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Note:
1. Philip Fisher, Making and Effacing Art: Modern American Art in the Culture of Museums, New York, Oxford University Press, 1991, p. 6.
2. Pentru o istorie a Muzeului Luxemburg, vezi J. Pedro Lorente, Cathedrals of Urban Modernity: The First Museums of Contemporary Art, 1800–1930,
Aldershot, Ashgate Publishing, 1998, capitolul 2.
3. Despre dezvoltarea muzeelor de artæ modernæ în Germania, vezi James J. Sheehan, Museums in the German Art World: From the End of the
Old Regime to the Rise of Modernism, New York, Oxford University Press, 2000.
4. Kirk Varnedoe, „The Evolving Torpedo: Changing Ideas of the Collection of Painting and Sculpture at the Museum of Modern Art, in John Elderfield
(ed.), The Museum of Modern Art at Mid-Century: Continuity and Change (Studies in Modern Art 5), New York, Museum of Modern Art,
1995, pp. 12–73.
5. Brian Goldfarb et al., „Fleeting Possessions“, in Brian Goldfarb øi Mimi Young (eds.), Temporarily Possessed: The Semi-Permanent Collection, catalog
de expoziflie, New York, New Museum of Contemporary Art, 1995, pp. 12–13.
6. Christoph Cherix, „Breaking Down Categories: Print Rooms, Drawing Departments, and the Museum“, in Bruce Altshuler (ed.), Collecting
the New: Museums and Contemporary Art, Princeton, Princeton University Press, 2005, pp. 56–58.
7. Bruce Altshuler, „Instructions for a World of Stickiness: The Early Conceptual Work of Yoko Ono“, in Alexandra Munroe (ed.), Yes Yoko Ono,
New York, Harry N. Abrams and Japan Society, 2000, pp. 64-71, 78–81.
8. Pentru o discuflie despre aceastæ perspectivæ asupra obiectului de artæ, vezi Howard S. Becker, „The Work Itself“, in Howard S. Becker, Robert
R. Faulkner øi Barbara Kirshenblatt-Gimblett (eds.), Art from Start to Finish: Jazz, Painting, Writing, and Other Improvisations, Chicago and London,
University of Chicago Press, 2006, pp. 21–30.
9. Vezi, de pildæ, Claire Bishop, Installation Art, London, Tate Publishing, 2005, pp. 50–54.
10. Daniel J. Sherman, „Quatremère/Benjamin/Marx: Art Museums, Aura, and Commodity Fetishism“, in Daniel J. Sherman øi Irit Rogoff (eds.),
Museum Culture: Histories, Discourses, Spectacles, Minneapolis, University of Minnesota Press, 1994, pp. 126–129.
11. Marcel Duchamp, „The Creative Act“, in Michel Sanouillet øi Elmer Peterson (eds.), Salt Seller: The Writings of Marcel Duchamp, New York,
Oxford University Press, 1973, p. 140.
12. Bruce Altshuler, „Art by Instruction and the Pre-History of do it“, in Hans-Ulrich Obrist, do it, New York, Independent Curators Incorporated,
1997, pp. 21–32.
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