

are not only expanding but also<br />

finding political and financial support<br />

in the EU that enables them to institutionalize<br />

and make CBC a hot topic<br />

on the local agenda (Perkman, 1999;<br />

Van der Veen and Boot, 1995). Several<br />

projects ranging from infrastructure<br />

building to people-to-people relations<br />

have been realized albeit with some<br />

scholarly and practical criticism, such<br />

as those above.<br />

The interviewed official’s criticism<br />

was a common one. During the field<br />

research on which this study is based,<br />

49 interviews were conducted with actors<br />

related to CBC, including public<br />

officials, mayors, and NGO and business<br />

representatives. The aim was to<br />

understand the existing situation and<br />

the emerging institutional structure of<br />

CBC in the Edirne-Kırklareli border<br />

region after having more than a decade<br />

of experience. The official’s criticism<br />

was shared by many interlocutors, who<br />

in general have argued that the European<br />

money coming for such projects<br />

contributed for the amusement of a<br />

small part of the society instead of local<br />

development. Although criticism<br />

was plenty, the majority of interlocutors<br />

have argued that CBC has created<br />

a significant financial resource for<br />

local, public and civil society actors<br />

and contributed to increasing social<br />

interactions between societies among<br />

two sides of the border. Moreover with<br />

the intensification of CBC and with the<br />

involvement of the EU and the central<br />

government; a multi-layered governance<br />

mechanism unprecedented to<br />

the local community has emerged in<br />

the region. Now there is room for local<br />

actors to engage in international politics<br />

and search and compete for financial<br />

resources in the European arena.<br />

Local administrations as well as civil<br />

society organizations are succeeding in<br />

raising funds for projects that are not<br />

subsidised by the national budget.<br />

The context of CBC; the achievements<br />

realized through it; the involved<br />

and excluded actors and their critiques,<br />

from the perspective of this article, are<br />

a part of the institutionalization process<br />

of CBC. This institutionalization<br />

process is not independent from the<br />

social- political context in which it<br />

takes place, but it is also a place bound<br />

phenomenon, directly related to the<br />

local social dynamics and power relations.<br />

This article uses the tools that different<br />

strands of new institutionalism<br />

theory provide, to perform a mind<br />

exercise for understanding the institutionalization<br />

process of CBC. It is<br />

argued that this process is a complex<br />

structure that cannot be grasped completely<br />

by a single- dimensional perspective.<br />

Therefore different and sometimes<br />

contradicting approaches have<br />

to be adopted for apprehending this<br />

1<br />

This research is<br />

financially and<br />

institutionally<br />

supported by the<br />

ITU- Scientific<br />

Research Support<br />

Programme;<br />

TÜBİTAK- Science<br />

Fellowships and<br />

Grant Programmes<br />

Department; and<br />

Radboud University<br />

Nijmegen- Centre<br />

for Border<br />

Research to which<br />

the authors are<br />

thankful.<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • E. Sezgin, G. Erkut


269<br />

Table 1. List of interviewed organizations.<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

complexity; and the new institutionalism<br />

theory allows swinging across a<br />

variety of perspectives and establishing<br />

a more coherent view of institutionalisation<br />

of CBC. The three strands of<br />

new institutionalism, historical, sociological<br />

and rational choice institutionalism<br />

are adapted to the CBC context<br />

to grasp these multiple perspectives.<br />

They are used to approach, observe and<br />

interpret the same issue from different<br />

viewpoints and reach a comprehensive<br />

understanding of this newly emerging<br />

institutional structure.<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

The methodological approach of<br />

the research is institutional ethnography,<br />

which aims to “discover the social,<br />

rather than theorizing it, beginning<br />

with actual people, their doings,<br />

and how their doings are coordinated”<br />

to formulate an institutional regime<br />

(Smith, 2008, p. 433). This method allows<br />

the researcher to establish links<br />

between interviewed individuals and<br />

their interpretations of institutions and<br />

the institutional structure in general.<br />

This approach enables mapping a given<br />

institutional setting with respect to<br />

Cross border cooperation in Edirne-Kırklareli border region: New institutionalist perspectives


