A | Z Cilt: 12 - Sayı: 3 Yıl: 2015
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ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong><br />
Contents<br />
Yurdanur Dülgeroğlu Yüksel<br />
Editorial<br />
I<br />
Dossier: Space syntax and architectural design<br />
Alper Ünlü<br />
Dossier Editorial<br />
On space syntax and architectural design: A story of the suitcase 1-6<br />
Daniel Koch<br />
Architecture as Material Discourse: On the spatial<br />
formulation of knowledge and ideals in four library extensions 7-22<br />
Kerstin Sailer<br />
The dynamics and diversity of space use in the British Library 23-39<br />
Erincik Edgü<br />
Success in Basic Design Studios: Can seat selection be an advantage? 41-53<br />
Mehmet Emin Şalgamcıoğlu, Fitnat Cimşit Koş, Ervin Garip<br />
Tracing a biennial layout: Experiencing an exhibition layout through<br />
the syntactic analysis of Antrepo No. 3 at the 2013 Istanbul Biennial 55-70<br />
Nilüfer Kozikoğlu, Pelin Dursun Çebi<br />
Thinking and designing with the idea of network in architecture 71-87<br />
Esra Özsüt Akan, Alper Ünlü<br />
Behavioral responses of the elderly regarding spatial<br />
configuration: An elderly care institution case study 89-103<br />
Ervin Garip, Mehmet Emin Şalgamcıoğlu, Fitnat Cimşit Koş<br />
The influence of architectural configuration on the pedestrian<br />
network in Büyük Beşiktaş market 105-113<br />
Fitnat Cimşit Koş, Mehmet Emin Şalgamcıoğlu, Ervin Garip<br />
A syntactic analysis of social interfaces in Istanbul Biennial<br />
patterns in case of biennial buildings in 2013 115-<strong>12</strong>5<br />
Nevşet Gül Çanakçıoğlu<br />
Can cognitive maps of children be analysed by space syntax? <strong>12</strong>7-140<br />
Suat Apak<br />
Disintegration of urban housing areas: Districts and new<br />
gated housing settlements 141-158<br />
İlgi Toprak, Alper Ünlü<br />
A diachronic approach on heterochronic urban space 159- 173<br />
Erincik Edgü, Meray Taluğ, Nezire Özgece<br />
Divided shopping: A syntactic approach to consumer behaviour 175-188<br />
Ayşe Özbil, Demet Yeşiltepe, Görsev Argın<br />
Modeling walkability: The effects of street design, street-network<br />
configuration and land-use on pedestrian movement 189-207
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong><br />
Theory<br />
Harun Ekinoğlu, Gülname Turan<br />
Does favorite design lead to good design?: Taxi design<br />
competitions in Istanbul and New York City 209-225<br />
Alev Erarslan<br />
Continuity of architectural traditions in the megaroid<br />
buildings of rural Anatolia: The case of Highlands of Phrygia 227-247<br />
Özlem Atak, Gülen Çağdaş<br />
The reflection of religious diversity and socio-cultural meaning<br />
on the spatial configuration of Traditional Kayseri Houses 249-265<br />
Ervin Sezgin, Gülden Erkut<br />
Cross border cooperation in Edirne-Kırklareli border region:<br />
New institutionalist perspectives 267-283<br />
Mine Aşcıgil Dincer, Sevtap <strong>Yıl</strong>maz<br />
Modelling road traffic noise annoyance by listening tests 285-306
I<br />
Editorial<br />
Yurdanur Dülgeroğlu Yüksel<br />
The new issue of A|Z has a special<br />
dossier theme on Space Syntax and<br />
Architectural Design. It contains a<br />
valuable collection of articles, each of<br />
which is contributing to the theme as<br />
well as to the designers who are interested<br />
to use space syntax models as a<br />
tool in their architectural design. There<br />
seems to be no need to say more to the<br />
dossier editor’s full explanation of the<br />
individual articles in the collection and<br />
history of development of the theme.<br />
In this issue, also there are a number<br />
of theory articles on varying subjects,<br />
mostly involving field study or case<br />
study.<br />
In the article titled as “Does favorite<br />
design lead to good design?:<br />
Taxi design competitions in Istanbul<br />
and Ne w York C it y ”, E k i no ğ lu and<br />
Turan discuss the changes in both urban<br />
and national bureaucracy in the<br />
last decades. With the rejection of the<br />
rationalist design methods in the Seventies,<br />
due to their setting the goals in<br />
a top-down approach in defining the<br />
problem; the participatory design approach<br />
were found by the scholars to<br />
fit into the diverse needs, values, and<br />
interests and priorities of the people.<br />
Such a participatory decision-making<br />
was concretized in two different design<br />
competition conducted for taxi design<br />
in Istanbul and in NY City during<br />
2011 was set separately. The common<br />
aim was to increase the quality of taxi<br />
service as a mobile space. However,<br />
The Concept of Participation has the<br />
controversy when majority’s choice<br />
dominates minority’s expectations.<br />
Therefore, the article explains this controversy<br />
in taxi design competition<br />
cases: that is, a good design as defined<br />
and agreed by the experts does not necessarily<br />
be the most popular design for<br />
people, and the most popular design is<br />
not necessarily the best-quality design.<br />
The article shows us that, this paradox<br />
does not underestimate the value<br />
of participatory process, as it reveals<br />
the tastes and values of the people, no<br />
matter how different they may be from<br />
those of the experts.<br />
Erarslan’s article, titled as “Continuity<br />
of architectural traditions in the<br />
Megaroid buildings of rural Anatolia:<br />
The Case of Highlands of Phrygia” is<br />
an attempt to prove that architectural<br />
continuity, despite changing times<br />
and societies. The case selected for the<br />
study is Anatolia. Phrygian highlands.<br />
In the underlining study, it has been<br />
found out that the megaroid structures<br />
are similar to the historical megara<br />
houses,with respect to their plan types,<br />
spatial organization of the house, functional<br />
layout, construction materials,<br />
and systems. Thus, there seems to be a<br />
regional memory of rural architecture.<br />
This is evidenced by the cultural adaptation<br />
of the newcomers and nomads<br />
by the former settlers’ cultures. Such an<br />
acculturation and cultural adaptation<br />
process explains architectural continuity<br />
throughout the centuries, despite<br />
the transition from nomadic to settled<br />
life style. Traditional house patterns<br />
and plans, the megaroid buildings in<br />
the region, are found to demonstrate<br />
not only the regional taste but also the<br />
suitability and functionality of these<br />
house by their courtyards and sofas.<br />
The article sets for an interesting picture<br />
and shows how the Anatolian<br />
Turkish house has evolved through<br />
overlapping cultures and centuries to<br />
become a unique architecture of the<br />
region. This article, despite the contextual<br />
differences, confirm the continuity<br />
of certain aspects of culture, to be reflected<br />
in the architecture of the houses<br />
in the article making Kayseri houses as<br />
case.<br />
Atak and Çağdaş, in their article<br />
“The reflection of religious diversity<br />
and socio-cultural meaning on the<br />
spatial configuration of Traditional<br />
Kayseri Houses” examine two different<br />
cultures’ courtyard houses by using a<br />
field study. The methodology is space<br />
syntax and visibility graph analyses to<br />
inquire into inwardness-outwardness,<br />
the determination of spatial privacy,<br />
control, social hierarchy within the<br />
household, and the degree of relations<br />
between the household and visitors.<br />
These methods are constructed<br />
through the relations of permeability<br />
(based on movement) and visibility<br />
(based on the perception of a moving<br />
observer). In addition, while a very
II<br />
significant proportion of the houses<br />
exhibit outward-looking structures, in<br />
terms of accessibility relations. Only a<br />
small portion exhibit inward-looking<br />
structures. The dominancy of extraversion<br />
is expressed to be correlated<br />
with the extroversion trend in the social<br />
structure in the last two centuries.<br />
The authors conclude from this study<br />
that the courtyard plays a major role<br />
in connecting all units of the house<br />
to the outer space; and by structuring<br />
these spaces of the house. Permeability<br />
and visibility relations reveal the spatial<br />
mechanisms of houses and how the<br />
dwellers and visitors experience these<br />
mechanisms. ln the fieldwork, the spatial<br />
organization of traditional Kayseri<br />
houses are explained by their social<br />
and cultural factors. It is found that the<br />
permeability and visibility structures<br />
of the inner spaces of houses function<br />
together. Courtyards, gardens and<br />
central halls are predominantly more<br />
visually integrated spaces. This study<br />
by having systematically examined the<br />
accessibility and visibility structures<br />
of the traditional Kayseri houses, can<br />
guide other studies in future to be conducted<br />
a new,on similar spatial organizations.<br />
“Cross border cooperation in<br />
Edirne-Kırklareli border region: New<br />
institutionalist perspectives” by Sezgin<br />
and Erkut elaborate on the border issues,<br />
especially after the Cold War.<br />
They are justifying their study by the<br />
expanding scholarly interest on border<br />
regions; and explaining it by the the<br />
changing status of the borders from<br />
being barriers into becoming bridges<br />
between two countries. However,<br />
tensions occurring by such change are<br />
understood to be caused by the global<br />
forces imposed by supranatural conditions<br />
and EU for the purpose of developing<br />
flexible socio-economical and<br />
political links between the bordering<br />
communities; and by the constraints of<br />
the existing national institutions. The<br />
local/regional dynamics are inevitably<br />
affected by this tension between the<br />
two different scales of pressure.. While<br />
the article gives an in-depth theoretical<br />
background on the theme, it also<br />
provides a case study from Bulgarian-Turkish<br />
Border Communities. It<br />
concludes that such change from competition<br />
to cooperation status is regularized<br />
by the national institutions, but<br />
put into practice at the local level by<br />
the creative inventions of communities<br />
to bypass the restrictions of these institutions.<br />
Only then change could be<br />
achieved.<br />
Aşcıgil Dincer and <strong>Yıl</strong>maz in their<br />
article “Modelling road traffic noise<br />
annoyance by listening tests”, aim to<br />
measure the response of the dwellers<br />
and their level of annoyance when confronting<br />
the increasing traffic noise.<br />
Their methodology involves simulation<br />
technique: they gave sound clips<br />
to their subjects by telling them to assume<br />
that they are resting at home and<br />
hear the noise put into sound clips.<br />
Some of their salient findings include<br />
the following: settlement types and<br />
geometries can cause critical changes<br />
in the annoyance level of the subjects;<br />
dwellers with bedrooms across the<br />
street are more disturbed by the traffic<br />
noise than others; gender difference is<br />
experienced and women seem to have<br />
more sleep disturbance than men when<br />
subjected to traffic noise; and horns<br />
and motorcycles are found the be the<br />
sources for the most annoyance while<br />
resting. The findings carry clues for designers<br />
in taking into consideration the<br />
traffic annoyance for better comfort of<br />
the dwellers.
1<br />
Dossier Editorial:<br />
On space syntax and<br />
architectural design<br />
A story of the suitcase<br />
Alper Ünlü<br />
A person carries some suitcases in<br />
the short life. I may define the suitcase<br />
here as the person’s interest, involvements,<br />
bringings or accumulations. I<br />
suppose the theory of Space Syntax has<br />
been one of my suitcases that I have<br />
been carrying more than seventeen<br />
years. It is interesting that the subject<br />
of Space Syntax has always attracted<br />
me as a magic suitcase.<br />
I noticed this subject, it was many<br />
years ago, it was an article, probably the<br />
first one of Bill Hillier’s, titled as same<br />
as the theory, “Space Syntax”. In fact, I<br />
was really in trouble about understanding<br />
this article at that time, however it<br />
was telling me about another but unknown<br />
face of the architecture. It was<br />
a kind of unusual face of my profession.<br />
I noticed that Hillier and Hanson<br />
were mentioning about something as a<br />
latent discourse like an iceberg under<br />
the sea. I thought, maybe it was reflecting<br />
something as a magic side of our<br />
professional duties. The subject that I<br />
confronted was reflecting another face,<br />
which I did not know before.<br />
Architecture in general, design as<br />
specific was my daily routine, either in<br />
teaching or in my professional projects.<br />
What was Space Syntax and what was<br />
it telling us? What was it explaining as<br />
a structure? How could it be linked to<br />
our life and spaces?<br />
I started working on Space Syntax<br />
in 1998, and I seriously began reading<br />
about it. In that time, some researchers<br />
were doing their researches by UCL<br />
based softwares, the others like me,<br />
“poors” were making calculations by<br />
hand.<br />
The publication of the bible book titled<br />
as “Social Logic of Space” was the<br />
only one comprising many discussions;<br />
it was proposing the linkage between<br />
societal and syntactic values from macro,<br />
meso and micro scales.<br />
I participated to Space Syntax Symposium<br />
2, Brasilia in 1999 with some<br />
syntactic formulas modified from this<br />
book. During the conference, participants<br />
were taking the depth values as<br />
inclining numericals, but I was doing<br />
reverse. I noticed my values were reverse,<br />
and they were opposite. However,<br />
my reverse model also was clearly<br />
working, like being depth values as<br />
reverse of the integration values as<br />
a constant acceptance. So, the paper<br />
that I presented in Brasila was about<br />
searching for the existence of the central<br />
hall concept of Turkish houses<br />
between 16th and 19th centuries. My<br />
accidentally emerging reverse model<br />
was working out and it was explaining<br />
the truth between these centuries.<br />
The true story was not descriptive, but<br />
it was using mathematical aggregates,<br />
more cells, depth levels, formulas and<br />
numericals.<br />
By time, the journey for Space Syntax<br />
motivated many students around<br />
me, and there was an increasing motivation<br />
among the students. The architects<br />
liked to work with space syntax<br />
softwares even for testing the design<br />
schemes and proposals. I noticed their<br />
motivation in these investigations.<br />
They liked to insert design layouts in<br />
their personal laboratories and they<br />
were checking, if the schemes were<br />
working or not due to integration<br />
and depth levels as reverse. They were<br />
searching for the result that the design<br />
is working out or not.<br />
Space Syntax rather than as methodology<br />
or tool, it was helping the researcher<br />
or the architect. The classical<br />
question was very simple and it was<br />
concentrating on the qualities of the<br />
design, was it working out or not? Was<br />
it exposing a low performance and<br />
where?<br />
Architects were testing the design<br />
schemes with softwares, and they<br />
liked to involve in figures. They were<br />
reinventing the figures but this time<br />
through the architectural field, and<br />
they were travelling in the latent and<br />
magic discourse. The architects were<br />
inventing the latent discourse based<br />
on mathematics that they lost this<br />
straightforward strategy in their past,<br />
maybe in the former school years. By<br />
the help of new feeling, students are<br />
settled for a new confirmation system
2<br />
for their design strategies not only<br />
based on descriptive models, but also<br />
based on ratios.<br />
On the other hand, the series of<br />
symposiums as once in two years have<br />
been continuing, after Brasilia, London,<br />
Delft, Istanbul and Stockholm. My<br />
former PhD students Erincik, Mehmet<br />
and me were talking about something<br />
was missing in conferences. The first<br />
thing was apparently the difference<br />
between as high attendance for urban<br />
planning issues and small demand for<br />
architectural design issues. The ratio of<br />
architectural design issues considered<br />
in continuing series of conferences<br />
in general was less than 30 percent of<br />
whole accepted papers. This emerging<br />
case has reached to the upper limits in<br />
Santiago and Seoul. The ongoing symposiums<br />
were densely concentrating<br />
on urban issues and the architectural<br />
subjects seemed to be neglected and<br />
participants were tended to be declining.<br />
By the time, the segregation or division<br />
during the ongoing symposiums,<br />
the reasons behind the subject have<br />
become more clear for me. The urban<br />
dynamics seemed to be as concrete dynamics,<br />
whereas the building dynamics<br />
are tended to be more subjective, more<br />
human behaviour based. Of course, we<br />
may not separate the environment as<br />
place vs. space, whereas there are many<br />
similarities in both sides. We may also<br />
identify both of them as more formal,<br />
but if we may consider that the nature<br />
and the essence of the dynamics in the<br />
positivist world, the content for both<br />
sides seemed to be more reversible.<br />
That’s why the contribution from the<br />
architectural side to the space syntax<br />
was so limited. The planning issues<br />
and urban design issues were more<br />
appropriate as part of the immanent<br />
essence of research dynamics, on the<br />
other hand the architectural design issues<br />
were more based on emotional issues,<br />
in other words, they were more as<br />
transcendental interpretations which it<br />
might be more powerful than positivist<br />
explanations.<br />
At the basic scale, the immanent<br />
structure was determining the research<br />
strategies of urban and architectural<br />
spaces, but the lack of transcendental<br />
situation in critiques was the important<br />
issue in the architectural design<br />
field. The issues held in space syntax<br />
symposiums were mainly criticized<br />
based on these augmented problems.<br />
The lack of transcendental strategy<br />
is not solely a critical discussion for<br />
architectural spaces, but this is also a<br />
debating issue for space syntax symposiums<br />
like 2001 Atlanta. The famous<br />
philosopher and urban geographer,<br />
David Harvey addressed this issue in<br />
SS3, where he pointed out the lack of<br />
this issue in his critical conference. He<br />
annotated the space syntax as turning<br />
to be a vain subject in urban geography.<br />
Many thinkers commented that<br />
the space syntax theory is a part of immanent<br />
thinking and it is isolated from<br />
phenomenological interpretations.<br />
Latterly, David Seamon in SS6, Istanbul,<br />
criticized the lack of phenomenological<br />
approach in space syntax. His<br />
paper “A Lived Hermetic of People<br />
and Place: Phenomenology and Space<br />
Syntax”. Seamon’s paper, rather than<br />
being as segregating, it was promising<br />
for constructing an integrative model<br />
between differing opinions.<br />
By the effect of these debating considerations,<br />
space syntax theory has<br />
been continuing to influence us. By<br />
time, we are driving into another debate<br />
that it might be resulted more<br />
effective research and strategies at the<br />
future. In architecture, specifically at<br />
the design field, this is my guess that all<br />
discussions might be derived from the<br />
essence of the professionalism and the<br />
ongoing debates eventually may lead to<br />
the design strategies and methodologies<br />
as feedback. All these debates underpin<br />
the new methodologies of the<br />
architectural design field.<br />
This special dossier has been prepared<br />
under these considerations. Our<br />
main aim is to extent the debating issues<br />
and to convey them to the architectural<br />
design field and the profession<br />
itself. So, the title of this dossier is selected<br />
as “Space Syntax and Architectural<br />
Design” that is prepared to shed<br />
a light for the occurrence of human<br />
activities specifically in the buildings<br />
or in the vicinity of the buildings, how<br />
they are acted, by whom and where.<br />
The selected subjects due to buildings<br />
in this dossier are many. In the dossier,<br />
there are recently completed researches
3<br />
on libraries, exhibition halls, shopping<br />
centers, elderly institutions, hospitals,<br />
gated communities, educational areas<br />
and houses.<br />
The first article by Daniel Koch is an<br />
invited one and the title of his article is<br />
“Architectural Works as Material Discourse:<br />
On the spatial formulation of<br />
knowledge and ideals in four public library<br />
extensions”. Koch evaluates four<br />
buildings in his article and exemplifies<br />
his ideas through Malmö City Library,<br />
Växjö City Library, Stockholm City<br />
Library and Gothenburg City Library.<br />
He argues the idea of library in the<br />
contemporary life and continues his<br />
discussion with the essence of knowledge<br />
and literature emerging through<br />
architectural programme. He extends<br />
his focus on collections, activity and<br />
library visitors. Koch mutually tries to<br />
find out answers linked to the architectural<br />
form and aims to discuss through<br />
these examples. He tries to find out<br />
new architectural principles and ideals<br />
of “new library design”. The results of<br />
his scrutinized works on these buildings<br />
bring out that appropriation and<br />
inhabitance are empirically related to<br />
the spatial organization in modern and<br />
digital life. The term of appropriation<br />
in here, rather than being an activity<br />
or Barker’s famous “milieu” term, it<br />
is much more spatial and cognitive issue<br />
and a more behavioral issue. Koch<br />
points out the complicated sides of<br />
architectural programming and behaviour<br />
based protocols in the design<br />
process. The space what we concentrated<br />
is how beyond of its pragmatic nature<br />
and how it is more media transacted<br />
meanings and values. Koch argues<br />
his considerations around this theme.<br />
The second invited article belongs<br />
to Kerstin Sailer. Her article is titled as<br />
“The Dynamics and Diversity of Space<br />
Use in the British Library”. This article<br />
also concentrates on another case<br />
study of the library. Sailer elaborates<br />
the dynamics of library in her article,<br />
and concentrates on diverse user behaviors<br />
and temporal order in the British<br />
Library. Her aim, through the cases,<br />
is conveying deep analytical explorations<br />
about spaces and their usage,<br />
where she presents a detailed picture<br />
of usage in the building. Sailer elaborates<br />
usage patterns, points out variations<br />
in behaviors, adds up temporal<br />
order in her approach, and tests the<br />
affordance of the configuration. Sailer<br />
presents elaborated spatial potentials<br />
of the building. She shows how physical<br />
environment is coexisted and presents<br />
behavioral modes and tendencies.<br />
By this way, she criticizes the architectural<br />
programming and beyond this,<br />
syntactical assumptions and how they<br />
are modified by new behavioral modes<br />
and patterns.<br />
If we start from blind reviewed articles,<br />
continuing from micro to meso<br />
and eventually macro scale, the third<br />
article belongs to Erincik Edgü and<br />
her article is “Success in basic design<br />
studios: Can seat selection be an advantage?”<br />
This research interestingly<br />
brings out the series of observation and<br />
syntactic data of an educational space,<br />
specifically the Basic Design Studio of<br />
the architectural school, CIU (Cyprus<br />
International University). Edgü explores<br />
students’ preferences of seating<br />
and she criticizes success of the student,<br />
in terms of social interaction and<br />
movement pattern based on the arrangement<br />
of rows and columns that is<br />
far from being the ideal scheme. Edgü<br />
takes a case of educational scheme in<br />
the architectural school and she argues<br />
physical layout, syntactic visual field<br />
and potentials. By the effect of these<br />
arguments, she extends her discussion<br />
around the essence of social communication,<br />
and mechanisms that are<br />
emerging social pedal or social fugal<br />
identity in the educational space.<br />
The fourth article is about the main<br />
exhibition venue of 2013 Istanbul Biennial,<br />
which is a former warehouse<br />
just as the building next to it, Istanbul<br />
Modern, where both buildings are altered<br />
as exhibition buildings in the last<br />
decade. The authors are Mehmet Emin<br />
Şalgamcıoğlu, Fitnat Cimşit Koş, and<br />
Ervin Garip. Their article is titled as<br />
“Tracing a Biennial Layout: Experiencing<br />
an Exhibition Layout through the<br />
Syntactic Analysis of Antrepo No. 3 at<br />
the 2013 Istanbul Biennial”. The authors<br />
explore syntactically integrated or segregated<br />
locations of exhibition spaces,<br />
and how spatial layouts influence visitors’<br />
explorations in gallery spaces. It<br />
means, which spaces are more or less<br />
visited. Eventually, authors scrutinize
4<br />
the predominate path that is depending<br />
on the number of visitors during<br />
a specific period of time. The authors<br />
try to find out the importance of coexistence<br />
cognizant and syntactically integrative<br />
spaces in accordance with the<br />
flexibility of design spirit of biennials.<br />
By this aim, authors discuss the impact<br />
of the morphology of space on exhibition<br />
visitors.<br />
The fifth article brings out and discusses<br />
the double aspect of the architectural<br />
space. The authors are Nilüfer<br />
Kozikoğlu and Pelin Dursun Çebi.<br />
Their article is titled as “Thinking and<br />
Designing with the Idea of Network in<br />
Architecture”. This article focuses on<br />
the idea of networks in architectural<br />
design and discusses the use of “graph<br />
theory” based on tools in the design<br />
process. Authors take the architectural<br />
layout cognitively as a mapping scheme<br />
that is accorded with spatial elements<br />
and they emphasize that these relations<br />
are highly cognitive and brain based.<br />
The mapping has dynamic essence and<br />
it is contrary to preliminary assumptions<br />
in the design process, which<br />
is non-hierarchical. Kozikoğlu and<br />
Dursun takes two examples, one from<br />
an academic setting-a mapping from<br />
the university, the other is elicited from<br />
practice-a hospital building. The first<br />
one describes a workshop on systems<br />
thinking that is demonstrated with a<br />
game and the second one is an iterative<br />
hospital campus design scheme. The<br />
aim of authors is to draw attention of<br />
the readers to the importance of cognitive<br />
mapping and cognized nodes;<br />
and how these dynamics are segregated<br />
from the immanent graphs.<br />
As continuum of the series of specific<br />
buildings, the sixth article’s subject<br />
elaborates an elderly care institution.<br />
The authors are Esra Özsüt Akan and<br />
Alper Ünlü. Their article is titled as<br />
“Behavioral Responses of the Elderly<br />
Regarding Spatial Configuration: An<br />
Elderly Care Institution Case Study”.<br />
This article elaborates a case study, an<br />
elderly institution in Istanbul, and authors<br />
define a scrutinized observation<br />
for behavioral occasions in the elderly<br />
institution. The authors draw the attention<br />
of the users to how designated<br />
spaces are used by the elderly, and the<br />
how segregated syntactic spaces are<br />
transformed as sociopedal or sociofugal<br />
spaces.<br />
The seventh article belongs to Ervin<br />
Garip, Mehmet Emin Şalgamcıoğlu<br />
and Fitnat Cimşit Koş. The article is<br />
titled as “The Influence of Architectural<br />
Configuration on the Pedestrian<br />
Network in Büyük Beşiktaş Market”.<br />
The authors in this article take a specific<br />
building as the center of pedestrian<br />
movements, and exemplify their considerations<br />
through the “Büyük Beşiktaş<br />
Market” in Istanbul. The building<br />
is a distributor and connection of the<br />
pedestrian movements. The article<br />
tests an urban building that is continuously<br />
treaded by the pedestrian almost<br />
in every second. The authors question<br />
how syntactic pattern plays a role in<br />
this specific planning. They also test<br />
outcomes of their search as availability<br />
and usage of courtyards and open<br />
spaces regarding as possible design<br />
criteria in the creation of specific and<br />
private areas in public buildings.<br />
The eighth article belongs to ” Fitnat<br />
Cimşit Koş, Ervin Garip and Mehmet<br />
Emin Şalgamcıoğlu as their second<br />
outlook to the exhibition spaces with a<br />
title of “A Syntactic Analysis of Social<br />
Interfaces in Istanbul Biennial Patterns<br />
in Case of Biennial Buildings In<br />
2013”. This article is different than the<br />
first one and it comprises activities and<br />
behavioral patterns in the urban scale.<br />
The authors question both the biennial<br />
spaces and buildings, and how they<br />
are preferred or not in the urban scale<br />
based on space syntax parameters.<br />
Their evaluation covers the history of<br />
biennials and the authors search for the<br />
importance of performances and they<br />
evaluate how they are interacted with<br />
syntactic values and visitors’ activities.<br />
The ninth article belongs to Nevşet<br />
Gül Çanakçıoğlu. Çanakçıoğlu summarizes<br />
her main theme as the question<br />
of the title “Can Cognitive Maps<br />
of Children be analysed by Space Syntax?”<br />
Çanakçıoğlu implements cognitive<br />
mapping in two different housing<br />
areas and she gets the responses from<br />
children aged 11 living in two different<br />
socioeconomic status levels. The<br />
analysis orients to be focused on cognitive<br />
mapping and syntactic graph<br />
outcomes. She establishes an interesting<br />
methodology between mapping
5<br />
outcomes and interpretation of them<br />
in the syntax language. She finds out<br />
important clues about gender and social<br />
status level of children and the cognition<br />
of their home environments that<br />
is the primary subject of the article.<br />
The tenth article comes from Suat<br />
Apak, based on the relationship between<br />
gated communities, space syntax<br />
and emergence of graffiti in urban areas.<br />
The title of this interesting research<br />
is “Disintegration of Urban Housing<br />
Areas: Districts and New Gated Housing<br />
Settlements”. Apak takes gated<br />
community examples from different<br />
districts of Istanbul and observes these<br />
areas based on physical appearances,<br />
human movements and existence of<br />
graffiti. The author argues the existence<br />
of architectural appearance, existence<br />
of graffiti and syntactic outcomes; how<br />
they are interacted and what brings out<br />
to the urban life, and also how they are<br />
differed and why they are differed. Results<br />
show that the interaction within<br />
the existing texture gets weaker at substantial<br />
levels around the walls of the<br />
island, controversially the existence of<br />
graffiti increases, and sociologically<br />
existing users living around the gated<br />
communities turn to be as the author<br />
said “societies around / bottom the<br />
walls”.<br />
The eleventh article is derived from<br />
Michel Foucault’s “heterotopia” and<br />
“heterochronic” terms. The authors<br />
are İlgi Toprak and Alper Ünlü, and<br />
their article is titled as “A Diachronic<br />
Approach on Heterochronic Urban<br />
Space”. Toprak and Ünlü act from<br />
Foucault’s term and investigate the<br />
urban and social morphology of a<br />
coastal town, Kuzguncuk of Istanbul.<br />
The scrutinized work aims to take out<br />
geographical layers, to conduct a diachronic<br />
approach, and to investigate<br />
the cases and situations derived from<br />
the Heidegger’s “dasein” term. Toprak<br />
and Ünlü try to combine urban geography<br />
and space syntax terms in their<br />
paper. They evaluate the reflections of<br />
socio-cultural background of the historical<br />
neighborhood and they concentrate<br />
on the morphological and the<br />
semantic changes of its heterochronic<br />
elements throughout the history.<br />
The following twelfth article belongs<br />
to authors Erincik Edgü, Meray Taluğ<br />
and Nezire Özgece. Their article is<br />
named “Divided Shopping: A Syntactic<br />
Approach to Consumer Behaviour”.<br />
The article focuses on the comparison<br />
of consumer shopping behaviour in a<br />
historical city centre, Walled City of<br />
Nicosia, the capital of Cyprus Republic<br />
and TRNC. Despite the political isolation<br />
and segregation, Nicosia has gone<br />
through different physical and social<br />
development patterns in terms of land<br />
uses and functional changes as a divided<br />
city. The authors try to examine<br />
syntactic hints underlying the physical<br />
development concerning in three different<br />
periods of the city. Moreover,<br />
they search for he preferences of the<br />
pedestrians emphasizing functional<br />
and spatial patterns. The highlighted<br />
issue in their search is that the divided<br />
city has consumer behaviors and patterns<br />
as an outcome of the physical environment<br />
that it might be interpreted<br />
as part of the syntactical definitions.<br />
The last thirteenth article has come<br />
from the authors Ayşe Özbil, Demet<br />
Yeşiltepe and Görsev Argın titled as<br />
“Modeling Walkability: the effects of<br />
street design, street-network configuration<br />
and land-use on pedestrian<br />
movement”. This study involves comparative<br />
roles of urban design qualities<br />
of the street environment and<br />
street network layout on pedestrian<br />
movement. In their comparative study,<br />
preliminary findings imply that not<br />
withstanding the significance of certain<br />
aspects of the street environment,<br />
but they relate to local urban design<br />
qualities. They also defend the syntactic<br />
basis of this comparison, where the<br />
overall spatial configuration of street<br />
network may be a concrete role and<br />
may prove to be a significant variable<br />
for the description and modulation of<br />
pedestrian movement.<br />
Consequently, the presented articles<br />
reinforce that we may be still circling<br />
around the problem or hopefully we<br />
are close to the target/ core. This special<br />
dossier may be a small step, but it<br />
is an important one for space syntax<br />
family. I consider this step as a more<br />
specific and a more architectural one<br />
that mainly sheds more light to our<br />
problems.<br />
The aim of this dossier is to help<br />
new generations and to motivate them
6<br />
by giving a reason for inventing new<br />
methodologies in the future. The updated<br />
considerations in architectural<br />
design as part of the dynamic relations<br />
of the profession have been going on<br />
as slightly aparted from the functionalist-immanent<br />
foundations. I may<br />
apparently see this problem. So, the<br />
architectural design field should gain<br />
new methodologies concerning more<br />
involvement on transcendental interpretations,<br />
and more creative solutions<br />
in the design methodologies.<br />
As I indicated in the first page, this<br />
dossier will be unique and precious in<br />
my suitcase. My suitcase will be slightly<br />
filled with this, but there is still a<br />
space for being full. Sometimes, I call<br />
my space syntax suitcase and I label it<br />
as “hope chest”. If I translate it directly<br />
into Turkish, it is called as “çeyiz<br />
sandığı” that means “bride’s chest”. In<br />
other words, all suitcases in our lives<br />
partly seem to be as the “chest for<br />
hope”. I think this dossier will be the<br />
“suitcase for hope”, especially for new<br />
generations.<br />
When I come to the end of very after<br />
very long introduction, presumably<br />
as a very long preface, I honestly admit<br />
that I should thank to my colleague,<br />
first Dr. Mehmet Emin Şalgamcıoğlu<br />
who is always showing high motivation<br />
and sincerity for the preparation of this<br />
publication, and solving our problems<br />
in hundred ways and always standing<br />
side by side in my life. My other gratitude<br />
is to Feride Şener <strong>Yıl</strong>maz who<br />
is always courteous and patient in the<br />
preparation of dossier for publication<br />
even for the typesetting and for being<br />
as a cordially representative of the editorial<br />
board.
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • 7-22<br />
Architecture as Material Discourse:<br />
On the spatial formulation of<br />
knowledge and ideals in four<br />
library extensions<br />
Daniel KOCH<br />
daniel.koch@arch.kth.se • School of Architecture, KTH Royal Institute of<br />
Technology, Stockholm, Sweden<br />
Received: September <strong>2015</strong> Final Acceptance: October <strong>2015</strong><br />
Abstract<br />
In recent decades libraries have been challenged in many ways, perhaps most<br />
pointedly by the digital revolution. This is, however, not the first time – a series of<br />
booms in library architecture emerging rather when knowledge ideals are challenged<br />
than established allows us to discuss library architecture more clearly as<br />
investigations into what knowledge, learning and literature could be rather than<br />
as expressions of what knowledge, learning and literature is. These questions are<br />
complex and multifaceted and require both careful examination of architectural<br />
proposals and works and a step back to analyse the propositions they make<br />
through their formulations into architectural form. Utilizing four public library<br />
extensions in Sweden, of which three have been built and one has been rebooted,<br />
and competition and parallel commission proposals for their making, this article<br />
discusses how ideas of libraries, knowledge, and literature emerge through the<br />
mediation of programme, collections, activity, and visitors in interaction, related<br />
to other aspects of architectural form. Building on a series of empirical findings<br />
of correspondences between use patterns of libraries and spatial configuration,<br />
the article takes this discussion further into what this means for a discussion of<br />
architectural principles, ideals, and propositions.<br />
Keywords<br />
Architecture, Architectural competitions, Library architecture, Space Syntax, Spatial<br />
configuration.
8<br />
1. Introduction<br />
In an interview in the Architectural<br />
Magazine RUM in 2011, Annette Gigon<br />
discusses the practice of building as<br />
a way to understand the world (Singstedt,<br />
2011). Set in relation to a series<br />
of booms in library architecture, when<br />
they have appeared and the discussions<br />
around their creation, this statement<br />
seems to make an important point even<br />
if it does not specifically relate to it. It<br />
allows us to discuss library architecture<br />
more clearly as investigations into what<br />
knowledge, learning and literature could<br />
be rather than as expressions of what<br />
knowledge, learning and literature is.<br />
This also makes it easier to understand,<br />
one might argue, how come libraries<br />
have often been built not in situations<br />
of stability in the views of knowledge<br />
(or the degree of literacy; c.f. Markus,<br />
1993; Bennet 1995), but in situations<br />
where such is challenged or under radical<br />
transformation.<br />
The recent boom in the so-called<br />
‘western world’, extending back to the<br />
1990s and tapering off somewhat after<br />
2010 with some notable exceptions,<br />
has taken place in a situation where<br />
not only knowledge is under transformation,<br />
but libraries and books as<br />
such have been under attack through<br />
the advent or in the wake of the ‘rise<br />
of the network society’ (Castells, 1996)<br />
and the growing influence of digital<br />
media (Gillespie, Boczkowski, & Foot,<br />
2014; Niegaard, 2011; c.f. Bruijnzeels,<br />
2008; van der Velden, 2010). This has<br />
in many parts of the world taken the<br />
form of a wide range of investments<br />
made to build large, central public libraries<br />
(c.f. Roth, 2011). While some<br />
of these projects have been about radical<br />
transformation of the very idea of<br />
‘libraries’, most have largely operated<br />
within a paradigm of large institutional<br />
buildings and within the frameworks<br />
of alterations of a typology. Internationally<br />
we have examples such as the<br />
Bibliotheca Alexandrina (Snøhetta,<br />
2002), Sendai Mediatheque (Ito, 2001),<br />
Amsterdam Public Library (Jo Coenen<br />
& Co, 2004), Seattle Public Library<br />
(OMA, 2004), Chilean National Library<br />
(A & F Architects, 2009), and the<br />
Rolex Learning Center (Saana, 2009),<br />
amongst many others. In Scandinavia<br />
it includes the Culture House and Library<br />
in Copenhagen (COBE, 2010),<br />
Urban Mediaspace in Århus (schmidt<br />
hammer lassen, 2014), Halmstad Library<br />
(schmidt hammer lassen, 2006),<br />
and the City Library in Turku (JKMM,<br />
2007), to name a few. Partially, this is a<br />
response to a general perception of an<br />
attack on and commercialisation and<br />
privatisation of public space (Zukin,<br />
1995; Kärrholm, 2014; van der Werf,<br />
2010) where libraries have been seen<br />
as one of few remaining bastions of<br />
the unquestionably public. This makes<br />
the question of what these libraries do<br />
even the more interesting.<br />
The interest here is a set of principal<br />
questions studied through a series<br />
of specific projects of alteration. This<br />
essay will therefore build on the material<br />
of four library extensions, three of<br />
which have been realized and one that<br />
has been put aside for now. In three of<br />
these cases thorough empirical analysis<br />
of inhabitance patterns has been made,<br />
which has partially been presented earlier<br />
(Koch, 2004). This material will be<br />
used to discuss the relations between<br />
architecture and library use as a foundation<br />
for a following discussion on architectural<br />
principles. It will therefore<br />
be as thoroughly presented as reasonable<br />
within the bounds of the essay, before<br />
the focus turns to two libraries and<br />
two proposed extensions of each.<br />
The discussion is deeply informed<br />
by the work of Thomas A. Markus<br />
(1993) and Sophia Psarra (2009) and<br />
their analysis of public and cultural<br />
buildings over time as well as Julienne<br />
Hanson’s (1998) extensive work on<br />
analysis of buildings. It is also heavily<br />
indebted to John Peponis’ (2005) notion<br />
of proposals and propositions in<br />
architecture, and his and others’ work<br />
on the formulation of architectural<br />
meaning (Peponis, Conroy Dalton,<br />
Wineman, & Dalton, 2003) and subsequent<br />
work on configurational meaning<br />
(Peponis, Bafna, Dahabreh, & Dogan,<br />
<strong>2015</strong>). In addition, considerable<br />
work on libraries through history by<br />
e.g. Battles (2003), Lerner (2009) and<br />
Dahlkild (2011) have been pivotal to<br />
allow a broadened perspective on what<br />
a library is, has been, and could be.<br />
1.1. A (very brief) historical point<br />
To understand the situation library<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • D. Koch
9<br />
architecture is wrestling with there are<br />
key historical aspects to take into account<br />
that do not always come to surface<br />
in the debate, partially belonging<br />
to a typological process that embeds<br />
(perceived) history and future into the<br />
understanding of any type at any point<br />
in time (Steadman, 2014; Koch, 2014;<br />
c.f. Rossi, 1982), and partially in a ‘silent-but-present’<br />
history of libraries<br />
informing expectations, values, and<br />
choices in their making. The type discussed<br />
in this essay – the public library<br />
in concurrent, European-American society<br />
– is by and large a modern product<br />
(Markus, 1993; Dahlkild, 2011).<br />
However, this type explicitly as well as<br />
implicitly carries a lot of its precursors<br />
in its underlying conceptual definitions<br />
conditioning how it is or can be<br />
treated. The type as it is perceived today<br />
also casts a shadow back in history<br />
affecting our interpretation of the role<br />
of libraries historically as well as extends<br />
itself into the future.<br />
Amongst the historical roots worth<br />
reminding of, one seems to be found<br />
in the etymological roots of the term.<br />
Both the English library and the Swedish<br />
bibliotek here comes from the root<br />
‘book’ (Latin ‘liber’ and Greek ‘biblion’,<br />
both translating to ‘book’). While etymology<br />
should be handled carefully in<br />
relation to the development of building<br />
types (c.f. Forty, 2000), it is worth to<br />
consider how the concept is specifically<br />
tied to books and the handling or collections<br />
of them rather than buildings<br />
or practices of reading or learning. This<br />
suggests that the challenges to books<br />
raised on occasion goes right to the<br />
very core, origins and purpose of the<br />
type as such.<br />
In practice, the origins seem to be<br />
intertwined with various forms of archives.<br />
There is an important origin in<br />
the storage of texts – be it legal documents<br />
as in Egypt, written versions of<br />
oral traditions as in Ancient Greece,<br />
or tenants of philosophy as in China<br />
(Lerner, 2009). As many of these documents<br />
existed in only one copy, the<br />
earliest libraries often served a double<br />
role as archive and library: preserving<br />
texts in archives was a central part of<br />
the emergence of libraries. Preservation<br />
brought with it the formation of<br />
a place where one could find information,<br />
which led many of the earliest libraries<br />
to take on a mediating function<br />
as well as becoming sites of material<br />
production where texts were copied<br />
for further propagation. While the<br />
degree of publicness have varied, the<br />
artefact holding a text, its materiality,<br />
storage, arrangement and subsequent<br />
use thus is arguably integrated in the<br />
very foundation of the library as a type<br />
and concept. One can of course argue,<br />
as is done in some contemporary<br />
discussions about libraries, that the<br />
importance of the book is a practical<br />
result of the types of media available<br />
within which to store and reproduce<br />
the content (c.f. van der Velden, 2010;<br />
Bruijnzeels, 2008), but this rather reflects<br />
a contemporary and not entirely<br />
unchallenged view of what a book ‘is’<br />
that does not easily translate back to<br />
how it has been considered throughout<br />
history. It is in this situation important<br />
to not project concurrent view of technologies<br />
back onto earlier periods and<br />
cultures and their treatment of material<br />
(c.f. Lievrouw, 2014).<br />
The contemporary public library, as<br />
emerging largely in the 19 th century,<br />
has several roots, including traditions<br />
such as monastic libraries and personal<br />
collections in Europe as well as the<br />
Islamic dar-al’ilm (Lerner, 2009, p. 55-<br />
66). Already from the beginning they<br />
held an educational and enlightening<br />
purpose, perhaps most clearly similar<br />
to the dar-al’ilm, where learned librarians<br />
were to mediate knowledge and<br />
literature to a wider populace. This educational<br />
purpose also formulates one<br />
of many clear links to the university<br />
libraries, where the university library<br />
of Göttingen is often referred to as a<br />
key behind their transformation from<br />
storages to hearts of knowledge, largely<br />
attributed to the main librarian Christian<br />
Gottlob Heyne in the 18 th century<br />
(Lerner, 2009, p. 1<strong>12</strong>-119).<br />
However, the contemporary public<br />
library as a type should also be set in<br />
relation to a growing production of<br />
printed material, an increasing level of<br />
literacy, and an increasing amount of<br />
time available for especially the bourgeoisie<br />
but also the general urban population.<br />
This led to concerns for providing<br />
quality literature to the masses,<br />
but also for control of what was read,<br />
Architecture as Material Discourse: On the spatial formulation of knowledge and ideals in four<br />
library extensions
10<br />
and that the read material was appropriate<br />
for the various audiences who<br />
were reading it (Battles, 2003; Markus,<br />
1993; Bennet, 1995). The public library,<br />
thereby, also incorporated a quality<br />
control aspect into itself, and formed a<br />
part in a societal power struggle over<br />
taste, knowledge, literature and ‘spare<br />
time’. In this development they are,<br />
therefore, also distinctly responses to<br />
a changing urban environment as well<br />
as a changing idea of society and the<br />
function-types required to uphold it.<br />
In such a historical view, a transition<br />
from more concretely collections<br />
of books to centres of learning and<br />
knowledge for and of the public therefore<br />
can be said to have begun long before<br />
any digital era challenging the role<br />
of the printed material; the very notion<br />
of this being a linear progress can be<br />
questioned. This must reasonably be<br />
considered as part of the problematic<br />
that is being revisited repeatedly, once<br />
again recently. There is, simply, more in<br />
the function-type ‘library’ that is being<br />
challenged than the form of the media<br />
at any turn, and perhaps especially<br />
with the digital revolution.<br />
Figure 1. Malmö City Library with<br />
extension, view from the nearby park<br />
towards the main entrance. Original to the<br />
left in the image. Photograph: Press Image/<br />
Malmö City Library/Niclas Blomgren.<br />
Figure 2. Växjö City Library. Photograph of<br />
exterior with the original in front. Press Image/<br />
Växjö City Library.<br />
2. The empirical material: Two plus<br />
two times two<br />
The empirical material behind the<br />
discussion of this essay is, as noted,<br />
four public libraries and their planned<br />
or built extensions. These are the<br />
Malmö City Library (John Smedberg<br />
1946, Henning Larsen 1997; Figure<br />
1), the Växjö City Library (Erik Uluots<br />
1965, schmidt hammer lassen 2003;<br />
Figure 2), the Stockholm City Library<br />
(Gunnar Asplund 1928; Figure 3), and<br />
Gothenburg City Library (Rune Lund<br />
1967, Erséus Architects 2011; Figure<br />
4). All are studied through interviews,<br />
on-site visits, and studies of plans and<br />
literature, and the first three extensively<br />
through on-site observations. In the<br />
latter two cases, alternative proposals<br />
for extensions have been studied. For<br />
Malmö and Växjö the observation data<br />
concerns the library with extension,<br />
and for Stockholm the library without<br />
extension.<br />
The reason to focus on extensions<br />
is twofold: on the one hand, extensions<br />
form a common practice in the<br />
latest boom, and on the other hand,<br />
extensions, specifically, raise interesting<br />
architectural questions in having<br />
to negotiate between earlier and concurrent<br />
ideas. This forces choices and<br />
interpretations of what the ‘previous’<br />
was, what respect for and preservation<br />
of it is, and how far and in what ways<br />
architectural transformations can take<br />
place. Analysis of competition proposals<br />
have been used in similar ways<br />
before (e.g. Schmeideknecht, 20<strong>12</strong>;<br />
Rustad, 2010), and there is an extensive<br />
discourse showing how proposals<br />
and judgements are often highly informative<br />
of architectural views through<br />
quality judgements and motivations<br />
of both architects and jury (c.f. Rönn,<br />
Kazemian, & Andersson, 2010). Naturally,<br />
competition briefs and conditions<br />
heavily influence the proposals,<br />
Figure 3. Stockholm City Library, photograph<br />
from the park next to it. Photograph: Pressbild/<br />
Stockholms Stadsbibliotek/Olle Nordgren.<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • D. Koch
11<br />
Figure 4. Gothenburg City Library, exterior<br />
from Götaplatsen. Photograph: Håkan<br />
Grissler.<br />
but this will here be given less attention<br />
in favour of focusing on the results as<br />
material discourse.<br />
As the cases of this essay are Swedish,<br />
it is of interest to note that public<br />
libraries in Sweden are bound by a specific<br />
law, ‘bibliotekslagen’, according to<br />
which the main purpose of public libraries<br />
is to – in line with the development<br />
of a democratic society – contribute<br />
to the distribution of knowledge<br />
and the free formation of opinions<br />
(Swedish Government, 2013). In addition<br />
to this aim, the law also states that<br />
libraries are to promote the position<br />
of literature and interest in education<br />
(‘bildning’), enlightenment, research,<br />
and cultural activities in general. Earlier<br />
iterations of the law more clearly<br />
pointed to mediation of state and municipal<br />
information, which is more or<br />
less completely integrated in the identity<br />
of the public libraries today. During<br />
the ‘million programme’ in the 20 th<br />
century especially, but also before and<br />
after, public libraries were considered<br />
an integral part of any development.<br />
This has left a clear presence and expectation<br />
on libraries embedded in<br />
Swedish society.<br />
2.1. Patterns of appropriation and<br />
spatial configuration<br />
Of particular interest for this discussion<br />
is the dual of symbolic values and<br />
public appropriation of the libraries in<br />
question, always ever in connection to<br />
one another. What I here mean by ‘appropriation’<br />
is how the libraries come<br />
to be used and inhabited by visitors<br />
but also how the arrangement of literature<br />
and reading places as well as other<br />
functions are negotiated, which interacts<br />
with volumetric, organisational,<br />
and aesthetic qualities of the library in<br />
the forming of an identity as a meaningful<br />
whole (Markus, 1993) – or a<br />
‘public identity’ if one chooses to paraphrase<br />
Zukin (1995).<br />
It is therefore of note here that first,<br />
there is a high and significant correspondence<br />
between several patterns of<br />
inhabitance and the spatial configuration<br />
of the libraries analysed through<br />
means as developed from the principles<br />
set out by Hillier and Hanson<br />
(1984). Central to this is the understanding<br />
of spatial configuration defined<br />
as relations taking into account<br />
other relations (Hillier, 1996), which<br />
has been developed to be analysed<br />
through models that allow to mathematise<br />
these aspects of material arrangements<br />
of boundaries and spaces<br />
as graphs. The libraries have been analysed<br />
in a range of different ways and<br />
with a range of different resolutions;<br />
more specifically both as convex and<br />
axial systems (Hillier & Hanson, 1984)<br />
and as isovist fields (VGA) (Turner<br />
& Penn, 1999; Turner, 2001). The results<br />
have been carefully compared to<br />
various observed patterns of user behaviour<br />
(Figure 5), both through visual<br />
comparison and interpretation and<br />
statistical correlation studies. Most distinctly<br />
clear for the patterns of collective<br />
rates of movement, this is further<br />
traceable in other activities such as the<br />
differentiated practices of reading (c.f.<br />
Verschaffel, 2010) (Table 1).<br />
Of importance for the coming discussion<br />
on how principles and propositions<br />
are formulated in architectural<br />
Figure 5. Snapshot observations, City<br />
Library of Malmö. Examples of observations.<br />
To the left a balcony in the centre of floor two,<br />
to the right the top floor of the original. Both<br />
interaction between people and percentage<br />
of seats filled is noticeably higher in the<br />
left. Each observed person forms a small<br />
circle grey, each larger grey circle symbolises<br />
interaction.<br />
Architecture as Material Discourse: On the spatial formulation of knowledge and ideals in four<br />
library extensions
<strong>12</strong><br />
Table 1. Relations between spatial configuration and occupancy patterns. Only occupancy where relations have<br />
been found, have been included in the table. It should be noted that due to limits of programmatic distribution<br />
and furnishing, some of the found correspondences are additionally conditioned by e.g. availability of (type of)<br />
seats. Since furthermore distinctions between e.g. types of reading are highly interpretative, these have not been<br />
mathematically correlated as this risk giving a false impression of precision.<br />
Type of<br />
Type of observation Analytic method Result<br />
inhabitance<br />
Movement<br />
Flows<br />
Counted as passing<br />
by pre-defined<br />
observation gates<br />
design work is that increased detail in<br />
the spatial analysis does not by default<br />
increase degree of correlation; rather,<br />
correlations tend to increase as details<br />
are reduced. Depending on analytic<br />
model the correlations do not peak at<br />
the same level of detail in all libraries,<br />
though for an axial analysis the pattern<br />
is consistent (Table 2). For an isovist<br />
field analysis, the visibility-blocking<br />
objects tend to have a higher impact<br />
especially for open hall sections of the<br />
libraries (Koch, 2005). While further<br />
research is needed to confirm its generality,<br />
a reasonable interpretation of the<br />
result seems to be that the correlation<br />
peaks at a certain level of complexity<br />
of the system, which is not too detailed<br />
Statistical Correlation (gate<br />
counts vs. integration)<br />
Reading Occupancy of seats Statistical correlation,<br />
occupancy per seat (snapshot<br />
data vs. integration)<br />
Studying<br />
Focused<br />
studies<br />
Reading<br />
novels<br />
Group work<br />
Meeting<br />
Social<br />
Interaction<br />
Arrangement<br />
of literature<br />
Reading with<br />
notebooks and/or pen<br />
and paper<br />
Reading focused<br />
for longer time<br />
period, often with<br />
headphones or<br />
similar<br />
Observed relaxed<br />
reading<br />
Observed interaction<br />
around books or<br />
other media<br />
Observed waiting<br />
until other person<br />
arrives<br />
Observed relaxed<br />
interaction<br />
Observed location<br />
of books and other<br />
media<br />
Quantitative count, number<br />
of sitting per seat; qualitative<br />
interpretation of type of<br />
reading; individual trails<br />
Quantitative count, number<br />
of sitting per seat; qualitative<br />
interpretation of type of<br />
reading; individual trails<br />
Qualitative estimation;<br />
qualitative interpretation of<br />
type of reading;<br />
Quantitative count, share of<br />
available tables<br />
Qualitative estimation of<br />
share of waiters; qualitative<br />
judgement of behaviour<br />
Qualitative estimation<br />
Analysis of spatial<br />
distributions of literature<br />
compared to bookcases,<br />
intervisibility and spatial<br />
articulations<br />
and complicated, yet not too simple so<br />
as to not support orientation. Another<br />
reasonable interpretation, arguably intertwined<br />
with the earlier, is the degree<br />
to which the architecture, considered<br />
as the building in its own right, articulates<br />
spaces on a specific and detailed<br />
enough level or not. That is, in systems<br />
like Malmö’s and Växjö’s large halls, additional<br />
material structuring through<br />
the higher bookcases have a noticeable<br />
effect on global movement patterns,<br />
whereas in a distinct and clear articulation<br />
of a system as in the Stockholm<br />
case, global movement seems primarily<br />
related to the architectural definition<br />
of walls and spaces.<br />
It is worth to note here, that move-<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • D. Koch<br />
Strong correlation to global<br />
integration with exterior<br />
system included<br />
Average correlation to global<br />
integration<br />
Corresponds to being close-to<br />
integration and multiple seats;<br />
largely unrelated to literature<br />
Tends to correspond to low<br />
integration, and limited views<br />
or low integration and few<br />
seats (one to two per table)<br />
Tends to correspond to<br />
closeness to social interaction<br />
or spatial segregation<br />
Corresponds to close-to<br />
integration with limited<br />
number of seats; somewhat<br />
related to literature<br />
Corresponds to a combination<br />
of integration and control<br />
Corresponds to distance<br />
from studying, relates to high<br />
integration<br />
Follows primarily clearly<br />
articulated spaces or volumes;<br />
with less spatial articulation,<br />
bookcases gain increased<br />
importance for category<br />
differentiation
13<br />
Table 2. Correlations (r-square values) between global axial line integration and movement<br />
flow rates for the libraries. For the axial line correlations specifically, the building articulation<br />
provides highest correlation in all cases, whereas VGA analysis gives the highest correlation<br />
at an intermediate resolution including vision-blocking objects for Växjö and Malmö (albeit<br />
a lower correlation than the axial analysis). Correlations are provided with the entry gate<br />
removed from the statistics due to how it alone raises correlations dramatically.<br />
Library<br />
Building Visibility<br />
Permeability<br />
Articulation limitations<br />
limitations<br />
Malmö 65,81% 60,76% 49,7%<br />
Stockholm 82,37% 68,22% 63,95%<br />
Växjö 55,76% 52,37% 48,27%<br />
ment specifically correlates with the<br />
spatial configuration of the building<br />
structure in all cases, also when it peaks<br />
for more detailed analysis. The reason<br />
to point this out is to stress the importance<br />
of the architectural formulation<br />
and articulation of spaces and configurations<br />
as having significant impact on<br />
inhabitance regardless of subsequent<br />
furnishing and programming, recursively<br />
even more so through how it<br />
conditions the same.<br />
In a design process, of course, it does<br />
not work in such a single-directional<br />
manner and the process is always ever<br />
intertwined between program, building<br />
layout, interior furnishing, and a<br />
range of other concerns and questions<br />
(e.g. Koch & Miranda Carranza, 2014;<br />
Peponis, et al., <strong>2015</strong>; Anderson, 1984)<br />
– but at some point the constructed<br />
building gain more inertia than other<br />
parts. It also points to the importance<br />
of overall architectural configuration<br />
for subsequent use, especially when we<br />
consider questions of programmatic<br />
distribution, identity and meaningful<br />
appropriation. Rather than more detailed<br />
levels of analysis, it is often more<br />
explanatory to abstract the analysis<br />
further to gain further insight into the<br />
patterns of appropriation, such as the<br />
volumetric distribution, clustering of<br />
spaces to subsystems and the overall<br />
configurational logic in relation to the<br />
specific configuration as analysed via<br />
isovist fields, convex spaces and axial<br />
systems. As an example, the grouping<br />
of literature into the three volumes of<br />
Malmö is a more meaningful way of<br />
understanding the distribution of the<br />
programme and collections than configurational<br />
or metric distances on a<br />
furnishing level of detail. This is not<br />
to disregard detailed analysis as it can<br />
clearly relate to other forms of use,<br />
such as the repeatedly found pattern of<br />
‘waiting’ in locations with a combination<br />
of high axial or isovist integration<br />
and high isovist control value.<br />
Second, it is important to point out<br />
that in the empirical studies of the libraries,<br />
the found correspondences<br />
between appropriation patterns and<br />
configurational properties require the<br />
analysis to take the exterior into consideration<br />
for most studied forms of<br />
use. Somewhat counter-intuitively,<br />
however, this is not as simple as that as<br />
public domains and spaces they form<br />
extensions of exterior public space and<br />
therefore the spatial system used for<br />
the analysis must include the public<br />
exterior. Rather, the correlations increase<br />
in all studied cases if the specific<br />
exterior is disregarded and the configurational<br />
formulation of this relation<br />
of the library building ‘itself ’ is analysed,<br />
although the effects on buildings<br />
with singular entrances like the analysed<br />
libraries are minimal. Technically,<br />
this is done through a process of<br />
‘mirroring’ and thereby analysing the<br />
configuration as related to itself internally<br />
and through the entrances (c.f.<br />
Koch, 2013). This suggests that a large<br />
portion of the mediation of the library<br />
content to the public is defined by the<br />
internal configuration rather than the<br />
external, which increases the importance<br />
of understanding how the libraries<br />
‘themselves’ make this description.<br />
While these correlations and observations<br />
are not the central discussion of<br />
this essay, I believe it is what enables<br />
the coming discussion as it means that<br />
changing the internal configuration of<br />
the libraries will re-describe the relation<br />
between program and public no<br />
matter what effort is put externally or<br />
in the specific new or existing entrance<br />
spaces to handle it. The internal configuration<br />
is simply a powerful means<br />
Architecture as Material Discourse: On the spatial formulation of knowledge and ideals in four<br />
library extensions
14<br />
through which this is communicated,<br />
and it is through the global internal<br />
configuration of the public portions<br />
that it is at its most powerful.<br />
The point here is to raise the discussion<br />
from pragmatics of ‘use-values’,<br />
pros and cons of different proposals, to<br />
a discussion of the proposition made in<br />
each specific proposal (Peponis, 2005)<br />
of what a library and what knowledge<br />
is, operating on an overall global-configurational<br />
level through its subsequent<br />
mediation of content and programme<br />
to visitors, and its relation to<br />
people both individual, as relational<br />
collectives, and as a general public,<br />
through how this comes together as<br />
possible meaningful wholes (Markus,<br />
1993). How public is a public library?<br />
For whom? What kind of activity is<br />
given priority and under what conditions?<br />
What is arranged for to be common<br />
and shared, and what is arranged<br />
for to be a private, or at least personal,<br />
concern? And not the least, what is the<br />
general ideas of hierarchies and distributedness,<br />
and what degrees of differences<br />
are introduced or maintained?<br />
2.2. Global configurations and structures<br />
of knowledge<br />
Architectural configuration participates<br />
in such propositions in more<br />
ways, however. For instance, the differentiation<br />
between ‘kinds’ of literature<br />
is within the bounds of possible configurations<br />
emphasised in the current<br />
City Library of Stockholm, making the<br />
visitor chose branch early on and making<br />
it comparatively more difficult to<br />
change branch the further into one one<br />
has venued. Comparatively, Malmö<br />
City Library offers a more flexible situation<br />
that does not to the same extent<br />
emphasise this differentiation and has<br />
a more networked character, but still<br />
makes clear differences between what<br />
is readily accessible and what is distant<br />
in the library in general. Växjö here,<br />
partially by means of placing all literature<br />
comparatively deep into the configuration,<br />
makes differences smaller.<br />
However, in spite of its circular form,<br />
it places an emphasis on two key transitions<br />
in the central atrium that operate<br />
very similar to the tree structure<br />
of Stockholm. In fact, in general Växjö<br />
operates in a very tree-like manner<br />
simply due to how the solution emphasises<br />
the central walk around the atrium<br />
and de-emphasises the peripheral<br />
walk along its boundary – which is also<br />
observed to affect the movement pattern<br />
of visitors by making more common<br />
the inner route and less common<br />
the outer one even when the second<br />
would be the functionally more efficient.<br />
This tree-like structure is significantly<br />
strengthened as compared to the<br />
original library which was organised to<br />
perform much more like a grid or a<br />
field (c.f. Allen, 1997).<br />
The distributions of space hence<br />
clearly signals ideas of the structure<br />
and hierarchies of knowledge in general<br />
(e. g. as series, trees, or networks<br />
as discussed by Foucault, 1997) as well<br />
as the relations between depth and<br />
width thereof, in relation to which the<br />
distribution in space of functions, literature,<br />
and activities communicates<br />
both internal relations between these,<br />
and their relation to the public as well<br />
as what constitutes branches, entities,<br />
or categories therein. In practice the<br />
libraries spatially demonstrate a less<br />
clear and rational organisation than is<br />
perhaps expected, and one that is logically<br />
incoherent as it comes to their<br />
classifying operations – which appears<br />
to rather provide clarity than confusion<br />
for most of the visitors. Spatially measured<br />
as being co-located in the same<br />
spaces of intervisibility on the scale of<br />
architectural articulation of spaces, for<br />
instance, Malmö organises its literature<br />
into a clear separation between fact<br />
and fiction into two buildings, ‘youths’<br />
as a separate group of in-between, arts<br />
and music as being as related to fiction<br />
as to humanities and social sciences,<br />
and a range of other categories. On a<br />
finer level, natural sciences and technology<br />
are separated, but co-located as<br />
compared to humanities and social sciences.<br />
Et cetera. (Figure 6) While one<br />
should not take these distributions too<br />
literally as representations of the ideal<br />
organisation of knowledge or literature<br />
for either architects or librarians, it can<br />
clearly be interpreted from the point of<br />
view of an emergent structure thereof<br />
based on a negotiation between an<br />
overall ideal and specific local choices<br />
which responds to values and ideals on<br />
an often non-discursive level (c.f. Fou-<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • D. Koch
15<br />
cault, 2003; Markus & Cameron, 2002).<br />
In such a process the materiality of architecture<br />
and collections forces such<br />
choices to be made and to take shape<br />
within the spatial organisation through<br />
which it operates. It can therefore<br />
also be seen as to ‘unearth’ otherwise<br />
non-discursive portions thereof, and<br />
subsets of values and priorities that in<br />
ideal images can be relegated to heterotopias<br />
(Foucault, 1997) and therefore<br />
be left outside of consideration.<br />
Figure 6. Malmö City Library, literature<br />
structure. Some simplifications have been<br />
made for readability. (a) Popular, (b)<br />
Newspapers and Magazines, (c) Children,<br />
(d) Humanities & History, (e) Social<br />
sciences, (f) Jurisprudence, (g) Technology,<br />
(h) Sustainability, (i) Natural Sciences, (j)<br />
Arts and music, (k) Reference books, (l)<br />
Fiction, (m) Thrillers, Detective Novels,<br />
etc, (n) Novels in foreign languages, (o)<br />
Old novels, (p) Literature by people from<br />
Malmö or about the region, (q) Genealogy<br />
and microfiche, (r) DVD and CD records, (s)<br />
Listening Books and easy reading, (t) Youth<br />
books, fact, (u) Youth books, fiction. As can<br />
be seen, especially fiction becomes a blended<br />
category. Another possible interpretation<br />
would have been that the southern length<br />
of rooms from the atrium (M, P, Q, S)<br />
constitutes ‘anomalies’ on each floor and that<br />
fiction rather consists of L, N and O.<br />
2.3. The extensions<br />
When discussing the extensions,<br />
it is important to consider that the libraries<br />
in question are historically and<br />
culturally significant; Stockholm has<br />
international recognition, Växjö was<br />
Sweden’s first open-hall library, and<br />
Gothenburg forms an important piece<br />
of Götaplatsen, a square surrounded by<br />
several important cultural and social<br />
buildings in Gothenburg. The outlier<br />
here is Malmö, where the old library<br />
was originally not built as a library and<br />
arguably had issues in how the library<br />
had been integrated into the existing<br />
old building before the extension was<br />
to be made. Furthermore, two of the<br />
built extensions are highly regarded:<br />
Malmö was awarded the Kasper Salin<br />
prize – the most prestigious architectural<br />
reward in Sweden (Hultin, 2001)<br />
– and Växjö was a nominee for the<br />
same.<br />
If we begin with the extensions less<br />
central to the essay – the ones of Malmö<br />
and Växjö City Library – it can be noted<br />
how they in both cases come in the<br />
form of clear geometric formal play<br />
(Figure 7). In Växjö an original square<br />
volume is paraphrased by a cylindrical<br />
volume, where the vertical arrangement<br />
of solid mass and transparency is<br />
inverted. In Malmö the square, nearly<br />
cubical, form of the original building is<br />
repeated in the extension with a similar<br />
size but including a small offset of a<br />
cube in a cube, connected to the old via<br />
a much smaller cylindrical form. There<br />
is, however, a noticeable difference in<br />
how the solution in Malmö places the<br />
new entry in the in-between cylinder,<br />
engaging both larger volumes equally<br />
and equidistantly from the new entry<br />
with several connections in-between<br />
and how the Växjö solution places the<br />
added cylinder behind the original<br />
square, leading to a differentiated relation<br />
to the public. In Malmö, furthermore,<br />
the old library still holds a large<br />
portion of the literature, whereas Växjö<br />
– arguably in a common form of solution<br />
– places all literature in the new<br />
volume and reworks the original book<br />
hall into casual reading places, information<br />
and utility desks, magazine and<br />
Architecture as Material Discourse: On the spatial formulation of knowledge and ideals in four<br />
library extensions
16<br />
Figure 7. The volumetric composition of Malmö (left) and Växjö<br />
(right).<br />
newspaper sections, a café, and a few<br />
other service functions.<br />
On one hand, this preserves the<br />
main hall as present in any library visit<br />
to Växjö, while the old building can remain<br />
unvisited in Malmö. On the other<br />
hand, this makes a radical transformation<br />
of what a visit to the ‘old library’<br />
contains, what practices it includes,<br />
and the aesthetics and functionality of<br />
the spaces in Växjö whereas the part<br />
of being a ‘library’ that concerns the<br />
housing and mediation of access to<br />
books is preserved in Malmö. At the<br />
same time, in order for the old library<br />
in Malmö to become an integrated part<br />
of the new whole in use and not only<br />
in volumetric composition, it has had<br />
to be dramatically altered; an earlier<br />
courtyard has been turned into an atrium<br />
in which balconies and stairs form<br />
the main communicatory space of the<br />
volume (Figure 8), and one of the most<br />
active parts of the library has become<br />
its connection to the other volumes, i.e.<br />
where there used to be bricks and mortar.<br />
Neither as a configuration nor as a<br />
generic material-spatial arrangement<br />
guiding and allowing inhabitance,<br />
then, the old library operated remotely<br />
close to how it does currently. Arguably,<br />
this comes as a result of an altered<br />
idea of what a library is combined with<br />
a wish to include the existing library<br />
into such an idea, where the consequences<br />
of such an altered view have<br />
been followed through architecturally.<br />
This solution in Malmö furthermore<br />
allows literature to remain closer to the<br />
public, whereas they are – in Hanson’s<br />
(1998) terms – insulated from the public<br />
in Växjö both distinctly spatially<br />
(number of spaces one needs to pass,<br />
especially in relation to total depth)<br />
and spatio-functionally (number of<br />
functions one needs to pass). It thus<br />
shows differences in relation to both<br />
architectural preservation and ideas of<br />
a library, but also in what careful consideration<br />
of the existing as argued for<br />
in both cases leads to as architectural<br />
proposals. From this point of view I will<br />
continue through the material of two<br />
times two proposals: two proposals regarding<br />
the Gothenburg City Library,<br />
and two proposals for the Stockholm<br />
City Library, in both cases comparing<br />
the winning proposal (which are radi-<br />
Figure 8. Malmö City Library. Interior of<br />
the atrium, previously a courtyard, original<br />
building. Photograph: Malmö City Library/<br />
Niclas Blomgren.<br />
cally different between the two to start)<br />
to an alternate proposal that shows<br />
clearly other configurational strategies<br />
(c.f. Peponis, et al., <strong>2015</strong>).<br />
2.4. Stockholm and Gothenburg<br />
The Stockholm competition was an<br />
open international competition, receiving<br />
a vast number of contributions.<br />
Of these, I will mainly present two –<br />
Heike Hanada’s winning proposal ‘Delphinium’<br />
(Figure 9) and JaJa Architects’<br />
(Jakob Steen Christensen and Jan<br />
Yoshiyuki Tanaki) awarded proposal<br />
The Book Hill (shared 4 th place). Hana-<br />
Figure 9. Delphinium; extension proposal for<br />
Stockholm City Library by Heike Hanada.<br />
Press image from Sveriges Arkitekter for the<br />
competition.<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • D. Koch
17<br />
da’s proposal clearly separates new<br />
and old in two volumes, respectfully<br />
keeping the Asplund building intact in<br />
its volumes and as a solitary, whereas<br />
Christensen and Tanaki’s makes a radical<br />
cut into the building connecting<br />
the new addition right into the rotunda<br />
of Asplund’s work (Figure 10). This<br />
makes them two of the most radically<br />
different outcomes of the competition.<br />
The Gothenburg extension was instead<br />
handled by a parallel commission<br />
given to five architectural offices.<br />
Also in this case I have chosen to make<br />
use of the winning proposal by Erséus<br />
Architects in comparison to one of<br />
the other proposals by Malmström &<br />
Edström. Here, the winning proposal<br />
(Figure 11) is claimed to work within<br />
the logic of the original work by “letting<br />
the library spaces grow forth and<br />
develop from within” (personal communication,<br />
Peter Erséus, May 2008,<br />
trans. by the author), whereas the other<br />
proposal maintains the exterior integrity<br />
of the building by adding a second<br />
volume to the side of the original<br />
seen from the square against which it<br />
is located (Figure <strong>12</strong>). This means that<br />
the two are different both from one<br />
another and from the Stockholm proposals<br />
as in Malmström & Edström’s<br />
work, the new volume holds auxiliary<br />
functions whereas in Hanada’s work<br />
the new volume holds the main part<br />
of the book collection. Hanada’s work<br />
also aims to transform the library into<br />
more of a ‘public living room’ whereas<br />
Malmström & Edström’s aims to<br />
preserve the identity and character of<br />
the originally by adding space for the<br />
additional functions and activities expected<br />
of a library today. The relation<br />
Figure 10. Book Hill; extension proposal for<br />
Stockholm City Library by JaJa Architects.<br />
Press image from Sveriges Arkitekter for the<br />
competition.<br />
Figure 11. Extension proposal for<br />
Gothenburg City Library by Erséus<br />
Architects and WSP. Gothenburg/Press<br />
Image/Erséus Architects.<br />
Figure <strong>12</strong>. Extension proposal for<br />
Gothenburg City Library by Malmström<br />
& Edström. Gothenburg/Press Image/<br />
Malmström & Edström.<br />
to Götaplatsen here adds an additional<br />
dimension as the original library forms<br />
a coherent image with the surrounding<br />
buildings in material and stylistic<br />
expression, which is challenged by the<br />
extension by Erséus both in the volumetric<br />
composition and in aesthetics<br />
and materiality.<br />
It is thus possible to create a kind of<br />
matrix of solutions amongst proposals,<br />
all argued for as carefully preserving<br />
the core of the architecture of the existing<br />
libraries. On the one hand proposals<br />
creating a new building in order<br />
to preserve volumetric composition<br />
and exterior aesthetics of the existing,<br />
and proposals focusing on the ‘internal<br />
spatial logic’ at the expense of considerations<br />
for preservation of exterior<br />
expression. On the other hand, it is<br />
possible to set up the extent to which<br />
the traditional ‘library’ is significantly<br />
altered or moved. Here, Malmström &<br />
Edström’s proposal with a new volume<br />
is uncommon amongst extensions in<br />
that it specifically strives to maintain<br />
the existing as far as possible and let<br />
the ‘new’ functions and activities be<br />
housed in the addition. In light of the<br />
above discussion, however, it seems<br />
clear this matrix is insufficient as more<br />
Architecture as Material Discourse: On the spatial formulation of knowledge and ideals in four<br />
library extensions
18<br />
than a starting point.<br />
Considering the question of spatial<br />
organisation, taking into consideration<br />
the distinct relation of Asplund’s building<br />
to on the one hand an international<br />
library culture and on the other a prevalent<br />
idea of knowledge at the time of its<br />
making, it is arguably difficult to speak<br />
of preservation of the library without<br />
including how it represents and organises<br />
knowledge as a tree structure<br />
with distinct branches ordered around<br />
a central space of fiction. This is not a<br />
pragmatic solution to a programme,<br />
but a distinct formulation of an idea on<br />
several levels including spatial configuration<br />
as expression and representation<br />
as well as through how it organises<br />
narratives of library visits (c.f. Psarra,<br />
2009) and distributes flows and other<br />
activities in and through the building.<br />
This organisational idea comes clear<br />
through how the tree structure has<br />
been maintained even when it might<br />
for practical reasons been better not<br />
to, and in how the deviations from the<br />
structure appear to be more or less hidden<br />
and subsequently less used (Koch,<br />
2004). Arguably, the specific order of<br />
the collections – which has been altered<br />
over time – is of less importance than<br />
the systemic tree-representation and<br />
its relation to the central space of fiction.<br />
This representation also requires,<br />
more or less, all of the collection to follow<br />
this logic or it looses its power. The<br />
organisation furthermore tends to lead<br />
to a quieter space in the branches, as<br />
thoroughfare is more or less eliminated,<br />
supporting focused, undisturbed<br />
reading as a central activity while potentially<br />
inhibiting browsing.<br />
This is not to say the volumetric<br />
composition can be ignored; Asplund’s<br />
work as a whole clearly includes the<br />
volumetric arrangement and how<br />
these volumes meet the surrounding<br />
streets – carefully making the library<br />
offset and monumental from all directions<br />
– the streets, the park next to it,<br />
and the annexes (Figure 13). Keeping<br />
in mind the historical context of Asplund’s<br />
work, the library as a solitary<br />
composition is an important part of<br />
its urban identity; an identity arguably<br />
also dependant on housing at least<br />
most of the library within its boundaries.<br />
Since his work remains within an<br />
Figure 13. Asplund’s Plan for the Stockholm<br />
City Library from 1928, showing the library<br />
without its fourth branch in the back, and<br />
with four annexes planned – as well as<br />
drafts of the park and hill. It is clear how the<br />
composition was a city planning question<br />
to a large extent. The square building at<br />
the top of the hill is a preliminary draft<br />
for a building for what is now Stockholm<br />
University. Public Domain by Age.<br />
understanding of ‘library’ as primarily<br />
being concerned with the housing, organisation<br />
of, and access to a collection<br />
of books, de-coupling the building and<br />
the books under a new paradigm of library<br />
typologies becomes problematic<br />
from a point of view of preservation.<br />
At some breaking point, preserving the<br />
volume would still not preserve its library<br />
identity. This clearly has raised a<br />
kind of conundrum where the different<br />
proposals have opted to give priority to<br />
one aspect at the expense of other.<br />
This contradiction is noted already<br />
in the competition programme, stating<br />
that “[t]he assignment includes proposing<br />
a link that ensures the best possible<br />
spatial and functional connection<br />
between the buildings, all while being<br />
sufficiently respectful to the Asplund<br />
building” (Stockholm Stad, 2006, p. 32).<br />
However, when it comes to the judgement<br />
of the competition, it comes clear<br />
how the respect for Asplund’s volumetric<br />
composition and exterior overrules<br />
the programme’s stress on the connection<br />
(see Stockholm Stad, 2007). The<br />
jury also points to a not awarded but<br />
mentioned proposal by Wingård’s that<br />
arguably draws on the historical evolution<br />
of the Asplund building by rather<br />
than running a chirurgical corridor to<br />
the rotunda, replaces Asplund’s own<br />
addition of a western foyer with the beginning<br />
of the new extension, which,<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • D. Koch
19<br />
Figure 14. Brass; extension proposal for<br />
Stockholm City Library by Wingård’s. Press<br />
image from Sveriges Arkitekter for the<br />
competition.<br />
according to the jury, better connects<br />
to the rotunda and forms a more complete<br />
whole than the other proposals<br />
making the connection (Figure 14).<br />
From this point of view, if we insist<br />
on the library as a representation of<br />
an idea through how it organises and<br />
distributes its material collection of<br />
books, it is then also not enough to – as<br />
in some of the proposals – ensure that<br />
the rotunda is a central part of most<br />
visits to the library. The narrative logic<br />
of arrangement would have to be maintained<br />
as well. That is, the tree-structure<br />
branching out from the rotunda.<br />
In the material of the competition, it is<br />
not fully clear to what extent the proposals<br />
breaking their way through the<br />
wall into the rotunda do this, though<br />
in as far as it can be told it appears the<br />
focus has been on reaching the rotunda<br />
specifically to incorporate it in the new<br />
structure.<br />
As noted earlier, the winning proposal<br />
in Gothenburg, in comparison,<br />
explicitly attempts to work with the<br />
‘formal logic’ of the existing over and<br />
above its volumes or its exterior expression;<br />
what is to be preserved is<br />
the original’s ‘inner logic of growth’<br />
from the inside out. Under such logic<br />
it is reasonable to preserve the overall<br />
arrangement of functions and collections<br />
and let them grow outwards.<br />
While this logic only holds so far – the<br />
extension is after all rather modest in<br />
meters from the facade and there is<br />
little difference to this growth related<br />
to any need – it formulates a radically<br />
different stance. In the situation, the<br />
rhetoric around the proposal suggesting<br />
that the old library will still be visible<br />
through the glass parts of the new<br />
facade must be considered more of a<br />
post-rationalisation (c.f. McMorrough,<br />
2008); at the very least, it can be noted<br />
that as the work has been realized, the<br />
old library is hardly visible as reflections<br />
and viewing angles hide it behind<br />
the new glass facades. It is, however,<br />
part of the motivation of the jury. All<br />
the same, the approach have allowed<br />
Erséus to create a new whole based on<br />
an inner logic with consequences for<br />
other architectural questions such as<br />
the exterior expression and the contextual<br />
relation across Götaplatsen to the<br />
surrounding buildings.<br />
Malmström and Edtröm’s proposal<br />
here reminds more of the solution in<br />
Malmö, although even more consideration<br />
may be allowed for the existing<br />
situation. An added volume housing<br />
‘other’ or ‘new’ activities attached to<br />
the old with some connections in between.<br />
Naturally this at least skews the<br />
configuration and centrality somewhat<br />
and rearranges certain flows, but arguably<br />
to a comparatively small extent. It<br />
does, however, clearly signal the split<br />
between the traditional and the new<br />
and questions can be raised how this<br />
affects the whole. In comparison to the<br />
Malmö case, one can raise the question<br />
whether there is a contradiction between<br />
global integration of the whole<br />
and preservation that can only be resolved<br />
by deliberate choice of priority,<br />
but this may seem premature. What is<br />
clear, however, is how different priorities<br />
taken to certain extents radically<br />
conflict with one another, possible to<br />
read as differences on the level of architectural<br />
principles and ideologies.<br />
What the configurative analysis allows<br />
is a deeper and firmer understanding<br />
of the structural representation and<br />
mediation of ideas of knowledge, its orders<br />
and arrangements, and the way it<br />
is to be accessed, sequenced, insulated,<br />
separated, and connected. It furthermore<br />
strengthens this understanding<br />
by showing how, specifically, the spatial<br />
configuration is powerful in communicating<br />
this by how it structures<br />
flows of movements and other activities,<br />
as expressed through correlations<br />
between configurational measures and<br />
various activities on the one hand, and<br />
additionally through how measures<br />
relate to common individual behav-<br />
Architecture as Material Discourse: On the spatial formulation of knowledge and ideals in four<br />
library extensions
20<br />
iours of visitors on the other. That this<br />
statistical correlation increases when<br />
the volumetric composition and more<br />
detailed configuration of delimitations<br />
and allowances of visibility coincide in<br />
their basic network logic is of interest<br />
but not the main point.<br />
3. Transformations and Additions<br />
between Geometry, Aesthetics and<br />
Configuration<br />
What I have tried to do here, is not<br />
to suggest one strategy as superior over<br />
the other. I believe it is fair to say that<br />
I have my preferences, but that more<br />
than that I am deeply fascinated by the<br />
process and the proposals in how what<br />
could be considered as small shifts in<br />
priority can lead to such radically different<br />
results – and how this leads to<br />
all the proposals being argued for as<br />
being respectful to the existing building.<br />
To an extent, the proposals conduct<br />
a discussion where each of them<br />
challenge the very notion of preservation<br />
in all of the other proposals, suggesting<br />
they have misunderstood just<br />
what the foundational principles of the<br />
libraries are, which leads further to a<br />
discussion about architecture and architectural<br />
principles that reach deep<br />
into the heart of the concept. The argumentation<br />
presented for competition<br />
or parallel commission proposals must<br />
here, as McMorrough (2008) argues,<br />
be treated partially as ruminations on<br />
established case. While it must also be<br />
considered that there are many reasons<br />
that the proposals have reached their<br />
final shape, studying the proposals<br />
themselves as statements in such a debate<br />
is what allows for this discussion<br />
to happen.<br />
I do not here propose that it is as<br />
simple as differences between valuing<br />
aesthetics or use; this is clearly not the<br />
case and I would challenge such a division<br />
to start with. However, relations<br />
between geometry, configuration, aesthetics,<br />
and many other factors come<br />
into play, as well as how they relate to<br />
programmed content and to consecutive<br />
appropriation and inhabitance,<br />
as aspects of integrated architectural<br />
questions. These are statements made<br />
regardless of whether they are intended<br />
or not, and priorities made in the<br />
decision of a winner regardless of expressed<br />
intent or explicit motivation.<br />
In light of this discussion, one could<br />
argue that Asplund’s solution is resistant<br />
to extension by the dual relation of<br />
a tree-structure with a central rotunda<br />
inscribed in a distinct solidity of geometrical<br />
definition. This is only partially<br />
true, however, as the original library<br />
lacked one of the branches leaving one<br />
side open. On the other hand, the extension<br />
possibility was effectively cut<br />
off with Asplund’s own addition of the<br />
final volume in the ‘back’ that geometrically<br />
seals it off.<br />
The issue can of course be further<br />
complicated by raising questions of<br />
what the original architectural intentions<br />
were, both explicitly and implicitly,<br />
which additionally is challenged<br />
by the interplay of the discursive versus<br />
the non-discursive in architectural<br />
design suggesting that we cannot understand<br />
the original intentions solely<br />
by looking at what was formulated in<br />
speech or writing, which, in addition<br />
to not communicating non-discursive<br />
ideas, is also balanced by how the architects<br />
have had to argue for their proposals<br />
as well as how they have sought<br />
to present the work as conforming or<br />
challenging concurrent traditions –<br />
and if so, which.<br />
What we can say, however, is that the<br />
appropriation and inhabitance of the<br />
buildings, clearly shown empirically to<br />
relate to the spatial organisation in several<br />
distinct ways, reasonably must be<br />
one piece of the discussion that cannot<br />
reasonably be disregarded even if in<br />
the end it can be given higher or lower<br />
priority than other factors depending<br />
on aims and values. However, the more<br />
the inhabitance or the way a library<br />
mediates an idea of knowledge through<br />
how it structures narratives of uses and<br />
visits is valued, the more significant it<br />
becomes to consider the spatial-configurational<br />
effects of the extensions. In<br />
some cases, this may provide keys that<br />
allow clearer choice to be made on priorities<br />
and proposals, whereas in other<br />
cases it may help clarify if within the set<br />
ambitions a proposal taking care of all<br />
expectations is plausible. In order for a<br />
configurational analysis to contribute<br />
beyond mere pragmatics, however, a<br />
more complex understanding of mediation<br />
of ideals, values and meanings<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • D. Koch
21<br />
not as separate from but intertwined<br />
with practical considerations and user<br />
concerns must be brought into play<br />
and analyzed from the point of view of<br />
architectural propositions.<br />
Acknowledgements<br />
The writing of this paper had not<br />
been possible without the discussions<br />
with John Peponis, Sophia Psarra and<br />
Ermal Shpuza back in Stockholm in<br />
the spring of 2013 and following. It<br />
also relies heavily on the discussions<br />
within the research group Spatial Analysis<br />
and Design at the KTH School of<br />
Architecture and, for this paper specifically,<br />
especially with Ann Legeby.<br />
Part of the writing work of this paper<br />
is done through the FORMAS-funded<br />
research environment Architecture in<br />
the Making. Finally I would like to acknowledge<br />
the support, openness and<br />
willingness to contribute in various<br />
ways shown by the libraries in question.<br />
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ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • D. Koch
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • 23-39<br />
The dynamics and diversity of<br />
space use in the British Library<br />
Kerstin SAILER<br />
k.sailer@ucl.ac.uk • Space Syntax Laboratory, The Bartlett School of Architecture,<br />
University College London, 140 Hampstead Road, London NW1 2BX, United<br />
Kingdom<br />
Received: September <strong>2015</strong> Final Acceptance: October <strong>2015</strong><br />
Abstract<br />
The Space Syntax study of buildings typically distinguishes between weak and<br />
strong programming, where social behaviours either follow or defy the spatial<br />
logic of a building. This is often based on analysing collective and aggregate patterns<br />
of behaviour. This paper builds on recent work redefining our understanding<br />
of weak and strong programming, yet aims to analyse usage patterns and<br />
spatial affordances in a much more fine-grained way by taking diversity of user<br />
groups as well as the temporal unfolding of behaviours into account. The British<br />
Library acts as a case study and is investigated based on a rich empirical dataset of<br />
observed user behaviours.<br />
Results suggest that the British Library shows both strong and weak programming:<br />
movement flows only partially followed spatial configuration, and the interface<br />
the building constructed kept people apart rather than bringing them together.<br />
In addition, large variations in user activities existed in some parts of the<br />
Library, all of which points towards strong programming. At the same time however,<br />
certain activities showed clear spatial preferences and significant differences<br />
in local and global visibility patterns, which illustrates weak programming. It was<br />
also shown how dynamic and diverse user behaviours emerged in the British Library,<br />
highlighting the need to draw a nuanced picture of usage. The contribution<br />
of the paper thus lies in a detailed and deep analysis of usage patterns, unpacking<br />
variations in behaviours between different users at different times and linking this<br />
both to the affordances of configuration as well as programmatic influences.<br />
Keywords<br />
Public libraries, Space syntax, Space usage, Temporal dynamics, Strong and weak<br />
programming.
24<br />
1. Introduction: More than just<br />
books…<br />
Buildings are dynamic settings<br />
that accommodate a range of different<br />
uses. A hospital for instance is<br />
not just a place for curing the ill, but<br />
also a workplace for nurses, doctors,<br />
cleaners and porters (see for instance<br />
Heo, Choudhary, Bafna, Hendrich,<br />
& Chow, 2009 on nurses assignments<br />
and behavioural patterns). A school<br />
not only enables teaching and learning,<br />
but is also an important place for socialisation,<br />
making friends and hanging<br />
out (Minuchin & Shapiro, 1983;<br />
Sailer, <strong>2015</strong>). Shops have clear social<br />
functions beyond their retail purpose<br />
(Koch, 2014). Museums do not only<br />
exhibit pieces of art, but also educate,<br />
entertain and sell merchandise (Kwon<br />
& Sailer, <strong>2015</strong>). Likewise, libraries have<br />
always been meeting places for communities<br />
in addition to storing books<br />
and organising access to information<br />
(Capille & Psarra, <strong>2015</strong>).<br />
All of the above descriptions centre<br />
on what people do in buildings.<br />
Indeed, most buildings are defined by<br />
functions or so called ‘use types’ (Forty,<br />
2000) or ‘activity types’ (Steadman,<br />
2014): a hospital is a hospital because<br />
of what happens there, and likewise<br />
a school is a school again because of<br />
what goes on inside it (Hillier, Hanson,<br />
& Peponis, 1984).<br />
Yet, it seems that what people do<br />
in buildings becomes even more important,<br />
as a new focus on the human<br />
side of architecture as well as on people’s<br />
experiences, behaviours and usage<br />
patterns can be observed in recent<br />
discourses. The question of usage and<br />
daily life has already been popular in<br />
the 1970’s with architects like Herman<br />
Hertzberger defining architecture as<br />
concerned with ‘daily life lived by all<br />
people’ (Hertzberger, 1991), however<br />
only recently, scholars have argued that<br />
the social agenda of architecture has<br />
too long been a blind spot that needs<br />
re-addressing (Cupers, 2013). Other<br />
recent publications on usage and the<br />
social role of architecture and design<br />
(Awan, Schneider, & Till, 2011; Bergdoll,<br />
2010; Maudlin & Vellinga, 2014;<br />
Till, 2009) underlined the important<br />
reading of buildings as ‘lived in’<br />
(Brand, 1994; Hollis, 2009).<br />
If we consider buildings based on<br />
usage, change becomes essential. Public<br />
libraries, like most other building<br />
types have seen a dramatic change in<br />
how they are used, perceived and experienced.<br />
The increasing digitisation<br />
of content means that new ways of accessing<br />
collections emerge, thus shifting<br />
the necessity of a physical site away<br />
from providing access and towards<br />
other uses. Drawing on a study of 24<br />
recently built monumental public library<br />
buildings, Shoham and Yablonka<br />
(2008) came to the conclusion that the<br />
new-built libraries had increased user<br />
numbers, were full of life and served<br />
wider purposes as symbols of culture,<br />
as tourist attractions, but also as pleasant<br />
meeting places in a quiet cultured<br />
environment.<br />
The British Library forms a particularly<br />
interesting case in this context.<br />
The architect of the British Library,<br />
Sir Colin St John Wilson (1998) described<br />
the multitude of functions to<br />
be accommodated as: a day-to-day<br />
workplace, an institution that embodies<br />
and celebrates national memory, a<br />
storage of collections, places of study,<br />
exhibitions of its treasures, an eventspace<br />
hosting lectures and seminars,<br />
and back-of-house functions such as<br />
conservation laboratories and administration.<br />
This already points to a real<br />
diversity of space usage patterns. How<br />
the publicly accessible areas of the Library<br />
are indeed used in their everyday<br />
functioning will be explored in<br />
this paper, drawing on a rich data set<br />
of empirical and both quantitative and<br />
qualitative participant observations,<br />
collected in 2009 and 2010 by MSc<br />
students at the Bartlett, UCL. It will be<br />
asked how people move around in the<br />
building, to which degree the spatial<br />
layout (analysed with Space Syntax)<br />
informs usage patterns and how usage<br />
varies between different user groups,<br />
but also over time. Its main aim is to<br />
provide a sketch of the multi-functionality<br />
of the building and describe user<br />
groups and usage patterns in as much<br />
detail and variation as possible. This is<br />
an important task, if we want to reflect<br />
on how to design ‘social’ buildings in<br />
the future, where usage and people’s<br />
activities, preferences and experiences<br />
are actively anticipated, embedded,<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • K. Sailer
25<br />
and allowed to grow and change.<br />
This paper is structured as follows:<br />
Chapter 2 will provide theoretical<br />
foundations for the empirical explorations<br />
of usage patterns in the British Library<br />
by sketching research on library<br />
buildings and human behaviours, but<br />
also by elaborating on the Space Syntax<br />
theory of ‘strong and weak programming’<br />
in buildings. Chapter 3<br />
will introduce the British Library as a<br />
case study, followed by a detailed description<br />
of methodology in Chapter<br />
4. In four consecutive steps, Chapter 5<br />
will discuss the diversity and dynamics<br />
of usage patterns in the British Library<br />
and a final Chapter 6 will draw<br />
conclusions, discuss limitations of the<br />
study and provide an outline of future<br />
research in the field.<br />
2. Usage patterns and building types:<br />
On strong and weak programming<br />
In their paper ‘Visible Colleges’ Hillier<br />
and Penn (1991) conceptualised<br />
buildings as either strongly or weakly<br />
programmed depending on the degree<br />
to which the activity patterns inside<br />
the buildings followed strict rules,<br />
procedures and models. This theory is<br />
crucial in understanding the relationship<br />
between spatial layout and usage<br />
patterns inside different building types.<br />
A programme was defined as “not<br />
the organisation it houses (…) [but] the<br />
spatial dimension of an organisation,<br />
and the key element in any programme<br />
is the interface, or interfaces, that the<br />
building exists to construct (…) [i.e.] the<br />
spatial relation between or among two<br />
broad categories of persons (…) that<br />
every building defines: inhabitants, or<br />
those whose social identity as individuals<br />
is embedded in the spatial layout and<br />
who therefore have some degree of control<br />
of space; and visitors, who lack control,<br />
whose identities in the building are<br />
collective, usually temporary and subordinated<br />
to those of the inhabitants”.<br />
(Hillier & Penn, 1991, p. 33)<br />
Therefore, buildings were considered<br />
strongly programmed if the interface<br />
between user groups was highly<br />
controlled and the patterns of encounter<br />
followed so called ‘long models’<br />
with a high degree of prescription<br />
and determinism (Hillier & Hanson,<br />
1984). A court was the classic example<br />
of a strong programme building, since<br />
different user groups with varying degrees<br />
of inhabitant or visitor status<br />
such as judges, barristers, witnesses,<br />
defendants and public were channelled<br />
through the building along separated<br />
paths so that their movement was<br />
highly controlled and encounters were<br />
actively hindered until all users met<br />
in the highly orchestrated and ritualised<br />
court room proceedings (Hanson,<br />
1996). In contrast, buildings were seen<br />
as weakly programmed if the interface<br />
between user groups was not controlled<br />
and everyone could encounter<br />
everyone else freely, following ‘short<br />
models’ with a high degree of randomisation<br />
and morphogenesis (Hillier &<br />
Hanson, 1984). The most used example<br />
for traditionally weakly programmed<br />
buildings was the editorial floor of a<br />
newspaper, which flourished through<br />
generative and unstructured encounters<br />
among different users.<br />
The implications of this theory for<br />
the understanding of buildings and<br />
usage patterns lie mainly in the question<br />
how closely movement flows and<br />
resulting patterns of encounter correspond<br />
to spatial configuration. Traditional<br />
Space Syntax theory would suggest<br />
that movement flows are highest<br />
in areas of high spatial integration – so<br />
called ‘natural movement’ (Hillier &<br />
Iida, 2005; Hillier, Penn, Hanson, Grajewski,<br />
& Xu, 1993), however, adding<br />
strong and weak programming, we<br />
would only expect this relationship to<br />
hold in the case of weak programming,<br />
where randomisation is at play and<br />
the layout can act morphogenetically.<br />
In contrast, it could be argued that<br />
movement flows follow programme in<br />
strongly programmed buildings.<br />
Over recent years, the theory of<br />
strong and weak programming was<br />
taken up by different researchers and<br />
articulated further, for instance Koch<br />
and Steen (20<strong>12</strong>) proposed a new criterion<br />
for strong programming, thus<br />
adding more nuance and variation to<br />
the original concept. Likewise, Capille<br />
and Psarra (2013) suggested that<br />
the unequal distribution of activities<br />
across different spaces and functional<br />
areas of a building meant strong programming,<br />
whereas an equal distribution<br />
highlighted weak programming.<br />
The dynamics and diversity of space use in the British Library
26<br />
Studying two public libraries in London,<br />
it was concluded that one library<br />
was weakening the influence of programme<br />
on activities, while the other<br />
one was strengthening it.<br />
Additionally, it was shown that elements<br />
of strong programming could<br />
appear in traditionally considered<br />
weakly programmed building types<br />
such as workplaces and offices, for instance<br />
in the form of attractors that<br />
may deflect movement flows away<br />
from spatially integrated areas (Sailer,<br />
2007, 2010). Similarly, buildings considered<br />
strongly programmed such as<br />
hospitals could show aspects of strong<br />
and weak programming, even within a<br />
single case depending on which criterion<br />
was applied (Sailer et al., 2013).<br />
What can be learnt from these studies,<br />
is the insight that space usage activities<br />
are dynamically enfolding systems,<br />
embedded in spatial situations<br />
and practices, driven by organisationally<br />
defined roles and programmes, but<br />
also distributed in space by configuration.<br />
Building types (such as hospitals,<br />
libraries or offices) cannot be associated<br />
with one type of programming per<br />
se; neither does a particular building<br />
necessarily follow clear categorisations<br />
as strong or weak programme. The theory<br />
of strong and weak programming<br />
of buildings can help scrutinise phenomena,<br />
yet detailed analysis is needed<br />
before a judgement on the degrees and<br />
levels of programming in its interplay<br />
with spatial configuration can be made.<br />
For the study of libraries, which in<br />
the traditional dichotomised description<br />
of either ‘strong’ or ‘weak’ would<br />
have been seen as a typical example<br />
of a weak programme (Zook & Bafna,<br />
20<strong>12</strong>), this means scrutinising the<br />
space for aspects of strong programming<br />
(rules, procedures, attractors,<br />
strong distribution of activities by<br />
function, movement flowing against<br />
configurational logic) in addition to<br />
understanding weak programming<br />
and spatial practices.<br />
Particular studies on libraries within<br />
the framework of Space Syntax seem<br />
worth mentioning, too.<br />
With the aim to discover how spatial<br />
systems produce meaning, Koch<br />
(2004) studied three public libraries in<br />
Sweden and concluded that three different<br />
forms of knowledge representation<br />
(tree-like, network-like, as a control<br />
system) were found. Overall, it was<br />
concluded that contemporary libraries<br />
could be seen as systems that increasingly<br />
aim to integrate people and promote<br />
social encounter rather than keep<br />
people apart by providing silence, solitude<br />
and concentration. To that end, it<br />
was shown that the activity of reading<br />
occurred mainly next to heavily used<br />
corridors and areas of movement flows,<br />
thus giving rise to social encounters.<br />
This very phenomenon of reading<br />
in close proximity to highly integrated<br />
areas was found in a study of nine<br />
academic libraries in Portugal as well,<br />
however, here it was reported as a<br />
noise problem inhibiting concentration<br />
(Both, Heitor, & Medeiros, 2013).<br />
Another recent study on two academic<br />
libraries in London (Zong, <strong>2015</strong>) focused<br />
on the diversity of activities as a<br />
result of new pedagogic ideas and digital<br />
access. Analysing both spatial configuration<br />
and furniture arrangements<br />
as affordances for usage, it was proposed<br />
that a diversity of spatial characteristics<br />
allowed for a diversity of usage<br />
patterns to unfold.<br />
The theme of libraries changing to<br />
accommodate different functions was<br />
also the subject of a syntactic study of<br />
18 public libraries in France, where it<br />
was investigated how traditional libraries<br />
with closed collections and a central<br />
catalogue changed into so called ‘mediatheques’<br />
providing access to a diversity<br />
of media sources and information<br />
types, which meant a spatial change<br />
towards open bookshelves and reading<br />
spaces (Lim & Kim, 2009). Results suggested<br />
that newer building types which<br />
followed the mediatheque model had<br />
lower overall values of visibility on<br />
average, but also a wider and more diverse<br />
range of configurational options.<br />
Visibility relations also feature in<br />
the paper by Zook and Bafna (20<strong>12</strong>),<br />
which highlights how everyday activities<br />
(borrowing a book, attending a<br />
scheduled meeting, meeting a friend in<br />
the reading rooms) in the Seattle Public<br />
Library – a building with a highly<br />
unusual spatial composition – still<br />
follow genotypical patterns of visual<br />
access, where paths lead through expected<br />
levels of openness and enclo-<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • K. Sailer
27<br />
sure, thus publicness and privacy, underlining<br />
the view of the library as a<br />
known institution. This so called ‘social<br />
staging’ is contrasted by a view of the<br />
‘phenomenal staging’ – the subjective,<br />
individual experience of a user as they<br />
make their way through the building,<br />
which is characterised by unexpected<br />
vistas, hidden outlooks and surprising<br />
elements.<br />
Libraries were also used as settings<br />
to understand issues of wayfinding and<br />
signage (Carlson, Hölscher, Shipley,<br />
& Conroy Dalton, 2010; Li & Klippel,<br />
2010, 20<strong>12</strong>) and to test new methods<br />
for user feedback and Post-Occupancy<br />
Evaluations (Dalton, Kuliga, &<br />
Hölscher, 2013).<br />
In summary, previous research has<br />
shown how libraries have become settings<br />
staging a multitude of different<br />
usage patterns beyond the traditional<br />
access to collections and the accommodation<br />
of the process of reading.<br />
Instead libraries were shown to be social<br />
spaces, experienced differently by<br />
people and supported by specific configurational<br />
properties of the library<br />
buildings.<br />
How these phenomena resonate in<br />
the case of the British Library will be<br />
explored in the following chapters.<br />
3. Case study: The British Library<br />
This paper draws on rich observations<br />
of space usage in one particularly<br />
interesting building: the British<br />
Library. As National Library of the<br />
United Kingdom, its aim is to store<br />
every book published in the UK and<br />
Figure 1. Annotated floor plan of the British Library.<br />
The dynamics and diversity of space use in the British Library
28<br />
make its collections freely accessible to<br />
the public. With a building size of more<br />
than <strong>12</strong>2,000 sqm it stores around 170<br />
million items (among them almost 14<br />
million books) 1 and employs around<br />
<strong>12</strong>00 staff in its main St Pancras building.<br />
As an institution, the British Library<br />
was founded in 1972 by an Act<br />
of Parliament, but first continued having<br />
its collection and reading rooms<br />
housed in the British Museum, until it<br />
moved to its own site in 1997, when the<br />
first reading room opened.<br />
The British Library’s main building<br />
in the centre of London near the railway<br />
station St Pancras was fully opened<br />
to the public in 1998 after a more than<br />
thirty-five year-long conception, design<br />
and construction process. The<br />
British architect Colin St John Wilson<br />
created a building ‘based on purpose’<br />
and human scale in an approach that<br />
he called ‘the other tradition’ of Modernism<br />
(Wilson, 2007). For Wilson, architecture<br />
was grounded in use, creating<br />
an ordered framework for activities<br />
to happen; this was also called an ‘architecture<br />
of experience’ (Stonehouse,<br />
2004). The building was described as<br />
‘inviting’ and ‘democratic’ by critics:<br />
“A library might be expected to be<br />
conceived as a monument. (…) Yet<br />
this building [the British Library] has<br />
found a kind of democratic equivalent.<br />
(…) This kind of monumentality<br />
is not imposed upon us; it is assigned<br />
by us. So the building is symbolic, but<br />
this symbolism is not assertive and it is<br />
not about great occasions or collective<br />
events. The building seeks relationships<br />
with the individuals who use it and visit<br />
it, through a sense of invitation first<br />
evident in the forecourt and entrance.<br />
You are invited to be a participant,<br />
not merely a spectator.” (MacCormac,<br />
2004, pp. xii-xiii)<br />
The way in which the building negotiates<br />
between individual usage and<br />
institutional representation was described<br />
as ‘intimate monumentality’:<br />
“The building is book-like, revealing<br />
its inner world only when entered,<br />
an individual, intimate act. The hard,<br />
rather sober exterior allows the interior<br />
to be revealed and discovered on<br />
entering and using the library (…) – all<br />
part of an intimate experience of monumentality.”<br />
(Stonehouse, 2004, p. 69)<br />
It was also praised to provide an “inherent<br />
versatility of form” (Stonehouse,<br />
2004, p. 79), able to adapt to future<br />
usage and organisational needs, for<br />
instance the new ways in which information<br />
will increasingly be stored and<br />
accessed digitally.<br />
4. Methodology<br />
This paper combines the syntactic<br />
study of the British Library, based<br />
on axial accessibility maps (drawn on<br />
knee level) and Visibility Graph Analysis<br />
(VGA, constructed on eye level)<br />
(Turner, Doxa, O’Sullivan, & Penn,<br />
2001) with detailed and structured observations<br />
of space usage patterns. The<br />
following three standard Space Syntax<br />
observation techniques (Al-Sayed,<br />
Turner, Hillier, Iida, & Penn, <strong>2015</strong>;<br />
Grajewski, 1992) were used: gatecounts,<br />
traces by following people and<br />
snapshots.<br />
For the gate-counts, movement<br />
flows across a total of <strong>12</strong>7 imaginary<br />
gates on all six public floors of the<br />
British Library were counted for five<br />
minutes each in the morning, midday<br />
and afternoon on three days (including<br />
Saturday) in 2009 and on two days (including<br />
Sunday) in 2010. Gender and<br />
readership status 2 was recorded. Data<br />
was aggregated across all observations<br />
and collective hourly flow at each gate<br />
was calculated.<br />
Movement was also captured<br />
through traces, where observers picked<br />
up building users at entrances or other<br />
movement distributors on each floor<br />
plate (lift, staircases) and discretely followed<br />
them for 10 minutes (in 2009),<br />
5 minutes (in 2010) or until they had<br />
reached a destination (for instance a<br />
desk in a Reading Room or a seat in<br />
the café), or in fact left the floor plate<br />
or building. The route they took was<br />
traced on a floor plan and digitised<br />
in GIS. A total of 679 building users<br />
were shadowed during Library opening<br />
hours, and additional demographic<br />
and user specific information (gender,<br />
estimated age range, formal or informal<br />
attire, Reader or Non-Reader) was<br />
noted.<br />
Snapshots recorded the exact location<br />
and type of activity of building users<br />
at a precise moment in time. All six<br />
publicly accessible floors of the building<br />
were observed repeatedly throughout<br />
the course of the day. Most areas<br />
1<br />
Some of the books<br />
of the British<br />
Library are stored<br />
in its branch in<br />
Boston Spa in<br />
Yorkshire, from<br />
where they can<br />
be ordered to the<br />
Reading Rooms<br />
in St Pancras<br />
within 48 hours;<br />
basic statistics<br />
are from Wilson<br />
1998 and updated<br />
statistics on the<br />
building are taken<br />
from: https://<br />
en.wikipedia.<br />
org/wiki/British_<br />
Library<br />
2<br />
Building users<br />
were distinguished<br />
by visual cues:<br />
Readers could<br />
be recognised by<br />
their Reader’s<br />
passes, sometimes<br />
worn around<br />
people’s necks, or<br />
more obviously,<br />
by carrying their<br />
belongings in<br />
plastic carrier bags,<br />
which were the<br />
only bags allowed<br />
inside the reading<br />
rooms. This means<br />
that everyone<br />
categorised as<br />
a Reader in the<br />
observations<br />
definitely had a<br />
Reader’s pass, but<br />
the observations<br />
could be biased<br />
by not recognising<br />
all Readers as<br />
such (for instance<br />
those leaving their<br />
possessions in<br />
lockers or at a desk<br />
in the Reading<br />
Rooms and going<br />
for a coffee).<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • K. Sailer
were observed eight times in total with<br />
more intensively used areas captured<br />
up to 17 times to get a higher data resolution.<br />
Primary and secondary activities<br />
were recorded: primary activities<br />
included sitting, standing and walking<br />
as individual behaviours and interactions<br />
as group behaviours, while secondary<br />
activities distinguished a total<br />
of 22 different behaviours (such as<br />
searching, shopping, working on a laptop,<br />
reading, looking at an exhibition)<br />
and combinations of behaviours (such<br />
as laptop and reading, looking at an<br />
exhibition and talking, etc.). A total of<br />
7993 people were observed.<br />
5. The British Library: Diversity and<br />
dynamics of usage patterns<br />
Patterns of usage in the British Library<br />
will be analysed in this section,<br />
discussing the distribution of activities<br />
in space, the diversity of behaviours,<br />
rhythms and temporal patterns as well<br />
as emerging communities and their<br />
specific needs and activities.<br />
5.1. Movement flows<br />
As a first step in the analysis, it is of<br />
interest to understand the overall distribution<br />
of people in the building and<br />
investigate to which degree movement<br />
flows are driven by configuration (indicating<br />
a weakly programmed building)<br />
or in contrast by programme and<br />
function (indicating a strongly programmed<br />
building).<br />
Four spatial variables of the axial<br />
map were analysed regarding their relationship<br />
to the overall flow of people<br />
in the British Library, as well as to the<br />
flow of Readers and Non-Readers (using<br />
gate-count data): Connectivity, Integration<br />
Radius 3 (Local), Integration<br />
Radius N (Global) and Choice. No single<br />
relevant correlation was found, although<br />
Choice and Global Integration<br />
yielded highly significant / significant<br />
results for Non-Readers (p
30<br />
Figure 2 a-d. Movement traces of 427 Readers (red) and 149 Non-Readers (black) on the<br />
ground floor, mezzanine, first and second floor.<br />
es through the entrance, however it is<br />
not necessarily also the most integrated<br />
place in the building. Buildings with<br />
many floors often show the integration<br />
core placed around the geometric centre<br />
of the building as a whole, which is<br />
also is the case for the British Library,<br />
where the most integrated areas are<br />
found on the first floor. Again, this<br />
distorts the correlation between movement<br />
flows and configuration.<br />
The relationship between different<br />
user groups such as Readers and<br />
Non-Readers can also be analysed as a<br />
matter of the interface constructed by<br />
the building to bring people together or<br />
keep them apart. First of all movement<br />
traces of the two different user groups<br />
can be compared visually. It can be seen<br />
in figure 2a-d that movement flows between<br />
Readers and Non-Readers overlap<br />
in certain parts of the building such<br />
as the ground floor, mezzanine and first<br />
floor, yet, there are many spaces with a<br />
distinctive dominance of either Readers<br />
(upper floors, circulation, staircases,<br />
Reading Rooms) or Non-Readers<br />
(exhibitions, café, canteen). It can also<br />
be seen from the traces that Readers<br />
(shown in red in Figure 2a-d) move in<br />
a rather targeted fashion with straight<br />
routes, while Non-Readers (shown in<br />
black) tend to wander more aimlessly<br />
along curvy paths.<br />
The degree of co-presence between<br />
Readers and Non-Readers can also be<br />
investigated statistically by correlating<br />
total numbers for each group across<br />
the different locations in the building.<br />
With gate-count data a correlation of<br />
R2=0.28, p
31<br />
of Readers showed rather low counts<br />
of Non-Readers and vice versa. This<br />
means the building creates a controlled<br />
interface between the different user<br />
groups and keeps them apart rather<br />
than bringing them systematically together.<br />
It seems the Library offered attractive<br />
spaces to each group separately;<br />
they co-existed rather than cohered<br />
and came together.<br />
In summary, the analysis of movement<br />
flows has highlighted that the<br />
British Library is a predominantly<br />
strongly programmed building: overall<br />
flows do not follow configurational<br />
logic consistently and different user<br />
groups with distinct usage patterns<br />
(Readers vs Non-Readers) were separated<br />
to a high degree. A further analysis<br />
of strong and weak programming in<br />
buildings as a function of the diversity<br />
and distribution of activities will follow<br />
in the next section.<br />
5.2. Diversity and distribution of activities<br />
To investigate diversity and distribution<br />
of activities, a two-step approach<br />
was followed: firstly it was analysed<br />
whether primary and secondary activities<br />
differed according to their spatial<br />
properties of connectivity and integration<br />
(i.e. visual Mean Depth), retrieved<br />
from the VGA. This will highlight<br />
whether certain activities show preferences<br />
for areas with high or low direct<br />
visibility (connectivity) and for areas<br />
with strategically short or long visual<br />
paths (mean depth). Secondly, the distribution<br />
of activities will be brought<br />
together with the functional allocations<br />
of spaces to analyse whether specifically<br />
allocated areas attract usage<br />
differently from the overall building<br />
averages.<br />
Regarding the spatial logic of primary<br />
activities, i.e. sitting, standing<br />
and walking as individual behaviours<br />
and interactions as group behaviours,<br />
highly significant differences of connectivity<br />
and mean depth can be found<br />
between these activities in a statistical<br />
Analysis of Variance (ANOVA). Results<br />
of the ANOVA tests are shown in<br />
Table 2; Figures 3a-b show the VGA of<br />
the building for connectivity and mean<br />
depth. Differences in connectivity are<br />
more pronounced, leading to a higher<br />
coefficient of R 2 =0.07 (p
32<br />
Figure 3 a-b. Visual Graph Analysis of the British Library: Connectivity (a) and Mean Depth (b).<br />
behaviours; the ANOVA results for<br />
connectivity were highly significant<br />
(p
Table 3. Number and statistics [mean, standard error] of spatial properties connectivity<br />
[CONN] and mean depth [MD] of observed secondary activities from ANOVA tests.<br />
Activity Count Mean [CONN] Std Err [CONN] Mean [MD] Std Err [MD]<br />
Bag Cloak Locker 22 213.261 77.42 6.70176 0.15607<br />
Eating Drinking 133 211.232 31.49 6.03696 0.06348<br />
Eating Drinking Laptop 7 159.619 137.26 6.51515 0.27669<br />
Eating Drinking Reading <strong>12</strong> 203.076 104.83 5.54179 0.21132<br />
Eating Drinking Talking 115 218.767 33.86 5.88826 0.06826<br />
Exhibition 297 341.650 21.07 6.055<strong>12</strong> 0.04248<br />
Exhibition Talking 33 402.942 63.22 6.17684 0.<strong>12</strong>743<br />
Laptop 819 399.693 <strong>12</strong>.69 5.40453 0.02558<br />
Laptop Reading 311 929.028 20.59 6.03018 0.04151<br />
Laptop Talking 34 265.319 62.28 5.47077 0.<strong>12</strong>554<br />
Lift 4 333.188 181.57 5.93379 0.36602<br />
Looking 19 323.947 83.31 4.37154 0.16794<br />
Order 74 153.375 42.21 6.14963 0.08510<br />
Phone 47 314.777 52.97 4.69967 0.10678<br />
Reading 420 514.097 17.72 5.75063 0.03572<br />
Reading Talking 70 155.665 43.40 6.37389 0.08750<br />
Searching 8 195.458 <strong>12</strong>8.39 6.21016 0.25882<br />
Shopping 66 180.619 44.70 7.03216 0.09011<br />
Sitting 3534 752.236 6.11 5.767<strong>12</strong> 0.0<strong>12</strong>31<br />
Standing 208 430.779 25.18 5.75250 0.05076<br />
Talking 880 275.280 <strong>12</strong>.24 5.74283 0.02468<br />
Walking 625 425.535 14.53 5.57156 0.02928<br />
* Connectivity values larger than the building average and mean depth values lower than the<br />
building average are highlighted in red.<br />
building as a whole and comparing it to<br />
the distribution in different functional<br />
areas was applied here. In addition to<br />
investigating functional areas (Figure<br />
4a), the variation across the different<br />
floors was also scrutinised (Figure 4b).<br />
Looking at the building as a whole,<br />
it can be seen that using a laptop is the<br />
most predominant activity in the British<br />
Library, amounting to 40% of all<br />
observed activities, followed by talking<br />
(20%), reading (15%) and sitting (8%).<br />
While the mix of activities in the corridors<br />
and café strongly resembled<br />
those found in the entire building (see<br />
figure 4a), some more variation was<br />
found in the foyer (where 19% of people<br />
engaged with exhibition material<br />
33<br />
Figure 4 a-b. Distribution of ten core activities (based on 2009 data) across different functional areas [a] and<br />
floors [b] of the building in comparison to the whole building average. The lower ground and 2nd floor were not<br />
observed in 2009. Percentage values are rounded.<br />
The dynamics and diversity of space use in the British Library
34<br />
rather than just 3%) and the reading<br />
rooms (where laptop use rose to 63%);<br />
the highest level of variation however<br />
was found on the staircases and the<br />
exhibition spaces themselves. The figures<br />
obtained for the average variation<br />
in those two areas are in line with the<br />
ones reported by Capille and Psarra for<br />
a strongly programmed building. This<br />
means that some parts of the British Library<br />
enact a strong programme, distributing<br />
and shaping behaviours and<br />
the mix of activities in addition to the<br />
effect of spatial configuration, as argued<br />
in the previous section.<br />
Analysed floor by floor, the mix of<br />
activities on the mezzanine level, as<br />
well as the 1 st and 3 rd floors is comparable<br />
to the overall building distribution;<br />
only the ground floor showed significant<br />
variation, which is due to the high<br />
number of specialised functions on the<br />
ground floor, for instance exhibition<br />
spaces. The role of the ground floor<br />
in helping people to orient themselves<br />
also becomes obvious in the disproportionately<br />
high percentage of people using<br />
their phones (14% rather than 2%)<br />
and more than twice the percentage of<br />
people talking (43% rather than 20%).<br />
To summarise, the British Library<br />
is a building combining both elements<br />
of weak programming (since activities<br />
showed statistically significant<br />
preferences for integrated or segregated<br />
spaces) and strong programming<br />
(since activities were distributed unevenly<br />
across the functional areas of<br />
the building).<br />
5.3. Rhythms and temporal patterns<br />
of usage<br />
In addition to the analysis of the<br />
overall diversity of activities unfolding<br />
in the British Library, changes in usage<br />
patterns over time were also investigated.<br />
Regarding the distribution of movement,<br />
it can be seen that busy areas<br />
(with high flow intensity) during the<br />
week are not necessarily those also populated<br />
to a higher degree on weekends.<br />
A correlation of gate counts based on<br />
traces for the week versus the weekend<br />
reveals an R 2 =0.32 (p
35<br />
Figure 5 a-b. Average connectivity [a] and average mean depth [b] of activities on weekdays<br />
versus weekends (based on 2009 data only, since weekend observations were not done in<br />
2010).<br />
Figure 6. Variation of ten core activities plus interactions between<br />
people (based on 2009 data) over the course of the day. The time<br />
marked in the diagram highlights the starting time of the observation<br />
period.<br />
The dynamics and diversity of space use in the British Library<br />
more socialising opportunities on<br />
weekends and thus preferred to place<br />
themselves in more buzzy (hence integrated)<br />
areas.<br />
Looking at the distribution of activities<br />
across functional areas again,<br />
not much variation appeared between<br />
weekday and weekend, however interesting<br />
differences can be detected over<br />
the course of the day (as illustrated in<br />
Figure 6).<br />
Concentrated work such as reading<br />
or working on a laptop peaks in the afternoon<br />
(from 3-4pm); eating peaked<br />
at lunchtime and in the early afternoon<br />
as expected (between 1-3pm); social<br />
activities such as talking and interactions<br />
peaked mid-morning (11-<strong>12</strong>pm),<br />
at lunchtime (1-2pm) and in the late<br />
afternoon (5-6pm); and the engagement<br />
with exhibits showed a high in<br />
early morning (10-11am) after lunch<br />
(2-3pm) and in the afternoon (4-5pm).<br />
In summary, this analysis highlights<br />
how temporal patterns of usage evolve,<br />
creating a rhythm of activities and experiences<br />
over the course of a day with<br />
shifting preferences and locations of<br />
activities between weekday and weekend.<br />
Qualitative accounts of people’s<br />
engagement and behaviours in the
36<br />
British Library (Thomas, 2013) seem<br />
to underline this interpretation of user<br />
experience of rhythms and temporal<br />
patterns, where people chose to change<br />
activities as the day went on.<br />
5.4. Emerging communities and usage<br />
patterns<br />
Last but not least, specific usage patterns<br />
of emerging communities and<br />
particular groups of people can be investigated.<br />
From qualitative observations<br />
we know that a group of people<br />
using the British Library for working<br />
purposes queue outside the building<br />
every morning to take up seats in front<br />
of the Kings Library on the first floor,<br />
which offered good seating, nice individual<br />
lighting and power plugs in addition<br />
to the free wifi available in the<br />
whole building. Those spaces shown in<br />
Figure 7 offer both opportunities for<br />
socialising (as they are in a highly frequented<br />
route) as well as solitude (by<br />
the nature of the furniture) and were<br />
the most popular seats in the Library,<br />
essentially being occupied first thing in<br />
the morning and throughout the whole<br />
day. As an emerging community of so<br />
called ‘nomadic workers’, people have<br />
come to know each other and watched<br />
out for other people’s belongings.<br />
Other specific communities of people<br />
with particular space usage patterns<br />
were entrepreneurs using the IP and<br />
Business Centre of the British Library.<br />
All areas connected with the IP and<br />
Business Centre showed disproportionate<br />
numbers of males (four times<br />
as many males as females as opposed<br />
to a ratio of 1:1.15 for the building as<br />
a whole), but also higher numbers of<br />
users in the age range 40-60 (1.7 older<br />
people per younger people in contrast<br />
to a 1:1.03 ratio for the entire building).<br />
Other areas with an uneven distribution<br />
of users by additional demographic<br />
information include a female<br />
dominance in the Social Sciences<br />
Reading Room (3.4 females per male)<br />
and the shop (1.6 females per male)<br />
and a higher presence of older people<br />
(40-60 years of age) in the Philatelic<br />
Exhibition (3.6 older people per young<br />
person), whereas twice as many 20-40<br />
year olds as compared to 40-60 year<br />
olds were found around the areas of the<br />
Folio Society Gallery.<br />
Figure 7. Community of nomadic workers in front of the Kings<br />
Library. Photograph by Kerstin Sailer.<br />
This account of emerging communities<br />
and differences in the distribution<br />
of people with certain user demographics<br />
highlights how the building<br />
affords behaviours by particular groups<br />
of people in distinct ways.<br />
6. Conclusions: On diversity, dynamics<br />
and built form<br />
This paper presented evidence from<br />
observations of space usage patterns in<br />
the British Library in conjunction with<br />
an analysis of the spatial configuration<br />
of the building and its affordances for<br />
user behaviours. It was shown how<br />
movement flows in the British Library<br />
mostly defied configurational logic.<br />
In addition to a rather controlled interface<br />
between different categories of<br />
people such as Readers and Non-Readers,<br />
this drew a picture of a strongly<br />
programmed building. However, the<br />
analysis of the distribution of activities<br />
across space highlighted that activities<br />
and behaviours of people followed<br />
configurationally defined preferences<br />
and thus showed weak programming.<br />
Functional areas in contrast, in particular<br />
exhibition spaces and to a smaller<br />
degree the foyer and Reading Rooms<br />
maintained elements of strong programming,<br />
since the mix of activities<br />
there differed significantly from the<br />
overall building average, pinpointing<br />
the many ways in which the functional<br />
allocation and affordances of different<br />
spaces drove usage behaviours. The<br />
analysis of temporal dynamics, emerging<br />
communities and different user<br />
experiences over the course of the day<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • K. Sailer
37<br />
and between weekday and weekend<br />
highlighted how the building constantly<br />
evolved, shifted and changed, depending<br />
on perspective.<br />
The main contribution of this paper<br />
is therefore the conceptualisation of<br />
a building as a layered, dynamic and<br />
changing experience rather than as<br />
a definite entity impacting collective<br />
user behaviour in one particular way. It<br />
also shifts the attention of Space Syntax<br />
analysis away from top-level collective<br />
user behaviours to more nuanced and<br />
detailed understandings of the diversity<br />
and dynamics of the relation between<br />
configuration and space usage.<br />
Due to the nature of the used data<br />
set, this paper has clear limitations; issues<br />
include inconsistent data (for instance<br />
different observation standards<br />
in 2009 and 2010), missing data (for instance<br />
not all areas were covered equally<br />
well), and possibly limited quality of<br />
the data due to issues with interobserver<br />
reliability, specifically given that the<br />
data was collected by Master’s students<br />
in their first weeks of their degree.<br />
Wherever possible those limitations<br />
were taken into account for the different<br />
types of analysis.<br />
To conclude, this paper has investigated<br />
the diversity of different space<br />
usages of a building over time in relation<br />
to its spatial configuration. It has<br />
explored both temporal dynamics as<br />
well as usage diversity to incorporate a<br />
more differentiated perspective on who<br />
uses a building when for what purpose,<br />
or in short the ‘multiplicities of occupation’<br />
(Groák, 1992). Space Syntax<br />
can offer a fruitful framework for this<br />
exploration beyond mere aggregate<br />
and collective social patterns. Future<br />
research could focus on the nuances of<br />
temporal and user-specific dynamics<br />
more systematically to address what<br />
Brand (1994) called a ‘shocking lack<br />
of data’ on building usage. He highlighted<br />
the need for studies of all kinds<br />
of buildings in use and what changes<br />
from hour to hour, day to day, week<br />
to week, month to month and over the<br />
years. 20 years later this is still an open<br />
research question, which this paper<br />
hopes to contribute towards.<br />
Through its architecture and ‘versatility<br />
of form’, the British Library<br />
has clearly managed to be a space that<br />
‘builds relationships with individuals’<br />
as evident in the diverse and dynamic<br />
usage patterns showcased in this paper.<br />
Acknowledgements<br />
I would like to express my sincere<br />
gratitude to the staff at the British Library,<br />
in particular their Welcome<br />
Team and Mark Walton, who have<br />
made it possible to investigate the<br />
building and its usage. I would also like<br />
to thank two generations of students<br />
of the MSc ‘Advanced Architectural<br />
Studies’ (now called: ‘Spatial Design:<br />
Architecture and Cities’), who have<br />
collected the data used in this paper<br />
during long days in the field as part of<br />
their coursework; these are in alphabetical<br />
order: Eleni Alexiou, Min Hi<br />
Chun, Monica Datta, Jean-Francois<br />
Goyette, Birce Eren Karafazli, Eun Hye<br />
Kim, Tim Mason, Fiona McDonald,<br />
Gillian McNally, Nikolina Nikolova,<br />
Stella Parpa, Amanda Pluviano, Rosamund<br />
Pomeroy, Zhen (Alex) Qian,<br />
Carolina Rodriguez, Aabid Raheem,<br />
Khondoker Mobinur Rahman, Fernanda<br />
Lima Sakr, Ria George, Frederik<br />
Weissenborn and Jingcao Zhang (MSc<br />
AAS cohort of 2009-2010); and Rahwa<br />
Ayob, John Bingham Hall, Michelle<br />
Chan, Vasiliki Gogou, Rosie Haslem,<br />
Zahra Khaniki, Efstathia Kostopoulou,<br />
Annita Miltiadis, Krisangella Camacho,<br />
Rosica Pachilova, Fei Que, Zheng<br />
Xie and Kelin Yue (MSc AAS cohort of<br />
2010-2011). Last but not least, I would<br />
like to thank Dr Jaehong Lee for his<br />
help with the spatial analysis as well as<br />
with cleaning and processing observation<br />
data.<br />
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E., Pradinuk, R., MacKinnon, D.,<br />
& Hoofwijk, T. (2013). How Strongly<br />
Programmed is a Strong Programme<br />
Building? A Comparative Analysis of<br />
Outpatient Clinics in Two Hospitals. Paper<br />
presented at the 9th International<br />
Space Syntax Symposium, Seoul.<br />
Shoham, S., & Yablonka, I. (2008).<br />
Monumental Library Buildings in the<br />
Internet Era: the future of public libraries.<br />
IFLA Journal, 34(3), 266-279. doi:<br />
10.1177/0340035208097227<br />
Steadman, P. J. (2014). Building<br />
Types and Built Forms. Kibworth Beauchamp:<br />
Matador.<br />
Stonehouse, R. (2004). Composition<br />
and Context. In R. Stonehouse &<br />
G. Stromberg (Eds.), The Architecture<br />
of the British Library at St Pancras (pp.<br />
43-79). London: Spon Press.<br />
Thomas, I. (2013). In the Library.<br />
London Review of Books, 35(8). Retrieved<br />
from http://www.lrb.co.uk/<br />
v35/n08/inigo-thomas/in-the-library<br />
Till, J. (2009). Architecture Depends.<br />
Cambridge/MA: MIT Press.<br />
Turner, A., Doxa, M., O’Sullivan, D.,<br />
& Penn, A. (2001). From isovists to visibility<br />
graphs: a methodology for the<br />
analysis of architectural space. Environment<br />
and Planning B: Planning and<br />
Design, 28(1), 103-<strong>12</strong>1.<br />
Wilson, C. S. J. (1998). The Design<br />
and Construction of the British Library.<br />
London: The British Library.<br />
Wilson, C. S. J. (2007). The other tradition<br />
of modern architecture: the uncompleted<br />
project. London: Black Dog<br />
Publishing.<br />
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Libraries: Exploring the Library Users’<br />
Activities Facilitated with the Change<br />
of Learning Conceptions. MSc Dissertation,<br />
UCL, London.<br />
Zook, J. B., & Bafna, S. (20<strong>12</strong>). Imaginative<br />
Content and Building Form in<br />
the Seattle Central Public Library. Paper<br />
presented at the 8th International<br />
Space Syntax Symposium, Santiago de<br />
Chile.<br />
The dynamics and diversity of space use in the British Library
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • 41-53<br />
Success in Basic Design Studios:<br />
Can seat selection be an advantage?<br />
Erincik EDGÜ<br />
erincik@gmail.com, erincikedgu@duzce.edu.tr • Department of Architecture,<br />
Faculty of Arts, Design and Architecture, Düzce University, Düzce, Turkey<br />
Received: May <strong>2015</strong> Final Acceptance: October <strong>2015</strong><br />
Abstract<br />
Socio-petal spaces have proven to be crucial for students’ social life especially<br />
in outdoor spaces and common gathering areas; however, actual design studio<br />
seating deserves to be examined as well. In various studies, it is revealed that there<br />
may be a correlation between seat location, seat selection and student performance.<br />
As social interaction is among the essential qualities of design education<br />
where training is based on table critiques and face to face discussions, studios<br />
ideally should provide the desired interaction. This research explores the students’<br />
preference of seating assuming that it affects the consequent success of the student,<br />
in terms of social interaction and movement pattern, conducted in classically<br />
arranged rows and columns based studio layout, far from being ideal, where<br />
the movement pattern among the tables and the visual field become the most<br />
important modes of communication between students and instructors. The syntactic<br />
values of tables located adjacent to windows or aisles, middle rows, or back<br />
seats, front lines or wall corners help to determine the reason behind preference<br />
and selection of these seats.<br />
Integration values along with mean depth data are used to explore the socially<br />
active and passive sections of the studio layout, while isovists are examined to<br />
analyse the visual scope of each assigned seat. The results indicate that when the<br />
medium is crowded the position of the tables located alongside of circulation path<br />
gains importance. When the medium is less crowded, students prefer to prioritize<br />
their visual scope rather than physical accessibility.<br />
Keywords<br />
Social interaction, Space syntax, Spatial preference, Studio layout, Visual field.
