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Toimintakertomus | Verksamhetsberättelse | Annual Report

Toimintakertomus | Verksamhetsberättelse | Annual Report

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Kuusisto, and Paavali Jumppanen.<br />

performances. 5x2 art education was provided for<br />

Hungary as well as performances in the Bravo! festival.<br />

Juliet. The sixth Asia in Helsinki Festival, held in May,<br />

The international visitors during the spring were the<br />

comprehensive school lower stage classes in cooperation<br />

Also on the stage at Vuosaari House during the year were<br />

was visited by the Royal Ballet of Thailand. In addition to<br />

Stephan Oliva Quartet from France, Brian Melvin’s Fog<br />

with the art schools operating in the building.<br />

Sunanda Sharma and the classical Indian dance duo<br />

ballet, the festival featured a puppet theatre for children<br />

from San Francisco, and the Italian violinist Giuseppe Mas-<br />

The gallery’s exhibition schedule began with an experi-<br />

Kathak, the legendary Wigwam, and The Bear performed<br />

and Thai films, which were screened at Bio Rex. In Sep-<br />

ini. The autumn was brightened by an intense tango-jazz<br />

mental collaboration with the Artists’ Association of<br />

by Suomalainen Kamariooppera (the Finnish Chamber<br />

tember the Chinese Traditional Theatre Academy<br />

performance by Emilio Solla y Afines from Spain. Finnish<br />

Helsinki. Good lighting facilities were purchased for<br />

Opera).<br />

presented the Beijing Opera classic Farewell My<br />

performers of jazz and light music included Otná Eahket,<br />

Malmitalo’s upper circle for information and amateur<br />

Multicultural fairs by the International Cultural Centre<br />

Concubine.<br />

Doina Klezmer, M. A. Numminen’s Neobrutalist Tango Or-<br />

exhibitions.<br />

Caisa were extended to Vuosaari House. The Children’s<br />

Helsinki City Theatre’s musical The Umbrellas of<br />

chestra and Sanna Pietiäinen as well as Club 45.<br />

5x2 art education programme was carried out in<br />

Cherbourg ran at the Alexander Theatre for the whole of<br />

One of the brightest stars in the firmament of today’s<br />

Stoa, the Cultural Centre of Eastern Helsinki<br />

cooperation with professional pedagogues with various<br />

the autumn. The third Russian Seasons festival in Novem-<br />

world of flamenco, Israel Galván, caused a sensation with<br />

Stoa is the Cultural Centre of Eastern and Southeast<br />

cultural backgrounds. Art courses in Russian for children<br />

ber featured visitors including Teatr Na Liteinom from St Pe-<br />

his exciting choreography in the autumn.<br />

Helsinki, providing cultural services for people of all ages.<br />

continued.<br />

tersburg and the Moscow Young Viewers’ Theatre. The<br />

The gallery put on 19 exhibitions. Kanneltalo also acted<br />

The programme of events strongly features excellent<br />

programme included The Happy Prince directed by Kama<br />

as a cooperative party in the Mätäjoki 2002 environmental<br />

performances of modern dance and a broad-based<br />

Other activities in eastern Helsinki<br />

Ginkas. Festival performances were also seen at Stoa.<br />

art exhibition by artists from west Helsinki, which spread<br />

programme for children. Stoa is also responsible for the<br />

Villa Aino Ackté was open to the public once a week from<br />

The studio facilities on Harakka Island and at the Cable<br />

out along the banks of the Mätäjoki river and to Sitratori<br />

Helsinki Cultural Office’s venue in Vuosaari House and for<br />

May to the end of October. During the open days, concerts<br />

Factory, which are part of the Alexander Theatre unit, were<br />

Square and Kannelmäki station. In December Sanna Karls-<br />

the activities of Villa Aino Ackté.<br />

were held with a programme ranging from classical to light<br />

occupied by a total of 45 artists. Villa Eläintarha 14<br />

son-Sutisna and Nella Keskisarja illuminated Kanneltalo<br />

The autumn season at Stoa was a festival of dance. The<br />

music. Concert performances were given by artists<br />

provided accommodation for artists from more than ten<br />

with their light art. Art education was shared out by the<br />

world’s undisputed foremost modern dance ensemble, La<br />

including the Lenni-Kalle Taipale Group and Anneli<br />

countries during the year. A series of classic films was<br />

5x2 art education programme’s Rhythm and Movement<br />

Compagnie Marie Chouinard from Canada, packed the<br />

Saaristo. The villa was used in February 2002 as the setting<br />

shown at Lasipalatsi, where the webzine Skenet was edited.<br />

course.<br />

halls during the Moving in November festival. The festi-<br />

for a TV series by the TV1 channel about the life of Venny<br />

val, which spread into Helsinki and Espoo, was a great<br />

Soldan-Brofeldt, the wife of author Juhani Aho. In May<br />

Savoy Theatre<br />

Malmitalo<br />

success and further strengthened Stoa’s position as one of<br />

and August two tours of seaside stately homes were<br />

Savoy Theatre operates in three ways: it rents out the thea-<br />

Malmitalo is the Cultural Centre of Northern and<br />

Finland’s top venues for modern dance.<br />

arranged in partnership with the City of Helsinki Public<br />

tre with staff services to external arrangers, and it arranges<br />

Northeast Helsinki. A key aim is to attract the interest of<br />

Many of the top names in Finnish dance appeared at<br />

Works Department, featuring a concert at the villa.<br />

partnership events and in house-productions. The biggest<br />

