COLETÂNEA BITEC2008-2010 - CNI
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COLETÂNEA BITEC2008-2010 - CNI

COLETÂNEA BITEC2008-2010 - CNI COLETÂNEA BITEC2008-2010 - CNI

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220 COLETÂNEA BITEC 2008-2010HAMILTON, GEORGE E. Oliver Wendell Holmes, his pioneer stereoscope and the later industry. New York: TheNewcomem Society in North America, 1 9 4 9. Disponível em: .Acesso em: 25 jun. 2009.LANGFORD, Michael J. Tratado de fotografia, un texto avanzado para profesionales. 5. ed. Barcelona: Omega,1990.LEAKEY, Richard E. A evolução da humanidade. Tradução Norma Telles. 2. ed. São Paulo: Melhoramentos, 1982.LIPTON, Lenny. Foundations of the stereoscopic cinema, a study in depth. New York: Van Nostrand ReinholdCo., 1982.LOWELL, Ross. Matters of Light & Depth, creating memorable images for video, film & stills through Lighting.Philadelphia: Broad Street Books, 1992.LUTHER, Arch C. Using Digital Video. New York: AP Professional, 1994.MASCHIO, A. V. A estereoscopia: investigação de processos de aquisição, edição e exibição de imagens estereoscópicasem movimento. 2008. 231 f. Dissertação (Mestrado em Desenho Industrial) – UNESP, Bauru, 2008.MATHIAS, Harry; PATTERSON, Richard. Electronic cinematography, achieving photographic control over thevideo image. Belmont: Wadsworth, 1985.MCKAY, Herbert. Three-Dimensional Photography, principles of stereoscopy. New York: American PhotographicPublishing Company, 1953.MENDIBURU, B. 3D Movie making, stereoscopic digital cinema from script to screen. New York: Focal Press /Elsevier, 2009.MENESES, Murilo Sousa de.; CRUZ, André Vieira da.; CASTRO, Izara de Almeida et al. Stereoscopic neuroanatomy:comparative study between anaglyphic and light polarization techniques. Arq Neuropsiquiatr, São Paulo, v. 60,n. 3B, p.769-774. Sep. 2002.MENESES, Murilo Sousa de; CRUZ, André Vieira da; CASTRO, Izara de Almeida; PEDROSO, Ari A. Estereoscopia aplicadaà Neuroanatomia: estudo comparativo entre as técnicas de filtro de cores e de polarização. Arq Neuropsiquiatr,São Paulo, v. 60, n. 3B, p.769-774, 2002. Disponível em: . Acesso em: 12 jul. 2009.OKOSHI, T. Three-dimensional imaging techniques. Academic Press, 1976.

8ª EDIÇÃO 221OLIVEIRA, Lizete Dias de. A arte rupestre no Rio Grande do Sul: semiótica e estereoscopia. In: FUMDHAmentosVII. II Simpósio Internacional. O Povoamento das Américas, p. 469-490, dez. 2006. Disponível em: . Acesso em: 12 jul. 2009.PARENTE, J. I. A Estereoscopia no Brasil 1850-1930. Rio de janeiro: Sextante, 1999.POHLMANN, Ken C. Principles of Digital Audio. 2. ed. Indiana: SAMS, 1990.ROSENTHAL, Alan. Writing, Directing, and Producing Documentary Films and Videos. 2. ed. rev. Cabondale/ Southern Illinois: Un. Press, 1997.UEXKÜLL, Jacob von. A stroll through the worlds of animals and men: a picture book of invisible worlds. Semiotica,[s.l.], v. 89, n. 4, p. 319-391, 1992.UKAI, K.; HOWARTH, P. A. Visual fatigue caused by viewing stereoscopic motion images: background, theories, andobservations. Displays, [S.l.], v. 29, n. 2, p. 106–116, 2008.VIERA, Dave. Lighting for film & eletronic cinematography. Belmont: Wadsworth, 1993.WHEELER, Paul. Digital cinematography. Oxford: Focal Press, 2001.WILSON, Anton. Cinema workshop. 4. ed. Hollywood: A.S.C. Holding Corp, 1983.WINSTON, Brian. Technologies of seeing, photography, cinematography and television. Londres: BFI Publishing,1996.WOODS, A.; DOCHERTY, T.; KOCH, R. Image distortions in stereoscopic video systems. Stereoscopic displaysand applications IV, Proceedings of the SPIE, v. 1915, p. 36-47, San Jose, California, Feb. 1993. Disponível em:. Acesso em: 25 jun. 2009WOODS, A; TAN, S. S. L. Characterizing sources of ghosting in time-sequencial stereoscopic video displays. Stereoscopicdisplays an virtual reality systems IX, Proceedings of SPIE, v. 4660, p. 21-23, San Jose, California, Jan. 2003.Disponível em: . Acesso em: 30 jun. 2009YAGER, Tom. The multimidia production handbook for the PC, Macintosh and Amiga. New York: AP Professional,1993.ZUFFO, Marcelo K. A convergência da realidade virtual e Internet avançada em novos paradigmas de TVDigital interativa. São Paulo: EPUSP, 2001. [Tese de livre docência]

8ª EDIÇÃO 221OLIVEIRA, Lizete Dias de. A arte rupestre no Rio Grande do Sul: semiótica e estereoscopia. In: FUMDHAmentosVII. II Simpósio Internacional. O Povoamento das Américas, p. 469-490, dez. 2006. Disponível em: . Acesso em: 12 jul. 2009.PARENTE, J. I. A Estereoscopia no Brasil 1850-1930. Rio de janeiro: Sextante, 1999.POHLMANN, Ken C. Principles of Digital Audio. 2. ed. Indiana: SAMS, 1990.ROSENTHAL, Alan. Writing, Directing, and Producing Documentary Films and Videos. 2. ed. rev. Cabondale/ Southern Illinois: Un. Press, 1997.UEXKÜLL, Jacob von. A stroll through the worlds of animals and men: a picture book of invisible worlds. Semiotica,[s.l.], v. 89, n. 4, p. 319-391, 1992.UKAI, K.; HOWARTH, P. A. Visual fatigue caused by viewing stereoscopic motion images: background, theories, andobservations. Displays, [S.l.], v. 29, n. 2, p. 106–116, 2008.VIERA, Dave. Lighting for film & eletronic cinematography. Belmont: Wadsworth, 1993.WHEELER, Paul. Digital cinematography. Oxford: Focal Press, 2001.WILSON, Anton. Cinema workshop. 4. ed. Hollywood: A.S.C. Holding Corp, 1983.WINSTON, Brian. Technologies of seeing, photography, cinematography and television. Londres: BFI Publishing,1996.WOODS, A.; DOCHERTY, T.; KOCH, R. Image distortions in stereoscopic video systems. Stereoscopic displaysand applications IV, Proceedings of the SPIE, v. 1915, p. 36-47, San Jose, California, Feb. 1993. Disponível em:. Acesso em: 25 jun. 2009WOODS, A; TAN, S. S. L. Characterizing sources of ghosting in time-sequencial stereoscopic video displays. Stereoscopicdisplays an virtual reality systems IX, Proceedings of SPIE, v. 4660, p. 21-23, San Jose, California, Jan. 2003.Disponível em: . Acesso em: 30 jun. 2009YAGER, Tom. The multimidia production handbook for the PC, Macintosh and Amiga. New York: AP Professional,1993.ZUFFO, Marcelo K. A convergência da realidade virtual e Internet avançada em novos paradigmas de TVDigital interativa. São Paulo: EPUSP, 2001. [Tese de livre docência]

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