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Ahlam Shibli Goter, 2002/03 b/w gelatine silver print and C-print, courtesy: the artist, Max Wigram Gallery, © Ahlam Shibli Ahlam Shibli Arab-al-sbaih, 2007 b/w gelatine silver print and C-print, courtesy: the artist, Max Wigram Gallery, © Ahlam Shibli Ahlam Shibli Arab-al-sbaih, 2007 b/w gelatine silver print and C-print, courtesy: the artist, Max Wigram Gallery, © Ahlam Shibli 110 Abdoulaye Konaté Gris-Gris pour Israël et la Palestine, 2005, © Abdoulaye Konaté, photo: Katrin Schilling, documenta GmbH
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w artæ + societate / arts + societ
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Aspirafliile celor care ar vrea sæ
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+ (Debord) 129 Spectacolul ca iluzi
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arhiva Nostalgia Antichitæflii øi
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arhiva færæ precizie, prea variat
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arhiva decît împinsæ pînæ la c
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arhiva - trebuie sæ afle în ce mo
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arhiva øi folosul cu totul special
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arhiva (Fig. 9): „Andromeda / fic
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arhiva 26. Michael Maier, Lusus ser
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arhiva 76. Helmut Grötzsch øi Jü
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arhiva Odatæ ce ideea unui muzeu d
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arhiva mare de instalaflii de artæ
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arhiva Istorisirea artei în noul m
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arhiva sæ onoræm cultura burghez
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arhiva vite de artæ. Însæøi ace
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arhiva O revendicare largæ în fav
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galerie 35
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galerie 39
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galerie 43
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Am aflat povestea aceasta în vara
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o întrevedere cu mine. Ulterior, d
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Din pæcate, n-am avut øansa unei
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Nu e nicio problemæ ca ruøii sæ
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O prezentare vizualæ spectaculoas
Page 61 and 62: galerie Nedko Solakov Discussion (P
Page 63 and 64: scena Un spafliu al artei. Tradifli
Page 65 and 66: scena Detail, photo: Studio Protoko
Page 67 and 68: Details, photo: István Bíró scen
Page 69 and 70: scena Yinka Shonibare MBE How to Bl
Page 71 and 72: Neil Hamon Ben Roberts, C-Company,
Page 73 and 74: scena Statelor Unite, dupæ locul l
Page 75 and 76: scena The Biennale has no position
Page 77 and 78: scena specificitate a artei romani,
Page 79 and 80: scena David Lamelas: Time As Activi
Page 81 and 82: scena 79
Page 83 and 84: scena mare acuratefle, curatorul ar
Page 85 and 86: scena cu Giovanni Carmine, curatoru
Page 87 and 88: scena 4.13.81, 1987, Kurfürstendam
Page 89 and 90: Noch Fragen?, 1998, installation, S
Page 91 and 92: scena √ Nu, fiindcæ voiam de la
Page 93 and 94: scena Stammheim, 1984, 300 × 50 cm
Page 95 and 96: scena [Portocala mecanicæ]. Atunci
Page 97 and 98: scena Note: 1. Kurfürstendamm, cun
Page 99 and 100: scena Shoes for Europe, 2002, 16 mm
Page 101 and 102: scena √ Aceste experimente le con
Page 103 and 104: scena ¬ Efectele acestei izolæri
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Page 107 and 108: scena în domeniul artistic øi o l
Page 109 and 110: J. D. ’Okhai Ojeikere Headgear Se
Page 111: scena superficiale, are, într-adev
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Page 117 and 118: scena germane împotriva evreilor.
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Page 131 and 132: + (Debord) Spectacolul ca iluzie ø
Page 133 and 134: + (Debord) 3. Spectacolul: un conce
Page 135 and 136: + (Debord) formula spunînd cæ mun
Page 137 and 138: + (Debord) Nu e necesar sæ insist
Page 139 and 140: + (Debord) au descoperit cæ au o s
Page 141 and 142: + (Debord) bil. Asta e pærerea lui
Page 143 and 144: + (Debord) impune povestea exemplar
Page 145 and 146: + (Debord) Consecinfla unei asemene
Page 147 and 148: + (Debord) înceta sæ o experiment
Page 149 and 150: + (Debord) Teoria criticæ a specta
Page 151 and 152: + (Debord) un ex-situaflionist (car
Page 153 and 154: + (Debord) de iluziile mortificante
Page 155 and 156: + (Debord) Societatea postcomunist
Page 157 and 158: + (Debord) øase luni de cercetæri
Page 159 and 160: + (Debord) liniøtifli lumea cu och
Page 161 and 162: verso: revoluflii în oglindæ (mir
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verso: revoluflii în oglindæ (mir
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IDEA publishing house was born as a
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H.arta: 2008 16 × 23 cm, 124 pag.
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