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CLÁSSICOS BRASILEIROS BRAZILIAN CLASSICS - Imprensa Oficial

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Brazilian Classics<br />

A selection of authors with works in public domain<br />

30<br />

AUTA DE SOUZA<br />

(1876 – 1901)<br />

A poetess of national prominence, Auta<br />

de Souza published all her poetry in one<br />

single book, Horto. These poems, considered<br />

Romantic with Symbolist traces, were taken<br />

from a carefully kept manuscript, Dhalias. Auta<br />

passed away prematurely at the age of 24, after<br />

having lost her parents and brother, after having<br />

suffered from chronic lovesickness and fought<br />

against tuberculosis during almost one decade.<br />

These events, according to some critics, can be<br />

perceived in her deeply emotional poetry. With<br />

very little formal education, a self-taught Auta<br />

was part of many literary circles and wrote for<br />

papers from various parts of the country, such as<br />

the Gazetinha from Recife, and Rio de Janeiro’s<br />

O Paiz.<br />

Review<br />

Main works<br />

Horto (1900).<br />

Excerpt<br />

Today<br />

Another year today… I want to see<br />

If this suffering that torments me so<br />

Lets me not remember peace, enchantment<br />

The sweet light of my long gone life.<br />

Such a maiden, and martyr! I know not dawn,<br />

Life escapes me with the flowing of tears,<br />

As well as the note of a weeping song<br />

Taken by the all swallowing night.<br />

My soul flies to dreams of a past,<br />

In constant search of a beloved nest<br />

Where I would land full of joy.<br />

But, suddenly, in deathly fear<br />

Fate’s hand halts her flight…<br />

My venture lasted only a lonely day.<br />

The swansong of our sadness<br />

“The Auta de Souza that we know was like a novena perfume brought along with a breath of lyric familiarity. Girl and<br />

maiden, escorted from her house to school, she dissolved herself into verses. She planted a jasmine tree and left a book<br />

of nostalgia which is the songbook of all our sadness.”<br />

(Edgar Barbosa, "A vida breve que foi canção")<br />

The poetry`s love<br />

She wrote verses for the love of poetry in its own sake, a touching love, extremely pure, of poetry, and not something to<br />

showboat or convey a message. She made verses for herself and for those closest to her. (…) And this feeling of absolute<br />

purity is what enchants us the most in her poetry.”<br />

(Alceu Amoroso Lima, preface to [à 3ª edição de Horto])

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