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En receptionsstudie om spelfilm, filmpublik och ... - Anpere

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Group 3: More religious socialization/practice<br />

Karin, 33, chose Angel Farm (1992) as her favourite film. She dealt with<br />

matters of good and evil together with moral principles vital to her. She<br />

processed these matters through person schema and self schema. She identified<br />

herself with the female character moving to a new place and having to<br />

cope with a new set of expectations and prejudices, an experience which she<br />

herself has had first hand. She also connected to the priest’s role as a mediator<br />

and related this to her own profession as a teacher dealing with tensions<br />

in a small village.<br />

Lena, 24, used the film Life is Beautiful (1999) as a psychological defence<br />

in a very particular situation when under pressure in her role as a teacher. As<br />

a believer she felt she had been wrongfully criticized, by a senior colleague,<br />

for teaching religion in an unprofessional manner. Very upset and powerless<br />

she used the idea in the film of the power of imagination to escape the psychological<br />

pressure of reality in extra-textual life. She dwelt on matters of<br />

purpose and meaning in life as well as matters of good and evil. She processed<br />

these matters mainly through person schema and self schema cognitive<br />

structures.<br />

Peter, 32, was impressed by the Lord of the Rings-trilogy (2001 – 2003)<br />

where the main message for him was the importance of carrying out the task<br />

which is given to you, no matter what. Peter was dealing mainly with matters<br />

of purpose and meaning in life as well as guilt and responsibility. He processed<br />

these matters through person schema and self schema. He made reference<br />

to several characters in the movie such as Frodo, Sam and Aragorn<br />

whose conviction and c<strong>om</strong>mitment, even in the darkest hours, touched him<br />

deeply. This inspired him in his extra-textual and less dramatic reality with<br />

responsibilities for his family in his role as a father.<br />

For Maria, 26, the blockbuster As It Is in Heaven (2004) summarized her<br />

vision of life. It was an important impulse for her at a time when she was<br />

reconsidering her upbringing in a Pentecostal Christian tradition. The film<br />

confirmed her own extra-textual critical feeling that the church has a bad<br />

record of suppressing w<strong>om</strong>en in general and sexuality in particular. The film<br />

sparked a vision of emancipation and honest relations in love and she was<br />

uplifted and filled with joy, hope and self confidence after watching it. She<br />

dealt with matters of guilt and responsibilities as well as good and evil. She<br />

processed these matters through self schema and person schema cognitive<br />

structures.<br />

When summarizing the interviews it was clear that s<strong>om</strong>e existential matters<br />

d<strong>om</strong>inated. Questions about what kind of moral principles should guide<br />

your life, together with what kinds of responsibilities human beings have<br />

towards one another were present in a lot of interviews, as well as issues of<br />

245

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