42<br />
1. Social interaction in studios<br />
As is the case in all design programs,<br />
studio courses constitute the essence<br />
of architecture program. The data, inputs,<br />
outputs and problems of the spatial<br />
design issues are alike regardless of<br />
the scale differences. It is important for<br />
students to see at the beginning of their<br />
education that different variations may<br />
occur in designs and different results<br />
can be achieved. Since, it is essential<br />
that each student makes original design,<br />
drawing and presentation, in a<br />
design course multiple instructors may<br />
be present in order for each instructor<br />
to deal with the student individually<br />
and supervise the project development<br />
process, whereas the students can have<br />
the opportunity to acquire different<br />
design views. The design students are<br />
distinctive with their designed products,<br />
the equipment they use, working<br />
hours, patterns of behaviour and their<br />
perceived image. Thus, design students<br />
usually form Gemeinschaft society<br />
thinking, working, consuming and<br />
living together, as suggested by Dobriner<br />
(1969). This method of education<br />
necessitates a well balanced communication<br />
between the instructor and the<br />
student as well as a sociopetal form of<br />
behaviour where face to face seating<br />
arrangements may be used for both<br />
parties. However, in most cases the<br />
advantages of this unique method of<br />
teaching takes time for a first year student<br />
to notice and discover.<br />
Previous researches conducted by<br />
Ünlü et al., (2001 and 2009) indicate<br />
that sociopetal spaces have proven to<br />
be crucial for students’ social life especially<br />
in outdoor spaces and common<br />
gathering areas; however, actual design<br />
studio seating deserves to be examined<br />
as well. There are researches examining<br />
the students’ seating preferences<br />
in relation to territorial behaviour<br />
in various classroom layouts (Guyot<br />
et.al, 1980; Pedersen 1994; Kaya and<br />
Burgess, 2007; Costa, 20<strong>12</strong>). In these<br />
studies, territoriality is regarded as<br />
a behaviour mechanism occurred in<br />
public territory (Altman & Chemers,<br />
1980) which is in fact related with self<br />
protection or defence (Sommer, 1969)<br />
rather than visual control. Miura and<br />
Sugihara (2011) emphasize in their<br />
research that large-sized classrooms<br />
may decrease the learning effect on<br />
the basis that as the distance between<br />
the teacher and the student increases,<br />
it would be difficult for the student to<br />
pay attention to the teacher. Another<br />
study within the context of economics<br />
courses conducted by Benedict<br />
and Hoag (2004) showed that in large<br />
lecture rooms, students who prefer to<br />
sit towards the front of the room, have<br />
higher probability of receiving good<br />
grades compared to the ones sitting at<br />
the back. Perkins et al. (2005) conducted<br />
a seating research in the context of<br />
a physics classroom, where they have<br />
found that the initial seat location significantly<br />
affected student attendance,<br />
performance and attitudes. Through<br />
these studies, it is seen that there may<br />
be a correlation between seat location,<br />
seat selection and student performance.<br />
However, these studies are usually<br />
executed within conventional lecture<br />
halls where students are assigned<br />
either tablet arm chairs or desks where<br />
they need to express their individuality<br />
by controlling their environment. In<br />
case of design courses however, the relationship<br />
modes of the students with<br />
the instructors and with their peers<br />
change extensively.<br />
Miura and Sugihara (2011) define<br />
studio as a place where students constantly<br />
interact within a group, with<br />
their peers and mentors. As Webster<br />
(2008) and Dutton (1991) emphasize,<br />
architectural education orients students<br />
into some aesthetic and ethical<br />
values along with specific manners and<br />
language, in which peer motivation<br />
gains more importance compared to<br />
conventional lecture based methods.<br />
Social interaction is among the essential<br />
qualities of design education where<br />
training is based on table critiques and<br />
face to face discussions, therefore studios<br />
should provide the formation of<br />
desired interaction. Ideally architectural<br />
school layouts are supposed to provide<br />
the optimum settings as an exemplar<br />
for the design students. Especially<br />
design studio layouts equipped with<br />
movable drafting tables, computer stations,<br />
modelling spaces and reference<br />
shelves are considered to be a necessity<br />
for widening the scope of design<br />
intellect. However, especially in newly<br />
established institutions, limitations of<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • E. Edgü
43<br />
the classroom facilities and teaching<br />
resources necessitate cases where the<br />
pragmatic solutions are deemed to be<br />
crucial. In these cases the courses vary<br />
according to the weekly schedule within<br />
the limits of the same studio space,<br />
where classically arranged rows and<br />
columns based seating pattern is observed.<br />
This type of layout indicates<br />
a focus on the instructor similar to a<br />
theoretical lecture; on the other hand,<br />
students’ seating also gains importance<br />
on the basis of providing concentration<br />
on the individual work or keeping<br />
uninterrupted eye contact with the instructor.<br />
Also, in classically arranged<br />
rows and columns based studio layout,<br />
the instructors’ movement pattern between<br />
the tables and the visual field of<br />
students become the most important<br />
modes of communication between the<br />
students and instructors.<br />
The layout of the physical setting<br />
and the seating arrangements, are interrelated<br />
with the user behaviour<br />
patterns such as participation, social<br />
interaction and consequent success.<br />
Tables located adjacent to windows or<br />
aisles, middle rows, or back seats, front<br />
lines or wall corners have all various<br />
syntactic values in terms of integration.<br />
For example, in a study investigating<br />
the relation between privacy preference<br />
and the location of selected seats<br />
in a classroom Pedersen (1994) indicate<br />
that, students who chose to sit in<br />
the back of the classroom desire to be<br />
out of the visual field and wanted less<br />
Figure 1. Student participation in a classic row and column layout<br />
(Adapted from Sommer, 1969).<br />
involvement with others. On the other<br />
hand, seating pattern studies searching<br />
the best layout for prevention of cheating<br />
by Pomales-Garcia et al. (2009)<br />
have concluded that concentric rectangles<br />
and look away arrangements are<br />
better alternatives to traditional classroom<br />
seating. Prevention of cheating<br />
necessitates non-contact between the<br />
students; so this situation is just the opposite<br />
of what is expected and desired<br />
in a design studio. Sommer (1969)<br />
found out that in row-and-column<br />
arrangements student participation<br />
in the front row and in the middle of<br />
each row is the highest as it is indicated<br />
in Figure 1; while for example, in the<br />
U-shaped arrangement the class participation<br />
was the highest among students<br />
sitting directly across from the<br />
instructor. Kaya and Burgess (2007)<br />
on the other hand compare traditional<br />
setting and U-shaped arrangement in<br />
the context of social interaction. They<br />
emphasize that U-shaped configuration<br />
in classroom layouts generates an<br />
increased sense of community, eases<br />
discussion and promotes social interaction<br />
while, the traditional rows and<br />
columns layout helps the concentration<br />
especially on teacher centred lecture<br />
based courses. In their research, they<br />
have also concluded that in rows and<br />
columns layout, seats that are located<br />
on the sides are territorially claimed<br />
compared to middle seats. This finding<br />
may be similar to the situation of<br />
this research where the assumption includes<br />
that the tables located alongside<br />
the movement axis are considered as<br />
syntactically integrated and therefore<br />
are likely to be preferred by the students.<br />
Wang, et al. (2010) emphasize that<br />
the needed knowledge in architectural<br />
design studio, is dynamic and complicated,<br />
in a way that an individual student’s<br />
knowledge is no longer sufficient<br />
to complete a good design project.<br />
McCormick, (2004) mentions the importance<br />
of knowledge sharing and resource<br />
exchange in dealing with complex<br />
design projects, whereas, Chiu<br />
and Shih (2005) emphasize the notion<br />
of peer to peer learning, indicating the<br />
importance of cooperation in a design<br />
studio as a learning alliance. These aspects<br />
are crucial to differentiate the seat<br />
Success in Basic Design Studios: Can seat selection be an advantage?
44<br />
selection of a design student who has<br />
to keep communication and social interaction<br />
both with the instructors and<br />
the peers, in order to come up with a<br />
good design. However, during the first<br />
few weeks of the freshman year, this<br />
social interaction is usually not settled<br />
yet. Ünlü et al. (2001) remark that social<br />
intelligibility of a space is not fully<br />
linked to social interaction level among<br />
users, but it is correlated to visual capacity<br />
of the environment. Thus, the<br />
research hypothesis assumes that regarding<br />
inexistent habitual attachment<br />
to specific seats, the low levels of acquaintances<br />
and yet lacking friendship<br />
bonds, the students are free to choose<br />
the seats they will occupy. Therefore,<br />
this research explores the students’<br />
preference of seating on the basis that<br />
it affects the consequent success of the<br />
student, in terms of social interaction<br />
and movement pattern of instructors.<br />
The mentioned social interaction both<br />
with peers and instructors and the<br />
movement pattern of instructors are<br />
tested in an actually unfit medium for<br />
design studio with fixed physical layout<br />
of rows and columns.<br />
2. Case study area and limitations<br />
Physical characteristics of studios in<br />
terms of shape or size, drafting table<br />
layouts, position and width of the circulation<br />
axes are among the important<br />
aspects of social interaction between<br />
the students and thus, seat selection.<br />
Referring to Georgiadou’s (2003), research<br />
done in the context of child care<br />
centres, in settings where internal configuration<br />
produces easily supervised<br />
areas, there seems to be less rigorous<br />
control needed and so autonomy for<br />
children can be offered.<br />
This situation is similar in a design<br />
studio context; indeed it is observed<br />
that in studios with smaller dimensions<br />
and smaller cohort sizes, it is<br />
easier to maintain social interaction<br />
through discussions. However this is<br />
unfortunately not the case for this research.<br />
In this research, an actually unfit<br />
medium for design studio with fixed<br />
physical layout of rows and columns is<br />
tested on the basis of students’ social<br />
interaction and the movement pattern<br />
of instructors.<br />
The case study is conducted with<br />
the freshman year basic design studio<br />
students of Architecture and Interior<br />
Architecture departments of Cyprus<br />
International University; a privately<br />
owned university with a student population<br />
less than 10.000 located on a<br />
single campus. As mentioned before,<br />
lack of physical resources necessitates<br />
the studio to be kept in traditional<br />
row-column layout to enable theoretical<br />
courses to be conducted in the same<br />
location as well. As a combined hall of<br />
two smaller units, B221 (Figure 2) is<br />
the largest design studio of the Fine<br />
Arts building with dimensions of 7.8<br />
m by 24.5 m almost totalling an area<br />
of 200 m². Although it faces a western<br />
sun, lacks acoustic comfort and ease<br />
of control for the instructors, with 76<br />
numbered drafting tables, studio embodies<br />
the largest groups of students.<br />
The studio also has a white board on<br />
the northern wall and ceiling fixed<br />
computer controlled equipment pro-<br />
Figure 2. Studio B221 existing layout.<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • E. Edgü
45<br />
jecting on this white board as well.<br />
Therefore, in this context, any comparison<br />
between different studio layouts<br />
with differing drafting table organisation<br />
is impossible to explore. However,<br />
behaviour patterns of two different<br />
groups of students of two following<br />
years are compared in a longitudinal<br />
study.<br />
In this aspect it is also important to<br />
mention that in this research, the instructor<br />
group delivering the course<br />
and the studio remained the same<br />
while students changed. The data concerning<br />
the seating preference of the<br />
students gathered from weekly photographs<br />
taken throughout the first few<br />
weeks of the basic design studio courses<br />
in the 2009-2010 and 2010-2011 fall<br />
semesters. Photos from the 3rd, 6th,<br />
9th and the <strong>12</strong>th week of the semester<br />
are matched with the drafting tables<br />
the students preferred to sit and the<br />
grades that they have for that specific<br />
week’s studio assignment. The selection<br />
of these weeks based on the exclusion<br />
of initial and final weeks to ensure<br />
attendance and midterm exam weeks<br />
because of a different time schedule.<br />
Keeping the distance of three weeks<br />
apart between the photos also made it<br />
possible for students to forget about the<br />
photo shooting and select their seats in<br />
a more randomly manner.<br />
The sample groups were all students<br />
of architecture and interior architecture<br />
departments however, cohort size<br />
of 2009-2010 was twice larger than the<br />
following year. This is due to the academic<br />
decision of separation of lectures<br />
into groups for a more flexible<br />
weekly schedule. When the number of<br />
students enrolled is smaller than the<br />
number of available seats, their scope<br />
of preference widens, and it would be<br />
possible to differentiate the logic behind<br />
seat selection. However when the<br />
cohort size is just barely equal to the<br />
number of seats available, then the first<br />
come first served rule applies, as it was<br />
seen in the case of 2009-2010 fall semester<br />
students’ seat selection.<br />
Basic design studios introduce a totally<br />
new world for the student with<br />
its own values and behaviours. It is<br />
important for students to see at the<br />
beginning of their education that different<br />
variations may occur in designs<br />
and different results can be achieved.<br />
As the studio is conducted with three<br />
to five instructors depending on the<br />
number of students, instructors take<br />
turns on attending to each student individually<br />
and students can have the<br />
opportunity to receive different design<br />
opinions. Thus, receiving critics from<br />
different instructors consolidates what<br />
the instructors have been pointing<br />
out. Therefore, students’ interaction<br />
and visual contact within the studio<br />
space, both with peers and instructors<br />
were the crucial aspect of the research.<br />
There were two policies of the<br />
researched basic design studio; one of<br />
them was to integrate basic design with<br />
space using short-term and daily studies<br />
that would create a design identity<br />
on an individual basis and the second<br />
one was to plan longer-term projects of<br />
team work that would create a sense of<br />
belonging, shown in Table 1. Therefore,<br />
it is assumed that for the daily assignments<br />
students would seek social interaction<br />
with the instructors by means of<br />
table critiques. On the other hand, the<br />
assumption is opposite for the short<br />
term group studies. The students select<br />
seats within close vicinity of the groupmembers<br />
to bond with them, while<br />
they disregard social interaction with<br />
the instructors. However, in this research<br />
only the results of daily assignments<br />
are explored.<br />
Students who have failed in attendance<br />
and the ones who had not<br />
submitted more than one of the assignments<br />
of the observed week were<br />
excluded from the sample set. A total<br />
of 72 student grades from 2009-2010<br />
fall semester and 36 student grades<br />
Table 1. Basic Design Studio conception.<br />
Design Methods<br />
Studio<br />
Aims<br />
Individual Work<br />
Development of a Designer Identity<br />
Teamwork<br />
Development of Sense of Belonging<br />
Success in Basic Design Studios: Can seat selection be an advantage?
46<br />
from 2010-2011 fall semester are com-<br />
WWpared on the basis of their daily individual<br />
applications, and the syntactic<br />
values of the seat positions that they<br />
have selected with regression analysis<br />
and Spearman’s rho correlation test in<br />
SPSS.<br />
3. Space syntax methodology and<br />
analyses<br />
Space syntax is defined as the set of<br />
rules that generate different spatial arrangements<br />
(Hillier and Leaman, 1974;<br />
Hillier et al., 1987). Space syntax is also<br />
used as a theory and a method in order<br />
to define the structural environment.<br />
According to this theory, there are relations<br />
among the exterior forces and<br />
the social forces, which generate the<br />
forms. As for the architectural point of<br />
view, space syntax helps to understand<br />
the interaction of design objectives and<br />
characteristics with social restrictions<br />
and formal possibilities. The essential<br />
concept of syntactic approach assumes<br />
that the interior and exterior geometry<br />
of spaces are shaped according to certain<br />
cultural considerations and these<br />
forms also affect social relations in one<br />
way or another. According to Hanson<br />
& Conroy Dalton (2007), space syntax<br />
is built on three distinct spatial units,<br />
each having a different representation.<br />
These are the axial lines, convex spaces<br />
and visual fields called as isovists. Axial<br />
lines denote movement as movement is<br />
essentially a linear activity. Social interaction<br />
on the other hand, necessitates<br />
a convex space in which all points of<br />
space can be seen from all other points,<br />
or users. Using convex shapes, and axial<br />
lines, space syntax data can be calculated<br />
mathematically in order to represent,<br />
quantify and interpret spatial<br />
configuration and visual perception.<br />
The University of Michigan registered<br />
software, Syntax 2D is used in for the<br />
analyses of the mentioned syntactic<br />
properties. In this research integration<br />
values along with mean depth data are<br />
used to explore the socially active and<br />
passive sections of the studio layout. In<br />
an architectural layout, integration denotes<br />
the socio-petal aspects, whereas<br />
the depth denote the opposite, almost<br />
hidden sections of the layout. On the<br />
other hand, visual scope that describes<br />
the visual area and the visual boundary<br />
of the users is another determinant to<br />
be considered. An isovist is the directly<br />
visible area within the space and the<br />
visual field changes when people move<br />
around in spaces. Therefore, both the<br />
visual scope of the instructors if seated<br />
on the assigned seat and the visual<br />
scope of the students on the preferred<br />
seats reveal the seen/unseen sections of<br />
the layout.<br />
When working with syntactic aspects,<br />
the initial concern was the<br />
movement of instructors and the accessibility<br />
of drafting tables by peers or<br />
instructors. The assumption was that<br />
the instructors can give table critiques<br />
or the student may stand up and go to<br />
the instructor or any other peer’s table<br />
for interaction. In this scenario, the position<br />
of the unmovable tables within<br />
the rows and columns layout was important.<br />
The drafting tables acted as<br />
blocking walls and they can only be<br />
reached by moving the assigned stools<br />
in front of them. Therefore, the integration<br />
analysis of the studio layout is<br />
calculated according to the blockage of<br />
the drafting tables (Figure 3). The tables<br />
just adjacent to circulation path in<br />
the centre and the ones with a room in<br />
Figure 3. Studio B221 integration analysis.<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • E. Edgü
47<br />
Figure 4. Integration analysis with people blocking the view.<br />
Figure 5. Visual scope of each seat assigned for students.<br />
front of them for an instructor to stop<br />
by and comment are assumed to be<br />
more accessible and therefore, should<br />
be initially preferred by students who<br />
seek interaction with the instructors or<br />
peers through movement.<br />
The second concern on the other<br />
hand, was the visual scope of each<br />
stool, i.e., the students themselves, in<br />
Success in Basic Design Studios: Can seat selection be an advantage?<br />
relation to instructors or peers (Figures<br />
4 and 5). In this scenario, the<br />
sitting mode was taken into consideration.<br />
Thus the positions of tables are<br />
neglected, as if the floor was raised to<br />
table height, while the position of the<br />
stools and so the students sitting on<br />
them, gained importance. The assumption<br />
here is again the students who<br />
seek interaction especially with the<br />
instructors would select the seats with<br />
wide visual range or other seats to keep<br />
an eye on the peers in case they come<br />
up with something interesting or such.<br />
Although the isovists have the capability<br />
of showing a visual scope of 360°,<br />
selected isovist nodes are all positioned<br />
to face the board, thus the instructors.<br />
In order to maintain this, the stools are<br />
considered as the blocking objects with<br />
students sitting on them. Therefore<br />
student’s default visual field is set to be<br />
towards the front to communicate with<br />
the instructors and sideways to communicate<br />
with peers.<br />
The last concern here was the actual<br />
visual scope of the instructor in sitting<br />
mode (Figure 6). Although this specific<br />
position provides a single datum, it was<br />
considered important especially for the<br />
social interaction between the instructor<br />
and the students selecting seats<br />
from the front rows. Therefore, this<br />
analysis is conducted solely with the<br />
thirty four seats that are within the visual<br />
scope of the instructor. However, it<br />
is also interesting to see that as the students<br />
sitting next to the corridor seats<br />
at the back of the studio can still keep<br />
their eye contact with the instructors<br />
as well as their peers (Figure 5) consistent<br />
with the high integration values<br />
of these seats and longer isovist perimeters.<br />
On the other hand, students on
48<br />
Figure 6. Visual scope of the instructor.<br />
the back seats are completely hidden<br />
from the instructor’s view while their<br />
large isovist area enables them to keep<br />
visual contact with their peers.<br />
4. Conclusions and discussion<br />
The integration results show the<br />
accessibility of the tables, while the<br />
isovist parameters show visual scope<br />
of the students, as well as the instructor.<br />
Correlation results from the daily<br />
assignment average on the predetermined<br />
weeks vs. the related seat’s syntactic<br />
values are conducted separately<br />
for the fall semesters of both academic<br />
years. In all of the analyses, the students’<br />
grades are considered as dependent<br />
variables, while the syntactic values<br />
are independent. The results of the<br />
regression analysis are shown in Table<br />
2. Regression analysis is investigated<br />
with the R values with significance<br />
between -1 and +1. It is assumed that<br />
the third week results would indicate a<br />
rather random range owing to lack of<br />
lesser prior experience, while following<br />
weeks would fall into a better range of<br />
correlations.<br />
Therefore, according to Table 2, integration<br />
level and success relationship<br />
is only seen on the relatively crowded<br />
group’s early settlement. The isovist<br />
area values of the seats present no correlation<br />
with grades, while isovist perimeters,<br />
i.e. the farthest distance that<br />
can be seen while working on the table<br />
are worth noting. Although the values<br />
shown in the table can be regarded<br />
Table 2. Fall semester regression analyses from both academic years with df=75.<br />
integration isovist area isovist perimeter<br />
3rd week<br />
grades<br />
2009-2010<br />
2010-2011<br />
R=0.225<br />
(p= 0,05=0,05)<br />
R=0.146<br />
(p= 0,208>0,05)<br />
R=0.131<br />
(p= 0,26>0,05)<br />
R=0.093<br />
(p= 0,422>0,05)<br />
R=0.101<br />
(p= 0,384>0,05)<br />
R=0.189<br />
(p= 0,101>0,05)<br />
6th week<br />
grades<br />
2009-2010<br />
2010-2011<br />
R=0.017<br />
(p= 0,887>0,05)<br />
R=0.143<br />
(p= 0,218>0,05)<br />
R=0.062<br />
(p= 0,595>0,05)<br />
R=0.034<br />
(p= 0,770>0,05)<br />
R=0.221<br />
(p= 0,055>0,05)<br />
R=0.335<br />
(p= 0,030,05)<br />
R=0.134<br />
(p= 0,248>0,05)<br />
R=0.001<br />
(p= 0,996>0,05)<br />
R=0.02<br />
(p= 0,863>0,05)<br />
R=0.093<br />
(p= 0,423>0,05)<br />
R=0.144<br />
(p= 0,215>0,05)<br />
<strong>12</strong>th<br />
week<br />
grades<br />
2009-2010<br />
2010-2011<br />
R=0.201<br />
(p= 0,082>0,05)<br />
R=0.159<br />
(p= 0,169>0,05)<br />
R=0.073<br />
(p= 0,529>0,05)<br />
R=0.062<br />
(p= 0,596>0,05)<br />
R=0.306<br />
(p= 0,007
49<br />
as mild correlations, the significance<br />
of isovist perimeter values versus the<br />
grades of sixth and twelfth weeks of<br />
both years is interestingly striking.<br />
When we compare the outcomes<br />
in the Spearman’s rho, the correlation<br />
between the 3rd week grades of the<br />
2009-2010 fall semester with integration<br />
values shows a high significance<br />
with r(76) = 0.428, p < 0.01, complying<br />
with the regression analysis results<br />
of Table 2. However, integration vs the<br />
grades of this year are striking. We see<br />
correlation between the integration<br />
and 6th week grades of the 2009-2010<br />
fall semester as r(76) = 0.284, p < 0.05,<br />
whereas 9th week grades and integration<br />
correlation is r(76) = 0.319, p <<br />
0.01, and lastly comparing <strong>12</strong>th week<br />
grades, a strong correlation appears<br />
as r(76) = 0.456, p < 0.01. This situation<br />
indicates that when the medium<br />
is crowded and early seat selection is<br />
crucial for interaction with instructors,<br />
then the position of the tables located<br />
alongside of the circulation path gains<br />
importance.<br />
On the other hand, for 2010-2011<br />
fall semester, where the seat selection<br />
options were more diverse than the<br />
previous year, there appears to be a<br />
strong negative correlation with isovist<br />
perimeter, in the 6th week grades<br />
r(76) = -0.359, p < 0.01, indicating that<br />
the students have selected seats on the<br />
front rows and mainly next to wall or<br />
window. While the 3rd and 9th week<br />
results don’t show significance again<br />
complying with Table 2, there appears<br />
to be another inverse correlation for<br />
isovist perimeter in <strong>12</strong>th week as r(76)<br />
= -0.369, p < 0.01 indicating a similar<br />
seat selection with the 6th week.<br />
The similar situation is also seen in<br />
the comparison with grades of the 9th<br />
week of 2009-2010 fall semester; where<br />
it gives us a negative correlation of r(76)<br />
= -0.250, p < 0.05. Inverse correlation<br />
means that there’s a relation between<br />
the isovist perimeters and the failure of<br />
the students instead of success.<br />
The instructor’s visual scope as<br />
shown in Figure 6, however, has not<br />
presented the expected correlations.<br />
Spearman correlations between the<br />
syntactic properties of the 34 seats that<br />
fall within the scope of the instructor’s<br />
visual field and the actual grades of the<br />
students who have selected these seats<br />
initially showed that visual field of the<br />
students with respect to their proximity<br />
to seated instructors had no impact<br />
on the grades. While isovist area and<br />
isovist perimeter presented no connection<br />
to the obtained grades, isovist circularity<br />
showed a negative correlation<br />
of r (34) = -0.353, p < 0.05, from the 6th<br />
week of 2010-2011 fall semester. Benedikt<br />
(1979) describes isovist circularity<br />
as another measure of compactness or<br />
complexity of the visual field like area<br />
and perimeter which don’t change according<br />
to vantage point. This result<br />
may imply that if given a variety of<br />
seat choice, the students prefer to have<br />
a small amount of visual contact with<br />
the instructors rather than a full scope<br />
or none. While the extent of this visual<br />
contact is more important than the<br />
width of visual range, it still does not<br />
give any valid information about the<br />
success level of the student.<br />
Although the unequal size of cohort<br />
may necessitate cautious interpretations,<br />
there are still some interesting results<br />
to be discussed. The results of the<br />
research imply a relationship between<br />
the seat selection and grades, in terms<br />
of physical and visual accessibility. The<br />
integration based correlations are seen<br />
mainly in the 2009-2010 fall semester<br />
where the student group is large, and<br />
sitting on the preferred table is a matter<br />
of coincidence, unless the student intentionally<br />
comes to the studio earlier.<br />
In the case of 2010-2011 fall semester<br />
however, since the number of students<br />
are almost half of the number of seats,<br />
the students of this group have a wider<br />
range of selection. It is seen that these<br />
students prefer to take first rows for a<br />
higher level of social interaction with<br />
the instructors, seats alongside the circulation<br />
axis for easy access and seats<br />
alongside the wall or window for longer<br />
visual scope.<br />
It is also discerned that, different cohort<br />
sizes also seem to affect the success<br />
of the basic design education. The ideal<br />
ratio of design studio lecturer per student<br />
changes between 8-15 according<br />
to semester and level of design complexity,<br />
however, it is seen that meeting<br />
the quantity requirements does not<br />
automatically satisfy the desired design<br />
quality. Having a group with cohort<br />
Success in Basic Design Studios: Can seat selection be an advantage?
50<br />
size not exceeding 35 opposed to a<br />
larger group also verifies the test results<br />
as well. When the students have an opportunity<br />
to select seats from a variety<br />
of tables, they prefer to prioritize their<br />
visual scope rather than accessibility;<br />
however this visual scope is mostly<br />
related with peer vision or general<br />
panorama of either studio or exterior<br />
space. While in design studios successful<br />
students show no significance in<br />
seat selection unlike theoretical lecture<br />
halls, average and upper average students<br />
prefer easy access to instructors’<br />
circulation paths and instructors’ visual<br />
field by selecting front rows.<br />
It was also assumed that the value<br />
of isovist area would be important<br />
as it denotes the width of the visual<br />
scope; however the results showed no<br />
significance. This would have been<br />
more important maybe in a lecture<br />
hall, where a clear view of the board<br />
or stage would be prioritized. However,<br />
the nature of any design studio also<br />
involves the movement of students as<br />
well as the instructors. Since usually, it<br />
allowed eating and drinking during the<br />
studio hours, the students select their<br />
tables for a longer period than any lecture<br />
based course. Therefore average or<br />
unsuccessful students seem to attach<br />
importance not to the easy accessibility<br />
of their tables either by the instructors<br />
or their peers but instead they prefer to<br />
have a longer visual axis, so as to control<br />
the instructors or their peers. That<br />
is why, for example if there is someone<br />
important for them, who is getting a<br />
critique from the instructors, they can<br />
easily come to listen as well, or check<br />
if someone is using a different material<br />
or having a better model. This situation<br />
also confirms the importance of information<br />
sharing and peer to peer learning<br />
through social interaction especially<br />
in design as denoted by Wang, et al.<br />
(2010); McCormick, (2004); Chiu and<br />
Shih, (2005). It may also be concluded<br />
that, regarding the student interaction<br />
thus desired peer to peer collaboration,<br />
traditional seating pattern with accessible<br />
movement routes, without walls<br />
and column like barriers that hinders<br />
visual scope can still be safely used in a<br />
studio layout.<br />
References<br />
Altman, I., Chemers, M. (1980).<br />
Culture and Environment. Monterey,<br />
CA: Brooks/Cole.<br />
Benedikt, M. (1979). To Take the<br />
Hold of Space: Isovists and Isovist<br />
Fields, Environment and Planning B:<br />
Planning and Design 6: 47-65.<br />
Benedict, ME., Hoag, J. (2004).<br />
Seating location in large lectures: Are<br />
seating preferences or location related<br />
to course performance? The Journal of<br />
Economic Education, 35(3), 215–231<br />
Chiu, S.H., Shih, S.G. (2005). Initiating<br />
and sustaining cooperation in<br />
an architectural design studio: An exploratory<br />
study with a Design Scope<br />
Model, National Science Council of<br />
ROC Taiwan, under the project number<br />
NSC 93-2211-E-011-033.<br />
Costa, M. (20<strong>12</strong>). Territorial Behavior<br />
in Public Settings, Environment<br />
and Behavior, 44(5), 713-721.<br />
Dobriner, W.M. (1969). Social<br />
Structures and Systems a Sociological<br />
Overview, Pacific Palisades, Ca: Goodyear<br />
Publishing Company, Inc.<br />
Dutton, T.A. (1991). Voices in architectural<br />
education: Cultural politics<br />
and pedagogy. New York, London:<br />
Bergin and Garvey.<br />
Georgiadou, Z. (2003). Question of<br />
social potential in space use. Proceedings<br />
of 4th International Space Syntax<br />
Symposium :69, London, United Kingdom.<br />
Guyot, G.W., Byrd, G. R., Caudle,<br />
R. (1980). Classroom seating: An expression<br />
of situational territoriality in<br />
humans. Small Group Behavior, 11:<br />
<strong>12</strong>0-<strong>12</strong>8.<br />
Hanson, J., Dalton, R. C. (2007).<br />
Feeling good and feeling safe in the<br />
landscape: a syntactic approach. Proceedings<br />
Open Space-People Space:<br />
Innovative Approaches to Research<br />
Excellence in Landscape and Health,<br />
Edinburgh.<br />
Hillier, B., Leaman, A. (1974). How<br />
is Design Possible?, Journal of Architectural<br />
Research and Teaching 3, 4-11<br />
Hillier, B., Burdett, R., Peponis, J.,<br />
Penn, A. (1987). Creating Life: or, Does<br />
Architecture Determine Anything, Architecture<br />
and Behaviour, Vol.3, No:3,<br />
233-250.<br />
Kaya, N., Burgess, B. (2007). Territoriality:<br />
Seat preferences in different<br />
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types of classroom arrangements. Environment<br />
and Behavior, (2007): 39,<br />
859-876.<br />
McCormick, R. (2004). Collaboration:<br />
The Challenge of ICT, International<br />
Journal of Technology and Design<br />
Education, (2004):14, 159-176.<br />
Miura, M., Sugihara, T., (2011).<br />
Effect of Students’ Seat Location on<br />
Programming Course Achievement,<br />
Knowledge-Based and Intelligent Information<br />
and Engineering Systems<br />
Lecture Notes in Computer Science,<br />
(2011): 6883, 539-547.<br />
Pedersen, D.M. (1994). Privacy preferences<br />
and classroom seat location.<br />
Social Behavior and Personality, 22,<br />
393-398.<br />
Perkins, K.K., Wieman, C.E. (2005).<br />
The surprising impact of seat location<br />
on student performance. The Physics<br />
Teacher (2005): 43, 30–33.<br />
Pomales-Garcia, C., Carlo, H.J., Ramos-Ortiz,<br />
T.M., Figueroa-Santiago,<br />
I.M., Garcia-Ortiz, S. (2009). Non-traditional<br />
exam seat arrangements.<br />
Computers & Industrial Engineering<br />
57(1), 188–195 Collaborative e-Work<br />
Networks in Industrial Engineering.<br />
Sommer, R. (1969). Personal space:<br />
The behavioral basis of design. Englewood<br />
Cliffs, NJ: Prentice Hall.<br />
Ünlü, A., Özener., O.Ö., Özden, T.,<br />
Edgü, E. (2001). An Evaluation of Social<br />
Interactive Spaces in a University<br />
Building, Proceedings, 3rd International<br />
Symposium on Space Syntax: 46,<br />
Eds. Peponis, J., Wineman, J., Bafna,<br />
S., College of Architecture and Urban<br />
Planning, University of Michigan, Ann<br />
Arbor.<br />
Ünlü, A., Edgü, E., Cimşit, F., Şalgamcıoğlu,<br />
M.E., Garip, E., Mansouri,<br />
A. (2009). Interface of Indoor and Outdoor<br />
Spaces in Buildings: A Syntactic<br />
Comparison of Architectural Schools<br />
in Istanbul, 7th International Space<br />
Syntax Symposium Proceedings: 132.<br />
Wang, W.L., Shih, S.G., Chien, S.F.<br />
(2010). A Knowledge Trading Game<br />
for Collaborative Design Learning in<br />
an Architectural Design Studio, International<br />
Journal of Technology<br />
and Design Education, 20(4) 433-451,<br />
Springer.<br />
Webster, H. (2008). Architectural<br />
Education after Schön: Cracks, Blurs,<br />
Boundaries and Beyond, Journal for<br />
Education in the Built Environment,<br />
Vol. 3, Issue 2: 63-74.<br />
Temel Tasarım Stüdyolarında başarı:<br />
Yer seçimi bir avantaj olabilir mi?<br />
1. Stüdyolarda sosyal etkileşim<br />
Tüm tasarım programlarının esasını<br />
tasarım probleminin verileri,<br />
çıktıları ile sorunlarının incelendiği<br />
stüdyo dersleri oluşturur. Öğrencilerin<br />
eğitimlerinin başlarından itibaren<br />
tasarımda farklı çeşitlemelerin ve sonuçların<br />
olabileceğini görebilmeleri<br />
gerekir, çünkü öğrencilerin özgün tasarım,<br />
çizim ve sunum yapması esastır.<br />
Bu nedenle, tasarım stüdyolarında<br />
öğrencilerin özgün tasarım süreçlerini<br />
tek tek ele alacak, projenin gelişimini<br />
denetleyecek ve öğrencilerin de kendilerinden<br />
farklı tasarım görüşlerini alabilecekleri<br />
birden çok eğitmen bulunabilir.<br />
Bu tür bir eğitim yöntemi yüz<br />
yüze oturma düzenleriyle dışadönük<br />
davranışı olduğu kadar, eğitmenler ile<br />
öğrenciler arasında dengeli bir iletişim<br />
kurulmasını da gerektirir. Ancak çoğu<br />
zaman, bu özgün eğitim yönteminin<br />
avantajlarının birinci sınıf öğrencileri<br />
tarafından farkedilmesi zaman alır.<br />
Öğrencilerin üniversite binalarındaki<br />
sosyal davranışları, birbirleriyle olan<br />
sosyal etkileşimleri ve toplanma alanları<br />
özellikle tasarım programları açısından<br />
son derece önemlidir. Ancak,<br />
Miura ve Sugihara’nın (2011) öğrencilerin<br />
arkadaşları ya da eğitmenleri ile<br />
sürekli olarak etkileşimde oldukları bir<br />
yer olarak tanımladıkları stüdyoların<br />
oturma düzenleri de araştırılmaya değerdir.<br />
Sosyal etkileşim masaüstü eleştirilere<br />
ve yüz yüze tartışmaya dayanan<br />
tasarım eğitiminin temel özelliklerindendir,<br />
bu nedenle stüdyolar istenen<br />
etkileşimi sağlayabilmelidirler.<br />
Öğrencilerin çeşitli sınıf düzenlerindeki<br />
oturma tercihlerini görüş alanından<br />
çok savunma odaklı egemenlik<br />
alanı davranışına bağlayan çalışmalar<br />
bulunmaktadır. Bu çalışmalarda büyük<br />
ölçekli sınıflarda öğrenci ile eğitmen<br />
arasındaki uzaklık arttıkça öğrenmenin<br />
güçleştiği, ön sıralarda oturan<br />
öğrencilerin arka sıralarda oturanlara<br />
oranla daha yüksek notlar aldığı,<br />
Success in Basic Design Studios: Can seat selection be an advantage?
52<br />
yer seçimi alışkanlığının devama ve<br />
performansa etki ettiği gibi sonuçlara<br />
varılmıştır. Ancak bu çalışmalar her<br />
öğrenciye kolçaklı bir sandalye verilen<br />
ve bireyselliği hedefleyen kuramsal<br />
içerikli derslerin verildiği geleneksel<br />
dersliklerde yürütülmüştür. Tasarım<br />
stüdyolarında ise öğrencilerin gerek<br />
arkadaşlarıyla gerekse eğitmenlerle<br />
farklı ilişkileri vardır.<br />
Mimarlık okullarında stüdyo düzenlerinin<br />
hareketli çizim masaları, bilgisayar<br />
donanımları, maket tezgâhları<br />
ve referans kütüphaneleriyle öğrenciye<br />
örnek olması beklenmekle birlikte,<br />
özellikle tasarım eğitimine yeni başlayan<br />
kurumlardaki bazı kısıtlar daha<br />
yararcı çözümleri gerektirebilir. Aynı<br />
stüdyonun kuramsal dersler için de<br />
kullanıldığı geleneksel sıra düzeninde<br />
oluşturulmuş mekânlarda odak noktası<br />
eğitmendir ve eğitmenin masa dizileri<br />
arasında dolaşırken öğrenciler ile<br />
kuracağı göz teması önemlidir.<br />
Fiziksel mekândaki oturma düzeni,<br />
sosyal etkileşim, derse katılma ve kullanıcının<br />
başarısı ile ilişkilidir. Pencere<br />
veya koridor yanındaki oturma elemanları,<br />
ön, orta ve arka sıraların her<br />
birinin bütünleşme değerleri farklıdır.<br />
Mahremiyet odaklı bir çalışmada Pedersen<br />
(1994) arka sıralarda oturan<br />
öğrencilerin görüş alanından ve diğerleriyle<br />
etkileşimden uzak olmayı tercih<br />
ettiklerini, Pomales-Garcia ve diğerleri<br />
(2009) ise, herkesin birbirinden farklı<br />
noktalara baktığı merkezi dikdörtgen<br />
düzenlerin kopya çekmeyi engellediğini<br />
öne sürerler. Oysa, bu tür bir düzen<br />
etkileşimi azalttığı ya da engellediği<br />
için tasarım stüdyosunda istenenin<br />
tam tersidir. Diğer yandan, geleneksel<br />
sıra dizisiyle oluşturulmuş dersliklerin<br />
U düzenle karşılaştırıldığı çalışmalarda<br />
(Sommer, 1969; Kaya ve Burgess,<br />
2007), ön ve orta sıralardaki öğrencilerin<br />
derse katılımının daha yüksek<br />
düzeyde olduğu ancak bu tür ortamlarda<br />
odak noktasının eğitmen olduğu,<br />
U düzende ise eğitmenin tam karşısındaki<br />
öğrenciler daha katılımcıyken ortamın<br />
kendisinin tartışmayı ve sosyal<br />
etkileşimi özendirdiği savunulur.<br />
Tasarım stüdyosunda gerek duyulan<br />
bilginin dinamik ve karmaşık yapısı<br />
nedeniyle öğrenciler arasında bilgi ve<br />
kaynak paylaşımının önemi artmakta<br />
(Wang ve diğ., 2010; McCormick,<br />
2004) ve akranlar arası öğrenme ile<br />
mesleğin özündeki disiplinler arası<br />
çalışma alışkanlığı oluşmaktadır. Bu<br />
nedenle, gerek eğitmenler gerekse arkadaşlar<br />
ile iletişim kurmayı sağlayacak<br />
yer seçimi iyi bir proje ortaya koyabilmek<br />
açısından önemlidir. Ancak<br />
birinci sınıfın ilk haftalarında sosyal<br />
etkileşim henüz tam olarak kurulmamıştır.<br />
Bu araştırmanın hipotezi henüz<br />
belirli yerlere karşı oluşmamış olan<br />
alışkanlık, kurulmamış sosyal ve arkadaşlık<br />
bağları nedeniyle öğrencilerin<br />
yer seçiminde daha bağımsız olacakları<br />
ve sabit düzendeki bir stüdyoda kuracakları<br />
sosyal etkileşimin başarılarını<br />
etkileyeceğidir.<br />
2. Araştırma alanı ve kısıtlar<br />
Kolayca denetlenebilen sınırlı ortamlardaki<br />
küçük gruplar arasında<br />
sosyal etkileşimin oluşması daha kolaydır<br />
ve tasarım stüdyoları açısından<br />
da bu istenen bir özelliktir. Ancak bu<br />
araştırma için seçilen alan tüm bu<br />
ideal şartların dışında kalan bir stüdyodur.<br />
Geleneksel sıra düzeninde 76<br />
çizim masası alabilen 200 m²’lik bu<br />
stüdyo, özel bir üniversitenin birinci<br />
sınıf mimarlık ve iç mimarlık öğrencileri<br />
ile ardışık iki yıl yapılan temel<br />
tasarım dersinde kullanılan ve kısıtlı<br />
fiziksel kaynaklar nedeniyle kuramsal<br />
derslerin de aynı yerde yürütüldüğü<br />
bir mekândır. Eğitmen grubunun aynı<br />
kaldığı, 2009-2010 ve 2010-2011 güz<br />
yarıyıllarını içeren çalışmada, 3, 6, 9<br />
ve <strong>12</strong>. haftalarda çekilen fotoğraflarla<br />
öğrencilerin yer seçimleri belirlenerek<br />
bu haftalara ait uygulamalarda aldıkları<br />
notlarla karşılaştırılmıştır. İncelenen<br />
iki yarıyıldaki önemli bir fark da 72 ve<br />
36 öğrenci ile ikinci yıla ait öğrenci sayısının<br />
ilk yılın yarısı kadar olduğudur.<br />
Yer seçimi havuzunu etkileyen bu fark<br />
sonuçlara da yansımıştır. Öğrencilerin<br />
eğitmenlerle ve arkadaşlarıyla farklı<br />
sosyal etkileşim alanını kullanacağı<br />
varsayılan günlük uygulamalar, stüdyo<br />
oturma düzeni, eğitmenlerin dolaşım<br />
aksı ile görüş açılarının dizimsel değerleri<br />
regresyon analizi ve Spearman<br />
korelasyonları ile karşılaştırılmıştır.<br />
3. Mekânsal dizim yöntemi ve analizleri<br />
Mekânsal dizim çeşitli mekânsal düzenleri<br />
üreten kurallar dizisi olarak ta-<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • E. Edgü
53<br />
nımlanabilir (Hillier ve Leaman, 1974;<br />
Hillier ve diğ., 1987). Hanson ve Conroy<br />
Dalton’a (2007), göre mekânsal dizimde<br />
farklı gösterim biçimleri olan üç<br />
birim bulunur; bunlar hareket belirten<br />
aks çizgileri, sosyal etkileşim belirten<br />
dışbükey mekânlar ve görsel kapsamı<br />
belirten eşgörüş alanlarıdır. Mimari<br />
düzende bütünleşme değerleri dışadönüklüğü,<br />
derinlik ise gizli alanları belirtir.<br />
Bu çalışmada çizim masalarının<br />
dolaşıma ve erişime olanak sağlayan<br />
düzenlerini araştırmak için bütünleşme<br />
değerleri, sosyal etkileşim için ise<br />
gerek eğitmenlerin gerekse öğrencilerin<br />
oturur durumdaki eşgörüş alanları<br />
dikkate alınmıştır. Çizim masalarının<br />
erişilebilirliği ve eğitmenlerin masalar<br />
arasındaki dolaşım aksının bütünleşme<br />
değerleri için masalar sabit kabul<br />
edilmiş, her bir taburenin görüş alanı<br />
için ise masaların konumu gözardı<br />
edilmiş ve en geniş görüş açısı araştırılmıştır.<br />
Eğitmenin görüş açısına giren<br />
masalar ayrıca analiz edilmiş ve özellikle<br />
stüdyonun arkalarında yer alan<br />
masalardaki öğrencilerin eğitmenin<br />
görüş açısından tamamen gizlenmelerine<br />
rağmen arkadaşlarıyla göz kontağı<br />
kurmaya devam ettikleri için bu masaları<br />
tercih ettikleri görülmüştür.<br />
4. Sonuçlar ve tartışma<br />
Yapılan analizlerde öğrencilerin<br />
notları bağımlı değişken, dizimsel veriler<br />
ise bağımsız değişken olarak ele<br />
alınmıştır. Tablo 2’de verilen sonuçlara<br />
göre, başarı ve bütünleşme değeri<br />
ilişkisi ancak kalabalık grubun ilk haftalarında<br />
görülmüştür; buna rağmen<br />
öğrenci sayısının neredeyse masa sayısına<br />
eşit olduğu bu dönemde sonuçlar<br />
rastlantısaldır. Bir sonraki yılda ise, seçenek<br />
çok daha fazlayken, orta düzeyin<br />
üstündeki öğrencilerin eğitmenlerle<br />
etkileşim için öndeki masaları, kolay<br />
erişim için dolaşım hattı boyundaki<br />
masaları, geniş görüş açısı için ise pencere<br />
veya duvar kenarlarındaki masaları<br />
tercih ettikleri görülmüştür. Öğrencilerin<br />
seçenekleri fazla olduğu zaman<br />
fiziksel erişim yerine geniş görüş alanını<br />
tercih ettikleri; ancak bu geniş görüş<br />
alanının önceliğinin arkadaş ya da<br />
manzara olduğu, eğitmen etkileşimiyle<br />
ilişkili olmadığı görülmüştür.<br />
Eğitmenlerin eşgörüş alanlarının<br />
öğrenci yer seçimi ve başarısıyla belirgin<br />
bir ilişkisi görülmezken, stüdyo kuramsal<br />
derslere oranla içinde daha çok<br />
zaman geçirilen bir yer olduğu için,<br />
eşgörüş çevresi her iki yıl sonuçlarında<br />
da özellikle orta ve düşük düzeyde başarılı<br />
öğrencilerin tercihleri açısından<br />
anlamlıdır. Bu araştırma tasarım süreci<br />
açısından ideal olmamakla birlikte, erişim<br />
kolaylığı sağlanabilen geleneksel<br />
masa düzeninde oluşturulmuş stüdyoların<br />
da hâlâ kullanışlı olmaya devam<br />
ettiğini göstermektedir.<br />
Success in Basic Design Studios: Can seat selection be an advantage?
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • 55-70<br />
Tracing a biennial layout:<br />
Experiencing an exhibition layout<br />
through the syntactic analysis of<br />
Antrepo No. 3 at the 2013 Istanbul<br />
Biennial<br />
Mehmet Emin ŞALGAMCIOĞLU 1 , Fitnat CİMŞİT KOŞ 2 , Ervin GARİP 3<br />
1<br />
salgamcioglu@itu.edu.tr • Department of Architecture, Faculty of Architecture,<br />
Istanbul Technical University, Istanbul, Turkey<br />
2<br />
fitnatcimsit@gmail.com • Department of Architecture, Faculty of Architecture,<br />
Beykent University, Istanbul, Turkey<br />
3<br />
ervingarip@gmail.com • Interior Design and Environmental Design Department,<br />
Faculty of Art and Design, Istanbul Kültür University, Istanbul, Turkey<br />
Received: May <strong>2015</strong> Final Acceptance: October <strong>2015</strong><br />
Abstract<br />
The design of an exhibition gallery and its curatorial intension for either a temporary<br />
exhibition or a permanent museum installation requires understanding<br />
how its morphology influences the use of space, as well as the spatial experiences<br />
of visitors. The morphology of a gallery in terms of its shape and configuration<br />
may affect the display of the artwork, visitors’ activities and their movement<br />
through the space. This paper examines the layout of Antrepo No. 3, the main<br />
exhibition gallery of the 2013 Istanbul Biennial.<br />
This research explores: 1) how museum design influences integrated or segregated<br />
locations, as well as visitors’ use of the space during their visits; 2) how<br />
spatial layouts influence visitors’ explorations in gallery spaces; 3) which spaces<br />
are more or less visited; and 4) what the predominate path is depending on the<br />
number of visitors during a specific period of time. Answers to these questions<br />
are crucial for this study to understand the impact of the morphology of space on<br />
museum visitors. In this sense, syntactic correlations are key to grasping the idea<br />
of morphology and visitor experience relations in a curated space in exhibition<br />
design.<br />
For this investigation, gate counts within the exhibition space and snapshots<br />
showing the number of people and their patterns of interaction with the exhibition<br />
are correlated with syntactic parameters. Visitors’ spatial experiences and<br />
the use of the overall layout depending on the number of visitors during a certain<br />
period of time in a specific convex space are taken into account.<br />
Keywords<br />
Building morphology, Exhibition architecture, Space syntax, Spatial layout, Syntactic<br />
analysis.
56<br />
1. Introduction<br />
Built space is composed of patterns<br />
that are interrelated through different<br />
syntactic and semantic layers, and museum<br />
space layouts are no exception.<br />
According to Peponis and Wineman<br />
(2003), built space is to be understood<br />
as a relational pattern supporting that<br />
situation: “A pattern of distinctions,<br />
separations, interfaces, and connections,<br />
a pattern that integrates, segregates,<br />
or differentiates its parts in<br />
relation to each other” (Peponis and<br />
Wineman, 2003). The built environment<br />
has a “social logic” (Hillier and<br />
Hanson, 1984) that relates to the layout,<br />
the pattern of the space that hosts<br />
the activities of daily life or special occasions<br />
such as temporary or permanent<br />
curated museum exhibitions.<br />
Spaces of the built environment such<br />
as museum spaces also structure social<br />
relationships such that society and culture<br />
become intelligible through their<br />
spatial form (Peponis and Wineman,<br />
2003).<br />
2. Antrepo No. 3 and the conceptual<br />
framework of the 2013 Istanbul Biennial<br />
Antrepo is a complex made up of 4<br />
buildings previously used as warehouses<br />
at the Salıpazarı Harbour in the district<br />
of Tophane, Istanbul (Figure 1).<br />
The buildings have been used as venues<br />
for various Istanbul Biennials, and Antrepo<br />
3 was in fact honored as the best<br />
venue of the Istanbul Biennials. Antrepo<br />
3 has previously housed major<br />
artworks by contemporary artists such<br />
as Renée Green, Hung-Chih Peng, Yan<br />
Pei Ming, Ivan Grubanov, and Michael<br />
Rakowitz. The venue also houses art<br />
fairs as well as temporary exhibitions<br />
other than the Istanbul Biennials. The<br />
neighboring building, Antrepo No. 4,<br />
houses the Istanbul Modern Art Museum.<br />
The conceptual framework of the<br />
13th Istanbul Biennial is based on the<br />
main theme, “Mom, Am I a Barbarian?”<br />
Curator Fulya Erdemci declared<br />
that, “The notion of the public domain<br />
as a political forum will be the focal<br />
point of the 13th Istanbul Biennial. This<br />
highly contested concept will serve as a<br />
matrix to generate ideas and develop<br />
practices that question contemporary<br />
forms of democracy, challenge current<br />
models of spatio-economic politics,<br />
problematize the given concepts of civilization<br />
and barbarity as standardized<br />
positions and languages and, above all,<br />
unfold the role of contemporary art as<br />
an agent that both makes and unmakes<br />
what is considered public.” (Anon,<br />
<strong>2015</strong>) This idea is grounded in diverse<br />
historic, philosophical, theoretical and<br />
geo-political ideas. Questions of democracy,<br />
equality, civic rights and political<br />
debate are interpreted through<br />
the works in the Biennial largely in the<br />
main venue, Antrepo No 3. “From the<br />
existence of an artwork to the freedom<br />
of social media and the designation of<br />
urban spaces as public, the notion of<br />
public domain can cover a vast area<br />
where social engagement and political<br />
public debate are possible. It is this potentiality<br />
of public domain discourse<br />
that the exhibition aims to articulate.”<br />
(Anon, <strong>2015</strong>)<br />
The curated artwork in the exhibition<br />
is organized by several themes:<br />
fragility: “Am I Not A Citizen?”; spatio-economic<br />
justice: “How Is It Possible<br />
To Be ‘Rich’ In A World That Is<br />
Steadily Growing Poorer?”; agoraphobia:<br />
“Istanbul Is Ready, Target 2023”;<br />
the public domain as a battle-ground:<br />
“Conflict Or Consensus?”; and ‘Between<br />
Agency And Action’. Reflections<br />
of these themes are also seen in<br />
the works presented in Antrepo No.<br />
3 (Figure 3); a list of exhibiting artists<br />
Figure 1. 2013 map of Istanbul Biennial spaces, highlighting<br />
Antrepo No. 3 in relation to the Bosphorus, the Golden Horn and<br />
the historic peninsula of Istanbul.<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • M. E. Şalgamcıoğlu, F. Cimşit Koş, E. Garip
57<br />
is provided in this paper according to<br />
the locations of their artwork in the<br />
building (Figure 2). The syntactic values,<br />
such as the integration of visual<br />
and accessibility concerns in locating<br />
the artists’ work, the circularity values<br />
of the convex spaces in which the artworks<br />
exist, and the visitor frequencies<br />
depending on the convex spaces and in<br />
relation to the works of these artists are<br />
also considered in this paper.<br />
3. Research goals and relationship to<br />
existing theory and previous studies<br />
This research seeks to explore the<br />
main venue of the 2013 Istanbul Biennial,<br />
Antrepo No. 3, through syntactic<br />
analysis and semantic explorations.<br />
This study includes the interpretations<br />
about the morphology of exhibition<br />
spaces’ in terms of building morphology<br />
issues and explores the relations<br />
between the frequency of people and<br />
syntactic values of spaces. The relation<br />
between the geometry of the spaces<br />
and the perception issues in relation<br />
with the movement of visitors in those<br />
spaces are important in this study. In<br />
that sense, the term “building morphology”<br />
includes the issues about<br />
the shape of convex spaces that people<br />
move in or through while they are visiting<br />
the exhibition space. The physical<br />
pattern and the overall structure, layout<br />
of the exhibition venue, in terms<br />
of geometrical measures and shape<br />
characteristics of its convex spaces are<br />
important building morphology issues<br />
in relation with the syntactic measures<br />
such as “circularity” and “integration”.<br />
Experiencing the temporary exhibition<br />
layout of Antrepo No. 3 (Figure 2<br />
& Figure 3) is crucial to understanding<br />
the syntactic and semantic patterns<br />
that complement the social and physical<br />
patterns exposed in this study.<br />
Understanding the nature of Antrepo<br />
No. 3’s layout also requires grasping<br />
the idea of “the theory of natural<br />
movement” (Hillier, Penn, Hanson,<br />
Grajewski, & Xu, 1993), that the distribution<br />
of movement is a function<br />
of spatial configuration. The theory of<br />
“virtual community” (Hillier, 1989) is<br />
also a key to this understanding and<br />
“brings focus to a particular form of<br />
community that is based on the pattern<br />
of coawareness and copresence arising<br />
as a by-product of movement” (Peponis<br />
and Wineman, 2003). From this<br />
perspective, museum spaces hosting<br />
temporary or permanent exhibitions<br />
have the opportunity to attract people<br />
from various communities and act as<br />
a gathering space and a space of information<br />
and burgeoning intellectual<br />
values. Here, the Istanbul Biennial also<br />
acts around these values and its main<br />
venue should be investigated with this<br />
awareness.<br />
In this study, Perception and movement<br />
related issues should also be<br />
grasped in order to understand the<br />
morphology of exhibition layouts<br />
through their syntactic and semantic<br />
dimensions. Kuipers et al.’s (2003)<br />
study on the cognitive maps of movement<br />
of the people describes how visual<br />
perception and cognition plays a<br />
key role in the processes of navigation,<br />
movement, and wayfinding. In relation<br />
with the museum and exhibition environments,<br />
visual perception and accessibility<br />
of the spaces also play a significant<br />
role in movement and wayfinding.<br />
Dalton’s (Zimring & Dalton, 2003) approach<br />
to decisions of people in terms<br />
of visual perception of the space that<br />
is similar to Kuipers et al.’s (2003) approach,<br />
Zimring & Dalton (2003) was<br />
interested in decisions that people<br />
head to during their navigation and in<br />
route choice decisions that are made<br />
at path junctions. “She created an environment<br />
in which participants were<br />
presented with a variety of different<br />
junction types and then noted the sequence<br />
of decisions.” (Zimring & Dalton,<br />
2003). Dalton (Zimring & Dalton,<br />
2003) found that “Angles that deviated<br />
least from a continuous straight heading<br />
were preferable to sharp turns.”.<br />
Another interesting finding was “a<br />
strong evidence that participants tended<br />
to select routes that approximated<br />
a straight line and avoided routes that<br />
were particularly convoluted or meandering.”<br />
(Zimring & Dalton, 2003).<br />
The study of Wineman and Peponis<br />
(2010) point out the issues that construct<br />
spatial meaning through visitors’<br />
movement in museum and exhibition<br />
spaces, “The ways in which visitors are<br />
encouraged to move through an exhibition,<br />
whether along a clearly defined<br />
path or more freely weaving a self-di-<br />
Tracing a biennial layout: Experiencing an exhibition layout through the syntactic analysis of<br />
Antrepo No. 3 at the 2013 Istanbul Biennial
58<br />
rected path, will structure the overall<br />
impression of the exhibition.” Wineman<br />
and Peponis (2010) argue these<br />
two polarized point of view and introduces<br />
the term, “spatially guided movement”<br />
and evolve it to “spatially dictated<br />
movement” and “spatially random<br />
movement” from a third point of view<br />
in between these two polarized views.<br />
“Spatially guided movement” kind of<br />
understanding makes the connection,<br />
interrelation of geometrical space with<br />
the perception and movement in space.<br />
The spatial order and form of space is<br />
always a parameter effecting the perception<br />
and movement issues.<br />
Perception and understanding of<br />
visitors in exhibition spaces are constructed<br />
through “patterns of accessibility<br />
through the space of the exhibition,<br />
connections or separations<br />
among spaces or exhibition elements,<br />
sequencing and grouping of elements”<br />
(Wineman and Peponis, 2010).<br />
The issues related with perception<br />
of space and movement of visitors<br />
become more clear when we think of<br />
spatial relations based on patterns of<br />
access and choices effected by visibility,<br />
where the curatorial message of<br />
the exhibition is also a parameter effecting<br />
the decisions. The experience<br />
of the visitors when they start to move<br />
through the exhibition space is also<br />
unfolding based on the artwork and<br />
the order of spaces in relation with the<br />
content (Wineman and Peponis, 2010).<br />
“As a by-product of the exploration<br />
of museum content, visitors are seeing<br />
and being seen by others. Thus, museums<br />
function to construct a sense of<br />
community arising according to patterns<br />
of otherwise random copresence”<br />
(Wineman and Peponis, 2010; Hillier,<br />
Peponis, & Simpson, 1982; Peponis &<br />
Hedin, 1982). Actually, the circulation<br />
pattern and visibility sequence of the<br />
artwork were mentioned as key issues<br />
earlier in terms of cultural function<br />
in the literature (Gilman, 1923; Levin,<br />
1983; Montaner & Oliveras, 1986).<br />
In this study, examining the physical<br />
layout of exhibition spaces became<br />
possible using techniques of spatial<br />
analysis. Space syntax analysis is based<br />
on isovists (Benedikt, 1979; Hillier<br />
and Hanson, 1984); visual perception<br />
is taken into account and measures of<br />
Figure 2. Location of the artists throughout the exhibition space<br />
of Antrepo No. 3 at the 2013 Istanbul Biennial.<br />
Figure 3. Various views from the exhibition space of Antrepo No.<br />
3 at the 2013 Istanbul Biennial (View from Artist 42-Upper left;<br />
Artist 3&4-Upper right; Artist 2-Lower right; Artist 42&43-Lower<br />
left in relation with Figure 2).<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • M. E. Şalgamcıoğlu, F. Cimşit Koş, E. Garip
59<br />
accessibility and movement are also<br />
considered in the analysis. The key<br />
definitions of space syntax theory and<br />
methodology, such as isovists and convex<br />
space (Hillier et al., 1987), should<br />
also be introduced for a better understanding<br />
of the concepts of space syntax<br />
and exhibition space in this study.<br />
An isovist is a concept of spatial recognition<br />
that defines any particular viewpoint<br />
in a space by its visibility field;<br />
the visibility field of a single viewpoint<br />
can also be called the isovist field.<br />
Understanding the presence of the<br />
artwork in the exhibition space and<br />
the visitor frequency at the venue in<br />
relation to the isovist fields is crucial<br />
to understanding whether there is a<br />
correlation between the physical characteristics<br />
of the space and visitor frequencies<br />
depending on different convex<br />
spaces in the exhibition venue.<br />
As Hillier et al. (1993) note in Figure<br />
4, beyond the relationship between<br />
visitor frequency and the configuration<br />
of the space in the exhibition area, depending<br />
on the morphology of convex<br />
spaces as a whole, while attractors and<br />
movement may be mutually influential,<br />
the other two relationships are<br />
asymmetrical. The configuration may<br />
influence the location of attractors, but<br />
the location of attractors cannot influence<br />
configuration. Likewise, the configuration<br />
may influence movement,<br />
but movement cannot influence configuration.<br />
If strong correlations are<br />
found between movement and both<br />
configuration and attractors, the only<br />
logically possible lines of influence are<br />
from the configuration to both movement<br />
and attractors, with the latter two<br />
factors influencing each other. In this<br />
study, the relationship between visitor<br />
frequency and configuration is analyzed<br />
in detail; the attractors, namely,<br />
artworks by various artists, are also<br />
considered in this relationship through<br />
certain critical counts within the exhibition<br />
space.<br />
Various techniques of spatial analysis<br />
have been used to discuss the functions<br />
of museums (Peponis & Hedin, 1982;<br />
Wineman & Choi, 1991). Choi (1999)<br />
has analyzed visitors’ paths and found<br />
that integration was significantly correlated<br />
with “tracking scores,” the number<br />
of people who reached each convex<br />
space, and the correlation of tracking<br />
scores with “tracking frequencies” was<br />
investigated. “Spatial variables play an<br />
important role in structuring exploration<br />
even where the purpose of exploration<br />
is not to comprehend the layout<br />
itself but to view the displays in it. Choi<br />
also studied the distribution of people<br />
present in the museum, using normal<br />
behavioral mapping techniques” (Peponis<br />
and Wineman, 2003).<br />
4. Method of analysis in relation to<br />
the aim of the study<br />
The space syntax method will provide<br />
significant data in terms of the<br />
method of analysis and is an important<br />
theory used to define the structural environment.<br />
Used as a syntactic measurement<br />
method in the space syntax field, the<br />
Syntax 2D software developed by<br />
the University of Michigan makes its<br />
calculations starting from a logical<br />
ground built over vision fields we term<br />
“isovists” (Benedikt, 1979; Batty, 2001;<br />
Conroy, 2001; Edgü et al., 20<strong>12</strong>). As<br />
for the concept of convex space, ap-<br />
Figure 4. Attraction, configuration and movement (Hillier, et. all., 1993).<br />
Tracing a biennial layout: Experiencing an exhibition layout through the syntactic analysis of<br />
Antrepo No. 3 at the 2013 Istanbul Biennial
60<br />
proached by scrutinizing interspatial<br />
relations within space syntax theory,<br />
it reduces the differently sized plans,<br />
spaces whose relationships will be examined<br />
as cellular spaces. In space syntax<br />
analyses, studies within the framework<br />
of a base logic that progresses by<br />
examining the relationships among<br />
these cells, or convex spaces, are performed.<br />
Syntax 2D handles the analyses<br />
based on isovists. Within the definition<br />
of an isovist, the walls, furniture,<br />
exhibition systems, artwork and other<br />
systems obstructing our sight in the<br />
space are handled as walls and affect<br />
the determination of the visual field<br />
(Benedikt, 1979; Turner and Penn,<br />
1999; Batty, 2001; Turner et al., 2001;<br />
Conroy, 2001; Ünlü et al., 2009; Edgü<br />
et al., 20<strong>12</strong>; Salgamcioglu and Unlu,<br />
2013).<br />
For this study, it is key to specify an<br />
analysis method in Syntax 2D that will<br />
allow us to examine the relationships<br />
among the convex spaces of Antrepo<br />
No. 3, depending on the exhibition<br />
venue and visitor frequencies counted<br />
separately for the specified convex<br />
spaces on weekdays and weekends,<br />
which will be described in the next<br />
data analysis section of this study.<br />
Syntax 2D works by creating a grid<br />
fragmentation. A plan proportional to<br />
the actual size of the site was drawn<br />
digitally using AutoCAD (.dwg) and<br />
transferred to the Syntax 2D program.<br />
This enabled us to compare the plan integration<br />
and depth comparison values<br />
through different convex spaces within<br />
the same plan. Visible, perceived field<br />
(on the plan platform) analyses were<br />
performed within this context. This<br />
research explores how integrated or<br />
segregated locations in a museum influence<br />
the installation of artwork, museum<br />
design and visitors’ use of space<br />
during their visits; how spatial layouts<br />
influence visitors’ explorations of a gallery<br />
space; how the integration value of<br />
a space affects the number of visitors<br />
to a specific gallery in the museum;<br />
the impact of visiting time (weekday<br />
or weekend) on the number of visitors<br />
to the museum during a specific period<br />
of time; which spaces are more or<br />
less visited and which artworks more<br />
or less viewed; the predominate path,<br />
depending on the number of visitors<br />
on this path during a specific period of<br />
time; and whether visitor frequencies<br />
in the convex spaces of Antrepo No. 3<br />
are correlated with the syntactic values<br />
of the spaces.<br />
Of the data generated as a result of<br />
the analyses, the data utilized for every<br />
convex space were:<br />
• Mean depth<br />
• Mean integration<br />
• Mean circularity<br />
These three data points are three<br />
of the primary concepts addressed in<br />
space syntax theory. These data were<br />
calculated separately for every convex<br />
space. Subsequently, the values at the<br />
active grids of the exhibition plan were<br />
separated into these three data groups<br />
and added on three different charts,<br />
and a mean data value was obtained for<br />
the three concepts (see Tables 1 and 2).<br />
Contingently, calculations were made<br />
via the arithmetic averaging of the grid<br />
values for every convex space.<br />
To understand the impact of the<br />
morphology of space on visitors, gate<br />
counts and snapshot analyses were<br />
undertaken to understand visibility<br />
relations, the regions described and<br />
isovists. Gate counts for 6 gates (see<br />
Figure 6) in the exhibition gallery,<br />
which provide access to the exhibition<br />
and circulation areas of the exhibition<br />
gallery, are taken into consideration on<br />
a designated route (see Figure 6) for<br />
several time periods. During these gate<br />
counts, snapshots are also used to analyze<br />
the visitor frequencies in each convex<br />
space shown in Figure 5. Snapshots<br />
are created using the observations for<br />
one weekday and one weekend day in<br />
Antrepo No. 3. For both days, observations<br />
for the snapshots and gate counts<br />
were repeated 8 times per day, starting<br />
at 11:00 am and repeating hourly<br />
until 7:00 pm.. At the beginning of<br />
every hour, the researcher walked the<br />
route shown in Figure 6 and counted<br />
the number of visitors in each convex<br />
space (Figure 5). After completing the<br />
visitor count observations by walking<br />
the route, gate counts were taken for a<br />
period of 5 minutes at each gate, starting<br />
from gate 1 and ending at gate 6,<br />
to find the number of visitors passing<br />
through the gates; this is also shown in<br />
Figure 6. These gate count values provide<br />
information about the movement<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • M. E. Şalgamcıoğlu, F. Cimşit Koş, E. Garip
61<br />
Table 1. Syntactic scores and frequencies (number of visitors) according to the counts made on a weekday at<br />
hourly intervals for all the convex spaces specified in Figure 5.<br />
Convex space<br />
number<br />
Mean<br />
integration<br />
Mean<br />
depth<br />
Mean circularity<br />
Snapshot 11.00 am<br />
weekday<br />
Snapshot <strong>12</strong>.00 pm<br />
weekday<br />
Snapshot 13.00 pm<br />
weekday<br />
Snapshot 14.00 pm<br />
weekday<br />
Snapshot 15.00 pm<br />
weekday<br />
Snapshot 16.00 pm<br />
weekday<br />
Snapshot 17.00 pm<br />
weekday<br />
CS1 485785.00 161.52 2.22 8 5 10 6 21 20 9 4<br />
CS2 461897.00 151.65 2.24 10 <strong>12</strong> 4 24 <strong>12</strong> 3 4 5<br />
CS3 207877.67 62.14 2.77 10 3 5 <strong>12</strong> 10 6 <strong>12</strong> 5<br />
CS4 177923.00 56.<strong>12</strong> 2.73 2 5 1 15 7 8 1 3<br />
CS5 89785.00 29.67 2.98 3 0 0 5 4 1 0 0<br />
CS6 42111.00 92.59 2.85 20 0 7 11 13 6 4 7<br />
CS7 22<strong>12</strong>67.00 82.03 2.56 4 20 10 4 2 6 8 1<br />
CS8 25659.00 52.66 3.18 1 1 1 2 1 3 3 4<br />
CS9 265665.00 180.15 2.48 4 3 2 1 1 5 0 3<br />
CS10 302639.00 221.84 2.36 1 6 2 3 7 8 1 2<br />
CS11 195888.00 82.88 2.65 4 6 4 4 8 7 1 1<br />
CS<strong>12</strong> 307059.00 141.57 2.55 10 0 10 6 3 4 6 1<br />
CS13 259832.00 <strong>12</strong>0.83 2.57 28 17 9 9 39 14 18 11<br />
CS14 190268.50 93.32 2.70 2 0 5 0 5 5 2 3<br />
CS15 10535.00 19.07 4.59 4 2 2 5 9 2 2 2<br />
CS16 194992.00 <strong>12</strong>7.<strong>12</strong> 2.72 1 3 9 5 5 5 5 3<br />
CS17 183702.33 <strong>12</strong>4.98 2.75 2 5 7 6 3 5 3 9<br />
CS18 334739.00 277.37 2.25 0 0 2 0 0 0 0 0<br />
CS19 209709.50 178.87 2.55 17 14 7 11 8 5 2 4<br />
CS20 2680.00 20.85 5.63 10 0 11 6 5 1 10 9<br />
CS21 158177.00 118.42 2.65 0 1 3 1 6 5 2 5<br />
CS22 39099.00 48.11 3.51 <strong>12</strong> <strong>12</strong> 2 3 26 3 4 1<br />
CS23 <strong>12</strong>7174.00 150.67 2.67 5 2 2 5 3 5 1 1<br />
CS24 22777.00 23.50 3.98 0 0 0 0 4 0 0 0<br />
CS25 52023.00 87.65 2.77 0 0 1 0 1 4 6 0<br />
CS26 333477.00 204.53 2.22 0 7 1 0 0 3 1 0<br />
CS27 148304.00 203.25 2.53 3 0 0 3 3 2 1 0<br />
CS28 136294.00 133.46 2.56 8 0 5 4 4 4 1 13<br />
CS29 65502.00 46.70 2.99 0 0 2 3 4 9 0 0<br />
CS30 244243.75 115.98 2.55 19 10 9 5 7 5 20 3<br />
CS31 3377.00 27.83 3.98 0 3 1 0 <strong>12</strong> 1 0 0<br />
CS32 160970.00 141.29 2.55 22 <strong>12</strong> 3 0 8 5 5 2<br />
CS33 237413.00 101.73 2.53 3 16 1 11 10 4 7 7<br />
CS34 3<strong>12</strong>821.00 202.07 2.41 0 3 2 8 0 3 0 0<br />
CS35 61925.00 45.52 4.<strong>12</strong> 8 7 10 5 9 <strong>12</strong> 5 8<br />
CS36 10759.00 35.28 3.64 0 1 2 6 0 1 1 1<br />
CS37 351161.00 <strong>12</strong>9.52 2.36 0 0 1 0 1 0 0 0<br />
CS38 380872.50 180.00 2.27 1 8 20 5 14 7 9 1<br />
CS39 4474.86 159.37 2.28 5 1 4 6 3 2 5 3<br />
CS40 33192.00 4447.00 3.03 3 8 7 4 3 14 6 1<br />
CS41 104<strong>12</strong>.00 20.68 4.97 3 0 3 0 0 2 1 2<br />
Snapshot 18.00 pm<br />
weekday<br />
of visitors in the exhibition venue and<br />
will help us understand the movement<br />
between different groups of convex<br />
spaces depending on the syntactic and<br />
curational issues. The number of people<br />
passing through the gates is also<br />
examined by analyzing the space syntax<br />
with Syntax 2D: gate counts are<br />
performed at the 6 gates, the visitor<br />
frequency is noted and the syntactic<br />
scores of the gates are also used to understand<br />
the relationship between the<br />
Tracing a biennial layout: Experiencing an exhibition layout through the syntactic analysis of<br />
Antrepo No. 3 at the 2013 Istanbul Biennial
62<br />
Table 2. Syntactic scores and frequencies (number of visitors) according to the counts made on a weekend day at<br />
hourly intervals for all the convex spaces specified in Figure 5.<br />
Convex space number<br />
Mean<br />
integration<br />
Mean<br />
depth<br />
Mean circularity<br />
Snapshot 11.00 am<br />
weekend<br />
Snapshot <strong>12</strong>.00 pm<br />
weekend<br />
Snapshot 13.00 pm<br />
weekend<br />
Snapshot 14.00 pm<br />
weekend<br />
Snapshot 15.00 pm<br />
weekend<br />
Snapshot 16.00 pm<br />
weekend<br />
Snapshot 17.00 pm<br />
weekend<br />
CS1 485785.00 161.52 2.22 7 0 7 13 45 11 10 9<br />
CS2 461897.00 151.65 2.24 8 10 15 13 28 32 33 <strong>12</strong><br />
CS3 207877.67 62.14 2.77 7 9 18 33 15 35 32 24<br />
CS4 177923.00 56.<strong>12</strong> 2.73 2 6 <strong>12</strong> 17 <strong>12</strong> 21 10 7<br />
CS5 89785.00 29.67 2.98 0 0 0 0 2 0 0 0<br />
CS6 42111.00 92.59 2.85 5 14 13 7 16 19 16 13<br />
CS7 22<strong>12</strong>67.00 82.03 2.56 0 8 5 15 20 14 20 15<br />
CS8 25659.00 52.66 3.18 2 0 4 1 10 6 9 5<br />
CS9 265665.00 180.15 2.48 3 2 6 8 11 14 6 8<br />
CS10 302639.00 221.84 2.36 10 5 14 17 21 30 17 15<br />
CS11 195888.00 82.88 2.65 8 0 4 2 4 <strong>12</strong> 8 5<br />
CS<strong>12</strong> 307059.00 141.57 2.55 <strong>12</strong> 8 22 4 <strong>12</strong> 15 9 13<br />
CS13 259832.00 <strong>12</strong>0.83 2.57 19 16 36 33 47 53 46 27<br />
CS14 190268.50 93.32 2.70 0 3 0 2 8 16 10 5<br />
CS15 10535.00 19.07 4.59 3 5 6 7 15 13 7 16<br />
CS16 194992.00 <strong>12</strong>7.<strong>12</strong> 2.72 2 5 2 9 6 18 11 13<br />
CS17 183702.33 <strong>12</strong>4.98 2.75 0 5 4 20 9 17 16 8<br />
CS18 334739.00 277.37 2.25 1 1 0 0 4 2 8 2<br />
CS19 209709.50 178.87 2.55 4 4 9 8 16 22 4 20<br />
CS20 2680.00 20.85 5.63 6 0 0 0 13 <strong>12</strong> <strong>12</strong> 8<br />
CS21 158177.00 118.42 2.65 6 1 5 7 11 9 26 11<br />
CS22 39099.00 48.11 3.51 0 0 7 1 10 3 21 7<br />
CS23 <strong>12</strong>7174.00 150.67 2.67 3 3 4 0 6 8 8 6<br />
CS24 22777.00 23.50 3.98 0 0 2 0 2 5 15 4<br />
CS25 52023.00 87.65 2.77 0 1 1 9 8 8 7 3<br />
CS26 333477.00 204.53 2.22 1 2 4 3 7 <strong>12</strong> 6 5<br />
CS27 148304.00 203.25 2.53 1 0 1 2 4 5 0 6<br />
CS28 136294.00 133.46 2.56 2 2 1 3 8 8 5 9<br />
CS29 65502.00 46.70 2.99 8 3 2 2 20 6 13 13<br />
CS30 244243.75 115.98 2.55 13 1 5 11 16 31 14 16<br />
CS31 3377.00 27.83 3.98 1 0 0 2 3 5 6 0<br />
CS32 160970.00 141.29 2.55 1 0 7 9 14 7 18 6<br />
CS33 237413.00 101.73 2.53 7 3 14 9 16 30 18 28<br />
CS34 3<strong>12</strong>821.00 202.07 2.41 2 1 1 3 9 4 3 5<br />
CS35 61925.00 45.52 4.<strong>12</strong> 9 9 7 8 21 28 41 31<br />
CS36 10759.00 35.28 3.64 2 1 1 10 8 2 0 4<br />
CS37 351161.00 <strong>12</strong>9.52 2.36 0 4 3 2 2 7 1 0<br />
CS38 380872.50 180.00 2.27 5 15 14 7 28 19 1 10<br />
CS39 4474.86 159.37 2.28 0 9 0 4 3 24 1 10<br />
CS40 33192.00 4447.00 3.03 3 3 9 3 6 15 13 23<br />
CS41 104<strong>12</strong>.00 20.68 4.97 0 0 0 1 5 4 4 6<br />
Snapshot 18.00 pm<br />
weekend<br />
frequency of visitors and the syntactic<br />
measures such as integration, circularity<br />
and mean depth.<br />
To investigate the relationship between<br />
the number of visitors and the<br />
syntactic values of the exhibition space<br />
depending on the convex spaces, gate<br />
counts within the exhibition space<br />
and snapshots showing the number of<br />
people are used. Visitors’ patterns of<br />
interaction within the exhibition are<br />
correlated with syntactic parameters<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • M. E. Şalgamcıoğlu, F. Cimşit Koş, E. Garip
63<br />
and the results are discussed. During<br />
this investigation, visitors’ spatial experiences,<br />
their contact with exhibition<br />
content and the use of the overall<br />
layout is also considered to gain a better<br />
understanding of the relationship<br />
of syntactic measures and visitor frequency<br />
in the biennial venue.<br />
Finally, the statistical relationships<br />
between the number of people present<br />
during a certain period of time in a<br />
specific convex space and the syntactic<br />
measures of these spaces such as mean<br />
integration, mean depth and circularity<br />
are scrutinized and the correlations<br />
assessed using the Statistical Package<br />
for the Social Sciences (SPSS) program.<br />
5. Data analysis: Comparison of syntactic<br />
values and visitor frequency<br />
As noted above, in this study, it is<br />
important to specify an analysis method<br />
in Syntax 2D to examine the relationships<br />
among convex spaces shown<br />
in Figure 5 depending on the exhibition<br />
venue, i.e., Antrepo No. 3, a schematic<br />
of which is shown in Figure 6.<br />
The visitor frequencies are shown for a<br />
weekday and a weekend day in Tables<br />
1 and 2, respectively, counted at hourly<br />
intervals for the specified convex spaces.<br />
In addition to the convex space analysis,<br />
which depends on the visual field<br />
of the visitors and the accessibility to<br />
the spaces where artwork is exhibited,<br />
the gate count (see Table 3) analysis<br />
notes the visitor frequency (Table<br />
4) and syntactic scores (Figure 7) for<br />
6 gates to understand the relationship<br />
between visitor frequency and syntactic<br />
measures such as integration, circularity<br />
and mean depth. The number of<br />
visitors passing through a gate in the<br />
space of 5 minutes per gate at the selected<br />
hourly intervals in the daytime<br />
is counted to find the frequency data<br />
for gate counts. The gate count data are<br />
used to investigate the relationship between<br />
the syntactic values of the gates<br />
and the movement and circulation of<br />
people throughout the venue.<br />
In the process of this investigation,<br />
the statistical relationships between<br />
the number of people and the syntactic<br />
measures are examined and the addressed<br />
correlations further investigated<br />
using SPSS. In the first step of the<br />
Figure 5. Convex spaces in the exhibition<br />
space in Antrepo No. 3 during the 2013<br />
Istanbul Biennial according to visitor<br />
frequencies, shown in Tables 1 and 2.<br />
regression analysis for Antrepo No. 3,<br />
the syntactic parameters of mean integration,<br />
mean circularity, and mean<br />
depth of the gates and the gate count<br />
frequency parameter (i.e., the number<br />
of visitors passing through the selected<br />
gate for 5 minutes; see Table 3) are<br />
considered. The dependent variable is<br />
always the number of people passing<br />
through the gates at the hourly observation<br />
points (see Table 3) and the independent<br />
variables are the syntactic<br />
measures such as mean integration,<br />
circularity and depth of the gates.<br />
When the most integrated gate in<br />
the system, Gate 4 (see Table 3), has<br />
the highest frequency (see Table 3) at<br />
14:00 pm on the selected weekend day,<br />
the regression analysis of the frequency<br />
value and integration value shows a<br />
positive regression result of R=0.525<br />
(p=0.285>0.05) that is mildly close to<br />
significance. This type of relationship<br />
can be interpreted as meaning that<br />
when the number of visitors passing<br />
through a more integrated gate rises in<br />
the Antrepo No. 3 configuration of the<br />
Istanbul 2013 Biennial, the number of<br />
people passing through all gates in the<br />
Tracing a biennial layout: Experiencing an exhibition layout through the syntactic analysis of<br />
Antrepo No. 3 at the 2013 Istanbul Biennial
64<br />
Table 3. Frequencies (number of visitors passing through a gate for 5 minutes 8 hourly intervals) according to<br />
the counts made on a weekend day (WE) and a weekday (WD) for various hours in the gates shown in Figure 6.<br />
Gate<br />
Number<br />
WD<br />
11.00am<br />
WD<br />
<strong>12</strong>.00pm<br />
WD<br />
13.00pm<br />
Gate Counts / Weekday - Sunny<br />
WD<br />
14.00pm<br />
WD<br />
15.00pm<br />
WD<br />
16.00pm<br />
WD<br />
17.00pm<br />
WD<br />
18.00pm<br />
G1 24 28 28 33 32 34 20 23<br />
G2 17 11 16 24 28 37 9 19<br />
G3 18 35 24 20 33 16 41 14<br />
G4 15 34 34 21 26 37 43 28<br />
G5 47 46 28 31 30 18 34 17<br />
G6 53 107 66 52 36 40 47 13<br />
Total 174 261 196 181 185 182 194 114<br />
Gate<br />
Number<br />
WE<br />
11.00am<br />
WE<br />
<strong>12</strong>.00pm<br />
Gate Counts / Weekend Day - Sunny-Partly Cloudy<br />
WE<br />
13.00pm<br />
WE<br />
14.00pm<br />
WE<br />
15.00pm<br />
WE<br />
16.00pm<br />
WE<br />
17.00pm<br />
WE<br />
18.00pm<br />
G1 <strong>12</strong> 32 22 70 89 66 55 29<br />
G2 21 27 22 32 34 70 62 48<br />
G3 32 29 19 33 62 73 64 32<br />
G4 27 49 34 117 107 89 50 64<br />
G5 25 18 32 56 82 71 63 85<br />
G6 15 27 52 <strong>12</strong>5 190 195 96 76<br />
Total 132 182 181 433 564 564 390 334<br />
Table 4. The syntactic values of the 6 gate count nodes shown in<br />
Figure 6.<br />
Gate<br />
number<br />
Mean<br />
integration<br />
Mean<br />
circularity<br />
system also rises in accordance with<br />
the gates’ integration values, which has<br />
a slight significant correlation with the<br />
mean integration values of these gates<br />
in the system. One of the regression<br />
analysis results that supports this observation<br />
comes from the 11:00 am<br />
weekend count at Gate 4. At 11:00 am,<br />
the regression analysis between the parameters<br />
of the frequency value and<br />
the integration value in Gate 4 present<br />
no significance, with values of R=0.065<br />
(p=0.903>0.05), because the number<br />
of visitors passing through Gate 4 is<br />
one of the lowest counts, which affects<br />
all the frequency values in the venue.<br />
These types of results, which are<br />
taken into account by the change in<br />
the frequency of visitors, show that<br />
when the number of visitors passing<br />
through a highly integrated gate in the<br />
venue increases, the number of people<br />
passing through all the other gates in<br />
the system display a mildly significant<br />
correlation with the mean integration<br />
value scores of these gates. When the<br />
number of visitors passing through<br />
Gate 4, which is the most integrated<br />
gate, decreases, the number of visitors<br />
in the entire system may be still<br />
increasing—exemplified by the weekend<br />
visitor counts at 3:00 pm and 4:00<br />
pm—but there are no significant regression<br />
results linking the integration<br />
values of the gates and visitor frequency<br />
at these hours. Visitors’ tendency to<br />
leave the venue also increases by using<br />
the only entrance to the venue at these<br />
hours, Gate 6. Therefore, the entrance<br />
gate, Gate 6, shows high visitor frequency<br />
at those times of day.<br />
The results for weekday counts are<br />
somewhat different. A negative regression<br />
result of R=-0.574 (p=0.233>0.05)<br />
that is mildly close to significance is<br />
seen at 3:00 pm for the frequency and<br />
Mean depth<br />
G1 353866.50 164.45 2.43<br />
G2 293775.00 201.71 2.42<br />
G3 247349.33 146.21 2.41<br />
G4 506976.50 166.48 2.14<br />
G5 453497.00 163.09 2.27<br />
G6 328015.60 135.41 2.47<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • M. E. Şalgamcıoğlu, F. Cimşit Koş, E. Garip
65<br />
Figure 6. Antrepo No. 3 Plan of 2013 Istanbul Biennial showing the gate count nodes and<br />
selected route for snapshot counts on the left and plain plan of the venue on the right.<br />
Figure 7. Image of the circularity (left) and integration (right) analysis made using Syntax<br />
2D to find the syntactic scores for gate count nodes and convex spaces.<br />
Tracing a biennial layout: Experiencing an exhibition layout through the syntactic analysis of<br />
Antrepo No. 3 at the 2013 Istanbul Biennial
66<br />
integration value numbers of the gates.<br />
On weekdays, the number of people<br />
passing through a less integrated gate<br />
increases at one of the peak venue<br />
hours in terms of the total number of<br />
visitors; in other words, the less integrated<br />
gates attract more visitors, but<br />
the most integrated gates attract fewer<br />
visitors. This interesting result is not<br />
seen at any other hours of the weekday<br />
regression analysis, but examining the<br />
results for 3:00 pm, it may be argued<br />
that the weekday visitors tend to visit<br />
the less integrated spaces of the venue.<br />
This may be due to the artwork exhibited<br />
in the venue. On weekdays, visitors<br />
may spend more time looking at<br />
the artwork presented in less integrated<br />
spaces by passing through the gates<br />
that are less integrated in the system.<br />
As for the second part of regression<br />
analysis, the mean integration values of<br />
all the convex spaces and the number<br />
of visitors counted during the daytime<br />
hourly snapshots on both weekends<br />
and weekdays serve as parameters. The<br />
syntactic measure is independent and<br />
frequency is the dependent variable.<br />
At <strong>12</strong>:00 pm, R=0.325 (p=0.0380.05) is mildly positively<br />
significant; at 4:00 pm, R=0.279<br />
(p=0.078>0.05) is also mildly positively<br />
significant. Similarly, on the weekend,<br />
the results for 11:00 am, R=0.327<br />
(p=0.0370.05); 2:00 pm<br />
on the weekend with the value R=-<br />
0.254 (p=0.109>0.05); and 4:00 pm on<br />
the weekend with the value R=-0.236<br />
(p=0.138>0.05). The correlation of circularity<br />
and frequency, which is mildly<br />
close to significance, shows the tendency<br />
that the number of visitors increases<br />
when the convex spaces are more linearly<br />
shaped.<br />
As a result of the test between the<br />
mean circularity parameter and the<br />
frequency parameter of the convex<br />
spaces as explained above, all have the<br />
probability value (p) above 0.05, but it<br />
is interpreted that the close numerical<br />
findings to 0.05 shows a statistically<br />
mild significance, a tendency, which is<br />
close to significant results.<br />
A decrease in the value of mean circularity<br />
is an indicator of gradual differentiation<br />
throughout a convex space<br />
of the general averages of the mean dimensions.<br />
Briefly, this value is accepted<br />
as an indicator of dimensional tightening<br />
with the increasing differences between<br />
the width and the length of the<br />
convex space or a non-differentiating,<br />
a tendency to dimensional equilibrium<br />
of width and length of the convex<br />
space.<br />
In that sense, the statistical evaluation<br />
carried out over different hourly<br />
intervals of some weekday hours like<br />
<strong>12</strong>:00 pm and 4:00 pm and of some<br />
weekend hours like <strong>12</strong>:00 pm, 1:00 pm,<br />
2:00 pm and 4:00 pm shows that the<br />
number of visitors increases when the<br />
mean circularity values of convex spaces<br />
decreased. This shows the relation<br />
between the geometry of the space and<br />
the number of people visiting the space<br />
including their visual perception and<br />
movement. It could be inferred from<br />
this situation that when the differences<br />
among the lengths of the convex space<br />
morphologies in two dimension (i.e.,<br />
width and length) began to decrease<br />
and that the plan center began to shift<br />
to the center of the convex space, the<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • M. E. Şalgamcıoğlu, F. Cimşit Koş, E. Garip
67<br />
people circulating in that specific convex<br />
space has the tendency to rise.<br />
Alternatively, with the findings of the<br />
increasing circularity values that is related<br />
with the geometry of the convex<br />
spaces, the convex spaces with different<br />
integration values throughout the plan<br />
began to overlap in a single narrow<br />
field with a high integration value and<br />
were forced to use this field as a connection<br />
field due to tightening of the<br />
interconnecting areas among the convex<br />
spaces. This kind of results should<br />
be interpreted and discussed particularly<br />
around the circularity value.<br />
As explained, at some weekday<br />
hours like <strong>12</strong>:00 pm and 4:00 pm and<br />
at some weekend hours like <strong>12</strong>:00 pm,<br />
1:00 pm, 2:00 pm and 4:00 pm an increase<br />
is seen on the number of people<br />
where a morphological structure similar<br />
to a circle was observed due to the<br />
decrease in the mean circularity value.<br />
It was also observed that the general<br />
tendency toward a decrease in the<br />
mean circularity value was due to the<br />
divergence of areas connected with<br />
narrow interconnecting zones in the<br />
plan organization or more linearly<br />
shaped convex spaces in terms of the<br />
geometry of spaces. The mean circularity<br />
has a tendency to decrease in a<br />
structure in which the interconnecting<br />
areas among the areas are tightened,<br />
narrowed and concentrated on a single<br />
field with a high mean integration.<br />
The remaining relationships among<br />
the various syntactic value parameters<br />
and the remaining periods not described<br />
above are not significantly correlated<br />
with the frequency parameter.<br />
6. Conclusion<br />
In summation, this paper traces the<br />
layout of Antrepo No. 3 at the 2013<br />
Istanbul Biennial; as urban events, Biennial<br />
exhibitions can be discussed<br />
in terms of the interrelation of venues<br />
as well as that of art products and<br />
discussions. There are typically many<br />
exhibition venues at a biennial, and<br />
preferences are defined by pragmatic<br />
or thematic decisions. The goal here is<br />
to understand the performance of the<br />
main exhibition gallery’s layout syntactically<br />
to understand whether these<br />
layout decisions influenced the movement<br />
and number of visitors to the<br />
convex spaces of Antrepo No. 3.<br />
Ultimately, it appears that the attractors<br />
and movement were mutually<br />
influential in Antrepo No. 3, but<br />
the configuration of the venue had the<br />
strongest impact on the number of visitors.<br />
For example, the mild significant<br />
correlation of circularity and frequency<br />
at some weekday hours like <strong>12</strong>:00<br />
pm and 4:00 pm and at some weekend<br />
hours like at <strong>12</strong>:00 pm, 1:00 pm, 2:00<br />
pm and 4:00 pm shows that the number<br />
of visitors increases when the convex<br />
spaces are more linearly shaped in<br />
terms of the geometry of spaces. Such<br />
findings show that the geometry of the<br />
spaces has some strong impact on the<br />
perception of the spaces, the frequency<br />
and the movement through those spaces.<br />
When the total number of visitors<br />
to the venue rises dramatically at certain<br />
peak weekend hours, the visitors<br />
may be looking more to the artwork in<br />
the more integrated space in the venue,<br />
passing through the highly integrated<br />
gates such as Gate 4. On the other<br />
hand, when the number of total visitors<br />
in the system decreases on weekdays,<br />
visitors are more likely to look at<br />
the artworks in less integrated spaces,<br />
passing through a less integrated gate,<br />
as shown by the results for 3:00 pm on<br />
a weekday. This result shows that the<br />
increasing density of people circulating<br />
in the venue decreases the number<br />
of visitors circulating in the system and<br />
passing through less integrated gates.<br />
This further shows the situation depending<br />
on certain selected hours, but<br />
it is important to see that the impact of<br />
the configuration is independent from<br />
the installation of the artwork in relation<br />
to the number of people circulating<br />
in the venue. This kind of finding<br />
is also directly related with the geometry<br />
of the space and shows the highly<br />
strong impact of architectural design<br />
on the circulation of people in such exhibition<br />
spaces.<br />
We may also argue that the configuration<br />
influences the location of<br />
attractors here, but that the location<br />
of attractors cannot influence configuration.<br />
When we examine most of<br />
the selected hourly counts of visitor<br />
numbers in the convex spaces, we find<br />
a mild significant correlation between<br />
frequency and the integration values<br />
Tracing a biennial layout: Experiencing an exhibition layout through the syntactic analysis of<br />
Antrepo No. 3 at the 2013 Istanbul Biennial
68<br />
of each convex space. Similarly, mean<br />
depth and circulation show mildly significant<br />
correlations with visitor frequencies.<br />
Finally, configuration may influence<br />
movement, but movement cannot<br />
influence configuration. We see the<br />
reflections of that relationship in the<br />
considerably significant correlations of<br />
gate counts with the integration values<br />
of these gates. There are some mildly<br />
significant findings pertaining to this<br />
exhibition space that contradict results<br />
from previous studies by Choi (1999)<br />
and Peponis and Wineman (2003),<br />
where no correlation between scores or<br />
frequencies was found, but the present<br />
study also shows the parallel idea that<br />
spatial variables play an important role<br />
in structuring exploration.<br />
Acknowledgements<br />
First of all we would like to send our<br />
sincere appreciation to Prof.Dr.Alper<br />
Ünlü for preparing such a dossier<br />
dealing with architectural design and<br />
space syntax issues. Next, we would<br />
like to thank some of the MSc students<br />
at Istanbul Technical University (ITU)<br />
from several programmes but mostly<br />
from “Architectural Design MSc<br />
Programme”, Fulya Menderes, Barış<br />
Ateş, Şebnem Çakaloğulları and, Ecem<br />
Çalışkan, who have collected the data<br />
used in this paper during long hours in<br />
the field voluntarily. Lastly, in addition<br />
to our volunteers from ITU, we would<br />
like to thank Industrial Product Designer<br />
Bedii Engin Koş, who was also a<br />
volunteer, for his support and work for<br />
data collection in the field.<br />
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Bir bienal yapısının izini sürmek:<br />
2013 İstanbul Bienali Antrepo No.3<br />
yapısının sentaktik analizleri üzerinden<br />
sergi mekanının deneyimlenmesi<br />
Sergi galerilerinin mimari tasarımlarını<br />
ve küratörler tarafından belirlenen<br />
içeriklerini anlamak, bu galerilerin<br />
geçici veya kalıcı sergi mekanları<br />
olmalarına bağlı olmaksızın, morfolojilerinin<br />
mekan kullanımlarını nasıl<br />
etkilediğini ve ziyaretçilerin mekana<br />
ait deneyimlerini de anlamayı gerektirmektedir.<br />
Bir sergi galerisinin morfolojisi,<br />
bu galerinin konfigürasyonu<br />
ve formu gözönüne alındığı zaman,<br />
bu alanda sergilenen sanat yapıtlarının<br />
sergilenme biçimlerini, ziyaretçilerin<br />
aktivitelerini ve bu ziyaretçilerin mekan<br />
içerisindeki hareketlerini etkileyebilmektedir.<br />
Bu araştırma insan hareketleri<br />
ve sergilenen sanat eserleriyle<br />
ilişki bağlamında 2013 İstanbul Bienali’nin<br />
ana sergi mekanı olarak kullanılan<br />
Antrepo No.3’ün kurgusunun ve<br />
mekansal konfigürasyon özelliklerinin<br />
irdelenmesini içermektedir.<br />
Bu araştırmanın amaçları: 1) Müze<br />
veya sergi mekanlarının mimari tasarımının,<br />
bu mekanlardaki sığ veya derin<br />
alanların oluşumunu nasıl etkilediğinin<br />
ve ziyaretçilerin mekan kullanımlarının<br />
anlaşılması; 2) Mekana ait planlamanın,<br />
mekanların bir araya geliş<br />
ilişkilerinin ve düzeninin ziyaretçilerin<br />
galeri mekanlarındaki keşfetme süreçlerini<br />
nasıl etkilediğinin anlaşılması; 3)<br />
Bir sergi galerisinde hangi mekanların<br />
daha çok, hangilerinin daha az ziyaret<br />
edildiğinin anlaşılması; 4) Belirli bir<br />
zaman aralığı içerisinde ziyaretçi sayılarına,<br />
frekansa bağlı olarak sergi mekanlarında<br />
baskın olan kullanım ve dolaşım<br />
rotalarının, mekanlar arası geçiş<br />
alanlarının özelliklerinin irdelenmesi<br />
olarak ifade edilebilir. Bu araştırma sorularına<br />
ve irdeleme alanlarına verilebilecek<br />
cevaplar, mekan morfolojisinin<br />
müze ve sergi ziyaretçileri üzerindeki<br />
etkilerini anlamak için de önem taşımaktadır.<br />
Bu bağlamda, mekan dizimi<br />
yöntemi kullanılarak yapılacak olan<br />
sentaktik analizler ve bu analizler sonucunda<br />
ortaya çıkacak olan sonuçlar<br />
son derece önemlidir. Mekanın tasarımından<br />
kaynaklanan, fiziksel durumuna<br />
ait veriler ile ziyaretçiler tarafından<br />
mekanın kullanımına ait frekans verileri<br />
arasındaki istatistiksel ilişkilerin<br />
ortaya koyacağı sonuçlar araştırılmıştır.<br />
Sentaktik analizler, mekan morfolojisi<br />
ile tasarımın ilişkisinin anlaşılması<br />
ve küratörler tarafından oluşturulmuş<br />
mekanlarda ziyaretçi deneyiminin nasıl<br />
olduğunun irdelenmesi için anahtar<br />
bir rol oynamaktadır.<br />
Bu araştırmada, Antrepo No.3 sergi<br />
alanı içerisindeki konveks mekanlar<br />
arasında geçiş oluşturan 6 önemli noktada<br />
ziyaretçilerin hareket frekansına<br />
ait sayımlar (gate counts) yapılmıştır.<br />
Buna ek olarak, 41 konveks mekan içe-<br />
Tracing a biennial layout: Experiencing an exhibition layout through the syntactic analysis of<br />
Antrepo No. 3 at the 2013 Istanbul Biennial
70<br />
risinde anlık olarak ziyaretçi sayısını<br />
belirlemeye yönelik sayımlar (snapshots)<br />
belirli bir rota üzerinde ve farklı<br />
günlerdeki farklı zaman aralıklarında<br />
sistematik olarak yapılmıştır. <strong>Sayı</strong>mlar<br />
için hafta içine ve hafta sonuna ait birer<br />
gün seçilmiştir ve bu günler içerisinde<br />
8 farklı zaman aralığında sayımlar<br />
yapılarak, ziyaretçi frekansları tespit<br />
edilmiştir. Mekanlara ve mekanlar arası<br />
geçişlere ait bu frekans değerleri ile<br />
bütünleşme (integration) ve merkezilik<br />
(circularity) gibi mekanın sentaktik<br />
değerleri arasındaki ilişkiler istatistiksel<br />
olarak, SPSS (Statistical Package for<br />
the Social Sciences) programı ile araştırılmış,<br />
sonuç olarak ortaya çıkan veriler<br />
yorumlanmıştır. Regresyon analizleri<br />
ile ilişkilerin ne derece kuvvetli<br />
veya zayıf oldukları sorgulanmıştır.<br />
Araştırma sonucunda Antrepo No.3<br />
özelinde ortaya çıkan sonuçlar, daha<br />
önceki çalışmalarla ilişkileri bağlamında<br />
değerlendirilmiştir. Müze veya sergi<br />
mekanlarında mekanın morfolojisine<br />
ait veriler ile mekanın ziyaretçiler<br />
tarafından kullanım verilerinin sanat<br />
eserlerinin mekan içerisindeki konumları<br />
ile ne derece ilişkili olduğu sorgulanmıştır.<br />
İnsanların hareketine ilişkin<br />
teorik altyapı ile Antrepo No.3 ziyaretçilerinin<br />
mekanlardaki hareketlerinin<br />
ilişkileri tartışılmıştır. Bu tartışmada<br />
mekanın fiziksel tasarımı, plan kurgusu<br />
ve düzeni ile mekan içerisindeki<br />
eserlerin konumlanmasının ilişkileri<br />
de irdelenmeye çalışılmıştır. Bu ilişkilerin<br />
araştırılması aşamasında ziyaretçi<br />
frekanslarındaki artış veya azalmanın<br />
mekanın geometrisi, mekanlar içerisindeki<br />
hareket ve kullanım ile nasıl bir<br />
ilişkide olduğu da yorumlanmıştır.<br />
Antrepo No.3 içerisindeki farklı konumlarda<br />
çekici noktalar oluşturacağı<br />
öngörülebilecek birtakım eserlerin<br />
esasen mekanın kendi morfolojisinden<br />
bağımsız çekim noktaları oluşturamadıkları<br />
bulunmuştur. Araştırmanın yapıldığı<br />
belirli zaman dilimlerinde Antrepo<br />
No.3 içerisinde dolaşan ziyaretçi<br />
sayısı arttıkça daha derin geçiş noktalarında<br />
ve konveks mekanlardaki ziyaretçi<br />
sayılarının düştüğü görülmüştür.<br />
Buna karşılık, antrepodaki ziyaretçi sayısının<br />
düşmesi ile mekanın tümünde<br />
dolaşıma giren ve daha derin mekanları<br />
kullanan ziyaretçi sayılarında artışlar<br />
olduğu gözlenmiştir. Bu bulgular<br />
ışığında, mekan içerisindeki kurgudan<br />
dolayı derinleşen konveks mekanlarda<br />
insanların frekansındaki artışla birlikte<br />
keşfetme ve ziyaret düzeyi düşmekte,<br />
ziyaretçiler daha sığ ve görsel algısı<br />
daha yüksek konveks mekanlarda daha<br />
yoğun olarak dolaşmaktadırlar. Ziyaretçiler,<br />
toplam ziyaretçi sayısının artmasıyla<br />
Antrepo No.3’ü oluşturan 41<br />
konveks mekanda ve bunları bağlayan<br />
6 ana geçiş noktasında daha sığ fiziksel<br />
özelliklere sahip, daha dar bir dolaşım<br />
alanında kalmaktadırlar.<br />
Bu araştırmada ele alınan bütün<br />
ilişkilerin yorumlanması sonucu ortaya<br />
çıkan veriler, sadece Antrepo No.3<br />
sergi alanı için değil, aynı zamanda<br />
diğer müze veya sergi mekanı tasarım<br />
araştırmaları için de sorgulayıcı ve yol<br />
gösterici niteliktedir.<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • M. E. Şalgamcıoğlu, F. Cimşit Koş, E. Garip
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • 71-87<br />
Thinking and designing with the<br />
idea of network in architecture<br />
Nilüfer KOZİKOĞLU 1 , Pelin DURSUN ÇEBİ 2<br />
1 nilufer.kozikoglu@izmirekonomi.edu.tr • Department of Architecture, Faculty<br />
of of Fine Arts and Design, Izmir University of Economics, Izmir, Turkey<br />
2<br />
dursunpe@itu.edu.tr • Department of Architecture, Faculty of Architecture,<br />
Istanbul Technical University, Istanbul, Turkey<br />
Received: May <strong>2015</strong> Final Acceptance: October <strong>2015</strong><br />
Abstract<br />
A spatial setup is designed considering the network of interrelations between<br />
its constituent units. This is a network significant for architectural discourse as it<br />
maps the interactions and social relations between users, defines the functional<br />
and latent routes, and indicates spatial proximities. Although design is subjective,<br />
design tools and methods provide objective criteria to interpret and iterate. Common<br />
tools of network thinking allow us to invoke scenarios that will lead us to<br />
visualize and exchange ideas about architecture, extrapolate up to date functional<br />
ratios, define ranges of proximities to bring forth spatial and potentialities of architectural<br />
program and test them within criteria.<br />
This study focuses on the idea of networks in architectural design and discusses<br />
the use of graph theory based tools in the design process. It presents the possibilities<br />
of systematic mapping of relations among spatial elements through their<br />
neighboring and attracting qualities in the initial phase whereby the relational<br />
network is still dynamic and non-hierarchical. The topic will be expressed by<br />
presenting two examples, one from an academic setting, the other elicited from<br />
practice. The first describes a workshop on systems thinking demonstrated with a<br />
game called “İkidebir”. The second is an iterative hospital campus design scheme<br />
in which functional and site specific relationships are modeled and animated with<br />
network modeling and assessment tools. Network-based thinking, graphs measurements,<br />
and the diagrammatic assessment of relationships between spatial organizations<br />
as a design exercise are valuable both for those who are in practice and<br />
in the education of architectural design.<br />
Keywords<br />
Networks, Architectural design, Relational thinking, Space syntax.
