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Raquel Ormella 130 Davey Street, whiteboards, masking tape, whiteboard and permanent markers, cibachrome, acrylic, dimensions variable, 2005, Image credit line courtesy: the artist, photo: Christian Capurro Doreen Reid Nakamarra Untitled, acrylic on linen, 2008, courtesy: the artist and Papunya Tula Artists, installation view at the 16th Biennale of Sydney 2008 at Pier 2/3, Walsh Bay, photo: Greg Weight Raquel Ormella Wild Rivers: Cairns, Brisbane, Sydney, 4 electronic whiteboards, thermal prints (from whiteboards), 2008, installation view in 16th Biennale of Sydney 2008 at the Art Gallery of New South Wales, courtesy: the artist and Mori Gallery, Sydney, with the support of Australia Council Visual Arts and Craft Board, Arts ACT and CAPO (Capital Arts Patrons Organisation), photo: Ben Symons Simryn Gill Mine, found natural and man-made materials and objects, approximately 50 spheres, dimensions variable, 2008, credit line, courtesy: the artist; Breenspace, Sydney; and Tracy Williams Ltd, New York 150
scena Nedko Solakov A Life (Black & White), courtesy: Museum für Moderne Kunst, Frankfurt am Main, photo: Nedko Solakov Shaun Gladwell Street Haunting/Ghost Riding/Organ, video, sound and prepared sculpture installation, with 1:12 scale model in vitrine, 2008 Image Credit Line – videography: Gotaro Uematsu, post-production: Josh Raymond, courtesy: the artist and Anna Schwartz Gallery: Sydney and Melbourne This project has been assisted by the Sherman Contemporary Art Foundation, Installation view at Cockatoo Island for the 16th Biennale of Sydney 2008, photo: Ben Symons 151
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w artæ + societate / arts + societ
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w artæ + societate / arts + societ
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Aspirafliile celor care ar vrea sæ
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galerie 2 154 Simon Starling: Archa
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arhiva Despre limbaj în genere øi
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arhiva acestei totalitæfli intensi
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arhiva de-limbaj a lui Dumnezeu est
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arhiva elementele lui concrete. Cî
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arhiva 4. Împrejurarea cæ limba g
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arhiva Despre picturæ sau semn øi
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arhiva Note: 1. În original: der G
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arhiva niøte odoare de prefl, în
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arhiva care erau repartizate person
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arhiva - ca Schopenhauer în adînc
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arhiva însæ cæ dagherotipia va u
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arhiva 29. Ignacy (Ignaz) Jan Pader
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arhiva viu. E drept, vefli spune c
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arhiva ce bun dacæ în politicæ c
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arhiva tei literaturi. Folosind exe
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arhiva La care Aragon adaugæ urmæ
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Lumea pare a fi devenit un loc al c
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Ea voia sæ danseze cu ei. Dar ei n
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A dansat pe scaun în tocurile ei
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We ordered Stella-beers. We didn't
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Identitate, definiflii øi mantre /
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Construim poduri øi integræm. Te
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We usually talk about us, as: The e
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And when I talk about me, I use to
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Pachete de vacanflæ. N-am nimic î
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Acoperit de lentilæ: politica priv
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View from the exhibition, photo: Zs
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68 Dénes Miklósi The Events of th
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tocmai materialul cu care se lucrea
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Feminisms, “Unsex Me!”, worksho
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Project Space, within Spafliul Publ
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mod special cum ar putea manualul s
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Markus Bader, raumlabor Berlin Balc
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Gregory Sholette’s lecture, 2008,
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Yuri Leiderman Geopoetics - 15, 200
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Child’s Play, a project curated b
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Conflictul hærflilor Daria Ghiu BB
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Lukas Einsele One Step Beyond, text
