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Fulltext - Linköping University Electronic Press

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Hence, the visitors and the staff can be seen as objects of information constituted in and<br />

through Ikea’s store narrative, rather than as subjects shaped in social interactions with others<br />

(Foucault, 1979). Similar to conventional objects like a flowerpot or a wineglass, a narrative<br />

includes actions that the persons employing it are able to reflect around and, thus, assign<br />

meaning. In this sense the narratives that constitute the subject are objectified in the same<br />

intertextual realm as the conventional objects. Turned into objects ourselves it is possible to<br />

negotiate with other objects, such as those in the store environment.<br />

The showrooms in the children’s department were bordering the restaurant where lots of<br />

people were eating. The restaurant at Ikea is an open space resembling a self-service canteen<br />

with a high noise level and slightly chaotic appearance. Given the large amount of people<br />

environment includes different narratives, thus calling for different actions. During lunchtime<br />

one Wednesday, when we visited the store, the area was full of retired couples and businesslike<br />

dressed men and women, perhaps working at Ikea or in the area nearby. These people<br />

may have preferred eating in a quieter environment without the noise of the children. Ikea<br />

seemed to meet this preference by allocating the children to a separate part of the restaurant<br />

where a playing area was set up including a slide and a miniature red stove. Older couples<br />

positioned themselves far away from the playing section, even though it was empty at the<br />

time for our visit. Children were arbitrarily seated around the room. This act can be seen as an<br />

input to the ongoing negotiation with Ikea about the organization of the restaurant space.<br />

Setting up the playing section in the restaurant may be taken as an invitation to settle a<br />

compromise of the allocation of people in the restaurant from Ikea’s side. If no one wants to<br />

play there, the area will have to be removed. It thus seems hard for Ikea and the visitors to<br />

steer negotiations autonomously each other.<br />

The Volatile Compromise<br />

Thus far we have sought to illustrate that the sense making of the store involves a compromise<br />

between retailer and visitors. By means of acting upon the store narrative in the present,<br />

visitors negotiate actions taken by Ikea in the past, which suggestively will lead to new<br />

corporate actions in the future. The moment we enter the Ikea store, the active negotiation<br />

between the store narrative and us begin. We read signs as well as actions performed by other<br />

visitors and staff in order to guide our own actions and feelings about the situation. Although<br />

we had visited the Ikea store many times before it was as if previous compromises on how to<br />

behave in the store needed to be re-settled. After all we are not familiar with the marks the<br />

actions of others have left on the narratives since our last visit. In this sense every visit is the<br />

first. Narratives mediate the negotiation between Ikea and store visitors. These negotiations<br />

do not occur in direct face-to-face interaction but in the way fragments of texts are organized<br />

into various narratives of the store or what we here would like to call compromises.<br />

Compromises come about when the store narrative is acted upon in ways that changes its<br />

linear direction (as in the case of the man reaching the toilets or the apology from Ikea) or<br />

when the narrative latch on to other narratives in unpredictable ways (as was seen in how the<br />

store narrative resembled an outdoor playground). Therefore, we regard the compromises that<br />

make up the image of the store as non-linear and disjointed. As previously pointed out, texts<br />

have intentions, however since the author seldom is present when the text is read s/he has<br />

little influence over its ultimate meanings. The compromise becomes the agreement about the<br />

subjective narratives, which allocate the reader and the text in discourses 1 . Dorothy Smith<br />

(1999) proposes that compromises are reconciled from multiple narratives that reveal the<br />

many-sided versions of the world from fragmented discursively constituted subject positions.<br />

1 We use a broad definition of discourse according to Foucault’s understanding of discourse as an order of<br />

concepts and constituted objects that build its own system of relations which impose themselves on subjects.<br />

As a result discourse when articulated is constitutive of subjects.<br />

214

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