72<br />
1. Introduction: Space as a networked<br />
artifact<br />
Today, networks, which can be described<br />
as structural and organizational<br />
models, are pervasive in every<br />
aspect of our lives and range from<br />
genes to power systems and from social<br />
communities to transport routes.<br />
These networks are concerned with the<br />
structure of relations between things<br />
and are informative as they allow us to<br />
uncover those inherent principles and<br />
behaviors that regulate a variety of natural<br />
and artificial systems (Lima, 2011;<br />
Wigley, 2007).<br />
In the field of architecture, the study<br />
of networks has emerged as an inspiring<br />
concept in the description of built<br />
environments. After all, the design of<br />
a spatial setting inherently implies the<br />
network of interrelated spatial units,<br />
and so we can view the practice of architecture<br />
as mainly involved in the<br />
creation of the specific configuration of<br />
this network. In other words, the outcome<br />
of an architectural design process<br />
is essentially a configuration (Nourian<br />
et al., 2013). Network relationships are<br />
thus tools that the architect utilizes to<br />
propose his/her perceptions. These<br />
relationships once regarded as a mutable<br />
also constitute the potentials of<br />
encounters for the users through connections<br />
and borders, including even<br />
new ranges and thresholds. Thus they<br />
make up the base for the interactions<br />
and social relations between users,<br />
defining both functional and latent<br />
routes, and indicating spatial proximities<br />
and neighbors. According to<br />
Dovey and Dickson (2002), the spatial<br />
dispositions of buildings constitute social<br />
organizations. They are not formal<br />
types or archetypes, but, rather, clusters<br />
of spatial segments structured in<br />
certain formations with syntactic rules<br />
of sequence and adjacency. Lawson<br />
develops this view by defining architectural<br />
and urban spaces as containers<br />
that accommodate, separate, structure<br />
and organize, facilitate, heighten, and<br />
even celebrate spatial behavior. He says<br />
that space creates settings that organize<br />
our lives, activities and relationships<br />
(Lawson, 2005). Hillier suggests<br />
that buildings carry social ideas within<br />
their spatial forms (Hillier, 1996) and<br />
spatial formations can be seen as visual<br />
symbols of societies. We read the space<br />
and anticipate a life-style (Hillier and<br />
Hanson, 1984).<br />
To date, most of the research studies<br />
that set out to reveal the potentials of<br />
network systems have utilized graph<br />
theory, a theory that relies on the conversion<br />
of information into a network<br />
diagram that can be mathematically<br />
analyzed to determine the relative<br />
depth or significance of the nodes or<br />
e dge s t hat ma ke up t he ne t work<br />
(Ostwald and Dawes, 2013). Architectural<br />
applications of this method<br />
have also been developed by several<br />
researchers (Alexander, 1964; March<br />
and Steadman, 1971; March, 1976;<br />
Steadman, 1983; Hillier and Hanson,<br />
1984; Hillier, 1996). Generally speaking,<br />
these works discuss some of the<br />
concepts of mathematics and diagramming<br />
or graph theory based tools that<br />
have potential value in understanding<br />
architectural forms and spatial organizations.<br />
They primarily present<br />
the architectural designer with some<br />
mathematical methods of conceiving<br />
and manipulating the spatial configurations.<br />
An analysis of utilizations of graph<br />
theory based tools in architecture suggest<br />
there are in three different modes:<br />
(1) to analyze existing spatial formation<br />
(Hillier et al., 1987; March and<br />
Steadman, 1971), (2) to generate spatial<br />
form, (Mitchell et al., 1976; Steadman,<br />
1983), and (3) to evaluate architectural<br />
design (March, 1976; Hillier,<br />
1998; Space Syntax, 2002). The first<br />
of these types of utilizations begins by<br />
exploring the intrinsic nature of the<br />
existing built environment and then<br />
decoding the underlying principles<br />
and meanings. The second group uses<br />
a series of predefined rules in a computerized,<br />
automated process to search<br />
for a desired spatial product. The last<br />
group provides tools that architects<br />
may use to evaluate their design proposals<br />
and also gives them opportunities<br />
to argue for the best performing<br />
proposals. The criticism leveled against<br />
these approaches mostly stems from<br />
the following questions: To what degree<br />
does an architect become involved<br />
in this cognitive process and how does<br />
he/she evaluate their designs considering<br />
desirable social implications<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • N. Kozikoğlu, P. Dursun Çebi
73<br />
rather than focusing on an automated<br />
evolutionary process? (Nourian et al.,<br />
2013). In the last decade an analytical<br />
approach, space syntax theory and its<br />
applications, has made great strides in<br />
showing architects the possible effects<br />
of their design solutions and have enabled<br />
them to learn from their design<br />
solutions (Dursun, 2007, 20<strong>12</strong>). In this<br />
way such utilizations constitute evidence-based<br />
design processes (Hanson,<br />
2001).<br />
Space Syntax theory is constituted<br />
on two hypotheses (Dursun, 20<strong>12</strong>):<br />
1. The built environment functions as<br />
a spatial / social network. In this network<br />
the main interest is about relational<br />
characteristics of spaces rather<br />
than individual ones. Space is experienced<br />
through this spatial networks<br />
or relations. 2. Spatial networks create<br />
potentials of movement and describe<br />
a living pattern. Movement is the key<br />
element to decode man-space / manman<br />
relationship. Based on this network<br />
structure spatial configurations<br />
embody social or cultural meanings<br />
and generate or inhibit social interactions,<br />
movement patterns in built environments.<br />
Such analysis tools guide in the<br />
comprehension and depiction of the<br />
relational structures however there has<br />
been complicacies in the transfer of<br />
this research-based knowledge directly<br />
to design process. The design process<br />
is conventionally perceptive, experiential<br />
and subjective. The method to<br />
reference research based knowledge to<br />
the design process is a typically a matter<br />
of concern for most. Dovey tries to<br />
explain this contradiction by focusing<br />
on relation between phenomenological<br />
philosophy and Cartesian world. He<br />
describes these poles “lived space” (the<br />
realm of personal feelings, emotions<br />
and particulars) and “geometric space”<br />
(the space of plans, forms and universals)<br />
(Dovey, 1993). According to Dovey,<br />
geometric space is a representation<br />
of lived space with the meanings and<br />
values extracted. For him, geometric<br />
space is a universal language of spatial<br />
representation that has predictive value.<br />
How can one creatively externalize<br />
the spatial knowledge in a measurable,<br />
visible manner for evaluation for assessment<br />
and improvement even from<br />
the initial stages of the design process?<br />
Design is a complex cognitive process<br />
that continuously engenders both<br />
problems and solutions (Lawson,<br />
2003). It is a kind of experimental process<br />
that is largely learned and practiced<br />
through “making” (Schön, 1987;<br />
Al-Sayed, 20<strong>12</strong>). Rather than searching<br />
for optimal solutions (Simon, 1996),<br />
design is about experimenting and<br />
probing. Experiments lead architects<br />
to discover something, and then these<br />
help them to redefine their underlying<br />
concepts (Dursun, 2007). In network<br />
thinking the investigation focuses<br />
on systematically mapping relations<br />
among spatial elements through their<br />
shared and relative characteristics, in<br />
other words, neighboring and attracting<br />
qualities in rule-based dynamic<br />
network models. The “relations of the<br />
relations” and “the protocol between<br />
the rules,” which refer to the order and<br />
the scale that the rules will be enacted<br />
during the design process, are of prime<br />
importance in these models. By observing<br />
the effects, the creative process<br />
can be interpreted as a kind of choreography,<br />
one in which “pace” is also<br />
interrogated for the elements of the<br />
parametric model.<br />
It is possible to deduct that relational<br />
qualities that suggests life inside a<br />
spatial construct i.e. social interactions<br />
and the movement (form prone to flow<br />
patterns) and proximities are built up<br />
by formal qualities defined by rule sets<br />
i.e. distance close or far, vertical positions,<br />
below or over, and whether clustering<br />
or disparate. Dynamic network<br />
models suppose that spatial entities are<br />
in constant motion during the design<br />
process. Their exact positions are yet<br />
ambiguous, they hang in air, and sway,<br />
or jump from one location to another;<br />
they start to presume specific locations<br />
and concretize as their relationships<br />
among each other become more and<br />
more defined.<br />
This study aims to explore following<br />
question: How we can use the idea of<br />
network in architectural design? By<br />
focusing on the experimental and intellectual<br />
characteristics of the design<br />
activity the study tries to examine how<br />
this kind of thinking can be used as a<br />
creative and informative tool in design<br />
process. In the scope of the study first,<br />
Thinking and designing with the idea of network in architecture
74<br />
the main question is opened for discussion<br />
conceptually with architectural<br />
students by the help of a game, İkidebir.<br />
Secondly, the authors try to explore<br />
how this kind of thinking can be utilized<br />
in the design process by focusing<br />
on an iterative hospital campus design<br />
scheme from practice. Cross indicates<br />
that design has its own distinct intellectual<br />
culture and has its own ways<br />
of knowing, thinking, acting (Cross,<br />
2007). Based on this idea this experimental<br />
study aims to open a discussion<br />
about how, a scientific and graphic tool,<br />
network thinking and modeling, could<br />
feed the design thinking and making.<br />
2. Playing the systems game –<br />
“İkidebir”<br />
Played by architecture students as a<br />
component of the Architectural Morphology<br />
class at the ITU Faculty of<br />
Architecture in 2014, “Ikidebir,” is a<br />
game in which simple rules make up<br />
a network where the nodes are in motion<br />
until they asymptotically settle<br />
into a configuration that satisfies the<br />
rule for each individual. This game<br />
engenders a dynamic system in a given<br />
space, and has the following rules:<br />
(1) Players initially announce an avatar,<br />
a spatial entity in this case, they<br />
selected for themselves and represent it<br />
as a node; (2) each player then selects<br />
two other announced nodes in order<br />
to follow in discrete this time. (3) All<br />
players randomly position themselves<br />
in the confined space (game area). (4)<br />
Hearing the start signal the players try<br />
to stand at equal distance to the two<br />
nodes whom they have picked to follow<br />
(Figure 1). The students first write their<br />
selected spatial entities and later draw<br />
the relations that form on the board,<br />
(Figure 2). Then the system is opened<br />
for discussion with the students. After<br />
introducing some analytical tools,<br />
space syntax and other dynamic network<br />
models such as cytoscape to decode<br />
this relational structure, the authors<br />
re-evaluated the process by the<br />
feedbacks of the students.<br />
Network can be described as a structure<br />
that is constituted by the links between<br />
nodes. These nodes can represent<br />
different entities such as individual<br />
person, object, space or concept. Both<br />
countable and non-countable entities<br />
can be interrelated. For example in the<br />
first series of the workshops for this<br />
game in the Architectural Morphology<br />
class between 2008 and 2014, the<br />
students selected fictitious avatars and<br />
that had caused a more concentrated<br />
discussion on the nature of networks.<br />
However in the last workshop students<br />
selected to represent spatial units. Thus<br />
the composed networks lead the players<br />
to question the adopted relations<br />
that provide typical configurations.<br />
Recorded sessions are revealed at the<br />
blog: http://ikide1.wordpress.com.<br />
As soon as the game starts, players<br />
move in order to position themselves<br />
between their selected players.<br />
However as those players are also in<br />
movement, they continuously have to<br />
recalculate their target positions. This<br />
can be seen as a systemic flow, which<br />
sometimes accelerates and sometimes<br />
slows down. The simple rules create a<br />
dynamic set of nodes until the game<br />
settles into an arrangement that satisfies<br />
the rule for each player.<br />
Discussions with the students yielded<br />
the following key aspects:<br />
Figure 1. Ikidebir Game – A Demonstration of Game Evolution.<br />
Figure 2. Choice of Spaces and Relational Characteristics<br />
Visualized by Cytoscape Program.<br />
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75<br />
• The networked structure is informed<br />
by the choices made by the<br />
players.<br />
• The rule that the relation between<br />
spaces must be equidistant to the<br />
selected two spaces both triggers<br />
and organizes the motion.<br />
• The nodes, spatial entities in this<br />
case are fixed in terms of the links<br />
created whereas their geometric<br />
compositions are constantly changing.<br />
• By default each player selects two<br />
other spatial entities; therefore everyone<br />
is plotted into the network.<br />
• Only two spaces may be selected.<br />
This type of selection brings an important<br />
limitation for the interrelations<br />
among the nodes. Such that<br />
each space is connected by at least<br />
two spaces and remains linked with<br />
the whole. On the other hand some<br />
spaces are selected more than the<br />
others and this causes the system to<br />
lose homogeneity and leads it to a<br />
varied distribution.<br />
• The nodes selected by more nodes<br />
tend to be key elements in the system,<br />
in the given case “kitchen, entryway,<br />
and courtyard”. Their positions<br />
/ or fluctuations affect the<br />
whole group causing both accelerations<br />
and decelerations. Therefore<br />
these nodes are latent to change the<br />
form of the system.<br />
• Some nodes – such as porch and<br />
sofa – are less significant to the system<br />
and thus they either may be selected<br />
by only a few players or even<br />
by none at all. Their actions do not<br />
create major changes.<br />
• However, even though they may be<br />
less-selected, some nodes – such as<br />
the winter garden – may prove to<br />
be effective, especially so when they<br />
are selected by a single player who is<br />
selected by many.<br />
By the introduction of graph theory<br />
based tools such as space syntax<br />
and cytoscape to analyze the network<br />
structure the students tried to make<br />
this network legible and accessible<br />
to reading and assessing (Figure 2).<br />
Based on mathematical and graphical<br />
data, following questions are put into<br />
considerations: How do the selected<br />
nodes (avatars) behave in that particular<br />
system? How do they interact? How<br />
many connections do they have? What<br />
do they share? Are they interactive or<br />
are they inactive? Is there any key connection<br />
among them? Are there any<br />
groups or divisions (clusters) between<br />
them?<br />
The relational whole in the graphic<br />
and the calculated syntactic values,<br />
such as integration, connectivity,<br />
depth, choice, etc., rationally support<br />
the experience of the students’ perception<br />
of the choices (Figure 3). These<br />
explorations induce some valuable<br />
insights associated with the network<br />
structure:<br />
• In order to play students made random<br />
selections from spatial entities<br />
as avatars. The choices are mostly<br />
relevant in a residential setting, defining<br />
a quality or a program inherent<br />
to that space, like living room,<br />
kitchen, bathroom, WC, entryway,<br />
terrace, or nursery, or a few less<br />
common spaces like a cellar. The<br />
game also includes spaces more typical<br />
of traditional Turkish architecture,<br />
like the inner courtyard, iwan<br />
(vaulted hall) and sofa (connecting<br />
hall or egress space).<br />
• Hearing all the choices, students<br />
then selected two other two spatial<br />
avatars to be linked to from the<br />
available set in the group. These<br />
choices result in conventional relations<br />
such as sofa-courtyard, living<br />
room-kitchen, terrace-entryway,<br />
cellar-kitchen, kitchen-WC and<br />
some unusual relations such as liv-<br />
Figure 3. The Relational Whole and Calculated Values Visualized by Space Syntax for Grasshopper - İkidebir.<br />
Thinking and designing with the idea of network in architecture
76<br />
ing room-iwan, living room-bathroom,<br />
bathroom-kitchen, nursery<br />
room-WC. This allows the players<br />
to experiment on uncommon or<br />
secondary relationships.<br />
• These selections provide enough information<br />
to analyze and figure out<br />
the key entities in the network are<br />
“kitchen, entry way and courtyard”.<br />
These represent powerful nodes<br />
that have strong relations with the<br />
other nodes. The game also presented<br />
that these nodes initiated the<br />
motion and acted on the pace of the<br />
system. “Sofa and porch” tended to<br />
be inactive nodes. As they do not<br />
have strong relations with the other<br />
nodes, their effects on the spatial<br />
system are limited. Syntactic analyses<br />
clarify these characteristics.<br />
Integration values for the spaces<br />
reveal the following order: kitchen<br />
(2.636) > entryway = courtyard<br />
(2.197) > storehouse = winter garden<br />
= terrace = living room = WC<br />
(1.883) > bath (1.757) > iwan =<br />
stairs (1.647) > cellar (1.551) > foyer<br />
(1.318) > nursery = porch (1.255) ><br />
sofa (1.198).<br />
• Networks do not need to link nodes<br />
specifically of the same genre. Students’<br />
selections included vague<br />
spatial entities like “entryway” as<br />
well as very defined ones like a “cellar”.<br />
• Networks by default defy physical<br />
dimension; however, discrete<br />
groupings suggest varying snapshots<br />
of spatial possibilities. Iterative<br />
playing out of the rule hints<br />
form possibilities including proportions,<br />
zones, interior and exterior<br />
build-up, etc. Specific network<br />
visualization layouts simulate part–<br />
to-part and part-to-whole relationships<br />
and spatialize the network in<br />
2D (Figure 4). Visualizing the game<br />
with cytoscape, it is possible to visualize<br />
adjacencies and clustering<br />
possibilities, although the model is<br />
exempt of physical dimensions.<br />
In this workshop network thinking<br />
in architecture have been opened to<br />
discussion a. through students personal<br />
experience b. through graph theory<br />
related tools that analyze the demonstrated<br />
network. In other words abstract<br />
spatial network that emulates a<br />
spatial construct is experienced by the<br />
students participation and then examined<br />
in a cognitive scientific platform.<br />
The study imparts the following potentials<br />
network thinking in architectural<br />
design process:<br />
1. The spatial whole can be described<br />
as the relations among its constituent<br />
parts rather than as a sum<br />
of disparate units. The manner in<br />
which these relations are constituted<br />
may infer diverse connotations<br />
and there may be quantifiable aspects<br />
of these relational patterns.<br />
2. The rules that construct the network<br />
(one space must be selected<br />
by at least two other spaces) and the<br />
rules that enact on the form or the<br />
Figure 4. Network from the Game Modeled in Network Visualization Program Cytoscape.<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • N. Kozikoğlu, P. Dursun Çebi
77<br />
configuration (the relation between<br />
spaces must be equidistant to the<br />
selected two spaces) conform the<br />
flow and the proximities between<br />
nodes, is therefore constrained. Actual<br />
design processes include more<br />
complex and varied relationships<br />
and rules. However in both cases<br />
specified rules for distancing and<br />
clustering are indicative for the<br />
propositions of form. To understand<br />
the implications of these rule<br />
sets and their implementation is<br />
significant for the designer.<br />
3. Certain relationships tend to be<br />
prevalent and affect change to the<br />
whole, whereas other clusters of relationships<br />
are not at all effective to<br />
the whole, yet are dynamic in their<br />
groupings. It will be argued that this<br />
phenomenon relies on the designer<br />
and the brief. The game is a demonstration<br />
of the relational make-up<br />
and the dynamic quality of these<br />
relations when they need to attain<br />
spatiality. This conceptual visualization<br />
or modeling enables the architect<br />
to consciously model, through<br />
play, the bonds and proximities of<br />
spatial units and the site.<br />
4. Concentrating on the idea of network<br />
in architectural design, space<br />
syntax helps designer to develop<br />
spatial awareness by transforming<br />
relational spatial structures<br />
into graphical, mathematical and<br />
scientific forms. It explains what<br />
does these relations mean and how<br />
does the system works. By making<br />
non-discursive characteristics<br />
of space discursive, it presents a<br />
language for thinking and talking<br />
about space (Dursun, 2007).<br />
5. While space syntax provides a useful<br />
tool for architects in deciphering<br />
and assessing the relationship<br />
among spatial entities in terms of<br />
spatial accessibility and human flow,<br />
other dynamic network models<br />
such as cytoscape and customized<br />
parametric modeling reveals possibilities<br />
regarding on geometric-formal<br />
characteristics of this relational<br />
whole. In other words, these models<br />
visualize the possible formal end<br />
products of applied rules.<br />
6. Relevant graph theory concepts and<br />
criteria, diagrams, and produced<br />
data sets based on effective representation<br />
of spatial systems lead to<br />
powerful instigation, management,<br />
and assessment of design phases. It<br />
is thus that, in contrast to convention,<br />
these tools have potentials to<br />
be tools with which we can think<br />
(Hillier and Hanson, 1997) during<br />
the morphological stages. These<br />
tools are creative and constitute<br />
an educational component within<br />
the research-based design. They<br />
also lead the designer to better understand<br />
the relationship between<br />
form and its use (function), while<br />
opening up new possibilities for design<br />
based on research results and<br />
generative principles (Schneider et<br />
al., 2013).<br />
7. The experiment does not refer to<br />
the use of graph theory based tools<br />
including space syntax to extract<br />
potentials after the architectural<br />
form is solid rather during the initial<br />
stages of design. In this context<br />
it advances design thinking, enables<br />
interactive exploration of the effects<br />
of programmatic relations on form<br />
and suggests a method to structure<br />
correspondence of form and function.<br />
3. Design Research: Method to design<br />
a campus<br />
The second example is taken from<br />
practice and deals with a conceptual<br />
design scheme for a campus on psychiatry<br />
and neurology. Hospitals have<br />
been the subject of a great deal of research<br />
in the architectural literature,<br />
especially in regard to their functional<br />
and organizational structures. Human<br />
flow and way finding issues appear<br />
key concepts of these researches (Ünlü<br />
et al., 2005, Setola, 2009, Khan, 20<strong>12</strong>,<br />
Peponis et al., 1990). The aim of our<br />
study is to impart potentials of network<br />
thinking explored in developing<br />
this master design scheme. In parallel<br />
to existing research, this scheme also<br />
focuses on the human flow in terms of<br />
vehicular and pedestrian pace between<br />
specific subunits. The programmatic<br />
and site relationships and relations<br />
to the varied qualities of the site are<br />
modeled and animated by the use of<br />
custom-made modeling tools based<br />
on network thinking. Peculiar qualities<br />
Thinking and designing with the idea of network in architecture
78<br />
of the site – such as emergency-prone<br />
segments along a major artery, or the<br />
more tranquil neighboring residential<br />
areas, and/or the security latent zones<br />
are represented as polar attractors.<br />
This design exercise incorporates interrelated<br />
positioning; programs are<br />
attracted (tied up) to specific zones or<br />
segments, and also to one another, as<br />
are the nodes connected to each other<br />
by the students’ choices in the case of<br />
the game.<br />
In the initial phase the separable<br />
programmatic units, regardless of their<br />
sizes, are scripted to move around an<br />
abstract container, pulling and pushing<br />
one another and the poles of the<br />
container in terms of their space/use<br />
related attributes. These disparate units<br />
are determined according to the administrative<br />
organization chart and the<br />
patient flow described by the clinical<br />
team. Attributed criteria to these units<br />
are urgency, security and privacy. Each<br />
program unit is specified with varying<br />
degrees of these attributes (Figure<br />
5). “Urgency” pole attracts programs<br />
with emergency zones such as the<br />
emergency of the neurology hospital,<br />
privacy node attracted the acute psychiatric<br />
clinical program nodes, public<br />
pole pulled the outpatient nodes, and,<br />
finally, security node pulled forensic<br />
clinical nodes. By regarding these contained<br />
program units as a network, the<br />
script allows similar attribute grades<br />
to accumulate and the defined polarities<br />
to pull each other, and to move the<br />
groupings toward specified poles of the<br />
abstract container. The script also allows<br />
for negotiations among the varying<br />
degrees of these attributes.<br />
In the second iteration, shown in<br />
Figure 6, the group formations are<br />
clustered in the layout to allow propagation<br />
to the actual site. In this case<br />
the rules for propagation are parameterized<br />
by diffusion, overlap possibility,<br />
and size. The rule implementation<br />
follows a hierarchical order. Certain<br />
program units link to others like their<br />
satellite, and certain units have priori-<br />
Figure 5. Conceptual Polarities Mapped in Relational Modeling among Program Units and<br />
Specific Attributes.<br />
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79<br />
ty in maintaining proximity to the defined<br />
abstract polar zones. For example,<br />
the rehabilitation unit is a sub-unit<br />
orbiting the psychiatric clinics, bound<br />
by the everyday personnel and patient<br />
flow, which has been quantified as<br />
300m walking distance. The emergency<br />
department has first priority to be in<br />
proximity to the main artery which is<br />
the main urgency pole (node).<br />
These interrelations and hierarchy<br />
are plotted and evaluated on a table<br />
matrix. Size is derived from the “List of<br />
Requirements” as well as the height and<br />
floor space limitations as a work area<br />
serving both a group of patients and<br />
a health team: 20-30 patients to one<br />
floor, as in the case of the neurology<br />
inpatient building – up 100 patients in<br />
total. The floors of the building floors<br />
are limited to eight in total, suggesting<br />
a footprint area of 1500sqm depicted<br />
with a circle with equal area (Figure 6).<br />
In the site implementation, the value<br />
sets and interrelated network are then<br />
mapped to the site directly referencing<br />
the preferred poles and axis to certain<br />
nodes. This ‘machinic’ diagrammatic<br />
exercise is modeled and run iteratively.<br />
The distances between units<br />
are defined in ranges proportional to<br />
time and the pace of pedestrian and<br />
vehicle reach (Figure 7). For example,<br />
the emergency pavilion for the three<br />
departments (psychiatry, neurology<br />
and neurosurgery) are located in the<br />
same spot; however, once a patient is<br />
to be transferred to an inpatient unit,<br />
the neurological unit is accessed via a<br />
flight of ramps and elevators, taking a<br />
total of ten minutes, whereas psychiatric<br />
patients are transferred by vehicle<br />
to the psychiatric inpatient clinic. One<br />
is vertical in positioning whereas the<br />
other is horizontal.<br />
Each unit “behaves” and situates<br />
according to the specified rules, with<br />
emergency related units tending to<br />
prefer the artery neighboring zones,<br />
the inpatient units moving towards the<br />
residential borders, etc. The process is<br />
further rationalized with the use of a<br />
major axis for pedestrian and vehicular<br />
flow and its possible orientation on<br />
one hand and the variations provided<br />
by possible positions of a hypothetical<br />
center of the system on the other, certain<br />
units only following other units as<br />
satellites (Figure 8).<br />
This exercise is repeated in iterations<br />
for assessment of the resulting configurations.<br />
Units that are directly linked to<br />
site poles and units that have more links<br />
to other units have greater potentials in<br />
defining the working configuration.<br />
The position of an emergency plateau<br />
close to the major road is a straightforward<br />
design decision; however the role<br />
of the diagnosis department and its location<br />
to the other departments is one<br />
example where probing is necessary.<br />
The process enables fine-tuning and<br />
easy reassessments of multiple possibilities.<br />
The space syntax analysis also<br />
demonstrated that the diagnosis department<br />
is the key spatial unit in the<br />
network as it represents a powerful<br />
node that has strong relations with the<br />
other nodes. The rehabilitation block<br />
and inmate unit tend to be inactive<br />
spaces. Based on the syntactic analyses<br />
integration values for the spaces reveal<br />
the following order: diagnosis (4.435)<br />
Figure 6. Matrix of Relations of Program and Site.<br />
Thinking and designing with the idea of network in architecture
80<br />
Figure 7. Setup Order for the Abstract Programmatic Polarities Diagram.<br />
Figure 8. Relational Site Model in Iterations.<br />
> psychiatric inpatient = umatem =<br />
forensic (1.267) > neurology inpatient<br />
= amatem (1.109) > psychiatric outpatient<br />
(0.986) > rehabilitation block =<br />
inmate units (0.634) (Figure 9).<br />
The focus of these design research<br />
sessions is to be able to abstract and<br />
re-evaluate relationships regarding<br />
the program, and the site, and reconstruct<br />
corresponding layout options<br />
with their interrelation degrees in reference<br />
to specific attraction criteria.<br />
These attractions and repulsions, in<br />
other words the polarized units, hint at<br />
building/structure-prone units by their<br />
capacity to conjoin and to cluster as<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • N. Kozikoğlu, P. Dursun Çebi
81<br />
buildings around a courtyard, for example.<br />
Through a series of assessment,<br />
multiple layout potentials are derived<br />
and compared. The process gradually<br />
narrows into a discursive scheme and<br />
potentials for the master plan are extrapolated.<br />
With the parametric configuration it<br />
was possible to convey the fact that the<br />
project model is only a snapshot of the<br />
possible set, and yet major decisions<br />
are more defined than others, and that<br />
there is room for development. It is<br />
thus a map for action (Figure 10).<br />
While the project was actualized<br />
in 2009, it is still under discussion as<br />
the stakeholders continue to bear a<br />
great burden of existing patients and<br />
economical strain; however, it is important<br />
to note that the project has<br />
remained viable, despite the passage<br />
of time and change of certain personnel.<br />
This is mainly due to the fact that<br />
the project is in itself a tool that allows<br />
evaluation of site and program conditions,<br />
and has the potential to change<br />
in accordance with modification of the<br />
site and evolving needs.<br />
The idea of network has been influential<br />
in the process o conceptual design<br />
scheme for this campus project.<br />
The clinical team asked for the project<br />
to correspond with the new understandings<br />
as well as the client required<br />
to evaluate all possible scenarios at the<br />
site. Both interests were met the project.<br />
The process imparts the following<br />
potentials of relational thinking in architectural<br />
design process:<br />
1. Same as case one, here it is demonstrated<br />
that the spatial whole can be<br />
described as the relations among its<br />
constituent parts rather than as a<br />
sum of disparate units. The manner<br />
in which these relations are constituted<br />
may result is diverse consequences<br />
as to form and these relational<br />
patterns can be mapped in a<br />
quantifiable manner although they<br />
are based on concepts.<br />
2. The rules that construct the network<br />
(common conceptual/spatial<br />
qualities that can refer to both the<br />
site and the functional units) and<br />
the rules that enact on the form<br />
or the configuration (the distances<br />
attributed between units as a function<br />
of pedestrian and vehicular<br />
motion) conform the flow and the<br />
proximities between nodes. Spec-<br />
Figure 9. The Relational Whole and Calculated Values by Space Syntax for Grasshopper – Hospital Campus.<br />
Figure 10. Propagated Site Model.<br />
Thinking and designing with the idea of network in architecture
82<br />
ified distances as well as clustering<br />
operations (orbiting, attraction to<br />
axis and positioning with hierarchy)<br />
are indicative for the propositions<br />
of form. To understand the<br />
implications of these rule sets and<br />
the order and the pace in which<br />
they are implemented are of value<br />
for the designer.<br />
3. Certain nodes and links (relationships)<br />
are more effective to change<br />
the whole, whereas other clusters in<br />
the network are not at all effective to<br />
the whole, yet can be active in their<br />
local groupings. It is important<br />
to note that the designer takes his<br />
position rather than an automated<br />
generation of form in orchestrating<br />
the relational model. Also in<br />
relational models enable to demonstrate<br />
peculiar qualities of networks<br />
such as an overlooked unit linked to<br />
a major node has equal effect on the<br />
system, and therefore may act on<br />
the design discourse equally.<br />
4. The project made use of custom-made<br />
parametric models<br />
that animated the network of both<br />
subjective (based on functional<br />
qualities) and objective (based on<br />
functional size, distance and orientation)<br />
relations. This enables to<br />
link attractive qualities with their<br />
corresponding spatial abstractions.<br />
This is made possible by the advance<br />
in the now ubiquitous digital<br />
tools that enable live change and<br />
tracking of parametric relational<br />
models. Thus it is possible to have<br />
variations as well as breeds of solutions<br />
to a brief.<br />
5. This process requires a sustained assessment<br />
strategy for the variations<br />
arrived by the modeling. Space syntax<br />
or network visualization and<br />
assessment with software like cytoscape<br />
enable the assessment of the<br />
relationships among spatial entities<br />
in terms of spatial accessibility and<br />
human flow, as well as other network<br />
measurements like closest<br />
path, clustering, etc.<br />
6. The process involves iteration: restructuring<br />
the initial relational<br />
setup, remodeling, and reformulating<br />
the physical ties (distances and<br />
ratios), reassessment of the order of<br />
rule enactment. It is crucial to the<br />
process that the model is remade<br />
up after the initial run which serves<br />
more as a prototype to the machine-like<br />
dynamic model.<br />
7. In this project case, the units were<br />
thought of as clustering similar<br />
attributes of spatial concepts like<br />
public/private together. However<br />
the pattern to distribute and propagate<br />
the units at the site could have<br />
been different then clustering the<br />
likes. The model only allows the designer<br />
to apply his design decisions<br />
in a prototypical manner that he<br />
can observe exceptions, derivatives,<br />
and possible modifications live on<br />
the model.<br />
4. Conclusion<br />
Architectural design is ultimately<br />
about the configurations, connections,<br />
shape, and orientations of physical<br />
forms (Do and Gross, 2001). It deals<br />
with designing connections, borders,<br />
new ranges and thresholds in the<br />
space. Two case studies (one derived<br />
from architectural education and the<br />
other from architectural practice) are<br />
valuable both in terms of their effort<br />
to conceptualize the idea of network<br />
in design and to use this idea to trigger<br />
production of space in design process.<br />
Networks are dynamic forms in<br />
which relations are alive, in that they<br />
are in states of constant change. By<br />
exploiting this way of thinking in early<br />
stages of architectural design, it becomes<br />
possible to keep the negotiation<br />
alive, which is important for a creative<br />
process. This approach also provides<br />
informative tools for architects as it<br />
permits designers to see different potentials<br />
and possibilities in design and<br />
constitutes mediums for experimenting<br />
and probing.<br />
This study mainly concentrates on<br />
the idea that a critical understanding<br />
of the network in spatial constructs can<br />
inform, shape, and enhance the design.<br />
To exemplify the discussion, the authors<br />
first engage architecture students<br />
in a game designed to explore how a<br />
space paradigm can be conceptualized<br />
through a process of dynamic network<br />
rules. Secondly, the authors also try to<br />
explore how this kind of thinking can<br />
be utilized in the design process by<br />
focusing on hospital campus design<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • N. Kozikoğlu, P. Dursun Çebi
83<br />
scheme from practice.<br />
The first example aims to trigger the<br />
architecture students to develop the<br />
idea of spatial network in design by the<br />
help of a system thinking game in which<br />
all the students are actively involved.<br />
Network thinking in architecture is<br />
opened for discussion conceptually in<br />
order to decipher the potentials of the<br />
space and make its un-discursive, intangible<br />
characteristics discursive and<br />
tangible. This experiment constitutes<br />
a conceptual ground that permits the<br />
designer to understand the dynamic<br />
interaction among the design parameters,<br />
and also permits evaluation of the<br />
relationships and their meanings in the<br />
design. Here network thinking appears<br />
as a powerful tool in order to underline<br />
the notion that design activity is<br />
neither a closed box nor an automated<br />
process, but is rather an intellectual<br />
process in which the architect plays an<br />
active role as a spatial choreographer.<br />
The second sample concentrates on<br />
a design practice, one in which programmatic<br />
and site relationships are<br />
modeled and animated by customized<br />
modeling and assessed by graph theory<br />
based tools such as space syntax.<br />
The main aim here is to explore how<br />
relational thinking can be integrated<br />
into the architectural and urban design<br />
process. This example is important as it<br />
regards a need for a dynamic design instrument<br />
that can satisfy the changing<br />
needs in a long-term process. The architect<br />
can use the resulting parametric<br />
work and relational thinking to reveal<br />
and/or meet the requirements.<br />
In networks, nodes are not constituted<br />
from the same genre. They can<br />
be structured with different components<br />
including not only spaces, but<br />
also design criteria or concepts. This<br />
is an opportunity to link tangible with<br />
non-tangible qualities in a cognitive<br />
process.<br />
In terms of network thinking, the<br />
two experiments in this study are structured<br />
through three main stages: (1)<br />
Description of the relational structure,<br />
(2) Analysis of this structure and (3)<br />
Application of a rule-based design. The<br />
first process concentrates on achieving<br />
an understanding of how the networks<br />
are constituted and reveals the linking<br />
filter that organize these complex sets<br />
of relationships. The second process<br />
deals with the analyzing or decoding<br />
potentials of the constituted networks.<br />
The third introduces a phase in which<br />
definite metric design rules are applied<br />
to the network of nodes. In this way,<br />
relational structures are transformed<br />
into spatial form from which the design<br />
proposals emerge (Figure 11).<br />
In the fırst stage of the game main<br />
determinant is the choices of the students.<br />
The constituted network can<br />
be referred to as a conceptual and<br />
nonhierarchical one in principal. In<br />
the example from practice however<br />
the spatial relations are structured by<br />
the clients preferences and through<br />
data arrived from user questionnaires.<br />
Therefore in this case the network is<br />
not only a mental construct but also<br />
has physical impositions, yet they are<br />
also nonhierarchical in terms of their<br />
networking. In the following stages in<br />
both cases, the spatial potentials of the<br />
structured networks are expedited by<br />
network assessment and graph theory<br />
based tools that include space syntax.<br />
In the process space syntax imparts<br />
flow, transition, integration among<br />
spatial units whereas other dynamic<br />
network modeling whether analogue<br />
or digital set forth clustering, neighboring<br />
conditions and their meanings.<br />
Such graph theory based tools including<br />
space syntax appear as informative<br />
and creative tools to think, talk about<br />
and engage in space and spatial constitutions.<br />
In the third stage we can<br />
denote that form is designated by the<br />
enactment of the geometric rules. The<br />
operative rule is “to remain in the median<br />
axis of the other chosen two” in<br />
the game described in the initial sample,<br />
and in the next sample it is the<br />
distances designated for the units to<br />
satisfy in reference to one another. It<br />
is possible to say that design process is<br />
the iteration between these stages, i.e.<br />
the assessment of the “fixed” form and<br />
its consequences in the third stage are<br />
examined and tested with tools mentioned<br />
in the second stage. Therefore<br />
the process continues with the feedbacks<br />
of the second stage reconfiguring<br />
rule sets of the third stage and rerunning<br />
these relational metric rules.<br />
Network thinking equips architects<br />
with data regarding space and enhanc-<br />
Thinking and designing with the idea of network in architecture
84<br />
Figure 11. Talking about Two Experiments.<br />
es their spatial awareness. Mathematical<br />
and graphical tools render previously<br />
invisible characteristics of space<br />
visible, measurable, and discursive. In<br />
respect to other generative tools for design<br />
network modeling in architecture<br />
can thus be transformed into a design<br />
tool with which the designer can freely<br />
think, play and model.<br />
References<br />
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Synthesis of Form. Harvard University<br />
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Texas A&M University, USA.<br />
Cross, N. (2007). Designerly Ways<br />
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Thinking and designing with the idea of network in architecture
86<br />
Mimarlıkta ağ düşüncesi ile düşünmek<br />
ve tasarlamak<br />
Bir mekan kurgusunun tasarımı<br />
onun parçaları arasındaki ilişkiler ağının<br />
düzenlenmesi ile ilgilidir. Bu ağ yapısı<br />
mimarlık söyleminde kullanıcılar<br />
arasındaki sosyal ilişkileri, etkileşimleri<br />
resmettiği, mekanda fonksiyonel ve<br />
potansiyel rotaları deşifre ettiği, mekansal<br />
yakınlıkları gözler önüne serdiği<br />
için önemlidir. Mimari tasarım öznel<br />
bir süreç ise de kimi tasarım araçları ve<br />
metotları tasarımcıya tasarlananı değerlendirmek,<br />
öğrendikleriyle yeniden<br />
üretmek için nesnel kriterler sunar.<br />
Ağ düşüncesi içeren mekan kurma ve<br />
ölçme araçları mimarlığa ilişkin düşünceleri<br />
görselleştirme ve tartışmaya<br />
açmaya, verilerden mekansal ilişkilere<br />
dair yeni oranlara ulaşmaya, mimari<br />
programa yönelik potansiyelleri ortaya<br />
çıkaracak çeşitlilikleri tanımlamaya ve<br />
kriterlerle test edebilmek için senaryolar<br />
geliştirmeye olanak verir.<br />
Bu çalışma mimari tasarımda ağ<br />
düşüncesinin kullanılmasına odaklanır<br />
ve tasarım aktivitesinin deneysel<br />
ve zihinsel özelliklerine vurgu yaparak<br />
bu tür bir düşünme biçiminin tasarım<br />
sürecinde yaratıcı ve bilgilendirici bir<br />
araç olarak nasıl işlevselleşebileceğini<br />
araştırır. Çalışma, kural temelli dinamik<br />
ağ modelleri içindeki komşuluk<br />
ve çekim özellikleri yardımıyla mekanı<br />
oluşturan elemanların ilişkilerinin sistematik<br />
haritalanmasına yönelik araştırmalar<br />
sunar.<br />
Mimarlıkta ağ düşüncesine odaklanan<br />
çalışmalar incelendiğinde temelde<br />
üç amaçla kullanıldığı söylenebilir.<br />
(1) Var olan mimari biçimi anlama<br />
(Hillier ve diğerleri, 1987; March ve<br />
Steadman, 1971), (2) Mimari biçimi<br />
üretme (Mitchell ve diğerleri, 1976;<br />
Steadman, 1983), (3) Mimari biçimi<br />
değerlendirme (March, 1976; Hillier,<br />
1998; Space Syntax, 2002). İlkinde varolan<br />
mekansal biçimlenmelerin kendilerini<br />
oluşturan dinamiklerin keşfi<br />
için analiz edilmesi hedeflenir. Tanımlayıcı<br />
ve açıklayıcı yönleri ön planda<br />
olan bu çalışmalar mimarın mekana<br />
ilişkin bilinç düzeyini arttırarak tasarım<br />
sürecini besleyecek bilgi birikimini<br />
çoğaltır. İkinci grup çoğunlukla<br />
bilgisayar odaklı, mekanik bir süreç<br />
içinde ve önceden belirlenmiş kurallar<br />
bütününde istenen mekansal biçimi<br />
aramaya niyetlidir. Burada çoğunlukla<br />
üretilen biçimin nasıl bir yaşam biçimi<br />
kurguladığı sorgulanmadan tüm olasılıklar<br />
tasarımcının gözü önüne serilir.<br />
Son grup çalışmada ise tasarımcı<br />
üretilmiş mekansal kurgular arasında<br />
istenen kurallar, sınır şartlarına uygun<br />
en iyiyi seçme görevini üstlenir.<br />
Burada kritik olan ve çokça eleştirilen<br />
konu tasarımcının bu bilişsel sürece ne<br />
denli dahil olabildiği, mekanın belirli<br />
bir kural setini aramak ötesinde ürettiği<br />
olası yaşam senaryoları ile ne denli<br />
değerlendirilebildiğidir (Nourian ve<br />
diğerleri, 2013). Nitekim son donemde<br />
mekan dizimi çalışmaları tasarımcıya<br />
tasarladıkları mekansal kurguların nasıl<br />
yaşandığını göstererek, kendi tasarımından<br />
öğrenmesine, önerisini yeni<br />
düşüncelerle geliştirmesine olanak sağlamaya,<br />
bilgi temelli tasarım sürecinin<br />
de özünü biçimlemeye niyet etmiştir<br />
(Hanson, 2001; Dursun, 2007, 20<strong>12</strong>).<br />
Bu noktadan hareketle bu çalışma mimarlıkta<br />
ağ düşüncesinin tasarımcının<br />
birebir dahil olduğu bir interaktif araştırma<br />
süreci içinde tasarımın ilk evrelerinde,<br />
yaratıcı bir araç olarak nasıl<br />
kullanılabileceğine odaklanmaktadır.<br />
Yazıda bu olgu biri mimarlık eğitimi<br />
diğeri mimarlık pratiğinden seçilmiş<br />
iki deneyim üzerinden tartışılmıştır.<br />
Bunlardan ilki mimarlıkta ağ düşüncesinin<br />
kavramsal olarak sorgulandığı<br />
“ikidebir oyunu”dur. Bu atölye çalışmasında<br />
amaç, öğrencilerde ağ düşüncesine<br />
yönelik bir kavrayış ve farkındalık<br />
geliştirmektir. Mekana ilişkin oluşturulan<br />
karmaşık ağ yapısının ne tür potansiyeller<br />
ürettiğinin, ağın karakteristik<br />
özelliklerinin, bu ağ yapısının nasıl<br />
görünür, tartışılabilir ve de değerlendirilebilir<br />
kılındığının öğrencilerle birlikte<br />
irdelenmesi hedeflenmiştir. Sentaktik<br />
ve grafik-teorik araçlar oyunda<br />
kurgulanan ilişkiler ağını analiz etmek<br />
için kullanılır. Bu deneysel çalışmanın<br />
amacı mekan tasarımının belirli kurallar<br />
çerçevesinde parçalarının, parametrelerinin<br />
karşılıklı ilişkide olduğu<br />
bir sistem kurmak olduğunun soyut bir<br />
model üzerinden altını çizmektir.<br />
Yazıda tartışılan ikinci örnek ise<br />
yerleşim ve programa ilişkin kararlarının<br />
dinamik ağ modelleme araçları ile<br />
değerlendirildiği bir hastane kampüsü<br />
tasarımıdır. Bu deneyim söz konusu<br />
kavrayışın yani mimarlıkta ağ düşün-<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • N. Kozikoğlu, P. Dursun Çebi
87<br />
cesinin, mekanı kurarken, tasarlarken<br />
nasıl kullanılabileceği ile ilgilidir. Burada<br />
temsil edilen yerine deşifre edilerek<br />
aranan, potansiyelleri sınanarak<br />
geliştirilen bir mekansal kurgudan söz<br />
edilebilir. Benzer şekilde sentaktik ve<br />
grafik-teorik araçlar da mekanın potansiyellerini<br />
çözümlemek için kullanılır.<br />
Bu deneysel çalışma doğrudan,<br />
üretilen bilgi ile sürecin beslendiği bir<br />
mekan yapma pratiği ile ilgilidir.<br />
Mimarlıkta ağ odaklı düşüncenin<br />
mekansal organizasyonların ölçülmesine<br />
ve bir tasarım araştırması olarak<br />
kullanılmasına yönelik olarak ortaya<br />
konan deneysel çalışmalar mimarlığı<br />
öğrenen ve gerçekleştirenler için değerli<br />
olacaktır.<br />
Thinking and designing with the idea of network in architecture
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • 89-103<br />
Behavioral responses of the elderly<br />
regarding spatial configuration: An<br />
elderly care institution case study<br />
Esra ÖZSÜT AKAN 1 , Alper ÜNLÜ 2<br />
1<br />
esakan65@hotmail.com • Graduate School of Science, Engineering and<br />
Technology, Istanbul Technical University, Istanbul, Turkey<br />
2<br />
aunlu@itu.edu.tr • Department of Architecture, Faculty of Architecture, Istanbul<br />
Technical University, Istanbul, Turkey<br />
Received: May <strong>2015</strong> Final Acceptance: October <strong>2015</strong><br />
Abstract<br />
This article details a study presenting behavioral responses of elderly users regarding<br />
spatial configurations within an elderly care institution, using the “Space<br />
Syntax Method” within the framework of ”Environment Behavior Studies”.<br />
The case study reveals a variance of both adaptive and maladaptive behavioral<br />
responses towards spatial configurations regarding the elderly and their residential<br />
environment. A linear configuration is seen at the Maltepe Elderly Care &<br />
Rehabilitation Institution where behavioral responses are emphasized by analyses<br />
of how the design of elderly care institution corresponds directly with the spatial<br />
behaviors of elderly users’ overtime, utilizing the Observation Method. The linear<br />
configured elderly care institution shows an increase in behavioral responses in<br />
low level interaction (socio-fugal) areas whereas a decrease is seen in highly social<br />
interaction (socio-pedal) areas. Two different syntactic analyses are made with the<br />
inclusion of the garden area and without demonstrating the visual relationship<br />
with outer space. In doing such, it can be seen that both affective and behavioral<br />
needs of this particular age group into the design of elderly care institutions are a<br />
relevant parameter to be included as a conceptual framework within the architectural<br />
design process.<br />
Keywords<br />
Behavioral responses, Elderly, Elderly care institution, Spatial configuration,<br />
Space syntax.
90<br />
1. Introduction<br />
The aging of the population is an increasingly<br />
important issue in this century,<br />
especially considering how this<br />
issue affects all aspects of society including<br />
but not limited to health, social<br />
security, environment, architecture,<br />
socio-cultural activities and family.<br />
From the beginning of the 20 th<br />
century, influenced by the age of industrialization,<br />
rapidly improving<br />
technologies, urbanization and an individualized<br />
life cycle there have been<br />
many changes in both family and social<br />
structures. The transition from extended<br />
family structures to immediate family<br />
which has been influenced by status<br />
and the decreased ability of function<br />
in the elderly has caused many of the<br />
elderly to become isolated. Factors<br />
such as the change in traditional family<br />
structure, death of spouse, decrease<br />
in income levels, not having social<br />
security, nor security in living alone<br />
have made the lives of the elderly living<br />
alone quite difficult. Therefore for<br />
these and other reasons, elderly care<br />
institutions have become the preferred<br />
living space for the elderly in recent<br />
times. However whereas trends may<br />
have changed in recent times, until<br />
now little importance has been given to<br />
studies on the spatial features of such<br />
elderly care institutions being sufficient<br />
in meeting the physical, social, psychological<br />
needs and expectations of the<br />
elderly.<br />
2. Conceptual framework<br />
As part of “Environment Behavior<br />
Studies”, the conceptual framework<br />
includes the scope of “psycho-spatial”<br />
and “psycho-social” concepts as well as<br />
“architectural design” and “elderly user<br />
spatial behavior and responses” which<br />
due to their importance are being set<br />
forth and examined syntactically with<br />
the Space Syntax Method. Due to having<br />
a framework which holds multiple<br />
disciplines together, the importance<br />
of parameters regarding the study are<br />
being discussed with a transactional<br />
approach.<br />
2.1. Environment behavior studies<br />
According to Altman (1975), the features<br />
of human-environment relations<br />
are classified in biological, physical,<br />
psychological and socio-cultural levels.<br />
In research, the psycho-spatial processes<br />
concerning the elderly have multiple<br />
conceptual infrastructures. For this<br />
reason, separate identification of these<br />
concepts is important in terms of the<br />
behavioral spatial processes of the elderly<br />
users in order to understand and<br />
measure information concerning elderly<br />
care institutions. These concepts<br />
are the factors that form behavioral<br />
patterns concerning spaces and are<br />
discussed within the context of ecological<br />
harmony regarding the elderly and<br />
environmental stress, personal space,<br />
belonging, and social interaction, in<br />
order to form a space syntax relation.<br />
Osmond (1959) classified two kinds of<br />
conversational space; non-supportive<br />
socio-fugal and supportive socio-pedal.<br />
Being large, open, and expansive,<br />
with high ceilings and bright lighting,<br />
socio-fugal spaces tend to drive people<br />
apart and discourage social interaction.<br />
In opposition, he believed that smaller<br />
spaces with lower overhangs and<br />
close lighting, socio-pedal spaces tend<br />
to bring people together, encouraging<br />
conversation. Both these concepts are<br />
important regarding the elderly care<br />
institutions meeting their social needs.<br />
The literature suggests that older adults<br />
want to see rather than be seen, they sit<br />
in the areas surrounding open spaces,<br />
almost preferring the exterior edges of<br />
socio-pedal spaces (Sommer 1969).<br />
The primary target of analysis conducted<br />
is to understand the potential<br />
of physical spaces bringing the elderly<br />
users together dependent on their spatial<br />
behaviors. Within the scope of this<br />
article, the harmony of elder users’ spatial<br />
behaviors within spatial configurations<br />
form interactions at specific locations<br />
anticipated by the architect or<br />
reactions towards spatial configuration<br />
in which conversion or localizations of<br />
space in the different areas were seen.<br />
Within the context of Environment<br />
Behavioral Studies, Lawton and Nahemow<br />
(1973), as part of “Ecological<br />
Theory of Adaptation and Aging”<br />
evaluated the affective and behavioral<br />
conditions with personal efficiency,<br />
competence and the warnings received<br />
from the interaction between the physical<br />
and social environment or as a results<br />
of its relation with environmental<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • E. Özsüt Akan, A. Ünlü
press. When a user reaching a certain<br />
level of competence shows behavior<br />
in an environment where there is also<br />
a certain level of press, the behavioral<br />
output is seen in the zone continuing<br />
between positive and negative zones.<br />
These zones are rated according to<br />
their level of behavior and influenced<br />
between competence and press is defined<br />
as the adaptation level.<br />
If environmental press reaches a<br />
high level, it means the competence<br />
level is also increased. Alternatively<br />
when there is a drop in environmental<br />
press, although behavioral output<br />
is generally positive if in fact it is of<br />
any significant measure the situation<br />
may lead to distress, sensory illness<br />
and behavioral anxiety, which is not<br />
organized (Ünlü, 1998). In that sense,<br />
elderly people in their institutional<br />
care environments show behavioral reactions<br />
against spatial configuration or<br />
harmony with their spatial behaviors<br />
such as when modifying the function<br />
of the space.<br />
Site Planning and Design for the Elderly,<br />
by Carstens (1993), did discuss<br />
issues relating to aging and presented<br />
recommendations for meeting elderly<br />
requirements and preferences (orientation<br />
and wayfinding, predictability<br />
and control, socializing, sensory stimulation,<br />
and environmental comprehension)<br />
and the practical requirements<br />
(safety and security, comfort,<br />
and physical, psychological and visual<br />
access).<br />
Figure 1. Lawton & Nahemow’ s ecological model of aging (1973).<br />
According to psychology, institutionalized<br />
elderly residing in a corporate<br />
environment are at a greater risk<br />
for depression. Long term care institutions<br />
recommend the elderly and their<br />
relatives to bring familiar and personal<br />
belongings in order to personalize the<br />
environment and alter the perception<br />
of the environment. Yet although significant,<br />
a negative impact is still seen<br />
(Eshelman et al., 2002). However, regarding<br />
interior decoration objects,<br />
wallpaper upholstery materials combined<br />
with a friendly environment<br />
similar to a home image accentuated<br />
with the use of lighting elements aids it<br />
giving a feeling of familiarity and safety<br />
(Kopec, 20<strong>12</strong>).<br />
According to Zeisel’s (2005) case<br />
study in the Alzheimer’s Assisted Living<br />
Treatment Residence, both the<br />
design and layout were modified for<br />
people living with Alzheimer’s disease<br />
and the architecture, landscape<br />
and interior were planned to augment<br />
memories and the ability of self or auto-functioning.<br />
By taxing the areas of<br />
residents’ brains which functioned well<br />
and relieving damaged areas, the entire<br />
individual was supported. Residents<br />
felt at home, competent and in control<br />
as much as their age allowed.<br />
2.2. Social structure of space and<br />
space syntax based theories<br />
Space syntax is a theory and methodology<br />
used to define structural environments.<br />
The theoretical base was<br />
first set forth by Hiller and Hanson<br />
(1984) in a book entitled “Social Logic<br />
of Space” in which the thesis states<br />
there is a relation between outside<br />
factors that generate forms and social<br />
powers. According to Hiller and Hanson<br />
(1984) the biggest obstacle in creating<br />
better designs lies in the fact that<br />
the relation between social structure<br />
and spatial organization was not being<br />
fully understood. In order to achieve<br />
this more emphasis must be placed on<br />
the interdisciplinary literature of space<br />
and society. The Space Syntax theory is<br />
used as a parameter of spatial scheme<br />
defining behavioral changes, cultural<br />
differences and social functions. This<br />
theory is used within the context of<br />
elderly care institutions by measuring<br />
the design forms of buildings as well as<br />
Behavioral responses of the elderly regarding spatial configuration: An elderly care institution case<br />
study<br />
91
92<br />
the interaction between elderly users,<br />
which aims to provide readability from<br />
an architect’s perspective.<br />
According to Seamon’s (1994) phenomenological<br />
approach, humans are<br />
in close relationship with the world and<br />
it is believed that the two create and<br />
reflect upon each other. For example,<br />
long, narrow roads are cold, give little<br />
feeling of space and are perceived with<br />
their one-dimensional axial shapes,<br />
movement flow and circulation area.<br />
On the other hand, large convex spaces<br />
are the places where elderly people<br />
rest, children play and district bazaars<br />
are set up. If axial spaces are mostly<br />
connected with gradual change and interaction<br />
amongst residential districts<br />
and neighborhoods, convex places are<br />
connected with the meaning of these<br />
spaces which provides an opportunity<br />
to read architectural plans with Space<br />
Syntax analysis (Edgü, 2003).<br />
In a study regarding the elderly conducted<br />
on the remodeling of a care institution,<br />
progressive privacy is turned<br />
towards access to public and common<br />
areas as much as possible such as outside<br />
sheltered areas and can be controlled<br />
entirely by the user dividing the<br />
space into subsections (Trotter et al.,<br />
1998). The Progressive Privacy Model<br />
with public, semi-public and private<br />
areas separated into different zones allows<br />
balance to be kept in the levels of<br />
access and control.<br />
Concerning Wojgani and Hanson<br />
(2007) their configuration in which<br />
they redesigned an elderly care and<br />
rehabilitation center, located general<br />
spaces around the main entrance<br />
where social interaction was strong,<br />
removing personal spaces that enabled<br />
privacy from the entrance. With that<br />
configuration, they identified the physical<br />
features of spatial configuration as<br />
well as determined the social interaction<br />
of the space.<br />
In this context, we see a move away<br />
from a home environment towards one<br />
that involves more experiences forcing<br />
users into a new environment for<br />
the elderly which carries the perimeter<br />
which includes psycho-spatial behaviors.<br />
In the thesis study that formed the<br />
basis for this article, the hypothesis was<br />
that spatial configuration in elderly<br />
care institutions is a determining factor<br />
on spatial behaviors and perception<br />
of elderly users. Therefore, with that in<br />
mind elderly care institutions should<br />
be analyzed in terms of environmental<br />
perception combined with the influence<br />
of spatial configuration which is<br />
demonstrated in this case study. It has<br />
been shown that spatial configuration<br />
does in fact cause behavioral responses<br />
on elderly users and the relation of spatial<br />
configuration in elderly care institutions<br />
concerning behaviors of these<br />
users are set forth and examined at a<br />
syntactic level.<br />
3. Case study<br />
In this case study, to what extend<br />
spatial configurations conflicted with<br />
spatial behaviors of the elderly and<br />
the level of relation between them<br />
have been emphasized as well as the<br />
adaptive or maladaptive behavioral responses<br />
imposed from the elderly.<br />
In the elderly care institution that<br />
was chosen for this case study, behavioral<br />
responses of elderly users were<br />
emphasized by analysis of the influence<br />
of spatial configuration on spatial<br />
behaviors and responses as well as the<br />
interactions between them. Behavioral<br />
patterns within the scope of the architectural<br />
program were determined by<br />
observational method and perceptional<br />
features were digitized within Space<br />
Syntax parameters including the interaction<br />
between space configuration<br />
and users responses. By interpreting<br />
usage frequency of the space with a<br />
syntactic value and socio-pedal or socio-fugal<br />
space characters, the developed<br />
adaptive or maladaptive behavioral<br />
responses of users towards spatial<br />
configurations were shown.<br />
The Maltepe Elderly Care & Rehabilitation<br />
Institution (MECRI) was<br />
designed by Yalçın Emiroğlu in 1975<br />
and included in the complex was a residence<br />
for mobile and semi-mobile elderly<br />
with two units for eighty to one<br />
hundred people, a rehabilitation center,<br />
social services unit, central kitchen,<br />
laundry, infirmary and recreational<br />
facility. Each unit has three floors<br />
with gardens and sitting areas between<br />
them. The structural complex has a linear<br />
plan scheme on a horizontal settlement<br />
plan (Figure 2).<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • E. Özsüt Akan, A. Ünlü
93<br />
Figure 2. MERCI, layout and ground floor plan.<br />
Figure 3. Views from the observation points on the ground floor.<br />
Figure 4. Views from the observation points on the first floor.<br />
With regards to the scope of this<br />
case study, Block A and C apartment<br />
units are discussed and have living<br />
units that generate a linear layout by<br />
lining up across along a corridor. All<br />
living units have a balcony and face<br />
south overlooking the landscape. The<br />
social block unit was planned separately<br />
from the living units, connected to<br />
the administration and in the entrance<br />
lies waiting, secretary, manager and<br />
meeting rooms. Further on the social<br />
area unit is accessible where in lies a<br />
multi-purpose hall, service area and<br />
cafeteria (Figures 3-4).<br />
3.1. The identification of the method<br />
of case study<br />
The relation between numerical values<br />
obtained and social structure are<br />
objectively identified. During identification<br />
of this relation, outcomes were<br />
obtained from two stages of analyses<br />
providing definition of the different<br />
point characteristics of space. Firstly,<br />
by Observation Method, data acquisition<br />
at the MECRI was conducted on<br />
a day from 10:00 a.m. to 5:00 p.m. Secondly,<br />
by using the Space Syntax Method<br />
to acquire numerical and graphical<br />
data: Integration, Mean Depth, Isovist<br />
Area, Isovist Perimeter Analyses were<br />
made. These analyses and obtained values<br />
were then input into a two-dimensional<br />
plan of the space in the University<br />
of Michigan licenses “Syntax 2D”<br />
program and floor plans with the Space<br />
Syntax Method.<br />
Data and Space Syntax data were<br />
overlapped with the “SPSS (Statistical<br />
Package for the Social Sciences)” statistical<br />
analysis program. During the first<br />
stage, correlation values were formed<br />
by overlapping elderly usage frequency<br />
data acquired with Observation Method<br />
and syntactic values acquired with<br />
the Space Syntax Method were then<br />
interpreted within the context of the<br />
hypothesis.<br />
In order for these studies to me conducted<br />
initially effective parameters<br />
on spatial behavior and perception of<br />
the elderly users in an elderly care institution<br />
were set forth and associated<br />
(Figure 5).<br />
Next, the necessary data within the<br />
context of the parameters and methods<br />
used to acquire data were determined.<br />
While specifying the method of study,<br />
concepts such as the elderly users, spatial<br />
configuration, spatial behaviors<br />
and perceptions were approached conceptually<br />
within the scope of the Space<br />
Figure 5. Parameters of elderly user’s spatial<br />
behavior and perception in the elderly care<br />
institution.<br />
Behavioral responses of the elderly regarding spatial configuration: An elderly care institution case<br />
study
94<br />
Syntax. By observing how elderly user<br />
perceived the environment and how<br />
they were affected by it, their spatial<br />
behavior was evaluated together with<br />
their adaptive or maladaptive behavioral<br />
responses.<br />
The study conducted within this<br />
context is as follows:<br />
• The method of periodic observation<br />
was used to present the frequency<br />
and duration of interaction<br />
between elderly users and spatial<br />
configuration.<br />
• Analysis was performed regarding:<br />
integration, mean depth, isovist<br />
area and isovist perimeter utilizing<br />
the Space Syntax Method.<br />
• Data were overlapped and read using<br />
the SPSS to determine if the designs<br />
of elderly care institutions act<br />
in coincidence with elderly users<br />
as well as the behavioral responses<br />
which the designs created on the<br />
user.<br />
3.2. The data from observation<br />
In the MECRI, interaction with spatial<br />
configuration and elderly users was<br />
conducted with the Observation Method.<br />
For elderly users to be observed in<br />
the institution, identification of the<br />
spaces where social interaction was<br />
most intense was necessary and such<br />
observations were conducted on the<br />
ground and first floors of the preferred<br />
spaces.<br />
It was observed that elderly users<br />
preferred areas such as corridors and<br />
block entry areas which involved activity<br />
rather than places which were<br />
originally planned to be the social interaction<br />
areas. All observed points are<br />
described as follows:<br />
• MA1 (A Block Entry Area),<br />
• MA2 (A Block Ground Floor Corridor<br />
Area),<br />
• MA3 (A Block First Floor Corridor<br />
Area),<br />
• MA4 (A Block Daily Resting<br />
Room),<br />
• M1 (Cafeteria),<br />
• M2 (Multi-Purpose Hall),<br />
• MC1 (C Block Entry Area),<br />
• MC2 (C Block Ground Floor Corridor<br />
Area),<br />
• MC3 (C Block First Floor Corridor<br />
Area),<br />
• MC4 (C -Social Block Connection<br />
Area).<br />
The areas allocated in the architectural<br />
planning as social interaction<br />
areas and also the spaces preferred by<br />
elderly users which were transformed<br />
to social interaction areas over time as<br />
well as the paths they followed while<br />
reaching these spaces are marked below<br />
(Figure 6-7).<br />
In addition the behavioral patterns<br />
and the number of elderly users that<br />
were affected by the use of these spaces<br />
as well as their frequency have been<br />
shown below (Table1).<br />
Utilizing the Observation Method,<br />
spaces and how often elderly users in<br />
the institutions used them along with<br />
behavioral moods and patterns which<br />
were periodlically performed in this<br />
institution as well as social areas with<br />
high/low interaction levels are indicated<br />
in the below figures (Figures 8-9).<br />
The light colored areas are inter-grated,<br />
highly social interaction and socio-pedal<br />
areas, while the dark areas<br />
indicate depth and low social interac-<br />
Figure 6. Ground floor observation points in MECRI.<br />
Figure 7. First floor observation points in the MECRI.<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • E. Özsüt Akan, A. Ünlü
95<br />
Table 1. The usage and the frequency of the spaces in the MECRI.<br />
BEHAVIORAL MODES<br />
SPACES<br />
OBSERVATION<br />
PERIOD<br />
PERIOD<br />
(10:00-<br />
13:00)<br />
PERIOD<br />
(14:00-17:00)<br />
Waiting,<br />
Looking<br />
Around;<br />
Drinking<br />
Tea or<br />
Coffee<br />
etc.<br />
INDIVIDUAL MODES<br />
Watching<br />
TV<br />
Reading<br />
Newspaper<br />
or Book etc.<br />
PUBLIC INTERACTIVE<br />
MODES<br />
Standing<br />
Chat<br />
Sitting<br />
Chat<br />
Playing<br />
Card<br />
Game<br />
NUMBER<br />
OF<br />
PEOPLE<br />
PASSING<br />
(30min<br />
Periyod)<br />
USAGE<br />
FREQUENCY<br />
(Number of<br />
Total Users)<br />
M A1 (A<br />
Block Entry<br />
Field)<br />
M A2<br />
(A Block<br />
Corridor<br />
Area On<br />
The Ground<br />
Floor)<br />
M A3<br />
(A Block<br />
Corridor<br />
Area On The<br />
First Floor)<br />
10:00-17:00 44 0 0 8 3 0 99 154<br />
41 0 0 6 1 0 51 99<br />
10:00-17:00<br />
10:00-17:00 0 0 0 11 0 0 32 43<br />
MA 4 (A Blok<br />
Day Resting<br />
Room)<br />
10:00-17:00 25 19 20 6 24 0 0 94<br />
M C1 (C<br />
Block Entry<br />
Field)<br />
10:00-17:00 5 1 0 1 1 0 20 28<br />
M C2<br />
(C Block<br />
Corridor<br />
Area On The<br />
Ground)<br />
M C3<br />
(C Block<br />
Corridor<br />
Area On The<br />
First Floor)<br />
10:00-17:00<br />
10:00-17:00<br />
13 18 0. 0 0 0 13 31<br />
9 0 4 0 0 0 21 34<br />
M C4 (C -<br />
Social Block<br />
Connection<br />
Area)<br />
10:00-17:00 23 1 8 4 16 0 3 55<br />
M 1<br />
(Cafeteria)<br />
10:00-17:00 5 0 5 0 0 39 0 49<br />
M 2 (Multi-<br />
Purpose Hall)<br />
10:00-17:00 4 6 0 0 0 0 0 10<br />
Behavioral responses of the elderly regarding spatial configuration: An elderly care institution case<br />
study
96<br />
Figure 8. Ground floor social interaction<br />
character analysis in MECRI.<br />
Figure 9. First floor social interaction<br />
character analysis in the MECRI.<br />
tion and socio-fugal areas.<br />
To what extent spatial configuration<br />
of the instiution was, to what effect<br />
on the intergration level of the elderly<br />
was made and to what extent as well as<br />
the behavioral responses of the elderly<br />
were determined.<br />
In the model below, set within the context<br />
of Person-Environment-Behavior,<br />
A- Environment Figures is quantitative<br />
figure for the MECRI, set forth by the<br />
Space Syntax Method. However, B- the<br />
Behavior in the Environment is qualitative<br />
and was acquired in the case<br />
study (Figure 10).<br />
3.3. Space syntax data<br />
The functional structure of the observed<br />
elderly institution was defined<br />
mathematically by identification of<br />
space and relations among them as a<br />
network.<br />
The relation between the acquired<br />
numeric data and social structure was<br />
defined objectively and determined<br />
using the Space Syntax Method. For<br />
acquiring numerical and the graphical<br />
data four analyses were made; Integration,<br />
Mean Depth, Isovist Area, and<br />
Isovist Perimeter Analysis. Values were<br />
obtained by accessing the University<br />
of Michigan licensed ‘’Syntax 2D’’program<br />
in which separate analyses for<br />
the institution, the interaction between<br />
the spatial configuration and the elderly<br />
user behavior were questioned.<br />
Figure 10. The model of space syntax association with the<br />
elderly user’s spatial behavior and perception in the elderly care<br />
institutions.<br />
Proceeding from this, how much the<br />
spatial configurations of the institution<br />
conformed to elderly behaviors and<br />
their behavioral responses were discussed.<br />
The spatial configuration of the<br />
floor plan was questioned with regards<br />
to the design of the elderly institution.<br />
These values were converted to numerical<br />
data by the Space Syntax Method<br />
combined with the Observation Method,<br />
then overlapped by the SSPS statistical<br />
program.<br />
Therefore analysis regarding the design<br />
and the elderly user’s spatial behaviors<br />
in the elderly institution, as well as<br />
adaptive or maladaptive responses that<br />
elderly users formed against the spatial<br />
configuration was set forth. There is a<br />
possibility to compare different forms<br />
on the same quantitative basis with<br />
the Space Syntax analyses (Kim, 1999;<br />
Penn, 2003). The concepts being set<br />
forth by this method help the space, together<br />
with the physical and lexical parameters<br />
in the elderly care institutions<br />
to be understood. Space Syntax data<br />
analysis was calculated separately by<br />
inserting Ground Floor and First Floor<br />
plans into the Syntax 2D program with<br />
Isovist Area, Isovist Perimeter, Integration,<br />
and Mean Depth.<br />
Based on the Syntax 2D and isovist<br />
area, by defining the border of the plans<br />
to be analyzed and the walls inside it,<br />
the area to be analyzed was determined<br />
and the relations within the scope of<br />
this area were searched (Figure 11).<br />
The program working with a grid<br />
system, after determining a grid towards<br />
this influence area, was connected<br />
with identical field of view and the<br />
grid separations, calculating the physical<br />
space relations within the borders<br />
selected for analysis (Şalgamcıoğlu,<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • E. Özsüt Akan, A. Ünlü
97<br />
2013). The Isovist Area is; the value<br />
that gives the surface area of the isovist<br />
area.<br />
The perimeter values of the isovist<br />
area, differ from the Isovist Area, and<br />
do not provide the surface value of 360<br />
degrees of the Isovist area on separate<br />
points but instead the calculation of<br />
the perimeter value of a two-dimensional<br />
polygon. This situation demonstrates<br />
about whether the sizes of the<br />
space perceived from each point are<br />
thin, long or not. When being discussed<br />
on the basis of the institution,<br />
it also reveals the differences between<br />
convex spaces having close sizes and<br />
convex space geometrics have different<br />
size values. The Perimeter of the Isovist<br />
Area and the size of the perceived<br />
space from the chosen point is show<br />
to be long or short. The Integration<br />
value comes first among the syntactic<br />
values, having the property of giving<br />
information. It enables interpretation<br />
of the information on which spaces are<br />
deep or shallow in overall general relation<br />
with the integration analysis. It is<br />
interpreted, that the mean depth value<br />
is contradictive of the integration value.<br />
In those spaces, this value is related<br />
with an accumulation amount in stage<br />
wise engagement within each other as<br />
shown in the Space Syntax Analysis<br />
Figure 11. Visual field area from observation<br />
points with the garden.<br />
in Figure <strong>12</strong>. Where the garden was<br />
included, the Isovist Area of the front<br />
garden, Isovist Perimeter and Integration<br />
value came out to be highest. In<br />
this connection, the A block entrance<br />
faces the front garden, and although<br />
MA1 is a narrow space, it had the highest<br />
integration value (Figure <strong>12</strong>).<br />
The aim of this study was to attempt<br />
to find the spatial behavioral responses<br />
towards spatial configuration in an elderly<br />
institution.<br />
For this reason, the syntactic data<br />
values were calculated separately for<br />
two plans, including the values of sectors<br />
differentiated as “with the garden”,<br />
“without the garden” to read adaptive<br />
and maladaptive behavioral responses<br />
on the spatial configuration.<br />
The mean syntactic values were obtained<br />
for the four concepts listed by<br />
dividing the total data value of institution<br />
plans on its own grid count (Table2;<br />
Table 3).<br />
The names applied for each data<br />
group for which a value was obtained<br />
are listed below;<br />
• Integration<br />
• Mean Depth<br />
• Isovist Area<br />
• Isovist Perimeter<br />
In the Space Syntax Analysis made;<br />
with the isovist fields, the space that<br />
users could see a complete 360 degrees,<br />
was scanned. A user sitting by the window<br />
could easily perceive both the outside<br />
and inside and hold the isovist area<br />
at the highest level. As a result when<br />
observed, these spaces had the characteristic<br />
of being the most preferred.<br />
When the plan without the garden<br />
was taken into account, the isovist area<br />
graphs from the observed points are as<br />
follows (Figure 13).<br />
When we look at configuration of<br />
the elderly institution without a garden,<br />
as the colors of living units are indicated<br />
by deep and dark blue colors,<br />
corridors, multipurpose hall and cafeteria<br />
are green and yellows color in a<br />
complimentary manner (Figure 14).<br />
Figure <strong>12</strong>. Syntactic analyses of isovist area,<br />
isovist perimeter integration and mean<br />
depth with the garden.<br />
3.4. Correlations<br />
Finally, the statistical relationship of<br />
the different phases was also be evaluated,<br />
and the addressed comparisons<br />
examined using the “SPSS”. This was<br />
the comparison of Usage Frequency<br />
Behavioral responses of the elderly regarding spatial configuration: An elderly care institution case<br />
study
98<br />
Table 2. Space syntax values with the garden.<br />
SPACE SYNTAX VALUES<br />
SPACES<br />
ISOVIST<br />
AREA<br />
ISOVIST<br />
PERIMETER<br />
INTEGRATION MEAN DEPTH<br />
M A1 (A Block Entry Field) 32226642 5<strong>12</strong>10 4977347 1,74<br />
M A2 (A Block Corridor Area On The<br />
Ground Floor<br />
M A3 (A Block Corridor Area On The First<br />
Floor<br />
2479086 32139 278231 2,2<br />
2608088 27342 181608 2,33<br />
MA 4 (A Blok Day Resting Room) 21609831 60606 1975202 1,85<br />
M C1 (C Block Entry Field) 9659796 24699 1<strong>12</strong>6038 2,28<br />
M C2 (C Block Corridor Area On The<br />
Ground<br />
M C3 (C Block Corridor Area On The First<br />
Foor<br />
M C4 (C Block- Social Block Connection<br />
Area)<br />
1832321 19931 173346 2,4<br />
<strong>12</strong>54736 <strong>12</strong>378 51665 2,68<br />
18664697 41169 1738030 1,86<br />
M 1 (Cafeteria) 4864848 20902 514467 2,3<br />
M 2 (Multi-Purpose Hall) 5878802 30147 414171 2,24<br />
Figure 13. Visual field area from observation<br />
points without the garden.<br />
Figure 14. Syntactic analyses of isovist area,<br />
isovist perimeter, integration and mean<br />
depth without the garden.<br />
and Syntactic Values.<br />
The case study attempts to ascertain<br />
the effect of space configuration on elderly<br />
users’ responses. Four relationships<br />
were examined in the network in<br />
the use of the parameters of the spatial<br />
frequency range.<br />
• Frequency- Integration<br />
• Frequency- Mean Depth<br />
• Frequency- Isovist Area<br />
• Frequency- Isovist Perimeter<br />
When we consider Syntactic Values<br />
with a garden and the Usage Frequency<br />
correlation; Usage Frequency- Integration<br />
(r = 0,730; p= 0,017), Usage<br />
Frequency-Isovist Area (r = 0,707;<br />
p= 0,022) and Usage Frequency- Isovist<br />
Area Perimeter (r = 0,795; p=<br />
0,006) correlations are positively related,<br />
Usage Frequency- Mean Depth (r<br />
= -0,704; p= 0,023) correlation turned<br />
out to be negative (Figure 15).<br />
Elderly users preferred to settle in<br />
those spaces with a higher integration<br />
value, isovist area and perimeter.<br />
When we take into account the Syntactic<br />
Values and Usage Frequency<br />
correlation, without considering the<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • E. Özsüt Akan, A. Ünlü
99<br />
Table 3. Space syntax values without the garden.<br />
SPACE SYNTAX VALUES<br />
SPACES<br />
ISOVIST<br />
AREA<br />
ISOVIST<br />
PERIMETER<br />
INTEGRATION MEAN DEPTH<br />
M A1 (A Block Entry Field) 708210 6638 <strong>12</strong>911 3,24<br />
M A2 (A Block Corridor Area On The<br />
Ground Floor)W<br />
M A3 (A Block Corridor Area On The<br />
First Floor)<br />
1<strong>12</strong>9119 9413 161<strong>12</strong> 3,83<br />
1<strong>12</strong>9108 94<strong>12</strong> 21950 1,55<br />
MA 4 (A Blok Day Resting Room) 572034 6528 7317 1,95<br />
M C1 (C Block Entry Field) 1174176 10237 13811 4,31<br />
M C2 (C Block Corridor Area On The<br />
Ground)<br />
M C3 (C Block Corridor Area On The<br />
First Floor)<br />
M C4 (C Block- Social Block Connection<br />
Area)<br />
827673 8168 8576 5,21<br />
1156290 10071 17088 2,88<br />
741519 7416 17711 2,3<br />
M 1 (Cafeteria) 2201933 <strong>12</strong>834 68053 1,81<br />
M 2 (Multi-Purpose Hall) 1664376 8106 38425 2,78<br />
Figure 15. Correlation analyses of usage frequency and syntactic<br />
values with the garden plan.<br />
garden; Usage Frequency is not related<br />
with an integration value (r = -0,463;<br />
p= 0,178). The Usage Frequency and<br />
the Isovist Area correlation is (r= -620;<br />
p= 0,056) nearly negatively related. Usage<br />
Frequency and the Isovist Perimeter<br />
correlation is also negatively related<br />
(r = -0,740; p= 0,014). However, the<br />
Usage Frequency and Mean Depth correlation<br />
is not related one another (r =<br />
0,049; p= 0,893) (Figure 16).<br />
The garden as seen in the analysis<br />
of correlation between the external environment<br />
with the use of spatial frequencies<br />
ranges close to negative values<br />
without any visual interaction however<br />
a significant relationship was found in<br />
that elderly users did not move along<br />
with the spatial construction.<br />
Figure 16. Correlation analyses of usage frequency and syntactic<br />
values without the garden plan.<br />
3.5. Results and discussion<br />
The methodology of this study was<br />
set forth and examined within the concept<br />
relation between the spatial configuration<br />
in the elderly care institutions<br />
with the elderly users’ behavioral<br />
moods and patterns at perceptional<br />
and behavioral levels syntactically.<br />
Behavioral responses of the elderly regarding spatial configuration: An elderly care institution case<br />
study
100<br />
With reference to this context, the case<br />
study conducted in MECRI focused on<br />
how much spatial configurations affected<br />
the spatial behaviors of elderly<br />
users, and how elderly people responded<br />
towards the configuration, as well as<br />
the mutual interaction and conversion<br />
between the spatial configuration in<br />
the elderly care institution and elderly<br />
users spatial behaviors.<br />
Within the scope of the case study<br />
conducted with the Observation Method,<br />
it was determined that elderly users<br />
are against spatial configuration instead<br />
localizing and interacting within<br />
spaces which were not the intended<br />
function. It was determined that the<br />
mostly used spaces in the institutions<br />
were the A Block entrance, connection<br />
corridors and the heads of corridors<br />
instead of the configured social<br />
interaction area. Although there was a<br />
weak interaction inside the linear order,<br />
elderly users moved social spaces<br />
to shallow regions. As Ünlü et.al (2001)<br />
stated, the average depth value of the<br />
spaces show that the social interaction<br />
is weak. The fact that the spaces such<br />
as the multi-purpose hall and cafeteria<br />
in the general spatial configuration,<br />
overlooking the backyard where the<br />
social interaction can be formed, by<br />
not being able to meet the sensory and<br />
affective needs of the elderly people,<br />
lowered their usage frequency.<br />
When the focusing on the correlation<br />
which was obtained with the<br />
“SPSS”; the Syntactic values such as<br />
Isovist Area, Isovist Perimeter, Integration<br />
and Mean Depth values, which<br />
have been obtained from the architectural<br />
plan and Usage Frequency from<br />
Observation in the MECRI were overlapped;<br />
the values found with the garden<br />
correlation analyses are as follows:<br />
r= 0,730; p= 0,017, r= 0,707; p=<br />
0,022, r= 0, 795; p= 0,006, r= - 0,704;<br />
p= 0,023.Through these values, it is<br />
seen that the Usage Frequency forms<br />
a positive correlation with the Isovist<br />
Area, Isovist Perimeter and Integration<br />
values coming from Space Syntax.<br />
Also, there is a negative correlation<br />
between Usage Frequency and Mean<br />
Depth. These correlations demonstrate<br />
that the elderly users preferred shallow<br />
and integrated spaces that, included<br />
movement, high isovist field and sunshine.<br />
Isovist Area, Isovist Perimeter, Integration<br />
and Mean Depth Syntactic<br />
values found without the garden along<br />
with the Usage Frequency correlation<br />
analyses were as follows: r=-0,620;<br />
p=0,056, r=-0,740; p=0,014, r=-0463;<br />
p=0,178, r=-0,049; p=0,893. These correlation<br />
results demonstrate that the<br />
Usage Frequency and Space Syntax values<br />
did not have any correlation. Elderly<br />
users used social interaction spaces<br />
available that were not included in the<br />
planned layout of the garden. Rather<br />
they localized in the places having high<br />
integration and connectivity values as<br />
the social integration area in the general<br />
configuration.<br />
Configurations have adaptive and<br />
maladaptive varied effects within the<br />
scope of the elderly users’ sensory and<br />
affective capabilities on their spatial<br />
behavior responses. While the users<br />
also show maladaptive behaviors towards<br />
the configured space in the ME-<br />
CRI, they behaving improperly against<br />
the spatial configuration, perform the<br />
expected spatial behavior.<br />
The social areas are fictionalized<br />
in the architectural design of the socio-pedal<br />
areas and it is seen that they<br />
became socio-fugal areas as a result of<br />
behavioral responses. Simultaneously,<br />
areas design as socio-fugal areas were<br />
turned into socio-pedal areas using<br />
external functions of the elderly users’<br />
response.<br />
4. Conclusion<br />
Within the scope of the case study;<br />
spatial syntax properties and the effects<br />
of these properties on the elderly user’s<br />
spatial behaviors and the responses<br />
were examined. In the institution being<br />
discussed, the presence of the relation<br />
between the elderly user’s own behavior<br />
and the syntax values of the space<br />
and its quality, were set forth by means<br />
of the observation method, case study,<br />
and acquiring the space syntax values<br />
providing the combined analyses.<br />
When the correlation between Syntactic<br />
Values and Usage Frequency is<br />
considered the elderly people begin to<br />
behave rather adaptively to space configuration<br />
with the garden, whereas<br />
they begin to behave rather adversely<br />
developing maladaptive behavior to<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • E. Özsüt Akan, A. Ünlü
101<br />
space configuration without the garden.<br />
The elderly users reacted quiet uninterestedly<br />
in the space configuration<br />
without the garden. Additionally, they<br />
did not use the presently configured<br />
multi- purpose hall and cafeteria. Elderly<br />
users in the MECRI did not use<br />
those spaces or rarely used and responded<br />
behaviorally in an adversely<br />
effecting manner, which were built as<br />
social inaction area and configured<br />
into inactive spaces, or corridors needed<br />
to be walked or even those blocks<br />
reached though entrance from administration<br />
buildings.<br />
In conclusion of evaluation regarding<br />
this case study, it is put forth that<br />
the elderly care institutions in a country<br />
where new investments are made,<br />
should consider the physical and psycho-social<br />
and psycho-spatial features<br />
of this specific age group and contribute<br />
those features into future architectural<br />
designs of elderly care institutions,<br />
while simultaneously building a<br />
detailed database so as to develop a parameter<br />
within the architectural design<br />
process as a conceptual framework.<br />
Acknowledgments<br />
I am very much thankful to my<br />
advisor Prof. Dr. Alper Ünlü for his<br />
valuable guidance, encouragement at<br />
various stages through my dissertation<br />
period.<br />
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Yaşlıların davranışsal tepkilerinin<br />
mekansal kurgu üzerinden okunması;<br />
yaşlılık kurumu örneği<br />
Yaşlı birey ile çevresi arasında ki<br />
etkileşimde; kullanıcıda yaşlılık kurumunun<br />
mimari tasarımına bağlı olarak<br />
mekansal kurguya karşı uyumlu ya da<br />
uyumsuz davranışsal tepkiler oluşmaktadır.<br />
Makale; yaşlı kullanıcıların<br />
mekansal davranışları yoluyla yaşlılık<br />
kurumunun mekansal kurgusuna karşı<br />
geliştirdikleri tepkilerin varlığını ve<br />
niceliğini ortaya koymaya yönelik çalışmaları<br />
ve sonuçlarını içermektedir.<br />
Bu makalede sunulan çalışmalar ile<br />
yaşlılık kurumu tasarımı ve yaşlı kullanıcı<br />
davranışsal tepkileri arasındaki<br />
ilişki “Çevre Davranış Çalışmaları” ana<br />
çerçevesi içinde “Mekansal Dizim Yöntemi”<br />
ile ele alınmaktadır.<br />
Alan çalışması ile mekansal kurgunun,<br />
yaşlı kullanıcı davranışları üzerindeki<br />
etkileri incelenerek farklılaşan<br />
mekansal davranış tepkileri saptanmış<br />
ve mekanların dizimsel değerleri çıkartılmıştır.<br />
Lineer mekan kurgusuna<br />
sahip Maltepe Yaşlı Bakım ve Rehabilitasyon<br />
Kurumunda yapılan alan çalışması<br />
sırasında Gözlem Tekniği ile<br />
kullanıcıların hangi mekanları hangi<br />
sıklıkta kullandıkları periyodlar halinde<br />
gözlemlenerek yoğun ve düşük<br />
etkileşimli sosyal alanlar belirlenmiştir.<br />
Space Syntax Yöntemi kullanılarak<br />
ta mekanların Eşgörüş Alanı, Eşgörüş<br />
Alanı Çevresi, Bütünleşme ve Derinlik<br />
değerleri elde edilmiştir. Bu bağlamdan<br />
hareketle; yaşlılık kurumunun tasarım<br />
performansı, mekansal dizim değerleri<br />
ile yaşlı kullanıcıların davranışsal tepkileri<br />
çakıştırılarak tartışılmaktadır.<br />
Sonuçta; yaşlı kullanıcıların mimari<br />
tasarımdan gelen mekansal kurguya<br />
karşı davranışsal tepkiler geliştirdikleri<br />
ortaya konulmaktadır. Yaşlılık<br />
kurumu tasarımı yaşlı kullanıcıların<br />
duyuşsal ve davranışsal ihtiyaçlarına<br />
cevap verip vermemesine göre uyumlu<br />
ya da uyumsuz davranışsal tepkilere<br />
sebep olmaktadır. Lineer kurguya<br />
sahip yaşlılık kurumunda davranışsal<br />
tepki artarak uyum azalmakta, yüksek<br />
etkileşim (socio-pedal) düzeyi düşmekte,<br />
bireysel düşük etkileşimli (socio-fugal)<br />
ilişki düzeyi artmaktadır.<br />
Maltepe Yaşlı Bakım ve Rehabilitasyon<br />
Kurumunda yaşlıların mekansal kurgu<br />
üzerinde sosyal etkileşim alanları<br />
olarak tasarlanmış Çok Amaçlı Salon<br />
ve Kafeterya gibi alanları kullanmadığı<br />
gözlemlenmiştir. Tasarımın sosyal<br />
mekan çözümünde bu yaş kuşağına<br />
yönelik olarak yeterli olmadığı sosyal<br />
alanların az ya da hiç kullanılmadığı<br />
görülmektedir. Bu durumun başlıca<br />
nedenleri; bu mekanların hareketi görmeyen,<br />
arka bahçeye bakan, uzun bir<br />
yol yürüyerek ulaşabilecekleri ya da<br />
idari bloktan geçilerek gidilebilen alanlarda<br />
kurgulanmış olmalarıdır. Yaşlılar<br />
hareketi gören, kolay ulaşabildikleri,<br />
idari bölümle ilişkisiz olan A Blok girişi,<br />
bağlantı holleri, koridor başları gibi<br />
sirkülasyon alanlarını fonksiyonları<br />
dışı değiştirip dönüştürerek sosyal etkileşim<br />
alanları gibi kullanmaktadırlar.<br />
Bu yolla yaşlı kullanıcılar duyuşsal ve<br />
davranışsal ihtiyaçlarına cevap verip<br />
vermemesine göre mekanın fonksiyonunu<br />
değiştirmekte, kullanarak ya da<br />
kullanmayarak tepki oluşturmaktadırlar.<br />
Mimari tasarımda sosyal etkileşim<br />
alanları olarak kurgulanan mekanlara,<br />
davranışsal tepkileri sonucu gitmeyerek<br />
düşük sosyal etkileşimli mekanlar<br />
haline dönüştürebildikleri gibi bunun<br />
tersini de yapabilmektedirler.<br />
Bu noktada yaşlı kullanıcı davranışsal<br />
tepkisi ile mekan kurgusu arasında<br />
nasıl bir ilişki kurulabileceği sorusu<br />
önem kazanmaktadır. Çalışma kapsamında<br />
mekansal kurgunun kullanıcı<br />
davranışına uyumu ya da uyumsuzluğu<br />
Gözlem Tekniği ve Mekansal Dizim<br />
Yöntemi arasındaki korelasyonlar ile<br />
ortaya konulmaktadır. Mekansal Dizim<br />
Yöntemi ile Bütünleşme, Derinlik, Eş<br />
Görüş Alanı ve Eş Görüş Alanı Çevresi<br />
Analizleri yoluyla mekansal kurgu üzerinde<br />
belirlenen noktaların dizimsel<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • E. Özsüt Akan, A. Ünlü
103<br />
değerleri ayrı ayrı çıkartılmıştır. Bahçe<br />
dahil edilerek ve edilmeyerek yapılan<br />
iki farklı dizimsel analiz sonuçlarına<br />
göre yaşlı kullanıcının mekan kullanımında<br />
dış mekanla kurduğu görsel<br />
ilişki önemli bir parametre olarak öne<br />
çıkmaktadır. Kullanıcı görsel etkenlere<br />
bağlı olarak mevcut sosyal alanları kullanmak<br />
yerine kendi sosyal alanlarını<br />
kurgudan bağımsız, dış ortamı gören<br />
blok girişlerine, koridor başlarına ve<br />
bağlantı koridorlarına taşımaktadır.<br />
Mekansal Dizim Yöntemi ile elde<br />
edilen dizimsel değerler ve gözlemlerden<br />
çıkartılan kullanım frekansı arasındaki<br />
korelasyonlar ile davranışsal<br />
tepkinin varlığı ve niteliği yorumlanmaktadır.<br />
Bahçeli ve bahçesiz korelasyon<br />
değerleri göstermektedir ki yaşlı<br />
kullanıcı lineer kurguya göre hareket<br />
etmeyerek davranışsal tepki vermektedir.<br />
Kurumun mevcut kurgu düzeni;<br />
uzun yol yürümeyi gerektirerek sosyal<br />
alanlara ulaşımı zorlaştırdığından ve<br />
hareketi görme ihtiyacına yönelik dış<br />
ortamla görsel ilişkiyi azalttığından<br />
dolayı yaşlı kullanıcının duyuşsal ve<br />
davranışsal ihtiyaçlarına cevap verememektedir.<br />
Kullanıcı dış ortamla görsel ilişki<br />
kurduğu bahçeli plan kurgusunda; Eş<br />
Görüş Alanı, Eş Görüş Alanı Çevresi<br />
ve Bütünleşme değerleri yüksek olan<br />
yerleri fonksiyonu dışı değiştirip dönüştürerek<br />
sosyal etkileşim alanları<br />
olarak kullanmayı tercih etmektedir.<br />
Çalışmayla birlikte örnek yaşlılık<br />
kurumunun tasarımının yaşlı kullanıcıların<br />
mekansal davranışlarıyla ne<br />
kadar uyumlu oldukları irdelenerek<br />
davranışsal tepkileri ortaya konulmaya<br />
çalışılmaktadır. Bu suretle gelecekteki<br />
yaşlılık kurumları tasarımlarında bu<br />
yaş grubunun duyuşsal ve davranışsal<br />
ihtiyaçlarının da dikkate alınarak mimari<br />
program kapsamına bir parametre<br />
olarak sokulmasının gerekliliği ileri<br />
sürülerek kavramsal bir çerçeve oluşturulmaktadır.<br />
Behavioral responses of the elderly regarding spatial configuration: An elderly care institution case<br />
study
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • 105-113<br />
The influence of architectural<br />
configuration on the pedestrian<br />
network in Büyük Beşiktaş market<br />
Ervin GARİP 1 , Mehmet Emin ŞALGAMCIOĞLU 2 , Fitnat CİMŞİT KOŞ 3<br />
1<br />
ervingarip@gmail.com • Department of Interior Design and Environmental<br />
Design, Istanbul Kultur University, Istanbul, Turkey<br />
2<br />
salgamcioglu@gmail.com • Department of Architecture, Faculty of Architecture,<br />
Istanbul Technical University, Istanbul, Turkey<br />
3<br />
fitnatcimsit@gmail.com • Department of Architecture, Faculty of Architecture,<br />
Beykent University, Istanbul, Turkey<br />
Received: May <strong>2015</strong> Final Acceptance: October <strong>2015</strong><br />
Abstract<br />
A study of trading can help us understand a wider range of organizations and<br />
building types. Many shopping centers have been built in Istanbul over the past<br />
twenty years. Although these privately owned places serve as social spaces and<br />
provide an area for many public activities, their size and close proximity separate<br />
them from the urban environment and choke off daily urban street life. Buyuk<br />
Besiktas Market, which is selected as the subject of the case study has a specific<br />
architectural form. Multiple entrances and a conductive interface converts the<br />
building and especially the ground floor into a common area and urban domain<br />
that hosts concerts, urban activities and special meetings.<br />
The study seeks to understand how does the architectural form and syntactic<br />
pattern of the outer layer play a role in changing the pedestrian network inside the<br />
building and how do basic architectural elements such as inner courtyards and<br />
open spaces affect pedestrian flow and preferences?<br />
The research procedure is based on two main steps. The first step comprises<br />
a gate count of the people passing through the gates and a density analysis. The<br />
second step is to analyze the architectural configuration using Syntax 2D program<br />
developed by scientists at the University of Michigan.<br />
The results of the study support the idea that particularly for multi-entrance<br />
buildings, the urban environment can be more dominant or at least effective in<br />
manipulating the natural movement in buildings. Independent from the structure<br />
of the building, the configuration which was set by urban dynamics is so dominant.<br />
Keywords<br />
Architectural layout, Pedestrian movement, Syntactical configuration.
106<br />
1. Introduction<br />
Many shopping centers have been<br />
built in Istanbul over the past twenty<br />
years. Although these privately owned<br />
places serve as social spaces and provide<br />
an area for many public activities,<br />
their size and close proximity separate<br />
them from the urban environment<br />
and choke off daily urban street life.<br />
Yet, from the perspective of commercial<br />
land use patterns, shopping spaces<br />
should be able to integrate urban spaces<br />
in a continuous way. In this manner,<br />
this study examines the syntactic character<br />
of the market places that affect<br />
people’s movement, particularly the<br />
interface between architectural layout<br />
and urban form that affects that movement.<br />
Istanbul’s Buyuk Besiktas Market is<br />
selected as the subject of the case study.<br />
It has a specific architectural form that<br />
can be characterized as a semi-open,<br />
interior courtyard shopping building<br />
with multiple entry points that is located<br />
in a dense shopping district in Istanbul.<br />
The configuration of the building<br />
will be structurally analyzed considering<br />
the architectural layout, pedestrian<br />
flow and integration. The study seeks<br />
to answer the questions below:<br />
• How does the architectural form<br />
and syntactic pattern of the outer<br />
layer play a role in changing the pedestrian<br />
network inside the building?<br />
• How do basic architectural elements<br />
such as inner courtyards,<br />
open spaces and store allocation<br />
affect pedestrian flow and preferences?<br />
2. Retail pattern and pedestrian<br />
movement<br />
A study of trading can help us understand<br />
a wider range of organizations<br />
and building types. Trading has<br />
a pervasive effect on urban form and<br />
land use patterning as well as building<br />
interiors and appears in one form or<br />
another in every society and in every<br />
period of history (Penn, 2005). As Hillier<br />
(2005) noted, buildings and cities<br />
exist for us in two ways: as the physical<br />
forms that we build and see and as the<br />
spaces that we use and move through.<br />
In a situation where movement, configuration,<br />
and attraction are all in<br />
agreement, logic strongly suggests<br />
configuration as the primary ‘cause’<br />
of movement. Logically, the presence<br />
of attractors can affect the presence<br />
of people; however, these attractors<br />
cannot affect the fixed configurational<br />
parameters that describe the spatial<br />
location. Similarly, configuration may<br />
affect movement; however, configurational<br />
parameters cannot be affected<br />
by movement; see Figure 1, (Hillier et<br />
al., 1993). Differences in layout affect<br />
movement independently from the attractors.<br />
As Hillier (1993) illustrated in Figure<br />
2, attractors and movement may<br />
affect each other; however, the other<br />
two relations are asymmetrical. Configuration<br />
may affect the location of<br />
attractors, but the location of attractors<br />
cannot affect configuration. Likewise,<br />
configuration may affect movement,<br />
but movement cannot affect configuration.<br />
If strong correlations are observed<br />
between movement and both<br />
configuration and attractors, the only<br />
possible lines of influence are from<br />
configuration to both movement and<br />
attractors, with the latter two influencing<br />
each other.<br />
We can better understand how cities<br />
work if we draw a distinction between<br />
movement ‘to’ or ‘from’ spaces and<br />
movement ‘through’ spaces. Movement<br />
‘to’ or ‘from’ spaces is primarily<br />
Figure 1. (a) The more central segments of<br />
the ‘main street’ are likely to be the most<br />
frequently used.<br />
(b) The two most central vertical elements,<br />
one above and one below the ‘main street,’<br />
would be on shorter routes than the more<br />
peripheral vertical elements (Hillier, et. all.,<br />
1993).<br />
Figure 2. Attraction, configuration and<br />
movement (Hillier, et. all., 1993).<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • E. Garip, M. E. Şalgamcıoğlu, F. Cimşit Koş
107<br />
a function of land use, whereas movement<br />
‘through’ spaces is primarily a<br />
function of configuration. More importantly,<br />
urban configuration creates<br />
an interface between those two types<br />
of movement. Thus, these two types of<br />
movement can be evenly balanced in<br />
some spaces and unevenly emphasized<br />
in others. Liveness, however, appears<br />
to require that both components be<br />
present and mutually supportive (Peponis,<br />
Ross, Rashidi, 1997).<br />
The actual patterns of agglomeration<br />
and differentiation of retail functions<br />
that we observe in urban property use<br />
patterns appear to be strongly related<br />
to both the geometry and network topology<br />
of the urban street system. Two<br />
theories have sought to account for<br />
this phenomenon from a space syntax<br />
perspective. The first theory is the theory<br />
of natural movement (Hillier et al.,<br />
1993), which proposes that the configuration<br />
of the street grid accounts for<br />
a substantial proportion of pedestrian<br />
movement in urban areas. Retail land<br />
use is demonstrated to affect movement<br />
patterns by acting as a multiplier,<br />
transforming a linear relationship<br />
between spatial integration and<br />
pedestrian flows in mono-functional<br />
residential areas into an exponential<br />
relationship in mixed-use areas.<br />
The thesis is that the primary factor<br />
is urban spatial configuration, which<br />
then causes a pattern of space use that<br />
makes certain locations more attractive<br />
than others for retail. Retail occupies<br />
these locations preferentially and<br />
then becomes an attractor of new trips<br />
in its own right. The result is a multiplier<br />
in which configurationally strategic<br />
through routes become dominant retail<br />
aggregations. The result is an emergent<br />
correlation between land use, pedestrian<br />
movement and configuration that<br />
demonstrates immense stability over<br />
time. The second theory is the theory<br />
of the movement economy (Hillier<br />
& Penn, 1992; Hillier, 1996; 1997),<br />
which proposes that as a by-product<br />
of every trip between an origin and a<br />
destination, one passes opportunities<br />
for interaction and transaction in spaces<br />
along the way. We propose that this<br />
phenomenon allows for multi-purpose<br />
trips and is the link between urban spatial<br />
configuration and movement flows<br />
that provides logic for the disposition<br />
of land uses. An additional phenomenon<br />
exists, however, which is recognizable<br />
in many different city forms and<br />
cultures. This phenomenon involves<br />
how land use patterns remain roughly<br />
similar as one travels along a street but<br />
change radically as one turns a corner.<br />
The traditional ‘gravity’ model employed<br />
by shopping mall developers<br />
attempts to create an artificial ‘flow’<br />
of pedestrian movement between two<br />
known attractors. Shopping malls<br />
generally work on the premise of the<br />
classic dumb-bell concept; the large<br />
competing ‘anchor’ stores at two ends<br />
working as ‘magnets’ spaced between<br />
a two sided mall of smaller multi-cellular<br />
units (Fong, 2003) . Although<br />
Hillier (1993, 1996) has argued that<br />
movement is determined mainly by<br />
the configuration of space, a case study<br />
that was done on seven super regional<br />
shopping centres (Fong, 2003) shows<br />
that variables of attraction could best<br />
predict movement distribution rather<br />
than variables of configuration. In cases<br />
where the functional attractors like<br />
big stores do not exist, the interface<br />
of the building must be examined by<br />
considering that some environmental<br />
relational or urban links may serve as<br />
urban attractors that can affect pedestrian<br />
flow.<br />
3. Conductive interface<br />
Building surfaces play a significant<br />
role in the relationship between<br />
buildings and the urban environment.<br />
Especially at the ground floor level,<br />
building surfaces act as a “membrane”<br />
that serves as an interface between the<br />
building and the urban environment.<br />
As more of these surfaces enable the<br />
transition, the buildings become urban<br />
interiors and their gates become the<br />
nodes of the urban environment.<br />
The Buyuk Besiktas Market (BBM),<br />
which is examined in this study, is a<br />
three-story building with 184 stores<br />
selling accessories, shoes and clothing,<br />
in addition to other facilities like<br />
a post office and pay offices. Multiple<br />
entrances and a conductive interface<br />
converts the building and especially<br />
the ground floor into a common area<br />
and urban domain that hosts concerts,<br />
urban activities and special meetings<br />
The influence of architectural configuration on the pedestrian network in Büyük Beşiktaş market
108<br />
(Figure 3). This provides us with an<br />
opportunity to study the architectural<br />
characteristics affecting the pedestrian<br />
flow and preferences.<br />
The surface of the BBM can be described<br />
as a conductive interface with<br />
multiple entrances that connect the<br />
building to its urban environment. The<br />
entrances demonstrate several common<br />
attributes that can be categorized<br />
and gives us the opportunity to discuss<br />
how the pedestrian flow is affected by<br />
architectural characteristics and the<br />
urban interface.<br />
Although the entrances that connect<br />
the building to the urban grid are defined<br />
as “street based,” the entrances<br />
located on the periphery and that activate<br />
the surface of the building act<br />
as a “periphery.” Further, the connections<br />
with other shopping areas can be<br />
defined as “transition based” (Fig. 4).<br />
This predefinition of gates allows us<br />
to compare and discuss the role of the<br />
interface of the building in pedestrian<br />
movement and preference.<br />
Figure 3. Image showing the open courtyard and ground floor<br />
level as urban use.<br />
Figure 4. Representation of each gate.<br />
4. Method<br />
BBM is selected for the case study.<br />
The research procedure is based on<br />
two main steps. The first step comprises<br />
a gate count of the people passing<br />
through the gates and a density analysis,<br />
which provides the distribution<br />
of people inside the building. To understand<br />
the tendency of movement,<br />
people leaving or entering the market<br />
are calculated separately. These observations<br />
provide information about<br />
the preferences and distribution of pedestrians<br />
according to their choices of<br />
roles. In other words, this analysis will<br />
provide clues about how the conductive<br />
interface of the buildings affects<br />
public movement and how the existence<br />
of the inner courtyard manipulates<br />
that movement.<br />
The second step is to analyze the architectural<br />
configuration. This will help<br />
us understand the syntactic pattern of<br />
the building and its basic architectural<br />
characteristics such as galleries, corridors<br />
and shop layout. Furthermore,<br />
analyzing the configuration will provide<br />
significant data about integration,<br />
which is known to have an effect on<br />
natural movement. The space syntax<br />
method, a key theory used to define the<br />
structural environment, will provide<br />
significant data in terms of analysis.<br />
Figure 5. Locations of entrances (A) and convex spaces (B).<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • E. Garip, M. E. Şalgamcıoğlu, F. Cimşit Koş
109<br />
The Syntax 2D program developed by<br />
scientists at the University of Michigan<br />
provides data about the level of integration<br />
between convex spaces considering<br />
their spatial properties.<br />
4.1. Analog method<br />
• Gate count: Recording the number<br />
of people passing through the gates<br />
(frequency) for 10 minutes synchronically<br />
on weekdays and weekends<br />
during the morning, midday,<br />
and afternoon.<br />
• Density: Mapping the distribution<br />
of pedestrians, considering the cells<br />
defining the convex space.<br />
4.2. Syntactic analysis<br />
There are two basic architectural<br />
components characterizing the market:<br />
the gate composition that gives<br />
the building multiple entrances and<br />
the open inner garden that makes the<br />
configuration unique. Integration is<br />
evaluated by considering the inner<br />
garden as a connective space regulating<br />
the pedestrian movement around<br />
it. We therefore seek to understand<br />
whether the open garden serves as an<br />
edge that distributes movement or as a<br />
perceptive continuity that attracts pedestrians.<br />
Syntax 2D creates a grid fragmentation<br />
that enabled us to compare the<br />
plan integration and depth comparison<br />
values through different convex spaces.<br />
The mean integration (Figure 6) and<br />
mean depth data (Figure 7) are generated<br />
as a result of the analyses. These<br />
are two main concepts addressed in<br />
space syntax theory that can help us<br />
understand how some convex spaces<br />
are more integrated and shallow than<br />
others. For gates, the calculation uses<br />
the arithmetic average of entrance<br />
lines, whereas the calculation of convex<br />
space uses the arithmetic average<br />
of homogeneously divided equal areas.<br />
Figure 6. Image of the integration analysis, completed using<br />
Syntax 2D to find the syntactic scores for gate count nodes and<br />
convex spaces.<br />
Figure 7. Image of the mean depth analysis.<br />
5. Syntactic comparisons and analysis<br />
Matching the syntactic data (integration<br />
and depth value) with the<br />
gate count will help us to explore the<br />
influence of architectural configuration<br />
on the people passing through the<br />
gates. Additionally, the comparison of<br />
the syntactic data and people located<br />
in convex spaces helps us to explore<br />
how integrated or segregated locations<br />
influence pedestrian movement, and<br />
whether there is any correlation between<br />
the architectural configuration<br />
of the market and the distribution of<br />
movement.<br />
A schematic shown in Table 1 and<br />
Table 2 examines the relationship between<br />
the syntactic values (integration<br />
and mean depth) of the market gates<br />
and the frequency of people passing<br />
through the gates during weekdays and<br />
weekends, counted at regular hourly<br />
intervals.<br />
As previously defined in the space<br />
syntax literature, convex spaces have<br />
distinctive properties that characterize<br />
each space as unique and common<br />
(Hillier et al., 1987). The comparison<br />
shown below in Table 3 and Table 4<br />
indicates the relationship between the<br />
The influence of architectural configuration on the pedestrian network in Büyük Beşiktaş market
110<br />
Table 1. Syntactic values and the number of people passing through each gate on weekdays.<br />
Table 2. Syntactic values and the number of people passing through each gate on weekends.<br />
Table 3. Syntactic values and frequencies of people in each convex space on weekdays.<br />
Table 4. Syntactic values and frequencies of people in each convex space on weekends.<br />
syntactic value of predefined convex<br />
spaces and the frequency of people<br />
passing or spending time in the following<br />
convex space. For consistency, the<br />
analysis is made over the same time intervals<br />
used for the gate count.<br />
The statistical analysis was performed<br />
using SPSS software considering<br />
the gate count numbers (people<br />
passing through the gates) and convex<br />
number (people located in convex<br />
space) as the dependent variables<br />
and syntactic values (integration and<br />
depth) as the dependent variables. All<br />
regression analyses are shown in Figure<br />
8.<br />
First, the regression analysis of the<br />
gate count and syntactic value using<br />
both the integration and mean depth<br />
was performed for each time interval<br />
and day shown in the figure. Interestingly,<br />
no significant relationship was<br />
found between the syntactic values<br />
of the ground floor and the people<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • E. Garip, M. E. Şalgamcıoğlu, F. Cimşit Koş
111<br />
passing through the gates. The same<br />
result was investigated both for weekdays<br />
and weekends. For instance at the<br />
15.15 time interval, the regression between<br />
the integration and gate count<br />
yields no significant result (Weekday:<br />
R=0.145; p=0.732>0.05, Weekend:<br />
R=0.220; p=0.6>0.05); nevertheless,<br />
for the same time interval, no significant<br />
relationship was found between<br />
the mean depth and gate count (Weekday:<br />
R=0.145; p=0.732>0.05, Weekend:<br />
R=0.220; p=0.6>0.05). Almost parallel<br />
results were seen for every time interval,<br />
as shown in Figure 8.<br />
Second, a regression analysis was<br />
performed to examine the relationship<br />
between the syntactic values and convex<br />
space frequency. At the 17.00 time<br />
interval, no positive relationship was<br />
found between the integration value<br />
and convex space frequency (Weekday:<br />
R=0.507; p=0.680>0.05, Weekend:<br />
R=0.518; p=0.<strong>12</strong>5>0.05). Although<br />
there was no significant relationship<br />
between the syntactic value and convex<br />
space frequency (Figure 10), the values<br />
were higher than the results of the gate<br />
count analyses. The negative results for<br />
the comparison of both the gate count<br />
– syntactic value and convex space frequency<br />
– and the syntactic value invite<br />
a different perspective for the research.<br />
These findings encourage us to discuss<br />
the architectural layout of the market<br />
in terms of the urban context and immediate<br />
surroundings.<br />
6. Discussion and conclusions<br />
Considering the trends in the number<br />
of people entering and leaving the<br />
market, every gate shows different patterns.<br />
For example, more people tend<br />
to enter than leave through Gates 3 and<br />
6, whereas more people leave through<br />
Gates 4 and 5. At Gates 1, 2, 6 and 8,<br />
the number of people entering and<br />
leaving is almost equal.<br />
Referring to Hillier’s “through-to<br />
movement” theory and considering<br />
the data gathered from BBM, it is clear<br />
that street-based movement character-<br />
Figure 8. Regression comparison results a. syntactic values-convex space (above), b. syntactic<br />
values-gate count (below). WD weekday; WE weekend.<br />
The influence of architectural configuration on the pedestrian network in Büyük Beşiktaş market
1<strong>12</strong><br />
izes both through and to movement,<br />
where pedestrians move with intention<br />
and motivation (Gate 3, Gate 6). Transition-based<br />
movement characterizes<br />
“through movement,” when people act<br />
with intention (Gates 4 and 5). On the<br />
other hand, peripheral-based movement<br />
is identified as “to movement,”<br />
when people behave self oriented. By<br />
taking into account the people entering<br />
and leaving the marketplace, it is clear<br />
that every gate has a different character.<br />
It was surprising to see clearly that<br />
there was no relationship between<br />
the architectural layout configuration<br />
and the distribution of people passing<br />
through the gates. Although the most<br />
significant characteristic of the market<br />
place is its multiple entrances, the<br />
importance of gate location stems not<br />
from local integration but from the urban<br />
context, which can be described as<br />
urban gravity. Moreover, a case study<br />
done by Zhang et al. (20<strong>12</strong>), compares<br />
the multilevel and single level shopping<br />
buildings to predict the accesibility<br />
and pedestrian flow. Related study<br />
suggests that multi‐level commercial<br />
cases, measures of configuration can<br />
not explain the pedestrian flows well.<br />
Being a multilevel building, might be<br />
seen as another reason of uncorrelation<br />
between pedestrian flow and syntactic<br />
values of ground floor of Buyuk<br />
Besiktas Market.<br />
Independent from the structure of<br />
the building, the configuration which<br />
was set by urban dynamics is so dominant.<br />
The gates have different frequencies<br />
due to these dynamics. Whether<br />
the building have an introvert occupancy<br />
its gates creates a new syntactical<br />
discussion on urban interfaces.<br />
The peripheral, transitional and street<br />
based flows are the main attractors in<br />
this discussion. The differentiations of<br />
these gates are independent from inner<br />
syntactical configuration however defines<br />
the movement patterns through<br />
urban interfaces.<br />
The results of the study support the<br />
idea that particularly for multi-entrance<br />
buildings, the urban environment<br />
can be more dominant or at least<br />
effective in manipulating the natural<br />
movement in buildings. In particular,<br />
Istanbul’s Büyük Beşiktaş Market has<br />
a very distinctive architectural layout<br />
that has the potential to connect<br />
the interior to its urban surroundings<br />
at almost every surface of the building.<br />
This design decision connects the<br />
building to its environment and makes<br />
the building indispensable to its environment.<br />
References<br />
Fong, P. (2003). What makes big<br />
dumb bells a mega shopping mall? Proceedings<br />
of The 4th International Space<br />
Syntax Symposium, London, UK.<br />
Hillier, B., Penn, A. (1992). Dense<br />
civilizations: The shape of cities in the<br />
21st century. Applied energy 43(1), 41-<br />
66.<br />
Hillier, B., Penn, A., Hanson, J., Grajewski,<br />
T., Xu, J. (1993). Natural movement:<br />
Or, configuration and attraction<br />
in urban pedestrian movement. Environment<br />
and planning b 20(1): 29-66.<br />
Hillier, B. (1997). Cities as movement<br />
economies. In P. Droege (Ed.),<br />
Intelligent environments: spatial aspects<br />
of the information revolution<br />
(pp. 295-342). Elsevier.<br />
Hillier, B. (2005). The art of place<br />
and the science of space. World Architecture,<br />
185, 96-102.<br />
Penn, A. (2005). The complexity<br />
of the elementary interface: shopping<br />
space. In The Proceedings of 5 th International<br />
Space Syntax Symposium,<br />
Delft, Netherlands.<br />
Peponis, J., Wineman, J. (2002).<br />
Spatial structure of environment<br />
and behavior. In R. B. Bechtel & A.<br />
Churchman (Eds.), Handbook of environmental<br />
psychology (pp. 271-291).<br />
New York, NY: John Wiley.<br />
Peponis, J., Ross, C., Rashid, M.<br />
(1997). The structure of urban space,<br />
movement and co-presence: The case<br />
of atlanta. Geoforum 28(3-4), 341-358.<br />
Zhang, L., Zhuang, Y., Dai, X. (20<strong>12</strong>).<br />
A configurational study of pedestrian<br />
flows in multi-level commercial space<br />
- case study Shanghai. Proceedings<br />
of The 8 th International Space Syntax<br />
Symposium, Santiago, Chile.<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • E. Garip, M. E. Şalgamcıoğlu, F. Cimşit Koş
113<br />
Mimari konfigürasyonun Büyük<br />
Beşiktaş Çarşısı’ndaki yaya dolaşımı<br />
üzerindeki etkisinin irdelenmesi<br />
İstanbul şehri, son 20 yıl içerisinde<br />
alışveriş merkezlerinin hızla çoğalması<br />
ile farklı bir morfolojik düzene<br />
doğru evrilmektedir. Bu yapılar, kendi<br />
içlerinde sosyal bir yaşam ve kamusal<br />
kullanımlar önerseler de, ölçekleri ve<br />
genellikle dışa kapalı özellik sergilemeleri<br />
dolayısıyla bulundukları çevreden<br />
ve kentsel süreklilikten kopuk<br />
özellik göstermektedir. Bu bağlamda<br />
yapı çeperleri, mimari kurguları ile beraber<br />
önem kazanmaktadır. Sunulan<br />
çalışma, mimari kurgu – yapı çeperi<br />
– ve kent ilişkisini İstanbul-Beşiktaş’ta<br />
bulunan Büyük Beşiktaş Çarşısı<br />
üzerinden irdelemektedir. Söz konusu<br />
çarşı, yukarıda sözü edilen kapalı alışveriş<br />
merkezlerinden farklı olarak, çok<br />
girişli, kent içerisine yayılan, yarı açık<br />
ve açık galerileri ile özgün bir mimari<br />
kimliğe sahiptir. Sahip olduğu dış<br />
çeper, çok girişli ve geçirgen yapısıyla<br />
giriş katını kentsel bir arayüze dönüştürmekte,<br />
iç mekanın dışarıya, dış mekanın<br />
da içeriye sızdığı bir kurgusal<br />
düzen sergilemektedir. Bu tespitlerden<br />
hareketle çalışma kapsamında gerçekleştirilen<br />
alan çalışmasının araştırma<br />
soruları aşağıdaki gibidir;<br />
• Mimari form ve yapı çeperinin<br />
dizimsel özellikleri bina içindeki<br />
yaya akışı ve dağılımlarını etkiler<br />
mi?<br />
• İç avlu, açık mekan ve dükkan dizilimi<br />
gibi mimari özellikler yayaların<br />
rota seçimlerini nasıl etkiler?<br />
Büyük Beşiktaş Çarşısı’nın giriş<br />
noktaları, hem bina ile kurdukları<br />
ilişki hem de kent ile kurdukları ilişki<br />
bağlamında özgün özellikler sergilemektedir.<br />
Bu farklı karakteristikler,<br />
yapının dizimsel değerleri ve gözlemlerden<br />
elde edilen özellikler ile karşılaştırıldığında<br />
yayaların rota tercihleri,<br />
ve mekansal seçimleri hakkında bilgi<br />
verebilmektedir. Söz konusu analizler,<br />
yapı çeperinin kullanımı (frekans) ve<br />
mimari kurgu içindeki rota tercihlerini<br />
ortaya koymaktadır.<br />
Araştırma prosedürü, iki aşamadan<br />
oluşmaktadır. İlk aşamada bir hafta<br />
sonu ve bir hafta içi olmak üzere gün<br />
içindeki 5 zaman diliminde ve 10 dakikalık<br />
aralıklarda giriş noktalarınındaki<br />
insan akışı gözlemlenmiş, bunun<br />
yanında aynı zaman aralıklarında mimari<br />
kurgu içerisinde tanımlanan konveks<br />
mekanlarda kullanıcı dağılımı not<br />
edilmiştir. İkinci aşamada mekanın dizimsel<br />
özellikleri Syntax 2D programı<br />
ile ortaya konmuş, binanın bütünsellik<br />
ve derinlik değerleri tanımlanmıştır.<br />
Giriş noktalarının dizimsel değerleri<br />
ile aynı noktalardaki insan akışının<br />
karşılaştırılması, bu akışın mimari<br />
kurgu kaynaklı olup olmdığı hakkında<br />
bilgi vermekte, iç mekan kurgusunun<br />
dizimsel değerleri ile konveks mekanlardaki<br />
insan dağılımlarının karşılaştırılması<br />
da bina içerisindeki yaya dağılımının<br />
sebeplerini ortaya koymaktadır.<br />
Verilerin analiz edilmesi sonucunda,<br />
giriş noktalarının dizimsel değerleri ile<br />
bu noktalardan geçen insan yoğunluğu<br />
arasında net bir şeklde anlamlı bir<br />
ilişki tespit edilmemiş, aynı şekilde mimari<br />
kurgunun dizimsel değerleri ile iç<br />
mekandaki insan dağılımı arasında da<br />
güçlü bir anlamsal ilişkiye rastlanmamıştır.<br />
Bu sonuçlar, bina içindeki insan<br />
akışının mimari kurgudan çok, kentsel<br />
dinamiklerden kaynaklandığını, yakın<br />
çevredeki sokak, açık pazar, meydan<br />
gibi katalizörlerin yaya akışını domine<br />
edici özellik sergileyebileceğini ortaya<br />
koymaktadır. Sonuç yargı olarak,<br />
Büyük Beşiktaş Çarşısı, kendi mimari<br />
strüktüründen bağımsız olarak kentsel<br />
dinamiklerden etkilenmektedir.<br />
Çalışma, kapalı ve çevresinden kopuk<br />
alışveriş merkezlerinden farklı<br />
olarak Beşiktaş Çarşısı’nın Kentsel<br />
dinamiklerden beslendiğini, kentin<br />
parçası haline geldiğini ve tekil olarak<br />
değil çevresi ile beraber bir bütün<br />
olarak var olduğunu ortaya koymakta,<br />
özellikle kamusal işlevler üstlenen yapılarda<br />
kentsel arayüzün önemini göstermektedir.<br />
The influence of architectural configuration on the pedestrian network in Büyük Beşiktaş market
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • 115-<strong>12</strong>5<br />
A syntactic analysis of social<br />
interfaces in Istanbul Biennial<br />
patterns in case of biennial<br />
buildings in 2013<br />
Fitnat CİMŞİT KOŞ 1 , Mehmet Emin ŞALGAMCIOĞLU 2 , Ervin GARİP 3<br />
1<br />
fitnatcimsit@gmail.com • Department of Architecture, Faculty of Engineering<br />
and Architecture, Beykent University, Istanbul, Turkey<br />
2<br />
salgamcioglu@gmail.com • Department of Architecture, Faculty of Architecture,<br />
Istanbul Technical University, Istanbul, Turkey<br />
3<br />
ervingarip@gmail.com • Department of Interior Design and Environmental<br />
Design, Istanbul Kultur University, Istanbul, Turkey<br />
Received: May <strong>2015</strong> Final Acceptance: October <strong>2015</strong><br />
Abstract<br />
Biennial events in urban life can be discussed in terms of the interrelation of<br />
venues as well as art products and dialogues. There are a number of exhibition<br />
venues, where preferences are defined by pragmatic or thematic decisions, such as<br />
historical buildings, most common public spaces or contemporary popular places.<br />
These buildings are territorial markers of specific patterns and act as museum-like<br />
environments. This study aims to explore the potential and performative<br />
outcomes of these patterns in the Istanbul Biennial between 1995-2013 and aims<br />
to discuss the last biennial in 2013 with syntactical parameters and frequencies<br />
comparatively for each venue using interface activities and occupancy through<br />
the other biennials.<br />
For that purpose, this paper will try to answer the questions below:<br />
Do biennial space preferences have performative differences in their syntactical<br />
configurations through biennial history (between 1995-2013)?<br />
Is there a performative relationship between the syntactical values of the interfaces<br />
(for the 2013 biennial) and the frequency of each gate of the venues, considering<br />
the interface activities and moods?<br />
Comparison of the biennial patterns in Istanbul raises many questions in terms<br />
of spatial configuration, social network and functional hierarchy in addition to<br />
syntactic parameters such as the mean depth, integration or circularity. The territory<br />
of the 2013 biennial and its effects on frequencies will also be examined<br />
through biennial venues. To understand whether collective memory or accessibility<br />
is effective (dominant), audience frequencies are studied within the biennial<br />
pattern using gate counts and interface activities.<br />
Keywords<br />
Social interface, Urban performance, Syntactical configuration.