270<br />

its constituent actors, however the impacts<br />

of the wider social and political<br />

factors remains latent in the interpretations<br />

of institutional actors and has<br />

to be re-interpreted by the researcher.<br />

For this purpose the institutional ethnographic<br />

approach needs to be tuned<br />

to include a “thick description” (Paasi,<br />

1996) that establishes links, this time<br />

with the social and political factors that<br />

affect the institutional setting and also<br />

with the ways of its interpretation by<br />

the institutional actors. As mentioned<br />

above, the field research of the study<br />

is based on 49 interviews with people<br />

related to CBC in the region. The list of<br />

interviewed organizations is presented<br />

in Table 1. For the sake of confidentiality,<br />

the names of persons interviewed<br />

are identified neither on the table, nor<br />

on the citations in the remainder of this<br />

paper. The geographical context of the<br />

study was set to cover the north-western<br />

border provinces of Turkey, namely<br />

Edirne and Kırklareli. Although not<br />

every district of these provinces is attached<br />

to the border, and even some of<br />

them have denser interactions with the<br />

internal regions of Turkey, all of these<br />

districts are taking part in CBC and<br />

contribute to its institutionalization.<br />

The remainder of this paper will<br />

have the task of exploring the institutional<br />

structure of CBC in the Edirne-<br />

Kırklareli border region using three<br />

different perspectives of new institutionalism<br />

theory. The structure of the<br />

paper will be as following: Chapter<br />

2 describes the new institutionalism<br />

theory and the different perspectives<br />

the three main strands bring. This is<br />

followed by a literature review on new<br />

institutionalist approaches in CBC and<br />

border regions context in Chapter 3.<br />

The 4 th Chapter focuses on CBC in Edirne-<br />

Kırklareli border region and explores<br />

the existing situation by looking<br />

through the different lenses of new institutionalism.<br />

The concluding chapter<br />

summarizes the discussion and comments<br />

on how these three strands can<br />

describe the same picture from different<br />

perspectives.<br />

2. New institutional theory- A<br />

literature review<br />

The organization of social life is done<br />

through institutions. The development<br />

of a social order and the evolution of<br />

societies, ranging from everyday practices<br />

to the highest levels of organization<br />

are born of various institutional<br />

arrangements; and the evolution<br />

of societies is shaped by institutions<br />

and their transformation over time.<br />

As North (1990, p. 22) argues, 90% of<br />

“daily life” activities are made possible<br />

by being routinized and regularized by<br />

institutions.<br />

Institutions are seen as both results<br />

of historical processes and powerful<br />

subjects capable of influencing the<br />

evolution of human society at the same<br />

time. As Putnam (1993, p. 7) argues,<br />

institutions are shaped by history and<br />

yet work to shape politics. This duality<br />

has been problematized under the<br />

structure and agency dichotomy. From<br />

the first point of view, the historical<br />

evolution of societies with its various<br />

aspects - including norms, practices<br />

and power struggles – determines the<br />

formation of institutions, since they<br />

have emerged as a result of this evolution<br />

in order to give a shape to it in a<br />

way that reflects these social dynamics.<br />

The contrasting approach pays most<br />

credit to individuals motivated by rational<br />

choice, who use and transform<br />

institutions (or create new ones) in<br />

order to achieve desired ends. In this<br />

respect, institutions are considered to<br />

be aggregated outcomes of individual<br />

behaviour that serve to reduce uncertainty<br />

and limit the choices of individuals<br />

in order to enable them to calculate<br />

accurately their goals and actions.<br />

Contrary to the structuralist approach,<br />

this point of view partially neglects<br />

the constraining role of structure on<br />

the choices of individuals and assumes<br />

that any rational behaviour would be<br />

repeated in the same way in any kind<br />

of structural context.<br />

New Institutionalism emerges as<br />

a third option in this context, which<br />

ascribes a more autonomous power<br />

to institutions in contrast to both<br />

the structure and agency perspectives<br />

(March and Olsen, 1984). Without<br />

neglecting both aspects of social life,<br />

new institutionalists recognize that<br />

institutions move in both directions<br />

by imposing structural constraints on<br />

the preferences of individual actors on<br />

the one hand, and giving access to par-<br />

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271<br />

ticular actors and collective actions to<br />

transform the social structure on the<br />

other (Lowndes and Roberts, 2013).<br />

The political and social problems in a<br />

given setting can be viewed as part of<br />

the social structure that also influences<br />

institutions themselves. However, the<br />

perception of these problems by political<br />

actors and the methods chosen<br />

to solve problems (i.e. the preferences<br />

of institutional actors) affect the future<br />

of the public realm and its institutional<br />

structure (March and Olsen, 1994).<br />

Lowndes and Roberts (2013, p. 28) argue<br />

that the distinctive characteristic<br />

of New Institutionalism is to avoid the<br />

superficial and taken for granted understanding<br />

of institutions (as well as<br />

structure and agency), and to critically<br />

look “at the way in which they embody<br />

values and power relationships”.<br />

Although the key role of institutions<br />

in forming social practices is commonly<br />

accepted, New Institutionalism<br />

cannot be accepted as a stand-alone<br />

theory capable of conceptualizing institutions.<br />

Using the basic points of<br />

the structure and agency dichotomy,<br />

new institutionalists have developed<br />

several strands of institutionalism,<br />

three of which have grasped the three<br />

most common positions regarding the<br />

roles of agency, structure and society<br />

in institutional contexts. These are not<br />

mutually exclusive aspects, separately<br />

conceptualizing their own institutional<br />

realities; rather, they complementarily<br />

square the circle of the agency-institutions-structure<br />

triad that allows one to<br />

fully grasp the origins of social interactions,<br />

their role in the formation of<br />

institutions and the emergence of the<br />

social structure as something more<br />

than the sum of actors’, individual and<br />

institutional practices. The study of institutions<br />

also enables the adoption of<br />

a multidimensional perspective while<br />

investigating the institutionalization of<br />

a particular policy field.<br />

The three dominant schools of<br />

new institutionalism are commonly<br />

referred to as rational choice institutionalism,<br />

historical institutionalism<br />

and sociological institutionalism (Hall<br />

and Taylor, 1996; Immergut, 1998;<br />

Lowndes and Roberts, 2013). These<br />

three strands represent the three main<br />

streams of institutionalisms, but also<br />

are complemented by various other approaches<br />

such as normative, empirical,<br />

international, network, discursive and<br />

feminist institutionalisms (Lowndes<br />

and Roberts, 2013).<br />

Rational Choice Institutionalism<br />

has emerged from behaviourism and<br />

rests on the basic premise that humans<br />

are rational beings who act with the<br />

aim of maximizing their self-interest<br />

through careful cost-benefit analysis.<br />

From this perspective institutions<br />

are accepted to reflect the desires and<br />

habits of the individuals who establish<br />

them. Informal relations, political leaders<br />

and their followers, interest groups,<br />

and ideologies (instead of formal<br />

modes of organizations) are among the<br />

interest areas of this type of institutionalism<br />

(Bolat and Seymen, 2006).<br />

The role of institutions according<br />

to rational choice institutionalists is<br />

to reduce transaction costs in social<br />

and economic interactions by avoiding<br />

uncertainty and reducing risks in social<br />

relations, especially those arising<br />

from trust problems (North, 1990, Ostrom<br />

2005). As Lowndes and Roberts<br />

(2013, p. 23) explain, from the rational<br />

choice point of view, the existence of<br />

institutions is a result of cost-benefit<br />

analysis. An institution can only exist<br />

when the costs of maintaining it do not<br />

exceed the benefits gained with it. So,<br />

larger institutions, such as the state,<br />

represent a more complicated form of<br />

social organization that has emerged<br />

from the continuous efforts to reduce<br />

transaction costs in social interactions.<br />

As North (1990) argues, by regulating<br />

the exchange relationship between two<br />

parties, institutions provide the basis of<br />

political/economic systems.<br />

Although rational choice institutionalists<br />

consider rules that set a<br />

wider framework as well, these rules<br />

are usually either accepted as given or<br />

elaborated at a micro-level only to include<br />

those that are set by individuals<br />

or groups for the regulation of a particular<br />

situation (see for example Ostrom,<br />

2011). Another shortfall of rational<br />

choice institutionalism is argued to be<br />

the neglect of long-term targets and<br />

calculations of actors when taking action,<br />

and assuming that the short-term<br />

interest is the dominant source of motivation<br />

in their actions (Lowndes and<br />

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272<br />

Roberts, 2013, p. 37).<br />

Sociological institutionalism,<br />

which is almost opposed to rational<br />

choice institutionalism, presumes that<br />

behaviours of actors are context-driven;<br />

in other words, social structures<br />

(e.g. cultural conventions, norms and<br />

cognitive frames of reference) determine<br />

not only the options and choices<br />

of actors, but also actors’ ways of thinking<br />

and perceiving the world. Hence<br />

individuals’ actions are not shaped<br />

by their own decisions taken independently<br />

to reach their desired ends,<br />

but are dependent on the prevailing<br />

social context (DiMaggio and Powell,<br />

1991). Therefore, an actor’s choices<br />

related to the same subject will vary<br />

greatly under different circumstances,<br />

which depend on the social structure<br />

in play (Immergut, 1998). Institutions<br />

constitute an “infrastructure” for society,<br />

providing the reference points<br />

for actions of actors (Lowndes and<br />

Roberts, 2013). From this perspective,<br />

individual choices are socially determined<br />

by institutions, which are also<br />

bound by practices emerging from the<br />

wider social structure. Actors, whether<br />

individuals or organizations, are “embedded”<br />

in the social structure (Amin<br />

and Thrift, 1994, p. <strong>12</strong>) which provides<br />

a “frame of meaning” that guides their<br />

actions (Hall and Taylor, 1996, p. 947).<br />

According to March and Olsen (1984,<br />

p. 741), sociological institutionalism<br />

differs from rational choice institutionalism<br />

by conceptualizing actions of<br />

individuals as the “fulfilment of duties<br />

and obligations” instead of “individual<br />

values and expectations”. As DiMaggio<br />

and Powell (1991, p. 28) argue, “cultural<br />

frames establish approved means<br />

and define desired outcomes, leading<br />

business people to pursue profits, bureaucrats<br />

to seek budgetary growth,<br />

and scholars to strive for publication”.<br />

Historical institutionalism is related<br />

to the long-term evolution of institutions<br />

in a wider context. Instead of<br />

focusing on individuals or organizations<br />

as rational choice and sociological<br />

institutionalisms do, the historical<br />

institutionalist approach investigates<br />

the wider institutional structure (i.e.<br />

the nation state or the world system)<br />

and its long term, historical dynamics<br />

(Hall and Taylor, 1996; Lowndes and<br />

Roberts, 2013). Immergut (1998, p.<br />

16) points to the difference between<br />

sociological and historical institutionalism<br />

by arguing that while the former<br />

is interested in “the ways in which organizational<br />

rules and procedures coordinate<br />

the action of independent individuals”,<br />

the latter focuses on themes<br />

related to power and interest. Hall and<br />

Taylor (1996, p. 941) stress that historical<br />

institutionalism is interested<br />

in the uneven distribution of power,<br />

and argues that “institutions give some<br />

groups or interests disproportionate<br />

access to the decision-making process”.<br />

The term “path dependence” takes<br />

a key role in explaining the historical<br />

institutionalist approach. Path dependence<br />

argument presumes that when<br />

policymakers choose a particular path;<br />

the aggregate impact of actions taken<br />

in the aftermath produces a snowball<br />

effect, which is difficult to roll back<br />

or alter in terms of direction. Consequently,<br />

a “powerful cycle of self-reinforcing<br />

activity” is created that strongly<br />

influences the decisions of actors within<br />

institutions (Lowndes and Roberts,<br />

2013, p. 39). Putnam (1993) refers to<br />

path dependency in his work in the<br />

following way:<br />

…what comes first (even if it was<br />

in some sense “accidental”) conditions<br />

what comes later. Individuals may<br />

“choose” their institutions, but they do<br />

not choose them under circumstances<br />

of their own making, and their choices<br />

in turn influence the rules within<br />

which their successors choose. (Putnam,<br />

1993, p.7).<br />

However, the intentional change or<br />

transformation of institutions and institutional<br />

structure is not accepted as<br />

totally impossible. Institutional change<br />

can and does occur throughout revolutionary<br />

moments of history, in which<br />

the “periods of continuity [are] punctuated<br />

by ‘critical junctures’, i.e., moments<br />

when substantial institutional<br />

change takes place thereby creating a<br />

‘branching point’ from which historical<br />

development moves onto a new<br />

path” (Hall and Taylor, 1996, p.942).<br />

Immergut (1998) stresses that,<br />

from a historical institutionalist point<br />

of view, particular events during the<br />

course of history originate from the<br />

free choice of powerful individuals;<br />

these choices, however, always bear<br />

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273<br />

the burden of individual and social<br />

histories. The establishment of particular<br />

institutions in a specific moment<br />

of time, such as recognizing the right<br />

to private property during monarchical<br />

rule, is a result of other social and<br />

historical processes that motivate the<br />

transformation of the whole institutional<br />

structure.<br />

Despite their diversified departure<br />

points, these three strands intersect<br />

in some common points in their approach<br />

to institutions. These intersections<br />

consolidate and establish a<br />

common ground of new institutionalism<br />

that, according to Lowndes and<br />

Roberts (2013), represents the “third<br />

phase” of New Institutionalism Theory.<br />

Lowndes and Roberts (2013) summarize<br />

this consolidation under five main<br />

topics:<br />

(1) It is commonly accepted that<br />

structure and agency have a dialectical<br />

relationship, in which neither<br />

one, nor the other is determinative<br />

on the other or on the institutional<br />

structure in general. Instead they<br />

are in continuous interaction that<br />

transforms both of them throughout<br />

the course of history.<br />

(2) An institutional structure is a<br />

complex system that enables institutions<br />

to operate through three<br />

main modes: rules, practices and<br />

narratives.<br />

(3) Whether in short or long run,<br />

institutions are subjects and objects<br />

of social change. Reflecting the dialectical<br />

relationship between structure<br />

and agency, they can trigger<br />

social change or can be affected by<br />

the structural forces that either impose<br />

or require institutional continuity.<br />

(4) Institutions are designed social<br />

phenomena and their design process<br />

reflects the power relations in<br />

society.<br />

(5) Even among institutions of the<br />

same social domain an institutional<br />

diversity always exists. This is a<br />

result of different social/ structural<br />

dynamics that prevail in the society<br />

as well as the influential agents that<br />

are in a position to take critical decisions<br />

for institutions.<br />

These five topics do not only form<br />

the common ground of the three<br />

strands, but also offer an exclusive conceptualization<br />

of the role of institutions<br />

in social life from a new institutionalist<br />

perspective.<br />

3. CBC and new institutionalism<br />

This section evaluates the scientific<br />

literature related to CBC, cross border<br />

regionalism and new institutional theory.<br />

The aim is to provide examples on<br />

the use of new institutionalism in CBC,<br />

as well as to establish a ground for discussion<br />

the CBC experience in the Edirne-<br />

Kırklareli border region with this<br />

perspective. Studies that are not directly<br />

related to CBC but are coming from<br />

regional science related disciplines are<br />

also included to extend the scope of the<br />

evaluation and provide background for<br />

further discussion.<br />

A similar new institutionalist analysis<br />

approach previously was adopted by<br />

Helena Ekelund (2014), who demonstrated<br />

the applicability of the new institutional<br />

theory in the EU context by<br />

discussing the establishment of Frontex,<br />

the border patrol agency of the<br />

Union. According to her, “the timing<br />

of establishment; the decision on the<br />

agency’s tasks, role and mission; [and]<br />

the decision on a specific institutional<br />

design and management” (Ekelund,<br />

2014, p. 110) can be explained by using<br />

different new institutionalist strands.<br />

From a rational choice perspective,<br />

the coordination of border-related activities<br />

of member states and the use<br />

of expert knowledge can be viewed as<br />

transaction cost-reducing activities.<br />

On the other hand, the emergence of<br />

Frontex cannot be understood solely as<br />

a cost-cutting solution. The social and<br />

historical contexts are highly influential<br />

in the institutional design process.<br />

This context is the enlargement of the<br />

EU, which requires its own institutional<br />

structure to manage the extensive<br />

functional areas of the Union. For<br />

Ekelund (2014), the enlargement waves<br />

that included southern and eastern European<br />

states are critical junctures in<br />

which crucial decisions were taken to<br />

pave the way for the establishment of<br />

Frontex.<br />

Implications of rational choice institutionalism<br />

are most easily observed<br />

at the local and regional levels, from<br />

which Elinor Ostrom (2005) developed<br />

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274<br />

the Institutional Analysis and Development<br />

Framework, which was based<br />

on a large number of local case studies<br />

across the world. Through these case<br />

studies, Ostrom and her colleagues<br />

extensively elaborate how local actors<br />

organize around institutions and use<br />

institutional practices to overcome<br />

trust problems. Extending this debate<br />

to the regional scale, Rodriguez-Pose<br />

(2013, p. 1037) argues that local institutional<br />

arrangements prove to be<br />

more effective in generating economic<br />

development than nation state governments,<br />

since “the national scale can be<br />

too distant, remote and detached in<br />

order to be effective in mobilizing organizations”.<br />

Rodriguez- Pose’s (2013,<br />

p. 1042) conclusion is that regional development<br />

strategies should be “specifically<br />

tailored to the potential of placebounded<br />

institutions” in order to make<br />

significant interventions for development.<br />

However, as a result of the rational<br />

choice institutionalist thinking,<br />

Rodriguez-Pose’s focus on institutions<br />

from a regional development perspective<br />

suggests looking away from the<br />

institutional characteristics of a region,<br />

focusing instead on “institutional arrangements,<br />

which represent barriers<br />

for the efficiency of other factors influencing<br />

economic development” (p.<br />

1043).<br />

The management of common-pool<br />

resources and transaction cost-reducing<br />

roles of institutions provides<br />

considerable explanation for the role<br />

of institutions during the institutionalization<br />

process of CBC. Although<br />

in the context of inter-municipal cooperation,<br />

which does not include a<br />

cross-border aspect, Hilvert and Swindell<br />

(2013), Carr and Hawkins (2013),<br />

and Delabbio and Zeemering (2013)<br />

conceptualize cooperation as common-pool<br />

resource management. According<br />

to them, cooperation activities<br />

emerge from the need to reduce transaction<br />

costs, especially in urban management,<br />

by sharing and coordinating<br />

the joint use of resources, collaborating<br />

in infrastructure construction and<br />

creating joint institutions for providing<br />

services. This is also the case in<br />

cross-border regionalism, where grass<br />

roots, cross-border initiatives emerge<br />

to mobilize common endogenous resources<br />

to solve problems and generate<br />

regional development.<br />

Delabbio and Zeemering (2013)<br />

argue that institutional context is a<br />

determining factor for collective action.<br />

In addition, local officials prefer<br />

to take part in collective action when<br />

a cost-benefit analysis reveals different<br />

aspects of the institutional structure,<br />

such as career risks, public resistance,<br />

expected outcomes of collaboration<br />

and transaction costs. Hilvert and<br />

Swindell (2013) also argue that inter-local<br />

cooperation becomes satisfactory<br />

for decision-makers only when<br />

transaction costs arising from cooperation<br />

are exceeded by the benefits of<br />

collaboration.<br />

One of the scholars who first interpreted<br />

CBC using a new institutionalist<br />

approach is Markus Perkmann. He<br />

argues that<br />

… CBC has to be seen as an aggregate<br />

outcome of various relatively<br />

decentralized processes of institution<br />

building with strong involvement by<br />

non-local actors. Cross-border initiatives<br />

cannot be assumed to have single<br />

and coherent objectives. Rather, a multiplicity<br />

of actors operates in an institutional<br />

context of opportunities and<br />

constraints that is not predominantly<br />

of their own making. As a consequence<br />

of their actions, the institutional setting<br />

itself undergoes continuous changes<br />

resulting in irreversible and historically<br />

specific trajectories. Such ideas about<br />

the building and evolution of institutions<br />

can be extrapolated from a more<br />

sociologically inflected `new institutionalism’<br />

recently emerging as a supra-disciplinary<br />

paradigm in a range of<br />

fields. (Perkmann, 1999, p. 660)<br />

Perkmann departs from rational<br />

choice institutionalism and aligns his<br />

arguments with a historical institutionalist<br />

approach that links institutional<br />

change with “strategic action<br />

(path shaping) and evolution (path dependence)”.<br />

Perkmann (1999, p. 660),<br />

rejects the argument of the neutrality<br />

of institutions and argues that “they<br />

privilege certain actors, certain time<br />

and space horizons, and certain strategic<br />

agendas over others”. Institutional<br />

structure is also influential over the<br />

behaviours of CBC actors and since it<br />

is predominantly formed within the<br />

nation state framework, it remains inefficient<br />

in supplying actors with the<br />

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275<br />

necessary tools for cross-border governance.<br />

In tandem with Perkmann (1999),<br />

Church and Reid (1999) attempt to<br />

conceptualize the institutional framework<br />

of CBC between England and<br />

France using the new institutional theory.<br />

Rather than focusing on the relationship<br />

between institutions and CBC<br />

in general, they focus on two specific<br />

aspects of the institutional structure:<br />

its thickness and territorial embeddedness.<br />

Their findings suggest that<br />

although intensifying CBC activities<br />

contributes to increasing institutional<br />

thickness, the lack of genuine cooperation<br />

results in more intervention on<br />

behalf of the EU and national governments<br />

in the facilitation and supervision<br />

of CBC. With regard to territorial<br />

embeddedness, Church and Reid<br />

(1999) make two distinct observations.<br />

First, cross- border spaces mostly remain<br />

imaginary spaces, as wishful<br />

thoughts of politicians, perhaps as an<br />

impact of external influence without<br />

being supported by “economic and<br />

cultural transfrontier links”. Second,<br />

spaces of CBC usually have a “flexible<br />

territorial characteristic” that releases<br />

the boundedness of administrative<br />

divisions and scales and constitutes its<br />

own spatial framework.<br />

These two studies align with sociological<br />

and historical institutionalisms<br />

and evaluate CBC processes as context-bounded<br />

phenomena emerging<br />

from the historical conditions that<br />

both necessitate and constrain it.<br />

Putnam’s (1993) longitudinal and<br />

extensive study of Italian regional governance<br />

institutions reaches the conclusion<br />

that mirrors sociological institutionalism,<br />

though it also includes<br />

elements from historical institutionalism.<br />

Putnam (1993) investigates the<br />

establishment of local governments in<br />

Italy with a longitudinal survey. Within<br />

a period of 14 years after their establishment,<br />

regional governments in Italy<br />

displayed a diversified path of governance,<br />

which resulted in success for<br />

some and failure for others. Focusing<br />

on the reasons of that diversification<br />

and by conducting two surveys with a<br />

10 years interval, Putnam argues that<br />

democratic traditions are among the<br />

most significant factors in determining<br />

institutional success. According<br />

to him, “the practical performance of<br />

institutions… [is] shaped by the social<br />

context within which they operate” (p.<br />

8).<br />

These studies demonstrate that new<br />

institutionalism theory provides efficient<br />

tools to understand the complexity<br />

of CBC. However, most of them do<br />

not intend to provide a coherent picture<br />

of the institutional structure of the<br />

subject they investigate and rather remain<br />

focused on the interpretation and<br />

critique of their problematic, usually<br />

by adopting the approach of one of the<br />

three different strands. The remainder<br />

of this study aims to choose the first<br />

path and comprehensively evaluate<br />

CBC in Edirne- Kırklareli border region<br />

from the perspectives of the three<br />

strands of new institutionalism. While<br />

doing so, abovementioned five topics<br />

in which the three strands converge<br />

will be used as reference points for interpretation<br />

and for providing a coherent<br />

view of the institutional structure<br />

of CBC in Edirne- Kırklareli border<br />

region.<br />

4. CBC in Edirne Kırklareli border<br />

region: New institutionalist<br />

perspectives<br />

The administrative regions of Bulgaria<br />

and Turkey that take part in CBC<br />

were part of the Thracian region under<br />

the rule of the Ottoman Empire for<br />

four centuries. Thrace was inhabited<br />

by a heterogeneous society of Muslims,<br />