local residents who are not accustomed to using cultural<br />

Stoa during the year, from dancer/choreographer Tommi<br />

The main event of the year for Kurkimäki Community<br />

in-house production series was Cercle Invisible, which was<br />

services.<br />

Kitti to Jyrki Karttunen, who delighted the audience with<br />

Centre was the Kurkimäki Village Festival, which<br />

invited to the Savoy Theatre for the third time. In all, since<br />

Malmitalo gained a new audience for culture with a<br />

his Keiju choreography. It was also a busy year for theatre.<br />

featured performers including Kengurumeininki, Turku<br />

Helsinki’s year as European City of Culture in 2000, Cercle<br />

series of Open Door free performances, mostly consisting<br />

Collaboration continued with Teatteri Jurkka, and in all<br />

New Theatre, Killer and Tyrävyö. Other events during the<br />

Invisible has been presented at the Savoy Theatre 52 times<br />

of concerts and Finnish films. Among those who appeared<br />

three plays performed on Jurkka’s stage were also seen at<br />

year included film Sundays, country & western evenings<br />

to a combined audience of more than 35,000. Also, the in-<br />

in the series were Anki Lindqvist, Tuomari Nurmio and<br />

Stoa in 2002. In November performances from the Russian<br />

and 70s nights. The Children’s 5x2 art education<br />

house production of the Music of the Worlds concert series<br />

Trio Nostalgico. Open Doors reached an audience of<br />

Seasons festival were in the programme.<br />

programme continued. At the end of 2002 the Cultural Of-<br />

continued. Of the partnership events, the largest was the<br />

roughly 2,000. The for-payment programme of events was<br />

The programme for children was brightened with the<br />

fice gave up Kurkimäki Community Centre for financial<br />

production Tsirkka together with the Helsinki Festival and<br />

comprised of quality concerts, drama and dance<br />

children’s theatre festival Bravo! in March. The traditional<br />

reasons.<br />

the dance ensemble Tsuumi.<br />

performances, and films.<br />

Children’s Saturdays continued as before.<br />

The White Hall’s fifth summer exhibition, Socialist Rea-<br />

The diversity of the programme was partly ensured by<br />

RECEIVING VENUES<br />

lism, received a lot of media coverage. However, it did not<br />

renting out the performance facilities. Amateur and<br />

Vuosaari House<br />

The stages of the receiving venue theatres – the Alexander<br />

attain its visitor target this time, partly due to the<br />

professional troupes were offered an opportunity to stage<br />

Vuosaari House’s programme arrangements spotlight<br />

Theatre and the Savoy Theatre – are located in the heart of<br />

exceptionally hot summer, which drew the public away<br />

their performances in high-quality facilities at a moderate<br />

children’s culture and figure in the immigrant community.<br />

the city. The premises of these theatres are hired out for<br />

from all summer events. At the end of 2002 the Cultural<br />

cost. This opportunity was particularly often used by<br />

In 2002 Vuosaari House collaborated with local artists,<br />

different kinds of concerts, theatrical and dance<br />

Office gave up the White Hall for reasons of economy. The<br />

puppet theatres, which arranged children’s matinées. A<br />

associations and schools, among others. As a result of the<br />

performances. They have technical facilities for hosting<br />

White Hall’s activities are being continued by a longtime<br />

kids’ cinema and the Swedish-language Knattebio ci-<br />

collaboration, multicultural art education projects, a Russ-<br />

demanding international visiting performances.<br />

partner of the Savoy unit, Capital Catering.<br />

nema rounded out the entertainments for preschool child-<br />

ian-language children’s theatre performance and a choral<br />

The Savoy Theatre is specialised in short and quickly<br />

The Jazz-Espa series of concerts continued at the<br />

ren with free film shows. The 51 showings had a total<br />

concert were staged.<br />

changing events and the Alexander Theatre aims to stage<br />

Esplanade bandstand for its third summer since it was<br />

audience of 5,800. For children of school age the IP-Kino<br />

Among the favourites in the Children’s Saturdays series<br />

longer performance periods.<br />

started by the Finnish Jazz Federation during Helsinki’s<br />

cinema was held every other Wednesday afternoon. The<br />

were a visiting performance of Hippo and Other Horses<br />

year as City of Culture. It featured the cream of Finnish<br />

16 showings attracted a total audience of 1,930. For<br />

by Helsinki City Theatre and the Opera and Theatre En-<br />

The Alexander Theatre<br />

jazz ensembles, playing every weekday in July. The<br />

families there were Children’s Saturday shows, a<br />

semble Kapsakki’s Souvenirs of Kapsäkki. International<br />

The Alexander Theatre served for the spring season as the<br />

Esplanade bandstand has also won an established position<br />

Didgeridoo event, a May Day festival, and Sysimetsän<br />

perspectives were presented by Baltic House Theatre from<br />

main venue of the Finnish National Theatre. In March the<br />

as a venue for different kinds of exhibitions held outside<br />

suippokorvat – an event accompanied by workshops and<br />

St Petersburg and the Mikropodium puppet theatre from<br />

premiere was held of the National Theatre’s Romeo and<br />

the summer season.<br />

28 ENGLISH SUMMARY 2002 ENGLISH SUMMARY 2002<br />

29

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