116<br />
1. Introduction<br />
Biennial events in urban life can be<br />
discussed in terms of the interrelation<br />
of venues as well as art products and<br />
dialogues. There are a number of exhibition<br />
venues, where preferences are<br />
defined by pragmatic or thematic decisions,<br />
such as historical buildings, most<br />
common public spaces or contemporary<br />
popular places. This study aims to<br />
explore the performative outcomes of<br />
exhibition space patterns in the Istanbul<br />
Biennial between 1995 and 2013<br />
and aims to discuss the last biennial<br />
in 2013 with syntactical parameters<br />
and frequencies comparatively for each<br />
venue using interface activities and<br />
occupancy throughout the other biennials.<br />
The performance activity of the<br />
Biennials should be examined through<br />
different patterns with different orientations<br />
of biennial venues. As Özpınar<br />
(2011) indicated, through the art,<br />
knowledge and criticism platform generated<br />
outside of the academic space, it<br />
is possible to argue the biennial’s public<br />
space quality as an operation where<br />
ideas, expressions and experiences are<br />
produced within a portion of the social<br />
life. The biennial is an event, generally<br />
organized by independent institutions,<br />
that aims to spread across the city with<br />
versatile activities but is often only realized<br />
in the city center.<br />
The difference between the biennial<br />
and classical museum exhibitions,<br />
international exhibitions or public art<br />
projects is not only the fact that the artifacts<br />
are not for sale but also that it<br />
is a local activity expected to spread<br />
across the city and communicate a<br />
message. Therefore, the positioning of<br />
the biennial within the city, its forms of<br />
exhibition, and the urban instruments<br />
and mediums it utilizes are extremely<br />
important. The choice of location and<br />
its past and future indications gain importance<br />
as exhibition practice. The<br />
interaction between the location and<br />
the installed artwork becomes a priority<br />
for this choice. The artwork can<br />
present itself as a contrast, a criticism,<br />
a compliment or an attraction to the<br />
location and the meanings it conveys<br />
(Özpınar, 2011).<br />
The Habermasian idea of the public<br />
sphere points to spaces created by the<br />
community where ideas, expressions<br />
and experiences are produced, explored,<br />
shared, spread and discussed.<br />
City streets can facilitate encounters,<br />
opportunities, and divergent identities.<br />
Because city streets are a place of socialization,<br />
the exhibits should have a<br />
permissive quality with open access to<br />
all sorts of social, human and individual<br />
performances. The utilization and<br />
presentation of the public space in the<br />
biennial is important in terms of reconstruction<br />
of the space, the city and<br />
the individual (Özpınar, 2011).<br />
For that purpose, this paper will try<br />
to answer the questions below:<br />
Do biennial space preferences have<br />
performative differences in their syntactical<br />
configurations through biennial<br />
history (between 1995 and 2013)?<br />
Is there a performative relationship<br />
between the syntactical values of the<br />
interfaces (for the 2013 biennial) and<br />
the frequency for each gate of the biennial<br />
venues, considering the interface<br />
activities and moods?<br />
2. Territories and social interfaces<br />
The space preference for biennial<br />
venues is a special urban territory open<br />
to public interaction. Venues, boundaries<br />
and movement patterns work to<br />
create a walking-based context, which<br />
creates a performative area in the city.<br />
Each biennial has the potential to create<br />
a specific micro-environment for<br />
urban events and interactions. The biennial<br />
buildings are territorial markers<br />
during the biennial period. Therefore,<br />
this study aims to study both<br />
this micro-environment pattern and<br />
the building interfaces in order to explore<br />
the potential and performances.<br />
Territorial space and behaviors are the<br />
keys to understanding this interactive<br />
pattern. The study includes different<br />
levels of space organization. These are<br />
the biennial patterns as micro-urban<br />
environments and social interfaces of<br />
buildings as territorial markers. The<br />
hierarchy in these specific micro-environments<br />
and their markers can be<br />
discussed using Stea’s (1970) theory.<br />
The three scales of territory are units,<br />
clusters and structures. The scales are<br />
interactive and conceptually interrelated<br />
(Figure 1).<br />
The micro-environments and their<br />
potentials in urban performances cre-<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • F. Cimşit Koş, M. E. Şalgamcıoğlu, E. Garip
117<br />
Figure 1. Three territorial spaces (Stea,<br />
1970).<br />
ate spatial practices. Walking based<br />
routes and moving based configurations<br />
creates a site-specific experience<br />
in biennials. As Hillier (2005) mentioned,<br />
buildings and cities exist in<br />
two ways: as the physical forms that<br />
we build and see and as the space that<br />
we use and move through. That’s why<br />
this study tries to explore the differentiations<br />
and similarities of different<br />
biennial patterns and analyses urban<br />
performances through spatial configurations.<br />
Contreras (2006) derived the<br />
term ‘The Urban Performance’ from<br />
the ‘representational space’ concept,<br />
which is a part of the spatial triad defined<br />
by Lefebvre (1974) and reinterpreted<br />
by lain Borden (Borden, 2001).<br />
The assumption is that spatial practices<br />
and representations are the things people<br />
do and the patterns they physically<br />
create for disrupting abstract space.<br />
The ‘potential energies’ of groups act to<br />
transform and create new social spaces.<br />
Thus, the Istanbul biennial has the<br />
power to organize these new social<br />
spaces.<br />
According to Borden (2001), the<br />
supposition is that in the urban realm,<br />
the idea of an activity in space is the<br />
key to understanding the representations<br />
and experience of space, and because<br />
of these actions or performances,<br />
we become true objects in time and<br />
space and not simply users or experiencers<br />
of but produced by, and products<br />
of, the architecture around us. A<br />
multi-stranded contemplation of the<br />
notion of “knowing a place” includes<br />
both the existence and the possibilities<br />
of architecture and the city. Whether<br />
for inhabitants or foreign audiences,<br />
the biennial pattern is a space for experience,<br />
coding or decoding. By movement<br />
through exhibition areas, cognitive<br />
maps are created by the mind and<br />
experienced by the public space itself.<br />
Through biennial patterns, movement<br />
and actions are simply dependent<br />
on markers. Thus, the ‘events’ and ‘activities’<br />
are the bodies that experience<br />
the biennial in different ways, routes,<br />
frequencies, etc. “If movement is to be<br />
one of the generating factors of architecture,<br />
it will not take a single form or<br />
configuration. There is random movement,<br />
as experienced on a flat plane,<br />
free of any attraction or constriction.<br />
But there is also vectorized movement,<br />
which interact with static spaces, often<br />
activating them through the motion of<br />
bodies that populate them” (Tschumi,<br />
2000).<br />
We also interact with the city conceptually<br />
as the events occur. In that<br />
specific time, with collective artifacts,<br />
the city is shared by the people. Thus,<br />
as Hillier (2009) indicated, we need a<br />
concept of distance which reflects not<br />
only the relationship of one part to another<br />
but of all parts to all others. In biennial<br />
patterns the question is, whether<br />
the venue is familiar or not, what are<br />
the parameters of performance? Even<br />
though people can move randomly,<br />
they need to orient themselves with<br />
the big picture of the biennial route.<br />
Exhibition points within the pattern<br />
should be seen as a path to reach a performative<br />
event. This is why movement<br />
possibilities inside the route have a relationship<br />
with the integration of exhibition<br />
points.<br />
The space syntax theory states that<br />
spatial configuration influences the<br />
distribution of movement within a network<br />
system and that when spaces are<br />
more directly connected to other spaces,<br />
they are likely to attract more movement<br />
(Peponis & Wineman 2002). Our<br />
concern with movement patterns over<br />
biennial patterns suggests a relationship<br />
between the legibility of physical<br />
space and the social occupation of that<br />
space.<br />
Beside the biennial patterns and<br />
their social possibilities, the exhibition<br />
buildings are also important markers<br />
A syntactic analysis of social interfaces in Istanbul Biennial patterns in case of biennial buildings<br />
in 2013
118<br />
with interfaces they have. When some<br />
markers are new, some others have a<br />
memory in biennials. The interfaces<br />
means interactive layouts both in<br />
memory and in physical environment.<br />
The audiences have a role to re-produce<br />
this spaces in each biennial. Thus,<br />
the pattern has a possibility to create<br />
new markers and a new spatial practice<br />
in the city. To Lefebvre (1974), all social<br />
space, at all scales of consideration,<br />
is produced. Lefebvre’s theory of space<br />
sets forth three principles or modes of<br />
production: ‘spatial practice’, ‘representation<br />
of space’ and ‘representational<br />
space’. (1) Spatial practice is what people<br />
- the enactors of social space - do.<br />
Though this may seem obvious, it is a<br />
considerable conceptual leap for those<br />
who assume that space (as a container)<br />
precedes activities in space. Spatial<br />
practice is ordered, and spaces take on<br />
order through (2) representations of<br />
space or the plans established by social<br />
bodies with the power to create blueprints<br />
for the world. Societies are thus<br />
said to inhabit (3) representational<br />
spaces that contain and are produced<br />
by spatial codes that change over time.<br />
The representational spaces of everyday<br />
life are produced by contemporary<br />
spatial codes, fragments of discarded<br />
codes, and echoes of revolutionary<br />
codes (Protevi, 2006). The biennial<br />
buildings are re-produced each time by<br />
audiences. The spatial experiences of<br />
audiences and how it has shared are the<br />
main concern to explore spatial characters<br />
of biennial buildings in each pattern.<br />
Thus, the second phase of analysis<br />
in this study aims to explore this spatial<br />
codes in interfaces.<br />
3. Method<br />
Through theoretical point of view<br />
the method includes different scales<br />
of studies both in micro-environments<br />
of biennials and building interfaces.<br />
The interactivity of these scales will<br />
be discussed with an introduction to<br />
the comparative analysis of biennial<br />
patterns through history. Comparison<br />
of biennial patterns in Istanbul raises<br />
questions in terms of spatial configuration,<br />
social networks and functional<br />
hierarchy.<br />
The similarities and the differences<br />
in the biennial layouts are the basis<br />
of a discussion on the elements and<br />
possibilities of the spatial configuration.<br />
The anticipated path movement<br />
of the pedestrian may differ according<br />
to context. Therefore, the relations of<br />
typologies, the venues, clusters and interconnections<br />
are the concerns of the<br />
research.<br />
The territory of the 2013 biennial<br />
and its effects on frequencies will be<br />
examined through the biennial venues.<br />
Biennial venues are different types of<br />
buildings where people both visit exhibitions<br />
and socialize. The pattern of<br />
the biennial is a designed integration<br />
that is a part of the collective memory.<br />
The number of times each building<br />
has been occupied throughout biennial<br />
history will also be considered. In order<br />
to understand whether collective<br />
memory or accessibility is effective<br />
(dominant), the audience frequencies<br />
are studied within the biennial pattern<br />
using gate counts and interface activities.<br />
The research for the 2013 pattern<br />
focuses on parameters such as the<br />
comparison of the frequency of audiences<br />
at the gates of biennial buildings,<br />
collective memory of these buildings<br />
throughout biennial history, the modes<br />
of the audiences in interfaces, and the<br />
syntactic values of the pattern and the<br />
gates of the venues.<br />
The social interfaces are performative<br />
spaces with social, individual and<br />
movement-based modes. These interfaces<br />
are the spaces where people wait,<br />
gather or pass through before exhibition<br />
in biennial buildings. At the end<br />
of the research, these modes will be examined<br />
and the interrelation between<br />
the syntactical values and the gate frequencies<br />
will be discussed.<br />
The following methods are applied<br />
for the biennial patterns in this study:<br />
3.1. Analog method<br />
• Gate count: Simultaneous recordings<br />
of the frequencies at the gates<br />
of biennial buildings for 10 minutes<br />
both during weekdays and weekends.<br />
• Interface frequencies: Simultaneous<br />
2-minute camera shots in each biennial<br />
buildings interfaces.<br />
• Interface moods: The interface<br />
moods are individual (waiting, sitting,<br />
etc), social (gathering, talking,<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • F. Cimşit Koş, M. E. Şalgamcıoğlu, E. Garip
119<br />
Figure 2. The biennial venues.<br />
etc.) and active (movement based)<br />
behaviours. in 2 minutes<br />
• Collective memory of buildings:<br />
How many times has these buildings<br />
occupied throughout the history<br />
of biennials<br />
3.2. Syntactic analysis<br />
• Visual space analysis including integration,<br />
circularity and mean depth<br />
for each biennial are comparatively<br />
studied for each biennial pattern<br />
(the active grid numbers for each<br />
100 m 2 were the same for all patterns,<br />
which are different in scale)<br />
• Syntactical analysis of the 2013 biennial<br />
pattern, including integration,<br />
circularity and mean depth<br />
• Focus on building analysis in order<br />
to explore the social interfaces<br />
which are the spaces where people<br />
Figure 3. The relationship between biennial venues and years /<br />
2013 venues.<br />
wait, gather or pass through before<br />
exhibition in biennial buildings.<br />
3.3. Statistical analysis<br />
• In the statistical analysis conducted<br />
with SPSS software, significant relationships<br />
are researched through<br />
regression analysis.<br />
The method includes transforming<br />
the patterns and the last biennial<br />
building interfaces to syntactic data<br />
(with the help of a program named<br />
“Syntax 2D” licensed by the University<br />
of Michigan) including mean depth,<br />
circularity and integration.<br />
4. Istanbul Biennial patterns as museum-Like<br />
environments and buildings<br />
as territorial markers<br />
The Istanbul Biennial is an international<br />
cultural network for local and<br />
international artists, curators and art<br />
critics showing new trends in contemporary<br />
art every two years. The Istanbul<br />
Biennial is an exhibition model that<br />
enables a dialogue between artists and<br />
the audience through the work of the<br />
artists, exhibitions, panel discussions,<br />
conferences and workshops. The Biennial<br />
is organized by the İstanbul Foundation<br />
for Culture and Arts (IKSV).<br />
The first two biennials were established<br />
under the general coordination of Beral<br />
Madra in 1987 and 1989. After<br />
1989, a curator system was established.<br />
The Istanbul Biennial does not have<br />
a permanent location. Although certain<br />
structures were used more than<br />
once, each biennial has had various<br />
locations. The biennial venues show<br />
differences in historical and contemporary<br />
context in Istanbul (Figure 2).<br />
The study was done in five biennial<br />
contexts defined by context-based<br />
walking characters. The biennials that<br />
took place in both the Asian and European<br />
sides of Istanbul were dismissed<br />
because of the need to consider public<br />
transportation in these cases. The<br />
configurations of biennials differed,<br />
whether in the number of venues or in<br />
the place references related to for each<br />
year (Figure 3). As a consequence, the<br />
last biennial will be examined with pattern<br />
syntactical parameters and gate<br />
frequencies with the interface activities<br />
of biennial venues in that pattern.<br />
The venues will also be discussed with<br />
A syntactic analysis of social interfaces in Istanbul Biennial patterns in case of biennial buildings<br />
in 2013
<strong>12</strong>0<br />
reference to the collective memory<br />
through all biennials.<br />
5. Syntactic analysis and discussion<br />
The space syntax helps us analyze<br />
the patterns of connection, differentiation<br />
and centrality that characterize<br />
urban systems and the relationship between<br />
the parts and the whole that they<br />
engender. The axial map comprises the<br />
fewest and longest lines that are necessary<br />
to cover all parts of the urban<br />
fabric. The number and length of the<br />
axial lines is a function of the degree to<br />
which other parts of the system are directly<br />
accessible and visible from each<br />
point. The intersections between axial<br />
lines are treated as the elementary relations<br />
between spaces. The key property<br />
of axial maps is integration. Integration<br />
measures the relationship of each line<br />
to the network as a whole (Peponis,<br />
Ross, Rashidi, 1997).<br />
The computation of integration values<br />
for the space of a given area is, of<br />
course, affected by the location of the<br />
area boundary. As Peponis et al. (1997)<br />
noted, an integration core that not only<br />
links all the parts together but that<br />
also relates the center to the periphery<br />
seems to encourage the diffusion<br />
of movement and the opportunities<br />
for exchange and interaction. The area<br />
boundaries and accessibility patterns<br />
for analysis have been chosen to indicate<br />
the possible movement routes between<br />
each venue (Figure 4).<br />
Figure 4. Selected biennial pattern layouts.<br />
1 st step: Descriptive discussion of biennial<br />
patterns from 1995 to 2013 due to<br />
urban performance:<br />
The locations of choice for the 4 th Biennial<br />
(1995) titled ‘Orient-ation’ were<br />
Antrepo (1), AKM art galleries (2), Aya<br />
Irini (3), and the Basilica Cistern (14).<br />
The locations situated the biennial in<br />
the historical peninsula and the modern<br />
front of Istanbul, with the two areas<br />
connected by the Galata Bridge (Figure<br />
4). The pattern can be described as<br />
a bridging quality with two different<br />
loops.<br />
The locations of choice for the 6th<br />
Biennial (1999) titled ‘The Passion and<br />
the Wave’ were Aya Irini (3), the Basilica<br />
Cistern (14) and Dolmabahce Palace<br />
(7). The locations situated the biennial<br />
in the historical peninsula with continuity<br />
through the Bosphorus connected<br />
by the Galata Bridge (Figure 4). The<br />
pattern can be described as a continuous<br />
linear quality with one loop.<br />
The locations of choice for the 8th<br />
Biennial (2003) titled ‘Poetic Justice’<br />
were Antrepo (1), Hagia Sofia (4), the<br />
Garanti Platform (9), Tophane-i Amire<br />
(<strong>12</strong>), and the Basilica Cistern (14).<br />
The locations situated the biennial in<br />
the historical peninsula and the modern<br />
front of Istanbul connected by the<br />
Galata Bridge (Figure 4). The pattern<br />
can be described as a bridging quality<br />
with two different loops extended<br />
through Istiklal Street, a main pedestrian<br />
street with high traffic. This biennial<br />
strived to join modern city life and<br />
addressed not to only specific target<br />
audiences but to everyone with access<br />
to the public space (Ozpınar, 2001).<br />
The locations of choice for the 9 th<br />
Biennial (2005) titled ‘Istanbul’ were<br />
Antrepo (1), Bilsar (5), Deniz Palas<br />
(6), the Garanti Platform (9), the Garanti<br />
Bank (10), Garibaldi (11), and the<br />
Tobacco Warehouse (13) (Figure 4).<br />
This biennial represented a modernist<br />
transformation of the city with the<br />
chosen locations giving reference to<br />
daily life through the use of the most<br />
crowded and integrated streets of Beyoglu.<br />
The biennial moved away from<br />
the historical peninsula. The pattern<br />
can be described as having a compact<br />
quality with one loop.<br />
The locations of choice for the 11th<br />
Biennial (2009) titled ‘What Keeps<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • F. Cimşit Koş, M. E. Şalgamcıoğlu, E. Garip
<strong>12</strong>1<br />
Mankind Alive?’ were Antrepo (1),<br />
Feriköy Greek School (8) and the Tobacco<br />
Warehouse (13) (Figure 4). The<br />
venue was limited, with only three locations.<br />
The route had more indirect<br />
possibilities for passing or landing. The<br />
pattern can be described as a continuous<br />
linear path with two ends without<br />
a loop.<br />
The locations of choice for the 13th<br />
Biennial (2013) titled ‘Mom, Am I Barbarian?’<br />
were Antrepo (1), the Garanti<br />
Platform (SALT Beyoğlu) (9), Arter<br />
(15), and Galata Greek School (16)<br />
(Figure 4). This biennial also represented<br />
the modernist transformation of the<br />
city, and the chosen locations gave reference<br />
to daily life in the context of the<br />
most crowded and integrated streets<br />
of Beyoglu with two new venues. The<br />
pattern can be described as having a<br />
compact quality with one loop through<br />
Istiklal Street, a main pedestrian street<br />
with high pedestrian traffic.<br />
The biennial pattern typologies and<br />
their syntactical values can be summarized<br />
as follows (Figure 4):<br />
1995, 4 venues, bridging typology<br />
with two different loops, 963 mean integration.<br />
1999, 3 venues, continuous linear<br />
typology with one loop, 1468 mean integration<br />
2003, 5 venues, bridging typology<br />
with two loops extended through a<br />
main pedestrian street with high frequency,<br />
1<strong>12</strong>1 mean integration<br />
2005, 7 venues, compact typology<br />
with one loop, 1768 mean integration<br />
2009, 3 venues, continuous linear<br />
path typology with two ends without a<br />
loop, 5080 mean integration<br />
2013, 4 venues, compact typology<br />
with one loop extended through a<br />
main pedestrian street with high frequency,<br />
1974 mean integration<br />
Table 1 summarizes the results of the<br />
syntactical data for selected biennial<br />
venues between 1995 and 2013. On the<br />
basis of this data set, ‘mean integration’<br />
values were produced to investigate the<br />
extent to which street connectivity and<br />
land use density explain the distribution<br />
of movement per street segment<br />
with the different typologies indicated<br />
above. As mentioned in previous figures,<br />
these patterns show differences in<br />
the form and character of the paths:<br />
The results of this analysis show that<br />
pattern configurations have a direct effect<br />
on syntactical values. The Golden<br />
Horn acts as a boundary in 1995 and<br />
1999, whereas bridging typology has<br />
the lowest integration (table 1).<br />
The linear configuration without<br />
a loop has the highest integration in<br />
Table 1. The syntactical data of biennial venues.<br />
A syntactic analysis of social interfaces in Istanbul Biennial patterns in case of biennial buildings<br />
in 2013
<strong>12</strong>2<br />
Figure 5. 2013 Istanbul biennial pattern.<br />
2009, with the least number of venues.<br />
The compact typologies have similar<br />
results in 2005 and 2013 with a different<br />
number of venues (table 1). Thus,<br />
the configuration seems more effective<br />
than the number of venues. The interrelation<br />
between venues, boundaries,<br />
paths and movement has a strong effect<br />
on syntactical outcomes.<br />
As mentioned above, the configuration<br />
may influence the location of attractors,<br />
but the location of attractors<br />
and their positions cannot influence<br />
configuration. In other words, patterns<br />
may influence movement, but movement<br />
cannot influence the configuration<br />
of the patterns. The syntactical<br />
values of configurations can orient a<br />
through movement in venue that is independent<br />
from the distance. The configuration<br />
has an effect on movement<br />
independent from specific attractors or<br />
choices. As Hillier et al. (1993) mentioned,<br />
layout differences have effects<br />
on movement independent from the<br />
attractors. The results of our analysis<br />
show that Antrepo, which is one of the<br />
most important and most occupied<br />
venues through the biennials, has the<br />
highest integration value and the lowest<br />
pattern integration value in 1995<br />
Table 1).<br />
and Galata Greek School. This biennial<br />
also represented a transformation from<br />
previous pattern choices with two new<br />
venues, Arter and Galata Greek School,<br />
and gave reference to daily life in the<br />
context of the most crowded and integrated<br />
streets of Beyoglu. This pattern<br />
was described above as having a compact<br />
quality with one loop (Figure 5).<br />
The research for the 2013 pattern focuses<br />
on parameters such as the comparison<br />
of the frequency of audiences<br />
at the gates of biennial venues , the<br />
occupancy of the venues through biennial<br />
history, the interface activities and<br />
modes and the syntactic values of the<br />
pattern and the gates (Table 2, Figure<br />
6-7). The outcomes can be summarized<br />
as follows:<br />
Even though they are both new venues<br />
in 2013, Galata Greek School has<br />
a higher gate count than Arter, and<br />
Galata Greek School has the highest<br />
integration value.<br />
2 nd step: Syntactical analysis of biennial<br />
pattern in 2013 due to social interfaces:<br />
The configuration of the 13 th Biennial<br />
(2013) titled ‘Mom, Am I Barbarian?’<br />
has four venues: Antrepo, the Garanti<br />
Platform (SALT Beyoğlu), Arter,<br />
Figure 6. 2013 Istanbul biennial buildings and interfaces.<br />
Table 2. The analogue and syntactical data of 2013 biennial buildings.<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • F. Cimşit Koş, M. E. Şalgamcıoğlu, E. Garip
<strong>12</strong>3<br />
Figure 7. 2013 Istanbul biennial building interfaces and syntactical<br />
analysis.<br />
Even though Arter is on the main<br />
pedestrian street in Istanbul, Galata<br />
Greek School has a higher frequency<br />
due to its highest integration value in<br />
the biennial configuration. As mentioned<br />
above, this is because the data<br />
reflect the propensity of spaces to be<br />
passed through on the way from all<br />
origins to all destinations. This shows<br />
that new venue preferences for the biennial<br />
should be considered with syntactical<br />
values of the biennial pattern<br />
instead of the urban pattern.<br />
Antrepo is the most occupied and<br />
the main venue through all biennials.<br />
Therefore, it has the highest gate frequency<br />
even though it has the lowest<br />
integration value.<br />
Antrepo and SALT Beyoglu are the<br />
most occupied venues during all biennials,<br />
with significant differences between<br />
weekdays and the weekend.<br />
Even though Arter and SALT Beyoglu<br />
are on the same street and have<br />
similar integration values, the gate<br />
frequencies are quite different. This<br />
means that attractors have less effect<br />
on traffic than the syntactical values of<br />
the venue itself. SALT Beyoglu, even as<br />
a well-known biennial space, could not<br />
affect the frequency of Arter.<br />
The interface of Antrepo is the most<br />
social and most integrated venue. The<br />
integration value of the interface is the<br />
highest.<br />
Arter is a relatively new venue and<br />
has a lower integration value. This affects<br />
the interface moods, and the total<br />
activity seems lowest despite the fact<br />
that the venue is on an active pedestrian<br />
street, Istiklal Street.<br />
The most active venue is SALT Beyoglu,<br />
which has three times the occupancy<br />
of other venues in biennial<br />
history, and the location is on an active<br />
pedestrian street, Istiklal Street.<br />
3 rd Step: Statistical analysis:<br />
In the statistical analysis conducted<br />
with SPSS software, we observed a<br />
significant relationship when we used<br />
gate count numbers (the number of<br />
people passing through a gate) as the<br />
dependent variable and when we used<br />
the integration values of these gates as<br />
the independent variable on weekends.<br />
The regression analysis between the<br />
integration values of the selected gates<br />
of biennial venues and the number of<br />
people (frequency) using these buildings<br />
(gates) shows a tendency of 80,7%<br />
and a mildly significant negative relationship,<br />
with R=-0,807.<br />
We observed another significant<br />
relationship when we used interface<br />
moods as the dependent variable and<br />
the integration values of these interfaces<br />
as the independent variable on<br />
weekends. These interfaces are the<br />
spaces where people wait, gather or<br />
pass through before exhibition in biennial<br />
buildings. The interface moods<br />
are individual (waiting, sitting, etc),<br />
social (gathering, talking, etc.) and active<br />
(movement based) behaviors. The<br />
regression analysis between the integration<br />
values of the selected interfaces<br />
of biennial venues and the moods<br />
of people using these interfaces shows<br />
a significant tendency of 92,7% and a<br />
significant positive relationship, with<br />
R=0,927.<br />
6. Conclusions<br />
The pattern of the biennial is a designed<br />
integration of venues that is<br />
also a part of the social interface. The<br />
biennial’s interactive structure provides<br />
potential for more effective social<br />
outcomes through the design of its<br />
location patterns and the use of buildings<br />
as territorial markers. The pattern<br />
configurations and their qualities have<br />
more effect than the metric distance related<br />
to certain directions. This is not<br />
just a matter of seeing buildings but is<br />
also about observing space. The visual<br />
distances, collective memories, and<br />
integrations on any level orient the<br />
movement more than the metric distances.<br />
The human relationship with<br />
space in cities is generated not only by<br />
movement but also by experience and<br />
interactions. These museum-like environment<br />
patterns define a street con-<br />
A syntactic analysis of social interfaces in Istanbul Biennial patterns in case of biennial buildings<br />
in 2013
<strong>12</strong>4<br />
figuration in a specific context based on<br />
walking, with buildings as markers. The<br />
use of buildings as territorial markers<br />
in these museum-like environments<br />
create social interfaces. These interfaces<br />
have an effect on social relations<br />
and gathering activities. Additionally,<br />
collective memory is important, and<br />
future decisions about biennial venues<br />
should consider its influence. The<br />
configuration of exhibition buildings is<br />
important to an active social network<br />
and performative territory. This study<br />
has analyzed venue preferences for<br />
specific public events such as biennials<br />
according to the interaction levels, integration<br />
and frequencies of interfaces<br />
related to a specific pattern for performative<br />
outcomes. The study’s aim has<br />
been to to discuss these multi-levels<br />
and to show that both scales should be<br />
discussed together. In this manner, this<br />
study will guide further research about<br />
performative pattern configuration<br />
choices and social interface outcomes<br />
for future biennials.<br />
Acknowledgments<br />
We would like to thank some of the<br />
MSc students at Istanbul Technical<br />
University (ITU) from several programmes<br />
but mostly from “Architectural<br />
Design MSc Programme”, Fulya<br />
Menderes, Barış Ateş, Şebnem Çakaloğulları<br />
and, Ecem Çalışkan, who<br />
have collected the data used in this paper<br />
during long hours in the field voluntarily.<br />
In addition to our volunteers<br />
from ITU, we would like to thank Industrial<br />
Product Designer Bedii Engin<br />
Koş, who was also a volunteer, for his<br />
support and work for data collection in<br />
the field.<br />
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Planning and Design.<br />
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Blackwell Publishing.<br />
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in the Contexts of the Individuals, the<br />
City and the Public Sphere, Kült-Refereed<br />
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York, NY: John Wiley.<br />
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Continental Philosophy (pp. 356-357).<br />
Yale University Press.<br />
Stea, D. (1970). Space, Territory and<br />
Human Movements. In Proshansky,<br />
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2013 İstanbul Bienal mekanları üzerinden<br />
İstanbul Bienal dokusunun<br />
sosyal arayüzlerinin sentaktik analizi<br />
Kent yaşamı içinde bienaller, sanat<br />
ürünleri ve diyaloglar kadar, bienal<br />
mekanlarının ürettiği ilişkiler ile de<br />
tartışılabilir. Tarihi binalar, popüler<br />
mekanlar, çağdaş mekan örnekleri<br />
gibi pragmatik ve veya tematik kararlar<br />
üzerinden tercih edilen bienal mekanları<br />
mevcuttur. Bu çalışma 1995 ve<br />
2013 yılları arasındaki bienal mekan<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • F. Cimşit Koş, M. E. Şalgamcıoğlu, E. Garip
<strong>12</strong>5<br />
örüntülerinin etkileşimli çıktılarını ve<br />
sonuç olarak 2013’te gerçekleşen son<br />
bienal çerçevesinde karşılaştırmalı olarak<br />
mekanların sentaktik parametreleri<br />
ve giriş frekanslarını, binaların oluşturduğu<br />
sosyal ara yüzleri ve bu ara<br />
yüzlerdeki eylem biçimlerini de dikkate<br />
alarak tartışmayı amaçlamaktadır.<br />
Bu amaçla, bu makale aşağıdaki sorulara<br />
cevap aramaktadır;<br />
1995 ve 2013 tarihleri arasında bienal<br />
tarihi boyunca mekan tercihlerinin<br />
sentaktik konfigürasyonları doğrultusunda<br />
etkin farklılıkları var mıdır?<br />
2013 bienali kapsamında mekanların<br />
yarattığı sosyal ara yüzler olan ön<br />
mekanlarının sentaktik değerleri ve<br />
frekansları arasında aktivite ve biçimleri<br />
de göz önüne alarak etkin bir ilişki<br />
var mıdır?<br />
İstanbul Bienal örüntülerinin karşılaştırması,<br />
sentaktik parametrelerin<br />
yanında sosyal ağ, fonksiyonel hiyerarşi,<br />
sosyal ara yüzler gibi bir çok soruyu<br />
da tartışmaya dahil etmektedir. 2013<br />
bienalinin etki alanı ve frekanslara<br />
etkisi bienal mekanları kapsamında<br />
tartışılmıştır. Bienal mekansal örüntüsü<br />
aynı zamanda ortak belleğin de bir<br />
parçası, tasarlanmış bir konfigürasyon<br />
ve etkileşim ağıdır. Bu nedenle her bir<br />
mekanın bienal tarihi boyunca kaç kez<br />
kullanıldığı ve bellekteki yeri de çalışma<br />
parametreleri arasındadır. Belleğin<br />
mi yoksa sentaktik değerlerin mi etkin<br />
olduğunun araştırılması için, kullanıcı<br />
frekansları hem kapıda yapılan sayımlarla<br />
hem de mekanın ürettiği ara<br />
yüzdeki aktivite ve biçimleri ile araştırılmıştır.<br />
2013 Bienali kapsamında bu<br />
tartışmalar bienal noktalarındaki kullanıcı<br />
frekansları, mekanın bienal tarihi<br />
boyunca kaç kez kullanıldığı, ara yüz<br />
aktiviteleri, hem bienal mekan örüntüsünün<br />
hem de mekanların sentaktik<br />
değerleri gibi parametrelere odaklanmaktır.<br />
Bu sosyal ara yüzler, sosyal<br />
ve bireysel eylem biçimleri ve hareket<br />
modları ile etkin mekanlar olarak değerlendirilir.<br />
Metot kapsamında Michigan<br />
Üniversitesi lisanslı Syntax 2D<br />
programı ile hem mekan örüntülerini<br />
hem bina ara yüzlerini sentaktik değerlere<br />
dönüştürerek, SPSS yardımı ile<br />
belirleyicilerin istatistik çalışması yapılmıştır.<br />
Çalışmanın sonucunda gelecek<br />
bienaller için daha etkin örüntü ve<br />
mekansal organizasyon öngörülerinin<br />
tartışmaya açılması amaçlanmaktadır.<br />
A syntactic analysis of social interfaces in Istanbul Biennial patterns in case of biennial buildings<br />
in 2013
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • <strong>12</strong>7-140<br />
Can cognitive maps of children be<br />
analysed by space syntax?<br />
Nevşet Gül ÇANAKCIOĞLU<br />
gulcanakcioglu@gmail.com • Graduate School of Science Engineering and<br />
Technology, Istanbul Technical University, Istanbul, Turkey<br />
Received: May <strong>2015</strong> Final Acceptance: October <strong>2015</strong><br />
Abstract<br />
According to environment and behavior theories, individuals in their first years<br />
of cognitive development enter a world full of environmental stimuli motivating<br />
them to perceive and learn. As a result of many perceptual processes, people convert<br />
and transfer perceptual information to their cognitive schemata. The prominent<br />
researcher Piaget (1955), who analyzed the perceptual processes of children<br />
through cognitive development stages based on age, mainly studied the way that<br />
a child perceives the environment within a constructive approach. One of the<br />
methods of revealing constructed and stored data in the memory is through the<br />
analysis of cognitive maps that children have drawn as they each uniquely perceive<br />
the environment and construct specific cognitive schema.<br />
Additionally, Lynch (1960) contributes to the theory of perception with the<br />
idea that if an urban part has a strong imageable character in terms of paths, edges,<br />
districts, nodes and landmarks, one can orient oneself easily when influenced by<br />
the synthesis of perceptual processes. Some other scholars have also been investigating<br />
how cognitive maps can be analyzed within the theory of space syntax<br />
(Zheng & Weimin, 2010; Zimring & Dalton, 2003; Haq & Girotto, 2003; Kim &<br />
Penn, 2004).<br />
In this sense, this article aims to contribute to both the methodology through<br />
the analysis of cognitive maps by using justified permeability graphs within the<br />
theory of space syntax and to the understanding of how the perception of children<br />
differs depending on gender and socioeconomic status. This includes a case study<br />
of children aged 11 who have drawn their home and nearby surroundings as part<br />
of Çanakçıoğlu’s research (2011).<br />
Keywords<br />
Children’s cognition, Cognitive maps, Environmental perception, Space syntax.
<strong>12</strong>8<br />
1. Introduction<br />
Children learn their environments<br />
through their actions in physical settings<br />
and several schemata that they<br />
develop through their reciprocal relationship<br />
with physical environmental<br />
stimuli. What is learned by this motor-sensory<br />
correspondence is reflected<br />
in certain kinds of behaviour in<br />
children. This interactive process depends<br />
on both the developmental stage<br />
of the child and the characteristics of<br />
the physical environment. J. J. Gibson,<br />
who tackles environment and behaviour<br />
theories through an ecological approach,<br />
stresses the importance of individual<br />
movement in the extraction of<br />
environmental knowledge and defines<br />
this process as a perceptual system in<br />
which the senses, behaviour of the perceiver<br />
and the physical environment<br />
are inseparable parameters (Wohlwill<br />
and Heft, 1987).<br />
2. The development of perceptual<br />
process in children<br />
The reciprocal relationship between<br />
the physical setting and children, in the<br />
scope of developmental psychology, is<br />
studied by Jean Piaget (1955), who<br />
made great research contributions to<br />
how cognitive development is developed<br />
in children through a constructive<br />
approach. He argues that the cognitive<br />
development of children involves conditioning<br />
their behaviour by intuitions<br />
when they first meet the world; eventually<br />
as they grow up through ongoing<br />
experiences; they develop organized<br />
patterns of behaviours dependent on<br />
certain schemata. He argues that these<br />
organized patterns of behaviour eventually<br />
integrate children with the ongoing<br />
life around them and impact how<br />
they think through in a more questionable<br />
manner gradually depending on<br />
their age.<br />
Piaget classifies the perceptual system<br />
dependent on the cognitive development<br />
of children in four different<br />
stages depending on age (Cüceloğlu,<br />
2009): (1) Sensorimotor Stage (0-2<br />
years) in which children interact with<br />
the outside world with their intuitions<br />
and senses (Wilson, 1995); (2) Preoperational<br />
Stage (2-7 year-olds) through<br />
which children, behaving in an egocentric<br />
manner, start to represent the<br />
objects and occasions with symbols<br />
and words and classify the objects in<br />
groups (Hart and Moore, 1973); (3)<br />
Concrete Operational Stage (7-<strong>12</strong> yearolds)<br />
at which children form the ability<br />
to turn intuitions into operations, and<br />
can add, subtract, classify and put objects<br />
in order depending on their personal<br />
experiences; start to understand<br />
and feel empathy for others’ thoughts;<br />
and show a more adaptive behaviour<br />
to their environment (Piaget and Inhelder,<br />
1967); (4) Formal Operational<br />
Stage (<strong>12</strong>+ year-olds), which is defined<br />
as the completion of the constructive<br />
approach of cognitive development,<br />
when children develop such a systematic<br />
attitude that they can use cognitive<br />
operations to tackle problems so that<br />
they can use conceptions and symbols<br />
without residing in concrete issues<br />
(Hart and Moore, 1973).<br />
So, it can be summarized that while<br />
senses and intuitions are dominant<br />
in a child’s life in the first two stages,<br />
through interaction and stimuli caused<br />
by the environment, the child shows<br />
the ability to think and question the issues<br />
in the last two stages of their cognitive<br />
development (Cüceloğlu, 2009).<br />
2.1. Development of spatial perception<br />
in children<br />
According to Piaget and Inhelder<br />
(1967), the children define their positions<br />
in space depending on cues in the<br />
environment and later build relationships<br />
and paths between these cues.<br />
Piaget defines spatial representation in<br />
a child’s cognition as the reflection of<br />
environmental behaviour as symbolic<br />
and internalized cognitive information.<br />
Piaget and Inhelder reached four<br />
main findings about spatial perception:<br />
(1) children learn space through<br />
their ongoing individual activities; (2)<br />
children’s cognitive representations are<br />
constructed through the imitation of<br />
adult behaviour; (3) spatial perception<br />
is accomplished through four stages,<br />
which are sensorimotor, preoperational,<br />
concrete operational and formal operational<br />
stages, as stated earlier; (4) the<br />
development of spatial relationships is<br />
completed in three consecutive phases,<br />
which are topological, projective and<br />
metric or Euclidian spaces (Hart and<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • N. G. Çanakcıoğlu
<strong>12</strong>9<br />
Moore, 1973). These consecutive<br />
phases of spatial relationship are reflected<br />
in cognitive maps as follows:<br />
Topological space<br />
As children reach the age of 7, although<br />
they cannot measure and compare<br />
objects in an appropriate unit<br />
and scale, they intuit that significant<br />
relationships such as proximity, separation,<br />
order, enclosure and seriation<br />
exist between objects. They can represent<br />
these kinds of relations of objects<br />
by drawing the patterns or objects in<br />
certain manners such as within a row<br />
and sequence, receding or approaching<br />
each other (Piaget and Inhelder, 1967).<br />
Projective space<br />
Projective space parameters refer to<br />
the coordination of objects in relation<br />
to others. Objects can be observed as<br />
simple perspective expressions despite<br />
some distortions. The general coordination<br />
of perspective is set up in the<br />
drawing (Piaget and Inhelder, 1967).<br />
Metric (Euclidian) space<br />
Through gaining an awareness<br />
that objects retain their size relative<br />
to the distance in between them as<br />
they change locations, the child comprehends<br />
that the representation of<br />
objects varies depending on altered<br />
reference points. Thus, children can<br />
organize spatial representations within<br />
their cognitive maps with a better<br />
understanding of the rules of perspective,<br />
and can draw objects in appropriate<br />
sizes depending on their locations<br />
while accommodating a certain reference<br />
point of sight (Piaget and Inhelder,<br />
1967).<br />
Along with Piaget, Lynch puts forward<br />
‘image parameters’ to discuss how<br />
people perceive their environment,<br />
construct and recall cognitive data and<br />
remember places through some distant<br />
characteristics.<br />
2.2. Notion of image depending on<br />
Lynch’s theory<br />
According to Canter (1977), Lynch<br />
is the researcher who brought back the<br />
notion of image to the Earth by asking<br />
the question whether some cities<br />
are more imageable than others. He<br />
addresses this issue by revealing the<br />
link between the mind and the physical<br />
environment, and puts forward<br />
such a classification system through an<br />
extraction of his interviewees’ sketch<br />
maps. He argues in his influential book<br />
The Image of the City that five characteristics<br />
of the image of the cities can be<br />
examined: paths, edges, districts, nodes<br />
and landmarks.<br />
According to Lynch (1960), while<br />
paths refer to continuous axis, edges<br />
are defined as boundaries. Whereas<br />
districts have certain boundaries within<br />
their homogenous characteristics,<br />
nodes refer to intersection points of<br />
paths showing different modes of behaviour,<br />
and landmarks are distinct<br />
reference points of cities that give cues<br />
to the visitor.<br />
Lynch’s imaginative parameters<br />
can also be adapted to interior spaces.<br />
Nodes may represent common meeting<br />
spaces, paths may represent linking<br />
elements such as corridors, edges may<br />
represent separating elements such as<br />
walls, districts may represent spaces<br />
designed for different modes of behaviour<br />
and landmarks may represent<br />
diversely emphasized spaces or elements<br />
(Gür, 1996).<br />
So, having introduced how children<br />
perceive their environment and in what<br />
manner spatial perception is related to<br />
individual cognitive development, the<br />
next part of the paper discusses the<br />
first setting in which children meet,<br />
perceive and construct an image of<br />
home, in terms of a nest, in their cognitive<br />
schemata.<br />
2.3. Home as the first attachment<br />
place of children<br />
The home environment is the primary<br />
setting that children recognize<br />
and get familiarized and acquainted<br />
with. Although they participate in<br />
many institutions such as daycare centres,<br />
schools and playgrounds as they<br />
grow up, home remains the primary<br />
environment and the most dominant<br />
setting that children get to know<br />
(Wohlwill and Heft, 1987).<br />
The prominent French philosopher<br />
Gaston Bachelard (1969) discusses<br />
home through poetic language about<br />
his own experiences, and evaluates<br />
home as an existence with a wide and<br />
deep meaning. Moreover, he asserts<br />
Can cognitive maps of children be analysed by space syntax?
130<br />
that the existence of a being depends on<br />
the notion of the house so that house<br />
is not only a physical space containing<br />
a recollection of time and habits<br />
but rather a place full of memories.<br />
Bachelard says that children build up<br />
their first relationship with the rest of<br />
the world through their homes because<br />
“the house shelters daydreaming, the<br />
house protects the dreamer; the house<br />
allows one to dream in peace” (1969,<br />
p.88). Additionally, the house provides<br />
children the feeling of belonging to<br />
their families and society via a network<br />
of attachment and intimacy with others.<br />
While children grow up and adapt<br />
to their home environment as an origin<br />
point where they feel a sense of belonging,<br />
they gradually become acquainted<br />
with their nearby settings and experience<br />
a feeling of freedom. They start<br />
to discover the nearby environment<br />
attached to their homes: the entrance,<br />
stairways, terrace, porch, garden and<br />
urban elements such as the sidewalks,<br />
playgrounds and urban context in<br />
which the house is located. Simultaneously,<br />
this process means that children<br />
start to construct cognitive maps of the<br />
imaginary characteristics of the nearby<br />
setting of their homes.<br />
In this manner, Hart argues that the<br />
close setting of the home environment<br />
becomes the transitional space where<br />
children begin to experience the outside<br />
world. He discusses this transition<br />
as a multilateral process between the<br />
grownup, the child and the environment<br />
which should be well balanced by<br />
families in order to both give children<br />
the freedom to explore and experience<br />
but also to protect them from the<br />
risks and dangers of the environment<br />
(Chawla, 1991).<br />
3. Cognitive maps as a tool to analyse<br />
the interaction of children in the<br />
built environment<br />
As the vast amount of the built environment<br />
is generally designed to<br />
be appropriate for adults in terms of<br />
physical conditions, children tend to<br />
behave and become influenced in a different<br />
manner than adults. Therefore,<br />
to understand the interaction between<br />
children and the physical settings, it is<br />
necessary to develop diverse research<br />
methods to collect data through case<br />
studies that include the participation<br />
of children. According to Ziegler and<br />
Andrews (1987), there are some alternative<br />
methods to examine how the<br />
child interacts with the environment.<br />
Children can either be requested to (1)<br />
draw pictorial sketches, (2) show some<br />
objects in a representative setting, (3)<br />
locate objects on a representative model<br />
or (4) be interviewed for verbal comments.<br />
3.1. The scope, aim and outcomes of<br />
the previous study<br />
Since this study uses the cognitive<br />
data of a previous study, it initially<br />
gives a brief overview of previous research<br />
and outcomes for a comparison<br />
with more recent outcomes. The aim<br />
of the previous research was to investigate<br />
the factors affecting the processes<br />
of perception in children in the<br />
scope of environment and behaviour<br />
theories. The research question asks<br />
how the nearby environment with the<br />
child’s home at the centre of close surroundings<br />
and cultural setting affects<br />
the spatial perception and richness of<br />
the cognitive schemata of children.<br />
The home environment is defined as<br />
the physical setting that the child first<br />
meets in terms of a nest that brings the<br />
feeling or sense of attachment. For the<br />
comparative study, an equal number<br />
of 11-year-old children were selected<br />
from two different physical settings<br />
with contrasting urban characteristics<br />
in Istanbul: (1) a group of children were<br />
selected from an informal housing setting,<br />
or a gecekondu housing structure<br />
at the outskirts of the city; (2) a group<br />
of children were selected from a gated<br />
community setting at the periphery of<br />
Istanbul.<br />
The case study researches whether<br />
the two independent variables of gender<br />
and socioeconomic status play a<br />
role in spatial perception and cognitive<br />
maps.<br />
In the case study of the previous<br />
research, two elementary schools<br />
were selected, one from each of the<br />
above-mentioned housing communities.<br />
Each group of children were asked<br />
to draw their home environments with<br />
their nearby settings in a 40 minute<br />
session on two different days. A total<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • N. G. Çanakcıoğlu
131<br />
of 82 children participated in the case<br />
study, including 19 girls and 22 boys in<br />
the low socioeconomic group, and 21<br />
girls and 20 boys in the high socioeconomic<br />
group. Consequently, 82 cognitive<br />
maps were obtained to be analysed.<br />
The evaluation phase of the cognitive<br />
maps includes:<br />
(1) Piaget’s topological space parameters<br />
(proximity, separation, order, enclosure<br />
and seriation), projective space<br />
parameters (straight lines, parallel lines<br />
and perspective), metric (Euclidian)<br />
space parameters (conservation, block<br />
expression);<br />
(2) Lynch’s imaginative space parameters:<br />
paths, edges, districts, nodes<br />
and landmarks.<br />
Cognitive maps were analysed with<br />
respect to both gender and socioeconomic<br />
status. It should also be stated<br />
that an equivalent methodology was<br />
implemented in the research of Ünlü<br />
and Çakır (2002), which comparatively<br />
investigates the cognitive maps of primary<br />
school children going to school<br />
by foot, school bus and other vehicles.<br />
The research conclusions<br />
(Çanakçıoğlu, 2011) are summarized<br />
as follows:<br />
• An analysis of the income variable<br />
shows that there is a significant<br />
difference between the two socioeconomic<br />
groups. This outcome<br />
may result because children from<br />
high-income groups demonstrate<br />
cognitive maps that are richer in<br />
cognitive data. This may be due<br />
to the tendency of higher income<br />
families introducing more toys to<br />
their children. These toys may then<br />
trigger age-appropriate senses and<br />
stimulations.<br />
• A second outcome depending on<br />
the income variable is that the children<br />
from the high-income group<br />
living in the gated community draw<br />
maps focused more on interior<br />
spaces, which are already equipped<br />
with many belongings such as pianos,<br />
computers, vanity mirrors and<br />
guitars etc.<br />
• The children living in the informal<br />
setting, draw maps accentuating<br />
outdoor spaces such as the grocery<br />
store, motorways, internet cafes<br />
and fruit trees etc. since they tend<br />
to spend their spare time playing<br />
outside on the streets,<br />
• When the results are analysed in<br />
terms of gender, in both income<br />
groups, girls tend to draw interiors<br />
through a more comprehensive and<br />
detailed manner than the boys. This<br />
may result from the sociocultural<br />
norms of Turkish society that tends<br />
to raise girls in a comparatively<br />
more inward oriented manner than<br />
boys. Consequently, while the girls<br />
from the high-income group living<br />
in the gated community have<br />
their own rooms furnished with<br />
special possessions to keep themselves<br />
busy indoors, the girls from<br />
the low-income group living in an<br />
informal setting spend their time<br />
at home, where they do not have a<br />
separate room for themselves, and<br />
do not play outdoors as much as the<br />
boys.<br />
• The cognitive maps show that children<br />
living in the gated community<br />
are not as aware of the physical setting<br />
of their home environments as<br />
the children living in the informal<br />
setting. The reason for such an outcome<br />
could be that although a gated<br />
community is designed with recreational<br />
facilities appropriate for children,<br />
children cannot actually use<br />
them without the guidance of an<br />
adult. Since parents do not feel it is<br />
safe enough to allow a child at this<br />
age to go to the outdoor areas even<br />
though they live in a gated community,<br />
the cognitive maps of the children<br />
from the high-income group<br />
imply that they watch their immediate<br />
neighbourhood from their<br />
windows. In contrast, the children<br />
living in worse physical housing<br />
conditions reflect their urban experiences<br />
more onto cognitive maps.<br />
Although they probably cannot find<br />
appropriate facilities designed especially<br />
for them, they discover their<br />
play materials and spaces outdoors<br />
on the sidewalks and void lands.<br />
They play with mud, pebbles and<br />
bricks, and play hopscotch on the<br />
porches of their apartments, creating<br />
their own playing scenarios.<br />
As revealed in the previous study,<br />
the provided analyses are based on the<br />
spatial parameters of Jean Piaget (Piaget<br />
and Inhelder, 1967) and the image pa-<br />
Can cognitive maps of children be analysed by space syntax?
132<br />
rameters of Kevin Lynch (1960). There<br />
is an ongoing debate on the theory of<br />
space syntax whether space syntax can<br />
be used as a research tool to analyse<br />
cognitive data. The main aim of this<br />
paper is to find out whether the comparative<br />
quantitative method of analysis<br />
of space syntax may be an alternative<br />
method to examine the cognitive<br />
maps of children. Next, the paper will<br />
discuss attempting to use space syntax<br />
as a research tool to analyse cognitive<br />
maps through an interdisciplinary approach.<br />
3.2 Space syntax as a tool to analyze<br />
spatial cognition<br />
According to the research of Zheng<br />
and Weimin (2010), there is a significant<br />
relationship between the syntactic<br />
configurations of real spaces and cognitive<br />
maps of the interviewees who<br />
participated to the study. In addition,<br />
the analyses show that despite the errors<br />
in cognitive maps drawn by the<br />
interviewees, there still is a significant<br />
consistency between the maps and the<br />
real environmental situation. So, it is<br />
possible that cognitive maps can be<br />
used as an integrated research tool in<br />
space syntax studies.<br />
Additionally, Zheng and Weimin<br />
(2010) mention that the axial maps<br />
of spaces can also be evaluated as the<br />
simulations of cognitive data of people<br />
moving around these spaces. In the<br />
scope of their study, the researchers<br />
analyse both the values and correlations<br />
between global integration, local<br />
integration, connectivity and depth values,<br />
and figure out that cognitive map<br />
representations significantly correspond<br />
with the existing settings. Thus,<br />
it is debated through a progressive<br />
manner that cognitive maps integrated<br />
with space syntax can be used as a tool<br />
to analyse the association between spatial<br />
organization and spatial cognition.<br />
Moreover, Zimring and Dalton<br />
(2003) embrace the research area of<br />
space syntax and cognition through a<br />
collaborative manner. This contributes<br />
to (1) the understanding of the relationship<br />
between the physical characteristics<br />
of environment and cognitive<br />
representations, (2) reveals how physical<br />
space is related with behaviour and<br />
(3) offers an innovative methodology<br />
to analyse the existing spatial structures.<br />
In addition, Haq and Girotto<br />
(2003) in their study of two hospital<br />
settings contribute to this interdisciplinary<br />
research area using intelligibility<br />
as a measure to analyse cognitive<br />
maps, search for a way to analyse the<br />
idea of movement and offer a complementary<br />
grounded theory.<br />
Additionally, Kim and Penn (2004)<br />
seek to make research on space syntax<br />
interdisciplinary, and try to handle the<br />
issue through an integrated manner<br />
to reveal the relationship between the<br />
outcomes of human behaviour in the<br />
physical environment and spatial cognition.<br />
According to their survey comparing<br />
the sketch maps of residents<br />
with the existing layouts in a neighbourhood<br />
in London, they find that<br />
local integration degrees in cognitive<br />
maps are especially linked to the syntactic<br />
data of the actual environment.<br />
3.3. Space syntax as an alternative<br />
methodology to analyse children’s<br />
cognitive maps<br />
Within the framework stated above,<br />
this study aims to:<br />
1.search for a supplementary or alternative<br />
research tool to analyse cognitive<br />
maps of children<br />
2.contribute to the methodology of<br />
analysing cognitive maps of individuals<br />
through the quantitative method of<br />
space syntax.<br />
To implement this aim, 72 cognitive<br />
map drawings by children obtained<br />
through a case study as part of<br />
the research of Çanakçıoğlu (2011) are<br />
analysed. These maps, which have already<br />
been analysed within the spatial<br />
parameters of Piaget (Piaget and Inhelder,<br />
1967) and the image parameters of<br />
Lynch (1960) and have been concluded<br />
with some significant results, are now<br />
examined using justified permeability<br />
graphs within the concept of space syntax.<br />
The aim is to comprehend whether<br />
there are any unique and significant<br />
results. In this manner, it is also aimed<br />
to discuss whether space syntax can be<br />
implemented to analyse the cognitive<br />
maps of children as a substitute method.<br />
Having reviewed the previous interdisciplinary<br />
research in terms of space<br />
syntax and spacial cognition (Zheng<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • N. G. Çanakcıoğlu
133<br />
and Weimin, 2010; Zimring and Dalton,<br />
2003; Haq and Girotto, 2003; Kim<br />
and Penn, 2004), this paper targets to<br />
develop a new approach to analyse<br />
cognitive maps. The scope of this paper<br />
aims to contribute to the analysis<br />
of cognitive maps drawn by 11-yearold<br />
children from two distinct social<br />
groups.<br />
3.3.1. Steps of analysis of the study<br />
Obtaining significant results requires<br />
an equal number of drawings<br />
from both of the gender groups and<br />
income groups, meaning that 18 girls’<br />
and 18 boys’ drawings are selected randomly<br />
from each income group so that<br />
a total of 72 cognitive maps are analysed.<br />
Before explaining the steps of analysis,<br />
the acceptance procedure used in<br />
the evaluation phase of the drawings<br />
should be mentioned. It is not possible<br />
to analyse children’s drawings as<br />
typical layouts or spatial structures<br />
through conventional methods. As<br />
each child was requested to draw his or<br />
her home environment and nearby setting<br />
through his/her eyes, there is no<br />
need to compare such subjective data<br />
with any existing plan data. Therefore,<br />
each drawing on an A4 size paper accomplished<br />
by the children with their<br />
own subjective attitude is accepted as a<br />
total cognitive space no matter whether<br />
they have tried to draw their homes<br />
within a garden, house layout plans<br />
within a façade view or houses as a<br />
façade within a street silhouette as seen<br />
in Figure 1. Indeed, children draw their<br />
cognitive maps freely as a reflection of<br />
their experience. In fact, Kaplan (1973)<br />
supports this view, defining cognitive<br />
maps as “schematic, sketchy, incomplete,<br />
distorted and otherwise simplified<br />
and idiosyncratic” and “a product<br />
of experience, not of precise measurement”.<br />
Consequently, in this study, the<br />
analysis of cognitive maps is conducted<br />
by justified permeability graphs, or<br />
justified gamma maps, which Hillier<br />
and Hanson (1984) say, “permit easy<br />
measurement of these syntactic properties.<br />
Thus, justified gamma maps are<br />
intended to allow a form of analysis<br />
that combines the visual decipherment<br />
of pattern with procedures for quantification.”<br />
In addition to Table 1, the analysis<br />
steps are as follows:<br />
(1) Following the notion of convex<br />
map described by Hillier and Hanson<br />
(1984), a simplified drawing to clearly<br />
describe the spatial structure and<br />
connections between them within the<br />
drawing is prepared for each cognitive<br />
map.<br />
(2) Each space of the cognitive map<br />
is identified by a letter in a circle, defined<br />
as a node, to create a basis for a<br />
justified graph. Following the definition<br />
of root space by Hillier et al. (1987) and<br />
Klarqvist (1993), the exterior space of<br />
the house is identified as the root space<br />
in each spatial representation. Other<br />
spaces are identified with nodes sequentially,<br />
depending on the permeability<br />
factor between the spaces.<br />
(3) To conduct a syntactic analysis,<br />
justified permeability graphs are prepared<br />
for each cognitive map in order<br />
to show the direct relation between<br />
spaces by syntactic steps, including the<br />
permeability values and depth levels of<br />
the spatial structure (Klarqvist, 1993).<br />
Both the permeability and depth values<br />
are calculated for each cognitive map.<br />
Via the justified graphs prepared, it is<br />
possible to convert the subjective data<br />
Figure 1. Two examples of cognitive maps showing the house within a garden and within a<br />
neighbourhood. (Boy, 11; Boy, 11).<br />
Can cognitive maps of children be analysed by space syntax?
134<br />
Table 1. An example to demonstrate the steps followed to reveal syntactic value of each cognitive map.<br />
Original Cognitive Map<br />
(Girl, 11 years old)<br />
Step 1<br />
Simplified Drawing<br />
Showing the Spatial<br />
Structure with Nodes<br />
Step 2<br />
Justified Graph<br />
Permeability Value 8<br />
Step 3<br />
Depth Level 2<br />
expressed by children from a visual to<br />
mathematical verification, which can<br />
be concretely shown.<br />
(4) In the last step, tables are prepared<br />
to see whether any significant<br />
results arise and correlate with the total<br />
amounts and arithmetic mean value<br />
of permeability and depth values,<br />
dependent on gender and income level<br />
variables. Therefore, it is observed that<br />
there is the potential for a comparative<br />
discussion about boys’ and girls’ cognitive<br />
maps and different socioeconomic<br />
levels through a syntactic analysis.<br />
In the evaluation phase of the study,<br />
permeability and depth level data obtained<br />
from the cognitive maps are<br />
evaluated by Pearson chi-square analyses<br />
through the statistical software –<br />
SPSS Table 8 to find out any significant<br />
associations among the gender and income<br />
variables.<br />
Table 2. Distribution of permeability and depth levels depending<br />
on gender.<br />
Total Permeability<br />
Figure 2. Graph showing total amount of syntactic steps<br />
(permeability) and depth levels depending on gender.<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • N. G. Çanakcıoğlu<br />
Total Depth Level<br />
Boys 163 76<br />
Girls 155 68
135<br />
Table 3. Distribution of total permeability of boys’ drawings<br />
dependent on income group.<br />
Total Permeability of the Boys' Drawings<br />
Low Income Group 96<br />
High Income Group 67<br />
Table 4. Distribution of total permeability of boys’ drawings<br />
dependent on income group.<br />
Total Depth of the Boys' Drawings<br />
Low Income Group 50<br />
High Income Group 26<br />
Figure 3. Scattergram of boys’ cognitive maps showing the<br />
permeability dependent on the variable of income group.<br />
Figure 4. Scattergram of boys’ cognitive maps showing the depth<br />
level dependent on the variable of income group.<br />
Table 5. Distribution of total permeability of the girls’ drawings<br />
dependent on income group.<br />
Total Permeability of the<br />
Girls' Drawings<br />
Low Income Group 104<br />
High Income Group 51<br />
4. Results<br />
• Firstly, all 72 maps are analysed by<br />
means of the tree-like justified permeability<br />
graphs to find the total<br />
amount of permeability and depth<br />
levels of all executed data. The distribution<br />
of these two values dependent<br />
on gender variable can be<br />
monitored in Table 2 and Figure<br />
2. Considering total permeability,<br />
the cognitive maps of the boys reflect<br />
more syntactic steps in terms<br />
of permeability, meaning that the<br />
spaces are connected to each other<br />
through more branches, than the<br />
girls’. Considering the total depth<br />
level, the spaces drawn by boys are<br />
represented through a deeper manner<br />
than the girls’.<br />
• A second outcome is found dependent<br />
on the income variable.<br />
As seen in Tables 3-4 and Figures<br />
3-4, the total permeability and depth<br />
levels of boys’ cognitive maps from<br />
low-income group show higher values<br />
than the ones from the high-income<br />
group. The highest permeability<br />
value is detected as 22 with a<br />
depth level of 6 in the high-income<br />
group.<br />
• However, there is also an exception<br />
that contrasts with this result. One<br />
map from the high-income group<br />
shows 0 syntactic step, meaning<br />
that the child only drew one space<br />
and nothing attached or integrated<br />
with this space within the cognitive<br />
map. The children who drew only<br />
one space in their drawings mostly<br />
drew their own rooms without any<br />
other spaces connected to the space<br />
drawn. Cognitive maps reflecting<br />
only one space are mostly observed<br />
in the high-income group. These<br />
cognitive maps are evaluated as “0”<br />
in terms of both syntactic step and<br />
depth level.<br />
• As monitored from Tables 5-6 and<br />
Figures 5-6, the total amount of permeability<br />
and depth levels of girls’<br />
cognitive maps from the low-income<br />
group show higher values<br />
compared to the other girls’ maps<br />
from the high-income group. It is<br />
also noticed that the gap between<br />
the trend lines are wider in the girls’<br />
scattergrams than the boys’, which<br />
means that the cognitive maps<br />
Can cognitive maps of children be analysed by space syntax?
136<br />
of the girls from the low-income<br />
group show a more interconnected<br />
and deeper structure of spaces within<br />
their drawings. Nine out of 18<br />
girls’ drawings are evaluated as “0”<br />
since the girls from the high-income<br />
group living in the gated<br />
community only drew their own<br />
rooms without any other connected<br />
spaces to their rooms. Within<br />
these drawings, the one and only<br />
space which is highly accentuated<br />
and richly designated are their<br />
own private rooms; these children<br />
prefer to emphasize their personal<br />
equipment such as computer, TV,<br />
musical instruments etc. as seen in<br />
Figure 7. From these results, it may<br />
be inferred that these children tend<br />
to spend most of their time in their<br />
rooms and that they attach more<br />
personal significance to these because<br />
they hold their personal belongings.<br />
• In the final tables and figures, the<br />
analyses of all 72 cognitive maps of<br />
children are shown. As seen in Table<br />
7 and Figures 8-9, according to<br />
Pearson chi-square tests processed<br />
in SPSS, the changes in the total<br />
amount of permeability and depth<br />
level are significantly higher Table<br />
8 in the drawings of the children<br />
from the low-income group than<br />
those of the high-income group:<br />
• Income level; permeability:<br />
x²=<strong>12</strong>,359, df=4, p=0,015 < 0,05<br />
(significant)<br />
• Income level; depth level: x²=<br />
16,687, df= 2, p=0,000 < 0,05 (significant)<br />
• Both the permeability and depth values<br />
of the low-income group are almost<br />
twice that of the high-income<br />
group, revealing that children living<br />
in the informal setting are more<br />
aware of their nearby environments<br />
centred with their homes. Indeed,<br />
they display the ability to represent<br />
the spaces they are living in through<br />
a more complex interrelationship<br />
and integration within their cognitive<br />
maps.<br />
Figure 5. Scattergram of girls’ cognitive maps showing the<br />
permeability dependent on the variable of income group.<br />
Figure 6. Scattergram of girls’ cognitive maps showing the depth<br />
level dependent on the variable of income group.<br />
Table 6. Distribution of total depth of the girls’ drawings dependent<br />
on income group.<br />
Total Depth of the Girls' Drawings<br />
Low Income Group 42<br />
High Income Group 26<br />
Table 7. Distribution of total permeability and total depth of all<br />
cognitive maps dependent on income group.<br />
Total<br />
Permeability<br />
Total Depth<br />
Level<br />
Low Income Group 200 92<br />
High income Group 118 52<br />
Table 8. Association between permeability and depth level with gender and income level.<br />
Item x² df p significance<br />
Gender; Permeability 3,118 4 0,538 > 0,05 insignificant<br />
Gender; Depth level 1,468 2 0,480 > 0,05 insignificant<br />
Income Level; Permeability <strong>12</strong>,359 4 0,015 < 0,05 significant<br />
Income Level; Depth Level 16,687 2 0,000 < 0,05 significant<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • N. G. Çanakcıoğlu
5. Conclusion<br />
The aim of the study is to find a<br />
quantitative supplementary research<br />
tool to analyse the cognitive maps of<br />
children, thus contributing to the research<br />
methodology of analysing individual<br />
cognitive maps within the<br />
theory of space syntax. Through the<br />
analysis of children’s cognitive data, it<br />
is possible to contribute the following<br />
assertions to the debate:<br />
Figure 7. An example of a cognitive map of a girl from high income<br />
group representing only the child’s own room. (Girl, 11 years old).<br />
Figure 8. Scattergram of all children’s cognitive maps showing<br />
the amount of permeability dependent on the variable of income<br />
group.<br />
Figure 9. Scattergram of all children’s cognitive maps showing the<br />
depth level dependent on the variable of income group.<br />
Can cognitive maps of children be analysed by space syntax?<br />
137<br />
From the syntactic analyses of an<br />
equal number of drawings of girls and<br />
boys at the age of 11 for a total of 72<br />
cognitive maps, it is shown that boys’<br />
cognitive maps are more permeable<br />
and deeper in terms of spatial structure<br />
compared to girls’ cognitive maps. This<br />
difference results in both of the income<br />
groups. This outcome may be due to<br />
the sociocultural norms of Turkish society<br />
that is accustomed to raising girls<br />
in a more inward oriented manner<br />
than boys.<br />
• In addition, it is shown that half of<br />
the cognitive maps of the girls from<br />
the high-income group living in a<br />
gated community are evaluated as<br />
“0” in terms of syntactic value since<br />
they preferred to draw their own<br />
rooms in a fragmented manner, displaying<br />
their personal belongings.<br />
This finding could also enter the debate<br />
on sociocultural issues in Turkey,<br />
especially as families from both<br />
the middle class and high-income<br />
groups tend to have fewer children<br />
than those of the low-income group<br />
and have a greater chance to reserve<br />
a separate room for each of their<br />
kids.<br />
• In contrast to the above outcome,<br />
children from the low-income<br />
group, which does not have the opportunity<br />
to have a separate room,<br />
are the most likely to have more experience<br />
in the other rooms of their<br />
interiors and in the outdoor spaces<br />
attached to their homes. As low-income<br />
families tend to have more<br />
kids, they do not have the chance to<br />
reserve a separate room for each of<br />
the siblings. Also, since these children<br />
are used to going to school<br />
by foot alone or in the company of<br />
their siblings, friends or parents,<br />
they have more opportunities to<br />
observe their nearby environments<br />
within an urban context. Coming<br />
in contact with the urban layout<br />
becomes a bodily experience that a<br />
child may store in their cognition.<br />
Thus, it is possible to say that children<br />
from low-income groups living<br />
in an informal setting have more<br />
environmental experience and construct<br />
more knowledge within their<br />
cognitive schemata, thus reflecting<br />
deeper syntactic values onto their
138<br />
cognitive maps.<br />
• Another finding is that the children<br />
from the high-income group show<br />
a lower capacity, and produce shallower<br />
and low permeable cognitive<br />
maps as if they are used to watching<br />
the urban life happening around<br />
them from their windows in their<br />
own rooms. It is possible that these<br />
children may be (1) more engaged<br />
with their own technological devices<br />
such as tablets and laptops or (2)<br />
accustomed to going to school by<br />
private vehicles. Both lead to only<br />
visually experiencing the urban<br />
layout, and this is not enough for a<br />
child to store experience in cognition.<br />
Thus, it appears that children<br />
from a high-income group living in<br />
a gated community construct less<br />
environmental knowledge within<br />
their cognitive schemata and reflect<br />
shallower syntactic values onto their<br />
cognitive maps. This raises the concern<br />
about whether children from<br />
gated communities ever learn to<br />
discover the outdoors.<br />
• The three outcomes mentioned<br />
above show that the syntactic values<br />
of the cognitive maps of children<br />
depend significantly on the income<br />
level variable. The reason why the<br />
cognitive maps of children from<br />
the low-income group show a significantly<br />
higher degree of permeability<br />
and depth level may be due<br />
to the distant characteristics of the<br />
environments that the children live<br />
in and where they spend their spare<br />
time. Children who emphasize<br />
outdoor spaces in their maps may<br />
have had more opportunity to play<br />
outdoors and can therefore represent<br />
their home environments in a<br />
deeper and integrated manner. Alternately,<br />
children who merely emphasize<br />
their own rooms with their<br />
personal belongings may not have<br />
had the opportunity or preference<br />
to play outdoors as freely as the<br />
other children as they live in a gated<br />
community, an artificially designed<br />
environment with planned recreational<br />
activity areas for children.<br />
• According to these results, justified<br />
permeability graphs measuring the<br />
amount of permeability and depth<br />
values may be used to measure and<br />
analyse the cognitive maps of children.<br />
• In conclusion, cognitive maps of<br />
children can indeed be analysed by<br />
space syntax, giving an affirmative<br />
answer to the initial research question<br />
and title of the study.<br />
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Çocukların bilişsel haritaları mekân<br />
dizimi yöntemiyle irdelenebilir mi?<br />
Çevre ve davranış teorileri kapsamında<br />
ele alındığında, insanlar, çocukluk<br />
çağının ilk yıllarından itibaren,<br />
duyuları aracılığıyla etkileşim içinde<br />
bulundukları ve çevresel uyaranların<br />
tetiklediği bir ortam dâhilinde, bir algılama<br />
ve öğrenme sürecine dâhil olurlar.<br />
Art arda ve zincirleme bir biçimde<br />
devam eden bu algısal süreçler sonucunda,<br />
insanlar, çevreden edindikleri<br />
bilgiyi adeta zihinlerinde yeniden inşa<br />
etmek suretiyle özgün zihinsel şemalar<br />
oluştururlar. Bilişsel olarak sağlıklı bir<br />
insanın hayatı boyunca devam eden bu<br />
süreç, bireyin öğrenme mekanizması<br />
olarak da tanımlanabilir. Bu bağlamda,<br />
çocukların çevrelerini nasıl algıladıklarını<br />
ve öğrendiklerini konstrüktivist<br />
bir yaklaşım çerçevesinde irdeleyen<br />
gelişim psikoloğu Jean Piaget (1955),<br />
çocukların çevreyle olan etkileşimini<br />
ve algısal süreçlerini, yaşa bağlı olarak<br />
değişen bilişsel gelişim teorileri bağlamında<br />
inceler. Her çocuk, çevresini<br />
birbirinden farklı algıladığı ve çeşitli<br />
çevrelere ilişkin birbirlerinden farklı<br />
bilgiler biriktirdiği ve söz konusu<br />
bu çevrelere ilişkin kendilerine özgü<br />
Can cognitive maps of children be analysed by space syntax?<br />
zihinsel şemalar inşa ettiği için, her<br />
çocuğun ortaya koyduğu bilişsel haritanın<br />
da tekil ve özgün olarak değerlendirilmesi<br />
gerekmektedir. Çocukların<br />
çevrelerine ilişkin zihinlerinde inşa<br />
edilen ve depolanan bu bilgiyi ortaya<br />
çıkarmanın yöntemlerinden birisi, çocukların<br />
bizzat kendileri tarafından çizilen<br />
bilişsel haritaların analiz edilmesiyle<br />
gerçekleştirilebilmektedir.<br />
Zihinsel şemalar ve bilişsel haritaların<br />
analiz edilmesi konusunda çevre<br />
ve davranış teorileri kapsamında literatüre<br />
önemli katkılar sağlayan Kevin<br />
Lynch (1960), yollar, kenarlar, bölgeler,<br />
nodlar ve nirengi noktaları şeklinde<br />
sınıflandırdığı mekânsal bileşenlerin<br />
kullanıldığı güçlü ve nitelikli bir imgesellikle<br />
tasarlanmış olan kentsel çevrelerin,<br />
insanların algısal süreçlerine anlamlı<br />
bir katkı sağladığını ve bu sayede,<br />
bireylerin söz konusu bu çevrelerde<br />
oryantasyonlarını daha iyi kurabildiklerini<br />
belirtmektedir. Bununla birlikte,<br />
yukarıda belirtilen çevresel bileşenleri<br />
içeren çevrelerin, mekânların hatırlanmasında<br />
ve bununla birlikte bireylerin<br />
zengin bilişsel haritalar ortaya koymalarında<br />
önemli katkısı bulunduğunu<br />
ifade etmektedir. Bununla birlikte
140<br />
bazı araştırmalar kapsamında bilişim<br />
kavramı, mekân dizimi (space syntax)<br />
araştırmaları kapsamında irdelenmeye<br />
çalışılmaktadır (Zheng & Weimin,<br />
2010; Zimring & Dalton, 2003; Haq &<br />
Girotto, 2003; Kim & Penn, 2004).<br />
Yukarıda belirtilen tartışma alanı<br />
çerçevesinde bu çalışma, Piaget’ nin<br />
mekânsal algı parametreleri ile birlikte<br />
Lynch’in imge parametreleri kullanılmak<br />
suretiyle, çocukların mekânsal<br />
algı düzeylerinin cinsiyet ve sosyoekonomik<br />
durum değişkenlere bağlı olarak<br />
nasıl değiştiğinin kıyaslandığı bir<br />
çalışma için elde edilmiş olan bilişsel<br />
haritaların analiz edilmesine alternatif<br />
bir yöntem sunmayı amaçlamaktadır.<br />
Bu sebeple, çalışmanın tartışma alanı,<br />
farklı iki sosyoekonomik gruptan gelen<br />
11 yaş grubundan çocukların kendi<br />
ev ve yakın çevresine ilişkin mekânsal<br />
algılarının incelendiği “İstanbul’da<br />
Farklı Sosyal Grupların Yerleştiği Çevrelerde<br />
Yaşayan Çocukların Algısal<br />
Süreçlerinin Bilişsel Haritalar Yöntemiyle<br />
İrdelenmesi” başlıklı çalışmanın<br />
(Çanakçıoğlu, 2011), alan araştırması<br />
safhasında elde edilen bilişsel harita<br />
verilerinin mekân dizimi yöntemiyle<br />
analiz edilmesi üzerinedir. Başka bir<br />
deyişle, çalışmanın ana hedefi, bilişsel<br />
haritaların analiz edilme aşamasında,<br />
mekân dizimi (space syntax) yönteminin<br />
alternatif bir nicel analiz metodu<br />
olarak kullanılmasına olanak sağlayıp<br />
sağlamadığını araştırmaktır.<br />
Çalışmanın içeriğinde, mekân dizimi<br />
yöntemiyle irdelenen bilişsel haritalar,<br />
“koridor, giriş holü ve merdiven<br />
gibi lineer mekânların, erkek çocukların<br />
haritalarında kız çocuklarınkine<br />
kıyasla daha fazla vurgulanıp vurgulanmadığı”;<br />
buna paralel olarak, kız<br />
çocukların haritalarında içe dönük<br />
mekânların daha fazla miktarda ortaya<br />
çıkıp çıkmadığı” gibi konular cinsiyet<br />
değişkeni bağlamında, “üst sosyoekonomik<br />
grupta yer alan çocukların çoğunluğunun,<br />
kendilerine ait odalarının<br />
bulunması sebebiyle, alt sosyoekonomik<br />
gruptaki çocuklara kıyasla daha<br />
sığ (shallow) mekânsal ilişkilerin yer<br />
aldığı haritalar ortaya koyup koymadığı”<br />
gibi hususlar ise sosyoekonomik<br />
durum değişkeni bağlamında irdelenmek<br />
istenmektedir. Anlamlı sonuçlar<br />
elde edilmesi öngörülen bu hususların<br />
irdelenmesinde, doğrulanmış geçirgenlik<br />
haritalarına (justified permeability<br />
graphs) başvurulmak suretiyle derinlik<br />
(depth) analizleri uygulanmıştır.<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • N. G. Çanakcıoğlu
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • 141-158<br />
Disintegration of urban housing<br />
areas: Districts and new gated<br />
housing settlements<br />
Suat APAK<br />
suatapak@yahoo.com • Department of Architecture, Faculty of Architecture,<br />
Istanbul Technical University, Istanbul, Turkey<br />
Received: May <strong>2015</strong> Final Acceptance: October <strong>2015</strong><br />
Abstract<br />
In Turkey and Istanbul, gated communities are produced rapidly and offered<br />
for use of the urban users particularly since 2000s. Urban spots created by the new<br />
gated settlement areas and the life style started appearing and spreading rapidly<br />
in outskirts of Istanbul.<br />
Starting from the emergence of these walled settlements rise, urban integrity<br />
gets disrupted and neighborhood lifestyle goes through a transition. The biggest<br />
problem posed by these islands in the city is the fact that they create non-interactive<br />
areas in the external world in contrary to the inner world.<br />
The objective of this study is to determine the interaction level between these<br />
wealth islands and existing texture and constituents of the existing texture by using<br />
the space syntax approach. First, the strength of the bonds within the current<br />
environment is determined by using the space syntax program on the current<br />
environmental plans. The methodology also followed determining the physical<br />
and social behavior patterns of the streets, mainly the paper concentrated on the<br />
intersected spaces belonging to such different life styles.<br />
These observations were made on the quality of the physical environment (order,<br />
graffiti, vandalism, etc.) and the utilization intensity. In the final stage, the<br />
data is collected by using the space syntax program and it was analysed to determine<br />
whether there is a correlation between the existence of graffiti and space<br />
syntax determinants.<br />
Results show that the interaction within the existing texture gets weaker at substantial<br />
levels around the walls of the island,contraversially the existence of graffiti<br />
increases,and sociologically existing users living around the walled islands turn to<br />
be “societies around / bottom the walls”.<br />
Keywords<br />
Districts, Gated communities, Security, Space syntax, Graffiti and vandalism.
142<br />
1. Introduction<br />
By rapid production of gated housing<br />
settlements started from 1980s and<br />
in particular 2000s in Turkey and firstly<br />
we observed their emergence in Istanbul.<br />
When the world has been starting<br />
to be globalized, it brought a capital<br />
movement, but also it has effects in the<br />
society as economic dispersion around<br />
the world and income distribution<br />
disparity. Because of the capital movement<br />
effects, the economic, technologic<br />
and organizational development of<br />
the firms boosted increasing the supply<br />
and as reverse we witnessed demand<br />
and rapid expansion of the luxury gated<br />
community settlements in these era.<br />
Self-enclosed and privatization of<br />
the streets are the indicative directions<br />
of such kind of new life concept. The<br />
rich and luxury life including expensive<br />
homes, golf clubs, tennis clubs, and<br />
fitness centers have been constructed.<br />
The security and richness create the<br />
key positions, in order to overcome<br />
undesirable events such as crime, drug,<br />
vandalism, unrespectable behaviors<br />
towards public and private properties,<br />
the walls and doors that have been established<br />
as physical barriers. Protection<br />
of the settlement physically means<br />
the protection of the virtue and wealth<br />
values based on the settlement accordingly.<br />
Hence, the protection of these<br />
values is as important as physical security<br />
(İçli, 2010). On the other hand,<br />
Blakely and Snyder (1997) states that<br />
gated communities could be combined<br />
within three main categories. These are<br />
lifestyle communities, prestige communities<br />
and security zone communities.<br />
The dominant factor regarding<br />
a settlement in this categorical approaches,we<br />
may perceive that many<br />
privileges have been provided and controlled<br />
in the gated community island.<br />
This makes these settlements profitable<br />
(Görücü and Pektas, 2014) and this is<br />
the most important factor for the investment<br />
firms and entrepreneurs.<br />
Such new settlement areas and new<br />
living styles have started to appear in<br />
Istanbul and mainly outskirts in the<br />
existing neighborhoods of Istanbul.<br />
Since the walled such settlements, the<br />
urban integrity has started to be separated<br />
and street living culture has entered<br />
into the transition period.<br />
The social problems have been apparently<br />
observed around these islands<br />
and we may perceive the contradiction,<br />
in spite of wealthy life style inside, the<br />
low-income families are located in the<br />
surroundings,as outside. When such<br />
islands provide the living groups as<br />
their wishes as well as living conditions<br />
and their securities, contoversially they<br />
create insecure areas in their external<br />
worlds. As it was stated by Oscar Newman<br />
(1972), “when a town is defended<br />
individually (private group)-or lived,<br />
it means that the struggle against the<br />
crime at that town is lost”.<br />
2. The negative effects of the gated<br />
housing settlements in the urban life<br />
The Gated Housing Islands have<br />
damaged the current urban structure<br />
and have barricaded the integration<br />
and the development of the region. On<br />
the other hand, they have damaged the<br />
sustainability of the districts and traditional<br />
district culture, as contrary<br />
they have created and submitted the<br />
local artificial tissues and different life<br />
models for the community that is not<br />
peaceful to their neighbors. In some<br />
cases, these walls and fences not only<br />
prevent access to the facilities of their<br />
own but also they might make it hard<br />
for the public to access common areas<br />
such as streets, pavements, parks,<br />
beaches, rivers, paths, children playgrounds<br />
and other local resources<br />
(Blakely and Snyder, 1997).<br />
When we turn back to the current<br />
structure, it creates insecure areas in<br />
the contact lines. The treats are mostly<br />
directed to the people who are living in<br />
these islands as well as current people<br />
who are using such routes. By means<br />
of the rails, secure walls and security<br />
cameras based on twenty four hours<br />
monitoring, the precautions against all<br />
possible threats toward the inside have<br />
been taken. The undefended areas are<br />
the external belt zones as a result of<br />
such extraordinary exclusion.<br />
2.1. The surveillance in terms of creating<br />
secure environment<br />
One of the basic components of the<br />
social control is the natural surveillance<br />
mechanism. In the books of Jane Jacobs<br />
(1961) called as “The Death and Life of<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • S. Apak
Figure 1a. Tpical access control and surveillance concepts and<br />
classifications (Crowe, T.,D.,1991).<br />
Figure 1b. The conceptual shift from organized and mechanical<br />
concepts has led to the natural CPTED concepts (Crowe,<br />
T.,D.,1991).<br />
Disintegration of urban housing areas: Districts and new gated housing settlements<br />
143<br />
Great American Cities”, she signed the<br />
importance of the natural surveillance<br />
by stating the phrase of “the eyes in<br />
the street”. Jacobs mostly attributes her<br />
determinations based on the surveillance<br />
principle and she is one of them<br />
who emphasized the “defensible space”<br />
concept where such components have<br />
an important place. She stated that “in<br />
some cases to help for a stranger or to<br />
call for the police, in order to enable<br />
the person to act, he/she must own the<br />
street and he/she must believe that if<br />
he/she will need for a help, will have<br />
the urgent help”. However, she also stated<br />
that the most important think rather<br />
than acting and the condition to act<br />
are the surveillance and he stated the<br />
importance of the surveillance (Jacobs,<br />
1961). Newman (1972) considers the<br />
surveillance function in the category of<br />
“physical design capacity that will provide<br />
the surveillance possibility to the<br />
user and their relatives”. He explains<br />
this category as the mechanics towards<br />
increasing the surveillance capacity<br />
continuously and their internal and<br />
external areas of the people. He also<br />
states that they are the integral parts<br />
of the three basic mechanisms. On the<br />
other hand, Crowe (1991), in his book<br />
called as “Crime Prevention through<br />
Environmental Design” talks about the<br />
availability of three overlapped strategy<br />
in CPTED. These are natural access<br />
control, natural surveillance, and territorial<br />
reinforcement. He states that<br />
access control and surveillance are the<br />
primary design concepts of the physical<br />
design programs (Figure 1a, Figure<br />
1b).<br />
Stollard (1991) argues about the<br />
availability of the design options to<br />
use it for deterring from the crime and<br />
he states that there are some common<br />
agreements and conciliations over<br />
some general principles. Stallord collected<br />
such principles under six groups<br />
and he placed the surveillance principle<br />
in the first instance. This principle<br />
is related to the natural or passive<br />
surveillance of the homes and public<br />
places around the homes. When this<br />
situation is considered as the indicative<br />
factor for the uninvited guests, it is<br />
accepted that deterring from the crime<br />
is the most basic and essential element.<br />
Natural surveillance can be defined<br />
as the impression that residents<br />
of the dwelling are guarded or can be<br />
guarded if necessary and that there is<br />
an eye on neighbors and on their residences.<br />
Architects and planners should<br />
take into account of current options to<br />
maximize the opportunities of the resident<br />
users (Stollard, 1991).<br />
By considering these thoughts, one<br />
of the design and settlement principles<br />
for safe residential area proposed in<br />
the “defensible space” is to direct the<br />
buildings to the streets. These directions<br />
provide opportunities that have<br />
been made by the residential building<br />
for the surveillance and also encourage<br />
them and that increase the “eyes on the<br />
street” accordingly (Figure 2).<br />
In a research that was made in Istanbul,<br />
Levent, it was understood that the<br />
house direction has been made on the<br />
streets and the streets that have high
144<br />
natural surveillance capacity are intensively<br />
used by the pedestrians. The<br />
side of the streets that are limited by<br />
the walls and garden walls of the houses<br />
and they are less preferred by the<br />
pedestrians and they are determined<br />
that the deaf walls along the streets are<br />
mainly neglected and used as the graffiti<br />
ground (Apak, 2005).<br />
2.2. Permeability as the integration<br />
tool<br />
The permeability is an important<br />
factor to integrate physical volumes<br />
and to give permissiveness for human<br />
behaviors. In the assessment of this<br />
factor, the scale and intensity should<br />
be primarily taken into the consideration.<br />
In the settlement where the<br />
scale is small and intensity is low, we<br />
may conclude that “the permeability is<br />
minimized”.<br />
“The settlements have been designed<br />
around the cul-de sac” exclude the foreigners<br />
and create confidential and the<br />
safe areas (Ünlü, 1986), in such areas,<br />
social control is not expected from the<br />
interaction of the in-out settlement<br />
users but it is expected from the settlement<br />
owner. Apart from the security<br />
feeling, the visibility and monitoring is<br />
controlled by the the user of the area.<br />
It is quite natural that, foreigners<br />
were regarded as suspects when they<br />
were observed in front of the tents<br />
(yurt) at nomadic times before the<br />
permanent settlement (Küçükerman,<br />
2007). If we observe the cul-de sacs<br />
that are surrounding square , they are<br />
inhabited by people who know each<br />
other well in traditional permanent<br />
settlement system. The existence of<br />
semi-public and private areas as shown<br />
in Newman’s chart of territorial area<br />
(Figure 3) supported with the opportunities<br />
of observation. Certainly, the<br />
subjects like intensity and urban liveliness<br />
are not desirable in these areas.<br />
In current town structures where<br />
the scale is getting larger, the blood<br />
relation, close relativeness, close neighborhood<br />
and other relevant elements<br />
are removed and where the settlement<br />
users become stranger, the subjects like<br />
the permeability and creating vitality<br />
may be considered as important factors.<br />
In 9th part of the book called as<br />
Jacobs’ “the Death and Life of Great<br />
American Cities”, the requirement for<br />
small block has been stated in detail.<br />
By considering the example of<br />
Manhattan, it is stated that stable long<br />
blocks create desperate long, monotone<br />
and dark strips. If there were<br />
streets that cut such wide blocks lies<br />
from the east to west and if there were<br />
more than shorter blocks, it is stated<br />
that there would not be any need to use<br />
such monotone way to go somewhere<br />
and the alternative routes could be<br />
chosen (Figure 4). Thus, she defenses<br />
that the distribution of the stores and<br />
Figure 3. Schematic sketch illustrating territorial definition<br />
reinforced with surveillance opportunities (Newman,1972).<br />
Figure 2. Houses should face each other<br />
along the street (Poyner, B., Webb, B., 1991).<br />
Figure 4. Small block requirement in Manhattan (Jacobs,1961).<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • S. Apak
145<br />
eligibility of the stores and commercial<br />
places will be increased as a result of<br />
the interaction. She argues that, in this<br />
way, streets will not be isolated but they<br />
will get mixed to each other which will<br />
ensure significant increase in the number<br />
of trade destinations and improvement<br />
in the availability and expansion<br />
of shops. She emphasizes that, streets<br />
do not end at successful or attractive<br />
neighborhoods. On the contrary, the<br />
number or streets increases where possible<br />
(Jacobs, 1961).<br />
Bentley & Alcock & et al. (1993) reserve<br />
the first part of the books to the<br />
permeability and deal the permeability<br />
in detail. They state that only places<br />
that let the people could provide options<br />
for them and the quality of the<br />
permeability is related to the number<br />
of the alternative ways that pass from<br />
one area. In the left diagram of Figure<br />
5, comparing with the top layout with<br />
the sub layout, it provides large option<br />
possibility so the top layout is more<br />
than permeable. In the right diagram<br />
of the same figure, it is concentrated on<br />
the advantages of the small blocks.<br />
They deal with the permeability as<br />
physical and visual permeability, they<br />
also reiterate that a place with the small<br />
blocks provide more option than the<br />
area with the large block and they state<br />
that large block layout has only three<br />
alternative route without returning between<br />
A and B and small block version<br />
has a little short distance nine alternatives<br />
with the public route (Bentley and<br />
Alcock, et al., 1993). They draw the attention<br />
of the availability of the three<br />
design approach that works against the<br />
public location permeability and they<br />
organize them as increasing the scale<br />
of the settlement, hierarchic layout using<br />
and pedestrian/vehicle separation.<br />
Figure 5. Different approach alternatives in the permeability sense<br />
for the same area (left) and small block requirement between A-B<br />
axles (right) (Bentley,Alcock,Murrain, McGlynn, Smith, 1993).<br />
On the other hand, Crankshaw<br />
(2009) states that permeable street<br />
walls could be provided by the door entrances,<br />
windows and stores. A monolithic<br />
building without any openings<br />
creates insecurity and it gives you a<br />
disturbing feeling like you are all alone,<br />
walking naked along a street (Crankshaw,<br />
2009).<br />
2.3. Urban vitality / commerce in the<br />
sense of mixed utilization<br />
It is clear that the urban vitality in<br />
the urban structure of the commercial<br />
functions has very important place in<br />
the vitality of the life. The commercial<br />
life particularly in the town scale is related<br />
to the accommodation functions<br />
of the town, the interactions, solidarity<br />
and living together in the same area.<br />
When considering the opposite angle<br />
in terms of the solidarity of the parties,<br />
in the understanding the modern town<br />
planning (however, the functional difference<br />
is essential in this understanding),<br />
despite the fact that the sub center<br />
settlements focused on the commercial<br />
activities when they become deserted<br />
at the night time. Jacobs, who<br />
emphasized mixed-use over separated<br />
dwellings or commercial places, also<br />
prioritized the liveliness of the people<br />
in current neighborhoods in her book<br />
which is full of the most original and<br />
powerful claims of her age (Jacobs,<br />
1961). There is no doubt that in the<br />
sense of the urban vitality and “commercial<br />
vitality” street understanding<br />
that is the supporting element in the<br />
mixed utilization, the interaction along<br />
the street and the supporting attitudes<br />
are more than important even if they<br />
are competitors.<br />
It is possible to see the examples in<br />
the traditional and historical structure<br />
of Istanbul. When approaching to the<br />
end of 18th century, Istiklal Street that<br />
has many opposite buildings and in<br />
which complete design was completed<br />
in the second half of 19th century<br />
(Cadde-I Kebir) is one of the most important<br />
street where the luxury buildings,<br />
European types of stores, recruitment<br />
and resting places are located<br />
after the reorganizations, nowadays,<br />
it keeps the same style indeed so that<br />
the commercial vitality has been observed.<br />
On the other hand, the spice<br />
Disintegration of urban housing areas: Districts and new gated housing settlements
146<br />
bazaar that is one of the oldest shopping<br />
centers has the covered street plan<br />
where many stores are located. The interaction<br />
between small commercial<br />
units (such as the flower bazaar, street)<br />
which stick to external, blind walls as<br />
required by the inward-oriented structure<br />
and the commercial units at the<br />
ground floors of the buildings that are<br />
located opposite the street, they are the<br />
most significant elements in the union<br />
of the bazaar with the surrounding pattern<br />
(Figure 6).<br />
When talking about the urban vitality,<br />
the availability of the stores is required.<br />
On the other hand, in our history,<br />
from the shopping stores (arasta) to<br />
the local bazaars, streets, and covered<br />
bazaars and even in our modern world,<br />
large shopping centers, shopping malls<br />
(that contrary approach to our opinion<br />
– withdrawn huge masses ) has mutual<br />
shop units. In this plan approach, face<br />
to face organization, sequence and interaction<br />
are basic elements.<br />
The pavements are social spaces.<br />
The streets, pavements need ultimate<br />
attention to continue their living powers<br />
apart from the channels where the<br />
pedestrians use. They should be encouraged<br />
to create social interaction<br />
and activity together with their adjacent<br />
external selling areas in front of<br />
the stores and pavement cafés (Crankshaw,<br />
2009).<br />
3. Model<br />
Ralph B. Taylor (1987) separated<br />
the scale organized from the least serious<br />
to the most serious in the figure<br />
called as the continuum of disorder.<br />
He showed the graffiti in the condition<br />
concept and he included the vandalism<br />
in the crime case based on the most serious<br />
step.<br />
The graffiti that could be defined as<br />
using the private and public properties<br />
by unpermitted letter or paints. Their<br />
existence affected the environmental<br />
image and it has created the negative<br />
effect on the sense of security. The<br />
graffiti could be performed under the<br />
direction various purposes. The “gang<br />
graffiti” that could be a sign how power<br />
the gangs and illegal organizations<br />
could be used as interaction tools to<br />
show their powers and to remove others<br />
from these areas (Taylor, 1988).<br />
On the other hand, one of the graffiti<br />
type is the “taggers” graffiti etc. Each<br />
graffiti has not written by the member<br />
of the gang. These could be used to<br />
state how to find the drug, drug users<br />
etc. They could have some threat messages<br />
against other races, religious and<br />
genders. Some graffiti is the sample of<br />
the swearword and profanity. Some of<br />
them could reflect the politic views and<br />
some also could be classified as “gum<br />
balloon” like “ Ali loves Ayse” etc.<br />
The type of the graffiti could be<br />
changes based on the time and place.<br />
However, the graffiti is possibly coming<br />
from the “taggers” who sign their activities<br />
by their typical names. The taggers<br />
expect and hope that they would be<br />
admired because of their respective activities<br />
and personal based works. The<br />
taggers could seek excitement. Such<br />
excitements could include the danger<br />
to make graffiti in the high place or to<br />
violate the laws accordingly. The taggers<br />
could act alone or they could be<br />
gang to make graffiti as a team.<br />
In the recent researches, there are<br />
different approaches on the graffiti.<br />
Some researchers think that the graffiti<br />
is a kind of vandalism that is located on<br />
the roads, in the public transportation<br />
and stations, commercial regions and<br />
residential areas and some researchers<br />
think that these are urban artwork<br />
(Figure 7) and some of them consider<br />
that the graffiti is an activity to draw<br />
the attention of the young people to<br />
positive study fields.<br />
Figure 6. Two- sided commercial using of the streets, İstiklal street<br />
and Çiçek Pazarı street ( Apak, S. <strong>2015</strong>).<br />
Figure 7. An example of graffiti as an art work and a vandalism<br />
example on the same street in Kadikoy ( Apak, S. <strong>2015</strong>).<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • S. Apak
Figure 8. The cart of the theoric model.<br />
When dealing with undesirable action,<br />
it is seen that various methods<br />
have been applied to be prevented.<br />
Apart from the publications and internet<br />
possibilities that facilitate the<br />
processes what we should do especially<br />
for raising the social awareness,<br />
there are precautions towards prevention<br />
the crime factor. Such precautions<br />
have been dealt and evaluated in three<br />
categories in the researches such as<br />
“law application and implementation”<br />
where the law application precautions<br />
are provided by means of the criminal<br />
proceeding system, “perpetration<br />
on time” to minimize the damage and<br />
lost and “potential guilty prevention”<br />
to care about the young people and to<br />
draw their attention to the different<br />
places (Stafford & Pettersson, 2003).<br />
Though graffiti might give messages<br />
in some cases such as the gang graffiti,<br />
it disturbs the society as an illegal<br />
act regardless of its content or form<br />
(whether it has an artistic value or not).<br />
When it damages to the public and private<br />
properties and when it is against<br />
the authority, in the context of the environmental<br />
image, they are significant<br />
signs weakening the environment’s potential<br />
to create the feeling of safety.<br />
Apart from such messages provided<br />
to the users, it affects the environment<br />
and the population deeply. The value<br />
of the properties could be decreased<br />
and possible commercial advantages<br />
could be lost. The population could be<br />
self-enclosed, the neighborhood relations<br />
could be weaken and the sensitivity<br />
could be lost as well as these<br />
Disintegration of urban housing areas: Districts and new gated housing settlements<br />
147<br />
could be the reason for social-economic<br />
damage and disruption. While they<br />
might indicate negligence, dereliction<br />
or ignorance they might also indicate<br />
that social/environmental control is<br />
lacking or there is unwillingness to<br />
perform such control. Even if some<br />
part of the society think that these are<br />
not important, they create illegal environment<br />
and they provide clue for illegal<br />
behavior possibilities and such kind<br />
of behaviors.<br />
As a result of such negative effects of<br />
the graffiti, it has created an important<br />
fact as the indicator of the weakness<br />
related to the trust and confidence in<br />
the current urban fabric especially in<br />
the intersections of the gated islands.<br />
Without emphasizing the reasonability<br />
of the graffiti, the factors that facilitate<br />
the application and that enable the environment<br />
to be created as is defined<br />
in the theoretical framework of the<br />
activity are surveillance/ visibility, permeability,<br />
vitality, syntactic integration<br />
value. The availability or lacks of such<br />
factors are the reason of presenting,<br />
decreasing or increasing the graffiti applications.<br />
The key component of those factors<br />
is based on the permeability. Due to<br />
the fact that it has a one by one effect<br />
on other factors if a piece of urban<br />
texture is permeable or not and these<br />
could affect directly or indirectly the<br />
graffiti applications. As it is seen in the<br />
current model, permeability, within<br />
the context of visual permeability, by<br />
eliminating the possibility of identifying<br />
the route through the external user<br />
and surveillance/visibility of the external<br />
area through the internal user, the<br />
minimal occupancy, uncontrolled areas<br />
and routes have been created (Figure<br />
8).<br />
On the other hand, when considering<br />
the physical permeability, it has<br />
minimized the neighborhood relations<br />
together with the adjacent current urban<br />
fabric. Because of the immense<br />
deathfullness created by the walls as<br />
the border element, such borders have<br />
lost the chance to transform the lively,<br />
illuminated areas such as shopping<br />
store, café, etc. It has minimized the vitality<br />
at those areas and it has prevented<br />
the possible potential development<br />
accordingly. It has also created negative
148<br />
effects on the vitality of current tissue.<br />
In these areas, decreasing the vitality<br />
means decreasing the number of the<br />
responsible eyes that will provide the<br />
social control at those areas and decreasing<br />
the opportunity of being supported.<br />
This huge area where the permeability<br />
is not available has provided<br />
their relations with the external world<br />
by one or two controlled doors and they<br />
have turned their backs to the current<br />
urban fabric. Their relations are almost<br />
little or nothing. In this case, it has created<br />
important effects on the syntactic<br />
integration values. The syntactic integration<br />
values that are not integrated<br />
with the network of the current urban<br />
fabric is minimized and disconnected,<br />
uncontrolled, desolate environments<br />
have been created.<br />
These environments provide more<br />
comfortable opportunities for the graffiti<br />
applications that could be perceived<br />
as the indicator so that the most important<br />
crimes could be committed.<br />
These factors that have unilateral or<br />
bilateral interactions could increase<br />
or decrease the applicable physical<br />
ground and opportunity of the graffiti.<br />
4. Method / Case studies<br />
While determining the case study<br />
areas, the attention was paid that they<br />
should be neighbor with the unplanned<br />
and undeveloped urban structure, new<br />
gated community islands. The purpose<br />
here is to catch the clues clearly to reflect<br />
the relations of such islands with<br />
their surroundings. In this framework,<br />
“Maslak-İstinye Park” that is neighbor<br />
to Pınar district that is illegally structured<br />
area (Figure 9a), “TEM1 Avrupa<br />
Residences” which are located at<br />
4th Region slum prevention area of<br />
Gaziosmanpaşa Town which has developed<br />
badly in a mixture of planned<br />
and unplanned construction (Figure<br />
9b) and “Zeytinburnu Kiptaş Topkapı<br />
Merkez Residence“ (Figure 9c) were<br />
selected as case study areas.<br />
Main common points of these areas<br />
are the weakness socio-economic<br />
structure along with an unplanned and<br />
badly developed urban structure and<br />
side by side closed residence islands<br />
addressing the particular income<br />
group and their ownership characters .<br />
Maslak-İstinye Park Residence<br />
among the case study area was constructed<br />
as 19 blocks was composed of<br />
406 residential units. The entrance to<br />
the island is made from one gated access.<br />
On the other hand, TEM1 Avrupa<br />
Residences is composed of 36 blocks<br />
includes 3100 residential units and the<br />
entrance could be provided from three<br />
points. Topkapı Merkez Evleri is also<br />
composed of 803 residential units including<br />
5+7 and totally <strong>12</strong> blocks. In<br />
each of two staged island, there are one<br />
entrance point.<br />
In the selected three case study areas,<br />
the method is applied to obtain data<br />
based on the observations regarding<br />
the current urban structure around the<br />
gated community areas and intermediate<br />
zones. As the assessment variables,<br />
the users living in the vicinity of islands<br />
have been taken into the account. The<br />
intensity route or points in the urban<br />
area regarding the user and their experiences<br />
have been recorded. Regarding<br />
the physical environment, the environmental<br />
quality was determined as<br />
the scale of good-medium-bad and in<br />
the adjacent environment and intermediate<br />
zones, the availability of the<br />
graffiti and vandalism is searched and<br />
the determination of the places were<br />
achieved accordingly.<br />
Figure 9. The case study areas, a; Istinye Park Residences-Maslak, b; TEM Avrupa Residences<br />
– Gaziosmanpaşa, c;Topkapı Merkez Residences – Zeytinburnu.<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • S. Apak
149<br />
In the parallel of these studies, updated<br />
maps regarding these three areas<br />
that have been defined based on<br />
the observation criteria. The reason<br />
for having the updated maps is to reveal<br />
the rapid development of Istanbul<br />
and to show that new settlements have<br />
been performed in last 5-6 years. The<br />
integration where the updated maps<br />
have been used as data input that is the<br />
second important step for the determination<br />
of the syntactic integration<br />
analysis. The principle spatial element<br />
is the axes of the urban structure. The<br />
organization of the building or the district<br />
is based on the organization of its<br />
axes, that is, they reflect the behaviors,<br />
the sequence of behavioral experiences.<br />
The axis is fundamental because the<br />
experience of architecture is an experience<br />
of movement (Hillier 1996).<br />
For the analysis of the syntactic integration,<br />
the Syntax 2D program by<br />
the Michigan University is used. By<br />
selecting axial line analysis and preparing<br />
axial maps, it is aimed to define the<br />
integration values of the close neighborhood<br />
around the these gated community<br />
islands.<br />
By the achieved observation data,<br />
the integration values are compared<br />
and they are searched that if the<br />
low-high integration area and graffiti<br />
is overlapped or not. According to<br />
the hypothesis, the main task that is<br />
searching if there is any correlation between<br />
the deep integration values and<br />
increase of graffiti or not. In particular,<br />
the research concentrates on the<br />
specific places in the vicinity of gated<br />
islands, the occurrence of the graffiti<br />
applications and their meanings, their<br />
syntactic integration with the physical<br />
environment.<br />
5. Discussion<br />
5.1. Graffiti points observed around<br />
the sampled gated community islands<br />
According to the determinations<br />
based on the observation, around the<br />
gated community islands of the three<br />
case study areas, the availability of the<br />
graffiti is observed. The long deaf walls<br />
extending uninterruptedly and their<br />
horizontal plane form may be quite<br />
appropriate space for graffiti. In the<br />
north of Istinye Park Residences, on<br />
İğde Street in the intermediate section<br />
of “Pınar Mahallesi (District)” (Figure<br />
10a İ1), in Sarıyer Street and its opposite<br />
and in the walls of Enka Schools<br />
(Figure 10a İ2), in the western part of<br />
Gaziosmanpaşa TEM1 Avrupa Residences,<br />
on the walls located in 16<strong>12</strong>th<br />
Street and its extension (Figure 10b<br />
A1), in western part of the Kiptaş Topkapı<br />
Merkez Residence, G-36th Street<br />
(Figure 10c M2) and on Gümüşsuyu<br />
Davut Paşa Street (Figure 10c M1), the<br />
graffiti samples are mainly observed<br />
areas.<br />
By going around the surrounding<br />
Figure 10. The regions where the graffiti was applied on the walls of the gated community<br />
islands.<br />
Disintegration of urban housing areas: Districts and new gated housing settlements
150<br />
walls of each three samples, the place<br />
and number where the graffiti has been<br />
applied are signed and determined on<br />
the plans. In the determinations that<br />
have been made, the type and size of<br />
the graffiti is ignored. The existence of<br />
graffiti has been recorded numerically.<br />
In accordance with these determinations,<br />
the graffiti has been recorded<br />
intensively applied in these case study<br />
areas.<br />
It was observed that the walls of İstinye<br />
Park Residence is on İğde Street<br />
and partly in Kılıç Street. The determined<br />
graffiti number around the wall<br />
on this street is (Figure 10-i1) (26 İğde<br />
Street+13 Kılıç Street) totally 39 points<br />
(Figure 11).<br />
There is also graffiti situated in<br />
Gaziosmanpaşa TEM1 Avrupa Residence,<br />
and at the same, an intensive<br />
graffiti has been observed on the wall<br />
throughout 16<strong>12</strong>th Street with the adjacent<br />
current urban fabric (Figure 10-<br />
A1). The number of graffiti that was<br />
signed by counting on those walls are<br />
22 indicators (Figure <strong>12</strong>).<br />
In the Zeytinburnu Topkapı Merkez<br />
Residence part 1 and 2, the intensive<br />
graffiti applications that have been frequently<br />
used, applied and re-painted<br />
have been observed on the throughout<br />
street and stair walls that provides<br />
connection between recreation area<br />
(that located two parts of the gated<br />
residences) and Davutpaşa Gümüşsuyu<br />
Street (Figure 10-M1). The graffiti<br />
paint number that was determined at<br />
the time of observation are <strong>12</strong> in stair<br />
walls and 16 on the walls at Gümüşsuyu<br />
Street and totally 28 at the same<br />
region (Figure 13).<br />
It was observed and determined<br />
that the contents of these graffiti could<br />
be political, class difference and they<br />
could also be inserted as the type of<br />
“gum balloon” that is not important.<br />
5.2. The determinations regarding<br />
the permeability specifications of the<br />
sampled gated community islands<br />
As it is known that the basic principle<br />
of the gated community is to prevent<br />
the uncontrolled entrance and to<br />
create impermeable areas where the<br />
controlled entrance is provided. In order<br />
to provide the security, to prevent<br />
the infrastructural using share, to cre-<br />
Figure 11. Graffiti on the walls of the island of İstinye Park<br />
Residence (İ1) and İğde Street ( Apak, S. <strong>2015</strong>).<br />
Figure <strong>12</strong>. Graffiti on the walls of the island of TEM1 Avrupa<br />
Konutlari (A1) and neighbourhood ( Apak, S. <strong>2015</strong>).<br />
Figure 13. Graffiti on the walls of the island of Topkapi Merkez<br />
Evleri (M1) and parked cars ( Apak, S. <strong>2015</strong>).<br />
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151<br />
ate the social status living types and<br />
similar groups, firstly under the direction<br />
of providing the physical impermeability,<br />
the basic approach is to surround<br />
these areas by the walls. For the<br />
sake of minimizing the internal-external<br />
irritation and increasing the security,<br />
apart from the height and type of<br />
those walls, the visual impermeability<br />
is provided and internal-external relation<br />
has been cut completely (Table 1).<br />
The number of blocks and resident<br />
units, size of the covered areas and<br />
shortest – longest lengths of the areas<br />
belongs to these three case studies are<br />
given in table 1. Also quantities and<br />
qualities of these surrounding walls are<br />
important features for permeability.<br />
The total length of the walls that surrounds<br />
İstinye Park Residence, Gaziosmanpaşa<br />
TEM1 Avrupa Residences<br />
and Zeytinburnu Topkapı Merkez Residences<br />
are <strong>12</strong>38 meters, 1665 meters<br />
and 1524 meters. There is only one<br />
entrance-exit door at İstinye Park Residence<br />
and Topkapı Merkez Residences<br />
1- 2. (seperately). On the other hand<br />
there are three entrance-exit doors at<br />
Gaziosmanpaşa TEM1 Avrupa Residences<br />
due to its size of the covered<br />
area (Table 1).<br />
The heights, qualities and materials<br />
that have been used for each surrounding<br />
walls of three case studies are given<br />
in Table 2. These walls are prohibiter as<br />
the visual permeability, the transparency<br />
that provides communication,as<br />
well as the physical permeability. All<br />
these features could be completely or<br />
partly observed in each samples.<br />
The front of the walls on Abdi İpekçi<br />
Street that is the important artery<br />
was concealed by the green plants. The<br />
height of the bottom reinforced concrete<br />
part around 16<strong>12</strong>th Street where<br />
this wall is interacted with the current<br />
urban fabric was approximately<br />
increased from 40 cm. to 160 cm (Table<br />
2). On the other hand, in order to<br />
end the visual relation, the back of the<br />
iron fences was closed by semi opaque<br />
plastic panels. Zeytinburnu, Topkapı<br />
Merkez Residences are composed of<br />
two parts. For second section, there<br />
Table 1. The quantitative specifications of the sampled gated residential areas and the length of surrounding walls.<br />
İstinye Park<br />
Residence<br />
Gaziosmanpaşa<br />
TEM1 Avrupa R.<br />
Topkapı Merkez<br />
Residence sec.1<br />
Topkapı Merkaz<br />
Residence Sec.2<br />
Number<br />
of block<br />
Number of<br />
Residence<br />
Area<br />
(m2)<br />
Perimeter<br />
(m)<br />
19 406 75395 <strong>12</strong>38<br />
Number of<br />
Ent-Exit door<br />
1+ (1 from<br />
mall, pedest.)<br />
Length<br />
- short<br />
Length<br />
- long<br />
226 430<br />
36 3100 141082 1665 3 445 550<br />
5<br />
22780 704 1 156 240<br />
803<br />
1+ (1 from<br />
7 34300 820<br />
185 280<br />
mall, pedest.)<br />
Table 2. The qualitative specificaitons and the heights of surrounding walls of the sampled gated residential areas.<br />
İstinye Park<br />
Residence<br />
Gaziosmanpaşa<br />
TEM1 Avrupa<br />
R.<br />
Topkapı<br />
Merkez<br />
Residence<br />
The height of the walls<br />
Base<br />
(cm.<br />
)<br />
Mid.<br />
(cm.<br />
)<br />
Top<br />
(cm.)<br />
Tota<br />
l<br />
(cm.<br />
)<br />
200 170 - 370<br />
40 180 80 300<br />
300 150 40 490<br />
The quality and materials of the walls<br />
Base Mid. Top<br />
reinforced<br />
concrete<br />
reinforced<br />
concrete<br />
reinforced<br />
concrete<br />
natural panel<br />
wire fence<br />
forged iron<br />
fence<br />
natural panel<br />
wire fence<br />
-<br />
double razor<br />
wires<br />
single razor<br />
wires<br />
Disintegration of urban housing areas: Districts and new gated housing settlements
152<br />
are also pedestrian accesses from the<br />
shopping. In the middle of both section,<br />
there is a recreation area and open<br />
shopping units for public and these<br />
two sections could be considered as<br />
two different gated islands. The quality<br />
of the walls that surround these islands<br />
could be regionally different. The<br />
recreation area between two islands is<br />
defined by the shopping units’ facades.<br />
It is also observed that 2nd part of island<br />
walls on Davutpaşa Gümüşsuyu<br />
Street and G-32th Street are composed<br />
by shopping units’ facades which is<br />
constructed under residential blocks.<br />
In Topkapı Merkez Residences, together<br />
with the physical obstacles and by<br />
the massive material such as concrete,<br />
the visual barrier was maximized. The<br />
positive side of this sample is to provide<br />
residential blocks together with<br />
the shopping units.<br />
5.3. The integration analysis of the<br />
sampled gated community islands<br />
and surroundings<br />
In each three case studies, surrounding<br />
gated community islands, neighbor<br />
streets integration-n of Syntax 2D values<br />
have transformed into the table.<br />
For each case study, approximately 30<br />
streets give us an idea about general<br />
characters of the close existing urban<br />
texture. For each area, the mean of<br />
integration values are calculated and<br />
when we compared the integration-n<br />
values of the cross sections around the<br />
gated community, the significant results<br />
are emerged.<br />
The mean of the integration-n values<br />
of 25 street belonged to the current settlement<br />
surrounding Istinye Park Residence<br />
is 11590,98. On the other hand,<br />
the mean average of the integration-n<br />
values belonged to the roads surrounding<br />
Istinye Park walls is 2023,35. When<br />
these values are calculated based on<br />
30 streets surrounding TEM1 Avrupa<br />
Residence, it was achieved to 10998,55,<br />
on the other hand integration- n values<br />
of the roads adjacent to surrounding<br />
walls are calculated as 2786,95. In<br />
Zeytinburnu Topkapı Merkez Residence,<br />
the mean value of 30 streets<br />
adjacent to the current settlement is<br />
<strong>12</strong>039,80. Average values are calculated<br />
in the parallel streets of islands’<br />
borders, around 1st section is about<br />
344,71 and in the second section, it is<br />
performed as 2355,65 (Figure 14).<br />
Hillier (1996) stated that the distribution<br />
of integration in the axial map<br />
defines an “integration core” which<br />
generates not only a movement pattern<br />
but also a distribution of land uses<br />
such as shops and residences which are<br />
sensitive to movement. In the axial line<br />
analysis of Pınar Mahallesi (District)<br />
and Istinye Park Residences, when<br />
considering the integration-n diagram,<br />
the integration value of the İğde Street<br />
(3796,28) adjacent to the Istinye Residences<br />
where graffiti is applied is very<br />
low. However, Çamlıbel Street (Figure<br />
15) that is the most populated street<br />
of the “Pınar Mahallesi (District)” has<br />
highest integration values (22555,91)<br />
in the red color scale and as is mentioned<br />
by the Hiller, it appears as the<br />
core of the integration. Naturally, on<br />
this street, due to the fact that there are<br />
many shopping units and due to the vitality<br />
of the street, it is more significant<br />
to overlap the core in the integration<br />
map.<br />
It is observed that 16<strong>12</strong>th Street and<br />
its extension where the graffiti points<br />
are highly observed on the border walls<br />
of TEM1 Avrupa Residences in Gaziosmanpaşa<br />
has lowest integration values<br />
in the dark blue color scale in the axial<br />
line diagram produced for this region.<br />
On the other hand, the integration<br />
values are rather low at G-36th Street<br />
axis hosting graffiti on deaf and castle<br />
type of walls surrounding Topkapı<br />
Figure 14. The Axial Line Analysis and Integration-n Values of the three case studies (Istinye Park Residence –<br />
Gaziosmanpasa TEM1 Residence – Topkapi Merkez Residence).<br />
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153<br />
Merkez Evleri and the vicinity of<br />
Gümüşsuyu Davutpaşa Street axis that<br />
are divided by the tram line.<br />
Figure 15. Camlibel Street (on the left), Igde Streets (on the right)<br />
( Apak, S. <strong>2015</strong>). Integration Values of Istinye Residence and<br />
Pinar Mahallesi district (below).<br />
Figure 16. The overlapping the determination maps of the region<br />
where the intensive graffiti applications are available in three<br />
case studies with the value map of the Axial Line Analysis /<br />
Integration-n. (a) Istinye Park Residence – (b) Gaziosmanpasa<br />
TEM1 Residence – (c) Topkapi Merkez Residence).<br />
5.4. The determined graffiti applications<br />
and syntactic integration analysis<br />
study<br />
Along with the graffiti point maps<br />
achieved by the observations, the integration-n<br />
value maps obtained by<br />
Syntax2D are also compared and interposed<br />
and this paper reinforces that<br />
there is a high correlation between the<br />
increase of graffiti and low integration-n<br />
values around the gated communities<br />
(Figure 16).<br />
The mean of integration-n values of<br />
24 streets in Pınar District that is current<br />
urban fabric surrounding partly<br />
Istinye Park Residences is calculated as<br />
11590,98. The axis numbered 81 that<br />
is the starting point of İğde Street connected<br />
to Camlıbel Street (where the<br />
mean value is 22555,91) is 7274,00 as<br />
integration value. The axis numbered<br />
82 where the graffiti is intensively seen<br />
has a value of 3796,28 and it is located<br />
between İğde Street and Kılıç Street.<br />
The axis numbered 91 represents Kılıç<br />
Street. Its integration value is 2819,87<br />
and 13 graffiti points determination<br />
is made on the walls at these streets.<br />
The integration value of the axis coded<br />
92 is 1450,18 and it is part of the<br />
wall between Kılıç Street and site entrance<br />
door. The axes numbered 95<br />
and 96 have the values of 787,22 and<br />
807,81. These are connection ways between<br />
Kılıç Street entrance-exit door<br />
and Sarıyer Street connection. Due to<br />
the proximity to the controlled area<br />
with the security guard there are not<br />
any graffiti applications. On the other<br />
hand, because of their too low integration<br />
values, this area is a type of urban<br />
fabric has the weakest relations with<br />
their environments (Table 3).<br />
The mean of the integration-n values<br />
of 30 streets related to the current<br />
urban fabric around Gaziosmanpaşa<br />
TEM1 Avrupa Residences is 10998,55.<br />
The axis coded 0 has the value of<br />
2222,43 and it is entrance point to the<br />
existing adjacent fabric from Abdi İpekçi<br />
Street. The axis coded 1 is the entrance<br />
way to the current fabric from<br />
Abdi İpekçi Street (<strong>12</strong>77,87) and it is<br />
the part that provides connection to<br />
16<strong>12</strong>th Street and on each two axes.<br />
We may oberve here that there is not<br />
any current indicator about the graffiti<br />
points. The axes of 2 (<strong>12</strong>74,28) and<br />
3 (3419, 37) are extensions of 16<strong>12</strong>th<br />
Street and the adjacent walls to the of<br />
TEM 1 Avrupa Residences and particularly,<br />
there are graffiti points on these<br />
walls along two axes. The number of<br />
these points is 22. The axis coded 47<br />
(2316,06) represents the entrance door<br />
and Abdi İpekçi Street connection way<br />
and the axis coded 48 (1140,71) represents<br />
the extension of the entrance<br />
door and they show the weak relation<br />
tie in the rare points where they could<br />
integrate with the integration values<br />
less than (10998,55) of current fabric<br />
average of Gaziosmanpaşa.<br />
The arithmetic average of 30 streets<br />
was taken in the adjacent area of Zeytinburnu<br />
Topkapı Merkez Residences and<br />
Disintegration of urban housing areas: Districts and new gated housing settlements
154<br />
the integration-n values are <strong>12</strong>039,80.<br />
The consecutive axes coded 116, 117,<br />
118 represent the way between the 1st<br />
section walls and tramway station. Respectively,<br />
they have integration values<br />
of 960,50 – 375,17 – 237,99. We<br />
may consider that this region where<br />
the graffiti applications are intensively<br />
used. 16 graffiti points are determined.<br />
The axes numbered 148 (375,18) and<br />
149 (228,91) represent the stairs to the<br />
public area between two sections from<br />
this region. The continuous graffiti applications<br />
are observed horizontally on<br />
the walls in both side of the stairs and<br />
this area has been restricted by painting<br />
through the administration. <strong>12</strong> graffiti<br />
points are determined on the day when<br />
the observation is carried out. The axis<br />
numbered 25 (175,52) in the 2nd section,<br />
the axis numbered 27 (257,14)<br />
in the 1st section that represents the<br />
pedestrian ways in front of the shopping<br />
units under the blocks that they<br />
face to the public area. Due to the fact<br />
that these areas are not eligible to apply<br />
graffiti and there are some monitoring<br />
residential units such as living rooms<br />
over the stores. These areas have very<br />
low integration-n values however it<br />
is hard to remark of traces about the<br />
graffiti activities (Table 3).<br />
The integration values obtained<br />
from the axial line analysis of the surrounding<br />
streets limited by the walls<br />
are comparatively are very low, contoversially<br />
we may record that the<br />
high occurence of graffiti on the walls.<br />
The surrounding wall of the island has<br />
blue and dark blue colors that they represent<br />
the low values in the color scale.<br />
It means that the great gated islands<br />
that are not integrated with the current<br />
structure, and they make cool their environment<br />
as well. Such areas that are<br />
adjacent the gated community islands<br />
are the weakest and colorless routes of<br />
the urban/neighborhood interaction<br />
and they become the area as vacant car<br />
parking locations that may also cause<br />
blockading the pedestrian movements.<br />
6. Result<br />
Such case study areas like the representatives<br />
of the most of the gated<br />
community islands around Istanbul<br />
have the mean of their negative specifications.<br />
The negative aspects might<br />
also be found in implementations of<br />
state based organisations like Housing<br />
Development Administration of<br />
Turkey (TOKI). The assessment of the<br />
valuable lands belonged to the public<br />
organizations within current urban<br />
structure on one public sector hand,<br />
and profitability of the different lands<br />
that are the properties of the private<br />
sector on the other hand, the both sec-<br />
Table 3. Comparing the sampled three gated community areas surrounding and adjacent street integration values<br />
and graffiti point numbers.<br />
İstinye Park<br />
Residence<br />
Gaziosmanpaşa<br />
TEM1 Avrupa<br />
K.<br />
Topkapı<br />
Merkez<br />
Evleri<br />
Integration<br />
value<br />
(Avg.)<br />
Number of<br />
Graffiti<br />
points<br />
11590,98 39<br />
10998,55 22<br />
<strong>12</strong>039,80 28<br />
Graffiti locations (frequently seen)<br />
Cod<br />
e<br />
Int. value Name of the location<br />
81 7274,00 Igde Street<br />
82 3796,28 Mid part of Igde-Kilic S<br />
91 2819,87 Kilic Street<br />
92 1450,18 Kilic Street- Entrance<br />
95 787,22 Entrence-Sariyer Street<br />
0 2222,43 Abdi Ipekci St.-Existing t.<br />
1 <strong>12</strong>77,87 Abdi Ipekci St.-16<strong>12</strong>.St.<br />
2 <strong>12</strong>74,28 16<strong>12</strong>.St. adjacent to ex.t.<br />
3 3419,37 16<strong>12</strong>.St. adjacent to ex.t<br />
48 1140,71 Entrence –TEM1 Reside.<br />
116 960,50 Davutpasa Gumussuyu S.<br />
117 375,17 Davutpasa Gumussuyu S.<br />
118 237,99 Davutpasa Gumussuyu S.<br />
148 375,18 Stairs<br />
149 228,91 Stairs<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • S. Apak
155<br />
tors may boost these problems around<br />
the constructed neighborhoods.<br />
The weakness in the local town-planning<br />
applications, the lack of authorization<br />
of producing local town-planning<br />
and codes and the planning and<br />
design cosiderations as the isolated<br />
islands of the Housing Development<br />
Administration of Turkey (TOKİ) create<br />
continuously the lack of the urban<br />
plan integrity, permeability and vitality<br />
problems within the existing urban life.<br />
In the location selection of the gated<br />
community islands, the economic feasibility<br />
has been become the most basic<br />
factor.However, the social-cultural-economic<br />
structures of the adjacent<br />
areas of the islands coexisted within<br />
the current urban life at surroundings<br />
have not taken into the consideration<br />
and the permeability of human movements<br />
and the structural continuity of<br />
the districts are completely ignored.<br />
The results within the scope of the<br />
research show that the interaction<br />
in the current structure is declined<br />
around the island walls. As it is seen<br />
in the syntactic integration analysis<br />
clearly, the mean of the integration<br />
values achieved by taking the current<br />
urban fabric are the strongest evidence<br />
in this comparison. It is observed that<br />
such the mean values are time by time<br />
higher than the integration values of<br />
the street surrounding the gated community<br />
areas. In these areas, when the<br />
intensive of the graffiti points increases,<br />
this indication is the proof that<br />
those areas are becoming so desolate<br />
areas. Besides, it could be seen that by<br />
the analysis that the current situation<br />
is sharply overlapping with the real life<br />
and how the vitality and permeability<br />
notions in planning issue how they are<br />
removed.<br />
By the analysis of the observed and<br />
calculated data, the zones between<br />
such wealthy islands and existing life at<br />
surroundings are isolated and ineffective<br />
formations. As supported by analyses,<br />
they come up that these available<br />
spaces for graffiti cause to disturbance<br />
and displeasure among the neighborhood<br />
situated around the endless<br />
walls. Psychologically, existing graffiti<br />
on long walls is a kind of a message and<br />
scream to the sensitive community. It<br />
is also a sign for threatening indicator<br />
damaging safety and moreover it creates<br />
the weakening for the perception<br />
of the feeling of safe and uncontrolled<br />
environment.<br />
At this point, it could not be expected<br />
to break the walls and to bring very<br />
different social –economic and cultural<br />
communities together. Such a kind of<br />
expectation cannot been demanded<br />
by parties at this moment. At presently,<br />
the gated community users could<br />
not accept different social and physical<br />
structure so that they have been injected.<br />
They cannot communicate as much<br />
as possible in the vicinity. They attempt<br />
to make connection with the towns by<br />
their private cars without communicating<br />
with close social areas .<br />
The solution is based on defining<br />
new gated settlement locations and<br />
integrated and permeable areas. In<br />
the local applications, for the sake of<br />
the economic income, instead of producing<br />
gated community islands, it is<br />
better to develop open structures that<br />
might be integrated with the environment<br />
and to reveal the district based<br />
on the synthesis as well. In the large<br />
scale, without establishing exact lines,<br />
sharp sides, the aim must be an urban<br />
planning approach comprising more<br />
peaceful and transitive altitude (from<br />
low income to high etc.) and to process<br />
and to apply more productive urban<br />
planning understanding that will not<br />
cause any attempt to the high income<br />
groups to have a right to implement<br />
hidden and wealthy gated community<br />
solutions.<br />
References<br />
Acar, S., Kumral, B. (1997). “İş<br />
– Alışveriş Merkezleri”, YEM (Yapı-<br />
Endüstri Merkezi Yayınları), Tunç<br />
Matbaacılık A.Ş., İstanbul.<br />
Apak, S. (1998). “Güvenli Çevrelerin<br />
Oluşturulmasında Kullanılabilecek<br />
Kavramsal Bir Model”, (Unpublished<br />
doctoral dissertation), İstanbul Teknik<br />
Üniversitesi, Fen Bilimleri Enstitüsü,<br />
İstanbul.<br />
Apak, S. (2005). “Bir Konut Bölgesi<br />
Yaya Sirkülasyonunda Tercihlerin<br />
Güvenlik Duygusu Bağlamında Değerlendirilmesi”,<br />
Konut Değerlendirme<br />
Sempozyumu, İstanbul Teknik Üniversitesi,<br />
Mimarlık Fakültesi Baskı Atölyesi,<br />
s;83-96, İstanbul.<br />
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Bentley, I., Alcock , A., Murrain,P.,<br />
McGlynn,S., Smith, G. (1993), “Responsive<br />
Environments – A Manual For<br />
Designers”, Butterworth – Heinemann<br />
Ltd., Printed by Hartnolls Ltd., Cornwall.<br />
Blakely, E.,J., Snyder , M.,G. (1997).<br />
“Fortress America – Gated Communities<br />
in the United States”, Brookings Institution<br />
Press., Printed by R. R. Donnelley<br />
& Sons Co., Washington D.C.<br />
Crankshaw, N. (2009). “Creating Vibrant<br />
Public Spaces – Streetscape Design<br />
in Commercial and Historic Districts”,<br />
Island Press, Washington D.C.<br />
Crowe, Timothy, D. (1991). “Crime<br />
Prevention Through Environmental Design<br />
– Applications of Architectural Design<br />
and Space Management Concepts”,<br />
The British Library Document Supply<br />
Centre, National Crime Prevention Institute,<br />
Butterworth – Heinemann Ltd.,<br />
Stoneham, Massachusetts<br />
Görücü, E.,Ö., Pektaş (2014). “İstanbul<br />
– Gaziosmanpaşa- Küçükköy Mahallesi<br />
Avrupa konutları TEM-2 Projesi<br />
Değerleme Raporu”, (Emlak Konut –<br />
<strong>12</strong>.14 – 161 nolu Rapor), Yetkin Gayrimenkul<br />
Değerleme ve Danışmanlık<br />
A.Ş., İstanbul.<br />
Hillier, B. (1996). “Space is the Machine<br />
– A Configurational Theory of<br />
Architecture”, Cambridge University<br />
Press, New York.<br />
İçli, G. (2010). “Statü Sembolü<br />
Olarak Konut ve Konut Kullanımı Denizli<br />
Örneği”, Pamukkale Üniversitesi<br />
Yayınları, No:13, Denizli.<br />
Jacobs, J. (1961). “The Death and<br />
Life of Great American Cities”, Vintage<br />
Books, New York.<br />
Küçükerman, Ö. (2007). “Turkish<br />
House in Search of Spatial Identity”,<br />
Türkiye Turing ve Otomobil Kurumu,<br />
Euromat Entegre Matbaacılık, Istanbul.<br />
Newman, O. (1972). “Defensible<br />
Space – People and Design In The Violent<br />
City”, Architectural Press, W & J<br />
Mackay Ltd., Great Britain, Chatham.<br />
Poyner, B., Webb, B. (1991). “Crime<br />
Free Housing”, The British Library<br />
Document Supply Centre, Butterworth<br />
– Heinemann Ltd., M & A Thomson<br />
Litho Ltd., Scotland.<br />
Stollard, P. (1991). “Crime Prevention<br />
Through Housing Design”, Chapman<br />
& Hall, London.<br />
Ünlü, A. (1986). “Geleneksel Çevrelerde<br />
Tasarım Verilerinin Saptanması<br />
İçin Bir Model”, (Published doctoral<br />
dissertation), İstanbul Teknik Üniversitesi,<br />
Fen Bilimleri Enstitüsü, İstanbul.<br />
Stafford, J., Pettersson, G. (2003).<br />
http://www.dft.gov.uk/stellent/groups/<br />
gft_mobility/documents/ page/dft_<br />
mobility_025965-11.hcsp<br />
(http://www.gophaber.com/haber-<br />
3847-arsiv.html).<br />
Kent konut alanlarının parçalanması:<br />
Mahalleler ve yeni kapalı konut<br />
yerleşmeleri<br />
Türkiye ve İstanbul’da özellikle<br />
2000’li yıllardan sonra kapalı konut<br />
yerleşmeleri büyük bir hızla üretilerek<br />
kent kullanıcılarının kullanımına<br />
sunulmaya başlanmıştır. Sermayesi<br />
gelişmiş özel girişimciler ve / veya özel<br />
– kamu işbirliği ile planlanan bu yeni<br />
tip yaşam anlayışlı sunumlar, bir mega<br />
kent olan İstanbul’un dahi bu oranlarda<br />
hiç karşılaşmadığı ölçek ve sayılardaki<br />
yeni konut alanlarıyla hazırlıksız bir<br />
şelikde karşı karşıya kalmalarına neden<br />
olmuştur. Bu yeni kapalı yerleşim<br />
alanları ve yaşam tarzının oluşturduğu<br />
kentsel lekeler, İstanbul’un içlerinde ve<br />
eteklerinde hızla belirmeye ve yayılmaya<br />
başlamıştır.<br />
Bu lekelerin, yapay adacıkların kent<br />
için en büyük problemi, mevcut kent<br />
dokusuna yapışarak veya mevcut doku<br />
içlerindeki mevcut veya kentsel dönüşümle<br />
elde edilen boşlukları doldurma<br />
yöntemiyle mevcut dokuyu iteleyerek<br />
sıkıştığı alanın kendisine ait yarattığı<br />
iç dünyasının tersine dış dünyasında<br />
etkileşimsiz alanlar yaratmasıdır. Mevcut<br />
dokudan koparılan bu parçalar ile<br />
mevcut alanların birbirleri ile olabilecek<br />
olası etkileşim, birleşme şanslarının<br />
da ellerinden almasıdır.<br />
Tüm bu olumsuzluklarının yanı sıra,<br />
bazı durumlarda, duvar ve parmaklıklar<br />
ile sadece kendilerine ait donatılara<br />
erişimi değil, caddelere, kaldırımlara,<br />
parklara, plajlara, nehirlere, patikalara,<br />
çoçuk oyun alanlarına, lokal tüm vatandaşlar<br />
tarafından paylaşılacak tüm<br />
kaynaklara kamusal geçişi de engelleyebilmekte,<br />
zorlaştırabilmektedirler<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • S. Apak
157<br />
(Blakely and Snyder, 1997).<br />
Mevcut dokunun ihmal edilip dışlanması<br />
ile karşı komşulukları ile etkileşim<br />
şansları ellerinden alınarak,<br />
bu sokak kullanıcıları yalnızlaştırılmakta,<br />
geçirgenliği sağlayacak, arttıracak,<br />
doku ve sokak süreklilikleri kesilmekte,<br />
kentsel canlılığı zayıflatılmış,<br />
ticaret potansiyeli azaltılmış çevreler<br />
yaratılmaktadır. Neticede kullanıcı yoğunluğunun<br />
endişe yaratacak boyutta<br />
azaldığı, doğal gözetim olanaklarının<br />
ortadan kaldırılıp, güvenlik hissinin<br />
zayıfladığı kuşaklar yaratılmaktadır.<br />
Makalenin teorik tabanında, güvenli<br />
ortam yaratma bağlamında doğal<br />
gözetim, kullanımı teşvik ederek<br />
sosyal kontrol perspektifinden pozitif<br />
yoğunluk yaratacak bir bütünleşme<br />
aracı olarak geçirgenlik ve fonksiyonel<br />
ayrışmışlık yerine karma kullanım unsurları<br />
ortaya konularak derinlemesine<br />
irdelenmiş ve makalenin yaklaşımı<br />
doğrultusunda kuramsal bir çerçeve<br />
oluşturulmaya çalışılmıştır.<br />
Mevcut kent dokusu içleri ve eteklerine<br />
serpiştirilen, gerektiğinde tıkıştırılan<br />
bu lekeler, bu farklı dokuların yarattığı<br />
ara kesitler bağlamında, düzen<br />
ve güven ortamının zayıflık göstergesi<br />
olarak duvar yazıları (grafiti) ve vandalizm<br />
ele alınmış, özellikle duvar yazılarının<br />
fiziksel çevrenin niteliği ve bu<br />
çevrenin kullanıcılar üzerindeki psikolojik,<br />
sosyolojik ve ekonomik etkilerini<br />
konu edinmiş düşünsel ve araştırmalara<br />
dayalı çalışmalar ortaya konulmuştur.<br />
Mevcut doku ile sırtı dönük adacıklar<br />
arasındaki temas bölgelerinin<br />
geçirgenliği, kullanım tercihliği ve<br />
yoğunluğu, canlılık ve sosyal kontrol,<br />
doğal gözetim varlığı veya yokluğu ile<br />
güvenlik hissine etkisi bağlamında duvar<br />
yazılarının varlığı, uygulanabilme<br />
ortamı bulabilmesi ve verdiği mesajlar<br />
makalenin ana omurgasını oluşturmaktadır.<br />
Bu açıdan çalışma alanlarının seçiminde<br />
mevcut kent dokusu ile yakın<br />
temas halinde olan kapalı konut adacıklarının<br />
seçimine özen gösterilmiştir<br />
ve özellikle plansız veya kötü gelişim<br />
göstermiş kentsel dokuyla komşu, iç<br />
içe geçmiş, yeni kapalı konut adalarının<br />
bu özenli seçiminde amaçlanan,<br />
lüks tüketim özellikleri gösteren bu<br />
adaların çevreleri ile olan ilişkilerinin<br />
dışa yansımasının ip uçlarını daha belirgin<br />
olarak yakalayabilmektir.<br />
Çalışma yöntemi açısından mevcut<br />
dokunun kendi içindeki geçirgenliği,<br />
bütünleşmesi ve bu dokunun kapalı<br />
konut adacıkları ile bütünleşmesinin,<br />
aradaki bağların varlığının, bağların<br />
zayıflığı veya kuvvetliliğinin yani bütünleşme<br />
değerlerinin tespiti önemli<br />
bir bileşeni oluşturmaktadır. Diğer bileşen<br />
olarak, kapalı konut adalarının<br />
yakın çevrelerindeki mevcut kent dokusunun<br />
ve ara zonlara ilişkin gözlem<br />
ve bu gözlemlere dayalı verilerin elde<br />
edilmesi gelmektedir. Gözlem değerlendirme<br />
kriterleri olarak, ada dışı<br />
kullanıcılar ve fiziki çevre nitelikleri<br />
üzerine odaklanılmıştır. Fiziki çevreye<br />
ilişkin tespitlerde, yakın çevre ve ara<br />
zonlarda grafiti ve vandalizmin varlığı<br />
araştırılmış ve olan / yoğunlaşan yerlerin<br />
tespiti yapılmıştır.<br />
Bir binanın veya kent dokusunun<br />
organizasyonu, deneyimlenmesinin<br />
ardışıklığı nedeniyle, akslarının organizasyonudur.<br />
Mimarinin deneyimlenmesi,<br />
bir hareketin bir akımın<br />
deneyimlenmesi olması sebebiyle aks<br />
esastır, temeldir (Hillier 1996). Bu nedenle,<br />
bütünleşme değerlerinin saptanmasi<br />
için Axial line analizi seçilmiş<br />
ve çalışma alanlarına uygulanmıştır.<br />
İntegrasyon analizi için Michigan<br />
Üniversitesinin geliştirdiği Syntax2D<br />
programı kullanılmıştır. Güncel haritalardan<br />
axial line haritaları herbir<br />
bölge için ayrı ayrı Autocad programı<br />
ile hazırlanmış ve hazırlanan bu haritalar<br />
Syntax2D programına aktarılarak<br />
integrasyon değerleri hesaplanmıştır.<br />
Axial line haritalarının hazırlanmasında<br />
bölgenin sokak örüntü ağı ve bu ağı<br />
oluşturan sokaklara açılan herbir kapının<br />
eklenilmesi esas alınmıştır.<br />
Elde edilen gözlem verileri ile entegrasyon<br />
değerleri karşılaştırılması<br />
yapılarak, Düşük-Yüksek entegrasyon<br />
alanları ile grafiti Varlığı- Yokluğu örtüşmelerinin<br />
ve değişkenler arasında<br />
bir korelasyon bulunlup bulunmadığı<br />
araştırılması yapılmıştır. Özellikle<br />
sık grafiti uygulamalarının olduğu<br />
noktalara yoğunlaşılmış, bütünleşme<br />
değerleri arasındaki ilişkilerdeki anlamlılıklar<br />
sorgulanmış, fiziksel çevre<br />
niteliği ve kullanımına yansımaları irdelenmiştir.<br />
Gözleme dayalı yapılan tespitlere<br />
Disintegration of urban housing areas: Districts and new gated housing settlements
158<br />
göre, her üç çalışma alanının kapalı<br />
konut adaları çevrelerinde grafiti<br />
varlığına rastlanmıştır. Doğal olarak<br />
metrelerce kesintisiz uzanan bu sağır<br />
duvarlar grafiti için çok elverişli düşey<br />
düzlemler, grafitiye altlıklar oluşturmaktadır.<br />
Grafiti nokta haritaları ile<br />
Syntax2D ile elde edilen integration-n<br />
değer haritaları enterpoze edilip karşılaştırıldığında<br />
çok büyük bir oranda<br />
örtüşme olduğu görülmektedir. Pınar<br />
mahallesi semtinin ve İstinye Evlerinin<br />
axial line analizinde İstegrasyon-n<br />
diyagramını değerlendirdiğimizde<br />
“Pınar Mahallesi” semtinin en işlek<br />
caddesi olan Çamlıbel Caddesinin,<br />
koyu kırmızı renk sıkalasında en yüksek<br />
integrasyon değerine sahip olduğu<br />
hesaplanmakta ve Hillier’in de ortaya<br />
koyduğu gibi bölgenin bir integrasyon<br />
çekirdeği olarak belirmektedir. Buna<br />
karşın, İstinye Evlerinin duvarlarına<br />
yapışık İğde Sokağının integrasyon<br />
değerinin oldukça düşük olduğu ve<br />
gözlemlerle elde edilen verilere göre<br />
özellikle yaya kullanım yoğunluğunun<br />
çok az olduğu, ticari birimlerin yer almadığı<br />
ve duvar yazılarının yoğunlukla<br />
yer aldığı çevresiyle bütünleşemeyen<br />
bantlar olarak göze çarpmaktadır.<br />
Kapalı konut adalarında bir çok ayrıcalıkların<br />
sağlanmış ve kontrol edilebilir<br />
halde tutulması yeni yerleşim yatırımlarını<br />
ekonomik açıdan daha karlı<br />
hale getirmektedir (Görücü and Pektas<br />
2014) ve yatırımcı firma veya girişimciler<br />
tarafından en önemli bu tercih<br />
sebebi olmaktadır. Kamu ve özel sektörün<br />
elindeki boş veya farklı fonksiyona<br />
sahip arsaların kapalı konut adaları inşaası<br />
yoluyla daha fazla kar elde edilebilir<br />
hale getirilme isteği ve ekonomik<br />
fizibiliteler bu uygulamaların lokasyon<br />
seçiminde en önemli öncelikli unsur<br />
olmuştur. Enjekte edildikleri mevcut<br />
kent dokusunda oluşturulan adaların<br />
bitişik çevrelerinin sosyal – kültürelekonomik<br />
yapıları dikkate alınmamış,<br />
mahallelerin dokusal sürekliliğine<br />
dikkat edilmemiştir. Verilerin analizi<br />
ile ortaya konulduğu gibi, bu refah<br />
adacıkları ile mevcut doku arasındaki<br />
zonlar etkileşimsiz, yalnızlaştırılmış<br />
alanlar haline dönüştürülmüştür.<br />
Bu zonlarda doku uyuşmazlığı ortaya<br />
çıkmıştır (http://gophaber.com/haber-3847-arsiv.html).<br />
Analizlerin desteklediği<br />
gibi, uçsuz bucaksız duvarlara<br />
komşu, bitişik çevrenin rahatsızlık<br />
ve hoşnutsuzluğu grafiti olarak ortaya<br />
çıktığı gözlemlenmektedir.<br />
Gelinen bu noktadan sonra duvarların<br />
yıkılıp çok farklı sosyo-ekonomik,<br />
kültürel yapıda kesimlerin bir araya<br />
gelmesi şüphesiz ki beklenemez. Zaten<br />
böyle bir beklenti, talep taraflarda<br />
da bulunmamaktadır. Çözüm mevcut<br />
doku içindeki yeni kapalı yerleşmelerin<br />
lokasyonlarının belirlenmesinde<br />
mevcut sosyal doku faktörünün ön plana<br />
çıkarılmasıdır. Lokal uygulamalarda,<br />
ekonomik rant uğruna kapalı konut<br />
adaları üretmek yerine, mevcut bünyenin<br />
kabul edebileceği, çevre ile bütünleşebilen<br />
açık dokunun geliştirilmesi,<br />
mahalle anlayışının ön plana çıkarılmasıdır.<br />
Daha üst ölçekte ise, keskin<br />
cepheler, hatlar oluşturulmadan, daha<br />
barışkın, geçişken bir kademelenme<br />
anlayışı ile kapalı konut adacıkları uygulamalarına<br />
gerek bırakılmayacak<br />
kentsel planlama anlayışının ve uygulamasının<br />
hayata geçirilmesi olmalıdır.<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • S. Apak
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • 159-173<br />
A diachronic approach on<br />
heterochronic urban space<br />
İlgi TOPRAK 1 , Alper ÜNLÜ 2<br />
1<br />
hacihasanoglu@itu.edu.tr • Department of Architecture, Faculty of Architecture,<br />
Istanbul Technical University, Istanbul, Turkey<br />
2<br />
aunlu@itu.edu.tr • Department of Architecture, Faculty of Architecture, Istanbul<br />
Technical University, Istanbul, Turkey<br />
Received: May <strong>2015</strong> Final Acceptance: October <strong>2015</strong><br />
Abstract<br />
As the fourth principle of heterotopias defined in Foucault’s controversial yet<br />
inspiring text named “Of Other Spaces”, heterochronies define places that accumulate<br />
time, as well as temporary spatial formations. This study interprets urban<br />
spaces with historical backgrounds, which can accommodate both the accumulation<br />
of time and the temporariness, as heterochronic urban spaces.<br />
This study aims to evaluate the reflection of socio-cultural background of<br />
historical neighbourhoods on the morphological and semantic change of their<br />
heterochronic elements throughout history. The deconstructive methodology of<br />
the study consists of a diachronic research involving three parts: deconstructing,<br />
analysing and reconstructing history. By “deconstructing history” through<br />
a multi-layered “timeline” developed with important historical thresholds and a<br />
“zoning”, morphological or socio-cultural changes and “situations” are defined.<br />
“Analysing deconstructed history” involves the syntactic analyses of these “situations”<br />
in terms of historically persistent elements and temporary formations, to<br />
grasp the morphological and socio-cultural evolution of the heterochronic urban<br />
space. “Reconstructing history”, as a synthesis, semantically interprets syntactic<br />
findings signalizing accumulations, discontinuities, shifts or losses of meaning.<br />
The case study is Kuzguncuk neighbourhood, a heterochronic urban space on<br />
the Asian side of Istanbul, an old Bosphorus village, which mainly used to consist<br />
mostly of a welcoming and peaceful residential area co-inhabited by Jews, Christians<br />
and Muslims, later by Black Sea migrants. The area is gentrified within the<br />
last thirty years. The findings of the case study show that Kuzguncuk is one of the<br />
heterochronic urban spaces, as well as a palimpsest where a majority of meanings<br />
perish, leading to fake re-valuation.<br />
Keywords<br />
Diachronic research, Heterochrony, Kuzguncuk, Space syntax.