Christians and Jews. The division of<br />

geographical units into administrative<br />

territories was conducted very vaguely<br />

along religious lines, also a major<br />

source of identity among inhabitants<br />

of the region. Nonetheless, cultural interaction,<br />

population movement and<br />

economic interaction were also considered<br />

a general characteristic of the<br />

region (Manos, 2005; Mazower, 2001).<br />

The Greek and Bulgarian revolutions<br />

resulting in independence in 1832 and<br />

1909 respectively were the roots of the<br />

tripartite hostility between these two<br />

nation-states and the Ottoman Empire.<br />

Modern Turkey, established in 1923,<br />

inherited its part of that enmity from<br />

the Ottoman Empire, although no war<br />

has been fought since the establishment<br />

of these nation states. A part of<br />

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276<br />

that enmity lies in the self-perception<br />

of the Turkish nation state as the heir<br />

of the Ottoman Empire. In addition,<br />

Turks were identified with Islam, which<br />

was the source of religious enmity and<br />

accompanied political disputes that<br />

have made Turkey a “negative point<br />

of reference for [the] symbolic construction<br />

of the local political communit[ies]”<br />

(Gkintidis, 2013). The refugee<br />

exchanges between Turkey and Greece<br />

and Greece and Bulgaria have caused<br />

the homogenization of the previously<br />

heterogeneous region (Karakasidou,<br />

1997). After the establishment of new<br />

nation states, the long standing hostilities<br />

and the exchange of minorities<br />

between them, the basic characteristic<br />

of the border regions in the Thrace region<br />

during the 20 th century could be<br />

described as alienation, since the dominant<br />

narrative of the respective nation<br />

states was nationalism accompanied<br />

by strong political and administrative<br />

dependence on the centre in combination<br />

with military fortification along<br />

the borders (Gkintidis, 2013; Mazower,<br />

2001).<br />

With the end of the Cold War the<br />

border milieu started to change slowly<br />

but significantly. First, trade liberalization<br />

in Bulgaria has increased the<br />

volume of trade as well as the cultural<br />

contacts between the two countries<br />

and bordering provinces. Second, with<br />

the official EU candidacy of two countries<br />

and Bulgaria’s membership in<br />

2007, the EU has become an important<br />

facilitator of bilateral relations. The<br />

EU’s external, enlargement, integration<br />

and regional policies, programmes and<br />

funds have reshaped the context in<br />

which the border region is defined. The<br />

pre-accession instrument in general<br />

and CBC in particular have contributed<br />

to this change significantly. Regional<br />

policies of the EU and the new regionalist<br />

turn in national politics provided<br />

new opportunities and perspectives for<br />

regional development, and also forced<br />

the regions to rely less and less on decreasing<br />

central state investments and<br />

to look more towards utilizing endogenous<br />

resources. The CBC programmes<br />

of the EU emerged as one of these opportunities<br />

that encouraged border regions<br />

to turn toward the other side of<br />

the border instead to their capital cities<br />

(Sezgin and Erkut, 2014).<br />

The historical institutionalist approach<br />

allows interpreting CBC as a<br />

part of Turkey’s alignment with EU’s<br />

policies as well as a part of the wider<br />

economic and political dynamics prevailing<br />

within the EU. From the historical-<br />

institutionalist lens CBC in<br />

Edirne- Kırklareli border region collides<br />

with the EU candidacy of Turkey,<br />

which can be considered as a critical<br />

juncture in country’s history. Although<br />

Turkey’s orientation towards EU membership<br />

dates back to 1960’s, the official<br />

candidacy status granted in 2005<br />

marks a considerable change in Turkey-<br />

EU relations, including the rise<br />

in the EU funds. CBC in the EU is a<br />

part of the Union’s European integration<br />

and regional development goals.<br />

Turkey’s regional policies also have<br />

changed in accordance, shifting from<br />

redistribution of resources at national<br />

level until 1990’s to entrepreneurialism<br />

and competition in 2000’s (Bayırbağ,<br />

2013; Dulupçu, 2005). In the context<br />

of border regions, this entrepreneurial<br />

position necessitated a transformation<br />

in the perception of the other side of<br />

the border, particularly at the local level.<br />

Enmity and alienation had to be replaced<br />

with a partnership perspective,<br />

since the neighbouring country and<br />

region were no longer negative reference<br />

point for national identity but an<br />

endogenous resource that holds the<br />

potential to enlarge the existing market<br />

and compete internationally.<br />

The structure within which CBC<br />

projects are realized can best be defined<br />

with its constituting rules and regulations.<br />

The Procurement and Grants for<br />

European Union External Actions tendering<br />

procedure (PRAG) is the main<br />

EU-originated law, which affects CBC<br />

processes in the Edirne- Kırklareli border<br />

region. This law is a set of rules that<br />

define grant and procurement mechanisms<br />

of EU funds (EC, 2014). The<br />

contents of these rules are outside the<br />

scope of this study. Rather, particular<br />

importance is given to the contradictory,<br />

dual structure that has emerged<br />

over the course of the CBC projects’<br />

implementation process. Grants are allocated<br />

according to PRAG rules and<br />

the use of these grants is also subject<br />

to tendering procedures put in place<br />

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277<br />

by the same rules. More concretely,<br />

spending money within a CBC project<br />

can only be done in accordance<br />

with PRAG procedures. However, local<br />

actors, particularly from the public<br />

sector, are also obliged to obey the<br />

national procurement law. In the event<br />

that PRAG rules and the national procurement<br />

law contradict each other, it<br />

is not clear how project beneficiaries<br />

should act.<br />

During the field study, it was observed<br />

that across the board, all public<br />

project beneficiaries were under stress<br />

during the tendering process because<br />

of this contradiction. On the one hand,<br />

complying with PRAG procedures<br />

is necessary to ensure project payment,<br />

as project spending is done in<br />

advance and reimbursement of funds<br />

is completed only after inspection by<br />

independent controllers. On the other<br />

hand, public organizations can be audited<br />

anytime by national authorities,<br />

looking to ensure that expenditures are<br />

in compliance with the relevant public<br />

procurement law despite the fact that<br />

some items of which contradict PRAG<br />

tendering procedures. As a temporary<br />

solution, the Ministry of EU Affairs authorities<br />

have written official letters to<br />

the Ministry of the Interior explaining<br />

the situation and asking for the necessary<br />

understanding for project beneficiaries<br />

(Personal Interview, 2013).<br />

Despite informal efforts at the central<br />

state level, the absence of legal clarity<br />

for some interlocutors is one of the<br />

most discouraging factors in terms of<br />

participation in CBC<br />

Independent from the legal transformation<br />

aspect, tendering procedures<br />

have complied with PRAG criteria<br />

without a significant problem<br />

until now, and have had transformative<br />

effects at the local scale, even if not always<br />

in a positive way. Various interlocutors<br />

have described their way of<br />

doing business, the “Turkish style”, as<br />

focusing on the things that have to be<br />

done instead of the procedures themselves.<br />

They rely on informal networks<br />

and trust to accomplish their missions,<br />

and rate legal procedures as being of<br />

secondary importance. Therefore, for<br />

the sake of efficiency, even in the public<br />

sector, they are used to completing the<br />

practical work first and setting out to<br />

“filling out the necessary paperwork”<br />

later. This is an informal relationship<br />

based on personal relations and trust<br />

in which local public and private actors<br />

openly credit each other and believe<br />

that they will act in a way that will not<br />

cause any problem in the future. Yet the<br />

procedures of CBC do not leave room<br />

for the Turkish style of doing business,<br />

which, according to most of the project<br />

beneficiaries, leads to inefficiency and<br />

an increase in the costs of projects.<br />

Despite the legal difficulties described<br />

above, theoretically, the process<br />

of applying for CBC funding is<br />

open to any institution located in the<br />

border region. However, the laws and<br />

regulations defined by both the EU<br />

and the Turkish government constrain<br />

a large number of organizations that<br />

would otherwise participate in CBC.<br />

The constraints include first the IPA<br />

procedures that allocate 20% of the<br />

project budget as an advance and allow<br />

for reimbursement only after tenders<br />

are completed. This is a process that<br />

practically eliminates organizations<br />

with low budgets. Second national regulations<br />

restrict organizations seeking<br />

CBC funding that owe tax and social<br />

insurance debts to the state. Third, for<br />

many public organizations, such as<br />

schools, legally it is impossible to apply<br />

for CBC funding, since their annual<br />

budget is centrally planned to cover<br />

only substantial costs such as salaries<br />

and maintenance. However, CBC procedures<br />

necessitate the allocation of<br />

internal resources, even if only temporarily.<br />

During this field study, it was observed<br />

that most project beneficiaries<br />

have participated in more than one<br />

project and regularly apply for CBC<br />

funding. These organizations also<br />

constitute a considerable share of institutions<br />

with sufficient financial and<br />

human resources to both prepare and<br />

implement projects. Consequently,<br />

CBC remains in the hands of a limited<br />

number of people and it is difficult for<br />

a newcomer to enter the club. Organizations<br />

in the region are constrained by<br />

laws, regulations and the level of socioeconomic<br />

development of the region,<br />

and only the forerunners in terms of<br />

financial and human resources manage<br />

to benefit from CBC funding.<br />

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278<br />

The legal structure constituted by<br />

the EU and Turkish laws and legislations<br />

limits the institutional framework<br />

of CBC. And its interpretation<br />

necessitates the use of the sociological<br />

institutionalist lens. Accordingly<br />

CBC practices that take place in the<br />

Edirne- Kırklareli border region are<br />

constrained by the various multi-scalar<br />

factors that stretch from the EU to<br />

the national levels. At the EU level the<br />

PRAG procedures impose their own<br />

way of doing business, which interrupts<br />

the “Turkish Style” and attempts<br />

to change it according to predefined<br />

standards. This institutional change<br />

also faces considerable resistance as the<br />

Turkish national authorities hesitate to<br />

take necessary steps for harmonizing<br />

PRAG procedures and national legislation.<br />

In a similar manner, constrains arising<br />

from the national legislation also<br />

restrict the CBC actors in the region.<br />

At this scale restriction appears as setting<br />

the legal limits that while enable<br />

some actors to participate in CBC, restrict<br />

others. Within this context, sociological<br />

institutionalism’s perspective<br />

allows interpreting CBC as a limited<br />

institutional structure in which only<br />

selected actors are allowed to take part.<br />

This perspective opposes the rational<br />

choice institutionalism by arguing that<br />

a particular institutional context is not<br />

created by and through the participation<br />

of all rationally behaving actors<br />

but by only a limited part of them. The<br />

legal system in this context represents<br />

the social structure that from the sociological<br />

institutionalist perspective<br />

determines the institutional framework<br />

of CBC. However motivations of<br />

CBC actors and the practices they have<br />

established during their personal CBC<br />

histories still contains room for rational<br />

choice institutionalist interpretation.<br />

It is possible to conceptualize CBC as<br />

an imaginary common-pool resource<br />

where actors compete and cooperate<br />

to use and manage EU funds. Cooperation<br />

between partners displays behaviours<br />

based on trust relationships.<br />

A typical example is the partner choosing<br />

process, where organizations prefer<br />

to participate in CBC with partners<br />

they already know. Moreover, among<br />

project beneficiaries who have managed<br />

more than one CBC project, it is<br />

common to cooperate with the same<br />

partner because of trust relationships<br />

based on previous experience. Another<br />

common practice among partners is to<br />

apply simultaneously to two projects,<br />

where one partner becomes leader in<br />

one project and the second in the other.<br />

This allows them to use their resources<br />

more efficiently, reduce the risks of not<br />

being awarded by funding and increase<br />

their share taken from the pool.<br />

There is a general agreement that<br />

CBC funding, particularly in terms of<br />

infrastructure projects, provides opportunities<br />

for municipalities. However,<br />

not all of them can be involved<br />

in CBC and use EU funding. As mentioned<br />

above, any institution that<br />

would like to participate in CBC must<br />

not owe taxes or social insurance debts<br />

to the state. This precondition reduces<br />

the number of municipalities participating<br />

in CBC. Some of them have no<br />

choice but to abstain from CBC, since<br />

it is impossible for them to pay their<br />

debts. For the others, they face the dilemma<br />

of locating enough capital to<br />

pay their debts in order to participate<br />

in CBC (and also other programmes,<br />

such as those of RDAs) or opt out altogether.<br />

Usually officials perform a<br />

cost and benefit analysis prior to making<br />

a final decision. If they see that the<br />

benefit from participating in a project<br />

exceeds their debts they chose the<br />

first option. Moreover, the tendency<br />

towards participating in infrastructure-related<br />

CBC projects can also be<br />

(partially) explained by the same argument,<br />

since these projects are argued<br />

to be more cost effective than soft projects,<br />

which according to some interlocutors,<br />

were considered a “waste of time<br />

and money”.<br />

5. Conclusion<br />

The new institutionalist strands provide<br />

explanations for the institutional<br />

structure of CBC from their own perspectives.<br />

In general this study argues<br />

that CBC has emerged as a result of<br />

several socio- economic dynamics that<br />

have affected the social and institutional<br />

organizations of human societies<br />

along with CBC. The enlargement,<br />

integration and regional policies of the<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • E. Sezgin, G. Erkut


279<br />

EU as well as their preconditioning dynamics<br />

such as globalization and the<br />

end of the cold war, from a historical<br />

institutionalist perspective, have created<br />

a path dependent process resulting<br />

with CBC.<br />

CBC should be understood as an<br />

integral part of the social structure<br />

of the border region in which it takes<br />

place. Although historical dynamics<br />

are influential in the formation of the<br />

social structure, the place and context<br />

based conditions vary from one border<br />

region to the other, necessitating<br />

developing a unique conceptualization<br />

for each case. The sociological institutionalist<br />

perspective allows positioning<br />

CBC in the Edirne- Kırklareli border<br />

region within its context by providing<br />

links to the EU and national laws, the<br />

contradictions between them, the given<br />

bureaucratic structure of the Turkish<br />

nation state and CBC practices.<br />

This strand of institutionalism allows<br />

interpreting CBC as a context bound<br />

phenomena reflecting the established<br />

social structure in the region.<br />

Independent from the social context,<br />

however, CBC actors have some<br />

common motivations and expectations<br />

that the rational choice strand of new<br />

institutionalism allows to grasp. Especially<br />

the profit maximizing behaviour<br />

of CBC participants that orients them<br />

to prefer infrastructure projects over<br />

the soft ones, and to tend to cooperate<br />

with the same partners because of trust<br />

related issues are among the best examples<br />

of the rational choice point of view<br />

in CBC.<br />

Apart from the explanations the<br />

three strands of new institutionalism<br />

individually provide, new institutionalist<br />

theory also proves to be useful<br />

in understanding the ongoing social<br />

change in the region through the<br />

five consolidation points of the three<br />

strands. The tension between the national<br />

laws and EU regulations, for<br />

example, reflects the duality between<br />

continuity and change. If a separation<br />

between the three layers of CBC governance,<br />

the supranational, the national<br />

and the regional, would be done for<br />

analytical purposes, then the national<br />

level can be defined as the one that<br />

stands for continuity against the tendency<br />

to change imposed by the supranational<br />

and the regional levels. Here<br />

change is imposed mainly by global<br />

dynamics that necessitate a structural<br />

transformation of the economic and<br />

political system. This transformation is<br />

capitalist in nature, hence strongly related<br />

to the global dynamics of capital<br />

accumulation. Accordingly, the concentration<br />

of political power is shifting<br />

from nation states; upwards towards<br />

global and supranational institutions<br />

and downwards towards subnational<br />

regions (Jessop, 2003; Swyngedouw,<br />

1997). Within this context change appears<br />

as result of the path dependent<br />

processes of capital accumulation. And<br />

the resistance of nation state’s institutions<br />

is related to taking control over<br />

the newly emerging policy fields, such<br />

as CBC and their related institutions.<br />

The continuity-change dichotomy is<br />

also observed in the design of institutions.<br />

In the case of CBC, the conflict<br />

between the national and the EU regulations<br />

is a reflection of this dichotomy.<br />

On the one hand CBC in Edirne- Kırklareli<br />

has been initiated by the financial<br />

and institutional support of the EU;<br />

hence it is designed in accordance to its<br />

institutional framework, which is also<br />

applied with almost the same procedures<br />

to other candidate countries. On<br />

the other hand, a radical institutional<br />

change triggered by CBC is not possible<br />

because of the already established<br />

national administrative structure that<br />

has its own agenda and the lack of institutional<br />

capacity in the region. Instead<br />

regulation, supervision and even participation<br />

to CBC are done by existing<br />

public and civil society organizations<br />

within the national institutional framework.<br />

In this context, from a sociological<br />

institutionalist perspective CBC is<br />

representing one of the various aspects<br />

of public administration, in which existing<br />

regulations and resources, especially<br />

in terms of human capital are<br />

used; and established ways of doing<br />

business are applied. Hence actors involved<br />

in CBC are constrained by the<br />

national institutional structure which<br />

imposes its own conditions against the<br />

external pressure for change coming<br />

from the EU. As a result, although a variety<br />

of organizations are involved, an<br />

institutional diversity is hardly observable<br />

due the structural constrains that<br />

Cross border cooperation in Edirne-Kırklareli border region: New institutionalist perspectives


280<br />

limit and shape the general framework<br />

of CBC in the region.<br />

However, through CBC practices a<br />

change, albeit slow in pace is initiated<br />

in the region. This change is partly a response<br />

to new regionalist policies that<br />

reduce the amount of investments of<br />

the central state and force regional/ local<br />

authorities to compete for resources<br />

necessary for their basic service provisions.<br />

In the lack of the central state<br />

investments local institutions tend<br />

to increase their profits and perceive<br />

CBC as an endogenous resource that<br />

contributes to their competitiveness in<br />

front of the internal regions and they<br />

invent methods for bypassing the institutional<br />

factors that constrain them<br />

from using it. These methods become<br />

the institutionalized practices of CBC<br />

in the region.<br />

Change is also partly initiated by<br />

the will of local society, as a result of<br />

reduced central state control and increasing<br />

interactions among the two<br />

sides of the border. The existence of the<br />

border has become a resource, the efficiency<br />

of which can be maximized only<br />

through its mutual management. CBC,<br />

although invented and developed by<br />

the EU’s institutional framework, is being<br />

used as a catalyser for that purpose.<br />

In this sense, as Elinor Ostrom (2005)<br />

has pointed out from a rational choice<br />

point of view, cooperation, rather than<br />

competition emerges as the most efficient<br />

way of dealing with the changing<br />

political and economic conditions.<br />

Practices of cooperation and competition<br />

shape the institutionalization process<br />

of CBC in the Edirne- Kırklareli<br />

border region by large, but they also<br />

have emerged as a response to the central<br />

state’s control mechanisms of CBC,<br />

which in turn are a response to the EU<br />

policies that intervene to the established<br />

national institutional structure.<br />

The institutionalization of CBC in<br />

this way comes full circle: CBC has<br />

emerged within a global and international<br />

context as a result of various<br />

economic and political dynamics.<br />

Especially at the national scale, it has<br />

been applied within the framework of<br />

existing legal structure and institutional<br />

context established for different purposes;<br />

and finally has been shaped by<br />

the institutional practices that are most<br />

creatively invented at the local level to<br />

overcome the institutional constrains.<br />

Acknowledgements<br />

This paper is produced from the<br />

PhD dissertation entitled “The Impacts<br />

of State Transformation Processes on<br />

Border Regions: A Reading Through<br />

Cross Border Co-Operation” prepared<br />

by the corresponding author and with<br />

the institutional and financial support<br />

of ITU- Scientific Research Support<br />

Department; TÜBİTAK- Science Fellowships<br />

and Grant Programmes Department;<br />

and Radboud University Nijmegen-<br />

Centre for Border Research.<br />

The authors wish to thank to these institutions<br />

as well as to the two anonymous<br />

referees.<br />

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adaylık statüsü elde etmesi ile taçlanan<br />

batılılaşma süreci ve buna bağlı olarak<br />

hem bölgesel politikalar hem de kamu<br />

yönetimi alanlarında yaşanan kurumsal<br />

dönüşüm süreçlerini kapsamaktadır.<br />

AB ölçeğinden bakıldığında ise<br />

birliğin 29 üye ülkeyi içerecek şekilde<br />

genişlemesi ve bu genişlemeye bağlı<br />

olarak uyum ve bütünleşmeyi sağlayacak<br />

politikaların geliştirilmesi gerekliliği<br />

en önemli etkenler olarak ortaya<br />

çıkmaktadır. Bu çerçevede ulus üstü,<br />

ulusal ve yerel/ bölgesel ölçeklerin<br />

dahil olduğu yönetişim modellerinin<br />

geliştirilmesi olanaklı olmuştur. AB’de<br />

sınır ötesi işbirliği de bu bağlamda ortaya<br />

çıkmaktadır.<br />

Yerel, ulusal ve küresel dinamiklerin<br />

etkisi ile şekillenen sınır ötesi işbirliğinin<br />

kurumsallaşmasını araştırmak<br />

bahsedilen bu farklı ölçek ve süreçlerin<br />

belirli bir yerleşim alanı üzerine olan<br />

etkilerini anlamak açısından önem<br />

teşkil etmektedir. Bu çalışma söz konusu<br />

araştırmayı yeni kurumsalcılık<br />

kuramını ve onun farklı yaklaşımları<br />

olan üç ayrı kolunu, yani rasyonel seçim,<br />

sosyolojik ve tarihsel kurumsalcılık<br />

yaklaşımlarını kullanarak yapmayı<br />

hedeflemektedir. Yeni kurumsalcılığın<br />

bu üç ayrı kolu, toplumsal kurumlar<br />

konusunda birbirinden ayrışan ve zaman<br />

zaman çelişen yaklaşımlara sahiptir.<br />

Rasyonel seçim kurumsalcıları<br />

insanın, çıkarlarını maksimize etmek<br />

üzere hesaplar yapan ve bunun sonucunda<br />

hareket eden bir varlık olduğu<br />

kabulü ile hareket ederler. Bu bakış<br />

açısı ile toplumsal kurumlar, insanlar<br />

arasında güven eksikliğinden doğan<br />

maliyetleri minimize etmek üzere kument?,<br />

Regional Studies, 47 (7), 1034-<br />

1047.<br />

Sezgin, E. and Erkut, G. (2014).<br />

Avrupa birliği üyelik sürecinde türkiye’de<br />

sınır bölgeleri ve sınırötesi<br />

işbirliği: Edirne- Kırklareli örneği,<br />

(Border regions and cross border cooperation<br />

in turkey in the process of<br />

european membership: The case of Edirne-<br />

Kırklareli), Megaron, 9 (3), 228-<br />

240<br />

Smith, D. E. (2008). Institutional<br />

ethnography. In Given, L. M. (Ed.),<br />

The Sage encyclopedia of qualitative research<br />

methods (pp. 433- 436). London,<br />

UK: Sage Publications.<br />

Swyngedouw, E. (1997). Neither<br />

global nor local, Glocalization and the<br />

politics of scale. In Cox, K. R. (Ed.),<br />

Spaces of globalization, reasserting the<br />

power of the local (pp. 137- 166). New<br />

York: The Guilford Press.<br />

Van der Veen, A. and Boot, D.J.<br />

(1995). Crossborder cooperation and<br />

european regional policy. In Eskelinen<br />

H. and Snickars F. (Eds.), Competitive<br />

european peripheries (pp. 75- 94), Berlin,<br />

Germany: Springer Publishing.<br />

Edirne-Kırklareli sınır bölgesinde<br />

sınır ötesi işbirliği: Yeni kurumsalcı<br />

yaklaşımlar<br />

Avrupa Birliği (AB) Katılım Öncesi<br />

Mali Yardım Aracı kapsamında Türkiye<br />

ve Bulgaristan arasında 15 yılı<br />

aşkın bir süredir sınır ötesi işbirlikleri<br />

gerçekleştirilmektedir. Sınır ötesi işbirliği<br />

programının uygulandığı Edirne-<br />

Kırklareli sınır bölgesinde, il özel idareleri<br />

ve kaymakamlıklar gibi merkezi<br />

devlet kurumları, yerel yönetimler, iş<br />

örgütleri ve sivil toplum kuruluşları<br />

gibi toplumun farklı kesimlerinden aktörler<br />

proje faydalanıcısı olarak sürece<br />

dahil olmuş; AB Bakanlığı ve Kalkınma<br />

Bakanlığı başta olmak üzere farklı<br />

ulusal kuruluşlar ve AB’nin ilgili kurumları<br />

ile birlikte çok katmanlı bir yönetişim<br />

yapısı oluşturmuşlardır.<br />

Bu süreç, bölgede, sınır ötesi işbirliği<br />

programı etrafında farklı kuruluşların<br />

birbirileri ile etkileşim içinde dahil<br />

olduğu, kendi mevzuatı ve gündelik<br />

pratikleri olan bir kurumsal yapının<br />

oluşmasına yol açmıştır. Sınır ötesi<br />

işbirliğinin kurumsallaşması süreci,<br />

Edirne- Kırklareli sınır bölgesine özgü<br />

yerel dinamikler ile birlikte; ulusal ve<br />

ulus üstü düzeyde meydana gelen sosyal-<br />

politik dönüşümlerin ve tarihsel<br />

süreçlerin etkisi altında gelişmektedir.<br />

Söz konusu yerel dinamikler, güven<br />

ilişkilerine dayalı olarak yürütülen işbirliği<br />

projeleri; iki toplum arasında<br />

buna bağlı olarak geliştirilen ilişkileri;<br />

ve sınır ötesi işbirliklerine dahil olan<br />

çeşitli aktörler arasındaki güç ilişkileri<br />

olarak ortaya çıkmaktadır. Ulusal ölçekte<br />

meydana gelen dinamikler Türkiye’nin<br />

2005’te AB üyeliği için tam<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • E. Sezgin, G. Erkut


