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13. Vezi Online Etymology Dictionary. la http://www.etymonline.com/index.php?
term=hypocrisy.
14. Umberto Eco, „Rhetoric and Ideology in Sue’s Les Mysthères de Paris“, in The Role of
the Reade:. Explorations in the Semiotics of Texts, Indiana University Press, 1979, p. 140.
15. Louis Althusser, „The «Piccolo Teatro»: Bertolazzi and Brecht“, in For Marx, trans. Ben
Brewster, The Penguin Press, 1969, prepared for the Internet by David J. Romagnolo,
http://www.marx2mao.com/Other/FM65.html, p. 139.
16. Ibid.
17. Ibid, p. 142.
18. Brecht on Theatre, trans. John Willett, Londra, Methuen, 1964, p. 37.
19. Bertolt Brecht, A Short Organum for the Theatre, http://www.dur.ac.uk/m.p.thompson/
brecht.htm.
20. Althusser, p. 144.
21. Brecht, A Short Organum for the Theatre.
22. Ibid.
23. Althusser, p. 151.
24. Prefaflînd o discuflie între Teresa Margolles øi Santiago Sierra, editorii revistei Bomb descriu
lucrærile celui de-al doilea ca „demascînd (!) relafliile de putere care genereazæ invizibilitatea
muncitorilor în capitalism“. Vezi discuflia dintre Margolles øi Sierra in Bomb, nr. 86,
iarna 2004, http://www.bombsite.com/issues/86/articles/2606.
25. Vezi „The 50th Venice Biennale“, in Frieze, nr. 77, http://www.frieze.com/issue/review/
charles_labelle.
26. Un text foarte bun în aceastæ privinflæ este cel al lui Cosmin Costinaø, Apocalipsa dupæ
Santiago, in IDEA artæ + societate, #22, 2005.
27. Vezi Hito Steyerl, „Instituflia criticii“, text inclus în acelaøi dosar cu textul lui Boris Buden,
apærut în numærul 28 al revistei IDEA artæ + societate.
23. Althusser, p. 152.
24. Introducing a discussion between Teresa Margolles and Santiago Sierra, the editors
of Bomb magazine present the works of the latter as “exposing (!) the power
relations that keep workers invisible under capitalism”. See the discussion
between Margolles and Sierra in Bomb, no. 86, winter 2004, http://www.bombsite.com/issues/86/articles/2606
25. See “The 50th Venice Biennale“, in Frieze, no. 77, http://www.frieze.com/issue/
review/charles_labelle
26. A very good text on this is that of Cosmin Costinaø, The Apocalypse of Santiago,
in IDEA arts + society, #22, 2005.
27. See Hito Steyerl, “The Institution of Critique“, a text included in the same brief
as Boris Buden’s text in the IDEA arts + society, #28.
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