160<br />
1. Introduction<br />
Heterochronies, as in Foucault’s<br />
fourth principle of heterotopias, define<br />
multiple temporalities in a single place.<br />
Besides architectural interpretations<br />
such as libraries and museums, heterochronies<br />
can also define urban spaces<br />
in smaller or bigger scales, collecting<br />
various morphological and socio-cultural<br />
traces of time. In fact, so-called<br />
“heterotopic urban spaces” construct<br />
a perpetual time accumulation and become<br />
timeless.<br />
The first section of this paper aims<br />
to discuss how temporality is handled<br />
in Foucault’s heterotopias in “Of Other<br />
Spaces” and define what heterochrony<br />
means as a spatio-temporal notion interpreting<br />
similar and following studies<br />
mainly about architectural and urban<br />
heterochronic spaces, notably the ones<br />
of Heidegger, Sartre, Merleau-Ponty,<br />
and Rossi. This part of the work concentrates<br />
in theoretically describing<br />
“heterochronic urban space”.<br />
The second section explains the<br />
deconstructive methodology that is<br />
adopted in this study to examine heterochronic<br />
urban space in depth. The<br />
methodology consists of three parts:<br />
deconstructing, analysing and reconstructing<br />
history. This methodology<br />
aims to uncover the history by deconstructing<br />
and layering historical data<br />
of a heterochronic urban space within<br />
a “timeline”, analyse layered historical<br />
components using Space Syntax, and<br />
finally holistically reconstruct history,<br />
as today’s reality, with a synthesis of<br />
syntactic findings and their semantic<br />
interpretation.<br />
The third chapter concentrates on<br />
the case study. The case study involves<br />
the historical evolution of the Kuzguncuk<br />
neighbourhood, an old Bosphorus<br />
village on the Asian side of Istanbul<br />
using Space Syntax, diachronically<br />
analysing changing syntactic values of<br />
heterochronies: historically persistent<br />
elements as “heterochronic constants”,<br />
gatherings and “situations” as “heterochronic<br />
variables” between the years<br />
1932 and 2014.<br />
Finally, the conclusion of the study<br />
focuses on the semantic interpretation<br />
of the current state of the neighbourhood<br />
to answer the question to what<br />
extents Kuzguncuk can be defined as<br />
a heterochronic urban space. As the final<br />
step of the three-fold methodology,<br />
this holistic interpretation attempts to<br />
do a synthesis of the case study.<br />
2. Heterochrony: Temporality in<br />
Foucault’s heterotopias and its translation<br />
into urban spaces<br />
Heterotopias are closely linked to<br />
concerns about time, notably time<br />
intervals, breaks, accumulations and<br />
transitions. Between the eternal and<br />
the temporary, heterotopic spaces refer<br />
to temporal formations in different<br />
contexts. Among the principles of heterotopias<br />
in Foucault’s highly controversial<br />
text “Of Other Spaces”, it is indicated<br />
that there is not a universal form<br />
of heterotopia; functions of heterotopias<br />
are variable, and that heterotopias<br />
can gather multiple incompatible spaces<br />
together. They have an opening-closing<br />
system, and are generally not freely<br />
accessible like public spaces. They always<br />
have a function relating to external<br />
spaces (Foucault, 1986). According<br />
to the fourth principle of heterotopias,<br />
which is the main concern of this paper,<br />
heterotopias linked to “slices of<br />
time” named as “heterochronies”. Heterotopias<br />
are working at full capacity in<br />
case of rupture of the traditional time<br />
for humans, as in the case of a cemetery,<br />
an intersection of loss of life and<br />
eternal rest. The first significant type of<br />
heterochrony is indefinite time accumulation<br />
as for libraries and museums.<br />
It is an endless gathering of things, accumulating<br />
and archiving in a specific<br />
place, a place that becomes itself out<br />
of time. Another type of heterotopias<br />
stands out as quite the opposite of the<br />
previous one, defining spaces as temporary<br />
structures, fugacious and finite<br />
occurrences. These heterochronies are<br />
strictly temporal and can be translated<br />
to many architectural and spatial<br />
experiences such as fairgrounds, vacation<br />
villages or Olympic villages. These<br />
two entirely opposite sides of heterochronies<br />
reflect the eternal and the<br />
temporary at the same time (Foucault,<br />
1986).<br />
Can urban spaces really be studied<br />
as heterochronies? Mc Leod (1996)<br />
criticizes Foucault for having forsaken<br />
the “messy and in-between urban<br />
spaces” such as the residence, the<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • İ. Toprak, A. Ünlü
161<br />
workplace, the street and many others.<br />
The limited illustration and description<br />
of spaces depicted as heterotopias<br />
in “Of Other Spaces” seem to restrain<br />
the boundaries of the concept, referencing<br />
pre-defined spaces. However,<br />
the idea of heterochrony itself can be<br />
subject to define a double-sided reality<br />
of permanence and transience of the<br />
actual urban pattern. It can be assumed<br />
that heterochronies create a bridge between<br />
time and space. The combination<br />
of accumulation of time and fugitive<br />
experiences form them, and like<br />
in every heterotopic case, they show<br />
several inconsistencies. Heterochronic<br />
urban spaces reflect continuity and iteration,<br />
depicting history and present<br />
at the same time. Everyday experiences<br />
actualize together in urban spaces with<br />
references to the past. In that way urban<br />
space as heterochrony, can verify<br />
Foucault’s argument that urban spaces<br />
as heterochronies are sources of immediate<br />
knowledge. Like museums and<br />
libraries, they offer finite, compiled<br />
and quick information. However, the<br />
everydayness of heterochronic environments<br />
is not to be undermined.<br />
Because places such as library, a museum,<br />
a fairground or a farmers’ market<br />
welcome everyday strollers, readers,<br />
contemplators, chatters and shoppers.<br />
Two-sided experience of the urban<br />
space as heterochrony, constructs a<br />
bridge between accumulation/deletion<br />
of historical traces through time and<br />
everyday “situations” involving cultural,<br />
social changes, not in a way that a<br />
museum exposes an agglomeration of<br />
time segments, but experiential space<br />
through which different indicators<br />
of time accumulation find a place for<br />
themselves.<br />
In respect of the communities and<br />
the situations that define them, heterochronies<br />
are surrounded by discontinuities,<br />
altering and sometimes decaying<br />
meanings. The changing nature of<br />
heterochronies appears more clearly,<br />
especially with everydayness, collective<br />
experience of co-habitant communities.<br />
Otherness becomes valuable,<br />
in most of the circumstances, as each<br />
moment in history and the collective<br />
memory associated to it become a<br />
particular “situation” of its own. Many<br />
philosophers studied the spatiality of<br />
“situation” such as Sartre and Merleau-Ponty<br />
who primarily investigated<br />
the anthropological depth and the<br />
conception of embodiment of “situation”<br />
(Ha, n.d.), according importance<br />
to personal and sociological insights<br />
of what embodies the self. However<br />
Heidegger differentiated the conception<br />
of “situation” from the general<br />
situation depicting inauthentic spatiality<br />
of the “They” (das Man) therefore,<br />
“situation” has a more socio-cultural<br />
potential (Heidegger, 1996; Ha, n.d.).<br />
Each situation has its own characteristics<br />
and cultural phenomena related to<br />
it, defining moments and slices of lived<br />
spaces. In architectural thought, “situation”<br />
might be equivalently studied<br />
with the idea of “urban artefact” (Rossi,<br />
1982). An urban artefact can appear<br />
as a square, a building or a street that<br />
signifies a certain moment in history,<br />
in a constantly changing urban pattern<br />
(Rossi, 1982). Urban artefacts coexist<br />
and therefore form a city, which brings<br />
back the argument of the Collage City<br />
(Koetter & Rowe, 1978) suggesting a<br />
theory of urban fragmentation. Another<br />
conception, “palimpsest” that<br />
means writing, erasing and rewriting<br />
on parchment; describes a “non-contemporaneity<br />
with itself of the living<br />
present” in Derrida’s words (Derrida,<br />
1994). Its urban interpretation “urban<br />
palimpsest” (Huyssen, 2003; Bjur&Azimzadeh,<br />
2007) explains the multi-layered<br />
and diachronic attributes of urban<br />
environments, and especially the need<br />
to explore present pasts in order to understand<br />
past and present experiences<br />
and sensibility of time, from both historical<br />
and phenomenological viewpoints.<br />
Sometimes in urban palimpsests,<br />
urban artefacts or their cultural<br />
and sociological “situations” cannot<br />
overcome decay. At this point, it is also<br />
relevant to talk about temporal and<br />
spatial discontinuities; especially “historical<br />
discontinuities” (Teyssot, 1980)<br />
that can reflect the segmented nature<br />
of heterochronies, especially when sociological<br />
or cultural corruptions affect<br />
some “situations”, and let them become<br />
new “situations”. In historical urban areas,<br />
migration and gentrification tend<br />
to shift “situations”. In postmodern<br />
urban landscapes, historical architectural<br />
forms are amalgamated into new<br />
A diachronic approach on heterochronic urban space
162<br />
buildings, to recall a collective memory<br />
(Boyer, 1996, Mills, 2004) however in<br />
case of shifting situations, amalgams<br />
can appear fake and without identity,<br />
resulting in a decay of meaning.<br />
Time collection is the most significant<br />
issue that constructs the idea<br />
of heterochrony in urban spaces. Although<br />
Foucault’s approach seems<br />
to involve a relatively artificial time<br />
accumulation, as time accumulating<br />
heterochronies are defined as artificial<br />
collections that have been gathered<br />
from different periods in history and<br />
put in a context to which they do not<br />
belong; a majority of heterochronies<br />
in urban context has a steady and natural<br />
time accumulation. For instance,<br />
urban spaces gather different slices of<br />
time together, with buildings and street<br />
patterns that belong to various timescapes,<br />
and not at once, but in a long<br />
term, they ensure the accumulation of<br />
time in themselves. According to Rossi<br />
(1982), urban artefacts sometimes remain<br />
as they are, however sometimes<br />
they decay, and then their forms, their<br />
physical marks stay persistent. This<br />
permanence is called “locus” and it<br />
solidifies with collective memory. Locus<br />
‘emphasizes the conditions and<br />
qualities within undifferentiated space<br />
which are necessary for understanding<br />
an urban artefact’ (Rossi, 1982). Therefore,<br />
locus witnesses many ‘situations’<br />
and is the most interesting pathway to<br />
the exploration of an urban artefact.<br />
Rossi (1982) also points out the importance<br />
of rituals and collective nature<br />
of religious activity in the formation<br />
of historically permanent elements<br />
(monuments), as they determine the<br />
initiation of a certain religious and socio-cultural<br />
activity in an urban pattern,<br />
and provides a key to understand<br />
urban contexts. “The theory of permanences”<br />
suggests that it is incorrect to<br />
think of a persistent urban artefact as it<br />
is related to only one historical period.<br />
The dynamic nature of the city leans<br />
towards an evolutionary process that<br />
not only helps the preservation of historically<br />
permanent elements but also<br />
presents them as promoters of evolution<br />
(Rossi, 1982). This view of evolutionary<br />
process somehow contradicts<br />
with the idea of “palimpsest” which<br />
supports a more realistic viewpoint on<br />
the change of urban pattern; given that<br />
the historically permanent elements do<br />
not always evolve but they sometimes<br />
perish as well.<br />
3. Methodology<br />
Any urban space can accumulate<br />
time, as Doreen Massey (1995) argues,<br />
“The past of a place is as open to a multiplicity<br />
of readings as is the present”.<br />
However, historical urban spaces are<br />
more likely to host several periods of<br />
time with different social, cultural as<br />
well as morphological settings where<br />
their changes and breaks are more<br />
apparent and easier to compare than<br />
they are in newer urban environments.<br />
Historical backgrounds are suitable to<br />
uncover different fashions, interrelated<br />
slices of time and significant events,<br />
transformations, thresholds and milestones.<br />
This research aims to make a diachronic<br />
research on shifting “situations”<br />
and permanent elements of historical<br />
neighbourhoods with syntactic<br />
analysis. In order to achieve this, a<br />
three-fold deconstructive methodology<br />
is adopted:<br />
• Deconstructing history through a<br />
“timeline”<br />
• Analysing deconstructed history<br />
through “Space Syntax”<br />
• Reconstructing history through a<br />
“semantic interpretation”.<br />
The methodology is schematized in<br />
relation with the theoretical section<br />
and the case study in Figure 1, and<br />
then each step is explained in detail.<br />
3.1. Deconstructing history through<br />
“timeline” and “zoning”<br />
Heterochronic neighbourhoods can<br />
have a chaotic and multi-layered historical<br />
background. Therefore, an ex-<br />
Figure 1. Schematic representation of the methodology.<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • İ. Toprak, A. Ünlü
163<br />
tensive historical research about the<br />
history of the neighbourhood is indispensable<br />
in order to understand the<br />
temporal interrelations of important<br />
events, shifting situations, architectural<br />
and urban changes. This deconstruction<br />
will be made through a multi-layered<br />
timeline that aims to represent<br />
several aspects of time relating to the<br />
neighbourhood. Multiple temporalities<br />
are investigated with historically<br />
persistent elements, temporary formations,<br />
and socio-cultural and morphological<br />
thresholds. Therefore, the timeline<br />
is crucial in order to understand<br />
the dynamics of the current state of the<br />
neighbourhood, as many different cultural<br />
and social backgrounds are intermingled.<br />
The “timeline” concentrates<br />
on historical events, thresholds and<br />
periods (if any), maps, aerial photos,<br />
and the construction culturally significant<br />
buildings later used in the study as<br />
“heterochronic constants”.<br />
The “zoning” represents the temporary<br />
patterns of formations such as<br />
cultural gatherings or functions on a<br />
map. The zoning of residential patterns<br />
of different cultural gatherings is later<br />
used in the syntactic integration assessment<br />
of “heterochronic variables”<br />
in this study.<br />
3.2. Analysing deconstructed history<br />
through “space syntax”<br />
A morphological-syntactical study<br />
(Griffiths, 20<strong>12</strong>) on the deconstructed<br />
history will be presented in two different<br />
methods: The first method involves<br />
the axial map analysis, in order to<br />
analyse visual interrelations and depth<br />
for comparing maps in which urban<br />
morphology changed significantly.<br />
The axial map analysis will include the<br />
comparative general intelligibility (local-global<br />
scattergram and regression<br />
analysis) and integration grid analysis<br />
of different maps referring to distinct<br />
maps throughout history, to understand<br />
the overall evolution of the syntactical<br />
pattern and intelligibility and<br />
to make inferences on the change of local/global<br />
integration levels of the area<br />
and their correlations through time.<br />
The second method will involve two<br />
different kinds of analysis: In order to<br />
understand the “situations” given in the<br />
timeline, isovist and integration analyses<br />
concerning “heterochronic constants”<br />
and “heterochronic variables”<br />
will be put forward. Heterochronic<br />
constants are historically persistent<br />
elements (ex. cultural buildings, ritual<br />
buildings, monuments) and heterochronic<br />
variables are more temporary<br />
formations (ex. cultural gatherings and<br />
their housing zones) both found in urban<br />
heterochronic spaces.<br />
The first step is to detect “heterochronic<br />
constants”. According to Levy this<br />
kind of diachronic research “focuses<br />
on the role of constants, or historically<br />
persistent elements, in the fabric as the<br />
city evolves from one stage to the next.<br />
These elements play an important role<br />
in the determining the present configuration<br />
of the city” (Levy, 1999). In<br />
this study, these historically persistent<br />
elements are called “heterochronic<br />
constants”, buildings or monuments<br />
having cultural, ethnic or religious significance,<br />
associated with urban artefacts<br />
and their underlying meanings,<br />
similar to the concept of “monuments”<br />
in “The Architecture of the City” (Rossi,<br />
1982). They signify the locus, the<br />
time accumulation, and one or several<br />
related urban artefacts throughout<br />
their entire existence. Places of rituals,<br />
as the key to understand urban context,<br />
a reference to the foundation of a city,<br />
possess a collective nature and most<br />
importantly signify an unchanging<br />
reality remaining out of time (Rossi,<br />
1982). That is why as houses of myths<br />
and rituals, religious buildings’ time<br />
accumulation and locus would be significant<br />
to understand the alteration of<br />
their syntactic values, especially their<br />
integration on a global scale. Average<br />
depth of morphological and functional<br />
imprints on the historical area, their<br />
comparative values and mutual effects<br />
of integration/segregation degrees and<br />
sociological/cultural meanings are analysed.<br />
Isovists (area and perimeter<br />
values) are equally important to understand<br />
their impacts and visibility from<br />
surroundings, as well as their strategic<br />
location and the amount of visible area.<br />
Their syntactic significance can be<br />
measured according to the interrelated<br />
alterations of integration and isovist<br />
values. If they both rise, visually, functionally<br />
and meaningfully, those ritual<br />
spaces become more integrated in the<br />
A diachronic approach on heterochronic urban space
164<br />
area. If they both decrease, those ritual<br />
spaces become more segregated. In<br />
both circumstances, the social and cultural<br />
context and historical data will be<br />
investigated in order to understand any<br />
enhancement or decay of meaning. If<br />
integration values and isovist values alter<br />
inversely proportional, that means<br />
either the building is more integrated<br />
but less perceivable or vice versa. This<br />
shows that there may be complex issues<br />
with the building, its surroundings<br />
and its users. The historical data<br />
about the building will be explored to<br />
explain this complexity. The other isovist-based<br />
parameter that is used for<br />
measuring in order to understand the<br />
convexity of spaces is circularity. High<br />
circularity levels accentuate the shape<br />
of a circle in a space, but the centrality<br />
of the viewpoint also a determinant<br />
(Edgü et al, 20<strong>12</strong>). Therefore, in smaller<br />
urban settings, circularity is a parameter<br />
that promotes enclosure and<br />
embodiment, determining a level of<br />
perceptive inclusion.<br />
Another way to examine “situations”<br />
is to reveal more temporary formations<br />
and their evolution. These types of<br />
buildings are secondary elements constructing<br />
urban form, however their<br />
meanings remain very crucial for the<br />
society and the collective memory of<br />
citizens. In this study, they are called<br />
“heterochronic variables”. They form<br />
the everyday experiences of neighbourhood<br />
life, and according to shifting<br />
“situations”, they can change appearance,<br />
function or even disappear.<br />
Their mutual relations and patterns<br />
can alter. The first category of these less<br />
persistent formations is “gatherings”,<br />
having a rapidly changing housing pattern,<br />
as they are subject to restoration<br />
and renewal, or even abandonment,<br />
resulting from many reasons but mainly<br />
social and cultural changes in the<br />
community using them, such as migration<br />
and gentrification. This study examines<br />
cultural gatherings as changing<br />
aspects of “situations” and analyse the<br />
integration values of their settlement<br />
localizations in order to explain the social<br />
integration, daily lives and permanence<br />
in the area, comparing integration<br />
values with each other, examining<br />
every gatherings’ relation with its ritual<br />
space(s) according to integration values<br />
of respective heterochronic “variable”<br />
(gathering) and “constant” (ritual<br />
place).<br />
All syntactical analyses in this study<br />
will be made with the software “Syntax2D”<br />
developed in University of<br />
Michigan using the parameters area,<br />
perimeter, circularity to determine<br />
isovist characteristics of space, and<br />
the ease of spatial perception in heterochronic<br />
constants; and integration<br />
parameter to analyse both heterochronic<br />
constants’ and variables’ degree<br />
of adaptation in terms of integration/<br />
segregation to the global system.<br />
3.3. Reconstructing history through a<br />
“semantic interpretation”<br />
In the conclusion section of the<br />
study, the findings of the case study<br />
will be semantically interpreted. The<br />
aim of this interpretation is to holistically<br />
evaluate what has really happened<br />
in the heterochronic urban space. The<br />
first step is to concentrate on “situations”.<br />
Situations are discovered while<br />
creating the timeline and the zoning,<br />
or while examining heterochronic<br />
constants and variables. The idea is to<br />
retrieve useful information from syntactic<br />
findings, and to make a commentary<br />
with the aid of current and past<br />
“situations”. A more general synthesis<br />
can be retrieved from the semantic interpretation<br />
of the case study. The aim<br />
of this synthesis is not to generalise all<br />
similar cases, but to create an opening<br />
to discuss the resilience of multi-cultural<br />
heterochronic urban spaces.<br />
4. A heterochronic case in Istanbul:<br />
history and evolution of Kuzguncuk<br />
4.1. Kuzguncuk as a heterochronic<br />
urban space<br />
Kuzguncuk can be described as a<br />
heterochronic urban space because<br />
it involves many properties significant<br />
to the accumulation of time, as<br />
well as fleeting aspect of temporality.<br />
We can mention several heterochronic<br />
elements in the area, mainly of two<br />
different types: first, called “heterochronic<br />
constants” in this study, mainly<br />
investigate strategic places that remain<br />
intact over centuries. As ritual places<br />
witness the entire existence of a cultural<br />
gathering in an urban space, re-<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • İ. Toprak, A. Ünlü
ligious buildings of Kuzguncuk (Greek<br />
and Armenian churches, a synagogue<br />
and a mosque) compose the only typology<br />
of “heterochronic constants” in<br />
this study. “Heterochronic constants”<br />
symbolize the cultural gathering spaces<br />
and ensure the existence of those<br />
gatherings, however they can lose impact<br />
with changing “situations”, and<br />
dying urban artefacts. Second, called<br />
“heterochronic variables” include the<br />
temporary characteristics and changing<br />
aspects of urban space, especially<br />
“situations” and different social and<br />
cultural gatherings deriving from those<br />
“situations”. Greeks, Armenians, Jews,<br />
Muslims, migrants and gentrifiers are<br />
some of the gatherings in Kuzguncuk<br />
throughout history, and the arrival of<br />
some of these gatherings are interrelated<br />
with new situations. For example,<br />
when gentrifiers entered the neighbourhood,<br />
“gentrification” became a<br />
new situation.<br />
4.2. Deconstructing the history of<br />
Kuzguncuk with “timeline” and<br />
“zoning”<br />
On the Asian shore of the Bosphorus,<br />
one of the small neighbourhoods<br />
along the shoreline, Kuzguncuk was<br />
once known as a mixed community<br />
of Greeks, Jews, and Armenians<br />
(Akin, 1994). Although many sources<br />
indicate that Kuzguncuk’s name once<br />
was Chrysokeramos, many historians<br />
have not agreed this idea, as it stood<br />
for neighbourhood and church names<br />
in three adjacent Bosphorus villages<br />
Kuzguncuk, Beylerbeyi and Çengelköy<br />
(Bektaş, 1996). According to İncicyan,<br />
the name Kuzguncuk is a derivation<br />
from “Kosinitsa”, the old name of the<br />
district (İncicyan, 1976; Bektaş,1996).<br />
Kuzguncuk was a Jewish neighbourhood<br />
in the beginning, although when<br />
Jews settled is still unknown. There is<br />
a strong possibility that they settled<br />
into the area after emigrating from<br />
Spain in 1492. In 18th century, Armenians<br />
started to move into the area and<br />
started to grow their community in<br />
the 19th century (Bektaş, 1996). Starting<br />
from 18th century, mostly Jews,<br />
Greeks and few Armenians were residents<br />
of Kuzguncuk. Hagios Georgios<br />
Church was one of the churches that<br />
belonged to the Greeks in Kuzguncuk<br />
A diachronic approach on heterochronic urban space<br />
165<br />
and was constructed in 1821 on İcadiye<br />
Street (Tonguç & Yale, 20<strong>12</strong>). Another<br />
Greek Church, Hagios Pantalemion,<br />
was built in 1831 and its bell tower was<br />
added in 1890. Armenians had built<br />
the Surp Krikor Lusavoric Church in<br />
1831, which was later rebuilt in 1861.<br />
Two synagogues were built, one in<br />
1878 (although other sources indicate<br />
1818) named Beth Ya’akov Synagogue,<br />
also known as the Big Synagogue on<br />
Icadiye Street, along with a smaller one<br />
in Yakup Street named Kal de Ariva<br />
Synagogue built in 1840. Finally, there<br />
are two mosques, the older one named<br />
Üryanizade Mosque with the simple<br />
building but with an interesting wooden<br />
minaret, built in 1860 on the shoreline,<br />
and the new mosque built in 1952,<br />
named Kuzguncuk Mosque.<br />
Other important landmarks are two<br />
baths: Small Bath and Mountain Bath;<br />
three fountains: İsmet Bey Fountain,<br />
İskele Fountain and Hacı Ahmed Efendi<br />
Fountain (destroyed); Kuzguncuk<br />
Pier and finally Old Police Station (destroyed).<br />
There are three cemeteries in<br />
Kuzguncuk: Jewish Cemetery, Greek<br />
Orthodox Cemetery and Nakkaş Baba<br />
Muslim Cemetery. Housing patterns in<br />
Kuzguncuk are also worth mentioning.<br />
According to Bektaş (1996) besides<br />
important mansions by the shore<br />
(yali), the housing pattern that address<br />
to people with middle income are very<br />
interesting. Greek houses commonly<br />
used timber frame and wood, while<br />
Armenians preferred masonry houses.<br />
A very special housing pattern is<br />
found in Üryanizade Street, consisting<br />
of row houses with small jetties, wooden<br />
houses with embellished façades in<br />
Simitçi Tahir Street and are some of<br />
most famous patterns in Kuzguncuk<br />
Figure 2. Current state of Kuzguncuk<br />
neighborhood.
166<br />
(Figure 2).<br />
Non-Muslim “minorities left Istanbul<br />
in response to the frightening political<br />
climate between the 1940s and<br />
the 1960s. During this same period,<br />
rural-urban migration from Anatolian<br />
villages created a cultural shift in the<br />
old mahalle (neighbourhood)” (Mills,<br />
2004). The main crisis was about an<br />
incident on 6th and 7th of September<br />
1955. Greeks, Jews, and Armenians<br />
who had not left the area after this incident,<br />
moved to newer areas in Istanbul.<br />
According to Tümertekin (1997),<br />
in a research he conducted during 60’s<br />
and 70’s, Kuzguncuk’s residents mainly<br />
consist from Istanbulians with 46% of<br />
the total residents, the majority of them<br />
live closer to the shoreline, whereas migrants<br />
settle in the rear side of the area<br />
(Figure 4). Black Sea migrant community<br />
forms the majority of Kuzguncuk<br />
(İcadiye) residents today, and has since<br />
late 1930s when they migrated to larger<br />
cities. Presently, non-Muslims form a<br />
minority of the residents. (Mills, 2004).<br />
In the 1980s, with the first process of<br />
gentrification in Istanbul, Kuzguncuk<br />
become a popular place (Ergun, 2004).<br />
Many Turkish architects, poets and<br />
artists followed famous architect Cengiz<br />
Bektaş, who first bought a house<br />
in Kuzguncuk that he renovated afterwards<br />
and made a participative planning<br />
and renovation process without<br />
any charge during the following years<br />
in the area (Ergun, 2004; Uzun, 2002),<br />
making possible the first wave of gentrification<br />
in Istanbul (Ergun, 2004).<br />
The first morphological findings<br />
about Kuzguncuk show that a few<br />
buildings are present close to the shoreline<br />
and a triangular street pattern is<br />
depicted on Kauffer Map (1776), Konstantin<br />
Kaminar Map (1813) as well as<br />
Moltke Map (1837). With Stolpe map<br />
(1863-1880), connections of the area<br />
with Üsküdar and İcadiye become more<br />
visible (Bektaş, 1996). Starting from the<br />
first quarter of the 1800’s, many heterochronic<br />
constants, especially religious<br />
buildings have been constructed and<br />
a majority of them survived until our<br />
days. Thresholds are related to the start<br />
of different housing developments occupied<br />
by distinct cultural groups, and<br />
important events significant to the cultural<br />
or morphological change of the<br />
area. Different maps, thresholds and<br />
heterochronic constants of Kuzguncuk<br />
and their dates can be seen on the<br />
timeline (Figure 3).<br />
Kuzguncuk has seen many changes,<br />
ruptures and historical discontinuities,<br />
that is why gatherings symbolizing<br />
different “situations” have locational<br />
importance, and their integration to<br />
the system is crucial in order to understand<br />
their subsistence. The mapping<br />
of these gatherings is made with reference<br />
to memories of a very small sample<br />
of interviewees in books and theses<br />
(Bektaş, 1996, Mills, 2004). According<br />
to the zoning, along the main street<br />
(İcadiye Street) there are mainly shops<br />
and residential area, however wealthy<br />
Turkish residents are situated along the<br />
shoreline road (Paşalimanı Avenue).<br />
There are two large residential areas,<br />
one in the centre of Kuzguncuk, where<br />
residents from all backgrounds live together;<br />
another in the outskirts of the<br />
neighbourhood towards İcadiye, mostly<br />
occupied by Black Sea migrants. Finally,<br />
Üryanizade Street is known with<br />
the start of gentrification in Kuzguncuk.<br />
The area around Üryanizade Street<br />
still welcomes many new residents as a<br />
Figure 3. Timeline: thresholds, maps and heterochronic constants.<br />
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167<br />
Figure 4. Zoning of Kuzguncuk neighborhood.<br />
result of gentrification (Figure 4).<br />
4.3. Analysing deconstructed history<br />
of Kuzguncuk through “space syntax”<br />
From the timeline, three maps are<br />
used for syntactic analysis. These maps<br />
and aerial photos are chosen accordingly<br />
to important dates in history and<br />
morphological and sociological changes<br />
in the area. 1932 Pervititch insurance<br />
map shows all heterochronic constants<br />
except the mosque, and all non-Muslim<br />
gatherings are present. 1966 aerial<br />
photo shows a situation after the 1955<br />
incident when many non-Muslims left<br />
and migrants settled. Finally, 2014 map<br />
is a reflection of the present where all<br />
heterochronic constants are present<br />
and residents, migrants and gentrifiers<br />
live together. The boundaries of the analysed<br />
area are based on the Pervititch<br />
insurance map and are exactly applied<br />
to the other two sources.<br />
To understand the area globally, first<br />
axial line and grid integration analyses<br />
of the whole system are shown in Table<br />
1. Axial line analysis shows the most<br />
integrated streets, and grid integration<br />
analysis shows the most integrated areas<br />
in the system. Intelligibility is the<br />
correlation between connectivity and<br />
integration, which permits the understanding<br />
of the global relation of space<br />
from what can be observed (Klarqvist,<br />
1993). Looking at the intelligibility values<br />
of three maps, the r-squared value<br />
of the total system changes slightly according<br />
to the axial lines of three subsequent<br />
periods. In 1932, r-squared value<br />
is 0.96 and according to axial lines and<br />
integration values the void space towards<br />
the west is generally integrated<br />
in the system. In 1966, r-squared value<br />
slightly increases to 0.97, and the<br />
system becomes slightly more intelligible<br />
as well, and the shoreline and all<br />
heterochronic constants through it is<br />
more integrated in the system. In 2014,<br />
however, there was a decrease in the<br />
r-squared value to 0.94; the system becomes<br />
less intelligible, leaving only the<br />
intersection of the main street and the<br />
shoreline as the most integrated area<br />
in the system. According to axial line<br />
analysis, the secondary street in the<br />
east is more visually integrated than it<br />
was in the past (Table 1).<br />
Table 2 investigates the alterations of<br />
heterochronic constants and variables<br />
during the defined period. The comparative<br />
syntactic analysis of heterochronic<br />
constants is made referring to<br />
five religious buildings that are found<br />
in the spectrum of the map boundary:<br />
Hagios Panteleimon Greek Church,<br />
Hagios Georgios Greek Church, Beth<br />
Ya’akov Synagogue (Main Synagogue),<br />
Kuzguncuk Mosque and finally Surp<br />
Krikor Armenian Church.<br />
Hagios Panteleimon Greek Church<br />
has still a great imprint on the area,<br />
due to its bell tower as a special feature,<br />
although its integration values severely<br />
decrease from 851 to 405 then to<br />
352. Its isovist area and perimeter respectively<br />
decrease in 1966, and rises<br />
again in 2014. Hagios Georgios Greek<br />
Church similarly becomes less integrated<br />
by time, however its isovist (area<br />
and perimeter) values stay steady. The<br />
reason behind this might be the decline<br />
of the main avenue’s overall integration<br />
statistics. The circularity also decreases<br />
gradually for both Greek churches, de-<br />
A diachronic approach on heterochronic urban space
168<br />
riving from the dominant linearity of<br />
the main avenue.<br />
Beth Ya’akov Synagogue entry has<br />
very close integration values to Hagios<br />
Georgios Greek Church, showing approximate<br />
fashions with it as they are<br />
neighbouring (Table 2). However Beth<br />
Ya’akov Synagogue’s isovist area and<br />
perimeter values decrease respectively<br />
from 3.674 and 620 in 1932, to 3.382<br />
and 544 in 1966, and then increase to<br />
3.625 and 585. Its circularity values first<br />
decreased from 104 to 87 then went up<br />
to 94. Beth Ya’akov Synagogue and Hagios<br />
Georgios Greek Church entrances<br />
seem visually hidden from the main<br />
street, and do not appear at first to everyday<br />
stroller unless they are searched<br />
for. The reason behind this fact could<br />
be that the actual religious buildings<br />
are behind the entrance walls, which<br />
separate the street from the buildings.<br />
The mosque did not exist in 1932,<br />
thus the slightly larger building in its<br />
place had an integration value of 268,<br />
which in 1966, after the construction<br />
of the mosque in 1952, rises to 293 becoming<br />
more integrated as well as the<br />
shoreline axis, whereas in 2014 it decreases<br />
to 235, as the system’s highest<br />
integration values concentrate on the<br />
main road/shoreline intersection (Table<br />
2). Its isovist area decreased from<br />
2707 in 1966 to 2522 in 2014, although<br />
its perimeter increased from 499 to<br />
608, as well as circularity rising from<br />
91 to 146, less perceivable and less embodied<br />
as a result of the reconstruction<br />
across the road (Table 2).<br />
The most important increase in integration<br />
values are marked with Surp<br />
Krikor Armenian Church, which from<br />
1932 to 1966 has tripled its integration<br />
values, followed by a slight decrease in<br />
2014. Same fashions for isovist area/<br />
perimeter/circularity values: the increase<br />
in 1966 may have been resulted<br />
from the widening of the coastline road<br />
and the demolition of the old wooden<br />
house on the coast, but both buildings<br />
(Armenian Church and Mosque) became<br />
more likely to be perceived and<br />
situated in a more embodied space (Table<br />
2).<br />
Although according to axial line<br />
analysis (Table 1), the main (İcadiye)<br />
Table 1. Integration, axial line analysis and intelligi ibility of Kuzguncuk.<br />
1932<br />
1966<br />
2014<br />
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169<br />
Table 2. Syntactic values of heterochronic constants and variables of Kuzguncuk.<br />
HETEROCHRONIC CONSTANTS<br />
1932 1966 2014<br />
1932 1966 2014<br />
1 Hagios Panteleimon (GC) 851 405 352<br />
2 Hagios Georgios (GC) 604 380 317<br />
3 Synagogue 601 386 335<br />
4 Mosque 268 293 235<br />
5 Surp Krikor (AC) 136 442 357<br />
1 Hagios Panteleimon (GC) 5408 3726 3996<br />
2 Hagios Georgios (GC) 36<strong>12</strong> 3387 3439<br />
3 Synagogue 3674 3382 3625<br />
4 Mosque 1796 2709 2522<br />
5 Surp Krikor (AC) 1056 4079 3839<br />
1 Hagios Panteleimon (GC) 1014 632 663<br />
2 Hagios Georgios (GC) 631 560 524<br />
3 Synagogue 620 544 585<br />
4 Mosque 594 499 608<br />
5 Surp Krikor (AC) 361 874 682<br />
1 Hagios Panteleimon (GC) 190 107 108<br />
2 Hagios Georgios (GC) 110 92 79<br />
3 Synagogue 104 87 94<br />
4 Mosque 196 91 146<br />
5 Surp Krikor (AC) <strong>12</strong>3 187 116<br />
HETEROCHRONIC VARIABLES<br />
1932 1966 2014<br />
Integration<br />
Area<br />
Perimeter<br />
Circularity<br />
Mean integration<br />
residents<br />
+movers<br />
1932 1966 2014<br />
Jews 191,94<br />
Turks 490,26<br />
Armenians 216,51<br />
Greeks 240,27<br />
Residents 284,74 253,77 272,86<br />
Migrants 157,09 90,81<br />
Gentrifiers <strong>12</strong>7,70<br />
A diachronic approach on heterochronic urban space
170<br />
street becomes highly integrated by<br />
time, isovist analysis (Table 2) shows<br />
that locally, heterochronic constants’<br />
integration values decrease regularly,<br />
with some small exceptions showing<br />
improvement closer to 2014. The<br />
shoreline is more and more integrated<br />
over time according to axial line analysis.<br />
However strategic importance of<br />
the Armenian Church and Mosque and<br />
the alteration of the building erections<br />
around them result in the elevation of<br />
integration values around 1966, followed<br />
by a slight decrease in 2014. The<br />
increase in the integration of the axial<br />
line along the street near the Armenian<br />
Church, perpendicular to the shoreline<br />
is very important for these two buildings<br />
to become more integrated into<br />
the system.<br />
Heterochronic variables of 1932<br />
consist of the cultural mosaic once<br />
found in Kuzguncuk that symbolized<br />
the mutual tolerance of the cultural<br />
gatherings. Jews are generally located<br />
in the rear parts of the main street,<br />
according to some witness memories<br />
(Bektaş, 1996). The mean integration of<br />
the area they lived is 191,94 a relatively<br />
low integration value, which may approve<br />
the fact that lower-income Jews<br />
settled in Kuzguncuk. The main synagogue’s<br />
integration value however was<br />
601, one of the highest values in heterochronic<br />
constants in 1932, which may<br />
mean that Jews in Kuzguncuk attach<br />
importance to their ritual places’ location<br />
more than their homes, although<br />
the second synagogue (not included<br />
in the map) is located in a relatively<br />
segregated place. Turks living mostly<br />
along the coastline are wealthy people,<br />
their integration is highest (490,26)<br />
among others. Armenian and Greek<br />
settlements have similar integration<br />
values, 216,51 and 240,27 respectively,<br />
although Greek churches are more integrated<br />
with 851 and 604, the Armenian<br />
church is even more segregated<br />
than Armenians’ settlement mean integration,<br />
with 136. Today, Surp Krikor<br />
Armenian Church is as integrated as<br />
all other ritual places in the system,<br />
despite the reduction in the number of<br />
Armenian residents.<br />
In 1966, probably the political climate<br />
affected the integration of current<br />
residents decreasing from 284,74 to<br />
253,77. Many non-Muslims moved and<br />
left their places to Black Sea migrants,<br />
whose locations have a mean integration<br />
of 157,09 which seems quite integrated,<br />
probably resulting from the<br />
moving decisions of non-Muslims and<br />
selling their properties to migrants below<br />
their value. In 2014 however, migrants<br />
had a lower mean integration<br />
of 90,81 and residents rise to 272,86<br />
in consequence of the increasing economic<br />
gap between them. The integration<br />
of the mosque slightly drops in<br />
2014 as well as the migrants’ gathering<br />
mean integration. The “gentrifiers”,<br />
more integrated than migrants but less<br />
integrated than residents with <strong>12</strong>7,70,<br />
probably prefer to rejuvenate more<br />
segregated places, but still be globally<br />
integrated and close to main street.<br />
They especially are numerous in Üryanizade<br />
Street.<br />
5. Conclusion: Reconstructing history<br />
through a “semantic interpretation”<br />
Today, Kuzguncuk known as a socially<br />
inclusive neighbourhood can still<br />
be considered as a welcoming urban<br />
space. The axial analysis approves that<br />
the main perpendicular lines along<br />
the shoreline and the neighbourhood,<br />
create an integrated space. Through<br />
many changes and accumulations of<br />
the sociological and cultural patterns;<br />
Kuzguncuk acquires syntactical-morphological<br />
and phenomenological<br />
multi-layered structure, which can be<br />
called in this case an urban palimpsest<br />
through which several heterochronic<br />
constants are collected along with<br />
many sociological “situations” as heterochronic<br />
variables.<br />
Looking from today, Kuzguncuk’s<br />
heterotopic constants are crucial for<br />
the richness of the area, as they contribute<br />
to its positive reputation and to the<br />
idea of an inclusive neighbourhood.<br />
However, many of these heterochronic<br />
constants became less integrated<br />
in 1966, then slightly ameliorated in<br />
2014, They show that their meanings<br />
are determined by shifting “situations”,<br />
which in this case are the desertion of<br />
non-Muslims and arrival of migrants<br />
just before 1966 resulting in the segregation;<br />
however re-appropriation<br />
and valuation of religious buildings by<br />
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171<br />
gentrifiers before 2014 resulted in the<br />
higher integration of the heterochronic<br />
constants. In 2014, the integration values<br />
of heterochronic constants become<br />
closer; objectified and clarified of underlying<br />
meanings; only their “locus”<br />
is now present. When we look at the<br />
overall picture for heterochronic constants,<br />
their syntactic values seem to<br />
make sense with changing “situations”,<br />
however heterochronic variables have<br />
internal dynamics as well, such as the<br />
segregation of migrants’ settlements<br />
relation with their identity and social<br />
belonging issues.<br />
From a wider perspective, through<br />
morphological or sociological interventions<br />
to the urban pattern, heterochrony<br />
as a notion is reinforced:<br />
heterochronic spaces have indicative<br />
traces of palimpsest environment. The<br />
definition of palimpsest is a highly sociological<br />
issue, depending on lives and<br />
lived experiences accorded with slices<br />
of time. Heterochrony has a fuzzy nature,<br />
dealing with both permanent and<br />
fleeting aspect of time and space, at<br />
this point; this study shows that even<br />
constant elements of the urban pattern<br />
result in “the loss and shift of meaning”.<br />
The loss or shift of meaning in heterochronies<br />
affect the urban fabric as a<br />
palimpsest as well, since the ageing urban<br />
palimpsest seem to accumulate a<br />
collection of memories and meanings<br />
relating to places, however in reality,<br />
a majority of these meanings perish,<br />
only their “locus” persist in heterochronic<br />
constants, giving opportunity<br />
in cases like gentrification to “fake<br />
re-valuation” of the aura of these traces<br />
amalgamated in the palimpsest, independent<br />
of lived experiences.<br />
References<br />
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Bugüne İstanbul Ansiklopedisi.<br />
[From Yesterday to Today: Istanbul Encyclopedia],<br />
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ve Toplumsal Tarih Vakfı, 145-146.<br />
Bektaş, C. (1996). Hoşgörünün Öteki<br />
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spatial system and urban life. Paper<br />
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Space Syntax Symposium, İstanbul.<br />
Boyer, C. (1996). The City of Collective<br />
Memory: Its Historical Imagery and<br />
Architectural Entertainments. Boston:<br />
MIT Press.<br />
Derrida, J. (1994). Specters of Marx:<br />
The State of the Debt, the Work of<br />
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Edgü, E., Ünlü, A., Şalgamcıoğlu,<br />
M.E., Mansouri, A. (20<strong>12</strong>). Traditional<br />
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Commercial Spaces in Iran and Turkey.<br />
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[Des Espaces Autres] transl. by Miskowiec,<br />
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syntax in historical research: current<br />
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Chile.<br />
Ha, P. (n.d.). Heidegger’s Concept<br />
of the Spatiality of Dasein: The philosophical<br />
discourse on the localization<br />
in the global age [pdf]. Retrieved<br />
from http://www2. ipcku.kansaiu.ac.<br />
jp/~t980020/Husserl/ appliedPhenomenology/ha.pdf<br />
Heidegger, M. (1996). Being and<br />
Time: A Translation of “Sein und Zeit”.<br />
Albany: State University of New York<br />
Press.<br />
Huyssen, A. (2003). Present Pasts:<br />
Urban Palimpsests and the Politics of<br />
Memory. Stanford: Stanford California<br />
Press.<br />
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İstanbul [Istanbul in 18th Century]. İstanbul:<br />
İstanbul Enstitüsü Yayınları.<br />
Klarqvist, B. (1993). A Space Syntax<br />
Glossary. Nordisk Arkitekturforskning,<br />
1993(2), 11-<strong>12</strong>.<br />
Koetter, F., Rowe, C. (1978). Collage<br />
City. Boston: MIT Press.<br />
Levy, A. (1999). Urban morphology<br />
and the problem of the modern urban<br />
fabric: some questions for research. Urban<br />
Morphology, 3(2), 79-85.<br />
Massey, D. (1995). Places and Their<br />
Pasts. History Workshop Journal, 39,<br />
182-192.<br />
A diachronic approach on heterochronic urban space
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McLeod, M. (1996). Everyday and<br />
“Other” Spaces. In D.L. Coleman, E.A.<br />
Danze, C.J. Henderson (Eds.), Architecture<br />
and Feminism (pp. 1-37). New<br />
York: Princeton Architectural Press.<br />
Mills, A. (2004). Streets of Memory:<br />
The Kuzguncuk Mahalle in Cultural<br />
Practice and Imagination (Unpublished<br />
doctoral dissertation). University<br />
of Texas at Austin, Austin.<br />
Rossi, A. (1982). The Architecture of<br />
The City. Boston: MIT Press.<br />
Teyssot, G. (1980). Heterotopias and<br />
the History of Spaces. In M. Hays (Ed.),<br />
Architecture Theory since 1968 (pp.<br />
296-305). Cambridge: The MIT Press.<br />
Tonguç, S. E., Yale, P. (20<strong>12</strong>). İstanbul<br />
Hakkında Her Şey [All About Istanbul].<br />
Istanbul: Boyut Publishing.<br />
Tümertekin, E. (1997). İstanbul İnsan<br />
ve Mekan [İstanbul People and<br />
Space]. İstanbul: Türkiye Ekonomik ve<br />
Toplumsal Tarih Vakfı.<br />
Uzun, C. N. (2002). Kentte Yeni bir<br />
Dönüşüm Süreci ve Yasal Düzenlemeler<br />
[A New Transformation Process<br />
in the City and Legal Organizations].<br />
Planlama, 2002 (1), 37–44.<br />
Heterokronik kentsel mekanların<br />
artzamanlı yaklaşımla irdelenmesi<br />
Foucault, pek çok düşünüre esin<br />
kaynağı olsa da aynı zamanda tartışma<br />
konusu olan “Başka Mekanlara Dair”<br />
adlı metninde tanımlanan heterotopya<br />
kavramının dördüncü özelliğine göre,<br />
heterokroni kavramı ile zaman biriktiren<br />
yerlerin yanısıra geçici mekanları<br />
da tanımlamaktadır. Bu çalışmada,<br />
hem zaman biriktirme hem de geçicilik<br />
özelliklerini birlikte barındıran tarihi<br />
mahalleler, heterokronik kentsel mekanlar<br />
olarak irdelenecektir.<br />
Bu çalışma sosyo-kültürel etkilerin<br />
tarihi mahalleler üzerine yansımalarını,<br />
mahallelerdeki heterokronik öğelerin<br />
morfolojik, sentaktik ve semantik<br />
değişimini inceleyerek değerlendirmeyi<br />
amaçlamaktadır. Bu amaçla, çalışmada<br />
heterokronik kentsel mekanı<br />
derinlemesine irdelemek için, yapısökümcü<br />
bir metodoloji kullanılmıştır.<br />
Metodolojik kurgu, tarihin yapısökümü,<br />
mekansal dizim ile sentaktik irdeleme<br />
ve tarihin yeniden inşası (sentez)<br />
olmak üzere üç aşamadan oluşmaktadır.<br />
Birinci evrede, heterokronik kentsel<br />
mekana ait önemli tarihi olaylar,<br />
binalar, çeşitli dönemleri yansıtan harita<br />
ve hava fotoğrafları, çok katmanlı<br />
bir zaman çizelgesi yardımıyla parçalara<br />
ayrılmıştır. Zaman çizelgesi heterokronik<br />
kentsel mekanın tarihindeki<br />
eşiklerin, morfolojik ve sosyo-kültürel<br />
değişimlerin ve bu değişimlerin arasında<br />
kalan zaman dilimlerinin belirlenmesinde<br />
rol oynamaktadır. İkinci<br />
aşamada, parçalarına ayrılmış zaman<br />
çizelgesinden yararlanarak, heterokronik<br />
bölgenin sentaktik irdelemesi gerçekleştirilmektedir.<br />
Bu sentaktik irdeleme,<br />
heterokronik kentsel mekanın<br />
iki şekilde, yani tarihte iz bırakan kalıcı<br />
öğeler ile geçici oluşumlar üzerinden<br />
değerlendirilmesini, ve mekandaki<br />
morfolojik ve sosyo-kültürel evrimin<br />
anlaşılmasını sağlamaktadır. Tarihte<br />
iz bırakan kalıcı öğeler bu çalışma<br />
kapsamında “heterokronik sabitler”<br />
olarak değerlendirilmiştir, ve sadece<br />
farklı kültürel gruplara ait dini binalara<br />
indirgenmiştir. Morfolojik ve sosyolojik<br />
değişimleri oluşturan farklı “durumlar”<br />
(situations) ise “heterokronik<br />
değişkenler” olarak adlandırılmıştır,<br />
ve bu çalışmada farklı sosyo-kültürel<br />
toplulukların yerleşim dokuları üzerinden<br />
değerlendirilmiştir. Üçüncü<br />
aşama, “tarihin yeniden inşası”, parçalara<br />
ayrılarak sentaktik irdelemesi yapılan<br />
mekanların, zaman çizelgesinden<br />
yararlanarak, semantik bir okuma ile<br />
holistik bir şekilde yorumlanmasıdır.<br />
Sentaktik bulgular, morfolojik veya<br />
sosyolojik değişimlere, anlam kaybı,<br />
anlamsal kayma, devamsızlık ve birikmelere<br />
işaret edebilir. Bu nedenle “tarihin<br />
yeniden inşası”, çalışmada sentaktik<br />
ve semantik anlamda bir bütünlük<br />
oluşturmayı, ve heterokronik kentsel<br />
mekanların artzamanlı evriminin sentezini<br />
yapmayı hedeflemektedir.<br />
Alan araştırması, Kuzguncuk mahallesinde<br />
yapılmıştır. İstanbul’un<br />
Anadolu Yakası’nda bulunan bir boğaz<br />
köyü olan Kuzguncuk, çalışmadaki<br />
heterokronik kentsel mekan özelliklerine<br />
uyan bir mahalledir. Genel olarak,<br />
huzurlu ve yaşanılır olarak nitelendirilen<br />
mahallede, geçmişte çok sayıda<br />
Musevi, Ermeni, Rum ve Türk birlikte<br />
yaşamışlardır. Yakın geçmişte Karadeniz<br />
Bölgesi’nden çok sayıda göç<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • İ. Toprak, A. Ünlü
173<br />
alan mahalle, son otuz yılda ise soylulaştırma<br />
(gentrifikasyon) yolu ile sosyo-kültürel<br />
değişime uğramıştır. Alan<br />
çalışmasının sonuçlarına göre Kuzguncuk<br />
Mahallesi, bulanık bir kavram<br />
olan heterokroniyi güçlendirmektedir.<br />
Palimpsest yapıdaki kentsel mekanda,<br />
yaşanmışlıktan ziyade, anlamsal bir<br />
birikme söz konusu olmuştur. Birçok<br />
anlam de geçicilik göstermiş, kaybolmuş<br />
veya değişmiştir.<br />
A diachronic approach on heterochronic urban space
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • 175-188<br />
Divided shopping: A syntactic<br />
approach to consumer behaviour<br />
Erincik EDGÜ 1 , Meray TALUĞ 2 , Nezire ÖZGECE 3<br />
1<br />
erincik@gmail.com, erincikedgu@duzce.edu.tr • Department of Architecture,<br />
Faculty of Arts, Design and Architecture, Düzce University, Düzce, Turkey<br />
2<br />
talug.meray@gmail.com, mtalug@ciu.edu.tr • Department of Architecture,<br />
Faculty of Fine Arts, Design and Architecture, Cyprus International University,<br />
Haspolat, Lefkoşa, Northern Cyprus<br />
3<br />
nezireozgece@gmail.com, nozgece@ciu.edu.tr • Department of Architecture,<br />
Faculty of Fine Arts, Design and Architecture, Cyprus International University,<br />
Haspolat, Lefkoşa, Northern Cyprus<br />
Received: May <strong>2015</strong> Final Acceptance: October <strong>2015</strong><br />
Abstract<br />
Shopping is a socially interactive consumer activity that involves preference, selection<br />
and leisure. As historical city centres are still cores of traditional shopping<br />
and an asset improving social attraction, attractive routes and spaces for pedestrian<br />
movement provided by articulation in the setting are worth examining. Buildings<br />
on small sized plots located in a bounded environment usually encourage<br />
pedestrian flow, presenting more options of interest on a unit street scale; whereas<br />
spatial layout of the urban form, compactness of the circulation routes or visual<br />
scope of the users should also be examined.<br />
This paper focuses on the comparison of consumer shopping behaviour in such<br />
a historical city centre, Walled City of Nicosia, the capital of Cyprus Republic and<br />
TRNC. Regarding the lost centrality due to the UN buffer zone, divided city has<br />
gone through different physical and social development patterns in terms of land<br />
uses and functional changes. Assuming that physical accessibility reinforces social<br />
and economic attraction, the paper deals with the,<br />
• syntactic hints examined through line analysis underlying the physical development<br />
of the urban layout in three different periods of the city,<br />
• preferences of the pedestrians, emphasizing functional and spatial pattern that<br />
orient the consumer behaviour.<br />
The outcomes indicate that narrow long roads promote pedestrian flow in a<br />
movement based activity, while the curvy organic formed streets disperse pedestrian<br />
movement. Pedestrians tend to shop for retail based products in a linear layout,<br />
and tend to eat or drink in a dispersed organic layout. On the other hand, as<br />
an aspect of political curiosity both sides of the buffer zone also serve as attraction<br />
nodes regardless of the functions.<br />
Keywords<br />
Attraction, Historical urban core, Pedestrian behaviour, Shopping, Space syntax.
176<br />
1. Introduction<br />
In terms of user satisfaction, within<br />
time, historical city centres may fail to<br />
meet the needs and expectations of the<br />
occupiers; however, Lewicka (2008)<br />
argues that historical centres create a<br />
sense of continuity with the past, embody<br />
the group traditions and facilitate<br />
place attachment, as well. That is why<br />
even though there may unpredictable<br />
population fluctuations or major factors<br />
such as wars and regime changes<br />
occur, historical city centres are still<br />
cores of attraction and they struggle<br />
to maintain their vitality. Weltevreden<br />
et al., (2005) state that historic city<br />
centres are not competitive in terms<br />
of prices but they remain attractive as<br />
a retail location only if they are able<br />
to generate new sectors offering new<br />
products. When we think of attraction<br />
in the historic city centre, shopping facility<br />
as an attractor plays a major part,<br />
but on the other hand, inner cities are<br />
also places to meet people, socialise<br />
and recreate as Weltevreden and Rietbergen<br />
(2007) discuss. They add that<br />
attractiveness of an inner city depends<br />
on four factors; these are an environment<br />
with characteristic aspects such<br />
as being historical, or having an ambiance,<br />
a concentration of a large variety<br />
of functions other than shopping<br />
such as restaurants, theatres, museums,<br />
the amount and variety of shops, and<br />
lastly the crowdedness. Among these<br />
aspects, crowdedness issue is related<br />
with the number of pedestrians. Existence<br />
of a pedestrian flow is crucial for<br />
attracting social interaction, as Hillier<br />
(1999) emphasises that attraction plays<br />
an important role in drawing people to<br />
the city centres.<br />
There are various researches which<br />
examined city centre activities through<br />
social attraction, for example, Portnov<br />
(1998) examined the social attraction<br />
in Siberian urban layout in three aspects,<br />
which were the general residential<br />
attractiveness, quality of physical<br />
environment and attractiveness for<br />
business activity. The outcomes of his<br />
research showed that perceptions of<br />
the professional spe cialists on spatial<br />
quality were different than of the city<br />
dwellers. While the specialists attach<br />
importance to access to city centre<br />
and recreational areas, dwellers attach<br />
importance to ecological and functional<br />
issues such as social facilities<br />
and services. Kemperman et al. (2009)<br />
on the other hand, emphasise that attractive<br />
downtown historic centres are<br />
recognised as potential magnets for<br />
tourist shopping. Tourists prefer links/<br />
streets that are physically attractive,<br />
having a good visibility, and are pedestrian<br />
friendly. They believe pedestrian<br />
movement is an important indicator of<br />
shopping behaviour and assume that<br />
tourist shopping behaviour is related<br />
to the motivation for shopping, the familiarity<br />
with the shopping area, and<br />
whether or not the shopping route was<br />
planned in advance.<br />
Space syntax theory introduced<br />
by Hillier and Leaman (1974) use the<br />
term syntax to refer to rules that generate<br />
different spatial arrangements,<br />
in which spaces are considered to be<br />
shaped due to certain cultural considerations<br />
and these forms in return<br />
affect social relations in one way or<br />
another. As space syntax is defined as<br />
a methodology to represent, quantify<br />
and interpret spatial configuration and<br />
visual perception of exterior or interior<br />
spaces of various scales by means of<br />
convex shapes, and axial lines, (Hillier<br />
et.al, 1987; Peponis, 2000) it is necessary<br />
to briefly explain the terms used<br />
in this sense. Integration exposes the<br />
distance to a convex shape from all<br />
points within the system. If the real or<br />
global integration value of the shape is<br />
high, it means that reaching to this certain<br />
shape from any point within the<br />
system, is relatively easy and indirect.<br />
Connectivity refers to number of cells<br />
directly connected to a shape within<br />
the system. If the shape is located somewhere<br />
close to the centre of the system,<br />
then it means that the shape has many<br />
surrounding cells, thus increasing its<br />
integration. On the other hand, if the<br />
shape is located somewhere close to<br />
the outermost parts of the system, its<br />
integration value decreases, increasing<br />
its mean depth value (Edgu, 2003).<br />
Therefore, factors such as relationship<br />
between the integration and<br />
connectivity of axial lines give ideas<br />
whether a town centre is an agreeable<br />
place with good vitality in the shopping<br />
streets (Hillier et al., 1993). Pedestrian’s<br />
perceptions on physical characteristics<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • E. Edgü, M. Taluğ, N. Özgece
177<br />
such as distance, building composition<br />
and urban pattern are important aspects<br />
of attraction. In the historical city<br />
centres, local’s attraction as well as the<br />
tourist attraction can be provided by<br />
a good circulation of pedestrian flow<br />
supported by facilities like recreational<br />
gathering spaces and retail functions<br />
such as eating, clothing and such shopping.<br />
Ünlü et. al. (2009) suggest that<br />
regardless of its kind, the occupancy<br />
of a space can be determined with a<br />
function attached to it, and the reason<br />
of using a space can be related with socially<br />
attractive functions such as cafeterias,<br />
small shopping units. Thus, it<br />
is important to distinguish the reason<br />
of pedestrian gathering or movement<br />
within the historic urban core. Hatz<br />
(2006) suggests that unlike retailing in<br />
US downtown areas, the historic city<br />
centres in European cities remain at<br />
the top of the retail hierarchy. By retail<br />
hierarchy he refers to the centrality of<br />
shopping streets and centres, which<br />
are defined by retail space, sales figures<br />
and catchment areas, but also by the<br />
range of goods. According to his study,<br />
middle term consumption goods such<br />
as clothing sector hold the leading position<br />
in hierarchy, and the higher the<br />
rank of a shopping district, the greater<br />
is the dominance of the clothing sector.<br />
Hatz (2006) also suggests that goods<br />
of short-term consumption indicate<br />
the opposite compared to middle term<br />
consumption goods. He emphasises<br />
that the lower ranking a shopping street<br />
or district, the higher the proportion of<br />
shops offering products of short-term<br />
consumption. On the other hand, in<br />
their research of grocery-shopping behaviour,<br />
Wang and Lo (2007) emphasised<br />
that consumption is less about<br />
economic rationality and more about<br />
cultural values and meanings, whereas<br />
location preferences are based on<br />
image and identity rather than narrow<br />
economically driven criteria. Supporting<br />
Wang and Lo, we assume that<br />
shopping is a consumer activity that<br />
involves preference, selection and leisure<br />
that allows social interaction as<br />
well. Kemperman et al. (2009) discuss<br />
that the pedestrians walk from node to<br />
node in a way that they walk forward<br />
until the next decision point which is<br />
usually on the street intersections. They<br />
assume that the path pedestrians take,<br />
depends on the relative attractiveness,<br />
such as shopping supply and other features<br />
that may affect the attractiveness<br />
as the history of the path walked so far.<br />
Buildings on small sized plots located<br />
in a bounded environment usually<br />
encourage pedestrian flow. As Crompton<br />
and Brown (2006) indicate that<br />
small scaled places without cars may<br />
seem much larger to the walking person,<br />
than expected. Especially in complicated<br />
car-free cities with traditional<br />
architectural pattern such as Venice<br />
or Fez, tourists believe that the places<br />
felt larger than they seem on the map.<br />
With the help of entrance doors, these<br />
small sized buildings present more options<br />
of interest on a unit street scale<br />
that can be shifted to economic benefit.<br />
Kemperman et. al’s (2009) research<br />
also supports this hypothesis. They<br />
found out that tourists prefer streets/<br />
links that are part of a long straight line<br />
offering a long view, with buildings<br />
on both sides as variations of façades.<br />
Therefore, considering the pedestrian<br />
movement, historical city centres are<br />
still cores of traditional shopping and<br />
assets which improves the social attraction<br />
of the city (Ülken & Edgü, 2005).<br />
The historical structure is an asset<br />
that improves attraction. This paper focuses<br />
on the comparison of pedestrian<br />
movement and shopping behaviour of<br />
the occupants as well as the functional<br />
differences of land use in the context of<br />
predetermined nodes of attraction located<br />
on both sides of the buffer zone<br />
in the historical Walled City of Nicosia.<br />
As it will be discussed in the following<br />
section in a more detailed manner,<br />
Walled City of Nicosia has a unique<br />
star shaped architectural layout which<br />
is unfortunately divided by UN buffer<br />
zone into two unequal halves. Therefore<br />
considering the distinction of having<br />
two different communities settled<br />
on each side, the pedestrian movement<br />
in terms of shopping also has its unique<br />
flow as well. As the research assumes<br />
that physical accessibility reinforces<br />
social and economic attraction, the paper<br />
aims to search,<br />
• the syntactic hints examined<br />
through line analysis underlying<br />
the physical development of the urban<br />
layout in three different periods<br />
Divided shopping: A syntactic approach to consumer behaviour
178<br />
of the Walled City, thus exploring<br />
the changes of accessibility through<br />
integration<br />
• spatial preferences of the pedestrians,<br />
emphasizing functional and<br />
spatial pattern that orient the consumer<br />
behaviour.<br />
2. Case study area<br />
As an island that has been colonised<br />
by various nations throughout the history,<br />
Cyprus has encountered both the<br />
prosperity and downfall of her physical<br />
location in the midst of historic<br />
crossroads of trade and culture of the<br />
Eastern Mediterranean region. However,<br />
the conflict between the two major<br />
communities of the island, which started<br />
during the 1950’s has been dominating<br />
the political structure of the region<br />
ever since. The unresolved political<br />
situation followed by the complete division<br />
of the island and separation of<br />
Greeks and Turks after 1974, unfortunately<br />
did not help the solution of<br />
the problem. Turkish region declared<br />
a self-determinant government of<br />
Turkish Republic of Northern Cyprus<br />
(TRNC), in 1983; while Greek region<br />
was granted full membership of the EU<br />
in 2004 as Cyprus Republic (CR).<br />
Division of the island was a critical<br />
decision in terms of geography, natural<br />
resources and social structure, where<br />
the two communities remained unattached<br />
until 2003. The citizens of the<br />
Turkish region have been fatigued from<br />
the isolations and serious financial difficulties<br />
due to economic embargo, so<br />
as a manoeuvre, TRNC government<br />
opened two border gates for mutual<br />
passes. However, division of the capital<br />
city Nicosia produced even more severe<br />
outcomes. One of the harms of the<br />
buffer zone called as Green Line, occupied<br />
by the UN forc es is undermining<br />
the city’s centrality.The 450 years<br />
old star shaped city walls with eleven<br />
bastions were also divided ruining the<br />
integrity of urban structure and architecture<br />
as well (Figure 1). The divided<br />
city of more than thirty years has gone<br />
through different physical and social<br />
development patterns around the divided<br />
Venetian walls, providing different<br />
functions. For example, business<br />
area has moved out of the city where<br />
the land is cheaper. As the immediate<br />
exterior of the city walls in Turkish<br />
side are occupied by administrative<br />
and educative purposes, the Greek side<br />
is occupied by business and commercial<br />
purposes. The inner core, on the<br />
other hand remained as a retail district<br />
with small shops of clothing, food and<br />
restaurants, home supplies, and some<br />
manufacturing. The differences in the<br />
socioeconomic status of both sides affected<br />
the development and urban improvement<br />
as well. While due to lack<br />
of financial resources, Turkish side<br />
preserved the majority of historic urban<br />
layout, Greek side, renovated and<br />
transformed the historical city to some<br />
extent, such as changes in plot sizes,<br />
and vertical dimensions. On the other<br />
hand, as traffic congestion and lack of<br />
sidewalks prevented the pedestrians’<br />
easy flow, lack of parking areas made<br />
it hard for vehicular access to the shopping<br />
zones, in both parts as well.<br />
Five years later, after the opening of<br />
initial border gates in 2008, Lokmacı<br />
Gate at the end of the Ledra Street was<br />
opened for pedestrian access therefore,<br />
though, through a weak axis, the connections<br />
beyond the Green Line was<br />
established once more. This gate working<br />
as the check point is the only civilian<br />
connection within the Walled City,<br />
and is the crucial point in pedestrian<br />
movement.<br />
As for the shopping locations within<br />
the Walled City, the division left<br />
the traditional shopping bazaar Bandabulya,<br />
few inns and arasta in Turkish<br />
side, while the expensive shopping<br />
strip remained in Greek side, excluding<br />
the plots lost to the control of UN<br />
forces. Hatz (2006) suggests that the<br />
Figure 1. Nicosia Walled City (map from Google Earth).<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • E. Edgü, M. Taluğ, N. Özgece
structure of retailing in city centres is<br />
not to be examined in terms of a shopping<br />
destination serving only local residents<br />
and customers. The city centre<br />
with its unique atmosphere becomes<br />
part of consumption as well. He also<br />
adds that, retailing in the city centre<br />
is determined by the transformation<br />
of the city into a leisure destination,<br />
in which the consumption of cultural<br />
goods and experiences become prominent.<br />
He states that transformations of<br />
downtown areas into themed shopping<br />
spaces, equipped with artists’ quarters,<br />
art galleries, bars and restaurants are<br />
among the aspects that help a historic<br />
city centre to maintain a consumable<br />
atmosphere. Similarly, as the shopping<br />
facilities outside of the city walls in<br />
both sides follow the market demands<br />
and trends, the atmosphere helps to<br />
preserve the social attraction within<br />
the city walls. Even though lately,<br />
promising restoration and renovation<br />
projects of significant buildings are<br />
being undertaken, emergence of workshops<br />
and depots among the residential<br />
buildings, dilapidation, and obsolescence<br />
are still crucial aspects of the<br />
urban quality in the Turkish region.<br />
3. Methodology and syntactic analyses<br />
According to Hillier et al, (1993),<br />
even though, shops may serve as attractors<br />
for the pedestrian movement,<br />
Figure 2. Line analysis of Nicosia Walled City before 1974.<br />
Divided shopping: A syntactic approach to consumer behaviour<br />
179<br />
syntactically they do not change the<br />
configuration of the urban layout.<br />
However, in order to figure out the pedestrian<br />
preferences due to shopping,<br />
we first have to present the syntactic<br />
hints examined through line analysis<br />
underlying the physical development<br />
of the urban layout in three different<br />
periods of the Walled City. As it was<br />
mentioned before, integration denotes<br />
the socio-petal, thus vital nodes<br />
and highly connected axes; therefore,<br />
exploring the changes of accessibility<br />
through the city within time shows us<br />
the shift of spatial vitality. These data<br />
acquired will then be compared with<br />
actual preferences of the pedestrians.<br />
The University of Michigan software,<br />
Syntax 2D is used in for the<br />
syntactic calculations. Syntactic properties<br />
of the case study area are analysed<br />
initially with the line analysis of<br />
the Nicosia Walled City in three phases<br />
(Figures 2, 3 and 4) before the division,<br />
during the non-contact years and after<br />
the opening of gates. These line analyses<br />
show the transformation of the<br />
city layout within a span of forty years,<br />
and also the accessibility routes that are<br />
formed through political requirements<br />
and precautions taken towards these<br />
within the recent history of a city. The<br />
syntactic properties of the nodes on the<br />
other hand, are examined through grid<br />
analyses, where each grid unit is set to<br />
be 6 x 6 metres due to the maximum<br />
public distance of interaction. Integration<br />
n levels, circularity and isovist<br />
properties are among the calculated<br />
measurements. The obtained numeric<br />
data is compared and analysed through<br />
regression analyses and Spearman correlations<br />
using SPSS.<br />
As it can be seen from the diachronic<br />
line analysis maps of Nicosia Walled<br />
City from prior to 1974, from 1974 to<br />
2008 and after 2008, (Figures 2, 3 and 4)<br />
the mean integration n values change<br />
drastically due to the formation of buffer<br />
zone that interrupts the pedestrian<br />
or vehicular movement. It is clearly<br />
exposed in the maps that prior to 1974<br />
the city maintains its centrality by denoting<br />
the most integrated axes located<br />
close to the centre with a mean integration<br />
n figure of 1,2320x10 9 . In this map<br />
Ledra Street the shopping strip, seems<br />
to have a high integration level as one
180<br />
of the parallel streets reaching to central<br />
horizontal axis that is connecting<br />
the main roads from Paphos gate to Famagusta<br />
gate. The axis from the north<br />
Kyrenia gate on the other hand seems<br />
to have a secondary degree integration<br />
while, the central axes present a deeper<br />
structure.<br />
After the division and the settling of<br />
the UN buffer zone, the mean integration<br />
n figure drops drastically to<br />
6,478x108. During the long thirty four<br />
years of no connection between the<br />
two regions of the city, it is seen that<br />
there were two different centres formed<br />
within the walls (Figure 4). However if<br />
we compare the situation with the previous<br />
map, we see that while the most<br />
integrated axis of north gains strength,<br />
the most integrated axis of south weakens.<br />
In both regions, this interruption<br />
was compensated by moving the vital<br />
public or commercial functions to out<br />
of the Walled City, thus abandoning<br />
the historical city centre.<br />
Finally after the reconnection of two<br />
regions with a single pedestrian passage<br />
of Ledra Street/Lokmacı Gate in<br />
2008, we see a considerable improvement<br />
of integration n level with a figure<br />
of 8,2102x10 8 . As this situation weakens<br />
the most integrated axis in north<br />
region, it strengthens southern axis,<br />
while reintegrating the central streets<br />
to a mild shallowness (Figure 5). We<br />
also see minor changes around the<br />
northern axis, in terms of newly built<br />
roads or opened passages that leads to<br />
mild levels of integration in northeast<br />
regions compared to the era prior to<br />
division.<br />
Crompton (2006) suggests that<br />
complexity disturbs our judgment<br />
of walking distances, Crompton and<br />
Brown (2006) discovered that the more<br />
turns, slopes, intersections, and features<br />
a walk has, the longer it appears<br />
and thus a journey will seem longer<br />
when there is more information to<br />
be observed. The Nicosia Walled City<br />
has a unique organic layout which<br />
presents exciting vistas for exploring<br />
tourists; on the other hand, it serves as<br />
a maze which prevents shortcuts. As<br />
mentioned before, comparison of consumer<br />
shopping behaviour of the occupants<br />
and the differences of land use in<br />
both sides of Walled City of Nicosia are<br />
Figure 3. Line analysis of Nicosia Walled City between 1974 and<br />
2008.<br />
Figure 4. Line analysis of Nicosia Walled City after 2008.<br />
among the main concerns of the paper.<br />
We should also keep in mind that,<br />
traditional shopping district remained<br />
in Turkish side, while the expensive<br />
and trendy shopping strip called Ledra<br />
Street remained in Greek side. In<br />
order to understand the behaviour of<br />
the occupants and the attraction activity<br />
route, observations are executed on<br />
the two determined main shopping regions,<br />
from both sides of the city.<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • E. Edgü, M. Taluğ, N. Özgece
Figure 5. Predetermined nodes of analysis.<br />
Divided shopping: A syntactic approach to consumer behaviour<br />
181<br />
Since within the Walled City, there<br />
is currently only one connection between<br />
the divided regions, the chosen<br />
axes had to start with Ledra Street, pass<br />
the mentioned check point Lokmacı<br />
Gate, and continue to north (Turkish)<br />
side. As of coincidence, Ledra Street<br />
historically used to be the most famous<br />
shopping street in the Walled City, as<br />
well. Therefore, we initially considered<br />
examining a total of three nodes<br />
from each side; one node from each<br />
starting point that is close to check<br />
point, a middle point of some specific<br />
characteristics such as a square or an<br />
attractive function and finally an ending<br />
point before exiting the walls. The<br />
nodes were set to be virtual circles with<br />
a diameter of 30 metres, regarding the<br />
size of the largest gathering area. However,<br />
the route to out of the city walls<br />
in Turkish side disperses due to the<br />
organic layout of smaller sized plots<br />
and the pedestrian axis takes a branch<br />
like shape generating from the Lokmacı<br />
Gate, i.e. the first gathering location<br />
from the border. Regarding this<br />
situation, and also to see the situation<br />
in the original shopping centre of the<br />
city, three nodes from the Ledra Street<br />
on Greek side, and six nodes from the<br />
Turkish side were selected for analyses<br />
and comparison (Figure 5).<br />
As it is seen in Figure 5 immediate<br />
surroundings of the selected nodes and<br />
the main axes are set to be the area of<br />
observation. The selected portion of<br />
the walled city reaches from southwest<br />
to north extending to actual central Selimiye<br />
Mosque Square in east. Within<br />
this context, Kyrenia Gate, Sarayönü<br />
(Atatürk) Square, İşbankası Node and<br />
Lokmacı Node have been chosen from<br />
northern part of the Walled City. On<br />
the other hand, original, i.e. prior to<br />
1974, central gathering and shopping<br />
spaces of Kumarcılar Inn and Selimiye<br />
Mosque Node are also included in<br />
the analyses. Although these are surrounded<br />
by shops, nowadays, these latter<br />
nodes are frequently used as transitional<br />
spaces in order to reach main<br />
shopping axes.<br />
Analyses of nodes are executed due<br />
to pedestrian flow, functional use and<br />
syntactic properties. The pedestrian<br />
flow is analysed through observations<br />
of 15 minute video recordings. As the<br />
pedestrian flow is an important indicator<br />
of attraction, number of passers-by<br />
present implications of path<br />
selection, which in turn points out the<br />
potential shopping behaviour. Additionally<br />
shopping behaviour was also<br />
measured according to number of pedestrians<br />
with shopping bags. Thus,<br />
during the process, video recordings<br />
are counted in each node regarding<br />
the total number of pedestrians with<br />
or without shopping bags. Considering<br />
the customary preference for most of<br />
the small retail shops to be closed on<br />
Sundays and the extremely hot weather<br />
during summer months, video shooting<br />
has been done during the period<br />
between <strong>12</strong>:00 and 14:00 on two Fridays<br />
and Saturdays in April and May.<br />
These dates are set regarding the most<br />
preferred days for shopping, the most<br />
crowded period due to lunch time, and<br />
also most pleasant weather condition<br />
for outdoor space use.<br />
Referring to Hatz’s (2006) hierarchy<br />
of middle term and short term con-
182<br />
sumption goods, the attractive functional<br />
uses taken into consideration<br />
are set to be the retail shops such as<br />
clothes, shoes or mobile phone like<br />
electronics and the eating-drinking<br />
spaces such as cafes, restaurants and<br />
bars. The ground floor functional uses<br />
of the buildings within the determined<br />
nodes are counted and categorized. Although<br />
counted in the total number,<br />
vacant units and public functions are<br />
disregarded in the comparison. As the<br />
actual dimensions of the shop units are<br />
excluded from the research, the number<br />
of units, thus the variations gained<br />
importance in the analyses.<br />
Visual boundaries formed by wall<br />
like dense building plots may affect to<br />
pedestrian perception and preference<br />
of shopping. Psychological aspect of<br />
this situation is discussed in Yönet and<br />
Yirmibeşoğlu’s (2009) gated community<br />
research, where they resemble gated<br />
communities to medieval fortress settlements,<br />
in which living behind the<br />
gates increases the fear of the unknown<br />
that is outside. Even though as we<br />
move closer to the walls of the Walled<br />
City, our visual scope widens, this theory<br />
is supported especially in the central<br />
sections of the city, where pausing<br />
and relaxing is shifted to continuous<br />
circulation. As for the syntactic aspects<br />
of the mentioned visual boundary,<br />
Ülken and Edgü (2005) point out that,<br />
long, narrow streets possess convexity<br />
and their one-dimensional axial shape<br />
promotes movement and circulation<br />
flow, as we see this in the case of Ledra<br />
Street. On the other hand, fatter convex<br />
spaces are traditionally places that<br />
support events and occasions, such as<br />
the squares and selected nodes. Circularity<br />
analysis is an important spatial<br />
characteristic that helps to examine the<br />
compactness of the spaces or motivations<br />
that drive people to pass through<br />
certain streets. Circularity defined as<br />
the ratio of the square of the perimeter<br />
to area is one of the six geometric<br />
measures such as area, perimeter, occlusivity,<br />
variance and skewness to obtain<br />
isovist field (Benedikt, 1979; Batty,<br />
2001). Circularity is both a measure of<br />
the shape of a space and the measure of<br />
centrality of the viewpoint within that<br />
space. In her museum analysis, Kaynar<br />
(2005) argues that deformed circularity<br />
that means lower levels of circularity<br />
motivates longer visit durations. She<br />
also adds that the movement is more<br />
distributed in areas that provide opportunities<br />
to discover new visual information.<br />
Supporting this situation,<br />
articulation in an urban setting provides<br />
attractive routes and spaces for<br />
pedestrian movement which is inevitable<br />
for historical city centre shopping.<br />
As the structural pattern gets articulated<br />
in an organic system, the envi-<br />
Table 1. Mean syntactic values, pedestrian flow and functional values of the selected nodes.<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • E. Edgü, M. Taluğ, N. Özgece
183<br />
ronment tends to present surprising<br />
spaces that are appreciated especially<br />
by exploring tourists.<br />
The syntactic aspects of the research<br />
base on the comparison of spatial parameters<br />
such as integration levels, circularity<br />
and visual fields, which help us<br />
to further examine the physical structure<br />
of the predetermined nodes. The<br />
map used for these analyses is derived<br />
from the 2008 map with single connection<br />
between two regions. Therefore<br />
it is necessary to remember that after<br />
the reconnection of two regions with a<br />
single pedestrian passage, the most integrated<br />
axis in north region has weakened,<br />
while the southern one strengthened,<br />
with mild improvement on the<br />
central streets. The functional uses of<br />
streets, positions of gathering spaces,<br />
figures of pedestrian flow are also examined<br />
in the research. Table 1 indicates<br />
the syntactic values along with<br />
the environmental cues of the selected<br />
nodes from both regions. Integration n<br />
values for the Kyrenia Gate, Sarayönü<br />
and Ledra Street also comply with the<br />
line analysis results indicated in Figure<br />
5, with the highest overall integration<br />
levels.<br />
Connectivity values are the highest<br />
Table 2. Regression analyses from the selected nodes.<br />
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for Sarayönü and Kyrenia Gate again<br />
parallel to the data presented in Figure<br />
2, however, Ledra Street is lower<br />
in connectivity due to the linear nature<br />
of the path and the visual boundary of<br />
the dense buildings. While connectivity<br />
values indicate an easy accessibility<br />
through neighbouring grids, it also<br />
works reciprocally, as easily exiting to<br />
neighbouring grids. Therefore when<br />
we compare the connectivity values<br />
of these two nodes, with Ledra Street<br />
nodes in terms of the number of total<br />
pedestrian count, lower connectivity<br />
values explain the high percentage of<br />
pedestrian flow in Greek side. On the<br />
other hand, the number of total pedestrians<br />
also seems to be related with the<br />
number of shops in both sides excluding<br />
restaurants and cafes. This result<br />
also complies with Kemperman et. al’s<br />
(2009) findings that the tourists’ shopping<br />
route choice behaviour is affected<br />
by the supply and accessibility of shops,<br />
however tourists do not prefer links<br />
with restaurants, lunchrooms, bars and<br />
such as these necessitate pausing and<br />
lingering for a longer period compared<br />
to retail shops.<br />
The most crowded pedestrian movement<br />
with or without shopping bags in<br />
Turkish side is observed in Lokmacı<br />
node, followed by Selimiye node. As<br />
Lokmacı Gate being the starting node<br />
from the check point, with relatively<br />
large number of shop units this crowdedness<br />
can be explained. In case of Selimiye<br />
however, the pedestrian flow is<br />
owed to the centrality of the location<br />
within the city along with existence<br />
of traditional covered bazaar Bandabulya.<br />
In both cases however, we see<br />
a striking fact that shopping with bags<br />
concentrates mostly on the central<br />
core of the Walled City. In both cases<br />
frequency of shopping bags decreases<br />
as we move towards the north and<br />
south exits. Comparing the percentage<br />
of shopping bags respecting the total<br />
frequency of the pedestrians, Ledra 1<br />
node with 21.02% followed closely by<br />
Ledra 3 with 19.48% are the highest<br />
shopping nodes of Greek side. Similar<br />
numbers are also seen in Turkish side<br />
as well; Işbankası node with 21.97%<br />
has the highest value while the second<br />
largest number is seen at Kumarcılar<br />
node with 20.22%.<br />
Divided shopping: A syntactic approach to consumer behaviour
184<br />
Ledra Street on the other hand, presents<br />
striking number of pedestrians<br />
compared to Turkish side. Although<br />
the number of shop units is similar in<br />
number of attraction points, the pedestrian<br />
flow is observed to be much<br />
greater. This situation complies with<br />
Kemperman et. al’s (2009) findings<br />
assuming that tourists prefer to circulate<br />
on streets/links that are part of a<br />
long straight line offering a long view,<br />
with buildings on both sides as variations<br />
of façades. Ledra 1 and Ledra 3<br />
nodes have the highest values of isovist<br />
perimeters enabling a longer vision for<br />
pedestrians to perceive the direction of<br />
movement from a longer distance and<br />
move towards the crowd, i.e. attraction.<br />
In the regression analyses shown in<br />
Table 2, pedestrian flow and shop unit<br />
data were considered as dependent<br />
variables, while the syntactic values are<br />
considered as independent. Regression<br />
analysis is investigated with the R values<br />
with significance between -1 and<br />
+1. Strong correlations are shown in<br />
dark shaded cells while although not<br />
statistically significant, mild implications,<br />
which are worth noting are also<br />
shown in lighter shaded cells.<br />
The regression analyses indicated<br />
in Table 2 show the correlations of the<br />
syntactic and environmental figures<br />
of the selected nodes given in Table 1.<br />
Circularity of the nodes and circularity<br />
of the isovists from the centre of the<br />
nodes are significantly correlated with<br />
shopping behaviour, and pedestrian<br />
flow as a whole. This situation leads us<br />
to refer to Kaynar, (2005) once again,<br />
as she argues that lower levels of circularity<br />
motivates longer visit durations,<br />
which explains the shopping behaviour<br />
occurring on dispersed nodes of Kumarcılar<br />
and Selimiye. On the other<br />
hand, theory is supported by the higher<br />
levels of circularity promoting movement<br />
as in our cases of pedestrian flow<br />
in Ledra Street, while a distraction and<br />
dispersion is seen in branch like street<br />
axes in Turkish side.<br />
As for the location and attraction<br />
levels of commercial units, we see that<br />
while cafes and restaurants are placed<br />
randomly with a smaller number of<br />
units, they do not present significant<br />
outcomes. However as for retail shops,<br />
we see a strong correlation both with<br />
isovist area and connectivity aspects.<br />
If the pedestrians are looking for certain<br />
types of items the size of the isovist<br />
area presents better scope of exploration.<br />
Therefore we see that the number<br />
of shop units increases in a more<br />
widely perceived layout. Connectivity<br />
correlations of the shops also support<br />
this finding as higher the level of connectivity<br />
higher the level of integration<br />
thus accessibility from the perspective<br />
of pedestrians, in their search for specific<br />
brand or good types.<br />
4. Conclusion and discussion<br />
In Ledra Street of the Greek region,<br />
the shopping preferences of the pedestrians<br />
are observed to concentrate on<br />
retail rather than recreational spaces,<br />
thus indicating a conscious selection of<br />
brands to shop from in a linear street<br />
layout. In the case of Turkish region<br />
however, central nodes present highest<br />
number of pedestrian flow, significantly<br />
dropping at the end points<br />
of the axes, again in accordance with<br />
the number of shop units. However, in<br />
these regions, pedestrian flow is also<br />
parallel with the existence of squares<br />
with recreational attraction points,<br />
such as the cafes and restaurants. This<br />
result implies a preference of eating<br />
spaces over retail shopping spaces in<br />
the organic street layout.<br />
The research indicated that narrow<br />
long roads promote pedestrian flow in<br />
a movement based activity, while the<br />
curvy organic formed narrow streets<br />
disperse the pedestrian movement. As<br />
for the percentages of shopping bags,<br />
both sides of the buffer zone present<br />
similarities denoting an approximate<br />
rate of 20% of shopping for pedestrian<br />
count. As the retail shop units increase,<br />
the percentage of shopping as expected,<br />
also increases. If these units are located<br />
in corners of narrow street nodes,<br />
the shopping percentage also increases.<br />
However if the shop units are located<br />
on square like spaces with number of<br />
cafes and restaurants, then the shopping<br />
tendency decreases, which can be<br />
explained by losing attention or distraction<br />
of perception.<br />
The results of the research emphasise<br />
that the division of the Walled<br />
City has an immense impact on the<br />
perception of the pedestrians, which<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • E. Edgü, M. Taluğ, N. Özgece
185<br />
leads to the dispersion of the attraction<br />
points. It is observed that the psychological<br />
effects of the war and division<br />
on the occupants from both regions<br />
are still valid, thus this situation leads<br />
to a drawback from the buffer zone,<br />
towards more secure areas within the<br />
city. Referring back to Yönet and Yirmibeşoğlu<br />
(2009), outside the walls of<br />
the city seems to be more secure for<br />
both communities and after long years<br />
of fearing whatever is on the other side<br />
of the buffer zone has yet to be dealt<br />
with. However, we also observed that<br />
the existence of the buffer zone also<br />
serves as a type of political attractor,<br />
displaying a large amount of mobility<br />
at both sides of the check point. Kemperman<br />
et al.’s (2009) assumption of<br />
the tourist movement route ending at<br />
the starting point is also apparent in<br />
this research stressing that since the<br />
only option of turning back to the entrance<br />
is through Ledra Gate, pedestrian<br />
activity increases around the nodes<br />
closest to the check point and these<br />
nodes serve as meeting points rather<br />
than shopping preference.<br />
Pedestrian flow supports syntactic<br />
outcomes especially with isovist and<br />
circularity values. Variations of shopping<br />
spaces promotes pedestrian flow,<br />
small sized units especially serve the<br />
level of attraction in historical environments.<br />
However, actual physical<br />
interruption of any layout definitely<br />
presents a non healing setting that certainly<br />
affects the spatial preferences of<br />
the us ers, as seen in the case of the UN<br />
Buffer zone.<br />
References<br />
Batty, M. (2001). Exploring Isovist<br />
Fields: Space and Shape in Architectural<br />
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and Planning B: Planning and<br />
Design. 28 (1), <strong>12</strong>3-150.<br />
Benedikt, M. (1979). To Take the<br />
Hold of Space: Isovists and Isovist<br />
Fields. Environment and Planning B:<br />
Planning and Design, 6(1), 47-65.<br />
Crompton, A. (2006). Perceived Distance<br />
in the City as a Function of Time,<br />
Environment and Behavior, 38(2), 173-<br />
182.<br />
Crompton, A. and Brown, F. (2006).<br />
Distance Estimation in a Small-Scale<br />
Environment, Environment and Behavior,<br />
38 (5), 656-666.<br />
Edgü, E. (2003). A Syntactic Approach<br />
to Space. 1st International Symposium<br />
of Interactive Media Design,<br />
Yeditepe University, İstanbul.<br />
Hatz, G. (2006). Competition and<br />
Complementarity of Retailing in the<br />
Historic City Center of Vienna. Competition<br />
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1, 135-154.<br />
Hillier, B. (1999). Centrality as a<br />
Process: Accounting For Attraction<br />
Inequalities in Deformed Grids. Urban<br />
Design International, 4, 107-<strong>12</strong>7.<br />
Hillier, B., Burdett, R., Peponis, J.,<br />
Penn, A. (1987), Creating Life: or, Does<br />
Architecture Determine Anything.<br />
Architecture and Behaviour, 3(3), 233-<br />
250.<br />
Hillier, B., Leaman, A. (1974), how<br />
is Design Possible?. Journal of Architectural<br />
Research and Teaching, 3, 4-11.<br />
Hillier, B., Penn, A., Hanson, J.,<br />
Grajewski, T. and Xu, J. (1993). Natural<br />
Movement: or Configuration and<br />
Attraction in Urban Pedestrian Movement.<br />
Environment & Planning B:<br />
Planning & Design, 20, 29-66.<br />
Kaynar, İ. (2005). Visibility Movement<br />
Paths and Preferences in Open<br />
Plan Museums: An Observational and<br />
Descriptive Study of the Ann Arbor<br />
Hands-on Museum. 5 th International<br />
Space Syntax Symposium, Delft, the<br />
Netherlands.<br />
Kemperman, A.D.A.M., Borgers,<br />
A.W.J., Timmermans, H.J.P. (2009).<br />
Tourist Shopping Behavior in a Historic<br />
Downtown Area. Tourism Management,<br />
30(2), 208-218.<br />
Lewicka, M. (2008). Place Attachment,<br />
Place Identity, and Place Memory:<br />
Restoring the Forgotten City Past.<br />
Journal of Environmental Psychology,<br />
28, 209–23.<br />
Peponis, J. (2000). A Syntactic Approach<br />
to Space. Rertived from http://<br />
undertow.arch.gatech.edu/homepages/3sss/<br />
introduction text for the 3rd<br />
International Symposium on Space<br />
Syntax/ Georgia Tech Atlanta<br />
Portnov, B.A. (1998). Social Attractiveness<br />
of the Urban Physical Environment:<br />
Cities of Siberia. Annals of<br />
Regional Science, 32 (4), 525-548.<br />
Ülken, G. and Edgü, E. (2005). Social<br />
Dynamics of Urban Transformation.<br />
5th International Space Syntax<br />
Divided shopping: A syntactic approach to consumer behaviour
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Symposium Proceedings, 2, 669-679.<br />
Ünlü, A., Edgü, E., Cimşit, F., Şalgamcıoğlu,<br />
M E., Garip, E., and Mansouri,<br />
A., (2009). Interface of Indoor<br />
and Outdoor Spaces in Buildings: A<br />
Syntactic Comparison of Architectural<br />
Schools in Istanbul, 7th International<br />
Space Syntax Symposium Proceedings,<br />
132.<br />
Wang, L. and Lo, L. (2007). Immigrant<br />
Grocery-Shopping Behavior:<br />
Ethnic Identity versus Accessibility.<br />
Environment and Planning A, 39 (3),<br />
684-699.<br />
Weltevreden, J.W.J., Atzema, O. and<br />
Frenken, K. (2005). Evolution in city<br />
centre retailing: the Case of Utrecht.<br />
International Journal of Retail and Distribution<br />
Management, 33 (11), 824-<br />
841.<br />
Weltevreden, J.W.J., Rietbergen,<br />
T.V., E-shopping versus City Centre<br />
Shopping: the Role of Perceived City<br />
Centre Attractiveness. Tijdschrift voor<br />
Economische en Sociale Geografie, 98,<br />
68–85.<br />
Yönet, N.A. and Yirmibeşoğlu, F.<br />
(2009). Gated Communities in Istanbul:<br />
Security and Fear of Crime.<br />
ENHR 2009, Prague, Changing Housing<br />
Markets; Integration and Segmantat,<br />
Prague.<br />
Bölünmüş alışveriş: Tüketici davranışlarına<br />
dizimsel bir yaklaşım<br />
Tarihî kent merkezleri, zaman içinde<br />
kullanıcı memnuniyeti açısından<br />
sakinlerinin ihtiyaç ve beklentilerini<br />
karşılamaktan uzaklaşabilir. Lewicka<br />
(2008), tarihî merkezlerin, sürekliliği<br />
sağlama ve yere bağlılığı kolaylaştırmanın<br />
yanı sıra, var olan gelenekleri<br />
somutlaştırdığını belirtir. Bu nedenle,<br />
yaşanan beklenmedik nüfus dalgalanmaları<br />
veya savaş ve yönetim değişikliği<br />
gibi, ortaya çıkabilecek bazı temel<br />
etmenlere rağmen, tarihî kentler hâlâ<br />
çekim merkezi olmaya devam etmekte<br />
ve özellikle perakende arzı açısından<br />
ekonomik ve kültürel canlılıklarını<br />
sürdürmektedirler. Weltevreden<br />
ve Rietbergen’in (2007) belirttiği gibi<br />
tarihî kent merkezlerine olan ilgiyi<br />
arttırmada, alışveriş önemli rol oynar;<br />
kent merkezleri aynı zamanda insanların<br />
buluştukları, sosyalleştikleri ve<br />
eğlendikleri mekânlardır. Kent merkezlerinin<br />
birer cazibe merkezine dönüşmesinde<br />
dört ana faktör önemlidir;<br />
bunlar, karakteristik bir çevreye sahip<br />
olmak, alışveriş dışında, müze, tiyatro,<br />
restoran gibi farklı işlevler sunabilmek,<br />
dükkânların sayısı ve çeşitliliği ile kalabalıklık<br />
olarak sıralanmaktadır. Kalabalıklık<br />
ile sosyal etkileşimin artması,<br />
yaya akışının sağlanabilmesine bağlıdır.<br />
Kent merkezlerindeki eylemleri<br />
sosyal cazibe üzerinden değerlendiren<br />
çeşitli çalışmalar bulunmaktadır;<br />
bunlar arasında, Kemperman ve diğerlerinin<br />
(2009) çalışmasında tarihî<br />
kent merkezlerinin turistik alışverişler<br />
için çekim merkezi olduğu vurgulanmaktadır.<br />
Bu çalışmaya göre, turistler<br />
fiziksel açıdan çekici, geniş görüş alanına<br />
sahip, yaya dostu sokakları tercih<br />
ederler; yaya hareketi ve çevreye aşinalık<br />
alışverişe özendirir.<br />
Hillier ve Leaman’a (1974) göre<br />
mekânsal dizim belirli sosyal ve kültürel<br />
varsayımlara göre şekillenen farklı<br />
mekânsal düzenler üretmek için kullanılabilecek<br />
kurallar dizisidir. Çeşitli ölçeklerdeki<br />
iç ve dış mekân biçimlenişleri<br />
ve görsel algıları dışbükey şekiller<br />
ve aks çizgileri ile yorumlanabilmektedir<br />
(Hillier ve diğ., 1987; Peponis,<br />
2000). Bütünleşme değeri dışbükey bir<br />
şekil içinde yer alan tüm noktaların, o<br />
sistem içinde birbirlerine olan uzaklıkları<br />
ile ilgilidir. Buna göre, eğer bir<br />
noktanın gerçek bütünleşme değeri<br />
yüksek ise, diğer bütün noktalardan<br />
o noktaya erişim kolay ve dolaysızdır.<br />
Bağlaşıklık değeri hücrelere doğrudan<br />
bağlı olan komşu hücrelerin sayısıdır.<br />
Bu nedenle eğer hücre sistemin ortalarına<br />
yakınsa etrafında sayıca daha fazla<br />
hücre bulunur ve bütünleşme değeri<br />
artar. Diğer yandan hücrenin sistemin<br />
çeperlerine yakın olması bütünleşme<br />
değerini azaltır ve ortalama derinlik<br />
değerini arttırır. Bu nedenle yol olarak<br />
tanımlayabileceğimiz aksların bütünleşme<br />
ve bağlaşıklık değerleri arasındaki<br />
ilişki herhangi bir mekânın yaya<br />
hareketine uygun olup olmadığını da<br />
belirler.<br />
Kent dokusu, binaların kompozisyonu<br />
ve kent içindeki mesafeler gibi<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • E. Edgü, M. Taluğ, N. Özgece
187<br />
fiziksel özelliklerin yayalar tarafından<br />
algılanması, kentin cazibesini arttıran<br />
önemli etkenlerdendir. Tarihî kent<br />
merkezlerinde, eğlence mekânları ve<br />
butik, restoran gibi ticarî alanlarla desteklenen<br />
ve yaya akışını özendiren iyi<br />
bir dolaşımın bulunması yerli halk ve<br />
turistlerin ilgisini canlı tutar. Yayaların<br />
seçmiş oldukları dolaşım yolları, bu<br />
yolların göreceli olarak ne kadar cezbedici<br />
oldukları ve üzerlerinde yer alan<br />
kısa ve orta vadeli tüketim ürünlerini<br />
barındıran işlevlerle ve bunlara bağlı<br />
alışkanlıklarla da ilgilidir (Hatz, 2006;<br />
Wang ve Lo, 2007).<br />
Sınırlı bir çevrede, küçük parseller<br />
üzerine yerleşmiş olan binaların<br />
oluşturduğu tanımlı sokaklar da yaya<br />
akışını özendirmektedir. Crampton ve<br />
Brown (2006) küçük ölçekli ve araç<br />
trafiğinin olmadığı yerlerin, yaya trafiğinde<br />
artış yarattığını, yaya olarak<br />
dolaşılan bu alanın turist tarafından<br />
olduğundan daha geniş olarak algılandığını<br />
belirtirler. Dolaşımın rahat<br />
sağlandığı bu yerlerde, bir sokak üzerine<br />
dizilmiş olan küçük ölçekli binaların<br />
giriş kapıları, oluşturdukları<br />
farklı seçeneklerle ekonomik fayda da<br />
sağlayabilmektedirler. Kemperman ve<br />
diğerlerinin 2009’da yaptığı çalışmada,<br />
turistlerin iki tarafı binalarla tanımlanmış<br />
ve uzun görüş açısı sağlayan<br />
sokakları tercih ettikleri belirlenmiştir.<br />
Bu nedenle, yaya hareketleri göz önünde<br />
tutulduğunda, tarihî kent merkezleri,<br />
birer sosyal çekim noktası olarak<br />
halen geleneksel alışverişin odağıdırlar<br />
(Ülken ve Edgü, 2005).<br />
Kentin tarihî yapısının cazibeyi arttıran<br />
bir unsur olduğunun varsayıldığı<br />
bu araştırma, yaya hareketleri ve alışveriş<br />
davranışlarına odaklanmaktadır. Bu<br />
çalışma, hem Kıbrıs Cumhuriyeti’nin,<br />
hem de Kuzey Kıbrıs Türk Cumhuriyeti’nin<br />
başkenti olan Lefkoşa’da Suriçi<br />
olarak bilinen, tarihî kent merkezinde,<br />
tüketici alışveriş davranışlarına karşılaştırmalı<br />
bir yaklaşımı benimsemiştir.<br />
Birleşmiş Milletler tarafından oluşturulan<br />
ve Yeşil Hat olarak bilinen askerî<br />
tampon bölge ile eşit olmayan iki yarıya<br />
bölünen onbir burçlu yıldız biçimli<br />
tarihî kentte merkezîlik kaybolurken,<br />
buna bağlı olarak fiziksel ve sosyal gelişim<br />
örüntüleri değişmiştir. Örneğin,<br />
tarihî şehir içindeki iş alanları, arazi fiyatlarının<br />
daha ucuz olduğu şehir dışına<br />
kaymıştır. Bu bağlamda, Türk tarafında<br />
sur duvarlarının hemen dışında<br />
yönetim ve eğitim amaçlı yapılaşma,<br />
Rum tarafında ise daha çok iş ve ticarî<br />
amaçlı bir yapılaşma gözlenmektedir.<br />
Buna karşılık, sur duvarlarının içindeki<br />
tarihî bölge, küçük butikler, yemek<br />
yeme alanları, imalâthaneler ve hediyelik<br />
eşya satan küçük dükkânların<br />
olduğu ticarî ağırlıklı bir bölgeye dönüşmüştür.<br />
Ekonomik tercihler Rum<br />
tarafındaki tarihî örüntünün yüksek<br />
katlı binalarla yer değiştirmesine neden<br />
olurken Türk tarafında yenilenme<br />
sınırlı kalmış ve özgünlük korunabilmiştir.<br />
Fiziksel ulaşılabilirliğin sosyal<br />
ve ekonomik cazibeyi güçlendirdiğinin<br />
varsayıldığı bu araştırma, iki konu üzerinde<br />
yoğunlaşmaktadır:<br />
• çizgi analizi yöntemi ile kentin<br />
üç farklı dönemdeki fiziksel<br />
örüntüsünün gelişimini ortaya<br />
koyan dizimsel ipuçlarının belirlenmesi,<br />
• tüketici davranışlarını yönlendiren<br />
işlevsel ve mekânsal örüntüleri vurgulayan<br />
yaya tercihlerinin ortaya<br />
konması.<br />
Alan çalışmasında Lefkoşa tarihî<br />
kent merkezinin 1974 öncesi, 1974 ile<br />
karşılıklı geçişlerin başladığı 2008’e<br />
kadar olan iletişimsiz dönem ve 2008<br />
sonrası açılan tek yaya gümrük kapısı<br />
(Ledra Caddesi’ne bağlanan Lokmacı<br />
kapısı) ile yeniden kurulan kuzey-güney<br />
bağlantısının incelendiği haritalarda<br />
öncelikle gerçek bütünleşme<br />
değerlerine bakılmış ve kentin özgün<br />
merkezî düzeninin geçirdiği evreler<br />
yorumlanmıştır. Diğer yandan, alışveriş<br />
davranışını belirlemek üzere<br />
kentin mevcut durumunda gözlemler<br />
yapılmış, toplanma, geçiş ve alışverişe<br />
dayalı işlevsel kullanım alanları sosyal<br />
uzaklığa bağlı olarak nisan ve mayıs<br />
aylarında iki ayrı Cuma ve Cumartesi<br />
günlerinde elde edilen onbeşer<br />
dakikalık video kayıtları ile belirlenmiştir,<br />
yaya akışı ve alışveriş torbaları<br />
sayılmıştır. Bölünmeyle birlikte tarihî<br />
kentin Bandabulya olarak bilinen geleneksel<br />
pazaryeri, bazı hanları ve arastası<br />
Türk tarafında kalırken, pahalı<br />
dükkânların yer aldığı alışveriş caddesi<br />
Rum tarafında kalmıştır. Her iki bölgede<br />
de suriçi dışında kalan alanda pazar<br />
talepleri ve güncel eğilimler baskınken,<br />
suriçinin tarihî atmosferinin cazibeyi<br />
Divided shopping: A syntactic approach to consumer behaviour
188<br />
korumaya yardımcı olduğu görülmüştür.<br />
Lefkoşa Suriçi’nin 1974 öncesi,<br />
1974-2008 arası ve 2008 sonrası artzamanlı<br />
çizgi haritalarının ortalama<br />
bütünleşme değerleri incelenmiştir.<br />
Bölünmeden önceki süreçte kentin<br />
merkezîliğinin vurgulandığı, bölünmeyle<br />
birlikte iki farklı merkez oluştuğu,<br />
güney daha ılımlı bir bütünleşme<br />
gösterirken, kuzeyde Girne kapısı aksının<br />
belirginleştiği, yeniden bağlantı<br />
sağlandıktan sonra ise kuzey aksının<br />
zayıfladığı ancak devamındaki Ledra<br />
aksının güçlendiği görülmektedir.<br />
2008 sonrasındaki alışveriş davranışını<br />
belirlemek için Rum tarafından üç<br />
adet, dağınık organik yapısı nedeniyle<br />
Türk tarafından ise altı adet 30 m çaplı<br />
düğüm noktası analiz edilerek karşılaştırılmıştır.<br />
Zemin katlarda yer alan<br />
yiyecek, giyim, elektronik eşya türündeki<br />
perakende dükkânlar bağlamında<br />
yaya ve alışveriş hareketi incelenmiştir.<br />
Bütünleşme değeri, döngüsellik, bağlaşıklık<br />
ve eşgörüş analizi gibi dizimsel<br />
bulgular, Rum tarafındaki uzun ve dar<br />
sokakların yaya akışını hareket odaklı<br />
eylemlere teşvik ederken, Türk tarafındaki<br />
kıvrımlı ve organik biçimli dar<br />
yolların yaya akışını dağıttığını göstermiştir.<br />
Alışveriş torbalarının sayısı<br />
merkezde yoğunlaşırken, sur dışına<br />
doğru azalmaktadır. Bunun yanında,<br />
tüketicilerin çizgisel sokak düzeninde<br />
bağlaşıklık ve bütünleşme değerlerinin<br />
de desteklediği gibi marka odaklı perakende<br />
tüketim eğilimleri oluşurken,<br />
dağınık organik bir düzende ise daha<br />
çok yeme-içme odaklı aktiviteye yöneldikleri<br />
belirlenmiştir. Bununla birlikte,<br />
tampon bölgenin politik olarak<br />
merak uyandıran iki tarafı da, işlevsel<br />
kullanımdan bağımsız olarak, öne çıkan<br />
çekim ve buluşma noktaları haline<br />
gelmektedir.<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • E. Edgü, M. Taluğ, N. Özgece
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • 189-207<br />
Modeling walkability: The effects<br />
of street design, street-network<br />
configuration and land-use on<br />
pedestrian movement<br />
Ayşe ÖZBİL 1 , Demet YEŞİLTEPE 2 , Görsev ARGIN 3<br />
1<br />
ayse.ozbil@ozyegin.edu.tr • Department of Interior Architecture and<br />
Environmental Design, Faculty of Architecture and Design, Ozyegin University,<br />
Istanbul, Turkey<br />
2<br />
demetyesiltepe@gmail.com • Department of Urban and Regional Planning,<br />
Faculty of Architecture, Istanbul Technical University, Istanbul, Turkey<br />
3<br />
gorsevargin@gmail.com • Department of Urban and Regional Planning, Faculty<br />
of Architecture, Istanbul Technical University, Istanbul, Turkey<br />
Received: May <strong>2015</strong> Final Acceptance: October <strong>2015</strong><br />
Abstract<br />
This study explores the relative association of street design –local qualities of<br />
street environment–, street network configuration –spatial structure of the urban<br />
grid–, and land use patterns with the distribution of pedestrian flows. The aim<br />
is to better understand the extent to which systematically measured street-level<br />
urban design qualities and objectively measured street network configuration are<br />
related to pedestrian movement, controlling for land use.<br />
20 2kmx2km areas in Istanbul were studied in order to establish correlations<br />
between street design, street configuration and densities of pedestrian movement.<br />
Pedestrian data were collected on selected road segments within the areas.<br />
Same road segments were characterized through detailed field-surveys in terms<br />
of aesthetic qualities, signage, sidewalk design, pedestrian crossings/traffic lights,<br />
ground floor uses as well as GIS-based hosing plot-level (parcel-level) land use<br />
density and street-level topography. Street network configurations within the areas<br />
were evaluated using angular segment analysis (Integration and Choice) as well as<br />
two segment-based connectivity measures (Metric and Directional Reach). Linear<br />
models were developed to investigate the relationships among street design,<br />
street network configuration, land use, and walking behavior.<br />
This study contributes to the literature by offering insights into the comparative<br />
roles of urban design qualities of the street environment and street network layout<br />
on pedestrian movement. Preliminary findings imply that notwithstanding the<br />
significance of certain aspects of the street environment that relate to local urban<br />
design qualities, the overall spatial configuration of street network may prove to<br />
be a significant variable for the description and modulation of pedestrian movement.<br />
Keywords<br />
Istanbul, Land use, Pedestrian movement, Street design, Street network configuration<br />
.
