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Lisa Torell World in Translation. Three double exposed frames (detail), project commisioned by IDEA arts + society #30–31, 2008. On the cover: Simon Starling: Artist’s impression of Archaeopteryx Lithographica by Rudolf Freund after a description by K. C. Parkes (1966)
w artæ + societate / arts + society #30–31, 2008 40 lei / 19 €, 25 USD The global elite of Europe. We think it’s incredibly un-s money versus cultural diffe your social status through y And when we say us, then i the norm in media, in the w privileged. We are us and y the others. They, who are d We talk about us in terms o It doesn’t matter what you s already produced our imag experienced by you. Your e defence. The defence that m So easy, so black and white However we like to repeat t
Page 1: w artæ + societate / arts + societ
Page 5 and 6: Aspirafliile celor care ar vrea sæ
Page 7 and 8: galerie 2 154 Simon Starling: Archa
Page 9 and 10: arhiva Despre limbaj în genere øi
Page 11 and 12: arhiva acestei totalitæfli intensi
Page 13 and 14: arhiva de-limbaj a lui Dumnezeu est
Page 15 and 16: arhiva elementele lui concrete. Cî
Page 17 and 18: arhiva 4. Împrejurarea cæ limba g
Page 19 and 20: arhiva Despre picturæ sau semn øi
Page 21 and 22: arhiva Note: 1. În original: der G
Page 23 and 24: arhiva niøte odoare de prefl, în
Page 25 and 26: arhiva care erau repartizate person
Page 27 and 28: arhiva - ca Schopenhauer în adînc
Page 29 and 30: arhiva însæ cæ dagherotipia va u
Page 31 and 32: arhiva 29. Ignacy (Ignaz) Jan Pader
Page 33 and 34: arhiva viu. E drept, vefli spune c
Page 35 and 36: arhiva ce bun dacæ în politicæ c
Page 37 and 38: arhiva tei literaturi. Folosind exe
Page 39 and 40: arhiva La care Aragon adaugæ urmæ
Page 41 and 42: Lumea pare a fi devenit un loc al c
Page 43 and 44: Ea voia sæ danseze cu ei. Dar ei n
Page 45: A dansat pe scaun în tocurile ei
Page 48 and 49: We ordered Stella-beers. We didn't
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Identitate, definiflii øi mantre /
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Construim poduri øi integræm. Te
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We usually talk about us, as: The e
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And when I talk about me, I use to
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Pachete de vacanflæ. N-am nimic î
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Acoperit de lentilæ: politica priv
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View from the exhibition, photo: Zs
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68 Dénes Miklósi The Events of th
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tocmai materialul cu care se lucrea
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Feminisms, “Unsex Me!”, worksho
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Project Space, within Spafliul Publ
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mod special cum ar putea manualul s
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Markus Bader, raumlabor Berlin Balc
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Gregory Sholette’s lecture, 2008,
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Yuri Leiderman Geopoetics - 15, 200
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Child’s Play, a project curated b
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Conflictul hærflilor Daria Ghiu BB
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Lukas Einsele One Step Beyond, text
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de fiecare datæ øi deja monoton,
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îndemînæ, imediat, ci perceptibi
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mai autoreflexivæ“, prin crearea
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96 Views from the exhibition, photo
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se regæseøte într-o lume cu totu
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100
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102 daughter, who has seen the ligh
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php?lang=en&ModuleId=10007410&Media
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Lucrul în colectiv ca efort Interv
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Superflex, “Superdanich”, “Co
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Vojin Bakic’, Gallery Nova, Zagre
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înflelege în cadrul dinamicii rel
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Muzeul ca efect secundar sau proble
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Tania Bruguera Consummated Revoluti
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scena 119
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scena Silke Wagner 28.07.1957, neon
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scena politic, luînd poziflie împ
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scena puøi Martha Rosler, John Bal
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scena Manifestarea postpoliticului*
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scena Beth Campbell Following Room,
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scena fiecare element al ei sæ dem
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scena Interviuri evocînd luptele p
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scena horror øi sci-fi al filmelor
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Ex-Privato Interviu cu Francesco Si
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scena 141
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¬ Daria Ghiu: How did you end up w
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Maurizio Cattelan Novecento, collec
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Tommy McRae Sketch of Squatters, 18
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Raquel Ormella 130 Davey Street, wh
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eading the catalogue and in the wee
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galerie 2 Acest insert pentru revis
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insert Locuri comune ale tranziflie
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Acest proiect a fost finanflat cu s
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de masæ, consumerism total, formel
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Benjamin este articulat sub forma u
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Nu vom mai simfli nimic, nicio opoz
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a urca sau pe care nu mai trebuie s
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DIGITALIZAREA GLOBALÆ Iar: plonjar
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Banalitate (ocultatæ): capitalismu
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fit speculativ nelimitat imediat a
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ARTELE INVIZIBILE La fel ca øi teh
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Sfîrøitul avangardelor øi triumf
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popularæ“), decît fiindcæ niø
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erotism criptic în care sælæølu
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imaginile lor premonitorii anunflî
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semnat sfîrøitul din miezul propr
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ceilalfli stau la coadæ la intrare
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Pentru o artæ alienantæ Vlad Mora
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ca atare, locul unde misterul nu ma
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melodramatice. Argumentele sale se
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olul teatrului este de a distruge a
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13. Vezi Online Etymology Dictionar
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în slujba unui pragmatism al cunoa
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atunci (gîndifli-væ la fel de bin
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dintr-o voinflæ de a considera pro
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cærui obiect. Astfel, proprietæfl
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spune cæ e bine plasat ca s-o øti
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electric) cu nenumæratele sale der
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Twombly = Tiepolo, Warhol = Tintore
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færæ de ajutorul ori examenul a c
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insatisfacflie, aceastæ incertitud
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- El ia figura organicitæflii soci
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Aici, ne vom mulflumi sæ punem în
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cel puflin douæ refuzuri corelativ
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pune la începutul Politicii sale.
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15. V. traducerea româneascæ, op.
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caracteristic lui Dasein. Acela cæ
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„branøæ“, la fel de subit pre
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excelenfla, superioritatea ori valo
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cialismul rousseauist nu e cæ dema
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împotriva burgheziei øi proletari
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atletic, eleganflæ, atracflie erot
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ezumatæ succint de Georg Lukács
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Pîrîøii sînt afaræ, domnii în
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aristocrafli furæ silifli de cætr
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The Brenner Debate: Agrarian Class
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400117 RO Cluj Str. Dorobanflilor,
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400117 RO Cluj Str. Dorobanflilor,
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