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Curitiba - Centro Brasil Design

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Novíssimos<br />

Novíssimos apresenta 53 produtos das cinco regiões e 13 Estados<br />

de nosso país, concebidos por estudantes ou recém-formados<br />

de 26 instituições de ensino superior de design. Eles formam<br />

um panorama da capacidade criativa de jovens brasileiros na<br />

melhoria do ecossistema e da qualidade de vida das pessoas.<br />

A escolha dos participantes começou com o olhar de 27<br />

profissionais das várias regiões do país, que indicaram<br />

um total de 153 projetos. Esses foram posteriormente<br />

selecionados por uma comissão com representantes de<br />

associações de empresas (ABEDESIGN) e de profissionais<br />

(APD), bem como do <strong>Centro</strong> de <strong>Design</strong> Paraná, além do<br />

convidado especial Nelson Ivan Petzold. Dessa maneira,<br />

resgatou-se parte da metodologia usada nas edições da Bienal<br />

realizadas em <strong>Curitiba</strong>, em 1990 e 1992, democratizando<br />

o processo de escolha de projetos para representar o Bom<br />

<strong>Design</strong> da Universidade <strong>Brasil</strong>eira.<br />

Ivens Fontoura<br />

The Newest of the New<br />

The Newest of the New is presenting 53 products from the<br />

five regions and 13 states of our country, created by students<br />

or recent graduates from 26 design schools. They form a<br />

panorama of the creative capacity of Brazilian youths in the<br />

improvement of ecosystems and peoples’ life quality.<br />

The choice of participants began with the appraisal of<br />

27 professionals from the country’s varied regions, who<br />

recommended a total 153 projects. These were later selected<br />

by a board with representatives from company associations<br />

(ABEDESIGN) and professional associations (APD), as well<br />

as from the Paraná Center of <strong>Design</strong> and special guest Nelson<br />

Ivan Petzold. Thus, part of the methodology used in <strong>Curitiba</strong>’s<br />

editions of the Biennial, in 1990 and 1992, were once again<br />

employed, democratizing the process for choosing projects to<br />

represent the excellent design of Brazilian universities.<br />

Ivens Fontoura<br />

211

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