190<br />
1. Introduction<br />
Creating walkable urban environments<br />
have implications for public<br />
health and environmental welfare as<br />
well as urban sustainability (US Department<br />
of Health and Human Services,<br />
1996), but intervention strategies<br />
need to be built through empirical<br />
research that identifies correlates of<br />
walking behavior (Sallis, Owen, & Fotheringham,<br />
2000). While socio-demographic<br />
(i.e. ethnicity, income, age)<br />
correlates of walking have been widely<br />
probed in the literature (Sallis et al.,<br />
2000; Timperio et al., 2006), physical<br />
environmental variables have been<br />
studied with much less rigor. However;<br />
the limited number of studies on<br />
the link between the built environment<br />
and physical activity demonstrate that<br />
physical environmental variables are<br />
significantly associated with walking<br />
behavior controlling for socio-demographic<br />
factors (Giles-Corti & Donovan,<br />
2002).<br />
1.1. Street design, urban form and<br />
pedestrian movement<br />
Researches in health and urban design<br />
investigating the environmental<br />
correlates of walking have sufficiently<br />
documented associations between<br />
street-level design and pedestrian<br />
activity. The majority of emphasis is<br />
placed on the qualities of urban design,<br />
treated with reference to the immediate<br />
condition of individual streets. The<br />
local correlates of the street environment<br />
used in empirical studies range<br />
from the dimensions and design of<br />
sidewalks to the frontages of retail or<br />
the prevailing levels of environmental<br />
comfort that may encourage pedestrian<br />
movement (Badland & Schofield, 2005;<br />
R. Ewing, Brownson, & Berrigan, 2006;<br />
R. Ewing & Handy, 2009; Gehl, Kaefer,<br />
& Reigstad, 2006). Pedestrian safety,<br />
of course, is also shown to be a major<br />
factor in determining physical activity<br />
levels (Boarnet, Anderson, Day,<br />
McMillan, & Alfonzo, 2005). Safe and<br />
pleasant conditions encourage walking<br />
(Brown, Werner, Amburgey, & Szalay,<br />
2007; C. Brown, Jones, & Braithwaite,<br />
2007). The presence of street crossings,<br />
attractive landscaping, tree covers, and<br />
signalization (Agrawal, Schlossberg, &<br />
Irvin, 2008; Cao, Mokhtarian, & Handy,<br />
2007), as well as aesthetic or safety features,<br />
such as cleanliness, interesting<br />
sights, and architecture (Appleyard,<br />
1982; Gehl, 2011), have been shown<br />
to encourage walking in adults and<br />
children. In a literature review study<br />
in the health and behavioral sciences,<br />
Humpel, Owen, and Leslie (2002) concluded<br />
that accessibility to recreational<br />
facilities, opportunities for physical<br />
activity, and aesthetic attributes were<br />
consistently and significantly related<br />
to physical activity, while weather and<br />
safety attributes were less consistently<br />
associated with the behavior.<br />
Evaluating such local urban design<br />
attributes is clearly important<br />
in creating environments supportive<br />
of walking. However; walking is<br />
a context-dependent activity that requires<br />
navigating through spaces, not<br />
in spaces. Thus, it cannot be fully explained<br />
based on the local qualities<br />
of the individual street isolated from<br />
its surroundings. Any type of walking<br />
(exploratory or directed) requires pedestrians<br />
to explore perceptually available<br />
connections or exploit available<br />
connections that have been cognitively<br />
registered.<br />
Researchers in transportation and<br />
planning, on the other hand, have<br />
focused on urban form aspects of<br />
walkability, characterized in terms of<br />
proximity (distance) and connectivity<br />
(directness of traveled route) (Frank,<br />
2000), to uncover their associations<br />
with pedestrian movement. Proximity<br />
relates to the distance between trip<br />
origins and destinations. Proximity is<br />
measured by two urban form variables.<br />
The first is density, or compactness of<br />
land uses. Density is thought to shape<br />
pedestrian activity by bringing numerous<br />
activities closer together, thus<br />
increasing their accessibility from trip<br />
origins (Cervero & Kockelman, 1997;<br />
Krizek, 2003). It is suggested that people<br />
are willing to use slower modes of<br />
travel, such as walking, for shorter distances,<br />
especially if many trips can be<br />
chained (Frank & Pivo, 1994; Marshall<br />
& Grady, 2005). The second component<br />
of proximity is land use mix, or<br />
the distance between or intermingling<br />
among different types of land uses,<br />
such as residential and commercial<br />
uses. Similarly, land use mix increases<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • A. Özbil, D. Yeşiltepe, G. Argın
191<br />
accessibility by increasing the number<br />
of available destinations within<br />
walking range. It is argued that commingling<br />
of offices, shops, restaurants,<br />
residences and other activities influences<br />
the decisions to walk by making<br />
it more convenient to walk to shops or<br />
to get to work (Cervero, 2002; Rodri<br />
guez & Joo, 2004) while having destinations<br />
within walking distance from<br />
origins (homes, stations, schools, etc.)<br />
increases the odds of walking (Frank &<br />
Engleke, 2000; Handy & Clifton, 2001).<br />
Whereas proximity considers airline<br />
(crowfly) distances between origins<br />
and destinations, connectivity<br />
characterizes the directness of travel<br />
between households, shops and places<br />
of employment, and the number of<br />
alternative route choices within street<br />
network (Saelens, Sallis, & Frank,<br />
2003). The connectivity of street networks<br />
increases accessibility in two<br />
ways. First, it makes it more likely that<br />
a short or more direct route is available<br />
for any given pair of origin and destination.<br />
Second, the more the length of<br />
streets in a given area, the greater the<br />
number of frontages, and thus of destinations,<br />
that are likely to be available<br />
at walking range. Potentiality, defined<br />
as the availability of accessible streets<br />
and destinations offered by the urban<br />
fabric, is significantly related to pedestrian<br />
travel. Destinations are certainly<br />
an aspect of land use, but their number<br />
is generally proportional to the street<br />
length accessible within a walking distance.<br />
Fine-grained urban networks of<br />
densely interconnected streets improve<br />
transit and pedestrian travel by providing<br />
relatively direct routes, thus reducing<br />
the distance between origins and<br />
destinations.<br />
Prevalent measures of connectivity<br />
within the literature have been limited<br />
to average measures of street networks,<br />
such as block length (Cervero & Kockelman,<br />
1997), block size (Hess, Paul<br />
M.; Muodon, Anne V.; Snyder, Mary<br />
C.; Stanilov, 1999; Song, 2003), intersection<br />
density (Cervero & Radisch,<br />
1995; Reilly & Landis, 2002), percent<br />
four way intersections (M. Boarnet &<br />
Sarmiento, 1998; Cervero & Kockelman,<br />
1997), street density (S. Handy,<br />
1996; Matley, Goldman, & Fineman,<br />
2001), connected intersection ratio<br />
(Song, 2003), and link node ratio (Ewing,<br />
1996). Apart from average measures<br />
of street density, some studies<br />
have investigated the underlying differences<br />
of street types, such as the distinctions<br />
between traditional vs. suburban<br />
and grid vs. cul-de-sac, to show<br />
a statistically significant relationship<br />
between street design with a grid-like<br />
geometry and increased frequency of<br />
walking trips (Greenwald & Boarnet,<br />
2001; S. L. Handy, 1992; Rajamani,<br />
Handy, Knaap & Song, 2003; Shriver,<br />
1997). However; the foregoing findings<br />
underline the multi-collinearity<br />
between such measures, hence the ambiguity<br />
of specific recommendations<br />
with regard to street network design.<br />
A number of studies have attempted<br />
to improve the explanatory power of<br />
street network design by developing<br />
composite variables that account for<br />
multiple dimensions of urban form,<br />
such as the “Pedestrian Environmental<br />
Factor” (Parsons Brinkerhoff Quade<br />
and Douglas Inc. et al. 1993) or walkability<br />
index” (Goldberg et al., 2007).<br />
1.2. Spatial configuration and pedestrian<br />
movement<br />
While most of these studies show<br />
positive associations between measures<br />
of connectivity and walking, recent papers<br />
point out that many of these positive<br />
associations are weak, even when<br />
statistically significant (Handy, 2005;<br />
Oakes, Forsyth, & Schmitz, 2007; Rodríguez,<br />
Aytur, Forsyth, Oakes, & Clifton,<br />
2008). One reason is the absence<br />
of measures that can systematically<br />
characterize the spatial structures of<br />
urban street networks at various scales<br />
and hierarchies. The significance of<br />
spatial structure in affecting pedestrian<br />
movement has been addressed through<br />
the framework of configurational analysis<br />
of space syntax. The methodology<br />
of space syntax involves measuring the<br />
accessibility of all parts of a network<br />
under consideration from each individual<br />
street element. The intent is to<br />
provide a generalized description of<br />
spatial structure and connectivity hierarchy<br />
without evoking information<br />
about land use or making assumptions<br />
about desirable or typical trips. In the<br />
case of space syntax, particular attention<br />
is given to the number of direc-<br />
Modeling walkability: The effects of street design, street-network configuration and land-use on<br />
pedestrian movement
192<br />
tion changes that are needed in order<br />
to move from one location to another.<br />
The claim that the ordering of connectivity,<br />
measured by direction changes,<br />
plays an important role in determining<br />
the distribution of movement is consistent<br />
with research findings in spatial<br />
cognition which suggest that direction<br />
changes, as an aspect of configuration,<br />
are related with the cognitive<br />
effort required to navigate through an<br />
area (Bailenson, Shum, & Uttal, 2000;<br />
Crowe, Averbeck, Chafee, Anderson,<br />
& Georgopoulos, 2000; B. Hillier &<br />
Iida, 2005; Jansen-Osmann, P.; Wiedenbauer,<br />
2004; Montello, 1991; Sadalla<br />
& Magel, 1980). Earlier studies have<br />
shown that road segments that are accessible<br />
from their surroundings with<br />
fewer direction changes tend to attract<br />
higher flows (Hillier, Penn, Hanson,<br />
Grajewski, & Xu, 1993; Peponis, Ross,<br />
& Rashid, 1997). Recent research has<br />
demonstrated street network design to<br />
be significantly related to recreational<br />
(Lee & Moudon, 2006) as well as transportation<br />
walking behaviors (Ozbil &<br />
Peponis, 20<strong>12</strong>). Since walking occurs<br />
according to the fine grain of environment<br />
as well as according to its larger<br />
scale structure, appropriately discriminating<br />
measures of street connectivity<br />
are critical for designing for walkability.<br />
This study contributes to the literature<br />
by offering insights into the<br />
comparative roles of street design –local<br />
qualities of street environment–,<br />
street network configuration –spatial<br />
structure of the urban grid–, and land<br />
use patterns with the distribution of<br />
pedestrian flows. The aim is to better<br />
understand the extent to which systematically<br />
measured street-level urban<br />
design qualities and objectively<br />
measured street network configuration<br />
are related to pedestrian movement,<br />
controlling for land use.<br />
1.3. The case of Anatolian part of Istanbul<br />
The study areas are drawn from diverse<br />
neighborhoods that vary substantially<br />
in walkability (street connectivity<br />
patterns), as well as their<br />
locations within the city (Figure 1).<br />
Kadıköy and Üsküdar are central-city<br />
districts, which include some of the<br />
most densely walked street segments<br />
within the city. Ataşehir, which became<br />
a district in 2008, is a contemporary<br />
in-town environment with high-end<br />
residential gated-communities and office<br />
skyscrapers while Ümraniye and<br />
Kartal are peripheral districts. The underlying<br />
reason for studying the Anatolian<br />
part is due to the different urban<br />
patterns dominating each continent.<br />
The European part is mostly dominated<br />
by high-rise mass housing, service<br />
and commercial land uses, whereas the<br />
Anatolian part reflects mostly a residential<br />
character with mixed land uses<br />
prevailing the central parts. Although<br />
the selected areas represent a small<br />
cross-section of the entire city, the sum<br />
of their population equals to one-sixth<br />
of Istanbul’s total population.<br />
Table 1 presents a quantitative profile<br />
of the selected areas in terms of<br />
street patterns, population density,<br />
movement densities and land use compositions<br />
summarized based on their<br />
districts. This preliminary benchmarking<br />
demonstrates notable differences<br />
between areas. The population densities<br />
of the areas, calculated on the<br />
basis of the census blocks associated<br />
with the street segments for which pedestrian<br />
counts were taken, range from<br />
145 to 290 per hectare with Üsküdar,<br />
Figure 1. Locations of (a) selected districts and surveyed areas.<br />
Maps are colored based on (b) Metric Reach (800m), and (c)<br />
boundaries of the selected districts.<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • A. Özbil, D. Yeşiltepe, G. Argın
Ataşehir and Kadıköy having similar<br />
densities. The mean density of moving<br />
pedestrians per 100m is 38, 29, 24, 24,<br />
and 19 for Ümraniye, Kartal, Ataşehir,<br />
Kadıköy, and Üsküdar respectively.<br />
The areas summarized in terms of their<br />
districts also differ significantly in their<br />
average street density. Average metric<br />
193<br />
reach, from high to low, is consistently<br />
in descending order from Ümraniye to<br />
Üsküdar, Ataşehir, Kadıköy and Kartal<br />
for 2km radii. However, Kadıköy<br />
has the highest two-directional reach,<br />
whereas Üsküdar and Kartal have similar<br />
lower averages. The magnitude of<br />
land use densities follows the same or-<br />
Table 1. Urban form characteristics of selected areas summarized in terms of their districts.<br />
Ataşehir Kadıköy Kartal Ümrani<br />
ye<br />
Üsküdar<br />
Numbers of selected areas and audited<br />
segments<br />
Number of 2kmx2km areas selected 4 6 3 3 4<br />
Number of segments audited 158 238 <strong>12</strong>0 116 158<br />
Densities of residential population and<br />
pedestrians<br />
Average population density per hectares 202 201 170 145 209<br />
Average number of pedestrians per 100m 23.98 23.87 29.16 37.59 18.66<br />
Characteristics of street network configuration<br />
Average Metric Reach (1600 m) 61.45 54.83 54.71 77.49 62.39<br />
Average 2-Directional Reach (20 o ) 5.07 8.08 4.14 5.93 3.25<br />
Average global Integration (n) 6373 6162 5309 6644 5919<br />
Average global Choice (n) (in millions) 331 346 225 603 183<br />
Land use characteristics (in thousands)<br />
Average total residential sq mt 857 855 706 999 836<br />
Average total non-residential sq mt 188 167 240 238 46<br />
Average total sq mt 1046 1022 946 <strong>12</strong>37 882<br />
mixed-use entropy index 0.38 0.37 0.57 0.44 0.19<br />
Figure 2. (a) Graphic representation of observed pedestrian densities through circles of<br />
differing diameters denoting the differing densities of observed movements. (b) Location of<br />
pedestrian observations on the configurational map showing metric/directional accessibility<br />
according to Metric Reach (1600mt). Dark-to-light lines denote higher-to-lower metric<br />
accessibility within the overall Anatolian part of the city.<br />
Modeling walkability: The effects of street design, street-network configuration and land-use on<br />
pedestrian movement
194<br />
der as that of street density. Ümraniye<br />
and Kartal have the highest land use<br />
intensifications while Üsküdar has the<br />
lowest total land use density. Non-residential<br />
land use density is highest in<br />
Kartal and Ümraniye, which also have<br />
relatively higher mixed-use entropy<br />
indices, and lowest in Üsküdar, which<br />
is primarily a residential district. In<br />
terms of residential building square<br />
meter, Ümraniye has the highest density<br />
while Kadıköy, Ataşehir and Üsküdar<br />
are found to have similar densities<br />
for the 2-kilometer buffer range with<br />
Kartal having the lowest density.<br />
Overall, the initial tabulation suggests<br />
a strong correspondence between<br />
the average volume of pedestrian<br />
movement and the average density of<br />
streets and land development. As higher<br />
development densities are located<br />
in areas with denser street networks,<br />
it seems plausible that the association<br />
between pedestrian density and street<br />
density is a by-product of land use. In<br />
the next section, however, the examination<br />
of the data at street segment level<br />
suggests that street connectivity has a<br />
strong role in determining the distribution<br />
of pedestrian density across and<br />
within areas.<br />
2. Methodology<br />
This study was conducted in 5 consecutive<br />
stages. In the first stage, data<br />
on actual pedestrian volumes were<br />
recorded by conducting on-site observations<br />
in the selected areas. In the<br />
second stage, detailed field surveys<br />
were conducted to assess the degree of<br />
street-level accessibility and pedestrian<br />
quality. In the third stage, GIS-based<br />
plot-level land use compositions were<br />
measured at the street-segment scale.<br />
In the fourth stage, street network<br />
configuration of the Anatolian part of<br />
Istanbul was evaluated using various<br />
topo-geometric configurational measures.<br />
In the last stage, the associations<br />
between distribution of pedestrian<br />
movement, street design qualities,<br />
street-level land use compositions,<br />
and street network configuration were<br />
studied using linear statistical analyses.<br />
2.1. Pedestrian observations<br />
Due to resource limitations, only<br />
40 street segments within each 2kmx-<br />
2km study area were audited. The selection<br />
of audited street segments were<br />
based on two criteria: (1) not a deadend<br />
street, (2) representative of a wide<br />
range of configurational qualities of the<br />
street network. These sampling criteria<br />
Figure 3. (a) Land use compositions within a selected 2x2km urban area, and (b) gross<br />
densities of buildings that have their access on the individual road segment associated with<br />
each segment along the path.<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • A. Özbil, D. Yeşiltepe, G. Argın
195<br />
ensured consistency among the sampled<br />
segments in terms of the overall<br />
pedestrian facilities. Based on these<br />
criteria, audited-segments were selected<br />
to include street-segments with differing<br />
structural levels (Figure 2).<br />
2.2. Field surveys<br />
Street segments were characterized<br />
through detailed field surveys in terms<br />
of the pedestrian quality attributes that<br />
are shown to affect navigation in urban<br />
environments through their impacts<br />
on pedestrians’ perceptions. These include<br />
accessibility –sidewalk width<br />
(average width on both sides) and<br />
maintenance; street sign (presence of<br />
street name on audited segment); safety<br />
(number of pedestrian crossings and<br />
traffic-signals on audited segments relativized<br />
by street length; average width<br />
of buffer between the sidewalk and the<br />
streets on both sides as well as posted<br />
speed limit on the audited segment);<br />
aesthetics –enclosure along sidewalks<br />
(average building setback from the<br />
sidewalk) and street trees (presence of<br />
trees on either side of the audited segment);<br />
street-front land uses (number<br />
of residential and non-residential land<br />
uses opening directly on each individual<br />
street segment relativized by street<br />
length); as well as street level topography<br />
(average degree of slope along<br />
the audited street segment). Since this<br />
study is quantitative in nature, soft-architectural-parameters,<br />
such as smell,<br />
noise and light, which are harder to<br />
quantify were not considered in the<br />
field surveys.<br />
Hence, a total number of 800 street<br />
segments were audited, and the average<br />
length of audited segments was<br />
88.87 meters. Street segments whose<br />
total length was
196<br />
Angular Choice which measures how<br />
many times a space is selected on journeys<br />
between all pairs of origins and<br />
destinations (Hillier & Iida, 2005). In<br />
other words, integration measures how<br />
easy it is to access one space (road segment)<br />
from all others in the network;<br />
whereas Choice measures how likely<br />
it is for a space to be selected moving<br />
from one space to another in the network<br />
(Hillier & Iida, 2005). These two<br />
measures represent the to and through<br />
movement potentials of the street segments<br />
(Hillier, Yang, & Turner, 20<strong>12</strong>).<br />
Choice and Integration at radii 400-,<br />
800-, and 1600-meter were calculated.<br />
Street network configuration of the<br />
entire region was evaluated by using<br />
two parametric segment-based measures<br />
of connectivity (Peponis, Bafna,<br />
& Zhang, 2008). Metric Reach captures<br />
the density of streets and street connections<br />
accessible from each individual<br />
road segment. This is measured by<br />
the total street length accessible from<br />
each road segment moving in all possible<br />
directions up to a parametrically<br />
specified metric distance threshold.<br />
Directional Reach measures the extent<br />
to which the entire street network is<br />
accessible with few direction changes.<br />
This is measured by the street length<br />
which is accessible from each road segment<br />
without changing more than a<br />
parametrically specified number of directions.<br />
Metric Reach was computed<br />
for 1600-, 800- and 400-meter walking<br />
distance thresholds. Directional Reach<br />
was computed for two direction changes<br />
subject to a 20° angle threshold. The<br />
20° angle threshold was selected to set<br />
the threshold low enough to make the<br />
analysis sensitive to street sinuosity.<br />
Computing directional reach for two<br />
direction changes provides an estimate<br />
of how well a street segment is embedded<br />
in its surroundings from the point<br />
of view of directional distance. In other<br />
words, it takes high values as streets<br />
become more linearly extended and<br />
as intersections to other linearly extended<br />
streets become denser. Figure<br />
4 illustrates Integration and Choice at<br />
a radius of 800 meters, Metric Reach<br />
(800m), and 2-directional Reach (20 o )<br />
respectively.<br />
2.5. Statistical analyses<br />
Multivariate regression analyses<br />
were conducted to examine the associations<br />
between street-level urban design<br />
features, land use characteristics,<br />
and street-network configuration in explaining<br />
the distribution of pedestrian<br />
densities. The analyses were conducted<br />
in two stages. In the first stage, density<br />
of pedestrian flows was modeled for all<br />
areas considered as a single set. Street<br />
design measures were entered into the<br />
regression first to allow for the evaluation<br />
of these variables in context relative<br />
to other factors affecting pedestrian<br />
behavior. Configurational measures<br />
and land use variables were then added<br />
into the model respectively to demonstrate<br />
the effect of adding each to the<br />
model and to identify the comparative<br />
effect and significance levels of each<br />
measure. In the second stage of analyses,<br />
separate multivariate regression<br />
models were estimated for the distribution<br />
of movement densities within<br />
the individual areas summarized according<br />
to their districts. Since configurational<br />
measures computed for 800<br />
meter radius produced higher coefficients<br />
in the analyses, these measures<br />
are reported in the following tables.<br />
Logarithmic transformation was applied<br />
to the dependent variable (pedestrian<br />
density relativized by 100m) as its<br />
distribution indicated some degree of<br />
skewness.<br />
3. Results<br />
3.1. Regression analyses for all areas<br />
considered as a single set<br />
Table 2 summarizes the results of<br />
regression models for 3 sets of models<br />
estimating the distribution of pedestrian<br />
densities for all areas considered<br />
as a single set. For street design measures,<br />
the most significant correlate of<br />
movement density is average sidewalk<br />
width. In fact the impact of average<br />
sidewalk width along road segments<br />
on the distribution of movement is<br />
quite consistent even when configurational<br />
and land use variables are added.<br />
The results indicate that movement<br />
densities increase with increased sidewalk<br />
width and sidewalk maintenance<br />
along the segments. Surprisingly, the<br />
signs of speed limit and the presence of<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • A. Özbil, D. Yeşiltepe, G. Argın
Figure 5. Scatter plot showing the natural log of pedestrian<br />
movement densities by the multivariate regression model.<br />
197<br />
street trees are positive and negative respectively,<br />
which is contrary to a priori<br />
expectations and earlier results. This<br />
may be due to the fact that there is not<br />
enough variability among the selected<br />
areas in terms of street speed limits<br />
(min. 10km/hour; max. 45 km/hour)<br />
and tree aligned streets. Average road<br />
segment slope is negatively and significantly<br />
associated with movement densities.<br />
Indeed the impact of street-level<br />
gradient on the distribution of movement<br />
is quite consistent across models<br />
suggesting that increased wavy topography<br />
hinders the willingness to walk.<br />
The inclusion of configurational<br />
measures, Choice and Integration at radius<br />
800 meters as well as Metric Reach<br />
(800m) and 2-Directional Reach (20 o ),<br />
adds a considerable increase of 14%<br />
(p
198<br />
measures and pedestrian flows are<br />
statistically significant for the objective<br />
GIS-based measures of residential<br />
and non-residential land uses<br />
(both the number of frontages and the<br />
gross densities) at the road segment<br />
scale. The most significant predictor<br />
of movement densities is the number<br />
of non-residential uses having direct<br />
access from the road segments. The<br />
results indicate that movement densities<br />
are significantly associated with<br />
both increased number of active uses<br />
and increased non-residential land<br />
use density as well as with decreased<br />
number of residential uses along road<br />
segments across areas. This suggests<br />
that increasing non-residential activities<br />
both at the ground floor level and<br />
the road segment scale and reducing<br />
residential uses would significantly<br />
increase pedestrian movement densities.<br />
Figure 5 illustrates the scatter plot<br />
showing the natural log of pedestrian<br />
densities as affected by variables in the<br />
multivariate regression model and Figure<br />
6 shows the prediction equations<br />
for each variable in the model.<br />
Finally, street-level urban design<br />
quality attributes, configurational<br />
measures and land uses were entered<br />
together into a stepwise regression<br />
based on the forward selection method<br />
to compare each variable’s individual<br />
contribution and to identify the<br />
significant variables in explaining the<br />
distribution of pedestrian flows (Table<br />
3). The results are similar with the previous<br />
multivariate regression models.<br />
The number of non-residential land<br />
uses associated with road segments<br />
(positive) entered the model as the<br />
most significant predictor. In fact, active<br />
frontages on the ground floor at<br />
the road segment scale alone explain<br />
35% of the variation in movement densities.<br />
From street network configuration<br />
measures Integration within 800<br />
meters is the most significant variable.<br />
This indicates that to-movement within<br />
urban areas is positively associated<br />
with the choice to walk. 2-Directional<br />
Reach (20 o ), Metric Reach (800m) and<br />
Choice at a radius of 800 meters also<br />
entered the model as significant variables<br />
along with the number of residential<br />
uses, average slope, non-residential<br />
density, setback distance, and<br />
sidewalk maintenance, but with much<br />
less contribution to the overall model.<br />
While adding Integration and av-<br />
Figure 6. Prediction equations for the variables in the multivariate regression model.<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • A. Özbil, D. Yeşiltepe, G. Argın
Table 3. Parameter estimates for the stepwise regression model<br />
estimating the distribution of movement densities for all areas<br />
considered as a single set.<br />
#non-residential<br />
(100m)<br />
uses<br />
R 2 β AIC p value<br />
0.35 0.07 2288.61 0.00<br />
Integration (800m) 0.41 0.00 2213.3 0.02<br />
avg. sidewalk width 0.46 0.00 2140.23 0.00<br />
#residential uses (100m) 0.48 -0.03 2<strong>12</strong>1.08 0.00<br />
2-Directional<br />
(20 o )<br />
Reach<br />
0.49 0.02 2111.41 0.00<br />
Metric Reach (800m) 0.50 0.05 2098.94 0.00<br />
avg. slope 0.50 -0.08 2091.14 0.00<br />
Choice (800m) 0.51 0.00 2086.<strong>12</strong> 0.01<br />
non-residential density<br />
(100m)<br />
0.51 0.00 2082.25 0.02<br />
setback distance 0.51 0.00 2079.56 0.03<br />
sidewalk maintenance 0.51 0.00 2078.85 0.08<br />
residential density 0.52 0.00 2079.55 0.14<br />
traffic signal existence<br />
[no]<br />
0.52 0.00 2082.00 0.40<br />
avg. buffer width 0.52 0.00 2083.50 0.83<br />
street names [no] 0.52 0.00 2085.24 0.64<br />
crosswalk existence 0.52 0.00 2089.04 0.62<br />
street trees [no] 0.52 0.00 2091.11 0.31<br />
speed limit 0.52 0.00 2093.23 0.58<br />
N 790<br />
erage sidewalk width to the model<br />
results in a consequential increase in<br />
the predictive power of the model (R 2<br />
change=7-6%; p
200<br />
be statistically significant for two areas<br />
(Üsküdar and Ümraniye respectively)<br />
at a 95% confidence level. This implies<br />
that pedestrian movement at the road<br />
segment scale is significantly shaped<br />
by the potentiality of a street for metric<br />
and directional accessibility rather<br />
than both for through- and to-movement.<br />
The evidence relating street design<br />
factors to walking is stronger for some<br />
of the measures. Average sidewalk<br />
width is positively and significantly associated<br />
with pedestrian flows across<br />
all models (except for Kadıköy, which<br />
has more or less a uniform standard<br />
of sidewalk width), while average road<br />
segment slope is negatively and significantly<br />
associated with movement for<br />
all areas (except for Kadıköy and Ümraniye,<br />
which have relatively smooth<br />
terrain). On the other hand, no other<br />
consistent associations are found for<br />
the rest of the street design variables.<br />
4. Conclusions<br />
The findings of this research lend<br />
specific support for three key findings,<br />
which may have implications for urban<br />
planning and urban design decisions<br />
aimed to reduce automobile dependence<br />
and induce non-auto commuting.<br />
These will be summarized under<br />
three headings: street network configuration,<br />
street design, and land use.<br />
#1. Street network configuration is<br />
strongly associated with the distribution<br />
of pedestrian movement. The findings<br />
presented in this article confirm that the<br />
spatial structure of urban areas plays a<br />
significant role in the way movement<br />
densities of pedestrians are distributed<br />
in the city. It is shown that street network<br />
configuration, measured through<br />
syntactic measures of Integration and<br />
Choice at a radius of 800 meters as well<br />
as connectivity measures Metric Reach<br />
(800m) and 2-Directional Reach (20 o ),<br />
is strongly associated with movement<br />
densities when controlling for land use<br />
characteristics as well as street design<br />
attributes at the road segment scale.<br />
Linear models developed suggest that<br />
rather than the to- or through-movement<br />
potential of road segments, the<br />
density of street intersections has a<br />
greater impact on the distribution of<br />
flows. However, the results presented<br />
Table 4. Parameter estimates for the multivariate regression model<br />
estimating the distribution of movement densities for Kadıköy.<br />
here also underscore the significance of<br />
the spatial structure of street networks,<br />
specifically the alignment of streets<br />
and the directional distance hierarchy<br />
engendered by the street network. The<br />
fact that direction changes are as important<br />
as metric distance in describing<br />
street network configuration points<br />
to the role of cognitive factors. While<br />
Metric Reach extends uniformly along<br />
the streets surrounding a given road<br />
segment, Directional Reach may exβ<br />
t std β<br />
avg. slope 0.04 0.49 0.03<br />
setback distance 0.00* 2.26* 0.<strong>12</strong>*<br />
avg. sidewalk width 0.00 1.17 0.09<br />
avg. buffer width 0.00 0.11 0.01<br />
sidewalk maintenance 0.17 0.89 0.05<br />
street trees [no] -0.02 -0.30 -0.02<br />
crosswalk existence [no] -0.13* -2.01* -0.10*<br />
traffic signal existence [no] -0.11 -1.36 -0.07<br />
street names [no] 0.02 0.42 0.02<br />
speed limit 0.01 0.79 0.05<br />
Integration (800m) 0.00 0.40 0.03<br />
Choice (800m) 0.00 1.04 0.07<br />
Metric Reach (800m) 0.03 1.10 0.08<br />
2-Directional Reach (20 o ) 0.02 3.75 0.20<br />
#residential land use (100m) -0.05* -3.21* -0.19*<br />
#non-residential land use (100m) 0.06 8.38 0.49<br />
residential land use density (100m) 0.00 0.56 0.04<br />
non-residential land use density (100m) 0.00* 2.09* 0.11*<br />
N: 238<br />
R 2 0.57<br />
R 2 adjusted 0.53<br />
Bold: p
201<br />
Table 6. Parameter estimates for the multivariate regression model<br />
estimating the distribution of movement densities for Ümraniye.<br />
of distance and time, but they do not<br />
take into account the intelligibility of<br />
urban form. Integrating considerations<br />
of intelligibility can lead to enhanced<br />
models of urban form and function.<br />
The analyses presented in this paper<br />
suggest that it is possible to incorporate<br />
measures of street density and measures<br />
of cognitively significant configurational<br />
variables in the same model.<br />
However; it should be noted that the<br />
effect of spatial structure is not to determine<br />
pedestrian volume, but rather<br />
to explain how it is distributed. This<br />
is important for urban planners from<br />
the point of view of designing for urban<br />
liveliness. Space can shape land use<br />
patterns and urban densities, which are<br />
essential elements of lively cities, by affecting<br />
the distribution of pedestrian<br />
movement. To ensure urban liveliness<br />
the spatial configuration of an urban<br />
area must modulate movement densities<br />
in an economically viable manner<br />
to encourage multiple functions to occur<br />
simultaneously.<br />
#2. Higher non-residential land uses<br />
designed at the ground floor level encourage<br />
walking. The spatial structure<br />
of street network does not work independently<br />
of land use. On the contrary,<br />
based on the standardized coefficients<br />
estimated in regression models, number<br />
of active uses opening directly onto<br />
the street segment is the main driver<br />
of the distribution of flows both for all<br />
areas considered as a single set and for<br />
individual areas summarized within<br />
their districts. This supports the findings<br />
of various studies highlighting<br />
the significance of the availability of<br />
non-residential destinations nearby<br />
pedestrian-oriented nodes, such as<br />
schools and transit stations, in walking<br />
behavior (Cervero, 2002; Lee, Zhu,<br />
Yoon, & Varni, 2013). To better understand<br />
the associations between land<br />
use compositions and movement densities,<br />
street segments are categorized<br />
in terms of their ground floor designs<br />
based on the number of non-residential<br />
uses associated with each segment,<br />
as developed by Gehl et al. (2006) and<br />
Gehl (2010). Streets are classified into<br />
4 types: active/friendly (≥10 active uses<br />
per 100m with mostly small units);<br />
mixture (6-10 active uses with a mix of<br />
large and small units); boring (2-5 acβ<br />
t std β<br />
avg. slope -0.03 -0.47 -0.03<br />
setback distance 0.00 0.52 0.04<br />
avg. sidewalk width 0.00* 2.14* 0.18*<br />
avg. buffer width — — —<br />
sidewalk maintenance -0.25 -1.10 -0.08<br />
street trees [no] -0.02 -0.18 -0.01<br />
crosswalk existence [no] -0.05 -0.24 -0.02<br />
traffic signal existence [no] 0.22 0.82 0.07<br />
street names [no] 0.00 0.00 0.00<br />
speed limit -0.00 -0.39 -0.03<br />
Integration (800m) 0.00 0.25 0.03<br />
Choice (800m) 0.00* 2.29* 0.25*<br />
Metric Reach (800m) 0.10 1.78 0.17<br />
2-Directional Reach (20 o ) 0.05* 2.47* 0.18*<br />
#residential land use (100m) -0.02 -0.66 -0.10<br />
#non-residential land use (100m) 0.05 2.69 0.30<br />
residential land use density (100m) 0.00 0.74 0.10<br />
non-residential land use density (100m) 0.00 1.44 0.<strong>12</strong><br />
N: 116<br />
R 2 0.60<br />
R 2 adjusted 0.53<br />
Bold: p
202<br />
tive uses with many blind or uninteresting<br />
units); and inactive (0-2 active<br />
uses with blind or passive units). Here<br />
active uses indicate land uses, such as<br />
retail, office and commercial establishments,<br />
dependent on passerby movement<br />
for economic viability. Figure 7<br />
shows street scenes from four different<br />
study areas demonstrating the classification<br />
of street types based on their<br />
ground floor design.<br />
The Student’s t test (p
203<br />
Table 9. Results of comparisons of means of street types using Student’s t test.<br />
type type difference std err dif lower CL upper CL p-value<br />
4 1 2.1507 0.0945 1.9651 2.3363
204<br />
el can mediate between urban design<br />
and architectural design given the fact<br />
that the urban situations of buildings<br />
and land uses that can be accommodated<br />
at the ground level are sensitive<br />
to frontage and the character of the associated<br />
street. Therefore, future studies<br />
should focus on different attributes<br />
of street design, including but not limited<br />
to street widths, in conjunction<br />
with street network configuration and<br />
land use compositions both at ground<br />
floor-level and road segment-scale.<br />
Acknowledgements<br />
The authors would like to thank Dr.<br />
Fatih Terzi for his invaluable support<br />
with the analyses. This study was funded<br />
through The Scientific and Technological<br />
Research Council of Turkey<br />
(TUBITAK 113K796).<br />
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Timperio, A., Ball, K., Salmon, J.,<br />
Roberts, R., Giles-Corti, B., Simmons,<br />
D., Baur, L. A., & Crawford, D. (2006).<br />
Personal, family, social, and environmental<br />
correlates of active commuting<br />
to school. American Journal of Preventive<br />
Medicine, 30(1), 45–51.<br />
Turner, A. & Friedrich, E. (2010-<br />
2011). Depthmap Software, Version<br />
10.14.00b. University College London:<br />
London.<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • A. Özbil, D. Yeşiltepe, G. Argın
207<br />
Yürünebilirliğin modellenmesi:<br />
sokak tasarımı, yol-ağı örgütlenmesi<br />
ve arazi kullanımının yaya<br />
hareketine etkisi<br />
Bu çalışma sokak tasarımı –sokak<br />
çevresinin yerel nitelikleri-, yol-ağı örgütlenmesi<br />
–kentsel dokunun mekânsal<br />
yapısı-, ve arazi kullanım örüntüsünün<br />
yaya hareket dağılımıyla olan<br />
ilişkisini incelemektedir. Çalışmanın<br />
amacı, sistematik olarak ölçülen yol<br />
ölçekli kentsel tasarım nitelikleri ile<br />
nesnel olarak ölçülen yol-ağı örgütlenmesinin<br />
yaya hareketi ve arazi kullanımı<br />
ile arasında ne derecede bir bağıntı<br />
olduğunu ortaya koymaktır.<br />
Sokak tasarımı, yol örgütlenmesi ve<br />
yaya hareket yoğunlukları arasındaki<br />
bağıntıyı ortaya koymak için İstanbul’un<br />
Anadolu yakasında seçilen 20<br />
adet 2kmx2km’lik alan çalışılmıştır.<br />
Yaya yoğunlukları ile ilgili veriler alan<br />
içinden seçilen yol-parçalarında gerçekleştirilen<br />
yaya sayımları aracılığıyla<br />
elde edilmiştir. Aynı yol-parçaları; estetik<br />
nitelikler, sokak işaretleri, kaldırım<br />
tasarımı, yaya geçitleri/trafik ışıkları,<br />
giriş katı kullanımları ve CBS kaynaklı<br />
parsel ölçekli arazi kullanım yoğunlukları<br />
ve sokak ölçekli topografya verileri<br />
bağlamında detaylı saha analizlerine<br />
tabi tutulmuştur. Alanlardaki yol-ağı<br />
örgütlenmesi açısal yol-parçası analizi<br />
(Bütünleşme ve Tercih) ile parametrik<br />
bağıntılılık ölçütleri (Metrik ve Açısal<br />
Erişim) ile değerlendirilmiştir. Sokak<br />
tasarımı, yol-ağı örgütlenmesi, arazi<br />
kullanımı ve yürüme davranışı arasındaki<br />
ilişkiyi incelemek için doğrusal<br />
modelleme yöntemi kullanılmıştır.<br />
Bu çalışma, sokak çevresinin kentsel<br />
tasarım niteliklerinin ve sokak ağı<br />
örüntüsünün yaya hareketi üzerindeki<br />
karşılaştırmalı rollerine dair ortaya<br />
koyduğu bulgularla önceki çalışmalara<br />
katkıda bulunmaktadır. Ön bulgular;<br />
-sokak çevresinin yerel kentsel tasarım<br />
nitelikleriyle ilintili bazı özelliklerinin<br />
önemi göz ardı edilmeksizin- yol ağının<br />
genel mekânsal örgütlenmesinin,<br />
yaya hareketinin tanımlanması ve düzenlemesinde<br />
önemli bir değişken olduğunu<br />
göstermektedir.<br />
Modeling walkability: The effects of street design, street-network configuration and land-use on<br />
pedestrian movement
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • 209-225<br />
Does favorite design lead to good<br />
design?: Taxi design competitions<br />
in Istanbul and New York City<br />
Harun EKİNOĞLU 1 , Gülname TURAN 2<br />
1<br />
harun.ekinoglu@gmail.com • Department of City and Regional Planning,<br />
Graduate School of Science, Engineering and Technology, Istanbul Technical<br />
University, Istanbul, Turkey<br />
2<br />
gulname.turan@gmail.com • Department of Industrial ProductDesign, Faculty<br />
of Architecture, Istanbul Technical University, Istanbul, Turkey<br />
Received: May 2014 Final Acceptance: June <strong>2015</strong><br />
Abstract<br />
The changes in both urban and national bureaucracy over the last few decades<br />
have been described as a shift from “government” to “governance” or as a move<br />
from the “old government” to “new governance” (Kjaer, 2009, p. 138). A shift in<br />
the public affairs from old public management to the new public management has<br />
reasoned the emergence of pluralism and open-discussion platforms into the public<br />
tradition, which has also triggered a new paradox: The challenge of pluralism.<br />
Although pluralism is an essential ingredient of participation, it accommodates<br />
difficulties. The society consists of a huge diversity of different social, cultural, anthropological<br />
and emotional attachments. We have different moral codes. When<br />
our design ideas compete, so do our values and societal commitments. We recognise<br />
those tensions in the rival claims of ideology, ethnicity, gender, religion and<br />
locality (Bellamy, 1999, p. 1). Within this article the struggle between the searches<br />
for good design vs. popular phenomena is being questioned out of Istanbul and<br />
New York City’s (NYC) taxi design competitions’ methodologies and results. Experiences<br />
revealed from both case studies prove that the challenge between the<br />
popular taste and search for good design may not always promote either design<br />
itself or the promoter.<br />
Keywords<br />
Design, Society, Good design, Popularity, Competition, Governance.
210<br />
1. Introduction<br />
1.1. Theoretical approach<br />
According to Kjaer (2009), since the<br />
1980s, public administration has been<br />
reformed towards a new focus and<br />
hierarchy between politics and public<br />
administration through the term<br />
governance. This was also a shift to an<br />
organisational set up emphasising the<br />
functionalities of the networks and<br />
juxtaposing roles of politicians, public<br />
administrators and civic actors (Kjaer,<br />
2009, p. 138). This is no less the case<br />
in the local state where the change has<br />
been described as a move from “local<br />
government” to “community governance”.<br />
Urban Governance theory thus<br />
highlights changes in urban bureaucracy<br />
such as the move towards a blurring<br />
of public private boundaries, the rise of<br />
an increasing number of governance<br />
networks and a greater inclusion of<br />
actors other than the local state in the<br />
pursuit of community goals (Kjaer,<br />
2009, p. 138).<br />
In late 1960s, rationalist architects<br />
such as Christopher Jones, Christopher<br />
Alexander, Tom Markus and Ray<br />
Studer claimed that considering some<br />
mathematical models could objectify a<br />
better programmed decision-making<br />
process (Broadbent, 1980). However,<br />
by the 1970s these highly rationalist<br />
design methods had been rejected<br />
since they were also setting the goals<br />
in a top-down approach defining the<br />
problems away from a world made up<br />
of a great diversity of values and priorities<br />
(Comeiro, 1990). Scholars underlined<br />
the difficulties faced when applying<br />
mechanical-rationalistic methods<br />
to design problems. Contemporary<br />
society has complicated issues related<br />
to everyday urban life that straight<br />
methods of planning can no more<br />
deal with. Conventional approaches<br />
to already defined problems could no<br />
longer be adapted to the wide array of<br />
today’s wicked problems which are in<br />
fact symptoms of some other everyday<br />
problems with no formulated solutions.<br />
Different layers of the society<br />
with different value judgements would<br />
no longer face the problems triggered<br />
by some other problems with the same<br />
set of criteria. There is no common<br />
“true” or “false” where of incomplete<br />
and contradictory knowledge with a<br />
vast amount of people and opinions<br />
involved. In such ambiguity, the search<br />
of a solution that works for everyone<br />
becomes a useless struggle with conventional<br />
top-down decision making<br />
traditions (Comeiro, 1990). Thus urban<br />
life-related design problems would<br />
be best solved in a process that paves<br />
the way for direct involvement and<br />
deliberative dialogue among the all<br />
concerned ones. Hence, design comes<br />
up as a public discourse and paves the<br />
way for public debate in order to expose<br />
and spread the current state of art<br />
knowledge about the problem, since no<br />
one in fact has expertise to come with<br />
a solution. Fischer (2000) in “Symmetry<br />
of Ignorance” draws a core understanding<br />
and states that individuals are<br />
not equal in what they know, but in<br />
what they do not know. The knowledge<br />
or the opinion that each of us has, may<br />
greatly alter and evolve the content and<br />
profile of the solution. This view, especially<br />
in metropolitan cities, encourages<br />
rejecting the conventional top-down<br />
methods to find out solutions to design<br />
related urban problems. Thus, it surely<br />
encourages democratic and open-discussions<br />
where all the stake holders or<br />
interest groups should have their interests<br />
and opinions articulated.<br />
By the late 1980s a clear change<br />
occurred in local administrations’<br />
approach to commissioning design.<br />
Accordingly, they started to plan the<br />
entire design process in a participatory<br />
manner, opening up to all stake<br />
holders in collaboration with actors of<br />
private sector and academia. This new<br />
pluralist, open and transparent “Second<br />
Generation Design Method” (Comeiro,<br />
1990) resulted not only in a new<br />
role of the public authorities but also<br />
for designers. Governance in design<br />
triggered a trend from user-centered to<br />
user-led design (Sanders, 2002). Blurry<br />
lines between the designer and user<br />
ushered in a rise of highly programmed<br />
interactive platforms for understanding<br />
the user’s experiences, needs and<br />
reactions. In a transition from government<br />
to governance, the notion of<br />
design has surely had its share from<br />
this transition. The focus of the design<br />
activity shifted from the design object<br />
itself towards participative and inclu-<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • H. Ekinoğlu, G. Turan
1<br />
Istanbulites<br />
experienced this<br />
type of a collective<br />
decision making<br />
before the new taxi<br />
competition, for<br />
selecting the new<br />
city boat in 2006.<br />
The Department of<br />
Istanbul Maritime<br />
Lines asked people<br />
to vote for their<br />
favorite boat design<br />
out of 8 different<br />
alternatives. The<br />
majority (41% of<br />
the voters), voted<br />
for the design<br />
resembling the<br />
former the most<br />
(Hurriyet, 2006).<br />
Today, the old<br />
and new boats<br />
float among giant<br />
oil tankers on<br />
the Bosphorus,<br />
surrounded by<br />
armies of seagulls<br />
(ZeroIstanbul,<br />
20<strong>12</strong>, p. 110).<br />
sionary character of the process of the<br />
design. The core contribution of participatory<br />
design methods is, to the extent<br />
possible, that the user’s knowledge and<br />
intervention is collected and utilized in<br />
design process. Theory of participatory<br />
design methods also underlines that in<br />
addition the democratizing the design<br />
it also promotes the identification of<br />
the point-in-question design matter.<br />
Participation is also considered as a<br />
method for legitimizing the majority’s<br />
views and unifying the opposing views<br />
in a collective way. Thus, participation<br />
as a tool acts like an educative and socialization<br />
catalyser (Comeiro, 1990).<br />
The reflection of “new governance”<br />
in design finds itself as “participatory<br />
design”. Participatory design in architecture<br />
and planning, together with its<br />
theory and techniques have been on<br />
the agenda of city planners and architects<br />
since the 1970s, as a considerable<br />
movement towards the direct involvement<br />
of the public in the definition of<br />
their physical environment. Participatory<br />
industrial design later followed<br />
the way. Participation is a matter of<br />
control over decisions by the participants.<br />
Having explained the shift from<br />
local government to a new governance<br />
and its synergy of win-win interactions<br />
between public, private and community;<br />
and the relationship between the<br />
new governance and participatory design,<br />
two participatory design intend<br />
from two different cities -Istanbul and<br />
New York- that are comparable in certain<br />
aspects will be discussed. In the<br />
two design competitions discussed<br />
here, the activity of “participation” is<br />
enabled through competitions where<br />
professional/independent designers or<br />
manufacturers were invited to make<br />
new taxi designs and public to select<br />
its favourite by the local governments<br />
of two metropolitan cities 1 . According<br />
to Wulz (1986/1990, p. 39), a design<br />
competition is a solution to alienation<br />
between designers and users through<br />
allowing users to employ their influence<br />
in the design or decision making<br />
process. Participation is a general<br />
concept with different forms of decision<br />
making methods by the involved<br />
parties. Participation can be active or<br />
passive as Wulz defines in seven different<br />
forms and stages: Representation,<br />
211<br />
Questionnaire, Regionalism, Dialogue,<br />
Alternative, Co-decision and Self-decision<br />
(Wulz, 1986/1990, p. 41).<br />
According to Wulz (1986/1990, p.<br />
41), representation is a passive form<br />
of participation where designer, with a<br />
clear social sensitivity, considers himself/herself<br />
as the user or client in design<br />
process and designs accordingly.<br />
Questionnaire is another passive form<br />
of participation of the anonymous user.<br />
The objective is clear; more observable<br />
and statistically comprehensible data<br />
can better take the designer to the<br />
user needs and experiences. Regionalism<br />
appears as a solid concern for the<br />
place based values and references of a<br />
particular territory where the design<br />
is made for. Dialogue is based on the<br />
concept of using people’s knowledge as<br />
a source and asking them to comment<br />
on the designer’s proposal while the design<br />
process is in progress. This sort of<br />
dialogue may either happen face to face<br />
or through a dynamic interface. Alternative<br />
is a form of participation where<br />
the users are encouraged to make selection<br />
out of a number of different design<br />
alternatives. The critical aspect of<br />
this type of participation is the possible<br />
restrictive effects of the presentation.<br />
The way that the alternatives are presented<br />
is vital in terms of the impression<br />
created. Co-decision is a participation<br />
method where the citizen/user<br />
has the biggest role starting from the<br />
design process to decision making out<br />
of alternatives. The promoting agency<br />
manages the entire process without<br />
imposing or dominating the design.<br />
The citizens are both active designers<br />
and the decision makers throughout<br />
the entire process. Competitions from<br />
ideas, emerged from the public, to the<br />
selection of the final design among the<br />
alternatives have a lot to offer in sense<br />
of co-decision way of participation<br />
(Volker, 2010) (Nasar & Kang, 1989).<br />
Self-decision is a participation model<br />
where not only the majority but everybody<br />
has equal right to influence the<br />
design. Wulz (1986/1990, p. 46) states<br />
that this is a form of self-build or selfhelp<br />
method where the designer or<br />
architect is engaged as a consultant.<br />
However, self-decision design method<br />
can only be applied in small groups<br />
for productive design processes. If not,<br />
Does favorite design lead to good design?: Taxi design competitions in Istanbul and New York City
2<strong>12</strong><br />
representatives of the groups need to<br />
work with the consultant and this may<br />
undermine the synergy of this method.<br />
Below the steps taken in “taxi design”<br />
attempt of both cities are discussed<br />
with reference to aforementioned participatory<br />
design methods where there<br />
are similarities.<br />
2. A brief review of both design competitions:<br />
commonalities and differences<br />
The necessity of new design concepts<br />
led to design competitions for<br />
taxi cars in NYC and Istanbul during<br />
approximately the same time period.<br />
Istanbul’s competition launched in<br />
March 2011 while NYC’s occurred in<br />
May 2011. In NYC, pre-competition<br />
process and R&D phase started in 2007<br />
with a vast amount of public consensus<br />
studies. The city administration<br />
issued a request for proposals for the<br />
manufacturers and designers to submit<br />
their designs for a purpose-built taxi<br />
design to serve as NYC’s taxi of tomorrow<br />
(DTPS, 2007) (nyc.gov, 2011). The<br />
shortlisted entrants to NYC competition<br />
were announced in February 2011<br />
for the online voting and the winning<br />
entry was announced in April 2011.<br />
Istanbul’s early pre-competition studies<br />
started in 2009, through meetings<br />
with Chamber of Istanbul Taxi Drivers,<br />
Istanbul Metropolitan Municipality’s<br />
(IMM) Mass Transportation Services,<br />
independent designers and manufacturers,<br />
lasting from 2009 to 2010 (IBB,<br />
2010). The competition design brief<br />
was prepared in 2010 and the competition<br />
has been launched in March 2011<br />
(www.taksitasarim.ibb.gov.tr, 2011).<br />
This paper draws a critical perspective<br />
on the participatory design attempts<br />
for designing the next generation<br />
of taxis by two world class cities,<br />
NYC and Istanbul, with diversified<br />
rankings of business activity, human<br />
capital, information exchange, cultural<br />
experience and political engagement<br />
(Hales, Peterson, Pena, & Gott, 2014).<br />
The paper builds a critical review on<br />
both cities’ participatory design activisms<br />
in their differences and similarities.<br />
Apparently, two cases have methodological<br />
differences as well as some<br />
similarities. Differences of both cases<br />
are considered to be factors contributing<br />
to the argument for questioning<br />
the tension between the search of good<br />
design and challenge of popular phenomena.<br />
Two important points need to be<br />
stated in the beginning of the paper,<br />
one of which is about the term good<br />
design, and the second is the involvement<br />
of the authors in the mentioned<br />
competitions. It is obvious that there<br />
are different sets of characteristics attributed<br />
to good design when gazed<br />
into design history and theory, and<br />
the paper is held within this acception.<br />
On the other hand, there are common<br />
characteristics such as usefulness, understandability,<br />
unobtrusiveness, aesthetics,<br />
honesty, sustainability and<br />
environmental friendliness, most of<br />
which can be traced in the ten commandments<br />
of good design put by<br />
the German designer/architect Dieter<br />
Rams in the 1970s. The first author of<br />
the paper, free from evaluation of the<br />
entries, was in charge of providing independent<br />
design consultancy to the<br />
City of Istanbul throughout the entire<br />
competition.<br />
Both cities witnessed a thorough<br />
R&D process as the private sector and<br />
NGOs focused on the quality of taxi<br />
services. Thus both cities perceived the<br />
issue as a societal matter as well as design<br />
and they planned an open process<br />
for designers and for the citizens who<br />
would be able to vote for their own favourite<br />
taxi concept.<br />
3. Istanbul and New York City cases:<br />
Istanbul case<br />
Taxi service in Istanbul is a complex<br />
issue. Considering Istanbul’s<br />
heavy traffic congestions make it clear<br />
that taxi cabs are effective for the citizens,<br />
thus they bear an importance<br />
not only for their service but also for<br />
the aesthetic effects created by the taxis<br />
within the city. It is not only a vital<br />
part of daily transportation but also<br />
the centre of controversies with its ever<br />
growing chronic problems on city’s<br />
agenda. IMM’s Department of Mass<br />
Transportation Services reports that<br />
there are 18,000 registered cabs, and<br />
between 30,000 to 60,000 illegal taxis<br />
giving service around Istanbul, a city<br />
of 14 million (IBB, 2010). According to<br />
Aydinonat general public perception<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • H. Ekinoğlu, G. Turan
213<br />
about the service quality of the taxis<br />
in Istanbul is remarkably low (Aydinonat,<br />
2013). Principally IMM restricts<br />
the number of registered taxi plates,<br />
which can be leased for taxi service.<br />
Thus an ever increasing demand at the<br />
city for taxi service is making the value<br />
of a single taxi plate a very profitable<br />
investment tool, in free market. Today<br />
the value for a taxi plate is listed at almost<br />
1,2 million Turkish Lira (approx.<br />
$500.000) (milliyet, 2013). Ownership<br />
of constantly increasing taxi plates is<br />
perceived as an alternative investment<br />
instrument. Therefore providing a high<br />
quality taxi service has become less important.<br />
Problems with Istanbul taxis’<br />
low service quality are more or less a<br />
result of this fact together with the issue<br />
that there exists no rivalry on the<br />
quality of service provided by taxis.<br />
There are also illegal taxis around<br />
the city because of growing demand<br />
for taxi services. These illegal ones are<br />
fulfilling this need. It is estimated that<br />
government’s annual tax loss due to<br />
illegal taxis is approximately 100 million<br />
Turkish Liras (cnbce, 2013). Under<br />
these circumstances, the rationale<br />
behind the restrictions on the number<br />
of registered plates becomes dubious.<br />
One answer could be the vested interests<br />
of current holders of these plates.<br />
In Table 1, Aydinonat (2013) sheds<br />
some light on facts and figures about<br />
number of the taxis around the world<br />
metropolitan areas as in the following<br />
(TUBITAK & Cetin&Oguz, 2007,<br />
Table 1. Number of the taxis around some<br />
of the world’s important metropolitan areas<br />
(TUBITAK & Cetin&Oguz, 2007, 2010,<br />
2013, 2008).<br />
2010, 2013, 2008);<br />
The above numbers show that on average<br />
a single legal taxi is giving service<br />
to 800 people in Istanbul, versus 662<br />
people in NYC. Although the numbers<br />
for Istanbul point out an insufficient<br />
amount of legal taxis in the city,<br />
authorities still prefer not to increase<br />
the number of the registered plates.<br />
Apparently as long as the numbers of<br />
the registered plates remain constant,<br />
the service quality of the legal taxis will<br />
have no reason to increase in Istanbul.<br />
In other words, currently there is no<br />
reason for emergence of competition<br />
for a higher quality taxi service among<br />
the taxi service providers in Istanbul<br />
apart from IMM’s concerns. Nevertheless<br />
under these circumstances in the<br />
period between 2009 and 2010, IMM’s<br />
Department of Urban Design began<br />
to work organising a taxi design competition<br />
to increase the standards and<br />
service quality of Istanbul taxis (IBB,<br />
2010).<br />
City of Istanbul’s main concern was<br />
to make a process of design involving<br />
open dialogue, communication and<br />
trust as Sanoff cites as the integral parts<br />
of participatory design (Sanoff, 1990,<br />
pp. 5-21). Istanbul’s attempt, almost in<br />
the same period with NYC, to launch<br />
a taxi design competition for the city,<br />
was a national and two-phased “Taxi<br />
System Design Competition”. In March<br />
2011, IMM has launched Istanbul’s<br />
new Taxi System Design Competition<br />
as a design idea competition to seek<br />
and promote creative ideas, approaches<br />
and new design concepts under 4<br />
sub-design themes: a taxi for the general<br />
purposes, eco-taxi, a taxi communication<br />
system and a taxi stop/service<br />
point, and with 3 different designer<br />
profiles; professional designers, university<br />
teams and high school students.<br />
The city’s participatory design proposition<br />
as Sanoff (1990, pp. 6-7) also de-<br />
scribes was based on a belief that people<br />
affected by design decisions should<br />
be involved in the process of making<br />
those decisions. In other words, IMM<br />
paved the way for the emergence of the<br />
local creativity.<br />
Having understood the reasoning<br />
behind the attempt of a design competition<br />
for the city’s new taxi concept,<br />
searching for a consensus at second<br />
Does favorite design lead to good design?: Taxi design competitions in Istanbul and New York City
214<br />
stage for the shortlisted design proposals<br />
presented another challenge: finding<br />
balance between the creativity of emergence<br />
and stability of design (Hamdi,<br />
2004, p. 18). The finalists in each design<br />
case were announced on the competition’s<br />
web site and their proposals were<br />
put to a popular vote. All around the<br />
world, nearly 1.5 million people visited<br />
Istanbul’s taxi design competition web<br />
pages and more than 340.000 people<br />
voted for the shortlisted design proposals<br />
over 15 days (www.taksitasarim.<br />
ibb.gov.tr, 2011). Finally an interdisciplinary<br />
jury made its decisions for the<br />
award winning designs in line with<br />
people’s votes through considering the<br />
amount of the online votes for each design<br />
proposals. The whole process was<br />
a step-by-step interactive design activity<br />
from the beginning till the end and<br />
an “open to everybody’s ideas” process<br />
intending to make the new taxis “everybody’s<br />
taxi”. Sanoff states his experience<br />
in user participation in design as<br />
“the main source of user satisfaction is<br />
not so much the degree to which his or<br />
her needs have been met, but the feeling<br />
of having influenced the decision”<br />
(Sanoff, 2006, p. 140)<br />
3.1. The general structure of Istanbul’s<br />
design competition<br />
Istanbul’s competition granted a<br />
feeling of control over the new design<br />
ideas was also a social contract between<br />
the city and citizens as Sanoff<br />
(1990, pp. 5-21) depicts, implying that<br />
their needs, values and ideas would be<br />
taken into consideration. The competition’s<br />
design brief explained that the<br />
city authority invited all the professionals,<br />
college and high schooled designers<br />
into the competition no matter<br />
what company or manufacturer they<br />
were working for. Istanbul city authority<br />
and the jury both accepted this<br />
principle to provide and strengthen the<br />
equality and avoid any conflict of interest<br />
between the contestants, the jury<br />
and the city authority (IBB_Design-<br />
Brief, 2011).<br />
As a step by step interactive design<br />
activity, Istanbul’s taxi design competition<br />
was a collaboration between<br />
the contestants, executing authority of<br />
the city and the members of a multidisciplinary<br />
jury. By definition of participatory<br />
design Wulz defines this as<br />
co-decision in his approach of seven<br />
forms and stages of participatory design<br />
(Wulz, 1986/1990, p. 41). Prior<br />
issue of co-decision is developing a<br />
balance between design process and<br />
decision-making. According to Wulz<br />
(1986/1990) co-decision involves the<br />
stake holders from the beginning of a<br />
design process and aims at user’s direct<br />
and active participation.<br />
The jury of Istanbul’s competition<br />
has been chaired by a keynote personality,<br />
Önder Küçükerman, who<br />
pioneered both the establishment of<br />
industrial design education and corporate<br />
design activities in Turkey. By the<br />
Figure 1. Shortlisted final 4 design proposals presented at the<br />
online poll (www.taksitasarim.ibb.gov.tr, 2011).<br />
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215<br />
Figure 2. General view of Istanbul’s winning<br />
taxi design proposal (www.taksitasarim.ibb.<br />
gov.tr, 20<strong>12</strong>).<br />
Figure 3. General view of Istanbul’s winning<br />
taxi design proposal (www.taksitasarim.ibb.<br />
gov.tr, 20<strong>12</strong>).<br />
Figure 4. General inner view of Istanbul’s<br />
winning taxi design proposal, (www.<br />
taksitasarim.ibb.gov.tr, 20<strong>12</strong>).<br />
end of the first step evaluations of the<br />
design proposals, high school students’<br />
category award winning designs were<br />
determined by the jury (IBB-Rec1,<br />
2011). The shortlisted design proposals<br />
on each of the four sub-themes belong<br />
to professionals’ category and university<br />
students/teams’ category have been<br />
chosen and announced, as entrant<br />
codes, on the competition’s website<br />
(IBB-Rec2, 2011). Another two months<br />
of project developing process was given<br />
with a new set of criteria developed<br />
by the multi-disciplinary jury for the<br />
shortlisted projects in each design cases<br />
(IBB-Rec2, 2011). By the end of the<br />
second phase, the jury again chose the<br />
properly and satisfyingly developed<br />
four design proposals in Figure 1. to<br />
present at online polls at competition<br />
web site during fifteen days (IBB-Rec3,<br />
2011). According to the city authorities,<br />
people’s votes were meant to distinguish<br />
the good designs and to end<br />
up the all process without ambiguity<br />
and discussion (IBB-Rec5, 2011). Online<br />
poll results clearly pointed people’s<br />
favourite designs on each theme for<br />
both contestant profiles. Sanoff defines<br />
it as “the issue of individual influence<br />
in decision making and its proportional<br />
impact that can best be resolved by<br />
the participants themselves” (Sanoff,<br />
1990, p. 1).<br />
Taxi for the general purpose of the<br />
Professionals Category online poll results<br />
were shaped as in the following<br />
(IBB-Rec4, 2011) (www.taksitasarim.<br />
ibb.gov.tr, 2011):<br />
According to the jury evaluations,<br />
the project with P4 code was one of<br />
the most promising one in terms of its<br />
satisfying and advanced project presentation<br />
shown as in Figures 2, 3 and<br />
4 (IBB-Rec4, 2011). This fact was appreciated<br />
by the jury at the last meeting<br />
before the online voting process<br />
(IBB-Rec4, 2011). However, the project<br />
also conveyed some unqualified<br />
design decisions and incorrect technical<br />
resolutions (IBB-Rec4, 2011).<br />
Even though the jury was impressed<br />
with its professional presentation, the<br />
odds with specific design and technical<br />
proposal were also openly criticised<br />
(IBB-Rec4, 2011) (IBB-Rec5, 2011).<br />
The jury articulated the general problems<br />
as exaggerated proportions, bad<br />
seat positions and inappropriate placement<br />
of the sliding doors (IBB-Rec4,<br />
2011) (IBB-Rec5, 2011). According to<br />
the members of the jury, the majority<br />
of the voters would have never seen<br />
the projects through the eye of a technical<br />
expert but his/her own personal<br />
taste of aesthetic or beauty (IBB-Rec4,<br />
2011) (IBB-Rec5, 2011). The modest<br />
and appropriate design features and<br />
the consistent inner and outer technical<br />
resolutions in appropriate proportions<br />
of the taxi design project with<br />
the P21 code were also noted and appreciated<br />
by the jury (IBB-Rec4, 2011)<br />
(IBB-Rec5, 2011). <strong>12</strong>9,575 votes had<br />
Does favorite design lead to good design?: Taxi design competitions in Istanbul and New York City
216<br />
Figure 5. Jury and technical committee<br />
studies ( IMM-Department of Urban Design<br />
Archive, 20<strong>12</strong>).<br />
been clicked for the finalist four design<br />
projects in general taxi design category<br />
(IBB-Rec5, 2011). The design proposal<br />
P21 was voted by 41,2%, while project<br />
P4 was preferred by 28,5% of the voters<br />
(IBB-Rec5, 2011). The jury has chosen<br />
P21 as the winning design of the<br />
general taxi design category and it was<br />
awarded with 100,000 Turkish Liras<br />
(IBB-Rec5, 2011).<br />
In spite of the written objections<br />
raised by the designers of P4, the jury<br />
and the technical committee in Figure<br />
5, noted that “We have been looking<br />
for a taxicab with clear taxi proportions<br />
not a taxicab with minivan proportions”<br />
(IBB-Rec5, 2011). Jury also<br />
states that “Online poll results are also<br />
clearly pointing out to this vital detail.<br />
This is why the winner of this theme is<br />
the project P21” (IBB-Rec5, 2011). According<br />
to the jury, citizens’ favourite<br />
design was obviously the fruitful result<br />
of the search of “good design” in Istanbul’s<br />
taxi design competition (IBB-<br />
Rec5, 2011).<br />
3.2. New York City case<br />
“A taxi is not a car; it is a moveable<br />
public space. It may have four wheels<br />
and carry passengers, but the circumstances<br />
are completely different”<br />
(DTPS, 2007). A Ford’s Crown Victoria<br />
Taxi cab, shown in Figure 6, in NYC<br />
are both loved and hated by the New<br />
Yorkers. They are assumed as practical<br />
and alternative modes of transportation<br />
over Manhattan throughout the<br />
routes not sufficiently fulfilled by the<br />
subways (www.ny.com). One can say<br />
that the traffic that results alongside<br />
the Manhattan’s streets is the flood of<br />
the yellow cabs. With over 10,000 yellow<br />
cabs giving service to NYC is the<br />
prior reason to the mid-town traffic<br />
Figure 6. In yellow-cab form, Ford’s Crown<br />
Victoria has been an integral part of the<br />
New York cityscape for years (http://news.<br />
drive.com.au/drive/motor-news/revealed-<br />
new-yorks-new-yellow-cab-20110504-<br />
1e79l.html).<br />
(DTPS, 2007). Goldberger, the Dean<br />
of the Parsons The New School for Design,<br />
says that “What is troubling about<br />
the NYC taxi is not that it is ubiquitous,<br />
but that it is so ill-suited to its job.<br />
There is something brightening to the<br />
cityscape in the constant flow of deep<br />
yellow vehicles along the city streets<br />
but then you get into one of them, and<br />
you are reminded that it is hard to enter,<br />
hard to leave, uncomfortable to sit<br />
in, and awkward to carry luggage in.<br />
It is as likely as not to be dirty, and it<br />
may or may not have a functioning air<br />
conditioner. It is hard to communicate<br />
with the driver. And, although you are<br />
unlikely to realize this is as a passenger,<br />
the NYC taxi is no friend to the environment<br />
(Goldberger).”<br />
There is no doubt, hailing a cab in<br />
NYC -with its spirit of freedom, power,<br />
and anonymity - is more and more a<br />
“must to do” thing in the city. A number<br />
of people visiting the city and experiencing<br />
the taxi cabs are making the<br />
“NYC cab notion” among top tourist<br />
attractions (DTPS, 2007). Although<br />
taxis still accommodate a crucial NYC<br />
experience, few would oppose to the<br />
idea that they should be more comfortable,<br />
better designed, and accessible<br />
for all. Hence at the hundredth anniversary<br />
of the gasoline powered taxi in<br />
2007, the NYC’s Design Trust for Public<br />
Space has been studying how this<br />
iconic wealth of transportation could<br />
be revised, with the eventual goal of<br />
making a new taxi design for the century<br />
turn over. In total, over 50 designers<br />
and taxi stakeholders took part in a<br />
spirited discussion of all things about<br />
taxi where the participants discussed<br />
trends in taxi design, the taxi’s role as<br />
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217<br />
a public space, and the ideal taxi of the<br />
future, from the perspective of a taxi<br />
passenger. On the basis of the effective<br />
and operative efforts developed by the<br />
NYC’s Design Trust for Public Space,<br />
Table 2. NYC’s poll results for the “Taxi<br />
of tomorrow” (Taxi of Tomorrow Survey<br />
Results, NYC, TLC, 2011).<br />
the studies and workshops have been<br />
done for capacity building processes in<br />
the search for NYC’s taxi of tomorrow<br />
(DTPS, 2007).<br />
Later on, in 2007, city officials convened<br />
a group of stakeholders, including<br />
representatives of taxi drivers,<br />
owner and passengers, to create a set<br />
of goals for the next NYC taxi cab,<br />
a project called the “Taxi of Tomorrow”.<br />
In December 2009, the authorities<br />
initiated a “request for proposals,”<br />
inviting auto manufacturers and designers<br />
to submit their best ideas for<br />
a purpose-built vehicle to serve as a<br />
NYC taxicab. On May 3, 2011 it was<br />
announced that the NV200, designed<br />
by Nissan had been chosen as the<br />
winner of the competition (nyc.gov,<br />
2011) (DTPS, 2007) where the other<br />
two finalist producers were Ford, and a<br />
Turkish company Karsan.<br />
Participatory point of NYC’s process<br />
of seeking the “Taxi of Tomorrow”<br />
is its online poll process for the<br />
three finalist automotive companies’<br />
design proposals. According to the poll<br />
results, as appears in Table 2, Karsan<br />
was voted as the “most loved” design,<br />
with 38,9% of the “Love it” votes, by the<br />
New Yorkers. The poll raised a unique<br />
question; “What do you think of the<br />
new designs?” and requested five dif-<br />
ferent feelings for each design from the<br />
citizens: The results, for the design proposals<br />
shown in Figure 7,were shaped<br />
as in the Table 2 (nyc.gov, 2011);<br />
For each of the following design<br />
proposals;<br />
Eventually, NYC authority chose<br />
Nissan as the “Taxi of Tomorrow” by<br />
putting the poll results aside assuming<br />
that the New Yorkers “loved” the Nissan’s<br />
design too. However, this decision<br />
has led to some controversy. Journalist<br />
and blogger James Wagner wrote in<br />
Fi<br />
gure 7. Design proposals for the New York’s<br />
“Taxi of Tomorrow”(www.taxiofto omorrow.<br />
com, 2011).<br />
Fi<br />
gure 8. Prototype of selected design<br />
concept of Ni<br />
ssan NV 200 model. (www.<br />
taxioft<br />
omorrow.com, 2011).<br />
Does favorite design lead to good design?: Taxi design competitions in Istanbul and New York City
218<br />
his e-article “NYC gets yesterday’s taxi,<br />
not ‘The Taxi of Tomorrow’ “ stating<br />
“Although the very modern, beautifully-designed,<br />
extraordinarily-roomy<br />
and fully-accessible Karsan V1 was<br />
hailed by New Yorkers as their favourite,<br />
the City ended up choosing the<br />
least popular entry, the hideous Nissan<br />
NV 200” (Wagner, 20<strong>12</strong>).<br />
He continues by saying “While the<br />
Nissan was certainly the most conservative<br />
response to an important challenge,<br />
in the end it will prove to have<br />
been the most impractical choice, and<br />
therefore the most radical, given the<br />
parameters of the search: Of the three<br />
finalists it responds the least well to<br />
current taxi needs, and its environmental<br />
and accessibility inadequacies,<br />
among others, will look even more<br />
grotesque as time goes by. According<br />
to Wagner “in picking the barely-adequate,<br />
ungainly and unlovely Nissan<br />
“they” struck out once more, embarrassing<br />
New Yorkers who actually care<br />
about the city’s ability to get things<br />
right (both better than and before others<br />
do, if possible)” (Wagner, 20<strong>12</strong>). As<br />
a response to the critics and reactions,<br />
city authority informed that a French<br />
designer François Farion would work<br />
on the Nissan’s proposal to make it better<br />
in design as the “Taxi of Tomorrow”<br />
for the New Yorkers.<br />
Immediately after TLC has announced<br />
their final choice of the competition,<br />
City Authority of NYC signed<br />
an agreement worth $1 billion with<br />
Nissan to supply city’s new unique taxi<br />
cabs each for $29,000 market price<br />
for the next ten years. Queens based<br />
Taxi Safety Committee came out with<br />
a claim that Nissan NV200, shown in<br />
Figure 8, models were not up to date in<br />
terms of taxi cab safety issues and they<br />
litigated. Recently in early October of<br />
2013, the Supreme Court decided for a<br />
suspension of execution on the account<br />
to the fact that the city has no privilege<br />
to designate one single company to<br />
provide city’s new taxi cabs (NYTimes,<br />
2013). Apparently this has brought a<br />
new and unexpected twist to the city’s<br />
agenda on the process of implementation<br />
of the new taxi cabs.<br />
Wulz in his article of “The Concept<br />
of Participation” claims that there is<br />
always a controversy in participatory<br />
design when majority’s choice dominates<br />
minority’s expectations (Wulz,<br />
1986/1990, pp. 41-44). In NYC case,<br />
city’s final choice that paying no attention<br />
to citizens’ decision is beyond<br />
disturbing for both parties. Although<br />
there may be many different reasons<br />
on the selection of the Nissan’s design,<br />
NYC’s decisions reminds the challenge<br />
of “what happens when the most favourite<br />
design is not approved as the<br />
good design?”<br />
4. Potential outcomes and critical<br />
comparison of both cases<br />
In NYC the designer companies<br />
have been technically briefed prior to<br />
making their bids. However in Istanbul,<br />
IMM purposely let the designers<br />
free for encouraging original ideas in<br />
the first phase and briefed the shortlisted<br />
entries on technical details in the<br />
second phase of the competition (IBB-<br />
Rec3, 2011). People in NYC expressed<br />
their feelings for each design entry in<br />
5 different ways from “like it” to “take<br />
it or leave it” while in Istanbul, people<br />
have only been asked to choose their<br />
favourite design out of four finalist<br />
entries. This paper considers the ratio<br />
of “love it” votes in NYC as an equivalent<br />
parameter to the ratio of “favourite”<br />
votes in Istanbul’s poll. Other four<br />
feelings for each of the three finalists’<br />
design proposals in NYC are valuable<br />
and yet might be considered as data for<br />
another case study.<br />
Post-competition agendas of Istanbul<br />
and NYC were slightly different.<br />
NYC authorities openly expressed that<br />
it was a purpose built design competition<br />
while City of Istanbul stated that<br />
the winner design proposal could partially<br />
or fully be implemented or considered<br />
as a capacity building activity<br />
for better taxi service standards for the<br />
future (nyc.gov, 2011) (IBB_Design-<br />
Brief, 2011). In addition to that, City<br />
authority of Istanbul also required the<br />
entrants to contest, free from their<br />
corporate attachments, as independent<br />
designers. These methodological<br />
differences affected the profile of the<br />
entrants in both competitions. Due<br />
to differently articulated purposes<br />
of the competitions, corporates and<br />
manufacturers such as Nissan, Ford<br />
and Karsan entered the competition<br />
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219<br />
in NYC while designers participated<br />
in the competition in Istanbul as independent<br />
contenders. From this point<br />
of view Istanbul’s design competition<br />
aims at involving the citizens in this<br />
design experience as independent designers<br />
while in NYC companies are in<br />
charge of design and citizens are only<br />
getting involved in the process via online<br />
voting. The backbone of the participative<br />
process of NYC design case<br />
is mainly structured on getting people’s<br />
feedback on the features of each design<br />
proposal. Istanbul in this respect<br />
is programming the entire competition<br />
with a concern for promoting the citizen<br />
involvement as much as possible<br />
for different designer profiles and different<br />
design themes (IBB_Design-<br />
Brief, 2011, p. 5).<br />
Both processes had different methodological<br />
characteristics. Even though<br />
NYC had three design proposals with<br />
complete R&D backgrounds developed<br />
by the manufacturers, the entire<br />
process was finalized by the “least<br />
loved” design (NYCTLC, 2011). On<br />
the other hand, Istanbul’s design competition<br />
for taxi and its system pieces<br />
have promised to be multidisciplinary<br />
design opportunities for the independent<br />
designers and design teams. Even<br />
though Istanbul’s method seems more<br />
risky and challenging especially for the<br />
post-competition progress and the industrialization<br />
of the designs, the high<br />
calibration between people’s favourite<br />
designs and jury selections have<br />
proved the success of the participation.<br />
Istanbul’s design competition in<br />
Wulz’s (1986/1990, pp. 44-45) terms is<br />
a co-decision participation model that<br />
mostly occurred as a balanced decision<br />
making process. Likewise influencing<br />
population had a direct influence on<br />
the final decisions in Istanbul’s competition.<br />
Jury showed highest effort to get<br />
in line with people’s favourite designs<br />
in all themes (IBB-Rec5, 2011). As an<br />
exception, although one of the finalist<br />
design proposals on “taxi stop/service<br />
point” category was the most favourite<br />
one by the poll, due to a considerable<br />
amount of objection emails from the<br />
public against it, the jury approved the<br />
second most favourite design as the<br />
winner (IBB-Rec5, 2011).<br />
Putting the manufacturers or designers<br />
at the very centre in the process<br />
and encouraging them for new design<br />
concepts for the city’s new taxi design<br />
is somehow a serious task and a heavy<br />
responsibility. Considering the vital<br />
claims of “taxi is a design object” and<br />
“taxi is not a car but a moving public<br />
space,” its comfort, security, and<br />
urban identity issues are respectfully<br />
vital. Thus design of a taxicab may<br />
become an even more complex issue.<br />
When this sort of responsibility is programmed<br />
as a step by step interactive<br />
design process between city authority,<br />
designers and citizens genuinely, then<br />
the new design ideas inevitably may<br />
have the chance to emerge from the inside<br />
of the city. That is to say, the collective<br />
taste of design may appear on the<br />
stage. The good potential of the pluralism<br />
in the society may activate a fruitful<br />
discussion for the different design<br />
ideas. However, academia emphasizes<br />
that good design does not always have<br />
to mirror the users’ wishes and tastes.<br />
Users’ tastes, desires and interests on a<br />
particular design object do not always<br />
imply the success of it (nyc.gov, 2011).<br />
One can say that the politicians behind<br />
both Istanbul’s and NYC’s processes<br />
did not only disregard this claim but<br />
also the question of “is publicly favourite<br />
design enough?” (Maile, 20<strong>12</strong>).<br />
Numerous similar experiences exist<br />
between the cases of NYC and Istanbul.<br />
One of the design proposals in<br />
both cases had clearly been highlighted<br />
by significant public support. The city<br />
authorities would have never felt better<br />
about the results had they not consulted<br />
with the broader society. Apparently<br />
none of the political figures in both<br />
cities would disagree on these clear<br />
outcomes. Thanks to the well-organized<br />
propaganda which is one of the<br />
greatest weapons of pluralist western<br />
democracies, missions in both cities<br />
created successful PR processes out of<br />
taxi and design issues. Yet the results<br />
evolved differently.<br />
Leading political authorities’ final<br />
decisions in both cities had vital role<br />
on the results of both processes. There<br />
existed a respectful amount of a public<br />
support for one particular design<br />
idea, and the rejection of that design<br />
for concerns of avoiding failures, and<br />
continuing with a “least loved” de-<br />
Does favorite design lead to good design?: Taxi design competitions in Istanbul and New York City
220<br />
sign proposal, triggered enormous<br />
controversy in NYC. Avoiding the institutional<br />
failures but faced with unpleasant<br />
critics may be defined as the<br />
unforeseen risk of the game. According<br />
to McGrath “most organizations<br />
are profoundly biased against failure<br />
and make no systematic effort to study<br />
it. Executives hide mistakes or pretend<br />
they were always part of the master<br />
plan. Failures become undiscussable,<br />
and people grow so afraid of hurting<br />
their career prospects that they eventually<br />
stop taking risks” (McGrath, 2011).<br />
This is, more or less, what happened<br />
in NYC where the process was barely<br />
supported by the civic society until the<br />
politicians decided to continue with<br />
the “least loved” design concept of the<br />
competition (nyc.gov, 2011). This situation<br />
had increased a public tension<br />
especially at intellectuals’ side of the<br />
city. They all raised the same question:<br />
Is the taxi of tomorrow the least loved<br />
design idea? Where is the vision in it?<br />
The fact is that the visions may be revised.<br />
Lootsma states “let us define our<br />
terms” and continues: “revisionism is a<br />
tendency where in general politics take<br />
position (Lootsma, 2011). This is a tendency<br />
to conserve what once existed<br />
and still aims at radical change in the<br />
present system. Revisionism is a path<br />
between revolution and conservatism.<br />
Needless to say that this is the route<br />
and the tension of post-modernism<br />
(Lootsma, 2011). Apparently this tension<br />
was the major struggle that politicians<br />
in both cities have faced.<br />
Relatively Istanbul’s experience is<br />
no more different in this respect. The<br />
Istanbulites’ favourite design and the<br />
common taste of design of the public<br />
majority was awarded as the winner<br />
design which had a support of 41,2%<br />
amongst all (IBB-Rec5, 2011).To this<br />
end, Istanbul’s competition did not<br />
only award the designers but also to<br />
the public opinion and its common<br />
taste. Due to no prior commitment for<br />
the production of the winning design,<br />
designers had no concrete expectation<br />
for the production. Following the city’s<br />
responsible authorities decided not to<br />
produce the winner design but considering<br />
and implementing its high<br />
service and design standards for the<br />
different type of taxicabs that will provide<br />
service within the city in the near<br />
future (hurriyet, 2011). Being different<br />
from NYC, Istanbul’s design competition<br />
and its following process, with 4<br />
major design cases, 3 major designer<br />
profiles and online voting to search<br />
for a public consensus, was a city wide<br />
capacity building process. Istanbul has<br />
never committed the production of the<br />
winning design concepts as a whole as<br />
New York did. To this end public discomfort<br />
against to all process in public<br />
opinion in Istanbul is much harmless<br />
when comparing to the opposition<br />
voices in New York.<br />
When considering the controversial<br />
topic on the post-competition progress<br />
of NYC’s “taxi of tomorrow” project,<br />
one can say that NYC does not have<br />
a publicly-supported new taxi design<br />
concept as Istanbul achieved at the end<br />
of the whole competition. Differently<br />
from Istanbul, NYC wanted to develop<br />
the new design concept for the<br />
city’s new taxicabs through a process<br />
that invited and included manufacturers.<br />
Similarly, both NYC and Istanbul<br />
made the citizens to vote online for the<br />
shortlisted design ideas. Istanbul and<br />
NYC political authorities’ enthusiasm<br />
to consider public reactions for taxi<br />
and its system design made both processes<br />
into a popular design activity.<br />
4.1. Comparative and theoretical discussions:<br />
The challenge of plurality in<br />
design<br />
The Reagan and Thatcher era of the<br />
1980s was characterized by an array of<br />
new public management reforms that<br />
were, if not global, then at least very<br />
widespread in geographical scope. Although<br />
there is no agreed upon definition<br />
of new public management, most<br />
observers seem to agree that it entails<br />
at least seven aspects transferred from<br />
private sector management principles<br />
to the public sector, such as handsoff,<br />
professional management, explicit<br />
standards and measures of performance,<br />
managing by result and value<br />
for money, privatization, agentification,<br />
competition, decentralization<br />
and citizen empowerment (Kjaer, 2009,<br />
p. 138). However, a new paradox appeared:<br />
challenge of pluralism. Needless<br />
to stay, discussions in open and<br />
pluralist platforms are far more chal-<br />
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221<br />
lenging than those happening behind<br />
the doors.<br />
According to Bellamy, such pluralism<br />
gets into modern societies, the<br />
mixed blessing of their differentiation<br />
and openness (Bellamy, 1999, p. 1).<br />
When the associated diversity enhances<br />
one’s everyday life’s efficiency, it may<br />
also reason many of its troubles being<br />
obliged to choose between conflicting<br />
constraints, purposes, rules and considerations.<br />
The theory and practice<br />
of politics are no less stable in a world<br />
of rapidly growing social and value<br />
pluralism. Due to a trend of becoming<br />
more and more heterogeneous, citizens<br />
hold ever more atypical and often contrary<br />
identities, ideologies and interests<br />
in western developed societies. Not<br />
only private but also public life may encounter<br />
problematic and occasionally<br />
even tragic choices. However these circumstances<br />
place contemporary orders<br />
in a dilemma: can they respect plurality<br />
yet produce collective contracts that<br />
govern an unobligated loyalty?<br />
When reconsidering the concepts of<br />
the popularity of design and the power<br />
of plurality in the same pot, Istanbul’s<br />
taxi design competition is inspiringly<br />
convincing to develop inquisitorial<br />
analogies about the tension between<br />
popularity of design objects and the<br />
search of good design. Both cases<br />
suggest that crediting the majority’s<br />
“good” as “good” without experiencing<br />
it, emerges to be a paradoxical issue.<br />
5. Discussion and conclusion<br />
Populist Politicians react with a postmodern,<br />
but confused, way (Lootsma,<br />
2011). Confusion may appear in any<br />
way that the politician would not prefer<br />
to be a part of, especially after all his attempts<br />
to reach to the pluralist creative<br />
opinion of the society via a well-organized<br />
process. A dilemma between<br />
public opinion and some technical or<br />
legal concerns may put the politician in<br />
an opposite position in comparison to<br />
overall mission of the process.<br />
Beyond a doubt this kind of change<br />
in expression and in mind setting<br />
might result by a decrease in his or her<br />
public support. Looking for innovation<br />
to upgrade the urban life may be energized<br />
through populism from a political<br />
point of view. However, possible<br />
conflicts between populism and real<br />
world constraints especially for design<br />
ideas obtained via open public processes<br />
may naturally bring up some unexpected<br />
concerns on public stage. One<br />
can say that developing creative ideas<br />
for design objects for wide public use<br />
throughout an open and participatory<br />
process has its own rules.<br />
This may imply a shift in literal and<br />
technical definition of governance in<br />
design issues. Evidence gained from<br />
both metropolitan cities’ participatory<br />
design processes suggests that when<br />
the deal is design, populism does not<br />
always take us to good design and the<br />
political promoter may somehow be<br />
harmed through the process. Instead of<br />
making generalizations on the issue of<br />
good design versus the popular one and<br />
its relation to participatory approach,<br />
two concrete competitions with similarities<br />
depicted a fruitful platform to<br />
engage critical review. Is the most popular<br />
design always the good design? or<br />
“Is publicly favourite design enough?”<br />
Design thinkers and academia suggest<br />
that the answer might just be “no”<br />
(Maile, 20<strong>12</strong>) (McGrath, 2011). Experience<br />
revealed from both of the different<br />
approaches of NYC’s and Istanbul’s<br />
design competitions and post-competition<br />
discussion and decisions inform<br />
us that the design preferred by the<br />
public on paper may not always be the<br />
good design unless it is produced, used<br />
and proved. On the other hand a good<br />
design as defined and agreed by the experts<br />
may not always be the most popular<br />
design for people who may have<br />
different criteria and taste from those<br />
who determine what the good design<br />
is.<br />
References<br />
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ile İmtihanı” Türkiye Ekonomi Politikaları<br />
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to Populism: Architectural Criticism in<br />
Times of Internet. Serbian Architectural<br />
Journal 3, 254-269.<br />
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For the 21st Century. Retrieved September<br />
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com: www.core77.com/blog/education/design_criticism_for_the_21st_<br />
century_1<strong>12</strong>36.asp<br />
McGrath, G. R. (2011). Failing By<br />
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İyi tasarımı “favori tasarım” yoluyla<br />
aramak: İstanbul ve New<br />
York taksi tasarım yarışmaları<br />
Son bir kaç on yıldır ulusal ve kentsel<br />
bürokraside yaşanan değişimler<br />
“Yönetimden” “Yönetişime” veya “Eski<br />
Yönetim” biçiminden “Yeni Yönetişim”<br />
biçimine geçiş olarak tanımlanmaktadır<br />
(Kjaer, 2009). Bu aynı zamanda<br />
çeşitli ortak özel amaçlar için bir araya<br />
gelen yerel yöneticiler, kamu idarecileri,<br />
akademisyenler veya kar amacı<br />
gütmeyen sivil aktörlerden oluşan bir<br />
ağ yapısının hedeflenen belli bir amaca<br />
dönük tanımlanan bir organizasyon<br />
yapısı olarak kurulmasıdır. Literatürde<br />
bu şekilde özel bir amaca dönük yatay<br />
ve dikey hiyerarşileri olmayan esnek<br />
ve çoğulcu örgütlenme biçimi “Yerel<br />
Yönetim” den, “Toplumsal Yönetişim”e<br />
geçiş olarak da tariflenmektedir. Yönetişim<br />
teorisi bunu kamu, özel ve sivil<br />
toplum arasındaki kesin çizgilerin bulanıklaşması<br />
olarak da tanımlarken söz<br />
konusu ağ yapılanmasının başarısını;<br />
ilgili tüm aktörleri dahil edebilmesi ve<br />
hedeflenen amacı gerçekleştirmeye dönük<br />
kurduğu ilişkileri ile de orantılar<br />
(Kjaer, 2009, p. 138). 1960’larda Christopher<br />
Jones, Christopher Alexander,<br />
Tom Markus ve Ray Studer gibi rasyonalist<br />
düşünce temsilcisi mimarlar bir<br />
takım matematiksel modellerin tasarımcıları<br />
daha iyi karar alma süreçlerine<br />
götürebileceğini savunmaktaydı<br />
(Broadbent, 1980). Ancak 1970’lerde<br />
oldukça rasyonalist bu önerilerin aslında<br />
muazzam bir değerler ve öncelikler<br />
çeşitliliğini içinde barındıran bir dünyaya<br />
ait problemleri doğru tanımlamada<br />
yetersiz kaldığı görüşü önem kazandı<br />
(Comeiro, 1990). Günümüz çok<br />
sesli ve çok katmanlı modern toplumları<br />
için kent hayatına dair karmaşık<br />
Does favorite design lead to good design?: Taxi design competitions in Istanbul and New York City
224<br />
sorunlara çözüm üretmede geleneksel<br />
yukarıdan-aşağı tek yönlü karar alma<br />
süreçleri yetersiz kalmaktadır. Bu yetersizlik<br />
kendini en çok geniş halk kitlelerini<br />
ve kent hayatını doğrudan ilgilendiren<br />
tasarım problemlerinin doğru<br />
tanımlanması ve iyi tasarım önerileri<br />
geliştirilmesi ihtiyacında göstermektedir.<br />
Bu ihtiyacın beraberinde getirdiği<br />
sorunsallardan en önemlisi ise “çesitlilik”<br />
olarak kendini göstermektedir.<br />
Toplumsal yapı farklı sosyal, kültürel,<br />
antropolojik ve duygusal bağları olan<br />
yüksek bir çeşitliliği bünyesinde barındırmaktadır.<br />
Hepimizin farklı estetik<br />
ve ahlak/etik kodları bulunmaktadır.<br />
Bu nedenledir ki; kamu çalışmalarında<br />
eski kamu yönetiminden yeni<br />
kamu yönetimi anlayışına kayış; çoğulcu<br />
ve tartışmalara açık platformların<br />
kamu geleneği içinde kendini göstermesiyle<br />
birlikte yeni bir paradoksu tetikledi:<br />
Çoğulculuk Meselesi. Çoğulculuk<br />
katılım için olmazsa olmaz bir girdi<br />
olmasına rağmen bir takım zorlukları<br />
da beraberinde getirmektedir. Kendi<br />
içinde yüksek bir çeşitlilik ve çok seslilik<br />
barındıran bir kent toplumunun<br />
günlük yaşam standartlarını ilgilendiren<br />
tasarım problemlerine çözüm ararken<br />
genel-geçer doğru ve yanlışlardan<br />
söz etmek ve herkes için işleyen bir çözüm<br />
geliştirmek güç bir durum halini<br />
almaktadır. Çünkü toplumsal çeşitlilik<br />
ve farklılıkların tasarımdaki karşılığı<br />
yaklaşımların, fikirlerin ve önerilerin<br />
çeşitliliği olarak ortaya çıkmaktadır.<br />
Bizler tasarım fikirlerimizi yarıştırırken<br />
diğer yandan değerlerimizi ve<br />
toplumsal, sosyal ve mekansal yorumlarımızı<br />
da yarıştırmaktayız. Tüm bu<br />
gerilimi, eğitimin, ideolojinin, etnik<br />
yapının, toplumsal cinsiyetin, dinin ve<br />
yerelliğin birbiriyle örtüşmeyen, rekabet<br />
eden veya çelişen kabulleri içinde<br />
teşhis etmekteyiz (Bellamy, 1999, p.<br />
1). Bu makalede “iyi tasarım arayışı”<br />
ile “popülerlik / favori olma durumu”<br />
ya da daha anlaşılır bir ifadeyle “halk<br />
tarafından belirlenme ve benimsenme”<br />
olgusu arasındaki gerilim, İstanbul ve<br />
New York kentlerinin taksi tasarım yarışmalarının<br />
yöntemleri ve sonuçları<br />
üzerinden sorgulanmaktadır.<br />
Tasarım yarışmaları bu çesitliliği<br />
tasarıma girdi olarak değerlendirirken<br />
halk oylamaları herkesi kapsamayı hedefleyen<br />
çoğulcu bir karar alma yöntemi<br />
olarak karşımıza çıkmaktadır. Bu<br />
açıdan değerlendirildiğinde katılımcı<br />
tasarım kuramlarına göre tasarım yarışmaları<br />
ve halk oylamaları “birlikte<br />
karar alma/co-decision” modeli olarak<br />
tanımlanmaktadır (Wulz, 1986/1990,<br />
p. 41). Bu makalede anlamlı benzerlikleri<br />
olan iki örnek olay olarak, “İstanbul<br />
için Taksi Tasarım Sistemi Yarışması”<br />
ve “New York için Geleceğin Taksisi /<br />
Taxi of Tomorrow for New York”, tasarım<br />
yarışmaları ve halk oylamaları<br />
yukarıda tanımlanan “birlikte karar<br />
verme” katılımcı tasarım uygulamaları<br />
örnekleri olarak incelenmiştir. Her iki<br />
tasarım yarışması kendine özgü farklılıklara<br />
sahip olmakla birlikte özellikle<br />
katılımcı tasarım uygulamaları<br />
açısından benzerlikler arz etmektedir.<br />
İki yarışmanın birbirinden ayrılan en<br />
belirgin özelliği, yarışmaya katılabilecek<br />
kişilerin nasıl tanımlandığıdır. İstanbul’un<br />
yarışması özgün fikirleriyle<br />
katkı sunabilecek her kesimden insanı<br />
-orta öğretim öğrencileri, üniversite<br />
ekipleri, profesyonel tasarımcılar kategorileriyle<br />
- bağımsız tasarımcılar<br />
olarak tasarım sürecine dahil ederken;<br />
New York yarışma komitesi, tasarım<br />
sürecini davet ettiği otomotiv sektörünün<br />
temsilcileri, Nissan, Ford, Karsan<br />
gibi profesyonel tasarım oluşumlarıyla<br />
sürdürmektedir. Her iki yarışmada<br />
finalist tasarım önerilerinin yarışma<br />
web siteleriyle halk oyuna sunulması<br />
izlenen temel ortak katılım yöntemidir.<br />
Makalenin argümanı İstanbul’un<br />
halk oylamasında profesyonel kategoride<br />
genel amaçlı taksi tasarımı için<br />
en yüksek oyu alan, diğer bir deyişle<br />
“en favori” tasarım, New York’un halk<br />
oylamasında ise en beğenilen, yani en<br />
yüksek oranda “love it” oyunu alan, tasarım<br />
önerileri ve bu tasarımlara dair<br />
tartışmalar üzerine kurulmuştur.<br />
Her iki örnek olayda ortaya çıkan<br />
durum şöyle özetlenebilir: Popüler beğeni<br />
ile iyi tasarım arayışı arasındaki<br />
mücadelenin, temelde aynı amaca dönük<br />
arayışlar gibi gözükseler de, farklı<br />
kaygıları bulunabilmektedir. Daha<br />
konforlu, daha “modern” ya da “güncel”,<br />
daha güvenli ve kent kimliğine katkıda<br />
bulunacak başarılı taksi tasarımlarının<br />
kent yaşamının standartlarını yükseltmeye<br />
dönük, katılım boyutu ön planda<br />
olan bir “iyi tasarım arayışı” sürecinin<br />
veya yarışmasının toplum tarafındaki<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • H. Ekinoğlu, G. Turan
225<br />
algılanışı ile hedeflenen amaca dönük<br />
ağ yapısını kurgulayan ve yöneten yerel<br />
yönetim tarafındaki algılar, kaygılar ve<br />
anlayışlar farklılık arz edebilmektedir.<br />
Bu makalede incelenen örnek olaylar<br />
şu ilişkiyi açıklamaktadır; kullanıcının<br />
tasarım sürecine katılım şansı ve süreci<br />
etkileyebilme yetisi, onun süreçten<br />
beklentisini doğru orantılı olarak etkilemektedir.<br />
Bir diğeri de kentsel yaşam<br />
kalitesini ilgilendiren tasarım problemlerinde<br />
tasarım sürecine, tasarımcı<br />
veya en beğendiği tasarım için oy kullanan<br />
kullanıcı olarak katılım sağlayan<br />
aktör ile süreci kurgulayan ve yöneten<br />
aktörün süreçten beklentisi arasındaki<br />
farklılık ne denli fazla ise de, elde edilen<br />
sonuçların toplam başarıya etkisinin<br />
o denli az olduğu görülmektedir.<br />
Bir diğer deyişle; iyi tasarım arayışını<br />
“en favori veya en popüler olan tasarım”<br />
üzerinden kurgulayan süreçlerin<br />
yukarıda sayılan nedenlerden dolayı<br />
bazen ne hedeflenen tasarımın kendisini<br />
ne de süreci başlatan, ağ yapısını<br />
oluşturan ve organize eden aktörü yüceltmeyebileceğini<br />
göstermektedir.<br />
Sonuç olarak, bu çalışma ile irdelenen<br />
argüman ve örnek olay incelemeleri,<br />
hedeflenen şey geniş kitleleri<br />
ve kent yaşamını ilgilendiren tasarım<br />
konuları olduğunda, yönetişim olgusunun<br />
teorik ve teknik tanımının yetersiz<br />
kaldığına işaret etmektedir. Her iki<br />
örnek olaydan elde edilen çıkarımlar,<br />
ulaşılmak istenen amaç iyi tasarım olduğunda,<br />
“popüler olan” veya “en beğenilen”<br />
tasarımların bizi her zaman<br />
iyi tasarıma götürmeyebileceği gibi,<br />
süreci kurgulayan ve yöneten aktörün/<br />
ağ yapısının süreçten olumsuz etkilenmesine<br />
de yol açabildiğidir. “En beğenilen”<br />
veya “herkesçe en popüler olan<br />
tasarım” her zaman iyi tasarım mıdır?<br />
sorusuna cevap ise “hayır” olmaktadır<br />
(Maile, 20<strong>12</strong>) (McGrath, 2011). Makalede<br />
karşılaştırmalı olarak incelenen iki<br />
örnek olay da buna işaret etmektedir.<br />
Sorgulanan argüman özelinde incelenen<br />
örnek olaylar ile şu sonucun olumlandığı<br />
görülmektedir: Çoğunluğun<br />
beğendiği ancak henüz üretilmemiş ve<br />
deneyimlenmemiş tasarım her zaman<br />
iyi tasarım olmayabilir. Öte yandan uzmanlarca<br />
iyi tasarım olarak tanımlanmış<br />
ve üzerinde uzlaşılmış tasarımlar<br />
ise farklı kriter, beğeni ve deneyimlere<br />
sahip kullanıcılarca en beğenilen veya<br />
en favori olan tasarım olarak kabul<br />
görmeyebilir.<br />
Does favorite design lead to good design?: Taxi design competitions in Istanbul and New York City
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • 227-247<br />
Continuity of architectural<br />
traditions in the megaroid<br />
buildings of rural Anatolia: The<br />
case of Highlands of Phrygia<br />
Alev ERARSLAN<br />
aleverarslan@gmail.com • Department of Architecture, Faculty of Architecture,<br />
Istanbul Aydın University, Istanbul, Turkey<br />
Received: May <strong>2015</strong> Final Acceptance: October <strong>2015</strong><br />
Abstract<br />
Rural architecture has grown over time, exhibiting continuities as well as adaptations<br />
to the different social and economic conditions of each period. Continuity<br />
in rural architecture is related to time, tradition and materiality, involving<br />
structural, typological, functional and social issues that are subject to multiple<br />
interpretations.<br />
This fieldwork was conducted in an area encompassing the villages of the districts<br />
of today’s Eskişehir Seyitgazi and Afyon İhsaniye districts, the part of the<br />
landscape known as the Highlands of Phrygia. The purpose of the fieldwork was<br />
to explore the traces of the tradition of “megaron type” buildings in the villages of<br />
this part of the Phrygian Valley with an eye to pointing out the “architectural continuity”<br />
that can be identified in the rural architecture of the region. The methodology<br />
employed was to document the structures found in the villages using<br />
architectural measuring techniques and photography. The buildings were examined<br />
in terms of plan type, spatial organization, construction technique, materials<br />
and records evidencing the age of the structure. The study will attempt to produce<br />
evidence of our postulation of architectural continuity in the historical megara of<br />
the region in an effort to shed some light on the region’s rural architecture.<br />
The study results revealed megaroid structures that bear similarity to the plan<br />
archetypes, construction systems and building materials of historical megarons<br />
in the region of the Phrygian Highlands. These structures were classified in a typology<br />
that evidenced the existence of an architectural continuity of megaroid<br />
building tradition, which this study seeks to present.<br />
Keywords<br />
Megaron, Megariod buildings, Architectural continuity, Rural architecture.
