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KARNEVAL I KLASSRUM –KUNSKAP PÅ HJUL

KARNEVAL I KLASSRUM –KUNSKAP PÅ HJUL

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Abstract<br />

Carnival in classroom, knowledge on wheels. Pupils’ encounter with<br />

clown studied through the lenses of narrative method with poetic<br />

ethnography<br />

The aim of this study is to contribute to the knowledge about learning in and<br />

through art related to pupils’ study processes developing clown characters in<br />

secondary school. The pre understanding of this qualitative piece of micro<br />

ethnographic research is that the elaboration of clown has openness to play,<br />

creative activity and imagination. The art form clown inspires and motivates.<br />

The clown character creates a kind and friendly atmosphere, calls upon<br />

smile, which promotes learning. It is an art form promoting deep and<br />

personal reflection and evoking questions regarding identity formation. The<br />

pre understanding finally is that existential themes are brought to articulation<br />

in the art form clown.<br />

The problem formulation for the hermeneutic phenomenological study is an<br />

exploration of the meaning potential of an arts educational work with clown<br />

from the pupils’ as well as the teacher’s perspective.<br />

The study elaborates the following research questions:<br />

1.) How are the pupils staging themselves in the work with clown?<br />

a) How are they constructing the clown character?<br />

b) How do they reflect upon their construction?<br />

c) What are the characteristics of the working process in the<br />

elaboration of clown?<br />

2.) What is characteristic of the teacher’s contribution to the arts<br />

educational work?<br />

3.) What is characteristic of the meaning making in the elaboration of<br />

clown?<br />

One group of 21 pupils and their drama teacher in a Swedish secondary<br />

school in six workshops (each one 90 minutes) elaborating the clown theme<br />

is the group under study through video observation, interviews, students’<br />

logs and drawings, teacher log and researcher’s field notes.<br />

The theoretical framework comprises three perspectives on clown: a<br />

perspective on the culture of carnival, a drama education perspective and a<br />

performance perspective. Through a content analysis of texts about clown a<br />

set of characteristics for the clown is used as analytical concepts in the<br />

subsequent analysis of the pupils’ working process when they create three<br />

clown characters: August, the white clown and the bag lady. The results are<br />

presented as fictive narratives built on the video observations and the

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