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Universidade Estadual Paulista UNESP Instituto de Artes UMA ...

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Uma História Íntima do Desenho<br />

Abstract<br />

The present work discusses the process of learning of free hand drawing and, particularly,<br />

the construction of personal languages in this form of expression. Interviews ma<strong>de</strong> with ten<br />

drawers and the reading of texts related to the drawing and its learning are the base upon<br />

which reflective essays are ma<strong>de</strong>, that propose a look at this learning as a personal<br />

experience of each individual person, but with possible references for the un<strong>de</strong>rstanding of<br />

general ways of learning to draw as well as of its pedagogy. Besi<strong>de</strong>s the introduction e the<br />

final notes, this master dissertation has five parts <strong>de</strong>aling with questions as the relation<br />

between drawing and body, the learning by means of the copy of drawings, the pleasure in<br />

the personal construction of languages and the possible role of techniques in the teaching of<br />

drawing, with consi<strong>de</strong>rations on drawing pedagogy and a systematization of the process of<br />

<strong>de</strong>velopment of the author as a teacher of classes of free hand drawing.<br />

Key-words: drawing, drawers, learning, memory, technique, copy, language.<br />

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