228<br />
1. Introduction<br />
Rural architecture is a type of architecture<br />
that is based on local needs and<br />
construction materials, and it reflects<br />
local traditions at the same time. The<br />
general characteristics of rural architecture<br />
are traditionality, functionality,<br />
adaptation to environmental conditions<br />
and local materials.<br />
Rural houses are important elements<br />
of heritage that have historical<br />
and cultural continuity. They are less<br />
liable to be affected by rapid cultural<br />
changes and has grown over time, exhibiting<br />
continuities as well as adaptations<br />
to the different social and economic<br />
conditions of each period. Some<br />
part of Turkish communities preserved<br />
their nomadic lifestyle until the end of<br />
the 19 th century when they began to<br />
abandon their yörük tents to build permanent<br />
houses during their transition<br />
from a nomadic existence into a settled<br />
lifestyle. It is believed that it was in this<br />
period that they must have adopted the<br />
housing plans used by the local populations<br />
in the places in which they settled.<br />
2. The aim and the methodology of<br />
the research<br />
The process of exploring Anatolia’s<br />
rural settlements is still in its beginning<br />
stages. There is still controversy over<br />
which parameters were influential in<br />
the choice of the house plans, materials<br />
and building systems used in the transition<br />
of the Turks into permanent settlements.<br />
The general belief is that the<br />
nomads adapted to the housing culture<br />
of indigenous societies in that period.<br />
It is for this reason that research on<br />
Anatolian rural architecture is of great<br />
importance.<br />
This fieldwork was conducted in<br />
the area encompassing all villages of<br />
the districts of Eskişehir Seyitgazi and<br />
Afyon İhsaniye, referred to in history<br />
as the “Highlands of Phrygia” (Figures.<br />
1, 2). The main goal of this research is<br />
to reveal the similarities between the<br />
megaroid structures in the Highlands<br />
of Phrygia and the plan, spatial organization,<br />
building systems and materials<br />
used in the historical megara, and to<br />
uncover any architectural continuity<br />
as is believed to exist in the area. This<br />
will shed some light on the question<br />
Figure 1. Eskişehir Seyitgazi. Researched villages (drawn by Uğur<br />
Süleymanoğlu).<br />
Figure 2. Afyon Ihsaniye. Researched villages (drawn by Uğur<br />
Süleymanoğlu).<br />
of whether there is in fact cultural and<br />
architectural continuity in Anatolian<br />
rural architecture.<br />
To reach our goals, we investigated<br />
all of the villages in the region. All the<br />
houses were examined in terms of the<br />
plan type, spatial organization, materials,<br />
construction systems and records<br />
evidencing the age of the buildings.<br />
The samples chosen were documented<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • A. Erarslan
229<br />
using architectural measuring methods<br />
and photography. In addition, interviews<br />
were held with the members<br />
of the households living in the houses<br />
and with village elders to learn about<br />
the age of the buildings, the history of<br />
the villages, the daily lifestyle and the<br />
use of space.<br />
3. The historical background of the<br />
megaron<br />
Megaron (plural megara) refers to<br />
an elongated rectangular building with<br />
an entrance on one of the short sides,<br />
provided with a porch. In Homer, the<br />
megaron refers to the great halls of the<br />
Mycenean palaces (Knox, 1973). Homer<br />
regards the function of the megaron<br />
as “the hall of the men”. Heredotus<br />
holds it equal to the sacred room of<br />
the adyton of the temple dedicated to<br />
Helen (Işık, 1998). According to Deroy,<br />
“megaron” is a word in Sanskrit that<br />
means “a room with a hearth” (Deroy,<br />
1948).<br />
Dörpfeld, Schliemann and Blegen<br />
were the first to apply the term “megaron”<br />
to prehistoric remains, in the palace<br />
at Tiryns in 1885 and later for the<br />
large buildings of Troy II (Dörpfeld,<br />
1902); Schliemann, 1885). They used<br />
the term “megaron” in the Homeric<br />
sense of a large hall or a main hall in a<br />
palace (Ivanova, 2013). In his 1953 excavation<br />
report, Blegen described the<br />
megaron as “a room of great size, the<br />
principal apartment of the palace”. It is<br />
referred to as a megaron of the classic<br />
mainland type, consisting of a great<br />
hall, a vestibule, and a two-columned<br />
portico fronting a court, in most respects<br />
similar to corresponding suites<br />
at Mycenae and Tiryns (Blegen, 1953).<br />
The term has subsequently been used<br />
to refer to other buildings in Greece<br />
and elsewhere that contain a long hall<br />
fronted by a porch, as well as freestanding<br />
buildings with this alignment of<br />
rooms (Warner, 1994).<br />
There are different views about the<br />
roots of the megaron. The simplest<br />
type, namely an isolated rectangle, is<br />
attested for Thrace, Macedonia and<br />
Thessaly in Neolithic (Müller, 1944).<br />
Buildings of this type consist of a single<br />
room without porch or anteroom.<br />
They have pitched roofs, flat roof or the<br />
barrel roof.<br />
Other early examples can be seen in<br />
Sesklo and Dhimini in Eastern Thessaly<br />
in the late Neolithic (Bintliff, 20<strong>12</strong>).<br />
Sesklo has in fact been named the earliest<br />
“megaroid-style building” in the<br />
middle of the acropolis. The structure<br />
is made up of a porch, a main chamber<br />
and a back room. In the same way, the<br />
acropolis at Dhimini boasts a megaron<br />
larger than others that stands in the<br />
middle of the circular walls. These are<br />
centrally-located structures and protected<br />
by fortification walls. They have<br />
been interpreted as the rulers’s residences<br />
or the temples (Bintliff, 20<strong>12</strong>).<br />
Poliochni and Thermi had row-houses<br />
of megaroid character during EBI.<br />
These long and narrow buildings are<br />
composed of a closed antechamber and<br />
of a main chamber. These structures<br />
have been placed on the street perpendicularly.<br />
They were constructed<br />
as row houses with common side walls<br />
(Warner, 1994). Mellink presumes that<br />
these long houses are the ancestors of<br />
the megaron (Mellink, 1986).<br />
Lerna IV (Early Helladic II) is a<br />
small one-room megaron of classical<br />
form facing east onto a large courtyard<br />
(Warner, 1994). In the Middle and Late<br />
Helladic, the megaron plan continued<br />
to develop and a number of new types<br />
emerged, particularly in houses. In the<br />
Peloponesus, the Mycenaean palaces<br />
of ruler forts of Late Helladic III, Mycenae,<br />
Tiryns and Pylos exhibit structures<br />
of the megaron type. The most<br />
well-known is Nestor’s palace at Pylos,<br />
of which we hear much in Homer’s<br />
Odyssey. It consists of a hall, a forehall,<br />
and a porch with two columns in antis<br />
to support the roof. The main hall contains<br />
a large circular hearth at center,<br />
surrounded by four columns (Blegen,<br />
Rawson, 1966).<br />
Looking at Anatolian examples of<br />
megaron-type, Hacilar IIA from the<br />
Early Chalcolithic presents buildings<br />
of megaroid character. These contiguous<br />
buildings of one or two stories<br />
have features similar to megaron type<br />
because they display a forecourt of<br />
a sort. The houses are arranged with<br />
their backs to the defensive wall. Each<br />
consists of a main room with a hearth<br />
set in the middle of the floor and an anteroom<br />
(Mellart, 1970).<br />
Another precurser of the mega-<br />
Continuity of architectural traditions in the megaroid buildings of rural Anatolia: The case of<br />
Highlands of Phrygia
230<br />
ron-like structure in Anatolia can be<br />
seen in Yümüktepe XVI. Here stand a<br />
series of houses of megaroid character<br />
adjoining the city walls, all with a<br />
closed porch and a main room in back<br />
(Garstang, 1953).<br />
At the start of 4000 BC in the Late<br />
Chalcolithic, in Beycesultan XXIV,<br />
appeared a structure that may be said<br />
to be a precursor to the megaron type<br />
in Anatolia. Here, at the west end of a<br />
building, projecting walls created an<br />
open porch; from this, one entered<br />
through a doorway with a raised step<br />
into the main chamber, which had a<br />
circular hearth in the center (Lloyd,<br />
Mellaart, 1962).<br />
An increase in megaron-type buildings<br />
appeared in Anatolia by the EB.<br />
Troia I consisted of parallel rows of<br />
long buildings of megaroid character.<br />
House 102 has one room and a porch<br />
and without rear antae. It had a hearth<br />
at the center (Blegen, 1937, Ivanova,<br />
2013). At Troia II, large houses of the<br />
megaron-type have been brought to<br />
light on the citadel. Megaron IIA with<br />
a central hearth probably served as an<br />
assembly room or an audience-hall,<br />
and maybe in its last phase (Ilh), it was<br />
a place of cultic activity (Mellart, 1959).<br />
The long-room units arranged in<br />
rows were very common in the western<br />
part of Anatolia in the EB. The coastal<br />
communities along the Anatolian littoral<br />
at Beşiktepe, Bakla Tepe and Liman<br />
Tepe VI, and on the eastern Aegean<br />
islands at Yeni Bademli, built mainly<br />
long-room dwellings arranged in a row<br />
(Ivanova, 2013). Some of these long<br />
houses may be defined as of megaroid-style<br />
because of their side wall extensions<br />
(Erkanal, 1996).<br />
The most numerous examples of the<br />
megaron plan were uncovered in an EB<br />
village at Karataş-Semayük. The basic<br />
characteristics of these freestanding<br />
rectangular structures are two structural<br />
long walls with cross-walls inserted<br />
to form a main room and a front<br />
porch which are entered axially on the<br />
short side. The long walls end in antae<br />
at the front; the rear cross-wall is often<br />
set back from the ends of the long<br />
walls, which thus project as rear antae<br />
(Warner, 1979, 1994). Each is entered<br />
through a door centrally located in the<br />
front cross wall between the porch and<br />
the main room. The roofing sytem is<br />
the gabled roof.<br />
In all of the occupation levels dated<br />
to the EB at Beycesultan, megaroid<br />
houses and shrines are quite prevalent.<br />
They have main rooms with hearths,<br />
sometimes with small rooms in the<br />
back and with a porch. This continued<br />
to be a feature of megaron-type buildings<br />
right up to the end of the LB at site<br />
(Lloyd, Mellaart, 1962).<br />
The Antalya Bademağacı, Eskişehir<br />
Küllüoba, Demircihöyük and<br />
Keçiçayırı settlements of the EB had<br />
two-roomed structures in the megaron<br />
style. They contained a central open<br />
area around which there were examples<br />
on a radial plan adjoining the city<br />
walls. In Bademağacı, the EBA II town<br />
were megaron-like houses with openporched<br />
and with rear rooms (Duru,<br />
2003; Korfmann, 1983). Küllüoba in<br />
Early Bronze II consists of an upper<br />
city, at the center of which there are<br />
two megara complexes that have public<br />
functions. Surrounding these structures<br />
on three sides are long houses<br />
and two- or three-roomed houses in<br />
megaroid shape, their rear rooms abutting<br />
against the fortification wall (Efe,<br />
Ay-Efe, 2001; Efe et al. 2011).<br />
The megaron-type in Marmara however<br />
can be seen at the end of the EB.<br />
The acropolis of Kanlıgeçit has three<br />
adjacent large megara arranged linearly.<br />
These buildings are observed to be<br />
of the type that has a single main room<br />
with an open porch in front with rear<br />
antae (Özdoğan, 2002).<br />
Phrygian architecture represents<br />
the period in which the megaron plan<br />
prevails as the most characteristic<br />
plan type. The buildings in the citadel<br />
in Gordion are freestanding and each<br />
consisted of a large hall with central<br />
hearth and a porch and anteroom,<br />
and with a flat or double pitched roof<br />
(Young, 1960).<br />
The megaron-type can also be established<br />
in central Anatolia. In the period<br />
of Phrygian expansion to the east, the<br />
Iron Age of Büyükkale, small megaron<br />
houses are typically of Phrygian construction<br />
and plan. The most frequent<br />
type displayed an open entrance hall/<br />
porch in antis. There are also other<br />
variations with semi- or completely<br />
closed porches (Neve, 1996).<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • A. Erarslan
231<br />
At Kültepe in the EBIII, a megaron-shaped<br />
architectural complex is a<br />
temple. In the middle of a large room<br />
lies a round hearth, surrounded by<br />
four posts. Smaller rooms are grouped<br />
around this central hall (Özgüç, 1963).<br />
A megaron-shaped architectural complex<br />
was also found on Stratum IIa in<br />
Kaman Kalehöyük. The structure was<br />
surrounded by corridors (Omura,<br />
1999).<br />
At Kerkenes Dağ, some structures<br />
that can be identified as megaron have<br />
been uncovered. They are freestanding<br />
buildings that have one main room<br />
with a central hearth and an open<br />
porch (Summers et al., 2004). They<br />
have double-pitched roofs and served<br />
some special public function or the<br />
residences for the ruling elite (Summers<br />
et al., 2004).<br />
Tell Tayi’nat Building XVI was a long<br />
room divided into a portico, a main<br />
hall and a shrine. It is a temple complex<br />
and its plan is in antis style (Harrison,<br />
Osbourne, 20<strong>12</strong>).<br />
Besides these examples, some researchers<br />
assert that there are buildings<br />
of the megaroid character in the<br />
Near East as well. Some have named<br />
the long-axis corridor house/pierhouse<br />
type of house found to be widespread<br />
in the southern Levant in Middle<br />
PPNB “megaron” (Wright, 1985;<br />
Garstang, Garstang, 1940). A central<br />
hearth is a common feature of the plan.<br />
Wright states that the PPNB temple<br />
at Jericho E is a megaron since the flank<br />
walls project as antae (Wright, 1985).<br />
Wright also claims that the Langbau<br />
type of temples in the Near East in the<br />
LB and Iron Ages are of the megaron<br />
style (Wright, 1985; Davey, 1980). They<br />
have a single long room and a shallow<br />
entrance porch designed in antis (Hundley,<br />
2013).<br />
4. A history of the settlement of the<br />
region<br />
The Highlands Phrygia cover the<br />
whole of the districts of Afyonkarahisar<br />
and the districts of Ihsaniye,<br />
Işcehisar and Bayat as well as a part<br />
of Bolvadin and Seyitgazi and Han in<br />
Eskişehir, and a part of central Kütahya<br />
and Tavşanlı (Aşılıoğlu, Memlük,<br />
2010; Haspels, 1971; Kortanoğlu, 2011)<br />
(Figure 3). The region has been named<br />
Figure 3. The Highlands Phrygia (https://<br />
www.academia.edu/1670748/Highlands_<br />
of_Phrygia-Map).<br />
after the Phrygians. Ancient Phrygia<br />
was a neighbor to Cappadocia to the<br />
east and later to Galatia, the regions of<br />
Lykaonia, Pisidia Kabalis, Milyas Kibyratis<br />
in the south, and Mysia, Lydia,<br />
Karia to the west and the regions of<br />
Bithynia and Paphlagonia to the north<br />
(Sevin, 2007). The capital Gordion,<br />
Pessinous, Mideon, Dorylaeum, Laodikeia<br />
and Kolossai may be mentioned<br />
as the most important cities of ancient<br />
Phrygia (Sevin, 2007).<br />
The oldest name for Afyon was<br />
Akronio. In the period of the Hittite<br />
Empire, Afyon gained importance because<br />
of the campaigns of Murshilish II<br />
against the kingdom of Arzava. It was<br />
after the fall of the Hittite Empire and<br />
following the ensuing Dark Ages that<br />
the Phyrgians entered the scene. The<br />
region was known as Phyrgia thereafter<br />
up until the end of the Byzantine<br />
Era (Ilaslı, 2004).<br />
As a result of the Cimmerian attacks,<br />
dominion over Central Anatolia<br />
passed from the Phyrgians to the Lydians<br />
(Akurgal, 2000). From the middle<br />
of the sixth century BC, the Persians<br />
captured sovereignty over the Afyon<br />
region. From 30 BC onward, Anatolia<br />
was under the leadership of Rome.<br />
During the Roman Era, new towns and<br />
cities were established in the region.<br />
The city of Amorium gained importance<br />
in the Byzantine Era and Phyrgia<br />
was divided in two, one part becoming<br />
Continuity of architectural traditions in the megaroid buildings of rural Anatolia: The case of<br />
Highlands of Phrygia
232<br />
annexed to Galatia, the other remaining<br />
as Phrygia Salutaris.<br />
During <strong>12</strong>75-1343, Sahipataoğulları<br />
was established in Afyonkarahisar<br />
(Karazeybek, 2004). <strong>Yıl</strong>dırım Beyazıt<br />
annexed the region to the Ottoman<br />
lands in 1390. After WWI, Afyon too<br />
was invaded by the Greeks. The city<br />
was liberated on August 27, 1922 in the<br />
Great Offensive.<br />
Seyitgazi is a small district of Eskişehir,<br />
4 km. to its south. The oldest<br />
settlements in the area dates back to<br />
the EB (Altınsapan, 1999). The region<br />
was conquered by the Hittites in the<br />
fifteenth century BC and the Phyrgians<br />
entered the area around <strong>12</strong>00 BC, establishing<br />
a strong kingdom in the environs<br />
of Eskişehir. In the eighth century<br />
BC however, with pressures from<br />
the Lydians, and because of the steady<br />
loss of strength as a result of the the<br />
Assyrian invasions, the Phrygian kingdom<br />
was destroyed by the Cimmerians,<br />
remaining under Lydian rule until<br />
the Persian invasion in 546 BC. In the<br />
Hellenistic Era, Rome began to reign in<br />
Anatolia and Seyitgazi, named “Nacolea”,<br />
became an important guard post<br />
of Rome (Aşılıoğlu, Memlük, 2010).<br />
After 395 AD, many Byzantine cities<br />
were established in the region.<br />
In the period of the Seljuks, Nacolea<br />
was conquered by the Danişments and<br />
the Seljuk tribes. Seyitgazi was annexed<br />
to Ottoman lands during the reign of<br />
Murat I. Seyitgazi participated in the<br />
War of Liberation with a special battalion;<br />
the troops were partially incapacitated<br />
in the Greek invasion and on<br />
1922, with the coming of the Turkish<br />
armies, it became a part of the Turkish<br />
Republic (Altınsapan, 1999).<br />
5. Plan typologies and general characteristics<br />
of the structures in the region<br />
In this work, the term “megaron”<br />
has been used to signify structures<br />
with 2 long walls ending in antae at the<br />
front, a front porch which is entered<br />
axially on the short side, and a rectangular<br />
single main room. However, to<br />
be precise, these structures have also<br />
been described as megaroid buildings,<br />
megaroid-style buildings, megaroid-shaped<br />
buildings, megaron-like<br />
buildings and the like.<br />
The region’s megaroid buildings<br />
have a main room and a front porch,<br />
comprised thus of two structural archetypes.<br />
They constitute a longitudinal<br />
mass. The buildings vary in size.<br />
The main rooms are almost square or<br />
in the form of a longitudinal rectangle<br />
and form the core of the building.<br />
They are used for sleeping, eating and<br />
for most domestic activities. The main<br />
room sizes vary. They are usually of<br />
the size 3x3 m. None of the examples<br />
exhibit a central hearth. The hearth<br />
would occupy the wall across from the<br />
door. There are niches in the walls of<br />
the main room. The buildings can be<br />
directly accessed from the main room.<br />
In none of the examples is the door of<br />
the main room on the central axis, but<br />
either to the right or the left.<br />
The term “porch” is used to refer to<br />
the roofed area between the extensions<br />
of the long walls of the main room. The<br />
two long walls of the main room extended<br />
beyond the short front and constituted<br />
a porch at the front. The roof<br />
extended over the porch and provided<br />
additional working space. The porches<br />
are shallow in general. On the average,<br />
the depth of the porches is 1 m. In<br />
only a few examples, the porches are<br />
deep. The people of the region refer to<br />
the ground level porch as the “ev önü”<br />
(front of the house), and to the porch<br />
on top of the barns as the “hayat”. In<br />
no example are the porches paved with<br />
a special floor covering. None of the<br />
houses had a rear anta/rear porch.<br />
While most structures are one-storied,<br />
some buildings rise above a barn.<br />
Examples rising above a barn are few<br />
in the area. Some of the single-storied<br />
structures are built on ground level<br />
while some have been built on a stone<br />
basement. In this case, the structure<br />
has a raised porch with stairs leading<br />
to a porch. The stairs can be at the<br />
center of the house or on one side of<br />
the porch. The stairways open to the<br />
porch. The people in the region call<br />
the houses on ground level as “Yer Ev”<br />
(Ground House).<br />
The region has six types of megaroid<br />
structure. This typology was attained<br />
from a total of 33 buildings among<br />
the houses scanned for the research<br />
throughout the region (Figure 4, 5).<br />
Some of them are in ruins. Of those<br />
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233<br />
Figure 4. Graph showing the dispersion of the plan types according to villages in Eskişehir Seyitgazi.<br />
Figure 5. Graph showing the dispersion of theplan types according to villages in Afyon Ihsaniye.<br />
Figure 6. Plan type 1 (Drawn by Salih<br />
Ceylan).<br />
Figure 7. The megaroid building built in<br />
type 1A.<br />
surviving, some have either been abandoned<br />
or converted into storage space.<br />
Rebuilding has occurred in some houses.<br />
The full age range of the houses is<br />
not known exactly. However, the average<br />
age of all of the examples, according<br />
to the testimony of the villagers, is<br />
<strong>12</strong>0-140 years.<br />
1. Type with 2 antae: This is the most<br />
widespread plan in the region (Figures<br />
4, 5). This type consists of a main room<br />
and a porch at the front (Figures 6-8).<br />
The side walls of the main room extend<br />
to form a porch at the front. They<br />
are antae walls. The antae form a solid<br />
wall. A building is built on a stone<br />
basement. In this case, the structure<br />
has a raised porch with stairs leading<br />
to a porch (Figures 6: B, 8). In general,<br />
these types of structures are freestanding<br />
on a road.<br />
2. Type in antis: This is the second<br />
widespread plan (Figures 4, 5). In this<br />
type, the structures are single-roomed<br />
with an open porch and one, two or<br />
Continuity of architectural traditions in the megaroid buildings of rural Anatolia: The case of<br />
Highlands of Phrygia
234<br />
Figure <strong>12</strong>. The megaroid building built in<br />
type 2B.<br />
Figure 8. The megaroid building built in<br />
type 1B.<br />
Figure 13. The megaroid building built in<br />
type 2C.<br />
Figure 9. Plan type 2 (Drawn by Salih<br />
Ceylan).<br />
Figure 10. The megaroid building built in<br />
type 2A.<br />
Figure 14. Plan type 3 (Drawn by Salih Ceylan).<br />
Figure 11. Inside of the same house. The<br />
hearth.<br />
three wooden posts placed between<br />
antae (Figure 9). In this form, the<br />
structures appear to be monostyle<br />
in antis, distyle in antis and tristyle<br />
in antis (Figures. 9-13). The monostyle<br />
in antis is the simplest form. The<br />
porches are very shallow and there are<br />
Figure 15. The megaroid building built in<br />
type 3A.<br />
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235<br />
Figure 16. The megaroid building built in<br />
type 3B.<br />
Figure 21. Plan type 4 (Drawn by Salih<br />
Ceylan).<br />
Figure 17. The megaroid building built in<br />
type 3C.<br />
Figure 22. The megaroid building built in<br />
type 4A.<br />
Figure 18. The megaroid building built in<br />
type 3D.<br />
Figure 19. The megaroid building built in<br />
type 3E.<br />
Figure 20. The megaroid building built in<br />
type 3F.<br />
Figure 23. The megaroid building built in<br />
type 4B.<br />
no rear antae. In only one example of<br />
these buildings, which are generally on<br />
ground level, is the structure accessed<br />
with stairs consisting of a few steps<br />
(Figure 9: C, 13). While the structures<br />
are generally freestanding on a road,<br />
one of the buildings is attached parallel<br />
to the courtyard wall (Figure 10).<br />
3. Type with a single anta: This is the<br />
third plan type in the region (Figures<br />
4, 5). In this type, there is a single anta<br />
wall of the building. One of the antae<br />
forms the solid long side of the main<br />
room and one or more wooden post/<br />
columns are found at the other end<br />
(Figure 14). Generally this type appears<br />
as a single wooden post/column<br />
Continuity of architectural traditions in the megaroid buildings of rural Anatolia: The case of<br />
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236<br />
Figure 24. The megaroid building built in<br />
type 4C.<br />
Figure 25. Inside of the same house. The<br />
hearth.<br />
Figure 26. The megaroid building built in<br />
type 4D.<br />
on the other end of a solid long side<br />
wall which is one of the antae walls<br />
(Figures 14: A-D, 15-18). Sometimes<br />
2 or 4 wooden posts may be found in<br />
front of the porch (Figures 14: E-F, 19-<br />
20). In applications with a single post/<br />
column, sometimes a wooden door<br />
opened to the courtyard is built on the<br />
post/column side of the porch (Figures<br />
14: B-C, 16-17). Both freestanding<br />
and attached structures parallel to the<br />
courtyard wall structures can be seen<br />
at the location. In the structure on the<br />
location attached parallel to the courtyard<br />
wall, the courtyard wall forms the<br />
single anta (Figure 18).<br />
4. Prostyle type: This is the other<br />
type in the region (Figures 4, 5). Prostyle<br />
is a term defining freestanding<br />
columns across the front of the building<br />
and refers to a building having<br />
posts only along the front side. This<br />
type of building does not possess antae.<br />
The prostyle porch has been used<br />
in the region in the distyle and tristyle<br />
prostyle (Figure 21). In the distyle prostyle,<br />
a wooden post/column is found<br />
at each end of the porch in front of the<br />
structure (Figures 21: A-B, 22-23). In<br />
the tristyle prostyle, the structure has<br />
3 wooden posts/columns in front (Figures<br />
21: C-D, 24-26). In general, the<br />
prostyle type has been implemented<br />
in examples built on a high sub-basement<br />
or barn and these structures are<br />
accessed by stairs. The structures are<br />
freestanding on a road.<br />
5. Closed porch type: This type of<br />
plan, which is only encountered in a<br />
single example in the region, comprises<br />
a main room with a double entrance<br />
and a closed porch/anteroom in front<br />
(Figures 4, 27: A, 28). It is without rear<br />
antae. The building is freestanding on<br />
a road.<br />
6. Type with a rear room: In this<br />
plan, which is only uncovered in a single<br />
example, the main room is subdivided<br />
by a wall to create a back room<br />
(Figure 4). A partition wall divides the<br />
interior into two rooms. Thus, a small<br />
rear room is formed in back of the main<br />
room of the structure (Figures 27: B,<br />
29), the long main room being flanked<br />
by the smaller room at the back. There<br />
is a deep porch with a single anta in<br />
front of the structure. The building is<br />
attached parallel to the courtyard wall.<br />
While the courtyard wall forms the<br />
single anta of the structure, in the other<br />
direction, 3 wooden posts stand in<br />
front of the porch (Figure 29).<br />
These megaroid-style buildings are<br />
characterized in three locations; freestanding<br />
on a road or on a courtyard,<br />
adjacent or abutting another structure<br />
and attached to parallel to the courtyard<br />
wall.<br />
In the first type of location, the<br />
structures are freestanding and<br />
self-contained structures on a road or<br />
on a courtyard. They are single unit<br />
structures. Their porticos have been<br />
built to face the south. Their orientation<br />
is looking out toward open spaces<br />
and streets (Figures 8, 17, 23, 24, 26).<br />
In the second type of location, the<br />
structures are buildings where a few<br />
families live together and which also<br />
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237<br />
have a barn, a hayloft and stand in a<br />
courtyard along with other houses.<br />
These buildings are either freestanding<br />
inside the courtyard, looking out<br />
toward the road, or they have been<br />
built attached to parallel to the courtyard<br />
wall. In this case, one wall of the<br />
house is also the wall of the courtyard<br />
(Figures 10, 18, 29). In other words, the<br />
courtyard wall forms one of the antae<br />
of the building.<br />
In the third type of location, the<br />
structure is leaning on another structure<br />
at the back. The building usually<br />
leans on another structure (an annex),<br />
most likely a barn or hayloft. Only<br />
in very few examples, this annex is a<br />
house (Figure 17). The annex is not entered<br />
from the main building. It is separately<br />
roofed. There is only one example<br />
of an annex added to the long side<br />
of the building, but the construction of<br />
this indicates that the annex was built<br />
later (Figure 20).<br />
The organization of the façades of<br />
the buildings is made up of a door and<br />
one adjacent window opening out into<br />
the main room. With this arrangement,<br />
the buildings have a two-element<br />
structure on their façades. Only<br />
in some examples were the windows<br />
on the façades closed off afterwards.<br />
Figure 27. Plan type 5 and 6 (Drawn by<br />
Salih Ceylan).<br />
The side walls of the buildings too have<br />
windows but some structures remain<br />
windowless. The rear façades of the<br />
buildings however are without windows.<br />
All of the megaroid structures in<br />
the region have a roof that is one of 3<br />
types—flat roof, low-pitched roof or<br />
gabled—but all of the types are wooden.<br />
In all the types of roof, the roof<br />
extends over the porch. In the case of<br />
the flat roof, some of these are sometimes<br />
tiled with bricks but sometimes<br />
covered with earth. The low-pitched<br />
roof and the gabled roof however are<br />
tiled with brick. Because the rooms<br />
are small, no internal wooden posts or<br />
a central post carrying the roof in the<br />
main room have been encountered.<br />
Two types of wall technique have<br />
been used on the walls of the structures-<br />
stone wall construction and<br />
timber-reinforced stone construction.<br />
In the timber-frame supported stone<br />
wall, walls were supported by a wooden<br />
framework of horizontal, transverse<br />
and vertial timbers. While rubble stone<br />
was generally used as material for the<br />
walls, it can also be seen that both rubble<br />
stone and finely cut stones were<br />
used together. In some buildings, mudbrick<br />
was used along with the stone. In<br />
addition to this mixed material, mixed<br />
wall construction can also be observed.<br />
In very few examples, timber-frame<br />
stone and mud-brick construction can<br />
be seen together in a mixed wall construction<br />
system. In one example, bağdadi<br />
(lath and plaster) was used on one<br />
anta wall of the structure (Figure 7).<br />
Sometimes the walls were covered with<br />
clay and straw plaster.<br />
None of the houses have toilets. All<br />
of the toilets are outside. In one corner<br />
of the main room stands a wooden<br />
platform that serves as a bath.<br />
Figure 28. The megaroid building built in<br />
type 5.<br />
Figure 29. The megaroid building built in<br />
type 6.<br />
Continuity of architectural traditions in the megaroid buildings of rural Anatolia: The case of<br />
Highlands of Phrygia
238<br />
6. Comparison of the historical megara<br />
When the megaroid buildings in the<br />
region are compared with historical<br />
megarons of ancient Anatolia and Near<br />
East, it can be noticed that the plan<br />
types, construction systems, building<br />
materials and roofing sytems display<br />
some common elements.<br />
The first plan type in the region is<br />
the “type with 2 antae”. This type consists<br />
of an almost square or longitudinally<br />
rectangular main room and a<br />
porch at the front (Figure 6). There are<br />
no rear antae. Similar types of this plan<br />
can be seen in ancient Anatolia in Troia<br />
I (House 102), Troia II, Karataş-Semayük,<br />
Bademağacı, Büyükkale, Beycesultan<br />
X-IX, Keçiçayırı, Gözlükule<br />
Tarsus and Kerkenes. All have megaroid<br />
structures that are single-roomed,<br />
with an open porch and without rear<br />
antae. The side walls of the main room<br />
extend to form a porch at the front<br />
and they constitute the antae walls. So,<br />
the antae walls of the buildings are the<br />
solid side walls of the main room. In<br />
general, these types of buildings are<br />
freestanding. Some of the buildings are<br />
attached to each other because of the<br />
“Anatolian settlement siedlungschema”<br />
(Blegen, 1937; Neve, 1996; Summers<br />
et al., 2004; Efe et al, 2011; Lloyd, Mellaart,<br />
1962; Warner, 1979; Naumann,<br />
1998; Duru, 2003).<br />
Another plan in the region is the<br />
“type in antis”. In this type, one, two<br />
or three wooden posts are placed between<br />
antae (Figure 9). The porch is<br />
very shallow and there are no rear antae.<br />
These structures display a porch<br />
arrangment of monostyle, distyle and<br />
tristyle in antis type. This type porch<br />
arragement resembles the façades of<br />
Phrygian rock-cut shrines and Phrygian,<br />
Lycian, Hellenistic and Roman<br />
periods rock-cut tombs (Kortanoğlu,<br />
2011). It was Ch. Fellows and later<br />
Benndorf and Niemann who asserted<br />
that these tombs might have been influenced<br />
by wooden houses in ancient<br />
Lycia (Işık, <strong>Yıl</strong>maz, 1996). The façades<br />
of the tombs resembled house façades<br />
because the tombs were considered the<br />
residences of the dead (Ambrossini,<br />
2011). Thus houses began to be seen<br />
as the precursers of the Lycian rock<br />
tombs and Phrygian rock-cut shrines<br />
and tombs (Kjelden, Zahle, 1975). In<br />
the book he wrote in 1853, “Ein Ausflug<br />
nach Kleinasien und Entdeckungen<br />
in Lycien”, Ch. Fellows drew pictures of<br />
the Turkish houses and storehouses he<br />
saw in the Xanthos plains and he called<br />
attention to the resemblance between<br />
these houses and the wooden house<br />
architecture of ancient Lycia and the<br />
Lycian rock tombs (Figure 30) (Işık,<br />
<strong>Yıl</strong>maz, 1996). These house tombs imitated<br />
the appearance of wooden Lycian<br />
houses, with their stone reproductions<br />
of wooden architectural features<br />
(Metzger , Coupel, 1963). These tombs<br />
have the same shape, all small temples<br />
with pediments supported by columns.<br />
Their façades have a pediment and columns<br />
between the projecting side walls<br />
(antae). They generally have façades<br />
with an arrangement of 1, 2, 3 or 4 columns<br />
between antae (in antis). Besides<br />
having gabled roofs, there are also examples<br />
of flat roofs.<br />
The Phrygian rock-cut façades provide<br />
a clue about the megaron façade<br />
arrangements at Gordion. Some of<br />
them consist of a façade, varying in<br />
size, generally depicting the front of a<br />
house. The most prominent feature of<br />
the Phrygian rock-cut façades is a focal<br />
niche with a surrounding façade decorated<br />
with geometrical motifs. They<br />
are thought to have imitated the front<br />
of a building of public importance.<br />
The appearance of Phrygian houses<br />
may be gauged from the carved rocks<br />
representing the façades of buildings,<br />
probably temples, illustrated in stone<br />
in Arslankaya, Bahşayiş, Demirkale<br />
or Midas City (Barnett, 1967). Berndt-Ersöz<br />
assert that the rock-cut<br />
façades are not true copies of Phrygian<br />
houses, but may be imitations (Berndt-Ersöz,<br />
1998; 2006).<br />
The porch in antis is also reminis-<br />
Figure 30. 19th century houses and<br />
storehouses in the plain of Xanthos from Ch.<br />
Fellows (Işık, <strong>Yıl</strong>maz 1996: 178).<br />
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239<br />
cent of Greek temples. Greek temples<br />
generally made use of the “distyle in antis”<br />
plan. The houses in the region with<br />
the in antis plan also resembled the<br />
columned prostas house of the classical<br />
Greek period. Here, in front of the<br />
oikos was a columned porch (prostas)<br />
which opened out onto the courtyard.<br />
House plans with prostas were derived<br />
from megaron. Other similar examples<br />
of porch in antis can be seen in<br />
Ain Dara and Tell Tayinat Building II .<br />
These temples are buildings where the<br />
lateral walls of the main hall of worship<br />
are continued on the façade with a vestibule/porch<br />
on either side. Both have<br />
two columns between antae.<br />
Another plan encountered in the<br />
region is the “prostyle type”. This type<br />
does not possess antae. There is a<br />
wooden columned porch in front of<br />
the main room. This type has been<br />
used in the region in distyle and tristyle<br />
prostyle (Figure 21). In distyle prostyle<br />
porch, a wooden post/column is found<br />
at each end of the porch in front of the<br />
building. The distyle prostyle is reminiscent<br />
of the rock-cut tombs façade<br />
of the Hellenistic and Roman in Highlands<br />
of Phrygia (Kortanoğlu, 2011).<br />
The façade of Ayazini and Yapıldak,<br />
there is a distyle prostyle porch arragement<br />
(Figure 31). Here, a column is<br />
placed in each end of the porch.<br />
The prostyle porch is also reminiscent<br />
of prostyle Greek temples. A<br />
Greek prostyle temple has a colonnaded<br />
porch in front of the cella. There are<br />
however generally 4 columned porches<br />
in front of the cella. Besides in the<br />
Greek temples, the prostyle porch is<br />
encountered in the Neolithic wooden<br />
houses of the Cucuteni-Tripolye-Ariuşd<br />
cultural groups. In the houses<br />
of these cultures, a porch made up<br />
of wooden posts stands in front of<br />
the main room (Figure 32: A) (Laszlo,<br />
2000). A shrine in Jericho, dated<br />
to the PPNP, is the other resemble of<br />
this type. Here on level XI, in front of<br />
a building that Garstang believes to<br />
be a shrine is a veranda-like vestibule<br />
supported by six wooden pillars (Figure<br />
32: B). Garstang describes it as a<br />
prostyle porch (Garstang, Garstang,<br />
1940; Banning, Byrd, 1988). However,<br />
both Cucuteni-Tripolye-Ariuşd and<br />
the shrine in Jericho have semi-antae,<br />
a feature that is different from the prostyle<br />
types in our field of study.<br />
The other plan in the region is the<br />
closed porch type. This plan is only<br />
encountered in a single example. The<br />
building is without rear antae. It consists<br />
of a main room with a double entrance<br />
and a closed porch/anteroom in<br />
front (Figure 27: A). The closed porch<br />
is very widely used in the megaron style<br />
of buildings in Anatolia. Examples of<br />
a single-entrance main room and a<br />
closed porch/anteroom can be seen<br />
in Gordion, Küllüoba, Demircihöyük,<br />
Mersin, Hacılar IIA and Büyükkale.<br />
The main room with a double entrance<br />
is seen in Anatolia at Karataş-Semayük<br />
V-VI and in Bademağacı. At<br />
Bademağacı, in the EBII settlement,<br />
there are megaron-style buildings with<br />
a main room having double entrances<br />
with open porches (Figure 32: C, D).<br />
There is also a building with a double<br />
entrance and a closed porch/anteroom<br />
in front (Figure 32: E). At Semayük<br />
Karataş V-VI, although the main room<br />
in the megaron structures have a double<br />
entrance, these have open porches<br />
(Figure 32: F) (Warner, 1979). These<br />
buildings have no rear antae, but a rear<br />
room.<br />
Another type of megaroid structure<br />
in the region is the plan type that has<br />
a rear room. In this plan, the main<br />
room is subdivided by a wall to create a<br />
back room. Thus, a small rear room is<br />
formed in back of the main room (Figure<br />
27: B). In front of the main room is<br />
an open porch. At Bademağacı, House<br />
30 is a building with a rear room (Figure<br />
32: G). At Karataş-Semayük V-VI,<br />
rear rooms are found in several houses.<br />
There are megaroid structures at<br />
Küllüoba with a closed porch and rear<br />
Figure 31. Afyon Ayazini<br />
(http://www.webrehberi.net/yerel/<br />
afyonkarahisar/#!prettyPhoto[gallery2]/1/).<br />
Continuity of architectural traditions in the megaroid buildings of rural Anatolia: The case of<br />
Highlands of Phrygia
240<br />
room. These rear/back rooms are used<br />
as storage facilities.<br />
The other type of plan in the region<br />
was the “type with a single anta”. In<br />
this type, one of the antae forms the<br />
solid long side of the main room and<br />
one or more wooden posts/columns<br />
are found at the other end (Figure 14).<br />
This type with a single anta wall is not<br />
encountered in the historical megara<br />
and appears to be a local characteristic<br />
completely unique to the region.<br />
The porches in the megaroid structures<br />
in the region are shallow in<br />
general. This type porch resembles<br />
the Anatolian megarons of Küllüoba,<br />
Semayük-Karataş and Bademağacı.<br />
These structures all have porches in<br />
front that are not very deep. However,<br />
there is some example of a considerably<br />
deep porch in the region; this example<br />
brings to mind a pronaos (Figure<br />
14: D-E; 27: B). Megarons with deep<br />
porches in Anatolia are seen at Troia I<br />
(House 102), Troia II, Bademağacı, and<br />
Küllüoba.<br />
None of the megaroid structures in<br />
the region have rear antae. They have<br />
front antae only. Examples of megarons<br />
without rear antae are found in Anatolia<br />
at Karataş-Semayük, Bademağacı,<br />
Gordion, Küllüoba, Troia I (House<br />
102) and the Troia II, VI.<br />
Three types of roof have been used<br />
in the region—a wooden flat roof, a<br />
low pitched roof and a gabled roof. In<br />
all of the roof types, the roof extended<br />
over the porch. Of the historical megarons,<br />
Gordion exhibits the use of 3 distinct<br />
groups of roof systems—the gabled<br />
roof, the pitched roof and the flat<br />
roof (Berndt-Ersöz, 2006). The megara<br />
at Gordion probably had gabled roofs,<br />
as indicated by a completely preserved<br />
poros akroterion whose lower parts<br />
follow the outline of a pitched roof,<br />
and three double-pitched poros blocks<br />
found at Gordion. Gabled buildings are<br />
also seen in the drawings incised on the<br />
exterior walls of Megaron 2, inscribed<br />
on potsherds from Midas City, and<br />
represented by three building models<br />
(Roller, 2009). In Troia, the roofs are<br />
flat. At Küllüoba too, because of the<br />
“Anatolian settlement siedlungschema”<br />
and since the houses are laid out in<br />
a row, it is hard to use a gabled roof.<br />
For this reason, the megarons in the<br />
Figure 32. The comparision of the historical megaroid structures.<br />
A: A house of Cucuteni-Tripolye-Ariuşd culture. B: A shrine in<br />
Jericho. C, D, E: Bademağacı. F: Semayük Karataş. G: Bademağacı,<br />
House 30 (drawn by Salih Ceylan).<br />
settlement are covered with flat roofs.<br />
The long houses built as independent<br />
structures, however, may have used<br />
the gabled roof form (Fidan, 20<strong>12</strong>). In<br />
Bademağacı for the same reason, the<br />
megaroid buildings are flat roof-covered.<br />
In freestanding buildings at<br />
Karataş Semayük too there is evidence<br />
that the gabled roof was used (Warner,<br />
1994). In all of these historical examples,<br />
the roof extended over the porch.<br />
In the structures of the region, two<br />
types of wall technique are observed—<br />
stone wall construction and timber-reinforced<br />
stone construction. The wall<br />
materials were generally rubble stone<br />
but there are also examples of rubble<br />
stone and finely cut stone used together.<br />
In some buildings, a smooth mudbrick<br />
was used together with the stone.<br />
Besides these mixed materials, some<br />
examples also display a mixed wall<br />
construction. There are very few examples<br />
of timber-frame stone and mudbrick<br />
construction mixed together in a<br />
wall construction system. At Troia, the<br />
superstructure of the walls is mudbrick<br />
and supported by a wooden framework.<br />
At Bademağacı, the buildings are<br />
built on a stone foundation and mudbrick<br />
superstructures. Houses at Gordion<br />
are built of stone or crude brick,<br />
using a half-timber structure (Barnett,<br />
1967). At Gordion, the walls are put<br />
together with a wooden framework<br />
and filled in-between with masonry<br />
screens, forming a skeleton for the construction<br />
(Young, 1962). Timber-reinforced<br />
mud walling construction can<br />
also be seen at Karataş Semayük (Warner,<br />
1994). At Küllüoba, the remnants<br />
of wooden planks have been found<br />
between the stone foundations and the<br />
mudbrick wall above.<br />
The megaroid buildings in the region<br />
are generally one-storied. Some<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • A. Erarslan
241<br />
are on ground level but some rise above<br />
a sub-basement. A few have megaroid<br />
structures rising above a barn. The<br />
structures built on top of sub-basements<br />
are accessed with a few steps of<br />
stairs. At Tell Tayinat Building II and<br />
XVI, although the structures are on<br />
ground level, entrance was gained by<br />
means of a stepped porch, flanked by<br />
two columns in antis (Harrison, 20<strong>12</strong>).<br />
The annexes used as barns or haylofts<br />
in the megaroid buildings in the<br />
region are generally attached to the<br />
short side of the structure in the back<br />
but in only one example, an annex<br />
has been added to the long side of the<br />
building (Figure 20). In the historical<br />
megara, House 66 is the only example<br />
in Karataş-Semayük of an annex<br />
added to the long side of the building<br />
(Warner, 1979). The annex was probably<br />
built later both in Karataş and in<br />
the region. The annex was not entered<br />
from the main building and is separately<br />
roofed (Warner, 1979).<br />
The megaroid buildings in the region<br />
are located in three locations;<br />
freestanding, adjacent or abutting another<br />
structure and attached parallel to<br />
the courtyard wall. But, the historical<br />
megara (except the Anatolian settlement<br />
siedlungschema) were freestanding<br />
structures.<br />
7. Conclusion<br />
As can be seen, the megaroid structures<br />
in the Phrygian highlands share<br />
with the historical megara, the similarities<br />
in their plan types, construction<br />
systems and materials, point to the<br />
existence of this type in the regional<br />
memory of rural architecture and to an<br />
architectural continuity in the region.<br />
How do we explain these similarities<br />
exhibited by the historical megaras and<br />
those existing in the houses used today<br />
by Turkmen groups in the area after<br />
all this time has passed? The nomadic<br />
Turkmen tribes entered Anatolia in<br />
the 11 th century. They transitioned into<br />
their settled lifestyle only at the end of<br />
the 19 th century after a long period of<br />
living as nomads (Ögel, 1991; Kavas,<br />
20<strong>12</strong>). With the start of their settled<br />
inhabitation, the Turkmen tribes who<br />
had made use of yörük tents during<br />
their nomadic and semi-nomadic periods<br />
were inevitably influenced by indigenous<br />
Anatolian cultures (Tanyeli,<br />
1996; Köse 2005). They chose the existing<br />
house plans of the indigenous people<br />
in the region when the time came<br />
for them to meet their need for permanent<br />
housing. This choice, which is the<br />
result of cultural adaptation, creates<br />
natural architectural continuity.<br />
A look into the plan types, materials<br />
and constructions systems Turkish<br />
populations preferred in their transition<br />
to a settled lifestyle reveal a close<br />
similarity with the traditional housing<br />
patterns of the regions that they<br />
settled in (Tanyeli, 1996; Köse, 2005).<br />
The Anatolian culture is not homogeneous.<br />
Each subregion contained various<br />
cultural traditions. It was because<br />
of this that displayed different regional<br />
plan types. At the same time, new<br />
environmental conditions such as climate,<br />
geography and topography, as<br />
well as cultural interaction were also<br />
influential in this choice. They were<br />
however adapted to particular needs.<br />
We found the megaroid buildings in<br />
the region reflecting the regional taste<br />
in that the local house plans in the<br />
region appear both socially and functionally<br />
suitable for the newly migrating<br />
nomadic Turks.<br />
Many historical house types are still<br />
being used in the rural architecture of<br />
Anatolia and the Near East can be seen<br />
in other plan types as well. Researchers<br />
Klinhott, Ragette, Yagi, Cerasi, Kobychev<br />
and Robakidze have reported that<br />
rural houses constructed in the style of<br />
historical plan types such as megaron,<br />
bit-hilani, tarma house, riwaq house,<br />
iwan house, houses with inner courtyards<br />
and houses with a front sofa, are<br />
still used in Syria, Iraq, Iran, Afghanistan,<br />
Daghistan and the Caucasion<br />
region, among other areas (Klinhott,<br />
1978; Ragetta, 1974; Yagi, 1983; Cerasi,<br />
2014; Kobychev, Robakidze, 1969).<br />
This is because traditional rural architecture<br />
is less prone to the impact of<br />
rapid cultural change and has evolved<br />
as a result of cultural continuity.<br />
Anatolian traditional rural architecture<br />
also has a very rich cultural heritage<br />
related to the past. With this as<br />
its starting point, research conducted<br />
about Anatolia rural architecture constitutes<br />
an important resource that will<br />
shed light on studies into comparative<br />
Continuity of architectural traditions in the megaroid buildings of rural Anatolia: The case of<br />
Highlands of Phrygia
242<br />
evaluations of the housing architecture<br />
to be found in the layers of history hidden<br />
in any particular region. The concept<br />
of the Anatolian Turkish house has<br />
been in interaction for centuries with<br />
the Anatolian cultures that have been a<br />
part of this region, and has accordingly<br />
matured and reached a synthesis.<br />
Acknowledgements<br />
Firstly, I extend my deepest respects<br />
and gratitude to the distinguished<br />
scientist Prof. Dr. Jak Yakar, who has<br />
contributed extensively to Anatolian<br />
archeology and guided me in my work<br />
with his most valuable viewpoint and<br />
comments. I am also thankful for the<br />
kind contributions of Prof. Dr. Timothy<br />
P. Harrison in helping me to access<br />
some sources that I could not reach.<br />
I am strongly indebted to Dr. Caner<br />
Göçer, who accompanied me to the<br />
district. I am very grateful to Salih Ceylan,<br />
who took on the task of drawing<br />
up all plans. My deep gratitude goes<br />
to Uğur Süleymanoğlu, who drew the<br />
maps. I extend a special thank you to<br />
all the residents of the villages in Seyitgazi<br />
and Ihsaniye, who showered me<br />
with warm hospitality and assistance.<br />
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Kırsal Anadolu’nun megarorid yapılarındaki<br />
mimari geleneğin sürekliliği:<br />
Dağlık Frigya örneği<br />
Megaron, ortasında ocak bulunan<br />
uzun dikdörtgen şeklindeki bir ana<br />
oda ile bu odanın yan duvarlarının<br />
(ante duvarları) uzaltılmasıyla yapının<br />
önünde oluşturulan üzeri örtülü bir<br />
portikodan/ante odasından (sundurma)<br />
oluşan yapıdır. Planın erken evrelerinde<br />
megaron, portikosuz/ante odasız<br />
tek bir oda iken ilerleyen evrelerde<br />
plana bazen ana odanın yan duvarlarının<br />
arkaya doğru uzatılmasıyla oluşturulmuş<br />
bir arka portiko/arka ante<br />
(sundurma) eklenir. Megaron planlı<br />
yapılarda örtü genelde beşik çatı iken<br />
düz çatı da kullanılmıştır.<br />
Dörpfeld, Tiryns ve Pylos daki Miken<br />
sarayları için megaron terimini<br />
kullanan ilk araştırmacıdır. Megaron<br />
türü yapıların kökenine dair farklı görüşler<br />
bulunmakla birlikte araştırmacılar<br />
en erken megaron türü yapılarla<br />
Neolitik Çağ’da Trakya, Makedonya ve<br />
Tesselya ovasındaki konutlarda rastlanıldığı<br />
konusunda hem fikirdirler.<br />
Megaron planın bu ilk örnekleri izole<br />
şekilde konumlandırılmış, uzun dikdörtgen<br />
şeklinde tek odalı, bazıları düz<br />
bazıları ise beşik çatılı yapılardır. Tunç<br />
Çağı, megaron planın en yaygın kullanıldığı<br />
dönemdir. Bu dönemde Poliochni,<br />
Thermi ve Miken saraylarında<br />
megaron planlı saray ve bey konutlarına<br />
rastlanılır.<br />
Megaron plan Anadolu’da da sevilerek<br />
kullanılmış bir plandır. Erken<br />
örneği Kalkolitik Çağ’da Hacılar II, Yümüktepe<br />
XVI ve Beycesultan XXIV da,<br />
Tunç Çağları’nda ise Troia I-II kalelerinde,<br />
kıyı Ege’de Beşiktepe, Bakla Tepe<br />
ve Liman Tepe VI yerleşmelerindeki<br />
uuzn evler, Beycesultan’da ev ve kutsal<br />
yapılar, Antalya Bademağacı ve Karataş-Semayük,<br />
Eskişehir Küllüoba, Demircihöyük<br />
ve Keçiçayırı yerleşmeleri<br />
ile Marmara Bölgesi’ndeki Kanlegeçit<br />
megaron planın ünlü temsilcileridir.<br />
Frig mimarisi ise megaron planla özdeşleştirilmiş<br />
durumdadır. Megaron<br />
plan Anadolu’da orta Anadolu’ya kadar<br />
yayılmış olup bu bölgelerdeki Büyükkale,<br />
Kültepe ve Kerkenes dağı yerleşmeleri<br />
Geç Tunç ve Demir Çağları’nda<br />
megaron planlı yapılar içerir (Neve,<br />
1996; Özgüç, 1963; Summers et al.,<br />
2004).<br />
Bu alan araştırması, Frigya vadisinin<br />
Dağlık Frigya olarak bilinen bölümünün<br />
günümüzde kapladığı alan olan<br />
Eskişehir Seyitgazi and Afyon İhsaniye<br />
ilçelerinin köylerini kapsayan alanda<br />
gerçekleştirilmiştir. 2014 yılı Ağustos<br />
ayında gerçekleştirilen bu çalışmanın<br />
amacı, Frigya vadisinin bu bölgesindeki<br />
köylerinde “megaron türü” yapı<br />
geleneğinin izlerini arayarak, bölgede<br />
kırsal mimaride var olduğu tarafımızca<br />
ileri sürülen “yapısal sürekliliğe” işaret<br />
etmektir.<br />
Bölgede bu amaçla gerçekleştirilen<br />
arazi çalışmasında megaron özelliği<br />
gösteren, bir ana oda ve önünde<br />
portikodan (sundurma) oluşan, düz<br />
ve beşik çatılı yapılara rastlanmış ve<br />
temkinli olmak amacıyla bu yapılar<br />
“megaronumsu”, “megaron benzeri”<br />
ve “megaron özellikli” yapılar olarak<br />
tanımlanmıştır. Bölgenin mimari kim-<br />
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247<br />
liğini oluşturmada önemli payı olduğu<br />
gözlenen bu yapıların bugün bir kısmı<br />
yıkıktır. Ayakta olanların bir kısmı ise<br />
ya terkedilmiş ya da depoya dönüştürülmüştür.<br />
Bölgede bugün in use<br />
durumunda hiçbir yapıya rastlanmamıştır.<br />
Yapıların kesin yaşları bilinmemekle<br />
birlikte kullanıcılarından alınan<br />
bilgilere göre ortalama yaş aralıkları<br />
<strong>12</strong>0-140 yıl arasındadır. Bölgede 2 anteli,<br />
in antis, tek anteli, prostyle, kapalı<br />
portikolu ve arka odalı, olmak üzere 6<br />
megaron özellikli plan tipi tespit edilmiştir.<br />
Bu yapılar Anadolu ve Yakın Doğu’daki<br />
tarihsel megaronlarla karşılaştırıldığında<br />
plan, yapım tekniği, yapı<br />
malzemesi ve çatı sistemi açısından<br />
bazı benzerlikler taşıdıkları görülmektedir.<br />
Bu durum bölgede megaron<br />
benzeri yapılar açısından kesintisiz bir<br />
mimari sürekliliğe işaret etmektedir.<br />
Tarihsel megaronlarla bölgedeki megaron<br />
tarzı yapılar arasındaki benzerlik<br />
açıklanmaya çalışıldığında ise bu<br />
durum, bölgeye 11. yüzyıldan itibaren<br />
gelmeye başlayan Türkmen grupların<br />
yerleşik düzene geçiş sürecinde, göçebe<br />
ve yarı göçebe dönemin yörük çadırını<br />
terkederek bölgedeki yerli halktan gördükleri<br />
bu planı kalıcı konut planı olarak<br />
tercih ettikleri şeklinde düşünülmektedir<br />
(Tanyeli, 1996; Ögel, 1991;<br />
Kavas, 20<strong>12</strong>).<br />
Continuity of architectural traditions in the megaroid buildings of rural Anatolia: The case of<br />
Highlands of Phrygia
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • 249-265<br />
The reflection of religious diversity<br />
and socio-cultural meaning on the<br />
spatial configuration of Traditional<br />
Kayseri Houses<br />
Özlem ATAK 1 , Gülen ÇAĞDAŞ 2<br />
1<br />
ozlematak@erciyes.edu.tr • Department of Architecture, Faculty of Architecture,<br />
Erciyes University, Kayseri, Turkey<br />
2<br />
cagdas@itu.edu.tr • Department of Architecture, Faculty of Architecture,<br />
Istanbul Technical University, Istanbul, Turkey<br />
Received: December 2014 Final Acceptance: August <strong>2015</strong><br />
Abstract<br />
Recent studies on domestic spaces have demonstrated that social meaning and<br />
cultural values are mostly reflected by means of spatial organizations of houses,<br />
thus, in that way, different cultures express themselves through different spatial<br />
models. In this respect, space syntax and visibility graph analyses arise as the<br />
computational approaches to discover the interactions between space and culture.<br />
These methods have essentially been constructed through the relationships<br />
of permeability based on movement and visibility based on the perception of a<br />
moving observer. In the examination of the entire house or it’s certain spaces in<br />
the context of introversion and extroversion, they are effective methods which are<br />
used to understand the privacy related to spaces, control mechanisms, the level of<br />
the internal relations of the household and the relations between the household<br />
and the visitors.<br />
In this study, domestic space was examined through twenty-seven traditional<br />
houses of Kayseri in Central Anatolia, Turkey, where people from different religious<br />
beliefs have lived for long years, within the contexts of space syntax and<br />
visibility graph analyses. The houses were analyzed by using the Depthmap-UCL<br />
software developed by Alasdair Turner.<br />
After the permeability and visibility analyses, the study focuses on how socio-cultural<br />
meanings are reflected on the spatial configuration of traditional<br />
Kayseri houses, what common and/or different characteristics are demonstrated<br />
by the houses in terms of the spatial configuration and visibility structure, and the<br />
importance of permeability and visibility structures in the spatial configuration<br />
of houses.<br />
Keywords<br />
Traditional Kayseri Houses, Space syntax, Visibility.
250<br />
1. Introduction<br />
One of the important research fields<br />
in the relationship between spatial organization<br />
and social structure is the<br />
domestic space. Studies conducted on<br />
the domestic space demonstrate that<br />
social meaning and cultural values are<br />
mostly reflected by means of spatial organizations<br />
of houses, thus, in that way,<br />
different cultures express themselves<br />
through different spatial models. In<br />
this respect, the space syntax claims its<br />
place in researches as a computational<br />
architectural theory and a morphological<br />
analysis method that examines the<br />
interactions between the society and<br />
all kinds of spatial configurations.<br />
The space syntax, proposed by Hillier<br />
and Hanson in 1984, implies that<br />
the socio-cultural structure and processes<br />
exhibit themselves in the space<br />
with spatial configuration. According<br />
to the theory, the social structure and<br />
the space mutually interact with each<br />
other. The most essential strategy is to<br />
attempt to discover several stable aspects<br />
in the spatial configuration and<br />
to transform them into cultural human-interaction<br />
patterns. This theory,<br />
through the departure point that there<br />
exists a direct relationship between<br />
the spatial organization and the social<br />
structure, attempts to explore the ways<br />
how people perceive and use the space,<br />
depending on permeability in spatial<br />
organization and visual fields. A number<br />
of computational analysis technique<br />
and tool have been developed<br />
for the configurational analysis of the<br />
space, and they analyze spatial organizations<br />
by configurationally defining<br />
the entire structure.<br />
In addition, Turner proposes the<br />
visibility graph analysis method that<br />
is based on Benedikt’s isovist concept<br />
and the space syntax, and develops the<br />
Depthmap-UCL software that is able to<br />
carry out this and other spatial analyses<br />
within the context of space syntax.<br />
İsovist concept initially introduced by<br />
Tandy (1967), and was formalized by<br />
Benedikt (1979). İsovist is the set of<br />
all points visible from a point in the<br />
space. The shape and size of the isovist<br />
differ according to the observer’s<br />
point of view and stance (Benedikt,<br />
1979). According to this method, visibility<br />
structure of spaces based on the<br />
perception of a moving observer, along<br />
with the spatial characteristics of spaces<br />
based on permeability relations, play<br />
important roles in the presentation of<br />
spatial configuration. The information<br />
provided by visual field in the urban<br />
environment and in buildings might<br />
help the user find his/her way. In addition,<br />
it is possible through visual fields<br />
to control the information provided to<br />
the user within the system.<br />
Therefore, permeability and visibility<br />
relations reveal the spatial organization<br />
of all spatial systems including<br />
houses, and the ways the household<br />
and visitors perceive the house. In addition,<br />
the level of the internal relations<br />
of the household and the relations between<br />
the household and the visitors<br />
are arranged through permeability and<br />
visibility structures. The level of privacy<br />
(interpersonal interaction) within<br />
the house can be determined by defining<br />
physical or invisible boundaries.<br />
While physical boundaries are the ones<br />
that control the visibility, that is to say,<br />
the movement, invisible boundaries<br />
are the control of the visual knowledge<br />
provided through physical boundaries<br />
such as the prevention of eye contact.<br />
Moreover, the level of privacy<br />
differs between different societies and<br />
cultures. This difference is shaped according<br />
primarily to the family’s social<br />
structure and its relations with visitors.<br />
Therefore, analyzing the permeability<br />
and visibility structures in houses will<br />
help us to understand the level of privacy<br />
in that culture and, thus, the interactions<br />
within the family and between<br />
the family and visitors, and the statuses<br />
of the functions that belong to the domestic<br />
space within the permeability<br />
and visibility structures.<br />
Space syntax and visibility methods,<br />
which enable the determination of<br />
permeability and visibility structures,<br />
lead us to results concerning the relationship<br />
between the space and the<br />
socio-cultural structure by considering<br />
the space and its configuration through<br />
the user’s movement within the space<br />
and his/her visual perception. In this<br />
study, these two methods will be used<br />
in order to demonstrate how social<br />
and cultural meanings are reflected<br />
on the spatial configuration of traditional<br />
Kayseri houses in Central Ana-<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • Ö. Atak, G. Çağdaş
251<br />
tolia where people from different religion<br />
and cultures coexisted for long<br />
years.<br />
2. Traditional Kayseri Houses<br />
Kayseri one of the few Anatolian<br />
cities in which a substantial Christian<br />
minority lived. Towards the end of the<br />
sixteen-century there were fifty Muslim,<br />
thirteen Christian and nine-mixed<br />
town-quarters (Jennings, 1976). In the<br />
seventeen-century Muslim quarters<br />
declined to thirty-five, the number of<br />
Christian quarters was fourteen, while<br />
mixed population town-quarters was<br />
twelve (Faroqhi,1987). The proportion<br />
of Christian population remained<br />
more or less the same until the establishment<br />
of the Republic. Two groups,<br />
Gregorian Armenians and Orthodox<br />
Greeks, lived with the Muslims in a<br />
friendly and cooperative way (İmamoğlu,<br />
2006).<br />
‘The traditional Kayseri house until<br />
the twentieth century was a living entity,<br />
a process, a natural phenomenon, not a<br />
finished product on going organic process<br />
within a family lot over several generations.<br />
Continuous additions or alterations<br />
of room or service spaces on the<br />
ground or upper levels were considered<br />
natural. As a result, overlapping and intermingled<br />
volumes, and superimposed<br />
walls and planes were common. Houses<br />
were divided among brothers and sisters<br />
after their parents passed away, independent<br />
units being added at the expense of<br />
smaller gardens or courtyards. Nothing<br />
stopped this organic process in any period.<br />
This flexible and dynamic attitude<br />
towards buildings has undergone some<br />
changes in the 20 th century with practices<br />
borrowed from Europe, generally<br />
by the Christian community, who built<br />
complete and finished rectangular houses.<br />
Even these houses, too, were altered<br />
either by adding rooms or service spaces,<br />
or changing their functions. In short,<br />
spaces grew and spaces died just like<br />
their owners, but the family lots were<br />
continuously in use. Evolution or change<br />
within continuity, perhaps reflecting the<br />
essence of life, was implicit principles.’<br />
(İmamoğlu, 2006).<br />
In general, a traditional Kayseri<br />
house is the outcome of a natural<br />
and unpretentious building process,<br />
inward looking and asymmetrically<br />
growing a courtyard or a garden.<br />
Houses were generally designed and<br />
built by masons, according to custom,<br />
as well as, requirements and desires of<br />
the owner. Many daily activities of the<br />
house are carried out in the courtyard<br />
except cold days, rooms are oriented<br />
towards the courtyard and they have<br />
windows looking at the courtyard.<br />
Each room generally carries out more<br />
than one function; however, the main<br />
function of a room is clear. In rooms,<br />
especially in halls (sofa), there exist<br />
room-entrances called “seki altı”. “Seki<br />
altı” is lower than the main floor (seki).<br />
Hall has a different meaning in these<br />
houses. Its function to direct the house<br />
arrangement and as a space of distribution<br />
stays in the background. It has<br />
many functions such as being the entrance<br />
of the house, a reception place,<br />
a guest room, a living room, a prayer<br />
place and a bedroom for elders. “Tokana”<br />
is a space used as kitchen, winter<br />
room and storeroom. A cooker is located<br />
in the seki altı part of the tokana.<br />
“Harem room” is a private place where<br />
strangers are not desired to enter. Family<br />
members -especially women and<br />
children- spend most of the house time<br />
Figure 1. Examples from Traditional Kayseri Houses and Streets (İmamoğlu, 2006).<br />
The reflection of religious diversity and socio-cultural meaning on the spatial configuration of<br />
Traditional Kayseri Houses
252<br />
Figure 2. Examples from Traditional Kayseri Houses, ground floor plan and east elevation of House Öztaşcı House,<br />
19th Century, Muslim house example (İmamoğlu, 2006).<br />
Figure 3. Examples from Traditional Kayseri Houses, ground floor plan and section of İmamoğlu House, late 19th<br />
Century, Christian house example (İmamoğlu, 2006).<br />
in the harem room. Kiosks (köşk) are<br />
designed as semi-closed sitting units<br />
around the garden or courtyard (İmamoğlu,<br />
2006).<br />
Traditional houses are generally one<br />
or two storied. Generally, upper storey<br />
started to be seen in examples from the<br />
19th Century. It is stated in the literature<br />
that all units of a house have been<br />
rendered private by closing the house<br />
to other houses and to the street by<br />
surrounding it with high courtyard or<br />
building walls. It is of high importance<br />
especially for Muslim families to protect<br />
privacy within the house and the<br />
courtyard. It is apparent that security<br />
concerns too, along with privacy, play<br />
important roles in this attitude. Another<br />
reason to shelter houses is the fact<br />
that people leave the city in the summer<br />
and go to vineyards. Security concerns<br />
are in the foreground in houses<br />
built before the last century, however,<br />
such measures started to be loosened.<br />
Traditional houses generally have few<br />
and small windows. Basically, stone,<br />
wood and iron have been used in the<br />
construction of houses (İmamoğlu,<br />
2006).<br />
It is observed that low- and middle-income<br />
families in Kayseri live in<br />
similar small houses, regardless of their<br />
religion. Among high-income families,<br />
on the other hand, houses of Muslim<br />
families have a simple plan. One of the<br />
important features desired in Muslim<br />
houses is the privacy provided to women.<br />
High walls surrounding the courtyard,<br />
low number of windows on the<br />
ground floor and the distant position<br />
of the living room from the street can<br />
be considered to be a set of design rules<br />
in order not only to ensure security but<br />
also to distinct women from men. In the<br />
19th Century, the Christian minority<br />
started to lead a bourgeois lifestyle. In<br />
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253<br />
this period, Christian houses are twotwo<br />
and a half storied, and have very<br />
small gardens or green areas. According<br />
to the literature, the plan of these<br />
houses started to transform from being<br />
inward-looking to outward-looking.<br />
In early this century, while well to do<br />
Muslim houses continued to have incomplete<br />
organic constructs, Christian<br />
house plans started to become more<br />
organized, symmetric, inclusive of all<br />
functions and complete rectangles.<br />
Rooms are situated around a courtyard<br />
or a central hall. All rooms have<br />
been constructed in similar manners<br />
without considering or highlighting<br />
an order of importance. While Muslim<br />
houses have two different entrances<br />
and courtyards as harem room and selamlık<br />
(private and public), Christian<br />
houses do not have such a distinction.<br />
However, after the establishment of<br />
the Republic, Muslim’s understanding<br />
of privacy started to change gradually,<br />
and modern values both in privacy<br />
and interactions with the opposite sex<br />
have been mostly embraced (İmamoğlu,<br />
2006).<br />
İmamoğlu (2006) explains the difficulty<br />
to classify Traditional Kayseri<br />
Houses in terms of religion as follows;<br />
‘First of all, since Muslims were in a<br />
majority, remaining houses are mostly<br />
Muslim houses and the number of<br />
Christian examples are limited. This<br />
limitedness is more explicit for the period<br />
before the 1835 earthquake, because<br />
the small number of houses that remain<br />
from that time belongs only to Muslims.<br />
Another reason is the distribution of<br />
population according to income. The<br />
majority of Kayseri natives, regardless<br />
of their religion, were of low and middle<br />
income type, living in modest houses,<br />
most probably of similar, if not identical<br />
character and layout. However, careful<br />
researcher with additional information<br />
from the community may be able to distinguish<br />
between the houses of well-todo<br />
people of different religions.<br />
3. Spatial and visual analyses of Traditional<br />
Kayseri Houses<br />
Most of traditional Kayseri houses<br />
have been destroyed or ruined although<br />
they were certified and included<br />
in urban protected areas. In this<br />
study, a total of twenty-seven houses<br />
- seven houses (House 3, 5, 6, 7, 14,<br />
17, 18) included in Vacit İmamoğlu’s<br />
book (2006) and twenty houses included<br />
in Gonca Gündoğdu’s master thesis<br />
(1986)- were considered. Most of these<br />
houses belong to the 19th and early<br />
20th centuries, and only a house from<br />
18th century. Except some of them,<br />
religious beliefs of the constructors or<br />
owners of these houses remain unclear.<br />
Classification of these houses in terms<br />
of religion based on information from<br />
İmamoğlu’s book (2006) and his book<br />
review (2006) on Büyükmıhçı’s book<br />
(2005) (Table 1). Most of the examined<br />
houses are courtyard-type houses frequently<br />
observed among traditional<br />
Kayseri houses. However, three of these<br />
houses do not have courtyards (House<br />
1, 5, 9). Three of them exhibit a similar<br />
spatial configuration: single-storied,<br />
symmetrically designed and having a<br />
central hall surrounded by rooms. Also<br />
these houses are examples of Christian<br />
houses. In houses with courtyards,<br />
on the other hand, the shape of the<br />
courtyard, its size and place within the<br />
house differ. Some of the houses with<br />
courtyards are single-storied, some<br />
have a semi second storey and some<br />
are two-storied completely (Table 1).<br />
The analyses were carried out on<br />
the models of the houses abstracted<br />
through the principles of the Depthmap<br />
UCL software developed by Turner.<br />
In addition, by researching several<br />
spatial features of traditional houses,<br />
their users, and the era’s cultural, social<br />
and economic characteristics; the<br />
interaction between space configurations<br />
and the socio-cultural structure<br />
was explored by establishing relations<br />
of causality through these data. In order<br />
to display and interpret the depth<br />
of social and cultural knowledge on the<br />
domestic space, two types of analyses<br />
were carried out for all houses in the<br />
study.<br />
The first type of analysis is convex<br />
space analysis that is based on accessibility<br />
relations depending essentially<br />
on human movement. In this analysis,<br />
all spaces are represented as convex<br />
spaces in order to see how various<br />
functions relate to each other and their<br />
positions within the whole. Each house<br />
is reduced to fewest and largest convex<br />
spaces. Then, convex spaces are related<br />
The reflection of religious diversity and socio-cultural meaning on the spatial configuration of<br />
Traditional Kayseri Houses
254<br />
Table 1. Traditional Kayseri houses which examined in this study – house names, century of<br />
built, religion of owners- R (Muslim – M, Christian-C) and plans of houses.<br />
House<br />
name<br />
century<br />
R<br />
plans<br />
plans<br />
House<br />
century R<br />
ground floor Upper floor name<br />
ground floor upper floor<br />
House 1<br />
Ahmet<br />
Karaca<br />
House<br />
… C -<br />
House 15<br />
Hoca Haser<br />
House<br />
…..<br />
…<br />
House 2<br />
Körükçüoğlu<br />
House<br />
late 19 th … -<br />
House 16<br />
Haci<br />
İbrahim G.<br />
House<br />
19 th<br />
/second<br />
h.<br />
…<br />
House 3<br />
Öztaşcı<br />
House<br />
19 th<br />
/second<br />
h.<br />
M -<br />
House 17<br />
Bezircioğlu<br />
House<br />
19 th 20 th M<br />
House 4<br />
Muhittin<br />
Gürbaz<br />
House<br />
….<br />
…<br />
House 18<br />
Camcıoğlu<br />
House<br />
Late 19 th<br />
C<br />
House 5<br />
İmamoğlu<br />
House<br />
Late<br />
19 th<br />
C -<br />
House 19<br />
Şükrü<br />
Karaca<br />
House<br />
…..<br />
…<br />
House 6<br />
Gavremoğl<br />
u House<br />
18 th<br />
/second<br />
h.<br />
M -<br />
House 20<br />
Yapıkçılar<br />
House<br />
…...<br />
…<br />
House 7<br />
Baldöktü<br />
House<br />
19 th<br />
/second<br />
h.<br />
M -<br />
House 21<br />
D. İzzet<br />
House<br />
…...<br />
C<br />
House 8<br />
Hüseyin Kış<br />
House<br />
….<br />
…<br />
House 22<br />
H. Ali<br />
Yapaner<br />
House<br />
19 th<br />
/second<br />
h.<br />
…<br />
House 9<br />
Müftü House<br />
late 19 th C -<br />
House 23<br />
A.<br />
Bakkaloğlu<br />
House<br />
….<br />
…<br />
House 10<br />
Hacı Ahmet<br />
Ağa H.<br />
early<br />
20 th M -<br />
House 24<br />
Efendi<br />
Ağalar<br />
House<br />
…..<br />
C<br />
House 11<br />
Mustafa<br />
Hızırel<br />
House<br />
19 th<br />
/second<br />
h. C -<br />
House 25<br />
Hacı<br />
Türkaslan<br />
House<br />
early 20 th<br />
…<br />
House <strong>12</strong><br />
A.<br />
Pastırmacı_<br />
oğlu H.<br />
early<br />
20 th<br />
…<br />
House 26<br />
Gazioğlu<br />
House<br />
19 th<br />
/second<br />
h.<br />
C<br />
House 13<br />
Nuri Sezer<br />
House<br />
…..<br />
…<br />
House 27<br />
Selçukoğlu<br />
Osman<br />
early 20 th<br />
…<br />
House 14<br />
Çalıka<br />
House<br />
early<br />
20 th<br />
M<br />
to each other depending on the permeability<br />
principles among them. After<br />
all these stages, the software creates<br />
various measurements and maps of<br />
these measurements. Obtained measurements<br />
are the measurements of the<br />
system such as connection, integration,<br />
mean depth and controllability.<br />
This analysis was carried out in two<br />
different types in this study: internal<br />
relations of the house were focused in<br />
the first analysis without including the<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • Ö. Atak, G. Çağdaş
255<br />
outer space and the relationship of the<br />
house with the outer space and changes<br />
taking place in its internal structure<br />
were focused in the second one by including<br />
the outer space. In order to be<br />
able to read these results and changes<br />
clearly, integration maps of all houses<br />
with and without the outer space were<br />
obtained and compared. In this map,<br />
spaces are colored up from red to dark<br />
blue according to their integration<br />
levels. Red color represents the most<br />
integrated space, while dark blue represents<br />
the most nonintegrated space.<br />
The second type of analysis is visibility<br />
graph analysis. Through visibility<br />
graph analysis, houses were compared<br />
according to the spaces they include<br />
and visual areas they have, to the visual<br />
integration scores obtained from visual<br />
area maps, and to the integration scores<br />
obtained from convex space maps. In<br />
addition, their visual perception and<br />
movement relations were investigated.<br />
This analysis is based on the visual<br />
perception of the moving observer.<br />
With this analysis conducted from the<br />
eye level, measurements and maps of a<br />
space such as visual integration, connection,<br />
visual mean depth and visual<br />
controllability were obtained. In this<br />
type of analysis, as is the case in the<br />
convex space analysis, a color interval<br />
ranging from red to dark blue is used.<br />
While red represents the most visually<br />
integrated areas, dark blue represents<br />
the most visually non-integrated areas.<br />
Measurements and maps obtained<br />
from these two types of analysis based<br />
on human movement and the perception<br />
of the moving observer were firstly<br />
evaluated individually, and then by<br />
making comparisons within each type<br />
of analysis and between each other. In<br />
this way, based on the houses’ permeability-visibility<br />
structures and relationships<br />
with each other; it was attempted<br />
to understand the interaction between<br />
the spatial configuration of Traditional<br />
Kayseri Houses and the socio-cultural<br />
structure.<br />
3.1. Spatial analysis findings<br />
Hillier and Hanson conceptually<br />
define buildings as the regulation of<br />
different human categories through<br />
a control mechanism. In domestic<br />
space, these categories are defined as<br />
the household living in the house and<br />
visitors. The domestic space, according<br />
to this definition, regulates both the<br />
internal relations of the household and<br />
the relations between the household<br />
and visitors through the control and<br />
permeability relations between the internal<br />
and external parts of the house<br />
(Hillier and Hanson, 1984). In this way,<br />
the domestic space is essentially related<br />
to the regulation of two types of spatial<br />
relations in terms of the domestic<br />
space accessibility relations. These are<br />
the internal relations of the house and<br />
the relations between the internal and<br />
external parts of the house. In this respect,<br />
in order to understand the internal<br />
relations of the house and the<br />
relations between the internal and external<br />
parts of the house, convex space<br />
analyses were first carried out without<br />
including the outer space and then repeated<br />
by including the outer space.<br />
Table 2 demonstrates the ranking of<br />
the average integration scores obtained<br />
without including the outer space,<br />
from the most integrated house to the<br />
non-integrated house. In the convex<br />
space analysis carried out without including<br />
the outer space, the House 1 is<br />
the most integrated house with an integration<br />
score of 1,192. It is followed<br />
by the House 2 and House 3 with integration<br />
scores of 1,152 and 1,040,<br />
respectively. House 1 exhibits an integrated<br />
structure with its integration<br />
score within the integration-separation<br />
distinction that is based on permeability<br />
relations. House 2 and House 3 are<br />
situated on the frontier within this distinction.<br />
Other houses have non-integrated<br />
structures. Therefore, it is possible<br />
to conclude that all houses except<br />
the first three of them have more tendencies<br />
to non-integrated in terms of<br />
the composition of their spaces. The<br />
first three houses that have integrated<br />
structures have completely different<br />
spatial compositions. House 1 is one<br />
of three houses that have a central hall.<br />
House 2 is a double-storied house with<br />
a central courtyard, and House 3 is a<br />
single-storied house with an organic<br />
structure and a fragmented courtyard.<br />
Among the other houses, there are<br />
examples similar to these three houses.<br />
For example, House 5 and House 9<br />
exhibit a spatial composition similar to<br />
The reflection of religious diversity and socio-cultural meaning on the spatial configuration of<br />
Traditional Kayseri Houses
256<br />
Table 2. Convex space analysis results (House names, century, religion of house owners(R), integration without the<br />
outer space, integration including the outer space, controllability-C,) (Atak, 2009).<br />
them have outward-looking structures.<br />
Two of three houses that have halls exhibit<br />
a more inward-looking structure;<br />
the third one has an outward-looking<br />
structure and most of the houses with<br />
courtyard exhibit outward-looking<br />
structures.<br />
If a place has a large visual area that<br />
is composed of numerous points, the<br />
environment can be controlled easily.<br />
This measurement in convex space<br />
analysis is based on permeability relations.<br />
The minimum controllability<br />
among the examined examples belongs<br />
to House 14 with a controllability score<br />
of 0,106 in Table 2, and the maximum<br />
controllability score belongs to House<br />
7 with a score of 0,176. It means that<br />
House 14 has a weaker composition<br />
while House 7 exhibits a stronger structure<br />
in terms of controllability. However,<br />
it should be noted that there is not a<br />
big difference between these minimum<br />
and maximum scores. For House 14, it<br />
can be stated that the upper storey of<br />
this house is used as extensively as the<br />
ground floor and, therefore, the connr<br />
House Nr. Houses Century R<br />
Integration (HH) Integration-outer space C<br />
Averag Min. Max. Average Min. Max.<br />
1 House 1 Ahmet Karaca H. ….. C 1,192 0,616 2,157 1,183 0,619 2,177 0,118<br />
2 House 2 Körükçüoğlu House late 19 th … 1,152 0,653 2,611 1,056 0,562 2,3<strong>12</strong> 0,135<br />
3 House 3 Öztaşcı House 19 th /second h. M 1,040 0,592 2,045 1,021 0,597 2,015 0,152<br />
4 House 4 Muhittin Gürbaz …. … 0,963 0,469 1,875 0,969 0,475 1,917 0,133<br />
5 House 5 İmamoğlu House Late 19 th C 0,931 0,419 1,679 0,907 0,420 1,610 0,117<br />
6 House 6 Gavremoğlu House 18 th /second h. M 0,922 0,480 1,811 0,940 0,488 1,883 0,117<br />
7 House 7 Baldöktü House 19 th /second h. M 0,914 0,551 1,653 1,088 0,650 1,734 0,176<br />
8 House 8 Hüseyin Kış House …. … 0,907 0,597 2,091 0,976 0,631 2,079 0,114<br />
9 House 9 Müftü House late 19 th C 0,889 0,468 1,579 0,928 0,484 1,686 0,<strong>12</strong>9<br />
10 House 10 Hacı Ahmet Ağa H. early 20 th M 0,873 0,533 1,782 0,849 0,493 1,693 0,175<br />
11 House 11 Mustafa Hızırel H. 19 th /second h. C 0,857 0,507 1,610 0,878 0,521 1,530 0,<strong>12</strong>1<br />
<strong>12</strong> House <strong>12</strong> A. Pastırmacıoğlu H early 20 th … 0,853 0,408 1,470 0,849 0,408 1,485 0,156<br />
13 House 13 Nuri Sezer House ….. … 0,843 0,514 1,148 0,856 0,520 1,210 0,135<br />
14 House 14 Çalıka House early 20 th M 0,824 0,559 1,210 0,808 0,521 1,214 0,106<br />
15 House 15 Hoca Haser House ….. … 0,804 0,532 1,335 0,807 0,529 1,332 0,<strong>12</strong>6<br />
16 House 16 Haci İbrahim G. H. 19 th /second h. … 0,802 0,584 1,286 0,8<strong>12</strong> 0,576 1,343 0,160<br />
17 House 17 Bezircioğlu House 19 th 20 th M 0,771 0,413 1,347 0,790 0,425 1,367 0,119<br />
18 House 18 Camcıoğlu House Late 19 th C 0,768 0,534 1,278 0,781 0,538 1,299 0,140<br />
19 House 19 Şükrü Karaca House ….. … 0,757 0,489 1,152 0,785 0,498 1,219 0,135<br />
20 House 20 Yapıkçılar House …... … 0,702 0,396 1,166 0,721 0,401 1,223 0,158<br />
21 House 21 D. İzzet House …... C 0,692 0,341 1,<strong>12</strong>5 0,731 0,350 1,175 0,144<br />
22 House 22 H. Ali Yapaner H. 19 th /second h. … 0,691 0,391 1,042 0,695 0,397 1,040 0,164<br />
23 House 23 A. Bakkaloğlu H. …. … 0,671 0,381 1,<strong>12</strong>5 0,679 0,400 1,<strong>12</strong>5 0,145<br />
24 House 24 Efendi Ağalar H. ….. C 0,630 0,387 1,007 0,653 0,389 1,083 0,137<br />
25 House 25 Hacı Türkaslan H. early 20 th … 0,619 0,404 0,827 0,640 0,402 0,948 0,140<br />
26 House 26 Gazioğlu House 19 th /second h. C 0,6<strong>12</strong> 0,360 1,033 0,622 0,363 1,060 0,142<br />
27 House 27 Selçukoğlu Osman early 20 th … 0,548 0,351 0,800 0,552 0,349 0,814 0,166<br />
that of House 1. Although these houses<br />
exhibit a similar spatial composition,<br />
they have non-integrated structures.<br />
Therefore, it is apparent that it is not<br />
possible to draw general conclusion on<br />
whether these houses have integrated<br />
or non-integrated structures departing<br />
from differences such as having courtyards<br />
or central halls, having complete<br />
or incomplete geometrical forms.<br />
As Table 2 demonstrates, in the convex<br />
space analysis, integration scores<br />
of houses differ when the street -that<br />
is considered to be the outer space- is<br />
included. Integrated ones among these<br />
houses (House 1, House 2 and House<br />
3) show a tendency to non-integrated<br />
when the outer space is included in the<br />
analysis. Therefore, it can be argued<br />
that these houses have inward-looking<br />
structures. While the integration scores<br />
of seven houses decreased after the inclusion<br />
of the outer space to the analysis,<br />
those of twenty houses increased.<br />
Hence, less than one-third of the examined<br />
houses have inward-looking<br />
structures, and more than two-third of<br />
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257<br />
Table 3. Convex space integration maps and visibility integration maps (Atak, 2009).<br />
trollability between storeys becomes<br />
difficult to achieve. Although House<br />
7 is a house non-integrated as harem<br />
room-selamlık and the selamlık part<br />
has low integration and -thus- controllability<br />
scores, there exist alternative<br />
passageways to the other spaces of the<br />
house. It can be argued that this situation<br />
caused the house to get a high<br />
controllability score in terms of accessibility.<br />
What is important here is the<br />
role of multiple alternative transitions<br />
in the controllability measurement that<br />
is based on accessibility. In this respect,<br />
high controllability scores of the courtyard<br />
and central hall are associated<br />
with the existence of transitions from<br />
many other spaces to these spaces.<br />
Table 3 demonstrates the houses’<br />
convex maps from the most integrat-<br />
The reflection of religious diversity and socio-cultural meaning on the spatial configuration of<br />
Traditional Kayseri Houses
258<br />
ed to the non-integrated and visibility<br />
integration maps. The most integrated<br />
space is the central hall in houses with<br />
central halls (House 1, 5, 9), and the<br />
whole or some parts of the courtyard<br />
in almost all houses with courtyards.<br />
The general conclusion obtained from<br />
the spatial analysis based on accessibility<br />
relations is that the courtyard plays<br />
a key role that holds together all units<br />
of the house and connects them to the<br />
outer space. In other words, the house<br />
that is intensively used is of a character<br />
that controls the movement and activities<br />
or various spaces in it, and structures<br />
these relations. It is observed<br />
that this function is carried out by the<br />
central hall in houses that have central<br />
halls.<br />
As indicated before, this measurement<br />
in convex space analysis is based<br />
on permeability relations. However,<br />
visible areas play significant roles for<br />
the controllability of a space. When<br />
inner spaces have a composition that<br />
does not allow them to see each other,<br />
it is possible for the controllability<br />
score obtained in convex space analysis<br />
to yield similar results with the<br />
score obtained in visibility measurement.<br />
However, it is not clear whether<br />
the same results will be obtained<br />
or not with the controllability score<br />
obtained in convex space analysis in<br />
the existence of permeable units such<br />
as windows and glass walls as well as<br />
doors that allow spaces to see each other.<br />
In the examined houses, there exist<br />
windows in inner spaces opening to<br />
the courtyard or to each other. In this<br />
respect, it is expected to obtain significant<br />
results by comparing the integration<br />
and controllability scores of houses<br />
obtained through convex space and<br />
visibility graph analyses.<br />
3.2. Visibility graph analysis findings<br />
In revealing the social logic lying<br />
behind houses, visibility relations<br />
play roles as significant as those of<br />
accessibility relations. The visibility<br />
graph analysis carried out by using the<br />
Depthmap UCL software provides several<br />
special measurements representing<br />
local and global visual characteristics<br />
of houses. The measurement scores<br />
of traditional Kayseri houses obtained<br />
through visibility graph analysis are<br />
presented in Table 4. The table demonstrates<br />
the ranking of the houses, from<br />
the most visually integrated house to<br />
the non-integrated one. It is evident<br />
that the visual integration ranking is<br />
different from the integration ranking<br />
obtained through permeability analysis.<br />
The most visually integrated houses<br />
are those that have a big courtyard<br />
and/or a garden, which can easily be<br />
seen from other spaces. Another factor<br />
is the existence of high numbers of<br />
windows opening from spaces to each<br />
other and especially to the courtyard.<br />
In addition, the upper storey, if any,<br />
of the house has a visual relation with<br />
the yard as well. Houses having central<br />
halls (House 1, House 5, and House 9)<br />
occupy lower ranks in terms of visual<br />
integration. These three houses are<br />
Christian house samples. This situation<br />
stems from the lack of numerous<br />
windows in inner spaces of houses that<br />
make visual connection, as it is the case<br />
in houses with courtyards.<br />
Most of the houses have outward-looking<br />
structures in terms<br />
of permeability relations and inward-looking<br />
structures visually. Facades<br />
of houses, especially of Muslim<br />
houses, do not have many windows<br />
and courtyard walls are very high.<br />
However, these houses have sides looking<br />
at the courtyard and these sides<br />
have many windows. Therefore, spaces<br />
within the house for the common use<br />
such as courtyards have significance in<br />
terms of visibility. Therefore, houses’<br />
visual integration scores might yield<br />
more sensitive and different results<br />
than the integration scores based on<br />
permeability. Moreover, while spaces<br />
other than doors such as windows are<br />
not important in permeability relations,<br />
these spaces and their sizes are<br />
important in visibility analysis.<br />
The visual controllability measurement<br />
differentiates the spaces that can<br />
be visually controlled easily. If a place<br />
has a large visual area that is composed<br />
of numerous points, it is possible to define<br />
the environment as controllable.<br />
The controllable amount of the space<br />
decreases towards points with fewer<br />
spaces and especially towards doorsides<br />
in corridors. On the other hand,<br />
controllable spaces are spaces that cannot<br />
see other spaces much, but can eas-<br />
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259<br />
Table 4. Visibility analysis results (House Names, Century, Religion of house owners –R,Visual Integration, Visual<br />
Controllability-VC, Visual Coefficient Clustering -VCC) (Atak, 2009).<br />
Nr<br />
House<br />
Visual Integration (int.HH)<br />
Houses Century R<br />
Nr.<br />
Average Min. Max.<br />
VC VCC<br />
1 House 13 Nuri Sezer House ….. … 34,290 5,625 50,958 0,711 0,855<br />
2 House 17 Bezircioğlu House 19 th 20 th M 24,867 6,711 43,980 0,599 0,765<br />
3 House 20 Yapıkçılar House …... … 20,647 7,195 30,195 0,563 0,767<br />
4 House 15 Hoca Haser House ….. … 20,546 4,815 31,670 0,560 0,798<br />
5 House 2 Körükçüoğlu House late 19 th … 17,<strong>12</strong>5 5,763 27,967 0,370 0,645<br />
6 House 22 H. Ali Yapaner H. 19 th /second … 17,031 5,305 27,685 0,521 0,750<br />
7 House 3 Öztaşcı House 19 th /second M 16,152 5,828 27,009 0,423 0,764<br />
8 House <strong>12</strong> A.Pastırmacıoğlu H. early 20 th … 15,113 4,862 24,490 0,458 0,685<br />
9 House 23 A. Bakkaloğlu …. … 14,820 5,315 27,215 0,491 0,756<br />
10 House 19 Şükrü Karaca House ….. … 14,600 5,600 23,410 0,430 0,762<br />
11 House 21 D. İzzet Efendi …... C 13,760 5,417 30,416 0,468 0,716<br />
<strong>12</strong> House 8 Hüseyin Kış House …. … 13,676 5,031 20,844 0,435 0,714<br />
13 House 10 Hacı Ahmet Ağa H. early 20 th M 13,488 4,733 24,540 0,345 0,696<br />
14 House 4 Muhittin Gürbaz H. …. … 13,342 4,866 24,119 0,372 0,687<br />
15 House 24 Efendi Ağalar …. C 13,132 6,456 21,155 0,440 0,648<br />
16 House 16 Hacı İbrahim G. H. 19 th /second … 13,076 5,458 21,866 0,403 0,741<br />
17 House 27 Selçukoğlu Osm. H. early 20 th … <strong>12</strong>,477 5,465 25,703 0,407 0,725<br />
18 House 9 Müftü House late 19 th C 11,399 5,066 18,488 0,249 0,602<br />
19 House 25 Hacı Türkaslan H. early 20 th … 11,210 3,834 19,153 0,449 0,715<br />
20 House 7 Baldöktü House 19 th /second M 10,948 4,849 17,188 0,259 0,680<br />
21 House 14 Çalıka House early 20 th M 10,835 3,637 20,090 0,346 0,665<br />
22 House 18 Camcıoğlu House Late 19 th C 10,684 6,067 17,386 0,365 0,599<br />
23 House 6 Gavremoğlu House 18 th /second M 10,634 4,677 16,742 0,341 0,711<br />
24 House 1 Ahmet Karaca … C 10,466 1,886 18,108 0,227 0,663<br />
25 House 11 Mustafa Hızırel 19 th /second C 9,681 4,050 16,190 0,333 0,691<br />
26 House 5 İmamoğlu House Late 19 th C 9,162 3,185 16,796 0,318 0,752<br />
27 House 26 Gazioğlu House 19 th /second C 8,728 3,130 14,459 0,495 0,772<br />
ily be seen from other spaces. House 13<br />
has the highest controllability in terms<br />
of the visual integration score. The<br />
lowest score belongs to House 1 with a<br />
score of 0,227, which has a central hall<br />
and which is ranked first in the integration<br />
ranking based on permeability relations.<br />
It is seen that other houses that<br />
have central halls have low controllability<br />
scores (House 5, 9). In short, it is<br />
possible to conclude that visually integrated<br />
houses and spaces have high visual<br />
controllability scores. Coefficient<br />
clustering measurement, on the other<br />
hand, shows how long the visual area<br />
of an observer will remain the same<br />
and to what degree the spatial perception<br />
of the observer will change at the<br />
end of his/her movement from a point<br />
to a more distant point. If there will occur<br />
a big loss of visual knowledge after<br />
the observer becomes distant, the coefficient<br />
clustering score becomes low.<br />
The highest score (0,855) belongs to<br />
House 13, which has the highest visual<br />
integration and controllability scores,<br />
while the lowest score (0,599) belongs<br />
to House 18.<br />
The visual integration maps in Table<br />
3, while the most visually integrated<br />
points are represented in red on the<br />
map, the most non-integrated points<br />
are represented in dark blue. It is observed<br />
that courtyards, gardens and<br />
central halls are mostly more integrated<br />
spaces. These spaces are followed<br />
by spaces for common use such as<br />
halls and kiosks. Spaces such as toilets,<br />
storerooms, upper-storey rooms<br />
and kitchen (tokana) are more visually<br />
non-integrated spaces. Another important<br />
situation is that the selamlık<br />
part of houses that are non-integrated<br />
as harem room and selamlık is rendered<br />
visually different from the other units<br />
of the house. This situation is also seen<br />
in convex space analyses based on permeability<br />
relations. In addition, it is<br />
observed that more visually integrated<br />
spaces have higher visual controllability<br />
scores.<br />
In addition, isovists were produced<br />
from points determined in several<br />
spaces within houses. Isovist defines<br />
the visual knowledge that an observer<br />
obtains by rotating 360 degrees on<br />
a vantage point. Firstly, isovists were<br />
produced from entrances of all hous-<br />
The reflection of religious diversity and socio-cultural meaning on the spatial configuration of<br />
Traditional Kayseri Houses
260<br />
Table 5. İsovists, (a) from entrance of houses and (b) the center of these spaces (Atak, 2009).<br />
(a)<br />
es in order to determine what kind of<br />
a visual knowledge is obtained and<br />
what spaces are seen as one enters the<br />
house. Then, they were produced from<br />
the central points of these spaces in<br />
order to determine the visual knowledge<br />
that is obtained as one arrives at<br />
the centers of entrances (Table 5). Isovists<br />
obtained from house entrances<br />
demonstrated that the first person who<br />
enters the house perceives the whole or<br />
a large part of the entrance space seen<br />
as a courtyard or a central hall. In addition,<br />
other spaces can also be seen,<br />
although to limited degrees, through<br />
openings on their surfaces looking<br />
at the entrance. However, this visual<br />
knowledge provided through door<br />
and window openings in spaces such<br />
as rooms is a controllable knowledge.<br />
In houses having harem room-selamlık<br />
distinction, isovists obtained from the<br />
entrances of these parts show that they<br />
have a very limited visual relationship<br />
with each other. This might be an example<br />
of a deliberate visual distinction.<br />
Isovists obtained from the centers of<br />
(b)<br />
entrances indicate that the whole entrance<br />
space and large parts of other<br />
spaces are perceived from this space,<br />
although to limited degrees. While<br />
spaces open to public use such as halls<br />
and kiosks are spaces that can easily<br />
be seen from this space, spaces such as<br />
rooms and kitchen allow a limited and<br />
controllable vision through their openings.<br />
4. Discussion and conclusions<br />
Space syntax and visibility graph<br />
analyses are the methods effectively<br />
used in the examination of a house or<br />
some parts of a house in terms of inwardness-outwardness,<br />
and the determination<br />
of spatial privacy, control,<br />
social hierarchy within the household<br />
and the degree of relations between the<br />
household and visitors. These methods<br />
have essentially been constructed<br />
through the relations of permeability<br />
based on movement and visibility<br />
based on the perception of a moving<br />
observer.<br />
Permeability and visibility relations<br />
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261<br />
reveal the spatial mechanisms of houses<br />
and the ways the household and<br />
visitors experience these systems. In<br />
addition, the level of the internal relations<br />
of the household and the relations<br />
between the household and the<br />
visitors are arranged through these<br />
relations. The level of privacy within a<br />
house can be determined by defining<br />
physical or invisible boundaries. While<br />
physical boundaries are the ones that<br />
control the visibility, that is, the movement;<br />
invisible boundaries are the control<br />
of the visual knowledge provided<br />
through physical boundaries such as<br />
the prevention of eye contact. However,<br />
the level of privacy ensured through<br />
the control of these knowledge areas<br />
differs between different societies and<br />
cultures. In this respect, in the fieldwork,<br />
in order to reveal the spatial configuration<br />
of traditional Kayseri houses<br />
and the social and cultural knowledge<br />
lying behind this configuration, both of<br />
these analyses were carried out together;<br />
and the houses’ spatial and visibility<br />
structures’ characteristics that support<br />
each other and their differences were<br />
explored.<br />
In the sample, the dominant presence<br />
of the courtyard-integrated spatial<br />
theme is clearly apparent. In two<br />
groups from different religious, common<br />
house type is courtyard-house<br />
type. Courtyard still remains the importance<br />
in these centuries for two<br />
groups. However in early 20 th century,<br />
while well to do Muslim houses continued<br />
to have incomplete organic constructs,<br />
Christian house plans started<br />
to become more organized, symmetric,<br />
inclusive of all functions and complete<br />
rectangles. Rooms are situated around<br />
a courtyard or a central hall.<br />
The general conclusion obtained<br />
from the spatial analysis based on accessibility<br />
relations is that the courtyard<br />
plays a key role by not only connecting<br />
all units of the house to the<br />
outer space by holding them together,<br />
but also structuring the main spaces of<br />
the house. Central halls play this role<br />
in a small number of examples having<br />
central halls. However, the central<br />
hall does not have a function similar<br />
to that of the courtyard. Almost all of<br />
the examined houses show a tendency<br />
of separation in terms of the ways their<br />
spaces come together. In addition,<br />
while two-third of the houses exhibit<br />
outward-looking structures, only onethird<br />
of them exhibit inward-looking<br />
structures. This finding demonstrates<br />
that traditional Kayseri houses, which<br />
are defined as inward-looking houses,<br />
actually exhibit an outward-looking<br />
structure in terms of accessibility relations.<br />
This finding might be correlated<br />
with the extroversion trend observed<br />
in the social structure in the 19 th and<br />
20 th Centuries. However, the information<br />
that is essentially needed is about<br />
the question of in what terms the houses<br />
will be characterized as inward looking.<br />
In spatial analysis; ground-floor<br />
rooms, upper-storey rooms in houses<br />
that have upper-storey, kitchens, toilets,<br />
storerooms and the outer space are<br />
predominantly located in the “non-integrated”<br />
side of houses’ integration<br />
averages and, on the other hand, courtyards,<br />
central halls, arcades, kiosks,<br />
entrance halls, halls and seki altı parts<br />
of kitchens are located in the “integrated”<br />
side. However, it is seen in most<br />
of outward-looking houses that the<br />
outer space gets a score very close to<br />
the integration average and it is sometimes<br />
located in the integrated side of<br />
the average. It is known that almost<br />
all daily functions of traditional Kayseri<br />
houses except sleeping are carried<br />
out in the courtyard especially when<br />
the weather is good. This is a fact that<br />
renders meaningful the position of the<br />
courtyard as the most integrated space<br />
within the system. In addition, hall and<br />
kiosk are the other spaces where visitors<br />
are received and the daily time is<br />
spent. Moreover, doorstep and street<br />
are social spaces where relationships<br />
are established with neighbors.<br />
In revealing the social logic lying<br />
behind houses, it is apparent that visibility<br />
relations that are based on the<br />
perception of the moving observer play<br />
roles as significant as those of permeability<br />
relations. It was observed that the<br />
houses were ranked according to their<br />
integration scores obtained in visibility<br />
analyses in a manner different than<br />
that in the spatial analysis. The ranking<br />
demonstrated that houses that have<br />
large courtyards, windows looking at<br />
the courtyard or at other inner spaces,<br />
The reflection of religious diversity and socio-cultural meaning on the spatial configuration of<br />
Traditional Kayseri Houses
262<br />
and alternative passageways in the inner<br />
space are more visually integrated,<br />
while houses that have central halls and<br />
contain more than one dwelling are<br />
more visually non-integrated. Courtyards,<br />
gardens and central halls are<br />
predominantly more visually integrated<br />
spaces. These spaces are followed by<br />
spaces for common use such as halls<br />
and kiosks, while spaces such as toilets,<br />
storerooms, upper-storey rooms and<br />
kitchens are more visually non-integrated<br />
spaces. However, the point that<br />
needs to be emphasized is that while<br />
most of ground-floor rooms exhibit<br />
a more non-integrated structure in<br />
terms of permeability, they exhibit a<br />
more integrated structure in terms of<br />
visual integration. However, it is necessary<br />
to note that this information<br />
can be controlled by closing doors and<br />
windows that render rooms more visually<br />
integrated, that is, privacy can be<br />
established by visually separating spaces.<br />
Numbers of windows on the façades<br />
of traditional Kayseri houses are not<br />
high even though they increased in the<br />
19 th and 20 th Centuries. However, there<br />
exist many windows and doors opening<br />
to the courtyard. Taking this situation<br />
and houses’ visible area structures<br />
into consideration, it is concluded that<br />
houses are indeed inward-looking in<br />
terms of their visibility structures.<br />
As indicated before, houses’ integration<br />
and visual integration rankings<br />
are not in parallel with each other. This<br />
situation essentially stems from the<br />
fronts and windows that houses have<br />
in their inner spaces. In spatial analysis,<br />
surfaces that allow visibility but<br />
are not permeable are considered no<br />
different than other frontiers; however,<br />
these openings are included in the<br />
analysis in visibility analysis. These two<br />
analyses are expected to yield similar<br />
results when houses do not have windows<br />
in their inner spaces. However,<br />
the situation in the sample is different.<br />
As a result of this characteristic of<br />
the houses, it is apparent that drawing<br />
conclusions about the spatial configurations<br />
of houses on the basis of only<br />
the accessibility relations will be inadequate.<br />
It is important to demonstrate<br />
the visibility structures of these houses<br />
due to the window openings they have<br />
in the inner space. Although the spatial<br />
and visual integration rankings do not<br />
support each other, it is seen that spatially<br />
and visually integrated spaces fit<br />
into each other. This situation indicates<br />
that the permeability and visibility<br />
structures of the inner spaces of houses<br />
function together.<br />
In conclusion, this study examined<br />
the accessibility and visibility structures<br />
of the traditional Kayseri houses.<br />
It was seen that visibility analyses<br />
are more sensitive than permeability<br />
analyses since they yield significant results<br />
by considering variables such as<br />
the openings other than the openings<br />
that makes transition possible between<br />
spaces and sizes of these openings. As<br />
the knowledge obtained through the<br />
permeability and visibility analyses<br />
demonstrate, in traditional Kayseri<br />
houses in particular and in courtyard-type<br />
houses in general, exploring<br />
the spatial configurations of houses on<br />
the basis of only the permeability relations<br />
will yield limited and inadequate<br />
results. In this respect, it is apparent<br />
that visibility analyses have important<br />
roles in such studies. It is expected that<br />
this study will be a guide to studies to<br />
be conducted on similar spatial organizations<br />
and to new designs.<br />
References<br />
Atak, Ö. (2009). Traditional Kayseri<br />
Houses in the context of Space Syntax<br />
and Visibility Graph Analyses (master<br />
thesis), Graduate School of Science<br />
Engineering and Technology, İstanbul<br />
Technical University, İstanbul.<br />
Atak Ö., Çağdaş G. (2010), Traditional<br />
Kayseri Houses In The Context<br />
Of Space Syntax And Visibility Graph<br />
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on Housing Science “Design,<br />
Technology, Refurbishment And Management<br />
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Spain.<br />
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Dinsel çeşitlilik ve sosyo-kültürel<br />
anlamların Geleneksel Kayseri<br />
Evleri’nin mekân organizasyonuna<br />
yansıması<br />
Kentleşmenin ve kentlerde nüfusun<br />
ar Mekân organizasyonu ve sosyal<br />
yapı arasındaki ilişkinin en belirgin<br />
görüldüğü çalışma alanlarından biri,<br />
evsel mekândır. Evsel mekân üzerine<br />
yapılan birçok araştırma, sosyal anlam<br />
ve kültürel değerlerin büyük ölçüde<br />
konutların, mekân organizasyonları<br />
aracılığıyla yansıtıldığını böylece farklı<br />
kültürlerin farklı mekânsal modellerle<br />
kendini ifade ettiğini ortaya koymaktadır.<br />
Bu noktada, mekân dizimi ve görünür<br />
alan analizleri bina ölçeğinden<br />
kent ölçeğine varan her türlü mekân<br />
organizasyonu ile toplum arasındaki<br />
etkileşimi inceleyen hesaplamalı yöntemler<br />
olarak karşımıza çıkmaktadır.<br />
Bu yöntemler temel olarak harekete<br />
dayalı erişim ve hareketli gözlemcinin<br />
algısına dayalı görünürlük ilişkileri<br />
üzerinden ortaya konulmuştur.<br />
Hillier ve Hanson tarafından 1984’de<br />
ortaya konan mekân dizimi, sosyo-kültürel<br />
yapının ve süreçlerin, tek başına<br />
olmasada mekânsal düzenleyim ile<br />
kendilerini mekânda ortaya koyduklarını;<br />
sosyal yapı ve mekânın karşılıklı<br />
etkileşim içinde olduğunu ifade<br />
etmektedir. Bu anlamda mekân dizimi<br />
yönteminin en temel stratejisi, mekân<br />
örüntüsündeki bir takım değişmezleri<br />
keşfederek bunları kültüre özgü insan<br />
etkileşim örüntülerine dönüştürmeye<br />
çalışmaktır.<br />
Bunun yanı sıra Turner 2001’de, temeli<br />
Benedikt’in isovist tanımlaması ve<br />
mekân dizimine dayanan görünür alan<br />
analiz yöntemini ortaya koyar. Görünür<br />
alan mekânda belirlenen bir noktadan<br />
görünen bütün noktaların takımıdır<br />
(Benedikt,1979). Bu yönteme<br />
göre mekân organizasyonunun ortaya<br />
konulmasında, mekânların erişim ilişkilerine<br />
dayanan mekânsal tanımlamalarının<br />
yanı sıra hareketli gözlemcinin<br />
algısına dayanan görünürlük ilişkileri<br />
de önemli rol oynar. Kentsel çevrede<br />
ve binalarda görsel alanlarla sağlanan<br />
bilgi, kullanıcının yol bulmasına yardımcı<br />
olabildiği gibi görsel alanlarla<br />
The reflection of religious diversity and socio-cultural meaning on the spatial configuration of<br />
Traditional Kayseri Houses
264<br />
kullanıcıya sağlanan bilginin kontrolü<br />
de mümkündür.<br />
Dolayısıyla mekân dizimi ve görünür<br />
alan analizleri, tüm mekânsal<br />
sistemlerin ve özel olarak konutların<br />
mekânsal olarak işleyiş ve kullanıcılar<br />
yani hane halkı ve ziyaretçiler tarafından<br />
deneyimlenme biçimini erişebilirlik<br />
ve görünürlük ilişkileri üzerinden<br />
ortaya koymaya çalışmaktadır. Konutun<br />
tamamının veya belirli mekânlarının<br />
içe kapalılık - dışa dönüklük bağlamında<br />
incelenmesinde, sosyal anlamda<br />
mekâna ilişkin mahremiyet, kontrol,<br />
hane halkı ve hane halkı ile ziyaretçiler<br />
arasındaki ilişkilerin düzeyini kavramada<br />
kullanılan etkin yöntemlerdir.<br />
Mahremiyet seviyesi (kişiler arası<br />
etkileşim) fiziksel veya görünmez sınırların<br />
tanımlanması ile belirlenebilir.<br />
Fiziksel sınırlar, erişilebilirliği yani<br />
hareketi kontrol eden sınırlar olurken,<br />
görünmez sınırlar göz temasından kaçındırma<br />
gibi fiziksel sınırlar aracılığı<br />
ile sağlanan görsel bilginin kontrolüdür.<br />
Ayrıca mahremiyet düzeyi her<br />
toplum ve kültürde farklılık gösterir.<br />
Bu farklılık başta ailenin ve ait olduğu<br />
toplumun sosyal yapısı ve ziyaretçileri<br />
ile olan ilişkilerine göre şekillenmektedir.<br />
Bu yüzden, özellikle geleneksel<br />
evlerde erişebilirlik ve görünürlük yapılarını<br />
incelemek, o kültüre ait mahremiyet<br />
seviyesini anlamaya, böylelikle<br />
aile içi ve ziyaretçilerle olan etkileşimi,<br />
evsel mekâna ait işlevlerin erişilebilirlik<br />
ve görünürlük yapıları içindeki<br />
durumunu ortaya koymaya yardımcı<br />
olacaktır.<br />
Çalışma kapsamında evsel mekân,<br />
uzun yıllar farklı dini inanışlara sahip<br />
halkın bir arada yaşadığı Kayseri kent<br />
merkezinde yer alan 27 geleneksel ev<br />
üzerinden ele alınmıştır. Bu evlerin<br />
sadece 14 tanesinin sahiplerinin hangi<br />
dini inanışa sahip olduğuna ilişkin<br />
bilgi elde edilebilmiş diğerlerine ilişkin<br />
ise bilgi elde etmek mümkün olmamıştır.<br />
Ele alınan evlerden Müslüman evi<br />
olarak bilinen evlerin birçoğu avlulu<br />
ve daha organik bir yapı sergilerken,<br />
Gayrimüslim evi olarak bilinen evlerin<br />
birçoğu merkezi hollü evlerdir. Ancak<br />
bunu bir genellemeye dönüştürmek<br />
doğru olmayacaktır; çünkü bu genellemeyi<br />
bozacak bazı örnekler bulunmaktadır<br />
ve ele alınan evlerin ancak<br />
yarısına ilişkin bu anlamda bilgi elde<br />
edilebilmiştir.<br />
Evlerin analizinde Turner tarafından<br />
geliştirilen Depthmap yazılımı<br />
kullanılarak her iki analiz türü birden<br />
gerçekleştirilmiş, evlerin mekânsal<br />
ve görünür alan yapılarının birbirini<br />
destekleyen özellikleri ve farklılıkları<br />
ortaya konulmuştur. Bu analizler sonucu<br />
avlu-bütünleşik mekânsal temanın<br />
baskın varlığı net bir şekilde görülmektedir.<br />
Geçirgenlik ilişkilerine dayanılarak<br />
avlunun, güçlü bir merkezi kontrol<br />
noktası olarak konuttaki ana ve yardımcı<br />
mekânları bir arada tutarak dış<br />
mekâna bağlayan ve bir taraftan da<br />
konutun ana mekânlarını yapılandıran<br />
kilit rolü üstlenmekte olduğu sonucuna<br />
ulaşılmıştır. Merkezi hollü örneklerde<br />
ise merkezi hol bu görevi görmektedir.<br />
Ancak merkezi hol işlev bakımından<br />
avlu gibi bir işleyişe ve kullanıma sahip<br />
değildir. Ele alınan evlerin hemen hemen<br />
hepsi, mekânlarının bir araya geliş<br />
biçimi açısından ayrışma eğilimi gösterir.<br />
Ayrıca evlerin üçte ikisi dışa dönük<br />
bir yapı sergilerken sadece üçte biri<br />
içe dönük bir yapı sergilemektedir. Bu<br />
durum çoğunlukla içe dönük bir yapıya<br />
sahip olduğu sıklıkla vurgulanan<br />
Geleneksel Kayseri Evleri’nin özellikle<br />
avlulu evlerin (çoğunluğunun Müslüman<br />
ailelere ait olmasından ötürü de<br />
daha içe dönük olarak değerlendirilen<br />
evlerin), aslında erişebilirlik ilişkileri<br />
açısından bakıldığında dışa dönük bir<br />
yapı sergilediğini ortaya koymaktadır.<br />
Bu durum, evlerin tarihlendiği geç 19.<br />
ve 20. yy.’larda, sosyal yapıda görülen<br />
dışa dönüş ile ilişkilendirilebilir. Ancak<br />
temel ulaşılması gereken bilgi, evlerin<br />
hangi açıdan içe veya dışa dönük olarak<br />
nitelendirileceğidir.<br />
Evlerin, görünürlük analizlerinde<br />
elde edilen bütünleşme dereceleri açısından,<br />
diğer analizden farklı bir sıralamaya<br />
sahip olduğu görülmüştür. Sıralamada,<br />
büyük avlulu ve avluda ve iç<br />
mekânda pencereleri ve alternatif geçişleri<br />
olan evlerin görsel açıdan daha<br />
bütünleşik sırada yer aldığı, merkezi<br />
hollü evlerin ise daha ayrışık sırada olduğu<br />
görülmüştür. Baskın eğilim olarak<br />
avlu, bahçe ve merkezi holler görsel<br />
açıdan daha bütünleşik mekânlardır.<br />
Üstünde durulması gereken önemli bir<br />
nokta zemin kat odalarının büyük bir<br />
kısmının erişilebilirlik açısından daha<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • Ö. Atak, G. Çağdaş
265<br />
ayrışık bir yapı sergilerken görsel bütünleşme<br />
açısından daha bütünleşik<br />
bir yapı sergilediğidir. Ancak odaların<br />
görsel açıdan daha bütünleşik olmasını<br />
sağlayan pencerelerin ve kapıların<br />
kapatılarak bu bilginin kontrol edilebileceğini<br />
yani istendiği takdirde görsel<br />
olarak da daha ayrıştırılarak mahremiyetin<br />
sağlanabileceğini belirtmek<br />
gerekir. Geleneksel Kayseri Evleri’nin<br />
dış cephelerinde yer alan pencere sayıları,<br />
19. ve 20. yy. da artış göstermesine<br />
rağmen yine de sayı olarak çok fazla<br />
değildir. Ancak avluya açılan pencere<br />
ve kapılar çok sayıdadır. Bu durum<br />
göz önünde bulundurulduğunda ve<br />
görünür alan yapılarına bakıldığında,<br />
evlerin aslında görünürlük yapıları<br />
açısından içe dönük olduğu sonucuna<br />
ulaşılmaktadır. Daha önce belirtildiği<br />
gibi evlerin bütünleşme ve görsel bütünleşme<br />
sıralamaları birbiriyle paralel<br />
değildir; ancak mekânsal ve görsel açıdan<br />
bütünleşik mekânlara bakıldığında,<br />
bu mekânların birbirleri ile örtüştüğü<br />
görülmektedir. Bu durum, evlerin<br />
iç mekânlarının erişilebilirlik ve görünürlük<br />
yapılarının beraber işlediğine<br />
işaret eder.<br />
Bu çalışma mekân dizimi analiz<br />
sonuçlarını, geleneksel Kayseri evlerine<br />
ilişkin elde edilen tüm bilgilerle<br />
yorumlamaya çalışarak sosyo-kültürel<br />
anlamların, evlerin mekân kurgusuna<br />
nasıl yansıdığını ortaya koymaya çalışmaktadır.<br />
The reflection of religious diversity and socio-cultural meaning on the spatial configuration of<br />
Traditional Kayseri Houses
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • 267-283<br />
Cross border cooperation in<br />
Edirne-Kırklareli border region:<br />
New institutionalist perspectives 1<br />
Ervin SEZGİN 1 , Gülden ERKUT 2<br />
1<br />
ervinsezgin@gmail.com • Department of Urban and Regional Planning, Faculty<br />
of Architecture, Istanbul Technical University, Istanbul, Turkey<br />
2<br />
gerkut@itu.edu.tr • Department of Urban and Regional Planning, Faculty of<br />
Architecture, Istanbul Technical University, Istanbul, Turkey<br />
Received: February <strong>2015</strong> Final Acceptance: September <strong>2015</strong><br />
Abstract<br />
This article aims to elaborate the current stage of institutionalization of cross<br />
border cooperation programme between Turkey and Bulgaria using the theoretical<br />
tools of new institutionalism. The geographical focus is on the Edirne- Kırklareli<br />
border region on the Turkish side of the border. It is argued that new institutionalist<br />
approaches provide different perspectives that shade light on different aspects<br />
of cross border cooperation and at the final stage they help to establish a coherent<br />
framework for understanding the institutionalization of cross border cooperation<br />
in the region. Drawing on interviews conducted with 49 cross border cooperation<br />
related people including public officials, civil society and business representatives<br />
and civil servants; this study conducts an institutional ethnographic analysis with<br />
a new institutionalist perspective to grasp the institutionalization process of cross<br />
border cooperation in the region. The literature review part of the article consists<br />
of two chapters: first new institutionalism theory and the different perspectives<br />
its three strands, rational choice, sociological and historical institutionalism provide;<br />
and second the scientific literature on new institutionalism in the field of<br />
cross border cooperation and border regions are elaborated. After the literature<br />
review, the article analyses the current condition of cross border cooperation in<br />
the Edirne- Kırklareli border region by using the tools new institutionalism theory<br />
provides. Finally the conclusion chapter discusses how the three strands of new<br />
institutionalism can be brought together to develop a comprehensive understanding<br />
of the institutional structure of cross border cooperation in the region.<br />
Keywords<br />
Cross border cooperation, New institutionalism, Edirne-Kırklareli border<br />
region.
