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CLÁSSICOS BRASILEIROS BRAZILIAN CLASSICS - Imprensa Oficial

CLÁSSICOS BRASILEIROS BRAZILIAN CLASSICS - Imprensa Oficial

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Brazilian Classics<br />

A selection of authors with works in public domain<br />

72<br />

JOSÉ DE ALENCAR<br />

(1829 – 1877)<br />

José de Alencar was the greatest prose writer<br />

in the Brazilian romanticism, and he is, even<br />

today, the most read fiction author in the<br />

country (Iracema, after 135 years, has having<br />

more than a hundred editions). Lived from<br />

1829 to 1877, he was characterized forever by<br />

determining the lines of force upon the Indianist<br />

novel, which, through the idealization of the<br />

native hero, the Amerind, brought about the<br />

valorization of a mythical origin eagerly accepted<br />

by the nation, as Brazil was in the middle of its<br />

national formation. The scope of Alencar's work,<br />

however, included also other elements; besides<br />

the indianist trilogy (Guarani, Iracema and<br />

Ubirajara), celebrating the unique roots of the<br />

Brazilian landscape and people, he described<br />

both the man and the life in the back country and<br />

remote settlements, feminine profiles, historical<br />

novels, and excellent psychological portraits<br />

of Rio de Janeiro's bourgeoisie. The writer left<br />

also an autobiographical essay, in which he<br />

approached his own work with great refinement<br />

and exemplary acuity.<br />

Review<br />

Main works<br />

Excerpt<br />

Iracema<br />

Andira, elder Andira, drank more blood during<br />

the war than all cauim ever drunk during Tupã<br />

parties by all the warriors who right now provide<br />

the light of his eyes. He saw more combats in<br />

the course of his life, than moons ever denuded<br />

his forehead. How many potiguara skull did<br />

his implacable hand scalped before time pulled<br />

out his first hair? And elder Andira was never<br />

afraid the enemy could step on his parents' land;<br />

but he took pleasure when they came, and felt<br />

youth being reborn in his decrepit body as he<br />

smelled the approach of war; just like the dried<br />

tree blossoms again with the blow of winter.<br />

Tabajara nation is careful. The hatchet must<br />

be retreated before the membi is played in the<br />

party. You may now, lrapuã, celebrate the arrival<br />

of the emboabas, and allow they all come near<br />

our fields. Then Andira promises you the victory<br />

banquet [...].<br />

"Future generations will call it a masterpiece"<br />

"Such is Mr. José de Alencar's book, fruit of his study and meditation, written with feeling and conscience. [...] This book<br />

will live: it embeds in itself the forces that not only withstand time, but also provide full bail for the future. [...] We call it a<br />

poem, without minding whether it is a legend, or a novel: the future generations will call it a masterpiece."<br />

(Machado de Assis, “José de Alencar: Iracema”)<br />

The first great flight of brazilian novel<br />

"It was bestowed upon José de Alencar, our greatest prose writer, to ensure our novel its first great literary flight."<br />

(José Guilherme Merquior, De Anchieta a Euclides)<br />

Cinco minutos (1857); O guarani (1857); A viuvinha (1857); Lucíola (1862); Iracema (1865); As minas de prata (1866);<br />

O gaúcho (1870); Guerra dos mascates (1870); O tronco do ipê (1872); Ubirajara (1874); Senhora (1875); O sertanejo<br />

(1875); Como e por que sou romancista (1893).

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