283<br />

rulmuştur ve bunu başarabildikleri<br />

ölçüde toplumda yerleşirler. Tarihsel<br />

ve sosyolojik kurumsalcı yaklaşımlar<br />

bu bakış açısına farklı yönlerden itiraz<br />

etmektedirler. Tarihsel kurumsalcılara<br />

göre toplumsal kurumlar uzun tarihsel<br />

süreçler boyunca şekillenen toplumsal<br />

dinamiklerinin doğal birer sonucu olarak<br />

oluşurlar. Örneğin kapitalizm bu<br />

tür bir tarihsel- toplumsal dinamiktir.<br />

Kapitalizm tarihsel gelişim süreci içinde<br />

hegemonik bir güç haline gelmiş ve<br />

kendi kurumsal yapısını oluşturmuştur.<br />

Tüm toplumsal kurumlar da yol<br />

bağımlılığı kavramı ile ifade edilen bir<br />

zorunluluk ilişkisi içerisinde kapitalizmin<br />

kurumsal yapısının bir gerekliliği<br />

olarak ortaya çıkarlar ya da işlevlerini<br />

yitirirler. Sosyolojik kurumsalcılık ise<br />

tarihsel süreçlerden ziyade bir toplumsal<br />

yapıda mevcut güç ilişkileri ve<br />

o yapıya özgü dinamiklerin toplumsal<br />

kurumların şekillenmesinde etkili olduğunu<br />

savunmaktadır. Hem toplumsal<br />

kurumların varlığı hem de onların<br />

yönetim ve işleyişi bu güç ilişkilerinin<br />

birer yansımasıdır.<br />

Bu çalışma, Edirne- Kırklareli sınır<br />

bölgesinde gerçekleşen sınır ötesi işbirliklerini<br />

ve bu doğrultuda oluşan<br />

kurumsal yapıyı, yeni kurumsalcılık<br />

kuramının bu üç farklı yaklaşımı açısından<br />

değerlendirmektedir. Bu çerçevede,<br />

tarihsel kurumsalcılık bakış<br />

açısı ile Türkiye’nin AB üyelik süreci,<br />

soğuk savaş dönemi boyunca süren sınır<br />

bölgeleri politikalarını dönüştüren<br />

bir kritik kavşak, fakat aynı zamanda<br />

da Cumhuriyet’in kuruluşundan beri<br />

hedeflenen batılılaşmanın devamını<br />

imleyecek bir yol bağımlılığı süreci<br />

olarak değerlendirilmiştir. Sosyolojik<br />

kurumsalcı bakış açısı ile AB bölgesel<br />

politikalarının bir parçası olan sınır<br />

ötesi işbirliği, ulus üstü, ulusal ve yerel<br />

ölçeklerden farklı çıkarlara sahip olan<br />

aktörler arasındaki güç ilişkilerinin<br />

bir yansıması olarak değerlendirilmiştir.<br />

Sınır ötesi işbirliklerinin yasal çerçevesi<br />

ve proje başvuruları sırasında<br />

uygulanan eleme yöntemleri de aynı<br />

bağlamda ele alınmıştır. Sınır ötesi işbirliklerine<br />

katılan aktörlerin katılma<br />

sebepleri ve ortak seçme süreçleri ise<br />

rasyonel seçim kurumsalcı bakış açısı<br />

ile ve çıkar maksimizasyonu bakış açısı<br />

ile değerlendirilmiştir.<br />

Çalışma, bu farklı kuramsal bakış<br />

açılarının birbirilerini dışlayan ya da<br />

birbirilerine zıt yaklaşımlar olmadıklarını,<br />

aksine aynı olguya farklı açılardan<br />

yaklaştıklarını iddia etmektedir. Bu nedenle<br />

bu farklı bakış açılarının sentezi,<br />

Edirne- Kırklareli bölgesindeki sınır<br />

ötesi işbirliğinin kurumsallaşmasını<br />

kavramak açısından önem taşımaktadır.<br />

Çalışma bölgede sınır ötesi işbirliği<br />

sürecine dahil olan aktörlerden 49’u<br />

ile, sınır ötesi işbirliğinin kurumsallaşma<br />

sürecini incelemek amacı ile 2013<br />

yılında gerçekleştirilen bir saha araştırmasına<br />

dayanmaktadır.<br />

Cross border cooperation in Edirne-Kırklareli border region: New institutionalist perspectives


ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • 285-306<br />

Modelling road traffic noise<br />

annoyance by listening tests<br />

Mine AŞCIGİL DİNCER 1 , Sevtap YILMAZ 2<br />

1<br />

mineascigil@gmail.com • Department of Architecture, Faculty of Architecture,<br />

Istanbul Technical University, Istanbul, Turkey<br />

2<br />

demirkale@itu.edu.tr • Department of Architecture, Faculty of Architecture, Istanbul<br />

Technical University, Istanbul, Turkey<br />

Received: July <strong>2015</strong> Final Acceptance: October <strong>2015</strong><br />

Abstract<br />

Noise annoyance studies evaluate people’s responses to noise exposure, questioning<br />

how much they are annoyed by a certain type of environmental noise. In<br />

accordance with Environmental Noise Directive (2002/49/EC) by the EU Parliament<br />

and Council, noise annoyance dose-effect relations are determined by noise<br />

maps and questionnaires with respondents living in a certain area. The aim of this<br />

study is to build a noise annoyance model using listening tests, by examining factors<br />

which effect road traffic noise annoyance levels. In this study, listening tests<br />

are prepared using sound clips of traffic noises which are listened to in laboratory<br />

conditions. Road traffic noises are recorded for each vehicle type, taking into<br />

account possible vehicle speeds, traffic flow types, road slopes and road surfaces.<br />

Sound clips are formed according to road types and filtered to simulate sound<br />

propagation in various city conditions. Sound clips are then filtered with façade<br />

sound insulation values to simulate the sounds heard inside houses. Respondents<br />

are asked how much they are annoyed when they listen to the sound clips with<br />

headphones and imagine they are resting inside their houses. The results are<br />

analyzed and responses are investigated to form a road traffic noise annoyance<br />

model. This model provides the opportunity to transform raw data (traffic, road<br />

and settlement) directly into annoyance. The information on the effects of traffic<br />

elements, road properties and settlement types on noise annoyance can easily be<br />

used for planning new areas or noise action plans.<br />

Keywords<br />

Listening test, Noise annoyance, Road traffic noise.


286<br />

1. Introduction<br />

Environmental noise is unwanted or<br />

harmful sound, usually generated by<br />

activities such as road traffic, railways,<br />

air transport, industry, recreation and<br />

construction. People are exposed to<br />

environmental noise at various places<br />

including their homes, schools or<br />

workplaces (Kang, 2007). The potential<br />

health effects of environmental noise<br />

include ear discomfort, speech interference,<br />

aural pain, sleep disturbance,<br />

startle and defense reactions, hearing<br />

impairment, cardiovascular effects,<br />

performance reduction, and annoyance<br />

responses (WHO, 2000).<br />

Environmental noise annoyance<br />

and sleep disturbance effects are taken<br />

seriously by the European Union.<br />

The main objective of “Assessment and<br />

Management of Environmental Noise<br />

(2002/49/EC)” Directive (EU Parliament<br />

and Council, 2002) is to define a<br />

common approach intended to avoid,<br />

prevent or reduce the harmful effects,<br />

including annoyance, due to exposure<br />

to environmental noise. Turkey adapted<br />

this Directive (T.C. Çevre ve Orman<br />

Bakanlığı, 2010) with the same purposes<br />

and is working on implementing it.<br />

The term, ‘annoyance’ is defined in<br />

the Directive as ‘the degree of community<br />

noise annoyance as determined by<br />

means of field surveys’. The Directive<br />

states that dose-effect relations, that is<br />

the relation between annoyance and a<br />

noise indicator, should be used to assess<br />

the effect of noise on population.<br />

Noise indicator for annoyance given in<br />

the Directive is L den<br />

, day-evening-night<br />

level in decibels. This indicator may be<br />

used to assess annoyance for road, rail<br />

and air traffic noise, and for industrial<br />

noise (EU Parliament and Council,<br />

2002).<br />

European Commission Working<br />

Groups published dose-effect relations<br />

for transportation noise, created from<br />

socio-acoustic surveys, made in countries<br />

of North Europe, North America<br />

and Australia (WG-HSEA, 2002).<br />

These relationships do not necessarily<br />

apply to other countries. Some dose effect<br />

relation studies conclude that, social,<br />

psychological or economic factors,<br />

are far more important than acoustic<br />

or physical factors (Guski, 1997) (Job,<br />

1988). Numerous studies show that the<br />

indicators used, such as A-weighted<br />

values or L den<br />

and L night<br />

, do not reflect<br />

many aspects of annoyance (Phan et<br />

al., 2009) (Persson Waye & Rylander,<br />

2001) (Kang, 2007).<br />

This study is part of a research for<br />

composing an approach for developing<br />

road traffic noise annoyance prediction<br />

model. In the research, noise<br />

mapping and socio-acoustic surveying<br />

and listening test techniques are used<br />

to develop and validate the prediction<br />

model for an urban area. In a previous<br />

study by the authors of this article,<br />

noise maps and socio-acoustic surveys<br />

were used to form dose-effect relations<br />

for road traffic noise for Besiktas district<br />

in Istanbul, Turkey (Badino et al.,<br />

20<strong>12</strong>). Dose-effect relations in Besiktas<br />

district proved to be different from<br />

relations recommended by European<br />

Commission (WG-HSEA, 2002). This<br />

divergence could be caused by differences<br />

in non-acoustical factors, by<br />

differences in characteristics of road<br />

vehicles or of built environment, or<br />

by inadequacy of noise indicators. In<br />

Standards on<br />

traffic noise<br />

Test track options<br />

Statistical data<br />

on traffic<br />

Traffic data from<br />

noise map<br />

Traffic data from<br />

on-site research<br />

Data from noise<br />

prediction model<br />

Traffic sound<br />

recordings data<br />

Sound<br />

recordings<br />

1<br />

Start sound recordings<br />

Determine<br />

recording<br />

conditions<br />

Determine types<br />

of vehicles and<br />

driving conditions<br />

Conduct traffic noise<br />

recordings on site<br />

Enough samples?<br />

End sound recordings<br />

Figure 1.a. Methodology flowchart, Part 1: sound recordings.<br />

A<br />

Yes<br />

No<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • M. Aşcıgil Dincer, S. <strong>Yıl</strong>maz


287<br />

Statistical data<br />

on traffic<br />

Traffic data from<br />

noise map<br />

Traffic data from<br />

on-site research<br />

Data from Good<br />

Practice Guide<br />

1<br />

Urban<br />

settlement<br />

data<br />

Sound<br />

prop. data<br />

Data on<br />

façade<br />

elements<br />

On-site &<br />

laboratory<br />

sound<br />

insulation<br />

measurement<br />

Sound clips<br />

for listening<br />

tests<br />

A<br />

Form sound clips for<br />

road types<br />

Create geometric divergence and<br />

atmospheric absorption filters<br />

Determine urban<br />

sound propagation<br />

characteristics<br />

End sound clips<br />

2 B<br />

Start sound clips<br />

Determine road<br />

type<br />

characteristics<br />

Create urban sound prop. filters<br />

Create sound insulation filter<br />

Form sound clips<br />

Sound clips for<br />

road types<br />

GD&AA<br />

filter<br />

Urban<br />

prop. filter<br />

Insulation<br />

filter<br />

Figure 1.b. Methodology flowchart, Part 2: sound clips.<br />

<br />

this study, with the aim of analyzing<br />

the issue further, road traffic noise annoyance<br />

listening tests are designed for<br />

the same district. People living in the<br />

same district listen to traffic sounds at<br />

levels which may be heard inside their<br />

homes and rate the annoyance they<br />

experience. The results are analyzed<br />

to understand the factors effecting annoyance<br />

levels and a road traffic noise<br />

annoyance model is formed using analyzed<br />

results.<br />

Listening tests are used to evaluate<br />

people’s responses to noise in a controlled<br />

environment, such as a laboratory.<br />

Listening tests may be used for<br />

evaluating urban soundscapes or environmental<br />

noises such as transportation<br />

noise. Rychtarikova and Vermeir<br />

(2013) assessed soundscapes by listening<br />

tests using binaurally recorded<br />

sound in urban public places. Viollon<br />

et al. (2002) assessed how listener’s<br />

judgments of a set of urban sound environments<br />

were affected by visual settings.<br />

Trolle et al. (2008), analyzed the<br />

auditory perception of environmental<br />

noises transmitted through a simulated<br />

window via listening tests. Yifan<br />

et al. (2008) experimented on annoyance<br />

ratings of noise samples with different<br />

frequency spectrums but same<br />

A-weighted levels. Barbot et al. (2008)<br />

investigated acoustic features of aircraft<br />

noise which could be improved<br />

by aircraft manufacturers from a sound<br />

design point of view. Lavandier et al.<br />

(2011) used aircraft flyover sounds to<br />

rate the level of activity disturbance<br />

due to the noise environment when<br />

carrying out memory and concentration<br />

tasks.<br />

There are some listening test studies<br />

on certain properties of traffic noise annoyance.<br />

Freitas et al. (20<strong>12</strong>) executed<br />

listening tests for road traffic noise, using<br />

different road surfaces, car speeds<br />

and traffic densities. Trolle et al. (<strong>2015</strong>)<br />

investigated sound unpleasantness due<br />

to urban road traffic at crossroads by a<br />

listening test and discovered that type<br />

of crossroad, traffic lights and heavy<br />

vehicle content effect annoyance. Nilsson<br />

(2007) executed listening tests on<br />

road traffic noise with strong low frequency<br />

content and found them to be<br />

more annoying. Paviotti & Vogiatzis<br />

(20<strong>12</strong>) investigated pedestrian annoyance<br />

from scooter and motorbike noise<br />

and found masking effect by general<br />

traffic to be effective. Torija & Flindell<br />

(2014) examined low height roadside<br />

barrier’s effects on annoyance by listening<br />

tests. Sandrock et al. (2008) executed<br />

listening tests on acute annoyance<br />

due to trams, buses and trucks, finding<br />

task performance and single pass-by<br />

versus realistic traffic flow to be effective<br />

in annoyance levels.<br />

In this study, listening tests are conducted<br />

using sound clips of road traffic<br />

noises which are listened to in laboratory<br />

conditions. Road traffic noises are<br />

recorded for each vehicle type, taking<br />

into account possible vehicle speeds,<br />

traffic flow types, road slopes and road<br />

surfaces. Sound clips are formed according<br />

to road types and filtered to<br />

simulate sound propagation in various<br />

city conditions. Sound clips are then<br />

filtered with façade sound insulation<br />

values to simulate the traffic sounds<br />

Modelling road traffic noise annoyance by listening tests


288<br />

heard inside houses. Questionnaire<br />

respondents are asked to listen to the<br />

sound clips with headphones and<br />

imagine they are resting inside their<br />

houses. The results are analyzed and<br />

responses are investigated to form a<br />

noise annoyance model. This model<br />

helps to understand the dynamics of<br />

noise annoyance.<br />

This study focusses on the modelling<br />

of road traffic noise annoyance<br />

by listening tests. Future studies will<br />

be on validating this model, using socio-acoustic<br />

survey results to transform<br />

it into a reliable prediction model.<br />

Environmental noise annoyance<br />

studies in EU require the main steps<br />

of acquiring data (traffic, road and<br />

settlement), forming noise maps via<br />

noise prediction models, and executing<br />

socio-acoustic surveys in order to<br />

establish dose-effect relations. Using<br />

an environmental noise annoyance<br />

prediction model created by listening<br />

tests provides the opportunity of directly<br />

predicting noise annoyance from<br />

acquired data. This prediction model<br />

would exclude noise indicators which<br />

have questionable reliability and which<br />

do not reflect many aspects of annoyance,<br />

determined by works of Phan et<br />

al. (2009), Persson Waye & Rylander<br />

(2001) and Kang (2007). Because the<br />

main purpose of environmental noise<br />

control studies is to reduce harmful<br />

effects such as annoyance, a direct relation<br />

between on-site data and annoyance<br />

is valuable. These models can<br />

be created for different countries, for<br />

different settlements, and for different<br />

social and economic zones, taking into<br />

consideration Guski (1997) and Job’s<br />

(1988) findings on the importance of<br />

non-acoustic factors. Annoyance model<br />

created by listening tests provides information<br />

on the effects of traffic elements,<br />

road properties and settlement<br />

types on noise annoyance, which can<br />

all be used directly in planning new areas<br />

or noise action plans.<br />

Literature on<br />

listening tests<br />

Test site<br />

options<br />

Exemplary survey<br />

questions<br />

ISO/TS 15666<br />

Listening test<br />

results data<br />

2<br />

Road traffic<br />

noise<br />

annoyance<br />

model<br />

Start listening test and<br />

annoyance model<br />

Determine<br />

listening test<br />

conditions<br />

Conduct listening tests<br />

Enough samples?<br />

End listening tests and<br />

annoyance model<br />

2. Methodology and theoretical<br />

background<br />

The methodology of this study<br />

brings together various methods used<br />

for sound recording, forming sound<br />

clips with sound filters and applying<br />

listening tests. Figure 1 shows the flowchart<br />

for the methodology in three<br />

parts, (a) sound recordings, (b) sound<br />

clips, (c) listening test and annoyance<br />

model. This chapter also explains the<br />

methodology in the same three headings.<br />

This methodology may be used<br />

for forming listening tests for different<br />

countries, for different traffic conditions<br />

or for different urban conditions,<br />

which will provide different annoyance<br />

models.<br />

The detailed explanation of the<br />

methodology and the theoretical background<br />

of the study are given in the<br />

following sub-sections.<br />

2.1. Traffic sound recordings<br />

For traffic sound recordings, most<br />

common types of vehicles were determined<br />

by statistical information;<br />

driving conditions were determined by<br />

data from noise maps, noise prediction<br />

models and on-site research. Sound recordings<br />

were conducted in a similar<br />

methodology to traffic noise measurement<br />

standards.<br />

B<br />

Form listening<br />

tests<br />

Conduct statistical analysis<br />

Yes<br />

Analyze listening test results<br />

Listening test<br />

Figure 1.c. Methodology flowchart, Part 3: listening tests and<br />

annoyance model.<br />

No<br />

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289<br />

Key<br />

minimum area covered with test road surface, i.e. test area<br />

microphone positions (height 1,2 m)<br />

AA test zone start<br />

BB test zone end<br />

CC line of vehicle travel through test zone<br />

PP line perpendicular to vehicle travel between microphone locations<br />

R50 radius of 50 m around the centre of the track<br />

NOTE: The shaded area (“test area”) is the minimum area to be covered with a surface complying with<br />

ISO 10844.<br />

Figure 2. Test site dimensions (ISO 362-2, 2007).<br />

Modelling road traffic noise annoyance by listening tests<br />

2.1.1. Traffic sound recording standards<br />

There are no guidelines for traffic<br />

sound recordings, therefore traffic<br />

noise measurement standards were<br />

used to guide the recordings. The related<br />

standards are, ISO 362-1 (2007),<br />

ISO 362-2 (2009) and ISO 10844<br />

(2014). ISO 362-1 (2007) and ISO 362-<br />

2 (2009) standards are about measurement<br />

of noise emitted by accelerating<br />

road vehicles of various categories<br />

under typical urban traffic conditions.<br />

The specifications intend to reproduce<br />

the level of noise generated by the<br />

noise sources during normal driving in<br />

urban traffic.<br />

The test track construction and surface<br />

shall meet the requirements of ISO<br />

10844 (2014). The test site dimensions<br />

are shown in Figure 2. Within a radius<br />

of 50 m around the center of the track,<br />

the space shall be free of large reflecting<br />

objects such as fences, rocks, bridges<br />

or buildings. The test track and the<br />

surface of the site shall be dry and free<br />

from absorbing materials (ISO 362-1,<br />

2007).<br />

During the recordings, the geometry<br />

provided in the standards were<br />

followed. In the vicinity of the microphone,<br />

there was no obstacle that could<br />

influence the acoustical field and no<br />

person remained between the microphone<br />

and the noise source. The distance<br />

from the microphone positions<br />

on the microphone line PP’ to the perpendicular<br />

reference line CC’ on the<br />

test track shall was 7.5 m ± 0.05 m. The<br />

microphone shall was located about 1.2<br />

m above the ground level. The path of<br />

the centerline of the vehicle followed<br />

line CC’ as closely as possible throughout<br />

the entire test, from the approach<br />

to line AA’ until the rear of the vehicle<br />

passed line BB’. For accelerations<br />

and decelerations, the test speed was<br />

reached when the reference point was<br />

at line PP’ (ISO 362-2, 2007). For fluid<br />

continuous traffic flow recordings, test<br />

speed was constant from AA’ to BB’.<br />

Reference points of road vehicles are<br />

defined according to engine positions,<br />

which is mostly the front end of vehicles<br />

(ISO 362-1, 2007).<br />

The test track is a test instrument and<br />

shall be protected from damage and be<br />

taken care of. The test track should be<br />

used only for noise measurements and<br />

should be kept clear from loose debris<br />

or dust during measurements (ISO<br />

10844, 2014).


