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O R MS

By: Makela Conte


FORMS & COUNTERFORMS

TABLE OF CONTENTS

By: Makela Conte

Baskerville 4-9

Didot 10-15

Garamond 16-21

Rockwell 22-27

Kabel 28-33

Helvetica 34-39

Gill Sans 40-45



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BASKERVILLE

1750s



Baskerville was created by, John

Baskerville, in Birmingham, England.



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Baskerville is classified as a

transitional typeface, meaning

that it’s style was the stepping

stone from old style typefaces.



yDIDOT

1784–1811

Didot is named after the Didot Family. Specifically

after Firmin Didot and his brother, Pierre Didot.

Didot was originated in Paris, France.



The typeface takes inspiration from John

Baskerville’s experimentation with increasing

stroke contrast and a more condensed armature.



Didot’s classification is known as modern, or Didone. It tends to be

described as neoclassical, and evocative of the Age of Enlightenment.



GARAMOND

1989

This serif face was created by Glaude

Garamond, in France. Garamond first

started out working as an engraver of

punches. The masters used to stamp

matrices, which would be used to cast





This Serif face has had many additions add to it,

and has many variousions. One being the Adobe

Garmamond which was created by Robert Slimbach.



Rockwell

1934

Rockwell was created by the

Monotype company, spearheaded

by Frank Hinman Pierpont,

in Conneticut, USA. However,

Hinman later moved to London.



This slab serif font is versatile, as it is

often mono-weighted tendencies render

it perfectly suitable for headlining and

other applications requiring a steady,bold

typeface.

It was modeled after a 1910 font

called Litho Antique.





KABEL

1927

Created by, Rudolf Koch in Germany.



is used extensively for title and logo work. It is employed

by the NBC network in its logo, possibly its most prominent

and iconic application.

eKabel



hKabel belongs to the “geometric”

style of sans-serifs. Kabel shows

influence from Expressionism as

much as from Modernism.



HELVETICA

1957



Originating in Switzerland,

Helvetica, also known as Neue

Haas Grotesk, is a widely used

sans-serif typeface developed

by Swiss typeface designer

Max Miedinger with input from

Eduard Hoffmann.



Helvetica is a neo-grotesque design, one

influenced by the famous 19th century typeface

Akzidenz-Grotesk and other German and Swiss

designs.



GILL SANS

1928

Originated in London, Gill Sans

was designed by Eric Gill and is a

humanist sans-serif typeface.



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Gill Sans is a humanist sans serif

with some geometric touches in its

structures. It also has a distinctly

British feel.


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