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Slovo. Journal of Slavic Languages and Literatures No. 52, 2011 medieval poetics are transformed into their own modern form and integrated into the respective poetic models. No other literary epoch offers what the poets are seeking better than poetic formal language modelled on medieval liturgical language. The five poets all participate in what has been called the interwar paradigm shift in Polish poetry—a parameter that only indirectly relates to modernism. The term high modernism (in the sense of the culmination of Polish poetic modernism) can serve to summarize the historical and literary delimitations and definitions in the study. As interwar poetry is indeed part of the definitive emergence and full expansion of modernism in Polish literature, serving as a link between tradition and innovation, such a study of the influence of high modernism and Marian lyrics on each other aspires to reflect general processes in the poetry of the time. Keywords: Polish poetry, interwar period, paradigm shift, Polish high modernism, Marian lyrics, medieval aesthetic canon, dogmatic form, liturgical hymn Marousia Ludwika Korolczyk, e-mail: marousia.korolczyk@moderna.uu.se Department of Modern Languages, Box 636, Uppsala University, SE-751 26 Uppsala, Sweden 114
Slovo. Journal of Slavic Languages and Literatures ISSN: 0348-744X No. 52, 2011, pp. 115 To our Reviewers We would like to express our gratitude for all the valuable and constructive comments received from our colleagues: Ambrosiani, Per Björklund, Martina Cleminson, Ralph Engström, Maria Guentcheva, Zlatka Gyllin, Roger Lane, Tora Ljunggren, Anna Lönngren, Lennart Maier, Ingrid Vakareliyska, Cynthia M. 115
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