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de fiecare datæ øi deja monoton,
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îndemînæ, imediat, ci perceptibi
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mai autoreflexivæ“, prin crearea
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96 Views from the exhibition, photo
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se regæseøte într-o lume cu totu
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Page 106 and 107: 102 daughter, who has seen the ligh
Page 108 and 109: php?lang=en&ModuleId=10007410&Media
Page 110 and 111: Lucrul în colectiv ca efort Interv
Page 112 and 113: Superflex, “Superdanich”, “Co
Page 114 and 115: Vojin Bakic’, Gallery Nova, Zagre
Page 116 and 117: înflelege în cadrul dinamicii rel
Page 118: Muzeul ca efect secundar sau proble
Page 121 and 122: Tania Bruguera Consummated Revoluti
Page 123 and 124: scena 119
Page 125 and 126: scena Silke Wagner 28.07.1957, neon
Page 127: scena politic, luînd poziflie împ
Page 131 and 132: scena puøi Martha Rosler, John Bal
Page 133 and 134: scena Manifestarea postpoliticului*
Page 135 and 136: scena Beth Campbell Following Room,
Page 137 and 138: scena fiecare element al ei sæ dem
Page 139 and 140: scena Interviuri evocînd luptele p
Page 141 and 142: scena horror øi sci-fi al filmelor
Page 143 and 144: Ex-Privato Interviu cu Francesco Si
Page 145: scena 141
Page 148 and 149: ¬ Daria Ghiu: How did you end up w
Page 150 and 151: Maurizio Cattelan Novecento, collec
Page 152 and 153: Tommy McRae Sketch of Squatters, 18
Page 156 and 157: eading the catalogue and in the wee
Page 158 and 159: galerie 2 Acest insert pentru revis
Page 170 and 171: insert Locuri comune ale tranziflie
Page 172 and 173: Acest proiect a fost finanflat cu s
Page 174 and 175: de masæ, consumerism total, formel
Page 176 and 177: Benjamin este articulat sub forma u
Page 178 and 179: Nu vom mai simfli nimic, nicio opoz
Page 180 and 181: a urca sau pe care nu mai trebuie s
Page 182 and 183: DIGITALIZAREA GLOBALÆ Iar: plonjar
Page 184 and 185: Banalitate (ocultatæ): capitalismu
Page 186 and 187: fit speculativ nelimitat imediat a
Page 188 and 189: ARTELE INVIZIBILE La fel ca øi teh
Page 190 and 191: Sfîrøitul avangardelor øi triumf
Page 192 and 193: popularæ“), decît fiindcæ niø
Page 194 and 195: erotism criptic în care sælæølu
Page 196 and 197: imaginile lor premonitorii anunflî
Page 198 and 199: semnat sfîrøitul din miezul propr
Page 200 and 201: ceilalfli stau la coadæ la intrare
Page 202 and 203: Pentru o artæ alienantæ Vlad Mora
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ca atare, locul unde misterul nu ma
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melodramatice. Argumentele sale se
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olul teatrului este de a distruge a
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13. Vezi Online Etymology Dictionar
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în slujba unui pragmatism al cunoa
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atunci (gîndifli-væ la fel de bin
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dintr-o voinflæ de a considera pro
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cærui obiect. Astfel, proprietæfl
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spune cæ e bine plasat ca s-o øti
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electric) cu nenumæratele sale der
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Twombly = Tiepolo, Warhol = Tintore
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færæ de ajutorul ori examenul a c
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insatisfacflie, aceastæ incertitud
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- El ia figura organicitæflii soci
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Aici, ne vom mulflumi sæ punem în
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cel puflin douæ refuzuri corelativ
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pune la începutul Politicii sale.
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15. V. traducerea româneascæ, op.
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caracteristic lui Dasein. Acela cæ
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„branøæ“, la fel de subit pre
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excelenfla, superioritatea ori valo
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cialismul rousseauist nu e cæ dema
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împotriva burgheziei øi proletari
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atletic, eleganflæ, atracflie erot
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ezumatæ succint de Georg Lukács
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Pîrîøii sînt afaræ, domnii în
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aristocrafli furæ silifli de cætr
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The Brenner Debate: Agrarian Class
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400117 RO Cluj Str. Dorobanflilor,
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400117 RO Cluj Str. Dorobanflilor,
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