290<br />

The background noise was measured<br />

before and after recordings. The recordings<br />

were made with the same microphones<br />

and microphone locations<br />

used during the test. The background<br />

noise should at least 10 dB below the<br />

A-weighted sound pressure level produced<br />

by the vehicle under test (ISO<br />

362-1, 2007).<br />

ISO 362 standard series recommend<br />

vehicle speed and acceleration for the<br />

measurement to be determined according<br />

to real urban traffic conditions,<br />

so that vehicle emission in urban traffic<br />

may be portrayed correctly. Inquiries<br />

among dwellers along various streets<br />

show that noise disturbance happens<br />

mainly along urban main streets, and<br />

during vehicle acceleration transients<br />

(ISO 362-1, 2007). According to ISO<br />

362-1 (2007), the behavior of drivers<br />

depends on speed limits (traffic laws),<br />

traffic density, road arrangement (traffic<br />

lights, corners, etc.), driving purpose<br />

(commuting, pleasure, commercial,<br />

etc.), enforcement of traffic laws,<br />

and the way the vehicle behaves as an<br />

acoustical source under these conditions.<br />

Annex A of ISO 362-1 (2007) gives<br />

the technical background for development<br />

of vehicle noise test procedure<br />

based on in-use operation in urban<br />

conditions. Standard recommends vehicle<br />

speed and acceleration for the<br />

measurement to be determined according<br />

to real urban traffic conditions,<br />

so that vehicle emission in urban traffic<br />

may be portrayed correctly.<br />

2.1.2. Determining vehicles and<br />

driving conditions<br />

Available statistical data may be<br />

used to determine the most common<br />

types of vehicles which may be used<br />

in recording vehicle sounds in traffic<br />

conditions. Driving conditions were<br />

determined by using data from noise<br />

maps, noise prediction model and onsite<br />

research.<br />

The area under consideration was<br />

noise mapped for road traffic in a previous<br />

study and average speed (km/h)<br />

data used in road modelling of noise<br />

maps was taken into consideration.<br />

As it was advised by the Directives<br />

(EU Parliament and Council, 2002)<br />

(T.C. Çevre ve Orman Bakanlığı,<br />

2010), NMPB-Routes-96 (1995) was<br />

used in this study for traffic noise prediction<br />

modelling. In this model, given<br />

traffic flow types are fluid continuous,<br />

pulsed continuous, pulsed accelerating<br />

and pulsed decelerating. The traffic<br />

flows are categorized the same way in<br />

this study as well, for compatibility.<br />

In “Good Practice Guide for Strategic<br />

Noise Mapping and the Production<br />

of Associated Data on Noise Exposure”,<br />

(WG-AEN, 2006) the roads are classified<br />

as dead-end roads, service roads,<br />

collective roads, small main roads and<br />

main roads. The same classification<br />

is used in this study for compatibility<br />

purposes.<br />

Annex A of ISO 362-1 (2007) gives<br />

the technical background for development<br />

of vehicle noise test procedure<br />

based on in-use operation in urban<br />

conditions. In the annex, the distribution<br />

of vehicle speed in urban traffic is<br />

examined and driving behavior is recorded<br />

on actual urban routes. Speed,<br />

acceleration and gears have been statistically<br />

examined in urban driving conditions.<br />

Standard recommends vehicle<br />

speed and acceleration for the measurement<br />

to be determined according<br />

to real urban traffic conditions, so<br />

that vehicle emission in urban traffic<br />

may be portrayed correctly. An on-site<br />

study by driving through the area at<br />

different times during the day was used<br />

to reveal the driving patterns.<br />

2.2. Sound clips<br />

The sound clips were formed for the<br />

purpose of helping to develop a road<br />

traffic noise model. The sound clips<br />

each simulated a traffic noise situation<br />

possible to hear inside houses in the<br />

area under consideration. First, road<br />

types and characteristics were determined<br />

to create the traffic noise heard<br />

7.5 meters from road sources (ISO<br />

10844, 2014). Then, sound propagation<br />

characteristics for the urban area<br />

were investigated and used for creating<br />

and applying sound propagation<br />

filters to sound clips. To simulate the<br />

traffic noise heard inside the houses,<br />

sound insulation values were applied<br />

as sound filters. All of these steps finally<br />

created the sound clips to use in the<br />

listening tests.<br />

The length of sound clips in listen-<br />

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291<br />

ing tests do not have a standard. Parizet<br />

et al. (2002) used binaural sound recordings<br />

of 10 seconds in various positions<br />

in a high-speed train as stimuli<br />

in listening tests. Viollon et al. (2002)<br />

assessed how listener’s judgments of a<br />

set of urban sound environments were<br />

affected by visual settings. Each of the<br />

various sounds, which were road traffic<br />

noise, bird song and sounds due to human<br />

presence, lasted 20 seconds. Jeon<br />

et al. (2007) worked with various types<br />

of refrigerator noise in an anechoic<br />

chamber and in a real living environment.<br />

A total of 40 noise sources with<br />

duration of 5 seconds were presented<br />

randomly. Barbot et al. (2008) investigated<br />

acoustic features of aircraft noise<br />

which could be improved by aircraft<br />

manufacturers from a sound design<br />

point of view. The duration of all the<br />

stimuli were 40 seconds. Sandrock et<br />

al. (2008) executed listening tests on<br />

acute annoyance due to trams, buses<br />

and trucks, with stimuli 6 seconds<br />

long. Trolle et al. (2008), analysed the<br />

auditory perception of environmental<br />

noises transmitted through a simulated<br />

window via listening tests. The<br />

duration of each generated stimulus<br />

was 4 seconds. Yifan et al. (2008) experimented<br />

on annoyance ratings of 5<br />

seconds long noise samples with different<br />

frequency spectrums but same<br />

A-weighted levels. Sound clips were<br />

formed with a duration of 20 seconds<br />

for this study. The number of vehicles<br />

needed for each type of road were distributed<br />

as evenly as possible on a 20<br />

seconds long empty sound clip, on the<br />

software Audacity.<br />

2.2.1. Determining road type<br />

characteristics<br />

Road types in the area were determined<br />

for this study. Characteristics<br />

which influence traffic noise emission<br />

are, traffic volume, types of vehicles,<br />

traffic speed, traffic flow type and road<br />

surface. These had been determined in<br />

detail for major roads in the noise map<br />

model prepared for this area. European<br />

Commission’s Good Practice Guide for<br />

Strategic Noise Mapping (WG-AEN,<br />

2006) proposes some default values for<br />

traffic flow volume, these values were<br />

adapted to the area under consideration.<br />

Statistics of road motor vehicles<br />

were also used. The on-site research<br />

recommended by Annex A of ISO 362-<br />

1 (2007) was used to validate traffic<br />

conditions in secondary roads. After<br />

using all of this data, traffic flow for all<br />

roads in the area was determined and<br />

grouped. For the use of this data in<br />

sound clips, road traffic volumes were<br />

adjusted 20 seconds.<br />

2.2.2. Sound propagation filters<br />

The sound clips formed represent<br />

different types of roads and traffic flow<br />

characteristics recorded at 7.5 meters<br />

from road sources, in open space conditions.<br />

Some common examples of<br />

urban sound propagation are calculated<br />

and applied as filters to sound clips<br />

at hand, in order to simulate traffic<br />

sounds in the city. Filters for geometric<br />

divergence and atmospheric absorption<br />

were created from literature.<br />

Filters for urban condition examples<br />

were calculated with noise mapping<br />

software.<br />

2.2.2.1. Geometric divergence and atmospheric<br />

absorption<br />

Filters for geometric divergence and<br />

atmospheric absorption have been created<br />

from literature. Geometric divergence<br />

for line sources is attenuation of<br />

3 dB for doubling of distance. Because<br />

the sound recordings were conducted<br />

7.5 m away from source, geometric<br />

divergence filter values for double<br />

distances such as 15 m and 30 m are<br />

used. The same principle is applied for<br />

atmospheric absorption using sound<br />

absorption values from ISO 9613-1<br />

(1993).<br />

2.2.2.2. Urban sound propagation<br />

Urban sound propagation research<br />

in literature is based on experimental<br />

or theoretical works and examples on<br />

street canyon research clearly show<br />

this. Picaut et al. (2005) experimented<br />

on sound propagation in a street canyon,<br />

with various source and receiver<br />

locations on a street in Nantes, France.<br />

Nicol & Wilson (2004) investigated<br />

the effect of street dimensions and<br />

traffic density on noise levels in urban<br />

canyons, by noise measurements in<br />

Athens. Walerian et al. (2001) used a<br />

simulation program to calculate sound<br />

level distribution and ΔL on a canyon<br />

Modelling road traffic noise annoyance by listening tests


292<br />

street model. Schiff et al. (2010) executed<br />

a numerical investigation of<br />

sound propagation over multiple street<br />

canyons. Experimental research results<br />

are bounded by the on-site conditions<br />

and dimensions. Results of theoretical<br />

studies usually do not provide noise<br />

levels on façades and cannot reflect all<br />

the different settlement types in the<br />

area. Therefore, environmental noise<br />

prediction model recommended by the<br />

Directive, NMPB-Routes-96 (1995),<br />

was used to assess all types of sound<br />

propagation in these settlement types.<br />

Various noise propagation conditions<br />

were simulated in SoundPlan 6.5<br />

Noise Mapping Software, both in open<br />

space conditions and in urban conditions.<br />

The difference between the two<br />

conditions were used to create sound<br />

propagation filters, which were used on<br />

sound clips, in order to simulate traffic<br />

sounds in city conditions.<br />

2.2.3. Sound insulation filters<br />

Environmental noise annoyance<br />

focuses on environmental noise perceived<br />

inside houses. In order to simulate<br />

this effect, the sound clips were<br />

filtered by façade sound insulation values.<br />

Façade elements were determined<br />

by one of the on-site survey questions<br />

in the area, observation of façades in<br />

the area and statistical data on main<br />

wall elements.<br />

Façade sound insulation to be used<br />

for filtering was determined by sound<br />

insulation measurements on-site (ISO<br />

140-5, 1998). To validate these on-site<br />

measurements, building element laboratory<br />

measurements (ISO 10140-2,<br />

2010) were used to calculate sound<br />

insulation of composite façade, using<br />

Equation 1 (Barron, 2003).<br />

Where,<br />

TL façade<br />

: Sound transmission loss of<br />

composite façade, dB;<br />

TL wall<br />

: Sound transmission loss of<br />

wall, dB;<br />

TL window<br />

: Sound transmission loss of<br />

window, dB;<br />

A façade<br />

: Area of composite façade,<br />

A wall<br />

+ A window<br />

, m 2 ;<br />

A wall<br />

: Area of wall, m 2 ;<br />

A window<br />

: Area of window, m 2 .<br />

<br />

<br />

<br />

<br />

<br />

<br />

2.3. Listening tests and annoyance<br />

model<br />

For the listening tests, questions and<br />

sound clips were prepared, tests were<br />

conducted in laboratory conditions<br />

and results were analyzed.<br />

20 seconds long sound clips were created<br />

to simulate the sound heard inside<br />

houses and to evaluate environmental<br />

noise annoyance. Different sound clips<br />

were created the road types, for compatible<br />

speeds, road slopes, surfaces,<br />

traffic flow types, and source-receiver<br />

distances. Effects of sound propagation<br />

in urban conditions were simulated<br />

for compatible road types. The effects<br />

of time of day, window condition and<br />

daily activity were also taken into consideration.<br />

2.3.1. Questionnaire forms<br />

Listening test questions were prepared<br />

in parts. Pre-criteria questions<br />

determined if the participant is competent<br />

to attend the survey. The first part<br />

of the listening tests included the same<br />

questions as the on-site socio-acoustic<br />

survey conducted in the area. The<br />

second part of the survey inquired into<br />

the annoyance of sound clips.<br />

Pre-criteria for conducting the surveys<br />

were; minimum <strong>12</strong> months of residency<br />

in Besiktas District, lack of any<br />

hearing problems and being in the age<br />

range of 18 to 65.<br />

In Part 1 of the listening test, personal<br />

information and environmental<br />

noise annoyance were questioned.<br />

Under the heading of ‘personal information’,<br />

gender, age, education level,<br />

duration of residence, time and period<br />

spend at home during day, noise sensitivity<br />

and noise annoyance at workplace<br />

were investigated. Under the<br />

heading of ‘noise annoyance’, traffic<br />

noise annoyance at home, for all day<br />

and only night periods were investigated<br />

in verbal and numerical scales.<br />

Wording of these questions and verbal<br />

and numerical scales were given in<br />

ISO/TS 15666 (2003). Also under the<br />

same heading, most annoying traffic<br />

elements and annoyance during dai-<br />

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<br />

(1)


293<br />

Table 1. Part 2 questions in the listening test.<br />

Part 2, Sub-part 1 and Sub-part 2<br />

XX) Imagining you are resting at home, how much does the sound clip you listened to,<br />

bother, disturb or annoy you?<br />

Not at all? Slightly? Moderately? Very? Extremely?<br />

XX) Imagining you are resting at home, what number from 0 to 10 best shows how much<br />

you are bothered, disturbed or annoyed by the sound clip you listened to?<br />

Not at all<br />

Extremely<br />

0 1 2 3 4 5 6 7 8 9 10<br />

Part 2, Sub-part 3 (the question asks for only one time frame)<br />

XX) Imagining you are resting at home, during day time (07-19) / evening time (19-23) /<br />

night time (23-07) , how much does the sound clip you listened to, bother, disturb or<br />

annoy you?<br />

Not at all? Slightly? Moderately? Very? Extremely?<br />

XX) Imagining you are resting at home, during day time (07-19) / evening time (19-23) /<br />

night time (23-07) , what number from 0 to 10 best shows how much you are bothered,<br />

disturbed or annoyed by the sound clip you listened to?<br />

Not at all<br />

Extremely<br />

0 1 2 3 4 5 6 7 8 9 10<br />

Part 2, Sub-part 4<br />

XX) Imagining you are reading at home, how much does the sound clip you listened to,<br />

bother, disturb or annoy you?<br />

Not at all? Slightly? Moderately? Very? Extremely?<br />

XX) Imagining you are reading at home, what number from 0 to 10 best shows how much<br />

you are bothered, disturbed or annoyed by the sound clip you listened to?<br />

Not at all<br />

Extremely<br />

0 1 2 3 4 5 6 7 8 9 10<br />

ly activities are inquired using multiple-answer<br />

questions. Room positions<br />

in regards to main road, open windows<br />

during night and main wall elements<br />

are also questioned.<br />

Part 2 of the listening test inquired<br />

about how much the sound clips bother,<br />

disturb or annoy the participants in<br />

Modelling road traffic noise annoyance by listening tests<br />

verbal and numerical scales (Table 1).<br />

Wording of these questions were similar<br />

to questions given in ISO/TS 15666<br />

(2003). Verbal and numerical scales<br />

were the same as scales used in Part 1<br />

and ISO/TS 15666 (2003). Six different<br />

tests were created to change the order<br />

of the sound clips in each test.


