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CLÁSSICOS BRASILEIROS BRAZILIAN CLASSICS - Imprensa Oficial

CLÁSSICOS BRASILEIROS BRAZILIAN CLASSICS - Imprensa Oficial

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Brazilian Classics<br />

A selection of authors with works in public domain<br />

66<br />

JOÃO DO RIO<br />

(1881 – 1921)<br />

Along with Machado de Assis and Lima Barreto,<br />

Paulo Barreto, a mulatto man, just like the other<br />

two, makes up the best urban prose's trio from the<br />

beginning of the 20th century. This novelist, who<br />

was also a storyteller, a journalist, a playwright,<br />

a chronicler, a lecturer, and an essayist, took the<br />

blending of reporting and literary chronicles to<br />

its last consequences, innovating on the writing<br />

produced at the time. It is not false to say that<br />

the belle-époque Rio de Janeiro was indeed an<br />

invention of this man, who is the best example<br />

of the Brazilian art nouveau literature. His life<br />

and work fuses with the city, whose multiple<br />

aspects he portrayed so well. Attending from<br />

important presidential receptions to spiritualist<br />

congregations in the outskirts of the city, as<br />

well as samba parties in the slums of Rio de<br />

Janeiro, he mingled with the crowd to describe<br />

the routine of the downtrodden people of the<br />

time. In addition to the color of his skin, already<br />

a reason for discrimination, his homosexuality<br />

defied the standards. But he did not become<br />

popular as Paulo Barreto, but rather as João do<br />

Rio, one of his many pen names.<br />

Review<br />

Main works<br />

Excerpt<br />

The enchanted soul of the streets<br />

We were at Núncio Street. My good friend took<br />

me into a bar on the corner with S. Pedro Street.<br />

The wall of the house soon caught my eyes,<br />

forgetting about the noise, the voices, the din<br />

of people in and out of the place. I was before<br />

a great commemorative mural painting. The<br />

painter, surely excited by the outburst of pride<br />

that took us all over when we saw the Central<br />

Avenue, decided to immortalize it by painting it<br />

on the wall, from Ouvidor Street to Prainha. The<br />

conception was grandiose, the subject was vast -<br />

the advent of our progress would be motionless<br />

there forever, as long as Núncio Street remains.<br />

I noticed that Casa Colombo and Primeiro<br />

Barateiro appeared in a neat foreground while<br />

the buildings would little by little, in an airblowing,<br />

fade hastily away.<br />

Master of the lyric disorder<br />

"He was a master of the chronicle, unrivaledly mastering a confusing and illusory, hybrid and fluttering style; a Byzantine<br />

mosaic he turned into sheer work of art, either by the insolence of satire, or by the beautiful Iyric disorder of certain<br />

descriptions ".<br />

(Agrippino Grieco, Evolução da prosa brasileira)<br />

A perfect uniqueness<br />

'One of the most original, independent, brilliant, prolific, and pioneering figures our literature has ever produced."<br />

(João Carlos Rodrigues, João do Rio: uma biografia)<br />

As religiões no Rio (1904); A alma encantadora das ruas (1908); Cinematographo (1909); Dentro da noite (1910); A<br />

profissão de Jacques Pedreira (1911); Psicologia urbana (1911); Vida vertiginosa (1911); Memórias de um rato de hotel<br />

(1912); Pall Mall (1917); A mulher e os espelhos (1919); Rosário da ilusão (1921); Celebridades, desejo (1932).

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