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CLÁSSICOS BRASILEIROS BRAZILIAN CLASSICS - Imprensa Oficial

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Brazilian Classics<br />

A selection of authors with works in public domain<br />

70<br />

JOAQUIM NABUCO<br />

(1849 – 1910)<br />

One of the most respected speakers during<br />

the latest years of monarchy, a diplomat and a<br />

politician of great prestige, Joaquim Nabuco<br />

pursued, as a literary stylist, the standards of<br />

highest elegance. Both of his two most read<br />

books have a memorialist makeup: Um Estadista<br />

do Império (A statesman of the Empire), a<br />

biography of his father, and Minha Formação<br />

(My own background), where he provides an<br />

account of the course of his own life. However,<br />

he made his debut with a study about Camões<br />

and Os Lusíadas. His vast political work is also<br />

very important, particularly stamped by the fight<br />

for the abolition of slavery. Born in the elite of<br />

the Empire and endowed with a solid European<br />

education, Nabuco died in Washington as the<br />

Brazilian ambassador, an office he had formerly<br />

held in London. A reader of Chateaubriand<br />

and Renan, he wrote a significant portion of<br />

his works in French, which was his second<br />

language. He was good friends with Machado<br />

de Assis, José Veríssimo, Lúcio de Mendonça,<br />

and other renowned contemporary writers,<br />

and was a founding member of the Brazilian<br />

Literary Academy.<br />

Review<br />

Main works<br />

Excerpt<br />

My own background<br />

Nothing in North America gave me any hint of<br />

a possible superiority of its institutions over the<br />

English ones. The moral environment in politics<br />

was doubtlessly much more vicious; the class of<br />

men attracted to politics was inferior, that is, not<br />

the best class in society, as it was in England; on<br />

the contrary, those who are most principled in<br />

the society move naturally away from politics.<br />

The battle is not fought in the field of ideas, but<br />

rather in that of personal reputations; private<br />

lives are openly discussed; battles are fought with<br />

Roentgen rays; the candidates' doors are widely<br />

opened; their houses are openly exhibited Iike in<br />

an auction sale. With such a regimen, subject to<br />

slander summary executions and to Iynching on<br />

the newspapers' gossip columns, it is natural that<br />

all those who feel unfit for a public fighting or for<br />

a performance in a big show will<br />

Distinctively european<br />

"In terms of background, disposition, sociability, he was more o European than a Brazilian. But this was not a privilege of<br />

his. Not a few of our intellectuals share it with him. However, he was distinctively more and more of a European than any<br />

of the others.<br />

(José Veríssimo, História da literatura brasileira)<br />

Limpid, clear, self-confident<br />

"Nabuco is a Brazilian classic, and the work he bequeathed is linked to our land and people, despite the aristocratic<br />

stratum the author never forwent. Very few times prose will have been worked on in our country in the way it was by this<br />

man who brought to literature the tone of his class, obviously, but also his artistic capacity."<br />

(Nélson Werneck Sodré, História da literatura brasileira)<br />

Camões e os lusíadas (1872); Amour et Dieu (1874); O abolicionismo (1883); Balmaceda (1895); A intervenção estrangeira<br />

durante a Revolta (1896); Um estadista do império (1897); Minha formação (1900); Escritos e discursos literários (1901);<br />

Pensées detachées et souvenirs (1906); Obras completas (1947).

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