294<br />

Part 2 was divided into four subparts<br />

to provide breaks if necessary.<br />

In sub-parts 1 and 2, wording of the<br />

questions did not change. The question<br />

was; “Imagining you are resting at<br />

home, how much does the sound clip<br />

you listened to, bother, disturb or annoy<br />

you?”. In sub-part 3, a time frame<br />

was given in each question, such as day<br />

time (07-19), evening time (19-23) or<br />

night time (23-07). In sub-part 4, the<br />

activity changed from resting to reading.<br />

A short magazine article about<br />

travelling to Mars was read by participants.<br />

The article was divided in two<br />

parts, first part was read in quiet, while<br />

the second part was read with exposure<br />

to traffic noise.<br />

2.3.2. Executing listening tests<br />

Pilot listening tests were executed<br />

with 4 people, to identify the possible<br />

problems. Some explanatory phrases<br />

and warnings were added to the listening<br />

test as a result of this pilot study.<br />

The listening tests were conducted as<br />

face-to-face interviews with 40 people<br />

between the ages of 18 and 65, who<br />

live in the related district. The listening<br />

tests were executed in laboratory,<br />

where background noise was always<br />

monitored.<br />

Headphones (MESA BMH.I-H42<br />

binaural headset) were used to listen<br />

to sound clips. All participants signed<br />

a consent form and they were warned<br />

to stop the test if they felt any auditory<br />

problem. The investigator asked the<br />

questions, turned on the sound clips<br />

and typed the answers of the participants<br />

on a MS Excel worksheet; so that<br />

the participants could concentrate on<br />

the sound clips. 30 second breaks were<br />

given between each sound clip to ensure<br />

concentration and a fresh perception.<br />

Participants were free to express<br />

any opinions they had about the sound<br />

clips and the listening test.<br />

2.3.3. Analyzing listening test and<br />

building model<br />

Listening test results were statistically<br />

analyzed; Cronbach’s alpha was computed<br />

for reliability and Spearman’s<br />

correlation coefficient was calculated<br />

for factors affecting annoyance.<br />

Verbal and numerical scales were<br />

used for sound clip annoyance questions.<br />

These different scales were converted<br />

and analyzed on a 100 scale. On<br />

the verbal scale, “not at all” was converted<br />

to 0, “slightly” to 25, “moderately”<br />

to 50, “very” to 75 and “extremely”<br />

to 100. On the numerical scale, 0 was<br />

0, 1 was converted to 10, 2 to 20 and so<br />

on. For analyzing percentage of people<br />

annoyed (%A) and percentage of people<br />

highly annoyed (%HA) the cutoff<br />

points on a 100 scale are 50 for %A and<br />

72 for %HA (WG-HSEA, 2002). On<br />

the verbal scale, cutoff point of 50 for<br />

%A referred to points 50, 75 and 100,<br />

which were “moderately”, “very” and<br />

“extremely” respectively. Cutoff point<br />

of 72 for %HA referred to points 75 and<br />

100, which were “very” and “extremely”<br />

respectively. %A was associated<br />

with the total number of responses for<br />

5, 6, 7, 8, 9 and 10 (from 50 to 100 on<br />

the 100 scale) on the numerical scale,<br />

whereas %HA was associated with the<br />

total number of responses for 8, 9 and<br />

10 (from 80 to 100 on the 100 scale) on<br />

the numerical scale.<br />

Annoyance levels for each simulated<br />

traffic sound clip was examined for<br />

number of people annoyed and highly<br />

annoyed within the whole group of<br />

respondents, in order to calculate percentage<br />

of people annoyed (%A) and<br />

percentage of people highly annoyed<br />

(%HA). Averages of verbal and numerical<br />

scale results were used. %A and<br />

%HA levels for each sound clip were<br />

then compared to others with similar<br />

properties. For easy expression and<br />

comprehension, some factors which<br />

effect annoyance in a similar way were<br />

united.<br />

3. Application of traffic sound recordings<br />

The road traffic sound recordings<br />

were made using the most common<br />

vehicles in Istanbul city and the possible<br />

driving behaviors in the area under<br />

consideration.<br />

3.1. Determining most common vehicles<br />

Turkish Statistical Institute is responsible<br />

for collecting and disseminating<br />

the data which display the social<br />

and economic structure of Turkey. The<br />

publication “Road Motor Vehicle Statistics<br />

20<strong>12</strong>”, includes statistics of the<br />

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295<br />

road motor vehicles such as, the current<br />

number of the vehicles according<br />

to their types, trademarks, fuel type,<br />

and model years by the end of year<br />

20<strong>12</strong>, for each city (TurkStat, 2013b).<br />

According to Istanbul city statistics, in<br />

all motor vehicles, 52% of vehicles have<br />

diesel fueled motors and 46% of vehicles<br />

have gasoline fueled motors. Renault<br />

is the most common trademark<br />

in terms of cars, small trucks, trucks,<br />

buses and minibuses. Most common<br />

three trademarks and their percentages<br />

in the market are; Renault 15.4%,<br />

Ford 9.9% and Fiat 9.6%. Honda is the<br />

most common trademark for motorcycles<br />

with 25.2% market share. Most<br />

common engine size of cars is 1600 cc<br />

with 38.3%. The most common public<br />

transportation bus is Otokar Kent 290<br />

LF with 29.4%.<br />

The most common trademarks were<br />

used for sound recordings. The cars<br />

used for sound recordings were diesel<br />

fueled Renault and gasoline fueled<br />

Ford with engine size 1600 cc. These<br />

cars were also used to record horn<br />

sounds. Other vehicles used were,<br />

Honda motorcycle, Otokar Kent public<br />

transportation bus, Iveco minibus<br />

(blue minibus common in Besiktas<br />

area) and Renault Midlum Truck.<br />

3.2. Determining most common driving<br />

conditions<br />

Driving conditions were determined<br />

by using data from noise maps, noise<br />

prediction model and on-site research.<br />

Average speed (km/h) data used<br />

in road modelling of noise maps in<br />

Besiktas district (Badino et al., 20<strong>12</strong>)<br />

was taken into consideration. The average<br />

speed for Barbaros Avenue in<br />

north direction received from radars<br />

was between 55 and 70 km/h for day,<br />

60 and 65 km/h for evening, 75 and 80<br />

km/h for night. The average speed for<br />

Barbaros Avenue in south direction received<br />

from radars was between 50 and<br />

80 km/h for day, 50 and 85 km/h for<br />

evening, 65 and 95 km/h for night. The<br />

average speed for small main roads and<br />

collecting roads received from radars<br />

was between 40 and 50 km/h. The average<br />

speed for service roads and deadend<br />

roads determined on-site were between<br />

30 and 40 km/h.<br />

Traffic flow types of fluid continuous,<br />

pulsed continuous, pulsed accelerating<br />

and pulsed decelerating were<br />

used as advised in NMPB-Routes-96<br />

(1995).<br />

the roads are classified as dead-end<br />

roads, service roads, collective roads,<br />

small main roads and main roads as<br />

advised in Good Practice Guide (WG-<br />

AEN, 2006).<br />

As it was advised in Annex A of<br />

ISO 362-1 (2007), an on-site study by<br />

driving through the area (Besiktas) at<br />

different times during the day was used<br />

to reveal the driving patterns. On Barbaros<br />

Avenue, traffic flow was mostly<br />

fluid continuous during daytime and<br />

nighttime, it was mostly pulsed continuous<br />

during evening. Pulsed accelerating<br />

and pulsed decelerating traffic<br />

flows were existent due to traffic lights.<br />

For fluid continuous traffic flow, speed<br />

during daytime ranged from 50 to 80<br />

km/h, while speed during nighttime<br />

ranged from 70 to 100 km/h. Traffic<br />

flow during evening hours was pulsed<br />

continuous, mostly stopping and starting<br />

in traffic. Average speed of heavy<br />

vehicles were between 30 km/h and 50<br />

km/h.<br />

For roads other than Barbaros, the<br />

average speed values from on-site<br />

study were consistent with data from<br />

noise map models. The traffic flow was<br />

fluid continuous for service roads and<br />

dead-end roads at all times. For small<br />

main roads and collective roads, traffic<br />

flow was mostly fluid continuous<br />

during daytime and nighttime, it was<br />

mostly pulsed continuous during evening.<br />

Pulsed accelerating and pulsed<br />

decelerating traffic flows were existent<br />

due to traffic lights and junctions.<br />

Slope of roads were categorized as,<br />

horizontal (slope between: 0% ≤ p ≤<br />

2%), rising or falling slope (slope between<br />

2% ≤ p ≤ 6%) (Wölfel et al. 2003).<br />

3.3. Recording vehicle sounds<br />

It is stated in ISO 10844 (2014) that<br />

the test track should be used only for<br />

noise measurements, but it was not<br />

possible to build a test track for this<br />

study. Available roads around the city<br />

were used as tracks for this study. Information<br />

on the sound recording conditions<br />

are given in Table 2. Recording<br />

equipment were binaural microphone,<br />

data acquisition board and a laptop.<br />

Modelling road traffic noise annoyance by listening tests


296<br />

Cars and motorcycles were recorded<br />

at a site where various road slopes and<br />

road surfaces were available. The site<br />

where bus, minibus and truck were recorded<br />

was chosen because it contained<br />

various road slopes and heavy vehicles<br />

and minibuses were not banned on this<br />

road. All tracks were in vast areas, with<br />

no large reflecting objects within a radius<br />

of 50 m. Meteorological data was<br />

taken from Meteorological General<br />

Directorate and background noise also<br />

recorded.<br />

The recordings took place on only<br />

one side of the road, 7.5 m from vehicle’s<br />

travel path. For each sound<br />

recording, a vehicle was driven at a<br />

specific speed or acceleration, with a<br />

specific traffic flow type, on a road with<br />

a specific slope and surface. Diesel and<br />

gasoline fueled cars were driven with<br />

speeds of 30, 50, 70 and 100 km/h. At<br />

50 km/h, sounds were recorded with<br />

driving patterns fluid continuous,<br />

pulsed continuous, pulsed accelerating<br />

and pulsed decelerating. Vehicles driven<br />

on various road slopes, level (slope<br />

between: 0% ≤ p ≤ 2%), rising and falling<br />

(slope between 2% ≤ p ≤ 6%) were<br />

also recorded. Road surfaces used were<br />

smooth asphalt and paving stones.<br />

Cars were also used for recording horn<br />

sounds.<br />

Motorcycle, minibus, bus and truck<br />

were driven and recorded in a similar<br />

way but with fewer variations. Driving<br />

speeds were 30 and 50 km/h; the<br />

same driving patterns and road slopes<br />

were used. The road surface was only<br />

smooth asphalt because it is not possible<br />

for these vehicles to be driven on<br />

streets with paving stones in Besiktas<br />

area. All recordings were conducted<br />

late at night to keep the background<br />

noise and other pass-by vehicles at a<br />

minimum.<br />

4. Application of creating sound clips<br />

The sound clips each simulated a<br />

traffic noise situation possible to hear<br />

inside houses in Besiktas area. Road<br />

types and characteristics were determined<br />

to create the traffic noise heard<br />

7.5 meters from road sources. To simulate<br />

the traffic noise heard inside the<br />

houses in various urban conditions,<br />

urban sound propagation filters and<br />

façade sound insulation filters were<br />

Table 2. Sound recording conditions.<br />

Title<br />

Information<br />

Measuring MESA BMH.I-H42 binaural microphone,<br />

equipment 01dB dB4 acquisition board,<br />

dBFA software,<br />

Dell Latitude Laptop<br />

Recording for cars and motorcycle<br />

Date and time: Between August 31 st 2014 23:00 and September 1 st 2014 02:00<br />

Test site:<br />

Weather:<br />

Vehicle types:<br />

Average<br />

background<br />

noise:<br />

Istanbul, Kucukcekmece District, Soyak Olimpiyakent housing<br />

development<br />

18.2ºC temperature, 5 km/h SSW wind, 60% humidity<br />

Car: Ford Focus, gasoline fueled with engine size 1600 cc.<br />

Car: Renault Fluence diesel fueled with engine size 1500 cc.<br />

Motorcycle: Honda CBF 150, with engine size 150 cc.<br />

Hz 50 100 <strong>12</strong>5 160 200 250 315 400 500<br />

L eq 24,4 25,9 23,4 21,6 19,8 16,4 14,7 15,9 16,3<br />

630 800 1000 <strong>12</strong>50 1600 2000 2500 3150 4000 5000<br />

14,8 13,4 16,3 15,8 14,8 13,4 <strong>12</strong>,2 11,4 10,4 8,7<br />

Recording for minibus, bus and truck<br />

Date and time: Between September 7 th 2014 23:00 and September 8 th 2014 02:00<br />

Test site:<br />

Weather:<br />

Vehicle types:<br />

Average<br />

background<br />

noise:<br />

Istanbul, Kartal District, Samandira 2 Koprulu Kavsak<br />

16.5ºC temperature, 6 km/h NNE wind, 55% humidity<br />

Bus: Otokar Kent public transportation bus<br />

Minibus: Iveco blue minibus<br />

Truck: Renault Midlum truck<br />

Hz 50 100 <strong>12</strong>5 160 200 250 315 400 500<br />

L eq 20,5 22,3 19,2 18,4 16,9 14,7 9,8 <strong>12</strong>,9 <strong>12</strong>,5<br />

630 800 1000 <strong>12</strong>50 1600 2000 2500 3150 4000 5000<br />

9,3 8,4 8,2 6,6 7,1 7,3 6,8 6,1 5,3 4,7<br />

used. Sound clips were formed with a<br />

duration of 20 seconds for this study.<br />

This value coincides with the road<br />

types explained in the next part of this<br />

study.<br />

4.1. Determining road type characteristics<br />

in Besiktas District<br />

In a previous study by the authors<br />

of this article, noise maps and socio-acoustic<br />

surveys were made for<br />

Besiktas district (Badino et al., 20<strong>12</strong>).<br />

Characteristics which influence traffic<br />

noise emission of the main roads, such<br />

as traffic volume, types of vehicles,<br />

traffic flow type and road surface had<br />

already been determined in detail for<br />

this noise map model. The main road,<br />

Barbaros Avenue, is a north-south dual<br />

carriageway with three lanes on each<br />

side, going through a highly populated<br />

urban area and is monitored by radars<br />

which record number and speed<br />

of light and heavy vehicles. The annual<br />

average traffic flow per hour to north<br />

and to south was calculated from radar<br />

data for day, evening and night. To use<br />

these traffic data in this study, the hourly<br />

data was transformed in 20 seconds<br />

data, by a division of 180. Table 3 gives<br />

average traffic volume on Barbaros Av-<br />

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297<br />

Table 3. Average traffic volume on Barbaros Avenue adjusted to<br />

20 seconds (rounded).<br />

Barbaros Av. (to north) Barbaros Av. (to south)<br />

Light veh. Heavy veh. Light veh. Heavy veh.<br />

Day <strong>12</strong> 0.5 13 0,5<br />

Evening <strong>12</strong> 0.5 11 0.5<br />

Night 7 0.25 6 0.25<br />

Table 4. Traffic volume in 20 seconds for a total of both sides of<br />

Barbaros Avenue.<br />

Main road (Barbaros<br />

Avenue) Day & Evening<br />

Main road (Barbaros<br />

Avenue) Night<br />

Car<br />

(Gasoline)<br />

Car<br />

(Diesel)<br />

Motorcycle Minibus Bus Truck<br />

10 10 2 2 1 0<br />

6 6 1 0 0 1<br />

Table 5. Proposed default values for traffic volume (WG-AEN,<br />

2006) and average and standard deviation values of traffic volume<br />

of road types around Barbaros Avenue.<br />

Road type (WG-AEN, 2006)<br />

Traffic volume<br />

day evening night<br />

Dead-end roads 175 50 25<br />

Service roads<br />

(mainly used by residents living there)<br />

350 100 50<br />

Collecting roads<br />

(collecting traffic from service roads and 700 200 100<br />

leading it to & from main roads)<br />

Small main roads 1400 400 200<br />

Main roads<br />

Must undertake traffic counts.<br />

Road types around Barbaros Av.<br />

Traffic volume<br />

day evening night<br />

Dead-end roads 166 ± 45 150 ± 41 79 ± 22<br />

Service roads 365 ± 55 327 ± 52 176 ± 23<br />

Collecting roads 730 ± 175 616 ± <strong>12</strong>6 331 ± 81<br />

Small main roads 1349 ± 154 1079 ± <strong>12</strong>3 615 ± 70<br />

Table 6. Traffic volume in 20 seconds for secondary roads.<br />

Car Car<br />

(Gasoline) (Diesel)<br />

Motorcycle Minibus Bus Truck<br />

Dead-end roads 0 1 0 0 0 0<br />

Service roads 1 1 0 0 0 0<br />

Collecting roads 2 2 0 0 0 0<br />

Small main roads 3 4 1 0 0 0<br />

enue adjusted to 20 seconds; light vehicles<br />

include cars (gasoline and diesel<br />

fueled), motorcycles, and minibuses.<br />

Statistics of road motor vehicles in Istanbul<br />

show that 52% of vehicles have<br />

diesel fueled motors and 46% of vehicles<br />

have gasoline fueled motors, almost<br />

half and half. (TurkStat, 2013b) A<br />

traffic flow count on Barbaros Avenue<br />

proved about 4% of light vehicles to be<br />

minibuses and about 4% of light vehicles<br />

to be motorcycles. Heavy vehicles<br />

are actually the number of long vehicles<br />

(3 times the length of cars) counted<br />

by the radar system by Istanbul Metropolitan<br />

Municipality, therefore heavy<br />

vehicles are buses in this case. Other<br />

heavy vehicles such as trucks, TIRs or<br />

oil tankers are only allowed to work in<br />

urban areas between 22:00 and 06:00.<br />

So, trucks can only be added to night<br />

time traffic flow. Minibuses work between<br />

05:00 and 02:00, but they do not<br />

have a schedule. Buses work between<br />

06:00 and 00:00. As a result of all this<br />

input, detailed traffic volume data for a<br />

total of both sides of Barbaros Avenue<br />

adjusted to 20 seconds, in order to simulate<br />

the main road, is given in Table 4.<br />

There are many secondary roads<br />

around Barbaros Avenue and their<br />

traffic flow information have been included<br />

in noise map model. But preparing<br />

sound clips for each road would<br />

not be efficient, therefore, the secondary<br />

roads were grouped. European<br />

Commission’s Good Practice Guide for<br />

Strategic Noise Mapping (WG-AEN,<br />

2006) proposes some default values for<br />

traffic flow volume, as given in Table 5.<br />

The road types in this table can be used<br />

for grouping roads around Barbaros<br />

Avenue. The traffic volumes of secondary<br />

roads determined in the previous<br />

noise map were grouped in this study.<br />

Average and standard deviation values<br />

of traffic volume of road types around<br />

Barbaros Avenue are also given in Table<br />

5. Average values for daytime are<br />

very close to default values of roads<br />

proposed by WG-AEN, so these values<br />

were used. Table 6 adjusts traffic volumes<br />

of road types for one hour into<br />

traffic volumes for 20 second sound<br />

clips to simulate secondary roads.<br />

The number of vehicles given in Table<br />

4 and Table 6 were used to form the<br />

sound clips from traffic sound recordings.<br />

The number of vehicles needed<br />

for each type of road were distributed<br />

as evenly as possible on a 20 seconds<br />

long empty sound clip, on the software<br />

Audacity. On the secondary road<br />

sound clips, where the number of vehicles<br />

are low, each vehicle’s passing can<br />

be heard almost individually. On main<br />

road sound clips, where the number of<br />

vehicles are high, the passing of cars<br />

are not noticeable individually, but the<br />

passing of motorcycle, minibus, bus<br />

and truck are noticeable.<br />

Modelling road traffic noise annoyance by listening tests


298<br />

4.2. Creating and applying sound<br />

propagation filters<br />

The sound clips formed represent<br />

different types of roads and traffic flow<br />

characteristics recorded at 7.5 meters<br />

from road sources, in open space conditions.<br />

Some common examples of<br />

urban sound propagation are calculated<br />

and applied as filters to sound clips<br />

at hand, in order to simulate traffic<br />

sounds in the city. Filters for geometric<br />

divergence and atmospheric absorption<br />

were created from literature.<br />

Filters for urban condition examples<br />

were calculated with noise mapping<br />

software.<br />

4.2.1. Geometric divergence and<br />

atmospheric absorption<br />

Because the sound recordings were<br />

conducted 7.5 m away from source,<br />

geometric divergence and atmospheric<br />

absorption filter values for double<br />

distances such as 15 m and 30 m were<br />

used. Sound absorption values (ISO<br />

9613-1, 1993) are calculated for 14 ºC,<br />

which is the yearly average temperature<br />

in Istanbul (MGM, 2014), and<br />

50% relative humidity. Figure 3 shows<br />

filter values for a total of geometric divergence<br />

and atmospheric absorption<br />

to be applied for simulating different<br />

distances from source.<br />

Soundplan 6.5. Single receivers were<br />

placed at possible façades. The simulations<br />

were executed two times for each<br />

receiver, (1) for open space, with no<br />

Fi<br />

gure 3. Filter values for a total of geometric divergence and<br />

atmospheric absorption to be applied for simulating different<br />

distances from source.<br />

4.2.2. Urban sound propagation in<br />

Besiktas District<br />

Map around Barbaros Avenue in Besiktas<br />

was studied for common urban<br />

settlements and these settlements were<br />

grouped regarding sound propagation.<br />

Urban settlement conditions considered<br />

were:<br />

a. Sound propagation from main<br />

road to perpendicular narrow<br />

streets<br />

b. Sound propagation from main<br />

road to second row of buildings<br />

through detached buildings<br />

c. Sound propagation from main<br />

road to second row of buildings<br />

through attached buildings<br />

d. Sound propagation from main<br />

road to second row of buildings<br />

through narrow opening<br />

e. Sound propagation in a street<br />

canyon<br />

Examples of these settlements were<br />

simulated in noise mapping software,<br />

Fi<br />

gure 4. Map of areas around Barbaros Avenue and receivers (*)<br />

, for simulation of sound propagation.<br />

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299<br />

a. Sound filter for second row of buildings behind detached buildings, behind attached buildings and behind a<br />