268<br />
1. Introduction<br />
“Well, they are good, but people<br />
rarely see their results. They are<br />
much more like a game played by<br />
some elites in the region” (Personal<br />
Interview, 2013).<br />
“They are playing neighbourliness”<br />
would be a good title for the summary<br />
of 40 minutes long interview with one<br />
of the administrative officers in the Edirne-<br />
Kırklareli border region. The subject<br />
of the discussion was cross border<br />
cooperation (CBC), a phenomenon<br />
existing since 1950’ies in Europe and<br />
intensely finding place in the Turkish-<br />
Bulgarian border regions over a period<br />
of one decade, thanks to Turkey’s official<br />
candidacy for the European Union<br />
(EU) membership.<br />
The basic premise of CBC in the<br />
EU context is to contribute to the regional<br />
development of border regions<br />
while establishing neighbourly relations<br />
among border societies (Ricq,<br />
2006). The expanding scholarly interest<br />
on border regions emphasizes their<br />
changing condition from “barriers to<br />
bridges” by stressing the increasing<br />
porosity of borders in the course of<br />
globalization that allows establishing<br />
economic, social and political links<br />
between local communities across borders<br />
(Church and Reid, 1999; Niebuhr,<br />
2006; O’Dowd, 2003). Critiques have<br />
provided powerful arguments that a<br />
“borderless world” is rather a myth<br />
than a reality, especially in Europe,<br />
where, while internal borders are arguably<br />
diminishing, external ones are<br />
erected to fortify the “Fortress Europe”<br />
that now resembles a gated community<br />
(Johnson et al, 2011; Van Houtum,<br />
2007). Nevertheless, cross border interactions<br />
among local border communities<br />
are not only expanding but also<br />
finding political and financial support<br />
in the EU that enables them to institutionalize<br />
and make CBC a hot topic<br />
on the local agenda (Perkman, 1999;<br />
Van der Veen and Boot, 1995). Several<br />
projects ranging from infrastructure<br />
building to people-to-people relations<br />
have been realized albeit with some<br />
scholarly and practical criticism, such<br />
as those above.<br />
The interviewed official’s criticism<br />
was a common one. During the field<br />
research on which this study is based,<br />
49 interviews were conducted with actors<br />
related to CBC, including public<br />
officials, mayors, and NGO and business<br />
representatives. The aim was to<br />
understand the existing situation and<br />
the emerging institutional structure of<br />
CBC in the Edirne-Kırklareli border<br />
region after having more than a decade<br />
of experience. The official’s criticism<br />
was shared by many interlocutors, who<br />
in general have argued that the European<br />
money coming for such projects<br />
contributed for the amusement of a<br />
small part of the society instead of local<br />
development. Although criticism<br />
was plenty, the majority of interlocutors<br />
have argued that CBC has created<br />
a significant financial resource for<br />
local, public and civil society actors<br />
and contributed to increasing social<br />
interactions between societies among<br />
two sides of the border. Moreover with<br />
the intensification of CBC and with the<br />
involvement of the EU and the central<br />
government; a multi-layered governance<br />
mechanism unprecedented to<br />
the local community has emerged in<br />
the region. Now there is room for local<br />
actors to engage in international politics<br />
and search and compete for financial<br />
resources in the European arena.<br />
Local administrations as well as civil<br />
society organizations are succeeding in<br />
raising funds for projects that are not<br />
subsidised by the national budget.<br />
The context of CBC; the achievements<br />
realized through it; the involved<br />
and excluded actors and their critiques,<br />
from the perspective of this article, are<br />
a part of the institutionalization process<br />
of CBC. This institutionalization<br />
process is not independent from the<br />
social- political context in which it<br />
takes place, but it is also a place bound<br />
phenomenon, directly related to the<br />
local social dynamics and power relations.<br />
This article uses the tools that different<br />
strands of new institutionalism<br />
theory provide, to perform a mind<br />
exercise for understanding the institutionalization<br />
process of CBC. It is<br />
argued that this process is a complex<br />
structure that cannot be grasped completely<br />
by a single- dimensional perspective.<br />
Therefore different and sometimes<br />
contradicting approaches have<br />
to be adopted for apprehending this<br />
1<br />
This research is<br />
financially and<br />
institutionally<br />
supported by the<br />
ITU- Scientific<br />
Research Support<br />
Programme;<br />
TÜBİTAK- Science<br />
Fellowships and<br />
Grant Programmes<br />
Department; and<br />
Radboud University<br />
Nijmegen- Centre<br />
for Border<br />
Research to which<br />
the authors are<br />
thankful.<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • E. Sezgin, G. Erkut
269<br />
Table 1. List of interviewed organizations.<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
complexity; and the new institutionalism<br />
theory allows swinging across a<br />
variety of perspectives and establishing<br />
a more coherent view of institutionalisation<br />
of CBC. The three strands of<br />
new institutionalism, historical, sociological<br />
and rational choice institutionalism<br />
are adapted to the CBC context<br />
to grasp these multiple perspectives.<br />
They are used to approach, observe and<br />
interpret the same issue from different<br />
viewpoints and reach a comprehensive<br />
understanding of this newly emerging<br />
institutional structure.<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
The methodological approach of<br />
the research is institutional ethnography,<br />
which aims to “discover the social,<br />
rather than theorizing it, beginning<br />
with actual people, their doings,<br />
and how their doings are coordinated”<br />
to formulate an institutional regime<br />
(Smith, 2008, p. 433). This method allows<br />
the researcher to establish links<br />
between interviewed individuals and<br />
their interpretations of institutions and<br />
the institutional structure in general.<br />
This approach enables mapping a given<br />
institutional setting with respect to<br />
Cross border cooperation in Edirne-Kırklareli border region: New institutionalist perspectives
270<br />
its constituent actors, however the impacts<br />
of the wider social and political<br />
factors remains latent in the interpretations<br />
of institutional actors and has<br />
to be re-interpreted by the researcher.<br />
For this purpose the institutional ethnographic<br />
approach needs to be tuned<br />
to include a “thick description” (Paasi,<br />
1996) that establishes links, this time<br />
with the social and political factors that<br />
affect the institutional setting and also<br />
with the ways of its interpretation by<br />
the institutional actors. As mentioned<br />
above, the field research of the study<br />
is based on 49 interviews with people<br />
related to CBC in the region. The list of<br />
interviewed organizations is presented<br />
in Table 1. For the sake of confidentiality,<br />
the names of persons interviewed<br />
are identified neither on the table, nor<br />
on the citations in the remainder of this<br />
paper. The geographical context of the<br />
study was set to cover the north-western<br />
border provinces of Turkey, namely<br />
Edirne and Kırklareli. Although not<br />
every district of these provinces is attached<br />
to the border, and even some of<br />
them have denser interactions with the<br />
internal regions of Turkey, all of these<br />
districts are taking part in CBC and<br />
contribute to its institutionalization.<br />
The remainder of this paper will<br />
have the task of exploring the institutional<br />
structure of CBC in the Edirne-<br />
Kırklareli border region using three<br />
different perspectives of new institutionalism<br />
theory. The structure of the<br />
paper will be as following: Chapter<br />
2 describes the new institutionalism<br />
theory and the different perspectives<br />
the three main strands bring. This is<br />
followed by a literature review on new<br />
institutionalist approaches in CBC and<br />
border regions context in Chapter 3.<br />
The 4 th Chapter focuses on CBC in Edirne-<br />
Kırklareli border region and explores<br />
the existing situation by looking<br />
through the different lenses of new institutionalism.<br />
The concluding chapter<br />
summarizes the discussion and comments<br />
on how these three strands can<br />
describe the same picture from different<br />
perspectives.<br />
2. New institutional theory- A<br />
literature review<br />
The organization of social life is done<br />
through institutions. The development<br />
of a social order and the evolution of<br />
societies, ranging from everyday practices<br />
to the highest levels of organization<br />
are born of various institutional<br />
arrangements; and the evolution<br />
of societies is shaped by institutions<br />
and their transformation over time.<br />
As North (1990, p. 22) argues, 90% of<br />
“daily life” activities are made possible<br />
by being routinized and regularized by<br />
institutions.<br />
Institutions are seen as both results<br />
of historical processes and powerful<br />
subjects capable of influencing the<br />
evolution of human society at the same<br />
time. As Putnam (1993, p. 7) argues,<br />
institutions are shaped by history and<br />
yet work to shape politics. This duality<br />
has been problematized under the<br />
structure and agency dichotomy. From<br />
the first point of view, the historical<br />
evolution of societies with its various<br />
aspects - including norms, practices<br />
and power struggles – determines the<br />
formation of institutions, since they<br />
have emerged as a result of this evolution<br />
in order to give a shape to it in a<br />
way that reflects these social dynamics.<br />
The contrasting approach pays most<br />
credit to individuals motivated by rational<br />
choice, who use and transform<br />
institutions (or create new ones) in<br />
order to achieve desired ends. In this<br />
respect, institutions are considered to<br />
be aggregated outcomes of individual<br />
behaviour that serve to reduce uncertainty<br />
and limit the choices of individuals<br />
in order to enable them to calculate<br />
accurately their goals and actions.<br />
Contrary to the structuralist approach,<br />
this point of view partially neglects<br />
the constraining role of structure on<br />
the choices of individuals and assumes<br />
that any rational behaviour would be<br />
repeated in the same way in any kind<br />
of structural context.<br />
New Institutionalism emerges as<br />
a third option in this context, which<br />
ascribes a more autonomous power<br />
to institutions in contrast to both<br />
the structure and agency perspectives<br />
(March and Olsen, 1984). Without<br />
neglecting both aspects of social life,<br />
new institutionalists recognize that<br />
institutions move in both directions<br />
by imposing structural constraints on<br />
the preferences of individual actors on<br />
the one hand, and giving access to par-<br />
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271<br />
ticular actors and collective actions to<br />
transform the social structure on the<br />
other (Lowndes and Roberts, 2013).<br />
The political and social problems in a<br />
given setting can be viewed as part of<br />
the social structure that also influences<br />
institutions themselves. However, the<br />
perception of these problems by political<br />
actors and the methods chosen<br />
to solve problems (i.e. the preferences<br />
of institutional actors) affect the future<br />
of the public realm and its institutional<br />
structure (March and Olsen, 1994).<br />
Lowndes and Roberts (2013, p. 28) argue<br />
that the distinctive characteristic<br />
of New Institutionalism is to avoid the<br />
superficial and taken for granted understanding<br />
of institutions (as well as<br />
structure and agency), and to critically<br />
look “at the way in which they embody<br />
values and power relationships”.<br />
Although the key role of institutions<br />
in forming social practices is commonly<br />
accepted, New Institutionalism<br />
cannot be accepted as a stand-alone<br />
theory capable of conceptualizing institutions.<br />
Using the basic points of<br />
the structure and agency dichotomy,<br />
new institutionalists have developed<br />
several strands of institutionalism,<br />
three of which have grasped the three<br />
most common positions regarding the<br />
roles of agency, structure and society<br />
in institutional contexts. These are not<br />
mutually exclusive aspects, separately<br />
conceptualizing their own institutional<br />
realities; rather, they complementarily<br />
square the circle of the agency-institutions-structure<br />
triad that allows one to<br />
fully grasp the origins of social interactions,<br />
their role in the formation of<br />
institutions and the emergence of the<br />
social structure as something more<br />
than the sum of actors’, individual and<br />
institutional practices. The study of institutions<br />
also enables the adoption of<br />
a multidimensional perspective while<br />
investigating the institutionalization of<br />
a particular policy field.<br />
The three dominant schools of<br />
new institutionalism are commonly<br />
referred to as rational choice institutionalism,<br />
historical institutionalism<br />
and sociological institutionalism (Hall<br />
and Taylor, 1996; Immergut, 1998;<br />
Lowndes and Roberts, 2013). These<br />
three strands represent the three main<br />
streams of institutionalisms, but also<br />
are complemented by various other approaches<br />
such as normative, empirical,<br />
international, network, discursive and<br />
feminist institutionalisms (Lowndes<br />
and Roberts, 2013).<br />
Rational Choice Institutionalism<br />
has emerged from behaviourism and<br />
rests on the basic premise that humans<br />
are rational beings who act with the<br />
aim of maximizing their self-interest<br />
through careful cost-benefit analysis.<br />
From this perspective institutions<br />
are accepted to reflect the desires and<br />
habits of the individuals who establish<br />
them. Informal relations, political leaders<br />
and their followers, interest groups,<br />
and ideologies (instead of formal<br />
modes of organizations) are among the<br />
interest areas of this type of institutionalism<br />
(Bolat and Seymen, 2006).<br />
The role of institutions according<br />
to rational choice institutionalists is<br />
to reduce transaction costs in social<br />
and economic interactions by avoiding<br />
uncertainty and reducing risks in social<br />
relations, especially those arising<br />
from trust problems (North, 1990, Ostrom<br />
2005). As Lowndes and Roberts<br />
(2013, p. 23) explain, from the rational<br />
choice point of view, the existence of<br />
institutions is a result of cost-benefit<br />
analysis. An institution can only exist<br />
when the costs of maintaining it do not<br />
exceed the benefits gained with it. So,<br />
larger institutions, such as the state,<br />
represent a more complicated form of<br />
social organization that has emerged<br />
from the continuous efforts to reduce<br />
transaction costs in social interactions.<br />
As North (1990) argues, by regulating<br />
the exchange relationship between two<br />
parties, institutions provide the basis of<br />
political/economic systems.<br />
Although rational choice institutionalists<br />
consider rules that set a<br />
wider framework as well, these rules<br />
are usually either accepted as given or<br />
elaborated at a micro-level only to include<br />
those that are set by individuals<br />
or groups for the regulation of a particular<br />
situation (see for example Ostrom,<br />
2011). Another shortfall of rational<br />
choice institutionalism is argued to be<br />
the neglect of long-term targets and<br />
calculations of actors when taking action,<br />
and assuming that the short-term<br />
interest is the dominant source of motivation<br />
in their actions (Lowndes and<br />
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272<br />
Roberts, 2013, p. 37).<br />
Sociological institutionalism,<br />
which is almost opposed to rational<br />
choice institutionalism, presumes that<br />
behaviours of actors are context-driven;<br />
in other words, social structures<br />
(e.g. cultural conventions, norms and<br />
cognitive frames of reference) determine<br />
not only the options and choices<br />
of actors, but also actors’ ways of thinking<br />
and perceiving the world. Hence<br />
individuals’ actions are not shaped<br />
by their own decisions taken independently<br />
to reach their desired ends,<br />
but are dependent on the prevailing<br />
social context (DiMaggio and Powell,<br />
1991). Therefore, an actor’s choices<br />
related to the same subject will vary<br />
greatly under different circumstances,<br />
which depend on the social structure<br />
in play (Immergut, 1998). Institutions<br />
constitute an “infrastructure” for society,<br />
providing the reference points<br />
for actions of actors (Lowndes and<br />
Roberts, 2013). From this perspective,<br />
individual choices are socially determined<br />
by institutions, which are also<br />
bound by practices emerging from the<br />
wider social structure. Actors, whether<br />
individuals or organizations, are “embedded”<br />
in the social structure (Amin<br />
and Thrift, 1994, p. <strong>12</strong>) which provides<br />
a “frame of meaning” that guides their<br />
actions (Hall and Taylor, 1996, p. 947).<br />
According to March and Olsen (1984,<br />
p. 741), sociological institutionalism<br />
differs from rational choice institutionalism<br />
by conceptualizing actions of<br />
individuals as the “fulfilment of duties<br />
and obligations” instead of “individual<br />
values and expectations”. As DiMaggio<br />
and Powell (1991, p. 28) argue, “cultural<br />
frames establish approved means<br />
and define desired outcomes, leading<br />
business people to pursue profits, bureaucrats<br />
to seek budgetary growth,<br />
and scholars to strive for publication”.<br />
Historical institutionalism is related<br />
to the long-term evolution of institutions<br />
in a wider context. Instead of<br />
focusing on individuals or organizations<br />
as rational choice and sociological<br />
institutionalisms do, the historical<br />
institutionalist approach investigates<br />
the wider institutional structure (i.e.<br />
the nation state or the world system)<br />
and its long term, historical dynamics<br />
(Hall and Taylor, 1996; Lowndes and<br />
Roberts, 2013). Immergut (1998, p.<br />
16) points to the difference between<br />
sociological and historical institutionalism<br />
by arguing that while the former<br />
is interested in “the ways in which organizational<br />
rules and procedures coordinate<br />
the action of independent individuals”,<br />
the latter focuses on themes<br />
related to power and interest. Hall and<br />
Taylor (1996, p. 941) stress that historical<br />
institutionalism is interested<br />
in the uneven distribution of power,<br />
and argues that “institutions give some<br />
groups or interests disproportionate<br />
access to the decision-making process”.<br />
The term “path dependence” takes<br />
a key role in explaining the historical<br />
institutionalist approach. Path dependence<br />
argument presumes that when<br />
policymakers choose a particular path;<br />
the aggregate impact of actions taken<br />
in the aftermath produces a snowball<br />
effect, which is difficult to roll back<br />
or alter in terms of direction. Consequently,<br />
a “powerful cycle of self-reinforcing<br />
activity” is created that strongly<br />
influences the decisions of actors within<br />
institutions (Lowndes and Roberts,<br />
2013, p. 39). Putnam (1993) refers to<br />
path dependency in his work in the<br />
following way:<br />
…what comes first (even if it was<br />
in some sense “accidental”) conditions<br />
what comes later. Individuals may<br />
“choose” their institutions, but they do<br />
not choose them under circumstances<br />
of their own making, and their choices<br />
in turn influence the rules within<br />
which their successors choose. (Putnam,<br />
1993, p.7).<br />
However, the intentional change or<br />
transformation of institutions and institutional<br />
structure is not accepted as<br />
totally impossible. Institutional change<br />
can and does occur throughout revolutionary<br />
moments of history, in which<br />
the “periods of continuity [are] punctuated<br />
by ‘critical junctures’, i.e., moments<br />
when substantial institutional<br />
change takes place thereby creating a<br />
‘branching point’ from which historical<br />
development moves onto a new<br />
path” (Hall and Taylor, 1996, p.942).<br />
Immergut (1998) stresses that,<br />
from a historical institutionalist point<br />
of view, particular events during the<br />
course of history originate from the<br />
free choice of powerful individuals;<br />
these choices, however, always bear<br />
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273<br />
the burden of individual and social<br />
histories. The establishment of particular<br />
institutions in a specific moment<br />
of time, such as recognizing the right<br />
to private property during monarchical<br />
rule, is a result of other social and<br />
historical processes that motivate the<br />
transformation of the whole institutional<br />
structure.<br />
Despite their diversified departure<br />
points, these three strands intersect<br />
in some common points in their approach<br />
to institutions. These intersections<br />
consolidate and establish a<br />
common ground of new institutionalism<br />
that, according to Lowndes and<br />
Roberts (2013), represents the “third<br />
phase” of New Institutionalism Theory.<br />
Lowndes and Roberts (2013) summarize<br />
this consolidation under five main<br />
topics:<br />
(1) It is commonly accepted that<br />
structure and agency have a dialectical<br />
relationship, in which neither<br />
one, nor the other is determinative<br />
on the other or on the institutional<br />
structure in general. Instead they<br />
are in continuous interaction that<br />
transforms both of them throughout<br />
the course of history.<br />
(2) An institutional structure is a<br />
complex system that enables institutions<br />
to operate through three<br />
main modes: rules, practices and<br />
narratives.<br />
(3) Whether in short or long run,<br />
institutions are subjects and objects<br />
of social change. Reflecting the dialectical<br />
relationship between structure<br />
and agency, they can trigger<br />
social change or can be affected by<br />
the structural forces that either impose<br />
or require institutional continuity.<br />
(4) Institutions are designed social<br />
phenomena and their design process<br />
reflects the power relations in<br />
society.<br />
(5) Even among institutions of the<br />
same social domain an institutional<br />
diversity always exists. This is a<br />
result of different social/ structural<br />
dynamics that prevail in the society<br />
as well as the influential agents that<br />
are in a position to take critical decisions<br />
for institutions.<br />
These five topics do not only form<br />
the common ground of the three<br />
strands, but also offer an exclusive conceptualization<br />
of the role of institutions<br />
in social life from a new institutionalist<br />
perspective.<br />
3. CBC and new institutionalism<br />
This section evaluates the scientific<br />
literature related to CBC, cross border<br />
regionalism and new institutional theory.<br />
The aim is to provide examples on<br />
the use of new institutionalism in CBC,<br />
as well as to establish a ground for discussion<br />
the CBC experience in the Edirne-<br />
Kırklareli border region with this<br />
perspective. Studies that are not directly<br />
related to CBC but are coming from<br />
regional science related disciplines are<br />
also included to extend the scope of the<br />
evaluation and provide background for<br />
further discussion.<br />
A similar new institutionalist analysis<br />
approach previously was adopted by<br />
Helena Ekelund (2014), who demonstrated<br />
the applicability of the new institutional<br />
theory in the EU context by<br />
discussing the establishment of Frontex,<br />
the border patrol agency of the<br />
Union. According to her, “the timing<br />
of establishment; the decision on the<br />
agency’s tasks, role and mission; [and]<br />
the decision on a specific institutional<br />
design and management” (Ekelund,<br />
2014, p. 110) can be explained by using<br />
different new institutionalist strands.<br />
From a rational choice perspective,<br />
the coordination of border-related activities<br />
of member states and the use<br />
of expert knowledge can be viewed as<br />
transaction cost-reducing activities.<br />
On the other hand, the emergence of<br />
Frontex cannot be understood solely as<br />
a cost-cutting solution. The social and<br />
historical contexts are highly influential<br />
in the institutional design process.<br />
This context is the enlargement of the<br />
EU, which requires its own institutional<br />
structure to manage the extensive<br />
functional areas of the Union. For<br />
Ekelund (2014), the enlargement waves<br />
that included southern and eastern European<br />
states are critical junctures in<br />
which crucial decisions were taken to<br />
pave the way for the establishment of<br />
Frontex.<br />
Implications of rational choice institutionalism<br />
are most easily observed<br />
at the local and regional levels, from<br />
which Elinor Ostrom (2005) developed<br />
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274<br />
the Institutional Analysis and Development<br />
Framework, which was based<br />
on a large number of local case studies<br />
across the world. Through these case<br />
studies, Ostrom and her colleagues<br />
extensively elaborate how local actors<br />
organize around institutions and use<br />
institutional practices to overcome<br />
trust problems. Extending this debate<br />
to the regional scale, Rodriguez-Pose<br />
(2013, p. 1037) argues that local institutional<br />
arrangements prove to be<br />
more effective in generating economic<br />
development than nation state governments,<br />
since “the national scale can be<br />
too distant, remote and detached in<br />
order to be effective in mobilizing organizations”.<br />
Rodriguez- Pose’s (2013,<br />
p. 1042) conclusion is that regional development<br />
strategies should be “specifically<br />
tailored to the potential of placebounded<br />
institutions” in order to make<br />
significant interventions for development.<br />
However, as a result of the rational<br />
choice institutionalist thinking,<br />
Rodriguez-Pose’s focus on institutions<br />
from a regional development perspective<br />
suggests looking away from the<br />
institutional characteristics of a region,<br />
focusing instead on “institutional arrangements,<br />
which represent barriers<br />
for the efficiency of other factors influencing<br />
economic development” (p.<br />
1043).<br />
The management of common-pool<br />
resources and transaction cost-reducing<br />
roles of institutions provides<br />
considerable explanation for the role<br />
of institutions during the institutionalization<br />
process of CBC. Although<br />
in the context of inter-municipal cooperation,<br />
which does not include a<br />
cross-border aspect, Hilvert and Swindell<br />
(2013), Carr and Hawkins (2013),<br />
and Delabbio and Zeemering (2013)<br />
conceptualize cooperation as common-pool<br />
resource management. According<br />
to them, cooperation activities<br />
emerge from the need to reduce transaction<br />
costs, especially in urban management,<br />
by sharing and coordinating<br />
the joint use of resources, collaborating<br />
in infrastructure construction and<br />
creating joint institutions for providing<br />
services. This is also the case in<br />
cross-border regionalism, where grass<br />
roots, cross-border initiatives emerge<br />
to mobilize common endogenous resources<br />
to solve problems and generate<br />
regional development.<br />
Delabbio and Zeemering (2013)<br />
argue that institutional context is a<br />
determining factor for collective action.<br />
In addition, local officials prefer<br />
to take part in collective action when<br />
a cost-benefit analysis reveals different<br />
aspects of the institutional structure,<br />
such as career risks, public resistance,<br />
expected outcomes of collaboration<br />
and transaction costs. Hilvert and<br />
Swindell (2013) also argue that inter-local<br />
cooperation becomes satisfactory<br />
for decision-makers only when<br />
transaction costs arising from cooperation<br />
are exceeded by the benefits of<br />
collaboration.<br />
One of the scholars who first interpreted<br />
CBC using a new institutionalist<br />
approach is Markus Perkmann. He<br />
argues that<br />
… CBC has to be seen as an aggregate<br />
outcome of various relatively<br />
decentralized processes of institution<br />
building with strong involvement by<br />
non-local actors. Cross-border initiatives<br />
cannot be assumed to have single<br />
and coherent objectives. Rather, a multiplicity<br />
of actors operates in an institutional<br />
context of opportunities and<br />
constraints that is not predominantly<br />
of their own making. As a consequence<br />
of their actions, the institutional setting<br />
itself undergoes continuous changes<br />
resulting in irreversible and historically<br />
specific trajectories. Such ideas about<br />
the building and evolution of institutions<br />
can be extrapolated from a more<br />
sociologically inflected `new institutionalism’<br />
recently emerging as a supra-disciplinary<br />
paradigm in a range of<br />
fields. (Perkmann, 1999, p. 660)<br />
Perkmann departs from rational<br />
choice institutionalism and aligns his<br />
arguments with a historical institutionalist<br />
approach that links institutional<br />
change with “strategic action<br />
(path shaping) and evolution (path dependence)”.<br />
Perkmann (1999, p. 660),<br />
rejects the argument of the neutrality<br />
of institutions and argues that “they<br />
privilege certain actors, certain time<br />
and space horizons, and certain strategic<br />
agendas over others”. Institutional<br />
structure is also influential over the<br />
behaviours of CBC actors and since it<br />
is predominantly formed within the<br />
nation state framework, it remains inefficient<br />
in supplying actors with the<br />
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275<br />
necessary tools for cross-border governance.<br />
In tandem with Perkmann (1999),<br />
Church and Reid (1999) attempt to<br />
conceptualize the institutional framework<br />
of CBC between England and<br />
France using the new institutional theory.<br />
Rather than focusing on the relationship<br />
between institutions and CBC<br />
in general, they focus on two specific<br />
aspects of the institutional structure:<br />
its thickness and territorial embeddedness.<br />
Their findings suggest that<br />
although intensifying CBC activities<br />
contributes to increasing institutional<br />
thickness, the lack of genuine cooperation<br />
results in more intervention on<br />
behalf of the EU and national governments<br />
in the facilitation and supervision<br />
of CBC. With regard to territorial<br />
embeddedness, Church and Reid<br />
(1999) make two distinct observations.<br />
First, cross- border spaces mostly remain<br />
imaginary spaces, as wishful<br />
thoughts of politicians, perhaps as an<br />
impact of external influence without<br />
being supported by “economic and<br />
cultural transfrontier links”. Second,<br />
spaces of CBC usually have a “flexible<br />
territorial characteristic” that releases<br />
the boundedness of administrative<br />
divisions and scales and constitutes its<br />
own spatial framework.<br />
These two studies align with sociological<br />
and historical institutionalisms<br />
and evaluate CBC processes as context-bounded<br />
phenomena emerging<br />
from the historical conditions that<br />
both necessitate and constrain it.<br />
Putnam’s (1993) longitudinal and<br />
extensive study of Italian regional governance<br />
institutions reaches the conclusion<br />
that mirrors sociological institutionalism,<br />
though it also includes<br />
elements from historical institutionalism.<br />
Putnam (1993) investigates the<br />
establishment of local governments in<br />
Italy with a longitudinal survey. Within<br />
a period of 14 years after their establishment,<br />
regional governments in Italy<br />
displayed a diversified path of governance,<br />
which resulted in success for<br />
some and failure for others. Focusing<br />
on the reasons of that diversification<br />
and by conducting two surveys with a<br />
10 years interval, Putnam argues that<br />
democratic traditions are among the<br />
most significant factors in determining<br />
institutional success. According<br />
to him, “the practical performance of<br />
institutions… [is] shaped by the social<br />
context within which they operate” (p.<br />
8).<br />
These studies demonstrate that new<br />
institutionalism theory provides efficient<br />
tools to understand the complexity<br />
of CBC. However, most of them do<br />
not intend to provide a coherent picture<br />
of the institutional structure of the<br />
subject they investigate and rather remain<br />
focused on the interpretation and<br />
critique of their problematic, usually<br />
by adopting the approach of one of the<br />
three different strands. The remainder<br />
of this study aims to choose the first<br />
path and comprehensively evaluate<br />
CBC in Edirne- Kırklareli border region<br />
from the perspectives of the three<br />
strands of new institutionalism. While<br />
doing so, abovementioned five topics<br />
in which the three strands converge<br />
will be used as reference points for interpretation<br />
and for providing a coherent<br />
view of the institutional structure<br />
of CBC in Edirne- Kırklareli border<br />
region.<br />
4. CBC in Edirne Kırklareli border<br />
region: New institutionalist<br />
perspectives<br />
The administrative regions of Bulgaria<br />
and Turkey that take part in CBC<br />
were part of the Thracian region under<br />
the rule of the Ottoman Empire for<br />
four centuries. Thrace was inhabited<br />
by a heterogeneous society of Muslims,<br />
Christians and Jews. The division of<br />
geographical units into administrative<br />
territories was conducted very vaguely<br />
along religious lines, also a major<br />
source of identity among inhabitants<br />
of the region. Nonetheless, cultural interaction,<br />
population movement and<br />
economic interaction were also considered<br />
a general characteristic of the<br />
region (Manos, 2005; Mazower, 2001).<br />
The Greek and Bulgarian revolutions<br />
resulting in independence in 1832 and<br />
1909 respectively were the roots of the<br />
tripartite hostility between these two<br />
nation-states and the Ottoman Empire.<br />
Modern Turkey, established in 1923,<br />
inherited its part of that enmity from<br />
the Ottoman Empire, although no war<br />
has been fought since the establishment<br />
of these nation states. A part of<br />
Cross border cooperation in Edirne-Kırklareli border region: New institutionalist perspectives
276<br />
that enmity lies in the self-perception<br />
of the Turkish nation state as the heir<br />
of the Ottoman Empire. In addition,<br />
Turks were identified with Islam, which<br />
was the source of religious enmity and<br />
accompanied political disputes that<br />
have made Turkey a “negative point<br />
of reference for [the] symbolic construction<br />
of the local political communit[ies]”<br />
(Gkintidis, 2013). The refugee<br />
exchanges between Turkey and Greece<br />
and Greece and Bulgaria have caused<br />
the homogenization of the previously<br />
heterogeneous region (Karakasidou,<br />
1997). After the establishment of new<br />
nation states, the long standing hostilities<br />
and the exchange of minorities<br />
between them, the basic characteristic<br />
of the border regions in the Thrace region<br />
during the 20 th century could be<br />
described as alienation, since the dominant<br />
narrative of the respective nation<br />
states was nationalism accompanied<br />
by strong political and administrative<br />
dependence on the centre in combination<br />
with military fortification along<br />
the borders (Gkintidis, 2013; Mazower,<br />
2001).<br />
With the end of the Cold War the<br />
border milieu started to change slowly<br />
but significantly. First, trade liberalization<br />
in Bulgaria has increased the<br />
volume of trade as well as the cultural<br />
contacts between the two countries<br />
and bordering provinces. Second, with<br />
the official EU candidacy of two countries<br />
and Bulgaria’s membership in<br />
2007, the EU has become an important<br />
facilitator of bilateral relations. The<br />
EU’s external, enlargement, integration<br />
and regional policies, programmes and<br />
funds have reshaped the context in<br />
which the border region is defined. The<br />
pre-accession instrument in general<br />
and CBC in particular have contributed<br />
to this change significantly. Regional<br />
policies of the EU and the new regionalist<br />
turn in national politics provided<br />
new opportunities and perspectives for<br />
regional development, and also forced<br />
the regions to rely less and less on decreasing<br />
central state investments and<br />
to look more towards utilizing endogenous<br />
resources. The CBC programmes<br />
of the EU emerged as one of these opportunities<br />
that encouraged border regions<br />
to turn toward the other side of<br />
the border instead to their capital cities<br />
(Sezgin and Erkut, 2014).<br />
The historical institutionalist approach<br />
allows interpreting CBC as a<br />
part of Turkey’s alignment with EU’s<br />
policies as well as a part of the wider<br />
economic and political dynamics prevailing<br />
within the EU. From the historical-<br />
institutionalist lens CBC in<br />
Edirne- Kırklareli border region collides<br />
with the EU candidacy of Turkey,<br />
which can be considered as a critical<br />
juncture in country’s history. Although<br />
Turkey’s orientation towards EU membership<br />
dates back to 1960’s, the official<br />
candidacy status granted in 2005<br />
marks a considerable change in Turkey-<br />
EU relations, including the rise<br />
in the EU funds. CBC in the EU is a<br />
part of the Union’s European integration<br />
and regional development goals.<br />
Turkey’s regional policies also have<br />
changed in accordance, shifting from<br />
redistribution of resources at national<br />
level until 1990’s to entrepreneurialism<br />
and competition in 2000’s (Bayırbağ,<br />
2013; Dulupçu, 2005). In the context<br />
of border regions, this entrepreneurial<br />
position necessitated a transformation<br />
in the perception of the other side of<br />
the border, particularly at the local level.<br />
Enmity and alienation had to be replaced<br />
with a partnership perspective,<br />
since the neighbouring country and<br />
region were no longer negative reference<br />
point for national identity but an<br />
endogenous resource that holds the<br />
potential to enlarge the existing market<br />
and compete internationally.<br />
The structure within which CBC<br />
projects are realized can best be defined<br />
with its constituting rules and regulations.<br />
The Procurement and Grants for<br />
European Union External Actions tendering<br />
procedure (PRAG) is the main<br />
EU-originated law, which affects CBC<br />
processes in the Edirne- Kırklareli border<br />
region. This law is a set of rules that<br />
define grant and procurement mechanisms<br />
of EU funds (EC, 2014). The<br />
contents of these rules are outside the<br />
scope of this study. Rather, particular<br />
importance is given to the contradictory,<br />
dual structure that has emerged<br />
over the course of the CBC projects’<br />
implementation process. Grants are allocated<br />
according to PRAG rules and<br />
the use of these grants is also subject<br />
to tendering procedures put in place<br />
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277<br />
by the same rules. More concretely,<br />
spending money within a CBC project<br />
can only be done in accordance<br />
with PRAG procedures. However, local<br />
actors, particularly from the public<br />
sector, are also obliged to obey the<br />
national procurement law. In the event<br />
that PRAG rules and the national procurement<br />
law contradict each other, it<br />
is not clear how project beneficiaries<br />
should act.<br />
During the field study, it was observed<br />
that across the board, all public<br />
project beneficiaries were under stress<br />
during the tendering process because<br />
of this contradiction. On the one hand,<br />
complying with PRAG procedures<br />
is necessary to ensure project payment,<br />
as project spending is done in<br />
advance and reimbursement of funds<br />
is completed only after inspection by<br />
independent controllers. On the other<br />
hand, public organizations can be audited<br />
anytime by national authorities,<br />
looking to ensure that expenditures are<br />
in compliance with the relevant public<br />
procurement law despite the fact that<br />
some items of which contradict PRAG<br />
tendering procedures. As a temporary<br />
solution, the Ministry of EU Affairs authorities<br />
have written official letters to<br />
the Ministry of the Interior explaining<br />
the situation and asking for the necessary<br />
understanding for project beneficiaries<br />
(Personal Interview, 2013).<br />
Despite informal efforts at the central<br />
state level, the absence of legal clarity<br />
for some interlocutors is one of the<br />
most discouraging factors in terms of<br />
participation in CBC<br />
Independent from the legal transformation<br />
aspect, tendering procedures<br />
have complied with PRAG criteria<br />
without a significant problem<br />
until now, and have had transformative<br />
effects at the local scale, even if not always<br />
in a positive way. Various interlocutors<br />
have described their way of<br />
doing business, the “Turkish style”, as<br />
focusing on the things that have to be<br />
done instead of the procedures themselves.<br />
They rely on informal networks<br />
and trust to accomplish their missions,<br />
and rate legal procedures as being of<br />
secondary importance. Therefore, for<br />
the sake of efficiency, even in the public<br />
sector, they are used to completing the<br />
practical work first and setting out to<br />
“filling out the necessary paperwork”<br />
later. This is an informal relationship<br />
based on personal relations and trust<br />
in which local public and private actors<br />
openly credit each other and believe<br />
that they will act in a way that will not<br />
cause any problem in the future. Yet the<br />
procedures of CBC do not leave room<br />
for the Turkish style of doing business,<br />
which, according to most of the project<br />
beneficiaries, leads to inefficiency and<br />
an increase in the costs of projects.<br />
Despite the legal difficulties described<br />
above, theoretically, the process<br />
of applying for CBC funding is<br />
open to any institution located in the<br />
border region. However, the laws and<br />
regulations defined by both the EU<br />
and the Turkish government constrain<br />
a large number of organizations that<br />
would otherwise participate in CBC.<br />
The constraints include first the IPA<br />
procedures that allocate 20% of the<br />
project budget as an advance and allow<br />
for reimbursement only after tenders<br />
are completed. This is a process that<br />
practically eliminates organizations<br />
with low budgets. Second national regulations<br />
restrict organizations seeking<br />
CBC funding that owe tax and social<br />
insurance debts to the state. Third, for<br />
many public organizations, such as<br />
schools, legally it is impossible to apply<br />
for CBC funding, since their annual<br />
budget is centrally planned to cover<br />
only substantial costs such as salaries<br />
and maintenance. However, CBC procedures<br />
necessitate the allocation of<br />
internal resources, even if only temporarily.<br />
During this field study, it was observed<br />
that most project beneficiaries<br />
have participated in more than one<br />
project and regularly apply for CBC<br />
funding. These organizations also<br />
constitute a considerable share of institutions<br />
with sufficient financial and<br />
human resources to both prepare and<br />
implement projects. Consequently,<br />
CBC remains in the hands of a limited<br />
number of people and it is difficult for<br />
a newcomer to enter the club. Organizations<br />
in the region are constrained by<br />
laws, regulations and the level of socioeconomic<br />
development of the region,<br />
and only the forerunners in terms of<br />
financial and human resources manage<br />
to benefit from CBC funding.<br />
Cross border cooperation in Edirne-Kırklareli border region: New institutionalist perspectives
278<br />
The legal structure constituted by<br />
the EU and Turkish laws and legislations<br />
limits the institutional framework<br />
of CBC. And its interpretation<br />
necessitates the use of the sociological<br />
institutionalist lens. Accordingly<br />
CBC practices that take place in the<br />
Edirne- Kırklareli border region are<br />
constrained by the various multi-scalar<br />
factors that stretch from the EU to<br />
the national levels. At the EU level the<br />
PRAG procedures impose their own<br />
way of doing business, which interrupts<br />
the “Turkish Style” and attempts<br />
to change it according to predefined<br />
standards. This institutional change<br />
also faces considerable resistance as the<br />
Turkish national authorities hesitate to<br />
take necessary steps for harmonizing<br />
PRAG procedures and national legislation.<br />
In a similar manner, constrains arising<br />
from the national legislation also<br />
restrict the CBC actors in the region.<br />
At this scale restriction appears as setting<br />
the legal limits that while enable<br />
some actors to participate in CBC, restrict<br />
others. Within this context, sociological<br />
institutionalism’s perspective<br />
allows interpreting CBC as a limited<br />
institutional structure in which only<br />
selected actors are allowed to take part.<br />
This perspective opposes the rational<br />
choice institutionalism by arguing that<br />
a particular institutional context is not<br />
created by and through the participation<br />
of all rationally behaving actors<br />
but by only a limited part of them. The<br />
legal system in this context represents<br />
the social structure that from the sociological<br />
institutionalist perspective<br />
determines the institutional framework<br />
of CBC. However motivations of<br />
CBC actors and the practices they have<br />
established during their personal CBC<br />
histories still contains room for rational<br />
choice institutionalist interpretation.<br />
It is possible to conceptualize CBC as<br />
an imaginary common-pool resource<br />
where actors compete and cooperate<br />
to use and manage EU funds. Cooperation<br />
between partners displays behaviours<br />
based on trust relationships.<br />
A typical example is the partner choosing<br />
process, where organizations prefer<br />
to participate in CBC with partners<br />
they already know. Moreover, among<br />
project beneficiaries who have managed<br />
more than one CBC project, it is<br />
common to cooperate with the same<br />
partner because of trust relationships<br />
based on previous experience. Another<br />
common practice among partners is to<br />
apply simultaneously to two projects,<br />
where one partner becomes leader in<br />
one project and the second in the other.<br />
This allows them to use their resources<br />
more efficiently, reduce the risks of not<br />
being awarded by funding and increase<br />
their share taken from the pool.<br />
There is a general agreement that<br />
CBC funding, particularly in terms of<br />
infrastructure projects, provides opportunities<br />
for municipalities. However,<br />
not all of them can be involved<br />
in CBC and use EU funding. As mentioned<br />
above, any institution that<br />
would like to participate in CBC must<br />
not owe taxes or social insurance debts<br />
to the state. This precondition reduces<br />
the number of municipalities participating<br />
in CBC. Some of them have no<br />
choice but to abstain from CBC, since<br />
it is impossible for them to pay their<br />
debts. For the others, they face the dilemma<br />
of locating enough capital to<br />
pay their debts in order to participate<br />
in CBC (and also other programmes,<br />
such as those of RDAs) or opt out altogether.<br />
Usually officials perform a<br />
cost and benefit analysis prior to making<br />
a final decision. If they see that the<br />
benefit from participating in a project<br />
exceeds their debts they chose the<br />
first option. Moreover, the tendency<br />
towards participating in infrastructure-related<br />
CBC projects can also be<br />
(partially) explained by the same argument,<br />
since these projects are argued<br />
to be more cost effective than soft projects,<br />
which according to some interlocutors,<br />
were considered a “waste of time<br />
and money”.<br />
5. Conclusion<br />
The new institutionalist strands provide<br />
explanations for the institutional<br />
structure of CBC from their own perspectives.<br />
In general this study argues<br />
that CBC has emerged as a result of<br />
several socio- economic dynamics that<br />
have affected the social and institutional<br />
organizations of human societies<br />
along with CBC. The enlargement,<br />
integration and regional policies of the<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • E. Sezgin, G. Erkut
279<br />
EU as well as their preconditioning dynamics<br />
such as globalization and the<br />
end of the cold war, from a historical<br />
institutionalist perspective, have created<br />
a path dependent process resulting<br />
with CBC.<br />
CBC should be understood as an<br />
integral part of the social structure<br />
of the border region in which it takes<br />
place. Although historical dynamics<br />
are influential in the formation of the<br />
social structure, the place and context<br />
based conditions vary from one border<br />
region to the other, necessitating<br />
developing a unique conceptualization<br />
for each case. The sociological institutionalist<br />
perspective allows positioning<br />
CBC in the Edirne- Kırklareli border<br />
region within its context by providing<br />
links to the EU and national laws, the<br />
contradictions between them, the given<br />
bureaucratic structure of the Turkish<br />
nation state and CBC practices.<br />
This strand of institutionalism allows<br />
interpreting CBC as a context bound<br />
phenomena reflecting the established<br />
social structure in the region.<br />
Independent from the social context,<br />
however, CBC actors have some<br />
common motivations and expectations<br />
that the rational choice strand of new<br />
institutionalism allows to grasp. Especially<br />
the profit maximizing behaviour<br />
of CBC participants that orients them<br />
to prefer infrastructure projects over<br />
the soft ones, and to tend to cooperate<br />
with the same partners because of trust<br />
related issues are among the best examples<br />
of the rational choice point of view<br />
in CBC.<br />
Apart from the explanations the<br />
three strands of new institutionalism<br />
individually provide, new institutionalist<br />
theory also proves to be useful<br />
in understanding the ongoing social<br />
change in the region through the<br />
five consolidation points of the three<br />
strands. The tension between the national<br />
laws and EU regulations, for<br />
example, reflects the duality between<br />
continuity and change. If a separation<br />
between the three layers of CBC governance,<br />
the supranational, the national<br />
and the regional, would be done for<br />
analytical purposes, then the national<br />
level can be defined as the one that<br />
stands for continuity against the tendency<br />
to change imposed by the supranational<br />
and the regional levels. Here<br />
change is imposed mainly by global<br />
dynamics that necessitate a structural<br />
transformation of the economic and<br />
political system. This transformation is<br />
capitalist in nature, hence strongly related<br />
to the global dynamics of capital<br />
accumulation. Accordingly, the concentration<br />
of political power is shifting<br />
from nation states; upwards towards<br />
global and supranational institutions<br />
and downwards towards subnational<br />
regions (Jessop, 2003; Swyngedouw,<br />
1997). Within this context change appears<br />
as result of the path dependent<br />
processes of capital accumulation. And<br />
the resistance of nation state’s institutions<br />
is related to taking control over<br />
the newly emerging policy fields, such<br />
as CBC and their related institutions.<br />
The continuity-change dichotomy is<br />
also observed in the design of institutions.<br />
In the case of CBC, the conflict<br />
between the national and the EU regulations<br />
is a reflection of this dichotomy.<br />
On the one hand CBC in Edirne- Kırklareli<br />
has been initiated by the financial<br />
and institutional support of the EU;<br />
hence it is designed in accordance to its<br />
institutional framework, which is also<br />
applied with almost the same procedures<br />
to other candidate countries. On<br />
the other hand, a radical institutional<br />
change triggered by CBC is not possible<br />
because of the already established<br />
national administrative structure that<br />
has its own agenda and the lack of institutional<br />
capacity in the region. Instead<br />
regulation, supervision and even participation<br />
to CBC are done by existing<br />
public and civil society organizations<br />
within the national institutional framework.<br />
In this context, from a sociological<br />
institutionalist perspective CBC is<br />
representing one of the various aspects<br />
of public administration, in which existing<br />
regulations and resources, especially<br />
in terms of human capital are<br />
used; and established ways of doing<br />
business are applied. Hence actors involved<br />
in CBC are constrained by the<br />
national institutional structure which<br />
imposes its own conditions against the<br />
external pressure for change coming<br />
from the EU. As a result, although a variety<br />
of organizations are involved, an<br />
institutional diversity is hardly observable<br />
due the structural constrains that<br />
Cross border cooperation in Edirne-Kırklareli border region: New institutionalist perspectives
280<br />
limit and shape the general framework<br />
of CBC in the region.<br />
However, through CBC practices a<br />
change, albeit slow in pace is initiated<br />
in the region. This change is partly a response<br />
to new regionalist policies that<br />
reduce the amount of investments of<br />
the central state and force regional/ local<br />
authorities to compete for resources<br />
necessary for their basic service provisions.<br />
In the lack of the central state<br />
investments local institutions tend<br />
to increase their profits and perceive<br />
CBC as an endogenous resource that<br />
contributes to their competitiveness in<br />
front of the internal regions and they<br />
invent methods for bypassing the institutional<br />
factors that constrain them<br />
from using it. These methods become<br />
the institutionalized practices of CBC<br />
in the region.<br />
Change is also partly initiated by<br />
the will of local society, as a result of<br />
reduced central state control and increasing<br />
interactions among the two<br />
sides of the border. The existence of the<br />
border has become a resource, the efficiency<br />
of which can be maximized only<br />
through its mutual management. CBC,<br />
although invented and developed by<br />
the EU’s institutional framework, is being<br />
used as a catalyser for that purpose.<br />
In this sense, as Elinor Ostrom (2005)<br />
has pointed out from a rational choice<br />
point of view, cooperation, rather than<br />
competition emerges as the most efficient<br />
way of dealing with the changing<br />
political and economic conditions.<br />
Practices of cooperation and competition<br />
shape the institutionalization process<br />
of CBC in the Edirne- Kırklareli<br />
border region by large, but they also<br />
have emerged as a response to the central<br />
state’s control mechanisms of CBC,<br />
which in turn are a response to the EU<br />
policies that intervene to the established<br />
national institutional structure.<br />
The institutionalization of CBC in<br />
this way comes full circle: CBC has<br />
emerged within a global and international<br />
context as a result of various<br />
economic and political dynamics.<br />
Especially at the national scale, it has<br />
been applied within the framework of<br />
existing legal structure and institutional<br />
context established for different purposes;<br />
and finally has been shaped by<br />
the institutional practices that are most<br />
creatively invented at the local level to<br />
overcome the institutional constrains.<br />
Acknowledgements<br />
This paper is produced from the<br />
PhD dissertation entitled “The Impacts<br />
of State Transformation Processes on<br />
Border Regions: A Reading Through<br />
Cross Border Co-Operation” prepared<br />
by the corresponding author and with<br />
the institutional and financial support<br />
of ITU- Scientific Research Support<br />
Department; TÜBİTAK- Science Fellowships<br />
and Grant Programmes Department;<br />
and Radboud University Nijmegen-<br />
Centre for Border Research.<br />
The authors wish to thank to these institutions<br />
as well as to the two anonymous<br />
referees.<br />
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282<br />
adaylık statüsü elde etmesi ile taçlanan<br />
batılılaşma süreci ve buna bağlı olarak<br />
hem bölgesel politikalar hem de kamu<br />
yönetimi alanlarında yaşanan kurumsal<br />
dönüşüm süreçlerini kapsamaktadır.<br />
AB ölçeğinden bakıldığında ise<br />
birliğin 29 üye ülkeyi içerecek şekilde<br />
genişlemesi ve bu genişlemeye bağlı<br />
olarak uyum ve bütünleşmeyi sağlayacak<br />
politikaların geliştirilmesi gerekliliği<br />
en önemli etkenler olarak ortaya<br />
çıkmaktadır. Bu çerçevede ulus üstü,<br />
ulusal ve yerel/ bölgesel ölçeklerin<br />
dahil olduğu yönetişim modellerinin<br />
geliştirilmesi olanaklı olmuştur. AB’de<br />
sınır ötesi işbirliği de bu bağlamda ortaya<br />
çıkmaktadır.<br />
Yerel, ulusal ve küresel dinamiklerin<br />
etkisi ile şekillenen sınır ötesi işbirliğinin<br />
kurumsallaşmasını araştırmak<br />
bahsedilen bu farklı ölçek ve süreçlerin<br />
belirli bir yerleşim alanı üzerine olan<br />
etkilerini anlamak açısından önem<br />
teşkil etmektedir. Bu çalışma söz konusu<br />
araştırmayı yeni kurumsalcılık<br />
kuramını ve onun farklı yaklaşımları<br />
olan üç ayrı kolunu, yani rasyonel seçim,<br />
sosyolojik ve tarihsel kurumsalcılık<br />
yaklaşımlarını kullanarak yapmayı<br />
hedeflemektedir. Yeni kurumsalcılığın<br />
bu üç ayrı kolu, toplumsal kurumlar<br />
konusunda birbirinden ayrışan ve zaman<br />
zaman çelişen yaklaşımlara sahiptir.<br />
Rasyonel seçim kurumsalcıları<br />
insanın, çıkarlarını maksimize etmek<br />
üzere hesaplar yapan ve bunun sonucunda<br />
hareket eden bir varlık olduğu<br />
kabulü ile hareket ederler. Bu bakış<br />
açısı ile toplumsal kurumlar, insanlar<br />
arasında güven eksikliğinden doğan<br />
maliyetleri minimize etmek üzere kument?,<br />
Regional Studies, 47 (7), 1034-<br />
1047.<br />
Sezgin, E. and Erkut, G. (2014).<br />
Avrupa birliği üyelik sürecinde türkiye’de<br />
sınır bölgeleri ve sınırötesi<br />
işbirliği: Edirne- Kırklareli örneği,<br />
(Border regions and cross border cooperation<br />
in turkey in the process of<br />
european membership: The case of Edirne-<br />
Kırklareli), Megaron, 9 (3), 228-<br />
240<br />
Smith, D. E. (2008). Institutional<br />
ethnography. In Given, L. M. (Ed.),<br />
The Sage encyclopedia of qualitative research<br />
methods (pp. 433- 436). London,<br />
UK: Sage Publications.<br />
Swyngedouw, E. (1997). Neither<br />
global nor local, Glocalization and the<br />
politics of scale. In Cox, K. R. (Ed.),<br />
Spaces of globalization, reasserting the<br />
power of the local (pp. 137- 166). New<br />
York: The Guilford Press.<br />
Van der Veen, A. and Boot, D.J.<br />
(1995). Crossborder cooperation and<br />
european regional policy. In Eskelinen<br />
H. and Snickars F. (Eds.), Competitive<br />
european peripheries (pp. 75- 94), Berlin,<br />
Germany: Springer Publishing.<br />
Edirne-Kırklareli sınır bölgesinde<br />
sınır ötesi işbirliği: Yeni kurumsalcı<br />
yaklaşımlar<br />
Avrupa Birliği (AB) Katılım Öncesi<br />
Mali Yardım Aracı kapsamında Türkiye<br />
ve Bulgaristan arasında 15 yılı<br />
aşkın bir süredir sınır ötesi işbirlikleri<br />
gerçekleştirilmektedir. Sınır ötesi işbirliği<br />
programının uygulandığı Edirne-<br />
Kırklareli sınır bölgesinde, il özel idareleri<br />
ve kaymakamlıklar gibi merkezi<br />
devlet kurumları, yerel yönetimler, iş<br />
örgütleri ve sivil toplum kuruluşları<br />
gibi toplumun farklı kesimlerinden aktörler<br />
proje faydalanıcısı olarak sürece<br />
dahil olmuş; AB Bakanlığı ve Kalkınma<br />
Bakanlığı başta olmak üzere farklı<br />
ulusal kuruluşlar ve AB’nin ilgili kurumları<br />
ile birlikte çok katmanlı bir yönetişim<br />
yapısı oluşturmuşlardır.<br />
Bu süreç, bölgede, sınır ötesi işbirliği<br />
programı etrafında farklı kuruluşların<br />
birbirileri ile etkileşim içinde dahil<br />
olduğu, kendi mevzuatı ve gündelik<br />
pratikleri olan bir kurumsal yapının<br />
oluşmasına yol açmıştır. Sınır ötesi<br />
işbirliğinin kurumsallaşması süreci,<br />
Edirne- Kırklareli sınır bölgesine özgü<br />
yerel dinamikler ile birlikte; ulusal ve<br />
ulus üstü düzeyde meydana gelen sosyal-<br />
politik dönüşümlerin ve tarihsel<br />
süreçlerin etkisi altında gelişmektedir.<br />
Söz konusu yerel dinamikler, güven<br />
ilişkilerine dayalı olarak yürütülen işbirliği<br />
projeleri; iki toplum arasında<br />
buna bağlı olarak geliştirilen ilişkileri;<br />
ve sınır ötesi işbirliklerine dahil olan<br />
çeşitli aktörler arasındaki güç ilişkileri<br />
olarak ortaya çıkmaktadır. Ulusal ölçekte<br />
meydana gelen dinamikler Türkiye’nin<br />
2005’te AB üyeliği için tam<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • E. Sezgin, G. Erkut
283<br />
rulmuştur ve bunu başarabildikleri<br />
ölçüde toplumda yerleşirler. Tarihsel<br />
ve sosyolojik kurumsalcı yaklaşımlar<br />
bu bakış açısına farklı yönlerden itiraz<br />
etmektedirler. Tarihsel kurumsalcılara<br />
göre toplumsal kurumlar uzun tarihsel<br />
süreçler boyunca şekillenen toplumsal<br />
dinamiklerinin doğal birer sonucu olarak<br />
oluşurlar. Örneğin kapitalizm bu<br />
tür bir tarihsel- toplumsal dinamiktir.<br />
Kapitalizm tarihsel gelişim süreci içinde<br />
hegemonik bir güç haline gelmiş ve<br />
kendi kurumsal yapısını oluşturmuştur.<br />
Tüm toplumsal kurumlar da yol<br />
bağımlılığı kavramı ile ifade edilen bir<br />
zorunluluk ilişkisi içerisinde kapitalizmin<br />
kurumsal yapısının bir gerekliliği<br />
olarak ortaya çıkarlar ya da işlevlerini<br />
yitirirler. Sosyolojik kurumsalcılık ise<br />
tarihsel süreçlerden ziyade bir toplumsal<br />
yapıda mevcut güç ilişkileri ve<br />
o yapıya özgü dinamiklerin toplumsal<br />
kurumların şekillenmesinde etkili olduğunu<br />
savunmaktadır. Hem toplumsal<br />
kurumların varlığı hem de onların<br />
yönetim ve işleyişi bu güç ilişkilerinin<br />
birer yansımasıdır.<br />
Bu çalışma, Edirne- Kırklareli sınır<br />
bölgesinde gerçekleşen sınır ötesi işbirliklerini<br />
ve bu doğrultuda oluşan<br />
kurumsal yapıyı, yeni kurumsalcılık<br />
kuramının bu üç farklı yaklaşımı açısından<br />
değerlendirmektedir. Bu çerçevede,<br />
tarihsel kurumsalcılık bakış<br />
açısı ile Türkiye’nin AB üyelik süreci,<br />
soğuk savaş dönemi boyunca süren sınır<br />
bölgeleri politikalarını dönüştüren<br />
bir kritik kavşak, fakat aynı zamanda<br />
da Cumhuriyet’in kuruluşundan beri<br />
hedeflenen batılılaşmanın devamını<br />
imleyecek bir yol bağımlılığı süreci<br />
olarak değerlendirilmiştir. Sosyolojik<br />
kurumsalcı bakış açısı ile AB bölgesel<br />
politikalarının bir parçası olan sınır<br />
ötesi işbirliği, ulus üstü, ulusal ve yerel<br />
ölçeklerden farklı çıkarlara sahip olan<br />
aktörler arasındaki güç ilişkilerinin<br />
bir yansıması olarak değerlendirilmiştir.<br />
Sınır ötesi işbirliklerinin yasal çerçevesi<br />
ve proje başvuruları sırasında<br />
uygulanan eleme yöntemleri de aynı<br />
bağlamda ele alınmıştır. Sınır ötesi işbirliklerine<br />
katılan aktörlerin katılma<br />
sebepleri ve ortak seçme süreçleri ise<br />
rasyonel seçim kurumsalcı bakış açısı<br />
ile ve çıkar maksimizasyonu bakış açısı<br />
ile değerlendirilmiştir.<br />
Çalışma, bu farklı kuramsal bakış<br />
açılarının birbirilerini dışlayan ya da<br />
birbirilerine zıt yaklaşımlar olmadıklarını,<br />
aksine aynı olguya farklı açılardan<br />
yaklaştıklarını iddia etmektedir. Bu nedenle<br />
bu farklı bakış açılarının sentezi,<br />
Edirne- Kırklareli bölgesindeki sınır<br />
ötesi işbirliğinin kurumsallaşmasını<br />
kavramak açısından önem taşımaktadır.<br />
Çalışma bölgede sınır ötesi işbirliği<br />
sürecine dahil olan aktörlerden 49’u<br />
ile, sınır ötesi işbirliğinin kurumsallaşma<br />
sürecini incelemek amacı ile 2013<br />
yılında gerçekleştirilen bir saha araştırmasına<br />
dayanmaktadır.<br />
Cross border cooperation in Edirne-Kırklareli border region: New institutionalist perspectives
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • 285-306<br />
Modelling road traffic noise<br />
annoyance by listening tests<br />
Mine AŞCIGİL DİNCER 1 , Sevtap YILMAZ 2<br />
1<br />
mineascigil@gmail.com • Department of Architecture, Faculty of Architecture,<br />
Istanbul Technical University, Istanbul, Turkey<br />
2<br />
demirkale@itu.edu.tr • Department of Architecture, Faculty of Architecture, Istanbul<br />
Technical University, Istanbul, Turkey<br />
Received: July <strong>2015</strong> Final Acceptance: October <strong>2015</strong><br />
Abstract<br />
Noise annoyance studies evaluate people’s responses to noise exposure, questioning<br />
how much they are annoyed by a certain type of environmental noise. In<br />
accordance with Environmental Noise Directive (2002/49/EC) by the EU Parliament<br />
and Council, noise annoyance dose-effect relations are determined by noise<br />
maps and questionnaires with respondents living in a certain area. The aim of this<br />
study is to build a noise annoyance model using listening tests, by examining factors<br />
which effect road traffic noise annoyance levels. In this study, listening tests<br />
are prepared using sound clips of traffic noises which are listened to in laboratory<br />
conditions. Road traffic noises are recorded for each vehicle type, taking into<br />
account possible vehicle speeds, traffic flow types, road slopes and road surfaces.<br />
Sound clips are formed according to road types and filtered to simulate sound<br />
propagation in various city conditions. Sound clips are then filtered with façade<br />
sound insulation values to simulate the sounds heard inside houses. Respondents<br />
are asked how much they are annoyed when they listen to the sound clips with<br />
headphones and imagine they are resting inside their houses. The results are<br />
analyzed and responses are investigated to form a road traffic noise annoyance<br />
model. This model provides the opportunity to transform raw data (traffic, road<br />
and settlement) directly into annoyance. The information on the effects of traffic<br />
elements, road properties and settlement types on noise annoyance can easily be<br />
used for planning new areas or noise action plans.<br />
Keywords<br />
Listening test, Noise annoyance, Road traffic noise.
286<br />
1. Introduction<br />
Environmental noise is unwanted or<br />
harmful sound, usually generated by<br />
activities such as road traffic, railways,<br />
air transport, industry, recreation and<br />
construction. People are exposed to<br />
environmental noise at various places<br />
including their homes, schools or<br />
workplaces (Kang, 2007). The potential<br />
health effects of environmental noise<br />
include ear discomfort, speech interference,<br />
aural pain, sleep disturbance,<br />
startle and defense reactions, hearing<br />
impairment, cardiovascular effects,<br />
performance reduction, and annoyance<br />
responses (WHO, 2000).<br />
Environmental noise annoyance<br />
and sleep disturbance effects are taken<br />
seriously by the European Union.<br />
The main objective of “Assessment and<br />
Management of Environmental Noise<br />
(2002/49/EC)” Directive (EU Parliament<br />
and Council, 2002) is to define a<br />
common approach intended to avoid,<br />
prevent or reduce the harmful effects,<br />
including annoyance, due to exposure<br />
to environmental noise. Turkey adapted<br />
this Directive (T.C. Çevre ve Orman<br />
Bakanlığı, 2010) with the same purposes<br />
and is working on implementing it.<br />
The term, ‘annoyance’ is defined in<br />
the Directive as ‘the degree of community<br />
noise annoyance as determined by<br />
means of field surveys’. The Directive<br />
states that dose-effect relations, that is<br />
the relation between annoyance and a<br />
noise indicator, should be used to assess<br />
the effect of noise on population.<br />
Noise indicator for annoyance given in<br />
the Directive is L den<br />
, day-evening-night<br />
level in decibels. This indicator may be<br />
used to assess annoyance for road, rail<br />
and air traffic noise, and for industrial<br />
noise (EU Parliament and Council,<br />
2002).<br />
European Commission Working<br />
Groups published dose-effect relations<br />
for transportation noise, created from<br />
socio-acoustic surveys, made in countries<br />
of North Europe, North America<br />
and Australia (WG-HSEA, 2002).<br />
These relationships do not necessarily<br />
apply to other countries. Some dose effect<br />
relation studies conclude that, social,<br />
psychological or economic factors,<br />
are far more important than acoustic<br />
or physical factors (Guski, 1997) (Job,<br />
1988). Numerous studies show that the<br />
indicators used, such as A-weighted<br />
values or L den<br />
and L night<br />
, do not reflect<br />
many aspects of annoyance (Phan et<br />
al., 2009) (Persson Waye & Rylander,<br />
2001) (Kang, 2007).<br />
This study is part of a research for<br />
composing an approach for developing<br />
road traffic noise annoyance prediction<br />
model. In the research, noise<br />
mapping and socio-acoustic surveying<br />
and listening test techniques are used<br />
to develop and validate the prediction<br />
model for an urban area. In a previous<br />
study by the authors of this article,<br />
noise maps and socio-acoustic surveys<br />
were used to form dose-effect relations<br />
for road traffic noise for Besiktas district<br />
in Istanbul, Turkey (Badino et al.,<br />
20<strong>12</strong>). Dose-effect relations in Besiktas<br />
district proved to be different from<br />
relations recommended by European<br />
Commission (WG-HSEA, 2002). This<br />
divergence could be caused by differences<br />
in non-acoustical factors, by<br />
differences in characteristics of road<br />
vehicles or of built environment, or<br />
by inadequacy of noise indicators. In<br />
Standards on<br />
traffic noise<br />
Test track options<br />
Statistical data<br />
on traffic<br />
Traffic data from<br />
noise map<br />
Traffic data from<br />
on-site research<br />
Data from noise<br />
prediction model<br />
Traffic sound<br />
recordings data<br />
Sound<br />
recordings<br />
1<br />
Start sound recordings<br />
Determine<br />
recording<br />
conditions<br />
Determine types<br />
of vehicles and<br />
driving conditions<br />
Conduct traffic noise<br />
recordings on site<br />
Enough samples?<br />
End sound recordings<br />
Figure 1.a. Methodology flowchart, Part 1: sound recordings.<br />
A<br />
Yes<br />
No<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • M. Aşcıgil Dincer, S. <strong>Yıl</strong>maz
287<br />
Statistical data<br />
on traffic<br />
Traffic data from<br />
noise map<br />
Traffic data from<br />
on-site research<br />
Data from Good<br />
Practice Guide<br />
1<br />
Urban<br />
settlement<br />
data<br />
Sound<br />
prop. data<br />
Data on<br />
façade<br />
elements<br />
On-site &<br />
laboratory<br />
sound<br />
insulation<br />
measurement<br />
Sound clips<br />
for listening<br />
tests<br />
A<br />
Form sound clips for<br />
road types<br />
Create geometric divergence and<br />
atmospheric absorption filters<br />
Determine urban<br />
sound propagation<br />
characteristics<br />
End sound clips<br />
2 B<br />
Start sound clips<br />
Determine road<br />
type<br />
characteristics<br />
Create urban sound prop. filters<br />
Create sound insulation filter<br />
Form sound clips<br />
Sound clips for<br />
road types<br />
GD&AA<br />
filter<br />
Urban<br />
prop. filter<br />
Insulation<br />
filter<br />
Figure 1.b. Methodology flowchart, Part 2: sound clips.<br />
<br />
this study, with the aim of analyzing<br />
the issue further, road traffic noise annoyance<br />
listening tests are designed for<br />
the same district. People living in the<br />
same district listen to traffic sounds at<br />
levels which may be heard inside their<br />
homes and rate the annoyance they<br />
experience. The results are analyzed<br />
to understand the factors effecting annoyance<br />
levels and a road traffic noise<br />
annoyance model is formed using analyzed<br />
results.<br />
Listening tests are used to evaluate<br />
people’s responses to noise in a controlled<br />
environment, such as a laboratory.<br />
Listening tests may be used for<br />
evaluating urban soundscapes or environmental<br />
noises such as transportation<br />
noise. Rychtarikova and Vermeir<br />
(2013) assessed soundscapes by listening<br />
tests using binaurally recorded<br />
sound in urban public places. Viollon<br />
et al. (2002) assessed how listener’s<br />
judgments of a set of urban sound environments<br />
were affected by visual settings.<br />
Trolle et al. (2008), analyzed the<br />
auditory perception of environmental<br />
noises transmitted through a simulated<br />
window via listening tests. Yifan<br />
et al. (2008) experimented on annoyance<br />
ratings of noise samples with different<br />
frequency spectrums but same<br />
A-weighted levels. Barbot et al. (2008)<br />
investigated acoustic features of aircraft<br />
noise which could be improved<br />
by aircraft manufacturers from a sound<br />
design point of view. Lavandier et al.<br />
(2011) used aircraft flyover sounds to<br />
rate the level of activity disturbance<br />
due to the noise environment when<br />
carrying out memory and concentration<br />
tasks.<br />
There are some listening test studies<br />
on certain properties of traffic noise annoyance.<br />
Freitas et al. (20<strong>12</strong>) executed<br />
listening tests for road traffic noise, using<br />
different road surfaces, car speeds<br />
and traffic densities. Trolle et al. (<strong>2015</strong>)<br />
investigated sound unpleasantness due<br />
to urban road traffic at crossroads by a<br />
listening test and discovered that type<br />
of crossroad, traffic lights and heavy<br />
vehicle content effect annoyance. Nilsson<br />
(2007) executed listening tests on<br />
road traffic noise with strong low frequency<br />
content and found them to be<br />
more annoying. Paviotti & Vogiatzis<br />
(20<strong>12</strong>) investigated pedestrian annoyance<br />
from scooter and motorbike noise<br />
and found masking effect by general<br />
traffic to be effective. Torija & Flindell<br />
(2014) examined low height roadside<br />
barrier’s effects on annoyance by listening<br />
tests. Sandrock et al. (2008) executed<br />
listening tests on acute annoyance<br />
due to trams, buses and trucks, finding<br />
task performance and single pass-by<br />
versus realistic traffic flow to be effective<br />
in annoyance levels.<br />
In this study, listening tests are conducted<br />
using sound clips of road traffic<br />
noises which are listened to in laboratory<br />
conditions. Road traffic noises are<br />
recorded for each vehicle type, taking<br />
into account possible vehicle speeds,<br />
traffic flow types, road slopes and road<br />
surfaces. Sound clips are formed according<br />
to road types and filtered to<br />
simulate sound propagation in various<br />
city conditions. Sound clips are then<br />
filtered with façade sound insulation<br />
values to simulate the traffic sounds<br />
Modelling road traffic noise annoyance by listening tests
288<br />
heard inside houses. Questionnaire<br />
respondents are asked to listen to the<br />
sound clips with headphones and<br />
imagine they are resting inside their<br />
houses. The results are analyzed and<br />
responses are investigated to form a<br />
noise annoyance model. This model<br />
helps to understand the dynamics of<br />
noise annoyance.<br />
This study focusses on the modelling<br />
of road traffic noise annoyance<br />
by listening tests. Future studies will<br />
be on validating this model, using socio-acoustic<br />
survey results to transform<br />
it into a reliable prediction model.<br />
Environmental noise annoyance<br />
studies in EU require the main steps<br />
of acquiring data (traffic, road and<br />
settlement), forming noise maps via<br />
noise prediction models, and executing<br />
socio-acoustic surveys in order to<br />
establish dose-effect relations. Using<br />
an environmental noise annoyance<br />
prediction model created by listening<br />
tests provides the opportunity of directly<br />
predicting noise annoyance from<br />
acquired data. This prediction model<br />
would exclude noise indicators which<br />
have questionable reliability and which<br />
do not reflect many aspects of annoyance,<br />
determined by works of Phan et<br />
al. (2009), Persson Waye & Rylander<br />
(2001) and Kang (2007). Because the<br />
main purpose of environmental noise<br />
control studies is to reduce harmful<br />
effects such as annoyance, a direct relation<br />
between on-site data and annoyance<br />
is valuable. These models can<br />
be created for different countries, for<br />
different settlements, and for different<br />
social and economic zones, taking into<br />
consideration Guski (1997) and Job’s<br />
(1988) findings on the importance of<br />
non-acoustic factors. Annoyance model<br />
created by listening tests provides information<br />
on the effects of traffic elements,<br />
road properties and settlement<br />
types on noise annoyance, which can<br />
all be used directly in planning new areas<br />
or noise action plans.<br />
Literature on<br />
listening tests<br />
Test site<br />
options<br />
Exemplary survey<br />
questions<br />
ISO/TS 15666<br />
Listening test<br />
results data<br />
2<br />
Road traffic<br />
noise<br />
annoyance<br />
model<br />
Start listening test and<br />
annoyance model<br />
Determine<br />
listening test<br />
conditions<br />
Conduct listening tests<br />
Enough samples?<br />
End listening tests and<br />
annoyance model<br />
2. Methodology and theoretical<br />
background<br />
The methodology of this study<br />
brings together various methods used<br />
for sound recording, forming sound<br />
clips with sound filters and applying<br />
listening tests. Figure 1 shows the flowchart<br />
for the methodology in three<br />
parts, (a) sound recordings, (b) sound<br />
clips, (c) listening test and annoyance<br />
model. This chapter also explains the<br />
methodology in the same three headings.<br />
This methodology may be used<br />
for forming listening tests for different<br />
countries, for different traffic conditions<br />
or for different urban conditions,<br />
which will provide different annoyance<br />
models.<br />
The detailed explanation of the<br />
methodology and the theoretical background<br />
of the study are given in the<br />
following sub-sections.<br />
2.1. Traffic sound recordings<br />
For traffic sound recordings, most<br />
common types of vehicles were determined<br />
by statistical information;<br />
driving conditions were determined by<br />
data from noise maps, noise prediction<br />
models and on-site research. Sound recordings<br />
were conducted in a similar<br />
methodology to traffic noise measurement<br />
standards.<br />
B<br />
Form listening<br />
tests<br />
Conduct statistical analysis<br />
Yes<br />
Analyze listening test results<br />
Listening test<br />
Figure 1.c. Methodology flowchart, Part 3: listening tests and<br />
annoyance model.<br />
No<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • M. Aşcıgil Dincer, S. <strong>Yıl</strong>maz
289<br />
Key<br />
minimum area covered with test road surface, i.e. test area<br />
microphone positions (height 1,2 m)<br />
AA test zone start<br />
BB test zone end<br />
CC line of vehicle travel through test zone<br />
PP line perpendicular to vehicle travel between microphone locations<br />
R50 radius of 50 m around the centre of the track<br />
NOTE: The shaded area (“test area”) is the minimum area to be covered with a surface complying with<br />
ISO 10844.<br />
Figure 2. Test site dimensions (ISO 362-2, 2007).<br />
Modelling road traffic noise annoyance by listening tests<br />
2.1.1. Traffic sound recording standards<br />
There are no guidelines for traffic<br />
sound recordings, therefore traffic<br />
noise measurement standards were<br />
used to guide the recordings. The related<br />
standards are, ISO 362-1 (2007),<br />
ISO 362-2 (2009) and ISO 10844<br />
(2014). ISO 362-1 (2007) and ISO 362-<br />
2 (2009) standards are about measurement<br />
of noise emitted by accelerating<br />
road vehicles of various categories<br />
under typical urban traffic conditions.<br />
The specifications intend to reproduce<br />
the level of noise generated by the<br />
noise sources during normal driving in<br />
urban traffic.<br />
The test track construction and surface<br />
shall meet the requirements of ISO<br />
10844 (2014). The test site dimensions<br />
are shown in Figure 2. Within a radius<br />
of 50 m around the center of the track,<br />
the space shall be free of large reflecting<br />
objects such as fences, rocks, bridges<br />
or buildings. The test track and the<br />
surface of the site shall be dry and free<br />
from absorbing materials (ISO 362-1,<br />
2007).<br />
During the recordings, the geometry<br />
provided in the standards were<br />
followed. In the vicinity of the microphone,<br />
there was no obstacle that could<br />
influence the acoustical field and no<br />
person remained between the microphone<br />
and the noise source. The distance<br />
from the microphone positions<br />
on the microphone line PP’ to the perpendicular<br />
reference line CC’ on the<br />
test track shall was 7.5 m ± 0.05 m. The<br />
microphone shall was located about 1.2<br />
m above the ground level. The path of<br />
the centerline of the vehicle followed<br />
line CC’ as closely as possible throughout<br />
the entire test, from the approach<br />
to line AA’ until the rear of the vehicle<br />
passed line BB’. For accelerations<br />
and decelerations, the test speed was<br />
reached when the reference point was<br />
at line PP’ (ISO 362-2, 2007). For fluid<br />
continuous traffic flow recordings, test<br />
speed was constant from AA’ to BB’.<br />
Reference points of road vehicles are<br />
defined according to engine positions,<br />
which is mostly the front end of vehicles<br />
(ISO 362-1, 2007).<br />
The test track is a test instrument and<br />
shall be protected from damage and be<br />
taken care of. The test track should be<br />
used only for noise measurements and<br />
should be kept clear from loose debris<br />
or dust during measurements (ISO<br />
10844, 2014).
290<br />
The background noise was measured<br />
before and after recordings. The recordings<br />
were made with the same microphones<br />
and microphone locations<br />
used during the test. The background<br />
noise should at least 10 dB below the<br />
A-weighted sound pressure level produced<br />
by the vehicle under test (ISO<br />
362-1, 2007).<br />
ISO 362 standard series recommend<br />
vehicle speed and acceleration for the<br />
measurement to be determined according<br />
to real urban traffic conditions,<br />
so that vehicle emission in urban traffic<br />
may be portrayed correctly. Inquiries<br />
among dwellers along various streets<br />
show that noise disturbance happens<br />
mainly along urban main streets, and<br />
during vehicle acceleration transients<br />
(ISO 362-1, 2007). According to ISO<br />
362-1 (2007), the behavior of drivers<br />
depends on speed limits (traffic laws),<br />
traffic density, road arrangement (traffic<br />
lights, corners, etc.), driving purpose<br />
(commuting, pleasure, commercial,<br />
etc.), enforcement of traffic laws,<br />
and the way the vehicle behaves as an<br />
acoustical source under these conditions.<br />
Annex A of ISO 362-1 (2007) gives<br />
the technical background for development<br />
of vehicle noise test procedure<br />
based on in-use operation in urban<br />
conditions. Standard recommends vehicle<br />
speed and acceleration for the<br />
measurement to be determined according<br />
to real urban traffic conditions,<br />
so that vehicle emission in urban traffic<br />
may be portrayed correctly.<br />
2.1.2. Determining vehicles and<br />
driving conditions<br />
Available statistical data may be<br />
used to determine the most common<br />
types of vehicles which may be used<br />
in recording vehicle sounds in traffic<br />
conditions. Driving conditions were<br />
determined by using data from noise<br />
maps, noise prediction model and onsite<br />
research.<br />
The area under consideration was<br />
noise mapped for road traffic in a previous<br />
study and average speed (km/h)<br />
data used in road modelling of noise<br />
maps was taken into consideration.<br />
As it was advised by the Directives<br />
(EU Parliament and Council, 2002)<br />
(T.C. Çevre ve Orman Bakanlığı,<br />
2010), NMPB-Routes-96 (1995) was<br />
used in this study for traffic noise prediction<br />
modelling. In this model, given<br />
traffic flow types are fluid continuous,<br />
pulsed continuous, pulsed accelerating<br />
and pulsed decelerating. The traffic<br />
flows are categorized the same way in<br />
this study as well, for compatibility.<br />
In “Good Practice Guide for Strategic<br />
Noise Mapping and the Production<br />
of Associated Data on Noise Exposure”,<br />
(WG-AEN, 2006) the roads are classified<br />
as dead-end roads, service roads,<br />
collective roads, small main roads and<br />
main roads. The same classification<br />
is used in this study for compatibility<br />
purposes.<br />
Annex A of ISO 362-1 (2007) gives<br />
the technical background for development<br />
of vehicle noise test procedure<br />
based on in-use operation in urban<br />
conditions. In the annex, the distribution<br />
of vehicle speed in urban traffic is<br />
examined and driving behavior is recorded<br />
on actual urban routes. Speed,<br />
acceleration and gears have been statistically<br />
examined in urban driving conditions.<br />
Standard recommends vehicle<br />
speed and acceleration for the measurement<br />
to be determined according<br />
to real urban traffic conditions, so<br />
that vehicle emission in urban traffic<br />
may be portrayed correctly. An on-site<br />
study by driving through the area at<br />
different times during the day was used<br />
to reveal the driving patterns.<br />
2.2. Sound clips<br />
The sound clips were formed for the<br />
purpose of helping to develop a road<br />
traffic noise model. The sound clips<br />
each simulated a traffic noise situation<br />
possible to hear inside houses in the<br />
area under consideration. First, road<br />
types and characteristics were determined<br />
to create the traffic noise heard<br />
7.5 meters from road sources (ISO<br />
10844, 2014). Then, sound propagation<br />
characteristics for the urban area<br />
were investigated and used for creating<br />
and applying sound propagation<br />
filters to sound clips. To simulate the<br />
traffic noise heard inside the houses,<br />
sound insulation values were applied<br />
as sound filters. All of these steps finally<br />
created the sound clips to use in the<br />
listening tests.<br />
The length of sound clips in listen-<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • M. Aşcıgil Dincer, S. <strong>Yıl</strong>maz
291<br />
ing tests do not have a standard. Parizet<br />
et al. (2002) used binaural sound recordings<br />
of 10 seconds in various positions<br />
in a high-speed train as stimuli<br />
in listening tests. Viollon et al. (2002)<br />
assessed how listener’s judgments of a<br />
set of urban sound environments were<br />
affected by visual settings. Each of the<br />
various sounds, which were road traffic<br />
noise, bird song and sounds due to human<br />
presence, lasted 20 seconds. Jeon<br />
et al. (2007) worked with various types<br />
of refrigerator noise in an anechoic<br />
chamber and in a real living environment.<br />
A total of 40 noise sources with<br />
duration of 5 seconds were presented<br />
randomly. Barbot et al. (2008) investigated<br />
acoustic features of aircraft noise<br />
which could be improved by aircraft<br />
manufacturers from a sound design<br />
point of view. The duration of all the<br />
stimuli were 40 seconds. Sandrock et<br />
al. (2008) executed listening tests on<br />
acute annoyance due to trams, buses<br />
and trucks, with stimuli 6 seconds<br />
long. Trolle et al. (2008), analysed the<br />
auditory perception of environmental<br />
noises transmitted through a simulated<br />
window via listening tests. The<br />
duration of each generated stimulus<br />
was 4 seconds. Yifan et al. (2008) experimented<br />
on annoyance ratings of 5<br />
seconds long noise samples with different<br />
frequency spectrums but same<br />
A-weighted levels. Sound clips were<br />
formed with a duration of 20 seconds<br />
for this study. The number of vehicles<br />
needed for each type of road were distributed<br />
as evenly as possible on a 20<br />
seconds long empty sound clip, on the<br />
software Audacity.<br />
2.2.1. Determining road type<br />
characteristics<br />
Road types in the area were determined<br />
for this study. Characteristics<br />
which influence traffic noise emission<br />
are, traffic volume, types of vehicles,<br />
traffic speed, traffic flow type and road<br />
surface. These had been determined in<br />
detail for major roads in the noise map<br />
model prepared for this area. European<br />
Commission’s Good Practice Guide for<br />
Strategic Noise Mapping (WG-AEN,<br />
2006) proposes some default values for<br />
traffic flow volume, these values were<br />
adapted to the area under consideration.<br />
Statistics of road motor vehicles<br />
were also used. The on-site research<br />
recommended by Annex A of ISO 362-<br />
1 (2007) was used to validate traffic<br />
conditions in secondary roads. After<br />
using all of this data, traffic flow for all<br />
roads in the area was determined and<br />
grouped. For the use of this data in<br />
sound clips, road traffic volumes were<br />
adjusted 20 seconds.<br />
2.2.2. Sound propagation filters<br />
The sound clips formed represent<br />
different types of roads and traffic flow<br />
characteristics recorded at 7.5 meters<br />
from road sources, in open space conditions.<br />
Some common examples of<br />
urban sound propagation are calculated<br />
and applied as filters to sound clips<br />
at hand, in order to simulate traffic<br />
sounds in the city. Filters for geometric<br />
divergence and atmospheric absorption<br />
were created from literature.<br />
Filters for urban condition examples<br />
were calculated with noise mapping<br />
software.<br />
2.2.2.1. Geometric divergence and atmospheric<br />
absorption<br />
Filters for geometric divergence and<br />
atmospheric absorption have been created<br />
from literature. Geometric divergence<br />
for line sources is attenuation of<br />
3 dB for doubling of distance. Because<br />
the sound recordings were conducted<br />
7.5 m away from source, geometric<br />
divergence filter values for double<br />
distances such as 15 m and 30 m are<br />
used. The same principle is applied for<br />
atmospheric absorption using sound<br />
absorption values from ISO 9613-1<br />
(1993).<br />
2.2.2.2. Urban sound propagation<br />
Urban sound propagation research<br />
in literature is based on experimental<br />
or theoretical works and examples on<br />
street canyon research clearly show<br />
this. Picaut et al. (2005) experimented<br />
on sound propagation in a street canyon,<br />
with various source and receiver<br />
locations on a street in Nantes, France.<br />
Nicol & Wilson (2004) investigated<br />
the effect of street dimensions and<br />
traffic density on noise levels in urban<br />
canyons, by noise measurements in<br />
Athens. Walerian et al. (2001) used a<br />
simulation program to calculate sound<br />
level distribution and ΔL on a canyon<br />
Modelling road traffic noise annoyance by listening tests
292<br />
street model. Schiff et al. (2010) executed<br />
a numerical investigation of<br />
sound propagation over multiple street<br />
canyons. Experimental research results<br />
are bounded by the on-site conditions<br />
and dimensions. Results of theoretical<br />
studies usually do not provide noise<br />
levels on façades and cannot reflect all<br />
the different settlement types in the<br />
area. Therefore, environmental noise<br />
prediction model recommended by the<br />
Directive, NMPB-Routes-96 (1995),<br />
was used to assess all types of sound<br />
propagation in these settlement types.<br />
Various noise propagation conditions<br />
were simulated in SoundPlan 6.5<br />
Noise Mapping Software, both in open<br />
space conditions and in urban conditions.<br />
The difference between the two<br />
conditions were used to create sound<br />
propagation filters, which were used on<br />
sound clips, in order to simulate traffic<br />
sounds in city conditions.<br />
2.2.3. Sound insulation filters<br />
Environmental noise annoyance<br />
focuses on environmental noise perceived<br />
inside houses. In order to simulate<br />
this effect, the sound clips were<br />
filtered by façade sound insulation values.<br />
Façade elements were determined<br />
by one of the on-site survey questions<br />
in the area, observation of façades in<br />
the area and statistical data on main<br />
wall elements.<br />
Façade sound insulation to be used<br />
for filtering was determined by sound<br />
insulation measurements on-site (ISO<br />
140-5, 1998). To validate these on-site<br />
measurements, building element laboratory<br />
measurements (ISO 10140-2,<br />
2010) were used to calculate sound<br />
insulation of composite façade, using<br />
Equation 1 (Barron, 2003).<br />
Where,<br />
TL façade<br />
: Sound transmission loss of<br />
composite façade, dB;<br />
TL wall<br />
: Sound transmission loss of<br />
wall, dB;<br />
TL window<br />
: Sound transmission loss of<br />
window, dB;<br />
A façade<br />
: Area of composite façade,<br />
A wall<br />
+ A window<br />
, m 2 ;<br />
A wall<br />
: Area of wall, m 2 ;<br />
A window<br />
: Area of window, m 2 .<br />
<br />
<br />
<br />
<br />
<br />
<br />
2.3. Listening tests and annoyance<br />
model<br />
For the listening tests, questions and<br />
sound clips were prepared, tests were<br />
conducted in laboratory conditions<br />
and results were analyzed.<br />
20 seconds long sound clips were created<br />
to simulate the sound heard inside<br />
houses and to evaluate environmental<br />
noise annoyance. Different sound clips<br />
were created the road types, for compatible<br />
speeds, road slopes, surfaces,<br />
traffic flow types, and source-receiver<br />
distances. Effects of sound propagation<br />
in urban conditions were simulated<br />
for compatible road types. The effects<br />
of time of day, window condition and<br />
daily activity were also taken into consideration.<br />
2.3.1. Questionnaire forms<br />
Listening test questions were prepared<br />
in parts. Pre-criteria questions<br />
determined if the participant is competent<br />
to attend the survey. The first part<br />
of the listening tests included the same<br />
questions as the on-site socio-acoustic<br />
survey conducted in the area. The<br />
second part of the survey inquired into<br />
the annoyance of sound clips.<br />
Pre-criteria for conducting the surveys<br />
were; minimum <strong>12</strong> months of residency<br />
in Besiktas District, lack of any<br />
hearing problems and being in the age<br />
range of 18 to 65.<br />
In Part 1 of the listening test, personal<br />
information and environmental<br />
noise annoyance were questioned.<br />
Under the heading of ‘personal information’,<br />
gender, age, education level,<br />
duration of residence, time and period<br />
spend at home during day, noise sensitivity<br />
and noise annoyance at workplace<br />
were investigated. Under the<br />
heading of ‘noise annoyance’, traffic<br />
noise annoyance at home, for all day<br />
and only night periods were investigated<br />
in verbal and numerical scales.<br />
Wording of these questions and verbal<br />
and numerical scales were given in<br />
ISO/TS 15666 (2003). Also under the<br />
same heading, most annoying traffic<br />
elements and annoyance during dai-<br />
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<br />
(1)
293<br />
Table 1. Part 2 questions in the listening test.<br />
Part 2, Sub-part 1 and Sub-part 2<br />
XX) Imagining you are resting at home, how much does the sound clip you listened to,<br />
bother, disturb or annoy you?<br />
Not at all? Slightly? Moderately? Very? Extremely?<br />
XX) Imagining you are resting at home, what number from 0 to 10 best shows how much<br />
you are bothered, disturbed or annoyed by the sound clip you listened to?<br />
Not at all<br />
Extremely<br />
0 1 2 3 4 5 6 7 8 9 10<br />
Part 2, Sub-part 3 (the question asks for only one time frame)<br />
XX) Imagining you are resting at home, during day time (07-19) / evening time (19-23) /<br />
night time (23-07) , how much does the sound clip you listened to, bother, disturb or<br />
annoy you?<br />
Not at all? Slightly? Moderately? Very? Extremely?<br />
XX) Imagining you are resting at home, during day time (07-19) / evening time (19-23) /<br />
night time (23-07) , what number from 0 to 10 best shows how much you are bothered,<br />
disturbed or annoyed by the sound clip you listened to?<br />
Not at all<br />
Extremely<br />
0 1 2 3 4 5 6 7 8 9 10<br />
Part 2, Sub-part 4<br />
XX) Imagining you are reading at home, how much does the sound clip you listened to,<br />
bother, disturb or annoy you?<br />
Not at all? Slightly? Moderately? Very? Extremely?<br />
XX) Imagining you are reading at home, what number from 0 to 10 best shows how much<br />
you are bothered, disturbed or annoyed by the sound clip you listened to?<br />
Not at all<br />
Extremely<br />
0 1 2 3 4 5 6 7 8 9 10<br />
ly activities are inquired using multiple-answer<br />
questions. Room positions<br />
in regards to main road, open windows<br />
during night and main wall elements<br />
are also questioned.<br />
Part 2 of the listening test inquired<br />
about how much the sound clips bother,<br />
disturb or annoy the participants in<br />
Modelling road traffic noise annoyance by listening tests<br />
verbal and numerical scales (Table 1).<br />
Wording of these questions were similar<br />
to questions given in ISO/TS 15666<br />
(2003). Verbal and numerical scales<br />
were the same as scales used in Part 1<br />
and ISO/TS 15666 (2003). Six different<br />
tests were created to change the order<br />
of the sound clips in each test.
294<br />
Part 2 was divided into four subparts<br />
to provide breaks if necessary.<br />
In sub-parts 1 and 2, wording of the<br />
questions did not change. The question<br />
was; “Imagining you are resting at<br />
home, how much does the sound clip<br />
you listened to, bother, disturb or annoy<br />
you?”. In sub-part 3, a time frame<br />
was given in each question, such as day<br />
time (07-19), evening time (19-23) or<br />
night time (23-07). In sub-part 4, the<br />
activity changed from resting to reading.<br />
A short magazine article about<br />
travelling to Mars was read by participants.<br />
The article was divided in two<br />
parts, first part was read in quiet, while<br />
the second part was read with exposure<br />
to traffic noise.<br />
2.3.2. Executing listening tests<br />
Pilot listening tests were executed<br />
with 4 people, to identify the possible<br />
problems. Some explanatory phrases<br />
and warnings were added to the listening<br />
test as a result of this pilot study.<br />
The listening tests were conducted as<br />
face-to-face interviews with 40 people<br />
between the ages of 18 and 65, who<br />
live in the related district. The listening<br />
tests were executed in laboratory,<br />
where background noise was always<br />
monitored.<br />
Headphones (MESA BMH.I-H42<br />
binaural headset) were used to listen<br />
to sound clips. All participants signed<br />
a consent form and they were warned<br />
to stop the test if they felt any auditory<br />
problem. The investigator asked the<br />
questions, turned on the sound clips<br />
and typed the answers of the participants<br />
on a MS Excel worksheet; so that<br />
the participants could concentrate on<br />
the sound clips. 30 second breaks were<br />
given between each sound clip to ensure<br />
concentration and a fresh perception.<br />
Participants were free to express<br />
any opinions they had about the sound<br />
clips and the listening test.<br />
2.3.3. Analyzing listening test and<br />
building model<br />
Listening test results were statistically<br />
analyzed; Cronbach’s alpha was computed<br />
for reliability and Spearman’s<br />
correlation coefficient was calculated<br />
for factors affecting annoyance.<br />
Verbal and numerical scales were<br />
used for sound clip annoyance questions.<br />
These different scales were converted<br />
and analyzed on a 100 scale. On<br />
the verbal scale, “not at all” was converted<br />
to 0, “slightly” to 25, “moderately”<br />
to 50, “very” to 75 and “extremely”<br />
to 100. On the numerical scale, 0 was<br />
0, 1 was converted to 10, 2 to 20 and so<br />
on. For analyzing percentage of people<br />
annoyed (%A) and percentage of people<br />
highly annoyed (%HA) the cutoff<br />
points on a 100 scale are 50 for %A and<br />
72 for %HA (WG-HSEA, 2002). On<br />
the verbal scale, cutoff point of 50 for<br />
%A referred to points 50, 75 and 100,<br />
which were “moderately”, “very” and<br />
“extremely” respectively. Cutoff point<br />
of 72 for %HA referred to points 75 and<br />
100, which were “very” and “extremely”<br />
respectively. %A was associated<br />
with the total number of responses for<br />
5, 6, 7, 8, 9 and 10 (from 50 to 100 on<br />
the 100 scale) on the numerical scale,<br />
whereas %HA was associated with the<br />
total number of responses for 8, 9 and<br />
10 (from 80 to 100 on the 100 scale) on<br />
the numerical scale.<br />
Annoyance levels for each simulated<br />
traffic sound clip was examined for<br />
number of people annoyed and highly<br />
annoyed within the whole group of<br />
respondents, in order to calculate percentage<br />
of people annoyed (%A) and<br />
percentage of people highly annoyed<br />
(%HA). Averages of verbal and numerical<br />
scale results were used. %A and<br />
%HA levels for each sound clip were<br />
then compared to others with similar<br />
properties. For easy expression and<br />
comprehension, some factors which<br />
effect annoyance in a similar way were<br />
united.<br />
3. Application of traffic sound recordings<br />
The road traffic sound recordings<br />
were made using the most common<br />
vehicles in Istanbul city and the possible<br />
driving behaviors in the area under<br />
consideration.<br />
3.1. Determining most common vehicles<br />
Turkish Statistical Institute is responsible<br />
for collecting and disseminating<br />
the data which display the social<br />
and economic structure of Turkey. The<br />
publication “Road Motor Vehicle Statistics<br />
20<strong>12</strong>”, includes statistics of the<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • M. Aşcıgil Dincer, S. <strong>Yıl</strong>maz
295<br />
road motor vehicles such as, the current<br />
number of the vehicles according<br />
to their types, trademarks, fuel type,<br />
and model years by the end of year<br />
20<strong>12</strong>, for each city (TurkStat, 2013b).<br />
According to Istanbul city statistics, in<br />
all motor vehicles, 52% of vehicles have<br />
diesel fueled motors and 46% of vehicles<br />
have gasoline fueled motors. Renault<br />
is the most common trademark<br />
in terms of cars, small trucks, trucks,<br />
buses and minibuses. Most common<br />
three trademarks and their percentages<br />
in the market are; Renault 15.4%,<br />
Ford 9.9% and Fiat 9.6%. Honda is the<br />
most common trademark for motorcycles<br />
with 25.2% market share. Most<br />
common engine size of cars is 1600 cc<br />
with 38.3%. The most common public<br />
transportation bus is Otokar Kent 290<br />
LF with 29.4%.<br />
The most common trademarks were<br />
used for sound recordings. The cars<br />
used for sound recordings were diesel<br />
fueled Renault and gasoline fueled<br />
Ford with engine size 1600 cc. These<br />
cars were also used to record horn<br />
sounds. Other vehicles used were,<br />
Honda motorcycle, Otokar Kent public<br />
transportation bus, Iveco minibus<br />
(blue minibus common in Besiktas<br />
area) and Renault Midlum Truck.<br />
3.2. Determining most common driving<br />
conditions<br />
Driving conditions were determined<br />
by using data from noise maps, noise<br />
prediction model and on-site research.<br />
Average speed (km/h) data used<br />
in road modelling of noise maps in<br />
Besiktas district (Badino et al., 20<strong>12</strong>)<br />
was taken into consideration. The average<br />
speed for Barbaros Avenue in<br />
north direction received from radars<br />
was between 55 and 70 km/h for day,<br />
60 and 65 km/h for evening, 75 and 80<br />
km/h for night. The average speed for<br />
Barbaros Avenue in south direction received<br />
from radars was between 50 and<br />
80 km/h for day, 50 and 85 km/h for<br />
evening, 65 and 95 km/h for night. The<br />
average speed for small main roads and<br />
collecting roads received from radars<br />
was between 40 and 50 km/h. The average<br />
speed for service roads and deadend<br />
roads determined on-site were between<br />
30 and 40 km/h.<br />
Traffic flow types of fluid continuous,<br />
pulsed continuous, pulsed accelerating<br />
and pulsed decelerating were<br />
used as advised in NMPB-Routes-96<br />
(1995).<br />
the roads are classified as dead-end<br />
roads, service roads, collective roads,<br />
small main roads and main roads as<br />
advised in Good Practice Guide (WG-<br />
AEN, 2006).<br />
As it was advised in Annex A of<br />
ISO 362-1 (2007), an on-site study by<br />
driving through the area (Besiktas) at<br />
different times during the day was used<br />
to reveal the driving patterns. On Barbaros<br />
Avenue, traffic flow was mostly<br />
fluid continuous during daytime and<br />
nighttime, it was mostly pulsed continuous<br />
during evening. Pulsed accelerating<br />
and pulsed decelerating traffic<br />
flows were existent due to traffic lights.<br />
For fluid continuous traffic flow, speed<br />
during daytime ranged from 50 to 80<br />
km/h, while speed during nighttime<br />
ranged from 70 to 100 km/h. Traffic<br />
flow during evening hours was pulsed<br />
continuous, mostly stopping and starting<br />
in traffic. Average speed of heavy<br />
vehicles were between 30 km/h and 50<br />
km/h.<br />
For roads other than Barbaros, the<br />
average speed values from on-site<br />
study were consistent with data from<br />
noise map models. The traffic flow was<br />
fluid continuous for service roads and<br />
dead-end roads at all times. For small<br />
main roads and collective roads, traffic<br />
flow was mostly fluid continuous<br />
during daytime and nighttime, it was<br />
mostly pulsed continuous during evening.<br />
Pulsed accelerating and pulsed<br />
decelerating traffic flows were existent<br />
due to traffic lights and junctions.<br />
Slope of roads were categorized as,<br />
horizontal (slope between: 0% ≤ p ≤<br />
2%), rising or falling slope (slope between<br />
2% ≤ p ≤ 6%) (Wölfel et al. 2003).<br />
3.3. Recording vehicle sounds<br />
It is stated in ISO 10844 (2014) that<br />
the test track should be used only for<br />
noise measurements, but it was not<br />
possible to build a test track for this<br />
study. Available roads around the city<br />
were used as tracks for this study. Information<br />
on the sound recording conditions<br />
are given in Table 2. Recording<br />
equipment were binaural microphone,<br />
data acquisition board and a laptop.<br />
Modelling road traffic noise annoyance by listening tests
296<br />
Cars and motorcycles were recorded<br />
at a site where various road slopes and<br />
road surfaces were available. The site<br />
where bus, minibus and truck were recorded<br />
was chosen because it contained<br />
various road slopes and heavy vehicles<br />
and minibuses were not banned on this<br />
road. All tracks were in vast areas, with<br />
no large reflecting objects within a radius<br />
of 50 m. Meteorological data was<br />
taken from Meteorological General<br />
Directorate and background noise also<br />
recorded.<br />
The recordings took place on only<br />
one side of the road, 7.5 m from vehicle’s<br />
travel path. For each sound<br />
recording, a vehicle was driven at a<br />
specific speed or acceleration, with a<br />
specific traffic flow type, on a road with<br />
a specific slope and surface. Diesel and<br />
gasoline fueled cars were driven with<br />
speeds of 30, 50, 70 and 100 km/h. At<br />
50 km/h, sounds were recorded with<br />
driving patterns fluid continuous,<br />
pulsed continuous, pulsed accelerating<br />
and pulsed decelerating. Vehicles driven<br />
on various road slopes, level (slope<br />
between: 0% ≤ p ≤ 2%), rising and falling<br />
(slope between 2% ≤ p ≤ 6%) were<br />
also recorded. Road surfaces used were<br />
smooth asphalt and paving stones.<br />
Cars were also used for recording horn<br />
sounds.<br />
Motorcycle, minibus, bus and truck<br />
were driven and recorded in a similar<br />
way but with fewer variations. Driving<br />
speeds were 30 and 50 km/h; the<br />
same driving patterns and road slopes<br />
were used. The road surface was only<br />
smooth asphalt because it is not possible<br />
for these vehicles to be driven on<br />
streets with paving stones in Besiktas<br />
area. All recordings were conducted<br />
late at night to keep the background<br />
noise and other pass-by vehicles at a<br />
minimum.<br />
4. Application of creating sound clips<br />
The sound clips each simulated a<br />
traffic noise situation possible to hear<br />
inside houses in Besiktas area. Road<br />
types and characteristics were determined<br />
to create the traffic noise heard<br />
7.5 meters from road sources. To simulate<br />
the traffic noise heard inside the<br />
houses in various urban conditions,<br />
urban sound propagation filters and<br />
façade sound insulation filters were<br />
Table 2. Sound recording conditions.<br />
Title<br />
Information<br />
Measuring MESA BMH.I-H42 binaural microphone,<br />
equipment 01dB dB4 acquisition board,<br />
dBFA software,<br />
Dell Latitude Laptop<br />
Recording for cars and motorcycle<br />
Date and time: Between August 31 st 2014 23:00 and September 1 st 2014 02:00<br />
Test site:<br />
Weather:<br />
Vehicle types:<br />
Average<br />
background<br />
noise:<br />
Istanbul, Kucukcekmece District, Soyak Olimpiyakent housing<br />
development<br />
18.2ºC temperature, 5 km/h SSW wind, 60% humidity<br />
Car: Ford Focus, gasoline fueled with engine size 1600 cc.<br />
Car: Renault Fluence diesel fueled with engine size 1500 cc.<br />
Motorcycle: Honda CBF 150, with engine size 150 cc.<br />
Hz 50 100 <strong>12</strong>5 160 200 250 315 400 500<br />
L eq 24,4 25,9 23,4 21,6 19,8 16,4 14,7 15,9 16,3<br />
630 800 1000 <strong>12</strong>50 1600 2000 2500 3150 4000 5000<br />
14,8 13,4 16,3 15,8 14,8 13,4 <strong>12</strong>,2 11,4 10,4 8,7<br />
Recording for minibus, bus and truck<br />
Date and time: Between September 7 th 2014 23:00 and September 8 th 2014 02:00<br />
Test site:<br />
Weather:<br />
Vehicle types:<br />
Average<br />
background<br />
noise:<br />
Istanbul, Kartal District, Samandira 2 Koprulu Kavsak<br />
16.5ºC temperature, 6 km/h NNE wind, 55% humidity<br />
Bus: Otokar Kent public transportation bus<br />
Minibus: Iveco blue minibus<br />
Truck: Renault Midlum truck<br />
Hz 50 100 <strong>12</strong>5 160 200 250 315 400 500<br />
L eq 20,5 22,3 19,2 18,4 16,9 14,7 9,8 <strong>12</strong>,9 <strong>12</strong>,5<br />
630 800 1000 <strong>12</strong>50 1600 2000 2500 3150 4000 5000<br />
9,3 8,4 8,2 6,6 7,1 7,3 6,8 6,1 5,3 4,7<br />
used. Sound clips were formed with a<br />
duration of 20 seconds for this study.<br />
This value coincides with the road<br />
types explained in the next part of this<br />
study.<br />
4.1. Determining road type characteristics<br />
in Besiktas District<br />
In a previous study by the authors<br />
of this article, noise maps and socio-acoustic<br />
surveys were made for<br />
Besiktas district (Badino et al., 20<strong>12</strong>).<br />
Characteristics which influence traffic<br />
noise emission of the main roads, such<br />
as traffic volume, types of vehicles,<br />
traffic flow type and road surface had<br />
already been determined in detail for<br />
this noise map model. The main road,<br />
Barbaros Avenue, is a north-south dual<br />
carriageway with three lanes on each<br />
side, going through a highly populated<br />
urban area and is monitored by radars<br />
which record number and speed<br />
of light and heavy vehicles. The annual<br />
average traffic flow per hour to north<br />
and to south was calculated from radar<br />
data for day, evening and night. To use<br />
these traffic data in this study, the hourly<br />
data was transformed in 20 seconds<br />
data, by a division of 180. Table 3 gives<br />
average traffic volume on Barbaros Av-<br />
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297<br />
Table 3. Average traffic volume on Barbaros Avenue adjusted to<br />
20 seconds (rounded).<br />
Barbaros Av. (to north) Barbaros Av. (to south)<br />
Light veh. Heavy veh. Light veh. Heavy veh.<br />
Day <strong>12</strong> 0.5 13 0,5<br />
Evening <strong>12</strong> 0.5 11 0.5<br />
Night 7 0.25 6 0.25<br />
Table 4. Traffic volume in 20 seconds for a total of both sides of<br />
Barbaros Avenue.<br />
Main road (Barbaros<br />
Avenue) Day & Evening<br />
Main road (Barbaros<br />
Avenue) Night<br />
Car<br />
(Gasoline)<br />
Car<br />
(Diesel)<br />
Motorcycle Minibus Bus Truck<br />
10 10 2 2 1 0<br />
6 6 1 0 0 1<br />
Table 5. Proposed default values for traffic volume (WG-AEN,<br />
2006) and average and standard deviation values of traffic volume<br />
of road types around Barbaros Avenue.<br />
Road type (WG-AEN, 2006)<br />
Traffic volume<br />
day evening night<br />
Dead-end roads 175 50 25<br />
Service roads<br />
(mainly used by residents living there)<br />
350 100 50<br />
Collecting roads<br />
(collecting traffic from service roads and 700 200 100<br />
leading it to & from main roads)<br />
Small main roads 1400 400 200<br />
Main roads<br />
Must undertake traffic counts.<br />
Road types around Barbaros Av.<br />
Traffic volume<br />
day evening night<br />
Dead-end roads 166 ± 45 150 ± 41 79 ± 22<br />
Service roads 365 ± 55 327 ± 52 176 ± 23<br />
Collecting roads 730 ± 175 616 ± <strong>12</strong>6 331 ± 81<br />
Small main roads 1349 ± 154 1079 ± <strong>12</strong>3 615 ± 70<br />
Table 6. Traffic volume in 20 seconds for secondary roads.<br />
Car Car<br />
(Gasoline) (Diesel)<br />
Motorcycle Minibus Bus Truck<br />
Dead-end roads 0 1 0 0 0 0<br />
Service roads 1 1 0 0 0 0<br />
Collecting roads 2 2 0 0 0 0<br />
Small main roads 3 4 1 0 0 0<br />
enue adjusted to 20 seconds; light vehicles<br />
include cars (gasoline and diesel<br />
fueled), motorcycles, and minibuses.<br />
Statistics of road motor vehicles in Istanbul<br />
show that 52% of vehicles have<br />
diesel fueled motors and 46% of vehicles<br />
have gasoline fueled motors, almost<br />
half and half. (TurkStat, 2013b) A<br />
traffic flow count on Barbaros Avenue<br />
proved about 4% of light vehicles to be<br />
minibuses and about 4% of light vehicles<br />
to be motorcycles. Heavy vehicles<br />
are actually the number of long vehicles<br />
(3 times the length of cars) counted<br />
by the radar system by Istanbul Metropolitan<br />
Municipality, therefore heavy<br />
vehicles are buses in this case. Other<br />
heavy vehicles such as trucks, TIRs or<br />
oil tankers are only allowed to work in<br />
urban areas between 22:00 and 06:00.<br />
So, trucks can only be added to night<br />
time traffic flow. Minibuses work between<br />
05:00 and 02:00, but they do not<br />
have a schedule. Buses work between<br />
06:00 and 00:00. As a result of all this<br />
input, detailed traffic volume data for a<br />
total of both sides of Barbaros Avenue<br />
adjusted to 20 seconds, in order to simulate<br />
the main road, is given in Table 4.<br />
There are many secondary roads<br />
around Barbaros Avenue and their<br />
traffic flow information have been included<br />
in noise map model. But preparing<br />
sound clips for each road would<br />
not be efficient, therefore, the secondary<br />
roads were grouped. European<br />
Commission’s Good Practice Guide for<br />
Strategic Noise Mapping (WG-AEN,<br />
2006) proposes some default values for<br />
traffic flow volume, as given in Table 5.<br />
The road types in this table can be used<br />
for grouping roads around Barbaros<br />
Avenue. The traffic volumes of secondary<br />
roads determined in the previous<br />
noise map were grouped in this study.<br />
Average and standard deviation values<br />
of traffic volume of road types around<br />
Barbaros Avenue are also given in Table<br />
5. Average values for daytime are<br />
very close to default values of roads<br />
proposed by WG-AEN, so these values<br />
were used. Table 6 adjusts traffic volumes<br />
of road types for one hour into<br />
traffic volumes for 20 second sound<br />
clips to simulate secondary roads.<br />
The number of vehicles given in Table<br />
4 and Table 6 were used to form the<br />
sound clips from traffic sound recordings.<br />
The number of vehicles needed<br />
for each type of road were distributed<br />
as evenly as possible on a 20 seconds<br />
long empty sound clip, on the software<br />
Audacity. On the secondary road<br />
sound clips, where the number of vehicles<br />
are low, each vehicle’s passing can<br />
be heard almost individually. On main<br />
road sound clips, where the number of<br />
vehicles are high, the passing of cars<br />
are not noticeable individually, but the<br />
passing of motorcycle, minibus, bus<br />
and truck are noticeable.<br />
Modelling road traffic noise annoyance by listening tests
298<br />
4.2. Creating and applying sound<br />
propagation filters<br />
The sound clips formed represent<br />
different types of roads and traffic flow<br />
characteristics recorded at 7.5 meters<br />
from road sources, in open space conditions.<br />
Some common examples of<br />
urban sound propagation are calculated<br />
and applied as filters to sound clips<br />
at hand, in order to simulate traffic<br />
sounds in the city. Filters for geometric<br />
divergence and atmospheric absorption<br />
were created from literature.<br />
Filters for urban condition examples<br />
were calculated with noise mapping<br />
software.<br />
4.2.1. Geometric divergence and<br />
atmospheric absorption<br />
Because the sound recordings were<br />
conducted 7.5 m away from source,<br />
geometric divergence and atmospheric<br />
absorption filter values for double<br />
distances such as 15 m and 30 m were<br />
used. Sound absorption values (ISO<br />
9613-1, 1993) are calculated for 14 ºC,<br />
which is the yearly average temperature<br />
in Istanbul (MGM, 2014), and<br />
50% relative humidity. Figure 3 shows<br />
filter values for a total of geometric divergence<br />
and atmospheric absorption<br />
to be applied for simulating different<br />
distances from source.<br />
Soundplan 6.5. Single receivers were<br />
placed at possible façades. The simulations<br />
were executed two times for each<br />
receiver, (1) for open space, with no<br />
Fi<br />
gure 3. Filter values for a total of geometric divergence and<br />
atmospheric absorption to be applied for simulating different<br />
distances from source.<br />
4.2.2. Urban sound propagation in<br />
Besiktas District<br />
Map around Barbaros Avenue in Besiktas<br />
was studied for common urban<br />
settlements and these settlements were<br />
grouped regarding sound propagation.<br />
Urban settlement conditions considered<br />
were:<br />
a. Sound propagation from main<br />
road to perpendicular narrow<br />
streets<br />
b. Sound propagation from main<br />
road to second row of buildings<br />
through detached buildings<br />
c. Sound propagation from main<br />
road to second row of buildings<br />
through attached buildings<br />
d. Sound propagation from main<br />
road to second row of buildings<br />
through narrow opening<br />
e. Sound propagation in a street<br />
canyon<br />
Examples of these settlements were<br />
simulated in noise mapping software,<br />
Fi<br />
gure 4. Map of areas around Barbaros Avenue and receivers (*)<br />
, for simulation of sound propagation.<br />
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299<br />
a. Sound filter for second row of buildings behind detached buildings, behind attached buildings and behind a<br />
narrow opening<br />
b. Sound filter for narrow streets forming a street canyon, for attached buildings on only one side and attached<br />
buildings on both sides<br />
Fi<br />
gure 5. Filters calculated using the difference between open space conditions and urban<br />
conditions.<br />
buildings and (2) for urban conditions,<br />
with buildings. In the simulation, the<br />
topography was excluded, so the road<br />
and the buildings were all set at zero<br />
height. The height of the buildings were<br />
identical to real height of the buildings<br />
in the area. All the point receivers had<br />
the same height, 150 cm. Noise levels<br />
were calculated using NMPB Routes<br />
96 (1995) method. The traffic data of<br />
the main parallel roads were identical.<br />
Number of light vehicles per hour<br />
was 2160, number of heavy vehicles<br />
per hour was 90. Velocity of light vehicles<br />
was 70 km/h, velocity of heavy<br />
vehicles was 50 km/h. The traffic was<br />
smooth-flowing and the road surface<br />
was asphalt concrete. This traffic data<br />
was similar to that used in listening test<br />
sound clips. Maps used for simulation<br />
and receiver points are given in Figure<br />
4. Figure 5 shows the filters calculated<br />
using the difference between open<br />
space conditions and urban conditions.<br />
4.3. Sound insulation filters for<br />
Besiktas District<br />
Environmental noise annoyance focuses<br />
on environmental noise perceived<br />
inside houses. In order to simulate this<br />
effect, the sound clips were filtered by<br />
façade sound insulation values. Façade<br />
sound insulation to be used for filtering<br />
was determined by determining<br />
façade elements, making sound insulation<br />
measurements on-site and using<br />
laboratory measurements. 18 on-site<br />
façade sound insulation measurements<br />
were made in houses in the area using<br />
existing traffic noise as source and<br />
living rooms or bedrooms as receiver<br />
room (ISO 140-5, 1998).<br />
Façade elements were determined<br />
by one of the survey questions, observation<br />
of façades in the area and statistical<br />
data on main wall elements. One<br />
Modelling road traffic noise annoyance by listening tests
300<br />
Fi<br />
gure 6. Sound insulation fi<br />
lters for closed, side hinged open and bottom hinged open<br />
window conditions.<br />
of the previous on-site survey questions<br />
in the area (Badino et al., 20<strong>12</strong>)<br />
was “What is the main material of your<br />
façade wall?”. 65% of the respondents<br />
did not know the answer. 80% of the<br />
remaining responses were ‘brick’ and<br />
20% were ‘aerated concrete’. Almost<br />
all the façades had double glazed windows.<br />
Studies on façade photographs<br />
revealed an average use of 45% transparent<br />
elements and 55% opaque elements.<br />
All residential buildings studied<br />
in the area had reinforced concrete<br />
frame constructions. Turkish Statistical<br />
Institute’s Building Permit Statistics<br />
from 2002 to 20<strong>12</strong>, showed that 95%<br />
of residential buildings are built using<br />
brick as the main wall material in reinforced<br />
concrete frame constructions<br />
(TurkStat, 2013a).<br />
Results of laboratory sound insulation<br />
measurements (ISO 10140-2,<br />
2010) for local building elements were<br />
received from a research study (Ascigil<br />
Dincer & Yilmaz Demirkale, <strong>2015</strong>)<br />
(Yilmaz et al., 20<strong>12</strong>) for validation of<br />
on-site measurements. Laboratory<br />
sound insulation values of 145 mm<br />
thick plastered brick wall and most<br />
common double glazed window were<br />
used to calculate sound insulation of<br />
a commonly used façade in the area,<br />
using Equation 1. The resulting values<br />
validated the measurements on-site.<br />
Therefore, results of measurements<br />
on-site were selected to filter the sound<br />
clips.<br />
Calculation techniques for composite<br />
walls were used to simulate the<br />
noise heard inside the house when a<br />
window is open. For a full open window<br />
(side hinged), a bedroom with<br />
façade dimensions 4 m x 3 m (<strong>12</strong> m 2 )<br />
and a window of 0.8 m x 1.5 m (1.2 m 2 )<br />
was considered. For a partially open<br />
window (bottom hinged), the same<br />
dimensions were also considered. Figure<br />
6 shows sound insulation filters for<br />
closed, side hinged open and bottom<br />
hinged open window conditions.<br />
5. Application of listening tests and<br />
annoyance model<br />
For the listening tests, questionnaires<br />
and sound clips were prepared,<br />
tests were conducted in laboratory<br />
conditions and results were analyzed.<br />
The listening tests were executed in<br />
December 2014, in Istanbul Technical<br />
University, Faculty of Architecture,<br />
Building Physics and Environmental<br />
Control Laboratory, where background<br />
noise was always monitored.<br />
5.1. Listening test sound clips<br />
20 seconds long sound clips were<br />
created to simulate the sound heard<br />
inside houses and to evaluate environmental<br />
noise annoyance. Each sound<br />
clip represents a road type with a specific<br />
speed of vehicles and traffic flow,<br />
on a specific road slope and surface.<br />
All of these traffic and road characteristics<br />
are present in the area under<br />
consideration. The information on the<br />
number of vehicles for each road was<br />
given in Table 4 and Table 6. Filter for<br />
geometric divergence and atmospheric<br />
absorption was applied for possible<br />
source-receiver distances. Effect of<br />
motorcycle passing and horn sounds<br />
during pulsed flow, which are very of-<br />
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301<br />
Figure 7. Traffic noise annoyance model for secondary roads in<br />
Besiktas area.<br />
ten found to be annoying (Badino et<br />
al., 20<strong>12</strong>), were also investigated. Urban<br />
sound propagation filters were applied<br />
to main road sound clips, canyon<br />
effect filters were applied to secondary<br />
roads. Façade sound insulation filter<br />
was applied to all sound clips, except<br />
two main road sound clips were used<br />
for side hinged and bottom hinged<br />
open window façade insulation. Day,<br />
evening and night main road traffic<br />
flows were given in the sub-part 3. In<br />
sub-part 4, the effect of daily concentrating<br />
activity was investigated with<br />
a reading activity, while listening to<br />
main road noise.<br />
5.2. Listening test results and annoyance<br />
model<br />
Listening test results were statistically<br />
analyzed and were examined for factors<br />
effecting annoyance. Cronbach’s<br />
alpha was computed for annoyance<br />
questions and it proved that the survey<br />
had a good reliability by α = 0.704.<br />
Spearman Correlation results<br />
showed some moderate correlations.<br />
In terms of annoyance, women were<br />
more sleep disturbed and older people<br />
were more annoyed and more sleep<br />
disturbed. People whose bedrooms<br />
overlooked the street were more annoyed.<br />
In terms of activity annoyance,<br />
men were more annoyed while concentrating;<br />
older people and more educated<br />
people were more annoyed while<br />
resting.<br />
Most annoying reported traffic elements<br />
were horns and motorcycles.<br />
Annoyance during daily activities were<br />
highest for resting and concentrating.<br />
These results on traffic elements and<br />
daily activities are similar to the results<br />
of the on-site survey (Badino et al.,<br />
20<strong>12</strong>).<br />
Annoyance levels of respondents<br />
for each simulated traffic sound clip<br />
was analyzed to calculate percentage<br />
of people annoyed (%A) and percentage<br />
of people highly annoyed (%HA).<br />
Averages of verbal and numerical scale<br />
results were used. For easy expression<br />
and comprehension, some factors<br />
which effect annoyance in a similar way<br />
were united. Traffic which had pulsed<br />
decelerating flow had almost the same<br />
annoyance response as fluid continuous<br />
flow. So, pulsed decelerating flow is<br />
not mentioned in the results. Traffic on<br />
a falling slope had almost the same annoyance<br />
response as fluid continuous<br />
flow. So, falling slope is not mentioned<br />
in some of the results.<br />
Figure 7 shows the %A and %HA<br />
results for secondary roads. For deadend<br />
and service roads, on-site studies<br />
proved that traffic flow type is almost<br />
always fluid continuous and road surface<br />
may vary, smooth asphalt or paving<br />
stones. Rising slope and road surface<br />
(paving stones) were extremely<br />
effective in annoyance levels of deadend<br />
and service roads, increasing annoyance<br />
up to 65%.<br />
Figure 7 c and d show annoyance<br />
results for collective and small main<br />
roads. Traffic flow type, speed and<br />
slope varies on these road types and<br />
are important in assessing annoyance.<br />
Surfaces for these types of roads are<br />
always asphalt concrete. Falling slopes<br />
Modelling road traffic noise annoyance by listening tests
302<br />
Figure 8. Traffic noise annoyance model for main roads in<br />
Besiktas area.<br />
are considered to have the same effect<br />
as fluid continuous flow. Rising slopes<br />
and accelerating flow provide the highest<br />
increase in annoyance levels. In<br />
cases where pulsed flow causes use of<br />
horns, %A increased by 15% and %HA<br />
increased by 10%.<br />
Freitas et al. (20<strong>12</strong>) executed listening<br />
tests for road traffic noise, using<br />
different road surfaces, car speeds<br />
and traffic densities, and expressed the<br />
results in cumulative graphs. In that<br />
study, cobblestone pavement induced<br />
the highest rate of annoyance; dense<br />
asphalt and open asphalt rubber pavement<br />
annoyed people almost the same.<br />
Vehicle speed and traffic density were<br />
effective in determining annoyance.<br />
Some roads were commonly used<br />
by courier motorcycles. Listening test<br />
results showed that, when 15% of the<br />
light vehicle traffic volume is replaced<br />
by motorcycles, 15% increase in %A<br />
and 5% increase in %HA was spotted.<br />
Nilsson (2007) found that annoyance<br />
increases when traffic noises have<br />
stronger low frequency content. Analysis<br />
of the sound clips showed that<br />
source-receiver distance and source<br />
characteristics are the main reasons<br />
of variation in the spectrum, therefore<br />
motorcycles and heavy vehicles recorded<br />
at the close range provided strong<br />
low frequency content. Paviotti et al.<br />
(20<strong>12</strong>) demonstrated that in motorcycle<br />
and scooter annoyance, masking by<br />
an increased general traffic is effective<br />
in reducing annoyance. In this study,<br />
masking effect was not specifically investigated<br />
but during sound clips of<br />
secondary road types, almost all the<br />
participants expressed their motorcycle<br />
annoyance verbally. No mention of<br />
motorcycles were made by the participants<br />
during main road sound clips.<br />
Studies on-site and on maps showed<br />
that source receiver distance did not<br />
change significantly for dead-end and<br />
service roads. For collective and small<br />
main roads, the effects of source receiver<br />
distance were investigated for<br />
possible distances. The negative effects<br />
of distance may be added to traffic annoyance<br />
levels to reach a final annoyance<br />
level. Evaluation of canyon effect<br />
in secondary roads showed that it may<br />
increase %A by 10% and %HA by 5%.<br />
Figure 8 shows the %A and %HA results<br />
for main roads. Traffic flow type,<br />
speed and slope varies on these road<br />
types and are important in assessing<br />
annoyance. Surfaces for these types<br />
of roads are always asphalt concrete.<br />
Falling slopes are considered to have<br />
the same effect as fluid continuous<br />
flow. Rising slopes provide the highest<br />
increase in annoyance levels. In<br />
cases where pulsed flow causes use of<br />
horns, %A increased by 20% and %HA<br />
increased by 15%. Main road at night<br />
traffic was investigated in a similar<br />
way, but the respondents were asked to<br />
imagine they are listening to the sound<br />
clip a night. Traffic flow at night was<br />
also investigated including one minibus<br />
in 20 seconds, to take into account<br />
the time frame when minibuses work<br />
at night. The effect of the minibus on<br />
annoyance levels is quite valuable. The<br />
effects of source receiver distance were<br />
investigated for possible distances for<br />
the main roads. The negative effects<br />
of distance may be added to traffic annoyance<br />
levels to reach a final annoyance<br />
level.<br />
Evaluation of urban propagation<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • M. Aşcıgil Dincer, S. <strong>Yıl</strong>maz
303<br />
effects for sound propagation from<br />
main road to second row of buildings<br />
through attached buildings, through<br />
detached buildings, through narrow<br />
openings, and from main road into<br />
perpendicular narrow streets showed<br />
substantial decreases in annoyance levels.<br />
The Directive (EU Parliament and<br />
Council, 2002) defines noise indicator<br />
L den<br />
as average levels during daytime,<br />
evening, and night-time, and applies a<br />
5 dB penalty to noise in the evening and<br />
a 10 dB penalty to noise in the night.<br />
The effect of time was investigated, using<br />
one of the main road sound clips,<br />
three times, by asking the respondents<br />
how much they are annoyed during<br />
day time (07-19), evening time (19-<br />
23), and night time (23-07). The results<br />
showed insignificant differences, about<br />
5% increase for evening and night.<br />
6. Conclusion<br />
In this study, listening tests were<br />
conducted for evaluating road traffic<br />
noise annoyance. Respondents living<br />
in a certain district listened to simulated<br />
traffic sounds which may be heard<br />
inside their homes and rated the annoyance<br />
they experienced while they<br />
imagined they were resting. The results<br />
showed the effect of traffic elements<br />
and road properties on road traffic<br />
noise annoyance.<br />
As expected, traffic volume and<br />
speed have significant effects on annoyance.<br />
Falling slopes seem to have<br />
no influence, but rising slopes increase<br />
%A about 40% and %HA about 20%.<br />
Paving stones annoyed the respondents<br />
about 15% more than smooth<br />
asphalt road surfaces. Although pulsed<br />
continuous flow, with constantly starting<br />
and stopping sounds, proved to be<br />
more annoying than fluid continuous<br />
flow, pulsed accelerating is the most<br />
annoying flow type for all road types.<br />
Addition of a single traffic element<br />
may cause influential changes in annoyance<br />
levels. Increase in motorcycle<br />
volume may increase %A by 15% and<br />
%HA by 5%. Use of horns in pulsed<br />
traffic may increase %A up to 20% and<br />
%HA up to 15%. Pass-by of a minibus<br />
in traffic may increase %A by 20% and<br />
%HA by 10%.<br />
Settlement types and geometries can<br />
cause critical changes in annoyance<br />
levels. For that reason, the listening<br />
test sound clips were designed according<br />
to the sound propagation properties<br />
in the district. In this settlement,<br />
source-receiver distances cause decreases<br />
up to 10% in secondary roads<br />
and up to 50% in main roads. Canyon<br />
effect in narrow streets increase %A<br />
by 10% and %HA by 5%. In this settlement,<br />
second row buildings behind<br />
attached buildings or behind a narrow<br />
opening have annoyance levels about<br />
70% lower than open space conditions.<br />
The same condition behind detached<br />
buildings led to 30% lower annoyance<br />
levels. These effects would differ in different<br />
settlement geometries.<br />
This model provides the opportunity<br />
to transform raw data (traffic, road<br />
and settlement) directly into annoyance.<br />
The information on the effects<br />
of traffic elements, road properties and<br />
settlement types on noise annoyance<br />
can easily be used for planning new areas<br />
or noise action plans. It is planned<br />
to develop a road traffic noise annoyance<br />
prediction model and validate<br />
the model by using the results of noise<br />
maps and socio-acoustic surveys in<br />
the same district. More models can be<br />
created for different settlements, traffic<br />
properties, social and economic conditions.<br />
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306<br />
Dinleme testleri ile karayolu trafiği<br />
gürültüsü rahatsızlığının modellenmesi<br />
Gürültü rahatsızlığı çalışmaları, kişilerin<br />
gürültüye maruz kaldıklarında<br />
gösterdikleri tepkileri, kişilerin belirli<br />
bir tip çevresel gürültüye maruz kaldıklarında<br />
ne kadar rahatsız olduklarını<br />
sorgulayarak değerlendirir. Avrupa<br />
Parlamentosu ve Konseyi tarafından<br />
yayımlanan Çevresel Gürültü Yönetmeliği<br />
(2002/49/EC), Türkiye’de de<br />
‘Çevresel Gürültünün Değerlendirilmesi<br />
ve Yönetimi Yönetmeliği’ olarak<br />
yayımlanmıştır. Bu yönetmeliklere göre<br />
gürültü rahatsızlığı, belirli bir bölgenin<br />
gürültü haritalarının ve bu bölgede<br />
yaşayan kişilerle yapılacak anketlerin<br />
karşılaştırılarak, doz-etki ilişkilerinin<br />
ortaya çıkartılması ile belirlenmelidir.<br />
Bu çalışma, gürültü rahatsızlığı konusunu<br />
derinlemesine incelemeyi ve modellemeyi<br />
amaçlamaktadır. Bu amaç<br />
doğrultusunda, karayolu trafiği gürültüsü<br />
rahatsızlık seviyelerini etkileyen<br />
faktörler incelenmekte ve dinleme testleri<br />
uygulanarak rahatsızlık modeli geliştirilmektedir.<br />
Bu çalışmada, trafik ses<br />
kayıtlarından oluşturulan ses parçaları,<br />
laboratuvar koşullarında katılımcılara<br />
dinletilerek dinleme testleri gerçekleştirilmiştir.<br />
Karayolu trafiği gürültüsü<br />
sesleri, her bir araç tipi için, farklı olası<br />
araç hızları, trafik akış tipleri, yol eğimi<br />
ve yol yüzeyleri için kaydedilmiştir.<br />
Kaydedilen araç sesleri, farklı yol tiplerinin<br />
seslerini oluşturmak amacıyla<br />
birleştirilmiştir. Sesin yayılım koşulları<br />
şehir içindeki çeşitli yerleşim tipleri<br />
için incelenmiş ve ses yayılım filtreleri<br />
oluşturularak ses parçalarına uygulanmıştır.<br />
Son olarak cephe ses yalıtım<br />
filtreleri uygulanmış ve ses parçaları<br />
ev içlerinde duyulan sesleri oluşturacak<br />
şekilde benzetim yapılmıştır. Laboratuvar<br />
ortamında, katılımcılardan<br />
kulaklıkla sesleri dinlemeleri ve dinlerken<br />
evlerinde dinlenmekte olduklarını<br />
hayal etmeleri istenmiştir. Rahatsızlıkları<br />
sözel ve sayısal ölçeklerle değerlendirilmiş<br />
ve sonuçlar analiz edilmiştir.<br />
Farklı trafik koşullarını yansıtan gürültü<br />
rahatsızlığı modeli oluşturulmuştur.<br />
Trafik hacmi ve araç hızı rahatsızlığı<br />
önemli ölçüde etkilemektedir. Yol eğiminin<br />
yokuş yukarı olması, gürültüden<br />
rahatsız olan kişi yüzdesini %40, çok<br />
rahatsız olan kişi yüzdesini %20 kadar<br />
arttırmaktadır. Yol yüzeyinin asfalt<br />
yerine taş döşenmesi kişileri yaklaşık<br />
olarak %15 daha fazla rahatsız etmiştir.<br />
Hızlanan trafik akışı en rahatsız edici<br />
akış tipidir. Trafikte motosiklet hacminin<br />
artması gürültüden rahatsız olan<br />
kişi yüzdesini %15, çok rahatsız olan<br />
kişi yüzdesini %5 kadar arttırabilmektedir.<br />
Trafikte kullanılan kornalar rahatsızlığı<br />
%20, çok rahatsız kişileri %15<br />
kadar arttırabilmektedir. Bu alandaki<br />
yerleşimde, kanyon tipli sokaklar rahatsızlığı<br />
%10 arttırmaktadır. Ana yol<br />
ile arasında bitişik bina dizisi bulunan<br />
yerleşimlerde rahatsızlık %70 azalabilmekte,<br />
ayrık bina dizisi bulunuyorsa<br />
sadece %30 azaltabilmektedir.<br />
Avrupa Birliği, gürültü rahatsızlığı<br />
çalışmalarında doz-etki ilişkilerini<br />
kurmak için veri toplama (trafik verisi,<br />
yol verisi, yerleşim verisi vs.), gürültü<br />
tahmin modelleri ile gürültü haritası<br />
oluşturma ve sosyo-akustik anketler<br />
gerçekleştirme ana adımlarını kullanmaktadır.<br />
Dinleme testleri ile oluşturulmuş<br />
bir çevresel gürültü rahatsızlığı<br />
modeli kullanmak ise gürültü rahatsızlığını<br />
doğrudan toplanan verilerden<br />
oluşturmayı sağlayacaktır. Bu durum<br />
çevresel gürültü kontrolü konusunun<br />
asıl amacı olan rahatsızlığı azaltmayı,<br />
kurulan doğrudan ilişki ile kolaylaştıracaktır.<br />
Bu tip rahatsızlık modelleri<br />
farklı ülkeler, farklı yerleşimler,<br />
farklı sosyal ve ekonomik bölgeler<br />
için oluşturulabilir. Karayolu gürültü<br />
rahatsızlığı modeli, trafik elemanlarının,<br />
yolların ve yerleşimlerin, gürültü<br />
rahatsızlığı üzerine etkilerini ortaya<br />
çıkartarak, yeni yerleşim alanlarının<br />
planlanmasında veya gürültü eylem<br />
planlarının oluşturulmasında yardımcı<br />
olacaktır.<br />
ITU A|Z • Vol <strong>12</strong> No 3 • November <strong>2015</strong> • M. Aşcıgil Dincer, S. <strong>Yıl</strong>maz
Contributors<br />
Suat APAK<br />
Apak graduated from Istanbul Technical<br />
University (ITU) Faculty of Architecture<br />
as B.Arch in 1986, where he<br />
took his M.Arch degree in 1990 and<br />
Ph.D. in 1998. He currently works as<br />
an instructor in Department of Architecture<br />
in ITU. His research areas and<br />
interests focus on “architectural and<br />
urban design”, “housing planning and<br />
design” and “gated communities”. He<br />
has undertaken various architectural<br />
design projects, received architectural<br />
design awards and put into practice<br />
some architectural applications.<br />
Görsev ARGIN<br />
Received Bachelor’s Degree in City<br />
and Regional Planning (2009) and<br />
Master’s Degree in Urban Design<br />
(20<strong>12</strong>) from METU. Is currently a research<br />
assistant and Ph.D. candidate<br />
at İstanbul Technical University. Her<br />
studies focus on the human-space<br />
relations that consider the physical,<br />
social and cultural implications of<br />
space.<br />
Mine AŞCIGİL DİNCER<br />
Mine Aşcıgil Dinçer is a PhD Candidate<br />
at I.T.U. Faculty of Architecture,<br />
Department of Architecture. Her research<br />
interests are noise mapping,<br />
noise annoyance and building acoustics.<br />
Özlem ATAK<br />
Özlem Atak is a Research Assistant at<br />
the Erciyes University School of Architecture<br />
in Kayseri. She graduated<br />
from Architecture program at Erciyes<br />
University in 2005 and she received her<br />
MSc in Architectural Design program<br />
from ITU, 2009. Currently she is a<br />
PhD candidate in Architectural Design<br />
Computing program in İstanbul Technical<br />
University. Her main research<br />
area is computational theory and design<br />
in architecture.<br />
Fitnat CİMŞİT KOŞ<br />
She was born in 1975 in Samsun. She<br />
studied architecture at Karadeniz<br />
Technical University, and her Bachelor’s<br />
degree is given in 1997. Then, she<br />
completed her Architectural Design<br />
MSc. in Istanbul Technical University.<br />
She finished her master thesis about<br />
‘Ecological Adaptation Strategies and<br />
Rural Settlement Houses in Fırtına<br />
Valley, Rize’ in 2001. She continued<br />
her Architectural Design PhD thesis<br />
in Istanbul Technical University about<br />
‘Syntactic and Behavioral Analysis<br />
of Housing Morphologies in Citadel<br />
Towns of Anatolia through the Idea of<br />
Territoriality’. She has been working in<br />
Beykent University Department of Architecture<br />
since 2002.<br />
Gülen ÇAĞDAŞ<br />
B.Arch. (ITU), M.Sc. (ITU), Ph.D.<br />
(ITU) İstanbul, Turkey. Gülen Çağdaş<br />
began as teaching assistant in 1981<br />
at the Istanbul Technical University,<br />
Faculty of Architecture. She took her<br />
Ph.D. degree on Architectural Design<br />
from the same university in 1986. She<br />
has become Associate Professor in<br />
1989 and Professor in 1997. She held<br />
the Vice Dean position of Faculty of<br />
Architecture between 1997 and 2000,<br />
was the Head of Architectural Design<br />
Chair between 2004 and 2007 and also<br />
Department Head of Architecture between<br />
2008 and 20<strong>12</strong>. Her main research<br />
area is Architectural Design<br />
Computing.<br />
Nevşet Gül ÇANAKÇIOĞLU<br />
Born in Karadeniz Ereğli in 1980.<br />
Completed her secondary education in<br />
Vatan Anatolian High School, higher<br />
education in Ugur College. Graduated<br />
from ITU School of Architecture in<br />
2002. Worked in various private firms<br />
and participated into some architectural<br />
project competitions individually<br />
and with various teams. Completed<br />
her post graduate education in ITU<br />
Architectural Design program with the<br />
thesis titled as “Analysis of Perceptual<br />
Processes of Children Living in Different<br />
Social Groups Settled in Istanbul<br />
by the Method of Cognitive Maps” in<br />
2011. Pursuing her Phd studies in the<br />
same program in the scope of “Perceptual<br />
processes of the individuals using<br />
pediatric hospitals.”<br />
Pelin DURSUN ÇEBİ<br />
Pelin Dursun Çebi is associate professor<br />
in the Department of Architecture<br />
at Istanbul Technical University. She
eceived her MArch degree in 1995 and<br />
PhD degree in 2002 from the same department.<br />
Her research interests focus<br />
on architectural design, design education,<br />
body space relationships, spatial<br />
choreography, architectural morphology<br />
and space syntax.<br />
Erincik EDGÜ<br />
She has received her Bachelor of Architecture<br />
degree from Mimar Sinan University,<br />
Master’s and PhD degrees from<br />
Istanbul Technical University in the<br />
Program of Architectural Design. She<br />
was employed in various universities in<br />
Istanbul and abroad both with teaching<br />
and administrative duties. Her primary<br />
areas of research are housing, environment<br />
and behaviour studies, design<br />
theory, urban quality, and space syntax<br />
methodology. She is currently working<br />
as an associate professor at Düzce University.<br />
She’s an underwater photographer<br />
and PADI certified rescue diver.<br />
Harun EKİNOĞLU<br />
Harun Ekinoglu is an Urban Designer.<br />
He received a Bachelor’s from Bilkent<br />
University on Urban Design in 2006<br />
(hons) and a Master’s from Polytechnic<br />
University of Milan on Urban Planning<br />
and Policy Design in 2009 (hons). In<br />
2006, he was the recipient of a UNE-<br />
SCO honorable mention award for the<br />
“Historic District Renewal and Design<br />
Strategy” urban design competition for<br />
UNESCO and UN-HABITAT World<br />
Urban Forum III. In previous years,<br />
he played an active role in various national<br />
and international industrial design<br />
and urban design competitions. A<br />
PhD Candidate in Urban Planning at<br />
and a current TÜBİTAK Fellow-Visiting<br />
Scholar at Columbia University,<br />
Ekinoglu’s research interests include<br />
urban spatial analysis and participatory<br />
design.<br />
Alev ERARSLAN<br />
Assistant Professor Doctor, İstanbul<br />
Aydın University, Faculty of Architecture<br />
and Design. Graduating from<br />
Istanbul University, Department of<br />
Asia Minor Languages and Cultures<br />
in 1991, she completed her master and<br />
doctorate degrees in Istanbul Technical<br />
University in Art History Program.<br />
She has written many local and international<br />
articles on Anatolian rural<br />
architecture, Anatolian urban history,<br />
Anatolian setlement systems and history<br />
of architecture.<br />
Gülden ERKUT<br />
Gülden Erkut (PhD) is professor of Regional<br />
Planning at Istanbul Technical<br />
University’s department of Urban and<br />
Regional Planning. She was DAAD<br />
Guest Professor at Berlin Technical<br />
University, Urban Management Program,<br />
from May, 20<strong>12</strong> to May, 2013.<br />
Ervin GARİP<br />
Ervin Garip is an architect currently<br />
holds a PhD degree in “Architectural<br />
Design”. He got his B.Sc degree in “Architecture”<br />
in 2000, and M.Sc degree<br />
in “Architectural Design” program in<br />
2003 from ITU. In 2009, he completed<br />
his PhD thesis titled “Examining<br />
Consumers’ Spatial Behavior in Retail<br />
Stores in The Framework of Space Syntax”.<br />
Daniel KOCH<br />
Daniel Koch (PhD) is a researcher at<br />
KTH School of Architecture and architect<br />
at Patchwork Architecture Laboratory.<br />
Recent research investigates spatial<br />
configuration and socio-cultural<br />
structuring, design and diagramming,<br />
and processes of subjectification. He is<br />
editor of the Journal of Space Syntax<br />
and Vice Director of SRE Architecture<br />
in the Making.<br />
Nilüfer KOZİKOĞLU<br />
She is a graduate of Mimar Sinan University,<br />
Istanbul with masters degree<br />
in architecture and urban design from<br />
Architectural Association, London in<br />
2003. She runs her practice as partner<br />
at Tuşpa NK agency for architecture<br />
and workshop Urbanatolye, teaches<br />
seminar and design courses as guest<br />
professor at various universities.<br />
Ayşe ÖZBİL<br />
Received B.Arch (2000) from <strong>Yıl</strong>dız<br />
Technical University, M.Arch (2002)<br />
from METU and Ph.D. (2010) in Architecture<br />
from Georgia Institute of<br />
Technology. Is currently an assistant<br />
professor at Özyeğin University where<br />
she teaches design in architecture and<br />
urban design. Her research focuses on
spatial modeling using space syntax<br />
techniques.<br />
Nezire ÖZGECE<br />
The author received Bachelor of Architecture<br />
and Master of Achitecture<br />
degrees from Eastern Mediterranean<br />
University. She is curently a PhD<br />
candidate and lecturer in the Department<br />
of Architecture at Cyprus International<br />
University.<br />
Esra ÖZSÜT AKAN<br />
Born in Istanbul in 1965. Graduated<br />
from ITU School of Architecture in<br />
1986. Worked in various private architectural<br />
offices. Completed her post<br />
graduate education in ITU Architectural<br />
Design Program with the thesis<br />
titled as “Objective and Subjective<br />
Evaluation of Circulation System in the<br />
Buildings.” Pursuing her Phd studies in<br />
the same program.<br />
Kerstin SAILER<br />
Dr. Kerstin Sailer is Lecturer in Complex<br />
Buildings at the Space Syntax Laboratory,<br />
Bartlett School of Architecture<br />
at University College London, and Director<br />
of Research and Innovation at<br />
Spacelab. Her research interests combine<br />
complex buildings, workplace environments<br />
and space usage with social<br />
networks, organisational theory and<br />
organisational behaviour.<br />
Ervin SEZGİN<br />
Ervin Sezgin (PhD) is an urban and regional<br />
planner particularly focused on<br />
urban and regional politics, and central<br />
state- local relations. He is currently<br />
teaching at Istanbul Technical University<br />
department of Urban and Regional<br />
Planning on these issues at undergraduate<br />
and graduate levels.<br />
Mehmet Emin ŞALGAMCIOĞLU<br />
Mehmet (BSc. MSc. PhD., ITU) is an<br />
Architect and Assistant Professor in Istanbul<br />
Technical University. He was a<br />
visiting scholar in University of Michigan<br />
in 2010 and worked on several<br />
professional design projects previously.<br />
His current research areas are Architectural<br />
Design and Morphology,<br />
Space Syntax, Gentrification, Housing,<br />
and Domestic Space Organisation. He<br />
also has international and national architectural<br />
design competition awards<br />
as well as published design critics,<br />
book chapters, conference papers, and<br />
journal articles.<br />
Meray TALUĞ<br />
She received bachelors of Architecture<br />
degree in 2002, and Master of Architecture<br />
degree in 2007 from Eastern<br />
Mediterranean University. She has<br />
been working as a lecturer in Cyprus<br />
International University since 2007.<br />
She is doing her PhD at the same<br />
University. Her current researches<br />
focuses on the architectural theory,<br />
architectural space, culture and sociology.<br />
İlgi TOPRAK<br />
She is a PhD Candidate from Istanbul<br />
Technical University (ITU), where she<br />
earned both Bachelor in Architecture<br />
and Master of Science degrees. She is<br />
working in ITU Department of Architecture<br />
as a research assistant. Her<br />
research interests are morphology in<br />
architectural and urban design and<br />
Space Syntax. She is currently a guest<br />
researcher in TU Delft, Netherlands.<br />
Gülname TURAN<br />
Lecturer at Faculty of Architecture,<br />
Istanbul Technical University (since<br />
2009); holds a professional degree in<br />
industrial design (1999) and Ph.D. in<br />
art and design history (2009) from<br />
Istanbul Technical University; has<br />
taught design project and design history-theory<br />
courses at Istanbul Technical<br />
University and Istanbul Bilgi University;<br />
academic research and interest<br />
in industrial design history and craft<br />
history, corporate identity design; has<br />
published papers in international conferences<br />
and in journals Design Issues,<br />
“Turkey in the Great Exhibition of<br />
1851” (MIT Press, 2009) and Journal of<br />
Furniture History, “Turkish Furniture<br />
Design in the 1930s” (V&A, 2010). She<br />
is currently studying on industrial design,<br />
craft & design and design history.<br />
Alper ÜNLÜ<br />
He graduated from Faculty of Architecture,<br />
Istanbul Technical University<br />
(ITU) in 1979. After his completion<br />
of M.Sc. in Architecture-ITU, he continued<br />
his Ph.D. study in Environ-
ment-Behavior Program, The University<br />
of Wisconsin-Milwaukee, USA.<br />
Currently, he is Professor in Department<br />
of Architecture ITU, and he is the<br />
coordinator of Architectural Design<br />
and Morphology.<br />
Demet YEŞİLTEPE<br />
Received Bachelor’s Degree in City<br />
and Regional Planning (2013) from<br />
<strong>Yıl</strong>dız Technical University. Is currently<br />
studying Master of Urban Design<br />
atİstanbul Technical University. Her<br />
studies focus on the relation between<br />
physical space and socio-economic<br />
structure. Her major research topics<br />
are space perception, urban morphology<br />
and space syntax.<br />
Sevtap YILMAZ<br />
Sevtap <strong>Yıl</strong>maz is Professor at the Istanbul<br />
Technical University (ITU), Faculty<br />
of Architecture, Department of<br />
Architecture. She has received her B.S.,<br />
M.Sc. and Ph.D. degrees from ITU. She<br />
specializes on environmental acoustics,<br />
architectural acoustics and building<br />
acoustics.