arquivo com todos os artigos - Feevale

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KOSTER, Raph. A theory of Fun. Scottsdale: Paraglyph, 2005. LANDOW, George. Teorías del
Hipertexto. Madrid, Paidos, 1997.
LÉVY, Pierre. Cibercultura. São Paulo: Ed. 34, 1999.
MACHADO, Arlindo. A arte no vídeo. São Paulo: Editora Brasiliense, 1988.
MACHADO, Arlindo. Regimes de Imersão e Modos de Agenciamento. XXV Congresso Anual
em Ciência da Comunicação, Salvador/BA, 04 e 05. setembro.2002. MURRAY, Janet. Hamlet on
the Holodeck. São Paulo: Unesp, 2005.
MYERS, D. Computer games genres. New York: Peter Lang, 2003.
NEWMANN, J. The myth of ergodic videogame: some thoughts on player-character
relationships in videogames. London: Routledge, 2002.
PEDERSEN, Roger E. Game design foundations. Texas: Wordware, 2003.
PROPP, Vladimir. Theory and History of Folklore. Ed. Anatoly Liberman. University of
Minnesota: University of Minnesota Press, 1984.
SCHUYTEMA, Paul. Design de games: uma abordagem prática. São Paulo: Cencage Learning,
2008.
SCHLIENER, A. Does Lara Craft wear fake polygons? Gender and gender role subversion in
computer adventure games. Massachussets-London: MIT Press - Leonardo, 2001.
SUTTON-SMITH, Brian. The Ambiguity of Play. Massachussets-London: MIT Press, 2001.
______. Children’s fiction making. In: T. R. Sabin (ed.) Narrative Psychology: the storied nature
of human conduct. New York: Praeger, 1986.
TAYLOR, T.L.. Play Between Worlds. Exploring Online Game Culture. Massachussets- London:
MIT Press, 2006.
TODOROV, Tzvetan. Introdução a Literatura Fantástica. São Paulo: Perspectiva, 1992.
WATERWORTH, J. A. Multimedia interaction with computer: humans factors issues. Londres:
Ellis Howood, 1992.
WARDRIP-FRUIN, Noah & HARRIGAN, Pat. First person shooter. New Media as story,
performance and game. Londres, MIT Press. 2004.
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