narrow opening<br />

b. Sound filter for narrow streets forming a street canyon, for attached buildings on only one side and attached<br />

buildings on both sides<br />

Fi<br />

gure 5. Filters calculated using the difference between open space conditions and urban<br />

conditions.<br />

buildings and (2) for urban conditions,<br />

with buildings. In the simulation, the<br />

topography was excluded, so the road<br />

and the buildings were all set at zero<br />

height. The height of the buildings were<br />

identical to real height of the buildings<br />

in the area. All the point receivers had<br />

the same height, 150 cm. Noise levels<br />

were calculated using NMPB Routes<br />

96 (1995) method. The traffic data of<br />

the main parallel roads were identical.<br />

Number of light vehicles per hour<br />

was 2160, number of heavy vehicles<br />

per hour was 90. Velocity of light vehicles<br />

was 70 km/h, velocity of heavy<br />

vehicles was 50 km/h. The traffic was<br />

smooth-flowing and the road surface<br />

was asphalt concrete. This traffic data<br />

was similar to that used in listening test<br />

sound clips. Maps used for simulation<br />

and receiver points are given in Figure<br />

4. Figure 5 shows the filters calculated<br />

using the difference between open<br />

space conditions and urban conditions.<br />

4.3. Sound insulation filters for<br />

Besiktas District<br />

Environmental noise annoyance focuses<br />

on environmental noise perceived<br />

inside houses. In order to simulate this<br />

effect, the sound clips were filtered by<br />

façade sound insulation values. Façade<br />

sound insulation to be used for filtering<br />

was determined by determining<br />

façade elements, making sound insulation<br />

measurements on-site and using<br />

laboratory measurements. 18 on-site<br />

façade sound insulation measurements<br />

were made in houses in the area using<br />

existing traffic noise as source and<br />

living rooms or bedrooms as receiver<br />

room (ISO 140-5, 1998).<br />

Façade elements were determined<br />

by one of the survey questions, observation<br />

of façades in the area and statistical<br />

data on main wall elements. One<br />

Modelling road traffic noise annoyance by listening tests


300<br />

Fi<br />

gure 6. Sound insulation fi<br />

lters for closed, side hinged open and bottom hinged open<br />

window conditions.<br />

of the previous on-site survey questions<br />

in the area (Badino et al., 20<strong>12</strong>)<br />

was “What is the main material of your<br />

façade wall?”. 65% of the respondents<br />

did not know the answer. 80% of the<br />

remaining responses were ‘brick’ and<br />

20% were ‘aerated concrete’. Almost<br />

all the façades had double glazed windows.<br />

Studies on façade photographs<br />

revealed an average use of 45% transparent<br />

elements and 55% opaque elements.<br />

All residential buildings studied<br />

in the area had reinforced concrete<br />

frame constructions. Turkish Statistical<br />

Institute’s Building Permit Statistics<br />

from 2002 to 20<strong>12</strong>, showed that 95%<br />

of residential buildings are built using<br />

brick as the main wall material in reinforced<br />

concrete frame constructions<br />

(TurkStat, 2013a).<br />

Results of laboratory sound insulation<br />

measurements (ISO 10140-2,<br />

2010) for local building elements were<br />

received from a research study (Ascigil<br />

Dincer & Yilmaz Demirkale, <strong>2015</strong>)<br />

(Yilmaz et al., 20<strong>12</strong>) for validation of<br />

on-site measurements. Laboratory<br />

sound insulation values of 145 mm<br />

thick plastered brick wall and most<br />

common double glazed window were<br />

used to calculate sound insulation of<br />

a commonly used façade in the area,<br />

using Equation 1. The resulting values<br />

validated the measurements on-site.<br />

Therefore, results of measurements<br />

on-site were selected to filter the sound<br />

clips.<br />

Calculation techniques for composite<br />

walls were used to simulate the<br />

noise heard inside the house when a<br />

window is open. For a full open window<br />

(side hinged), a bedroom with<br />

façade dimensions 4 m x 3 m (<strong>12</strong> m 2 )<br />

and a window of 0.8 m x 1.5 m (1.2 m 2 )<br />

was considered. For a partially open<br />

window (bottom hinged), the same<br />

dimensions were also considered. Figure<br />

6 shows sound insulation filters for<br />

closed, side hinged open and bottom<br />

hinged open window conditions.<br />

5. Application of listening tests and<br />

annoyance model<br />

For the listening tests, questionnaires<br />

and sound clips were prepared,<br />

tests were conducted in laboratory<br />

conditions and results were analyzed.<br />

The listening tests were executed in<br />

December 2014, in Istanbul Technical<br />

University, Faculty of Architecture,<br />

Building Physics and Environmental<br />

Control Laboratory, where background<br />

noise was always monitored.<br />

5.1. Listening test sound clips<br />

20 seconds long sound clips were<br />

created to simulate the sound heard<br />

inside houses and to evaluate environmental<br />

noise annoyance. Each sound<br />

clip represents a road type with a specific<br />

speed of vehicles and traffic flow,<br />

on a specific road slope and surface.<br />

All of these traffic and road characteristics<br />

are present in the area under<br />

consideration. The information on the<br />

number of vehicles for each road was<br />

given in Table 4 and Table 6. Filter for<br />

geometric divergence and atmospheric<br />

absorption was applied for possible<br />

source-receiver distances. Effect of<br />

motorcycle passing and horn sounds<br />

during pulsed flow, which are very of-<br />

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301<br />

Figure 7. Traffic noise annoyance model for secondary roads in<br />

Besiktas area.<br />

ten found to be annoying (Badino et<br />

al., 20<strong>12</strong>), were also investigated. Urban<br />

sound propagation filters were applied<br />

to main road sound clips, canyon<br />

effect filters were applied to secondary<br />

roads. Façade sound insulation filter<br />

was applied to all sound clips, except<br />

two main road sound clips were used<br />

for side hinged and bottom hinged<br />

open window façade insulation. Day,<br />

evening and night main road traffic<br />

flows were given in the sub-part 3. In<br />

sub-part 4, the effect of daily concentrating<br />

activity was investigated with<br />

a reading activity, while listening to<br />

main road noise.<br />

5.2. Listening test results and annoyance<br />

model<br />

Listening test results were statistically<br />

analyzed and were examined for factors<br />

effecting annoyance. Cronbach’s<br />

alpha was computed for annoyance<br />

questions and it proved that the survey<br />

had a good reliability by α = 0.704.<br />

Spearman Correlation results<br />

showed some moderate correlations.<br />

In terms of annoyance, women were<br />

more sleep disturbed and older people<br />

were more annoyed and more sleep<br />

disturbed. People whose bedrooms<br />

overlooked the street were more annoyed.<br />

In terms of activity annoyance,<br />

men were more annoyed while concentrating;<br />

older people and more educated<br />

people were more annoyed while<br />

resting.<br />

Most annoying reported traffic elements<br />

were horns and motorcycles.<br />

Annoyance during daily activities were<br />

highest for resting and concentrating.<br />

These results on traffic elements and<br />

daily activities are similar to the results<br />

of the on-site survey (Badino et al.,<br />

20<strong>12</strong>).<br />

Annoyance levels of respondents<br />

for each simulated traffic sound clip<br />

was analyzed to calculate percentage<br />

of people annoyed (%A) and percentage<br />

of people highly annoyed (%HA).<br />

Averages of verbal and numerical scale<br />

results were used. For easy expression<br />

and comprehension, some factors<br />

which effect annoyance in a similar way<br />

were united. Traffic which had pulsed<br />

decelerating flow had almost the same<br />

annoyance response as fluid continuous<br />

flow. So, pulsed decelerating flow is<br />

not mentioned in the results. Traffic on<br />

a falling slope had almost the same annoyance<br />

response as fluid continuous<br />

flow. So, falling slope is not mentioned<br />

in some of the results.<br />

Figure 7 shows the %A and %HA<br />

results for secondary roads. For deadend<br />

and service roads, on-site studies<br />

proved that traffic flow type is almost<br />

always fluid continuous and road surface<br />

may vary, smooth asphalt or paving<br />

stones. Rising slope and road surface<br />

(paving stones) were extremely<br />

effective in annoyance levels of deadend<br />

and service roads, increasing annoyance<br />

up to 65%.<br />

Figure 7 c and d show annoyance<br />

results for collective and small main<br />

roads. Traffic flow type, speed and<br />

slope varies on these road types and<br />

are important in assessing annoyance.<br />

Surfaces for these types of roads are<br />

always asphalt concrete. Falling slopes<br />

Modelling road traffic noise annoyance by listening tests


302<br />

Figure 8. Traffic noise annoyance model for main roads in<br />

Besiktas area.<br />

are considered to have the same effect<br />

as fluid continuous flow. Rising slopes<br />

and accelerating flow provide the highest<br />

increase in annoyance levels. In<br />

cases where pulsed flow causes use of<br />

horns, %A increased by 15% and %HA<br />

increased by 10%.<br />

Freitas et al. (20<strong>12</strong>) executed listening<br />

tests for road traffic noise, using<br />

different road surfaces, car speeds<br />

and traffic densities, and expressed the<br />

results in cumulative graphs. In that<br />

study, cobblestone pavement induced<br />

the highest rate of annoyance; dense<br />

asphalt and open asphalt rubber pavement<br />

annoyed people almost the same.<br />

Vehicle speed and traffic density were<br />

effective in determining annoyance.<br />

Some roads were commonly used<br />

by courier motorcycles. Listening test<br />

results showed that, when 15% of the<br />

light vehicle traffic volume is replaced<br />

by motorcycles, 15% increase in %A<br />

and 5% increase in %HA was spotted.<br />

Nilsson (2007) found that annoyance<br />

increases when traffic noises have<br />

stronger low frequency content. Analysis<br />

of the sound clips showed that<br />

source-receiver distance and source<br />

characteristics are the main reasons<br />

of variation in the spectrum, therefore<br />

motorcycles and heavy vehicles recorded<br />

at the close range provided strong<br />

low frequency content. Paviotti et al.<br />

(20<strong>12</strong>) demonstrated that in motorcycle<br />

and scooter annoyance, masking by<br />

an increased general traffic is effective<br />

in reducing annoyance. In this study,<br />

masking effect was not specifically investigated<br />

but during sound clips of<br />

secondary road types, almost all the<br />

participants expressed their motorcycle<br />

annoyance verbally. No mention of<br />

motorcycles were made by the participants<br />

during main road sound clips.<br />

Studies on-site and on maps showed<br />

that source receiver distance did not<br />

change significantly for dead-end and<br />

service roads. For collective and small<br />

main roads, the effects of source receiver<br />

distance were investigated for<br />

possible distances. The negative effects<br />

of distance may be added to traffic annoyance<br />

levels to reach a final annoyance<br />

level. Evaluation of canyon effect<br />

in secondary roads showed that it may<br />

increase %A by 10% and %HA by 5%.<br />

Figure 8 shows the %A and %HA results<br />

for main roads. Traffic flow type,<br />

speed and slope varies on these road<br />

types and are important in assessing<br />

annoyance. Surfaces for these types<br />

of roads are always asphalt concrete.<br />

Falling slopes are considered to have<br />

the same effect as fluid continuous<br />

flow. Rising slopes provide the highest<br />

increase in annoyance levels. In<br />

cases where pulsed flow causes use of<br />

horns, %A increased by 20% and %HA<br />

increased by 15%. Main road at night<br />

traffic was investigated in a similar<br />

way, but the respondents were asked to<br />

imagine they are listening to the sound<br />

clip a night. Traffic flow at night was<br />

also investigated including one minibus<br />

in 20 seconds, to take into account<br />

the time frame when minibuses work<br />

at night. The effect of the minibus on<br />

annoyance levels is quite valuable. The<br />

effects of source receiver distance were<br />

investigated for possible distances for<br />

the main roads. The negative effects<br />

of distance may be added to traffic annoyance<br />

levels to reach a final annoyance<br />

level.<br />

Evaluation of urban propagation<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • M. Aşcıgil Dincer, S. <strong>Yıl</strong>maz


