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266 P a r t I V : D i r e c t i o n a l H i g h - F r e q u e n c y A n t e n n a A r r a y s<br />

• Nearby thunderstorms, on the other hand, can be heard equally well regardless<br />

of their location relative to the vertical, since the propagation mode is likely<br />

direct line of sight from clouds in the region to the antenna.<br />

• Man-made noise (“QRM”) is usually (but not always) nearby and unaffected by<br />

ionospheric propagation conditions. Today most man-made QRM originates in<br />

the high-speed microprocessors and digital circuits that infest all the appliances<br />

and electronics gear in our homes and offices or those of our neighbors. In<br />

general, we have little or no control over the direction of these sources from our<br />

vertical, so we can assume that their compass headings are likely to be randomly<br />

distributed.<br />

Directivity and Phasing<br />

We can improve our ability to hear and to be heard on any frequency—but especially on<br />

the MF and lower HF bands—where we are using a vertical antenna by operating two<br />

or more in an array. As we saw in Chap. 5, arrays can provide increased field strength<br />

in some directions at the expense of strength in other directions. This holds for both<br />

transmitting and receiving, so an array of vertical antennas can help overcome all but<br />

one of the limitations itemized in the preceding bullet list. (An array will not help us<br />

reduce atmospheric noise or QRM coming from the same direction as a weak signal we<br />

are trying to copy.)<br />

Most AM broadcast stations have used arrays of vertical antennas for decades. Consequently,<br />

the best radio engineers of the past century have collectively designed and<br />

evaluated far more combinations of verticals than any one author could do on his or her<br />

own in a lifetime, and there is much to be learned and borrowed from the AM broadcast<br />

band favorites. Many standard patterns for two-, three-, four-, and five-vertical arrays<br />

dating from before World War II exist in the literature. Most of the more complicated<br />

ones are irrelevant to anything other than the AM broadcast band, but the simpler combinations<br />

have many virtues useful to amateurs and others.<br />

Of course, amateurs and shortwave or broadcast band listeners usually have a requirement<br />

that AM broadcast stations do not: Most arrays must be designed so they can<br />

be switched or steered to more than one compass heading.<br />

To do the subject of vertical arrays full justice would require a separate book at least<br />

as big as this one. So this chapter will serve primarily as an overview of some simple<br />

but effective arrays that can be formed with the proper placement and feed systems.<br />

In general, an array of verticals involves two or more antennas in close proximity,<br />

each fed at a specified phase angle and amplitude relative to a common reference in<br />

order to produce the desired radiation pattern. Often the common reference is simply<br />

the RF applied to one of the antennas in the array that has been selected to serve as the<br />

reference point.<br />

Two-Element Array<br />

Figure 11.1 shows the possible patterns for a pair of vertical antennas spaced a halfwavelength<br />

(180 degrees) apart and fed in phase or (180 degrees) out of phase. Although<br />

other phasing relationships between the drive currents to the two antennas are possi-

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