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Rastros Freudianos em Mário de Andrade - Universidade Federal ...

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Resumo<br />

A presente tese aborda as relações entre <strong>Mário</strong> <strong>de</strong> Andra<strong>de</strong> – leitor <strong>de</strong> Freud –<br />

e a psicanálise, ou seja, o uso feito pelo escritor <strong>de</strong> conceitos e noções psicanalíticas.<br />

Ao incorporar a psicanálise aos seus estudos sobre o folclore, <strong>Mário</strong> lança mão dos<br />

termos psicanalíticos recalcamento e sublimação, criando uma tradução própria que<br />

recobre, aproximadamente, a extensão <strong>de</strong> tais noções: seqüestro. Além <strong>de</strong>ste termo,<br />

outros três são <strong>de</strong>stacados da obra <strong>de</strong> <strong>Mário</strong> <strong>de</strong> Andra<strong>de</strong> como termos psicanalíticos<br />

e/ou articuláveis com a psicanálise: libido, loucura e inconsciente. Percorrendo as vias<br />

freudiana e lacaniana dos conceitos, <strong>de</strong>stacamos trechos da obra do escritor nos quais<br />

surg<strong>em</strong> os t<strong>em</strong>as <strong>em</strong> questão. A tese <strong>de</strong>senvolve-se <strong>em</strong> duas direções: por um lado,<br />

busca a psicanálise lida e interpretada por <strong>Mário</strong> <strong>de</strong> Andra<strong>de</strong>, e por outro, através da<br />

psicanálise, num exercício crítico, constrói leituras possíveis para alguns dos seus<br />

textos. Este percurso psicanalítico por textos do escritor perfaz o que chamamos <strong>de</strong><br />

rastros freudianos <strong>em</strong> <strong>Mário</strong> <strong>de</strong> Andra<strong>de</strong>.<br />

Abstract<br />

This work studies the relations between Mario <strong>de</strong> Andra<strong>de</strong> – rea<strong>de</strong>r of Freud –<br />

and psychoanalysis, or, in other words, the writer’s usage of psychoanalytical<br />

concepts and notions. When he incorporates psychoanalysis to his studies on folklore<br />

he makes use of the psychoanalytical terms repression and sublimation, thus creating<br />

a translation of his own, with approximately the same extension as these notions:<br />

sequestration. Furthermore, three other terms are marked out in Mario <strong>de</strong> Andra<strong>de</strong>’s<br />

work as psychoanalytical terms and/or akin to psychoanalysis: Libido, Madness, and<br />

Unconscious. Along the Freudian and Lacanian conceptual lines, we single out<br />

passages from the writer’s works where these questions <strong>em</strong>erge. The thesis <strong>de</strong>velops<br />

in two directions: on the one hand, it searches for the kind of psychoanalysis read and<br />

interpreted by Mario <strong>de</strong> Andra<strong>de</strong>; on the other hand, through psychoanalysis, in a<br />

critical exercise, it <strong>de</strong>vises possible readings of some of his texts. This<br />

psychoanalytical path through the writer’s texts makes up what we called Freudian<br />

Traces in Mario <strong>de</strong> Andra<strong>de</strong>.<br />

IV

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