CLÁSSICOS BRASILEIROS BRAZILIAN CLASSICS - Imprensa Oficial
CLÁSSICOS BRASILEIROS BRAZILIAN CLASSICS - Imprensa Oficial
CLÁSSICOS BRASILEIROS BRAZILIAN CLASSICS - Imprensa Oficial
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Brazilian Classics<br />
A selection of authors with works in public domain<br />
30<br />
AUTA DE SOUZA<br />
(1876 – 1901)<br />
A poetess of national prominence, Auta<br />
de Souza published all her poetry in one<br />
single book, Horto. These poems, considered<br />
Romantic with Symbolist traces, were taken<br />
from a carefully kept manuscript, Dhalias. Auta<br />
passed away prematurely at the age of 24, after<br />
having lost her parents and brother, after having<br />
suffered from chronic lovesickness and fought<br />
against tuberculosis during almost one decade.<br />
These events, according to some critics, can be<br />
perceived in her deeply emotional poetry. With<br />
very little formal education, a self-taught Auta<br />
was part of many literary circles and wrote for<br />
papers from various parts of the country, such as<br />
the Gazetinha from Recife, and Rio de Janeiro’s<br />
O Paiz.<br />
Review<br />
Main works<br />
Horto (1900).<br />
Excerpt<br />
Today<br />
Another year today… I want to see<br />
If this suffering that torments me so<br />
Lets me not remember peace, enchantment<br />
The sweet light of my long gone life.<br />
Such a maiden, and martyr! I know not dawn,<br />
Life escapes me with the flowing of tears,<br />
As well as the note of a weeping song<br />
Taken by the all swallowing night.<br />
My soul flies to dreams of a past,<br />
In constant search of a beloved nest<br />
Where I would land full of joy.<br />
But, suddenly, in deathly fear<br />
Fate’s hand halts her flight…<br />
My venture lasted only a lonely day.<br />
The swansong of our sadness<br />
“The Auta de Souza that we know was like a novena perfume brought along with a breath of lyric familiarity. Girl and<br />
maiden, escorted from her house to school, she dissolved herself into verses. She planted a jasmine tree and left a book<br />
of nostalgia which is the songbook of all our sadness.”<br />
(Edgar Barbosa, "A vida breve que foi canção")<br />
The poetry`s love<br />
She wrote verses for the love of poetry in its own sake, a touching love, extremely pure, of poetry, and not something to<br />
showboat or convey a message. She made verses for herself and for those closest to her. (…) And this feeling of absolute<br />
purity is what enchants us the most in her poetry.”<br />
(Alceu Amoroso Lima, preface to [à 3ª edição de Horto])