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An Awaiting Biennial
The BB3 has unfolded maps of the contemporary world, investigating
the opposing multiplicity of the present mapping of the human.
For art, the map is not calculation, but rhizom: “the map can be
drawn on a wall, may be considered a work of art, may be built like
a political action or a meditation“ (G. Deleuze and F. Guattari, Mille
plateaux, Paris, Minuit, 1980, p. 20). BB3 leaves behind both a collection
of critical texts built around the concept of map and of maps
and artistic projects of mapping (visible in Pavilion, vols. 1–2), as well
as another lesson of contemporary world alphabetization with
regard to its new life conditions and its new existential conditionings.
A small, even “minimalist“ biennial, a concept-biennial, but
a “trendy“ one, very attentive to the “voices“ of the present artistic
thought. But, who knows, maybe the future of the biennials consists
exactly in the “minimalism“, in the cartographic dissemination and
folding.
Translated by Alex Moldovan
Notes:
1. http://bucharestbiennale.org/old_ed/2007/ro/about.html
2. Interview published in the BB3 newspaper, also available online:
http://bucharestbiennale.org/old_ed/2007/ro/bb3_newspaper.pdf.
3. http://bienalsaopaulo.globo.com/english/default.asp
4. Jean-Claude Moineau, Contre l’art global: Pour un art sans identité,
Editions èRe, Maisons-Alfort, France.
5. Cosmin Costinaø, “Personal Plus-spaces and Infinite Geography”, about
GNS (Global Navigation System), Palais de Tokyo (June 5 – September
7, 2003), IDEA arts + society, #15–16, 2003, p. 101.
Emma Key
The World From Memory IV (detail), digital print, 109 × 159 cm, edition of 10, 2003, courtesy the artist
6. Kristine Stiles, States of Mind: Dan & Lia Perjovschi, Nasher Museum of
Art at Duke University, 2007, p. 177.
7. Ibid., p. 89.
Note:
1. http://bucharestbiennale.org/old_ed/2007/ro/about.html
2. Interviu publicat în ziarul BB3, accesibil øi online:
http://bucharestbiennale.org/old_ed/2007/ro/bb3_newspaper.pdf.
3. http://bienalsaopaulo.globo.com/english/default.asp
4. Jean-Claude Moineau, Contre l’art global. Pour un art sans identité, Editions èRe, Maisons-Alfort, France.
Lukas Einsele
One Step Beyond, texts, images and multimedia formats, 2005,
courtesy the artist
5. Cosmin Costinaø, „Plusspafliile personale øi geografia infinitæ“, despre GNS (Global Navigation System), Palais
de Tokyo (5 iunie – 7 septembrie 2003), in IDEA artæ+societate, #15–16, 2003, p. 101.
6. Kristine Stiles, States of Mind. Dan & Lia Perjovschi, Nasher Museum of Art at Duke University, 2007, p.
177.
7. Ibid., p. 89.