303<br />

effects for sound propagation from<br />

main road to second row of buildings<br />

through attached buildings, through<br />

detached buildings, through narrow<br />

openings, and from main road into<br />

perpendicular narrow streets showed<br />

substantial decreases in annoyance levels.<br />

The Directive (EU Parliament and<br />

Council, 2002) defines noise indicator<br />

L den<br />

as average levels during daytime,<br />

evening, and night-time, and applies a<br />

5 dB penalty to noise in the evening and<br />

a 10 dB penalty to noise in the night.<br />

The effect of time was investigated, using<br />

one of the main road sound clips,<br />

three times, by asking the respondents<br />

how much they are annoyed during<br />

day time (07-19), evening time (19-<br />

23), and night time (23-07). The results<br />

showed insignificant differences, about<br />

5% increase for evening and night.<br />

6. Conclusion<br />

In this study, listening tests were<br />

conducted for evaluating road traffic<br />

noise annoyance. Respondents living<br />

in a certain district listened to simulated<br />

traffic sounds which may be heard<br />

inside their homes and rated the annoyance<br />

they experienced while they<br />

imagined they were resting. The results<br />

showed the effect of traffic elements<br />

and road properties on road traffic<br />

noise annoyance.<br />

As expected, traffic volume and<br />

speed have significant effects on annoyance.<br />

Falling slopes seem to have<br />

no influence, but rising slopes increase<br />

%A about 40% and %HA about 20%.<br />

Paving stones annoyed the respondents<br />

about 15% more than smooth<br />

asphalt road surfaces. Although pulsed<br />

continuous flow, with constantly starting<br />

and stopping sounds, proved to be<br />

more annoying than fluid continuous<br />

flow, pulsed accelerating is the most<br />

annoying flow type for all road types.<br />

Addition of a single traffic element<br />

may cause influential changes in annoyance<br />

levels. Increase in motorcycle<br />

volume may increase %A by 15% and<br />

%HA by 5%. Use of horns in pulsed<br />

traffic may increase %A up to 20% and<br />

%HA up to 15%. Pass-by of a minibus<br />

in traffic may increase %A by 20% and<br />

%HA by 10%.<br />

Settlement types and geometries can<br />

cause critical changes in annoyance<br />

levels. For that reason, the listening<br />

test sound clips were designed according<br />

to the sound propagation properties<br />

in the district. In this settlement,<br />

source-receiver distances cause decreases<br />

up to 10% in secondary roads<br />

and up to 50% in main roads. Canyon<br />

effect in narrow streets increase %A<br />

by 10% and %HA by 5%. In this settlement,<br />

second row buildings behind<br />

attached buildings or behind a narrow<br />

opening have annoyance levels about<br />

70% lower than open space conditions.<br />

The same condition behind detached<br />

buildings led to 30% lower annoyance<br />

levels. These effects would differ in different<br />

settlement geometries.<br />

This model provides the opportunity<br />

to transform raw data (traffic, road<br />

and settlement) directly into annoyance.<br />

The information on the effects<br />

of traffic elements, road properties and<br />

settlement types on noise annoyance<br />

can easily be used for planning new areas<br />

or noise action plans. It is planned<br />

to develop a road traffic noise annoyance<br />

prediction model and validate<br />

the model by using the results of noise<br />

maps and socio-acoustic surveys in<br />

the same district. More models can be<br />

created for different settlements, traffic<br />

properties, social and economic conditions.<br />

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306<br />

Dinleme testleri ile karayolu trafiği<br />

gürültüsü rahatsızlığının modellenmesi<br />

Gürültü rahatsızlığı çalışmaları, kişilerin<br />

gürültüye maruz kaldıklarında<br />

gösterdikleri tepkileri, kişilerin belirli<br />

bir tip çevresel gürültüye maruz kaldıklarında<br />

ne kadar rahatsız olduklarını<br />

sorgulayarak değerlendirir. Avrupa<br />

Parlamentosu ve Konseyi tarafından<br />

yayımlanan Çevresel Gürültü Yönetmeliği<br />

(2002/49/EC), Türkiye’de de<br />

‘Çevresel Gürültünün Değerlendirilmesi<br />

ve Yönetimi Yönetmeliği’ olarak<br />

yayımlanmıştır. Bu yönetmeliklere göre<br />

gürültü rahatsızlığı, belirli bir bölgenin<br />

gürültü haritalarının ve bu bölgede<br />

yaşayan kişilerle yapılacak anketlerin<br />

karşılaştırılarak, doz-etki ilişkilerinin<br />

ortaya çıkartılması ile belirlenmelidir.<br />

Bu çalışma, gürültü rahatsızlığı konusunu<br />

derinlemesine incelemeyi ve modellemeyi<br />

amaçlamaktadır. Bu amaç<br />

doğrultusunda, karayolu trafiği gürültüsü<br />

rahatsızlık seviyelerini etkileyen<br />

faktörler incelenmekte ve dinleme testleri<br />

uygulanarak rahatsızlık modeli geliştirilmektedir.<br />

Bu çalışmada, trafik ses<br />

kayıtlarından oluşturulan ses parçaları,<br />

laboratuvar koşullarında katılımcılara<br />

dinletilerek dinleme testleri gerçekleştirilmiştir.<br />

Karayolu trafiği gürültüsü<br />

sesleri, her bir araç tipi için, farklı olası<br />

araç hızları, trafik akış tipleri, yol eğimi<br />

ve yol yüzeyleri için kaydedilmiştir.<br />

Kaydedilen araç sesleri, farklı yol tiplerinin<br />

seslerini oluşturmak amacıyla<br />

birleştirilmiştir. Sesin yayılım koşulları<br />

şehir içindeki çeşitli yerleşim tipleri<br />

için incelenmiş ve ses yayılım filtreleri<br />

oluşturularak ses parçalarına uygulanmıştır.<br />

Son olarak cephe ses yalıtım<br />

filtreleri uygulanmış ve ses parçaları<br />

ev içlerinde duyulan sesleri oluşturacak<br />

şekilde benzetim yapılmıştır. Laboratuvar<br />

ortamında, katılımcılardan<br />

kulaklıkla sesleri dinlemeleri ve dinlerken<br />

evlerinde dinlenmekte olduklarını<br />

hayal etmeleri istenmiştir. Rahatsızlıkları<br />

sözel ve sayısal ölçeklerle değerlendirilmiş<br />

ve sonuçlar analiz edilmiştir.<br />

Farklı trafik koşullarını yansıtan gürültü<br />

rahatsızlığı modeli oluşturulmuştur.<br />

Trafik hacmi ve araç hızı rahatsızlığı<br />

önemli ölçüde etkilemektedir. Yol eğiminin<br />

yokuş yukarı olması, gürültüden<br />

rahatsız olan kişi yüzdesini %40, çok<br />

rahatsız olan kişi yüzdesini %20 kadar<br />

arttırmaktadır. Yol yüzeyinin asfalt<br />

yerine taş döşenmesi kişileri yaklaşık<br />

olarak %15 daha fazla rahatsız etmiştir.<br />

Hızlanan trafik akışı en rahatsız edici<br />

akış tipidir. Trafikte motosiklet hacminin<br />

artması gürültüden rahatsız olan<br />

kişi yüzdesini %15, çok rahatsız olan<br />

kişi yüzdesini %5 kadar arttırabilmektedir.<br />

Trafikte kullanılan kornalar rahatsızlığı<br />

%20, çok rahatsız kişileri %15<br />

kadar arttırabilmektedir. Bu alandaki<br />

yerleşimde, kanyon tipli sokaklar rahatsızlığı<br />

%10 arttırmaktadır. Ana yol<br />

ile arasında bitişik bina dizisi bulunan<br />

yerleşimlerde rahatsızlık %70 azalabilmekte,<br />

ayrık bina dizisi bulunuyorsa<br />

sadece %30 azaltabilmektedir.<br />

Avrupa Birliği, gürültü rahatsızlığı<br />

çalışmalarında doz-etki ilişkilerini<br />

kurmak için veri toplama (trafik verisi,<br />

yol verisi, yerleşim verisi vs.), gürültü<br />

tahmin modelleri ile gürültü haritası<br />

oluşturma ve sosyo-akustik anketler<br />

gerçekleştirme ana adımlarını kullanmaktadır.<br />

Dinleme testleri ile oluşturulmuş<br />

bir çevresel gürültü rahatsızlığı<br />

modeli kullanmak ise gürültü rahatsızlığını<br />

doğrudan toplanan verilerden<br />

oluşturmayı sağlayacaktır. Bu durum<br />

çevresel gürültü kontrolü konusunun<br />

asıl amacı olan rahatsızlığı azaltmayı,<br />

kurulan doğrudan ilişki ile kolaylaştıracaktır.<br />

Bu tip rahatsızlık modelleri<br />

farklı ülkeler, farklı yerleşimler,<br />

farklı sosyal ve ekonomik bölgeler<br />

için oluşturulabilir. Karayolu gürültü<br />

rahatsızlığı modeli, trafik elemanlarının,<br />

yolların ve yerleşimlerin, gürültü<br />

rahatsızlığı üzerine etkilerini ortaya<br />

çıkartarak, yeni yerleşim alanlarının<br />

planlanmasında veya gürültü eylem<br />

planlarının oluşturulmasında yardımcı<br />

olacaktır.<br />

ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • M. Aşcıgil Dincer, S. <strong>Yıl</strong>maz


Contributors<br />

Suat APAK<br />

Apak graduated from Istanbul Technical<br />

University (ITU) Faculty of Architecture<br />

as B.Arch in 1986, where he<br />

took his M.Arch degree in 1990 and<br />

Ph.D. in 1998. He currently works as<br />

an instructor in Department of Architecture<br />

in ITU. His research areas and<br />

interests focus on “architectural and<br />

urban design”, “housing planning and<br />

design” and “gated communities”. He<br />

has undertaken various architectural<br />

design projects, received architectural<br />

design awards and put into practice<br />

some architectural applications.<br />

Görsev ARGIN<br />

Received Bachelor’s Degree in City<br />

and Regional Planning (2009) and<br />

Master’s Degree in Urban Design<br />

(20<strong>12</strong>) from METU. Is currently a research<br />

assistant and Ph.D. candidate<br />

at İstanbul Technical University. Her<br />

studies focus on the human-space<br />

relations that consider the physical,<br />

social and cultural implications of<br />

space.<br />

Mine AŞCIGİL DİNCER<br />

Mine Aşcıgil Dinçer is a PhD Candidate<br />

at I.T.U. Faculty of Architecture,<br />

Department of Architecture. Her research<br />

interests are noise mapping,<br />

noise annoyance and building acoustics.<br />

Özlem ATAK<br />

Özlem Atak is a Research Assistant at<br />

the Erciyes University School of Architecture<br />

in Kayseri. She graduated<br />

from Architecture program at Erciyes<br />

University in 2005 and she received her<br />

MSc in Architectural Design program<br />

from ITU, 2009. Currently she is a<br />

PhD candidate in Architectural Design<br />

Computing program in İstanbul Technical<br />

University. Her main research<br />

area is computational theory and design<br />

in architecture.<br />

Fitnat CİMŞİT KOŞ<br />

She was born in 1975 in Samsun. She<br />

studied architecture at Karadeniz<br />

Technical University, and her Bachelor’s<br />

degree is given in 1997. Then, she<br />

completed her Architectural Design<br />

MSc. in Istanbul Technical University.<br />

She finished her master thesis about<br />

‘Ecological Adaptation Strategies and<br />

Rural Settlement Houses in Fırtına<br />

Valley, Rize’ in 2001. She continued<br />

her Architectural Design PhD thesis<br />

in Istanbul Technical University about<br />

‘Syntactic and Behavioral Analysis<br />

of Housing Morphologies in Citadel<br />

Towns of Anatolia through the Idea of<br />

Territoriality’. She has been working in<br />

Beykent University Department of Architecture<br />

since 2002.<br />

Gülen ÇAĞDAŞ<br />

B.Arch. (ITU), M.Sc. (ITU), Ph.D.<br />

(ITU) İstanbul, Turkey. Gülen Çağdaş<br />

began as teaching assistant in 1981<br />

at the Istanbul Technical University,<br />

Faculty of Architecture. She took her<br />

Ph.D. degree on Architectural Design<br />

from the same university in 1986. She<br />

has become Associate Professor in<br />

1989 and Professor in 1997. She held<br />

the Vice Dean position of Faculty of<br />

Architecture between 1997 and 2000,<br />

was the Head of Architectural Design<br />

Chair between 2004 and 2007 and also<br />

Department Head of Architecture between<br />

2008 and 20<strong>12</strong>. Her main research<br />

area is Architectural Design<br />

Computing.<br />

Nevşet Gül ÇANAKÇIOĞLU<br />

Born in Karadeniz Ereğli in 1980.<br />

Completed her secondary education in<br />

Vatan Anatolian High School, higher<br />

education in Ugur College. Graduated<br />

from ITU School of Architecture in<br />

2002. Worked in various private firms<br />

and participated into some architectural<br />

project competitions individually<br />

and with various teams. Completed<br />

her post graduate education in ITU<br />

Architectural Design program with the<br />

thesis titled as “Analysis of Perceptual<br />

Processes of Children Living in Different<br />

Social Groups Settled in Istanbul<br />

by the Method of Cognitive Maps” in<br />

2011. Pursuing her Phd studies in the<br />

same program in the scope of “Perceptual<br />

processes of the individuals using<br />

pediatric hospitals.”<br />

Pelin DURSUN ÇEBİ<br />

Pelin Dursun Çebi is associate professor<br />

in the Department of Architecture<br />

at Istanbul Technical University. She


eceived her MArch degree in 1995 and<br />

PhD degree in 2002 from the same department.<br />

Her research interests focus<br />

on architectural design, design education,<br />

body space relationships, spatial<br />

choreography, architectural morphology<br />

and space syntax.<br />

Erincik EDGÜ<br />

She has received her Bachelor of Architecture<br />

degree from Mimar Sinan University,<br />

Master’s and PhD degrees from<br />

Istanbul Technical University in the<br />

Program of Architectural Design. She<br />

was employed in various universities in<br />

Istanbul and abroad both with teaching<br />

and administrative duties. Her primary<br />

areas of research are housing, environment<br />

and behaviour studies, design<br />

theory, urban quality, and space syntax<br />

methodology. She is currently working<br />

as an associate professor at Düzce University.<br />

She’s an underwater photographer<br />

and PADI certified rescue diver.<br />

Harun EKİNOĞLU<br />

Harun Ekinoglu is an Urban Designer.<br />

He received a Bachelor’s from Bilkent<br />

University on Urban Design in 2006<br />

(hons) and a Master’s from Polytechnic<br />

University of Milan on Urban Planning<br />

and Policy Design in 2009 (hons). In<br />

2006, he was the recipient of a UNE-<br />

SCO honorable mention award for the<br />

“Historic District Renewal and Design<br />

Strategy” urban design competition for<br />

UNESCO and UN-HABITAT World<br />

Urban Forum III. In previous years,<br />

he played an active role in various national<br />

and international industrial design<br />

and urban design competitions. A<br />

PhD Candidate in Urban Planning at<br />

and a current TÜBİTAK Fellow-Visiting<br />

Scholar at Columbia University,<br />

Ekinoglu’s research interests include<br />

urban spatial analysis and participatory<br />

design.<br />

Alev ERARSLAN<br />

Assistant Professor Doctor, İstanbul<br />

Aydın University, Faculty of Architecture<br />

and Design. Graduating from<br />

Istanbul University, Department of<br />

Asia Minor Languages and Cultures<br />

in 1991, she completed her master and<br />

doctorate degrees in Istanbul Technical<br />

University in Art History Program.<br />

She has written many local and international<br />

articles on Anatolian rural<br />

architecture, Anatolian urban history,<br />

Anatolian setlement systems and history<br />

of architecture.<br />

Gülden ERKUT<br />

Gülden Erkut (PhD) is professor of Regional<br />

Planning at Istanbul Technical<br />

University’s department of Urban and<br />

Regional Planning. She was DAAD<br />

Guest Professor at Berlin Technical<br />

University, Urban Management Program,<br />

from May, 20<strong>12</strong> to May, 2013.<br />

Ervin GARİP<br />

Ervin Garip is an architect currently<br />

holds a PhD degree in “Architectural<br />

Design”. He got his B.Sc degree in “Architecture”<br />

in 2000, and M.Sc degree<br />

in “Architectural Design” program in<br />

2003 from ITU. In 2009, he completed<br />

his PhD thesis titled “Examining<br />

Consumers’ Spatial Behavior in Retail<br />

Stores in The Framework of Space Syntax”.<br />

Daniel KOCH<br />

Daniel Koch (PhD) is a researcher at<br />

KTH School of Architecture and architect<br />

at Patchwork Architecture Laboratory.<br />

Recent research investigates spatial<br />

configuration and socio-cultural<br />

structuring, design and diagramming,<br />

and processes of subjectification. He is<br />

editor of the Journal of Space Syntax<br />

and Vice Director of SRE Architecture<br />

in the Making.<br />

Nilüfer KOZİKOĞLU<br />

She is a graduate of Mimar Sinan University,<br />

Istanbul with masters degree<br />

in architecture and urban design from<br />

Architectural Association, London in<br />

2003. She runs her practice as partner<br />

at Tuşpa NK agency for architecture<br />

and workshop Urbanatolye, teaches<br />

seminar and design courses as guest<br />

professor at various universities.<br />

Ayşe ÖZBİL<br />

Received B.Arch (2000) from <strong>Yıl</strong>dız<br />

Technical University, M.Arch (2002)<br />

from METU and Ph.D. (2010) in Architecture<br />

from Georgia Institute of<br />

Technology. Is currently an assistant<br />

professor at Özyeğin University where<br />

she teaches design in architecture and<br />

urban design. Her research focuses on


spatial modeling using space syntax<br />

techniques.<br />

Nezire ÖZGECE<br />

The author received Bachelor of Architecture<br />

and Master of Achitecture<br />

degrees from Eastern Mediterranean<br />

University. She is curently a PhD<br />

candidate and lecturer in the Department<br />

of Architecture at Cyprus International<br />

University.<br />

Esra ÖZSÜT AKAN<br />

Born in Istanbul in 1965. Graduated<br />

from ITU School of Architecture in<br />

1986. Worked in various private architectural<br />

offices. Completed her post<br />

graduate education in ITU Architectural<br />

Design Program with the thesis<br />

titled as “Objective and Subjective<br />

Evaluation of Circulation System in the<br />

Buildings.” Pursuing her Phd studies in<br />

the same program.<br />

Kerstin SAILER<br />

Dr. Kerstin Sailer is Lecturer in Complex<br />

Buildings at the Space Syntax Laboratory,<br />

Bartlett School of Architecture<br />

at University College London, and Director<br />

of Research and Innovation at<br />

Spacelab. Her research interests combine<br />

complex buildings, workplace environments<br />

and space usage with social<br />

networks, organisational theory and<br />

organisational behaviour.<br />

Ervin SEZGİN<br />

Ervin Sezgin (PhD) is an urban and regional<br />

planner particularly focused on<br />

urban and regional politics, and central<br />

state- local relations. He is currently<br />

teaching at Istanbul Technical University<br />

department of Urban and Regional<br />

Planning on these issues at undergraduate<br />

and graduate levels.<br />

Mehmet Emin ŞALGAMCIOĞLU<br />

Mehmet (BSc. MSc. PhD., ITU) is an<br />

Architect and Assistant Professor in Istanbul<br />

Technical University. He was a<br />

visiting scholar in University of Michigan<br />

in 2010 and worked on several<br />

professional design projects previously.<br />

His current research areas are Architectural<br />

Design and Morphology,<br />

Space Syntax, Gentrification, Housing,<br />

and Domestic Space Organisation. He<br />

also has international and national architectural<br />

design competition awards<br />

as well as published design critics,<br />

book chapters, conference papers, and<br />

journal articles.<br />

Meray TALUĞ<br />

She received bachelors of Architecture<br />

degree in 2002, and Master of Architecture<br />

degree in 2007 from Eastern<br />

Mediterranean University. She has<br />

been working as a lecturer in Cyprus<br />

International University since 2007.<br />

She is doing her PhD at the same<br />

University. Her current researches<br />

focuses on the architectural theory,<br />

architectural space, culture and sociology.<br />

İlgi TOPRAK<br />

She is a PhD Candidate from Istanbul<br />

Technical University (ITU), where she<br />

earned both Bachelor in Architecture<br />

and Master of Science degrees. She is<br />

working in ITU Department of Architecture<br />

as a research assistant. Her<br />

research interests are morphology in<br />

architectural and urban design and<br />

Space Syntax. She is currently a guest<br />

researcher in TU Delft, Netherlands.<br />

Gülname TURAN<br />

Lecturer at Faculty of Architecture,<br />

Istanbul Technical University (since<br />

2009); holds a professional degree in<br />

industrial design (1999) and Ph.D. in<br />

art and design history (2009) from<br />

Istanbul Technical University; has<br />

taught design project and design history-theory<br />

courses at Istanbul Technical<br />

University and Istanbul Bilgi University;<br />

academic research and interest<br />

in industrial design history and craft<br />

history, corporate identity design; has<br />

published papers in international conferences<br />

and in journals Design Issues,<br />

“Turkey in the Great Exhibition of<br />

1851” (MIT Press, 2009) and Journal of<br />

Furniture History, “Turkish Furniture<br />

Design in the 1930s” (V&A, 2010). She<br />

is currently studying on industrial design,<br />

craft & design and design history.<br />

Alper ÜNLÜ<br />

He graduated from Faculty of Architecture,<br />

Istanbul Technical University<br />

(ITU) in 1979. After his completion<br />

of M.Sc. in Architecture-ITU, he continued<br />

his Ph.D. study in Environ-


ment-Behavior Program, The University<br />

of Wisconsin-Milwaukee, USA.<br />

Currently, he is Professor in Department<br />

of Architecture ITU, and he is the<br />

coordinator of Architectural Design<br />

and Morphology.<br />

Demet YEŞİLTEPE<br />

Received Bachelor’s Degree in City<br />

and Regional Planning (2013) from<br />

<strong>Yıl</strong>dız Technical University. Is currently<br />

studying Master of Urban Design<br />

atİstanbul Technical University. Her<br />

studies focus on the relation between<br />

physical space and socio-economic<br />

structure. Her major research topics<br />

are space perception, urban morphology<br />

and space syntax.<br />

Sevtap YILMAZ<br />

Sevtap <strong>Yıl</strong>maz is Professor at the Istanbul<br />

Technical University (ITU), Faculty<br />

of Architecture, Department of<br />

Architecture. She has received her B.S.,<br />

M.Sc. and Ph.D. degrees from ITU. She<br />

specializes on environmental acoustics,<br />

architectural acoustics and building<br />

acoustics.

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