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CLÁSSICOS BRASILEIROS BRAZILIAN CLASSICS - Imprensa Oficial

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Brazilian Classics<br />

A selection of authors with works in public domain<br />

104<br />

SÍLVIO ROMERO<br />

(1851 – 1914)<br />

The adjectives usually associated to Silvio<br />

Romero's works are always intensifiers:<br />

magnificent, monumental, giant, imposing,<br />

encyclopedic, etc. It happens that the profuse<br />

character of his intellectual work was at a time<br />

his highest virtue and his worst sin: concerned,<br />

for instance, with defending the Province against<br />

the Portuguese domination, he even attacked<br />

Machado de Assis and Castro Alves, but praised<br />

Tobias Barreto, supporting that Tobias Barreto<br />

was the greatest Brazilian poet and thinker. His<br />

History of the Brazilian literature, of utmost<br />

importance, was the first literature systemization<br />

effort in Brazil. All that was said about the author<br />

holds true in relation to this work: although<br />

erring in being too profuse, he was nevertheless<br />

a true encyclopedia in which our culture is<br />

concerned. But his performance would not be<br />

restricted to literature. He also wrote about<br />

politics, folklore, philosophy, law, and ethnology,<br />

always imprinting on such areas the force of his<br />

passion and the vastness of his knowledge, as<br />

well as his temperament.<br />

Review<br />

Main works<br />

Excerpt<br />

History of Brazilian literature<br />

There is a wall which represents the many<br />

millennia of struggles during which time<br />

humanity acquired all the qualities that are<br />

today mankind markers. Climates become mere<br />

backdrops whilst the ethnic, physiologic and<br />

moral agents come to the foreground. In the<br />

case of our history, the constant factor, over the<br />

four centuries alreody gone by, has always been<br />

the Portuguese. In the transition to Brazilian,<br />

an ethnological element, hybridization, will<br />

account for the phenomenon. Climate is in the<br />

background.<br />

Climate, assumed in its most generic meaning, I<br />

insist, was a brave agent in the formation of races<br />

and autochthonous civilizations.<br />

During the specifically historical times, climate<br />

action still had a role; but no longer significant or,<br />

at least, not as much as the people hybridization<br />

phenomenon.<br />

For thousands of years, climate was able to shape<br />

the prehistoric races and outline present day's<br />

people. But it had such a slow action that it can<br />

hardly be noticed in modern civilizations.<br />

A nationallst criticlsm<br />

"História da Literatura Brasileira (History of Brazilian Literature), by Sílvio Romero, is one of those books that protect the<br />

people against aggression and against discouragement, like fortresses and, at the same time, temples, standing up against<br />

those who disbelieve the national values of culture and attack such values for considering them ruinous or bad."<br />

(Gilberto Freyre, O Cruzeiro)<br />

Literature's giant<br />

"Sílvio's contribution to the literary nationalism is, thus, all the most relevant. The ideas he espoused, determinism and<br />

socialism, helped him develop the nationalist legacy, by disengaging it from the romanticism vague idealistic notions,<br />

and consolidating himself by acquiring more solid doctrinaire foundations. His position brings to a successful conclusion<br />

the transition from romanticism and indianism to an Americanism or Brazilianism, where the Brazilian regions contribute<br />

according to their own peculiar character."<br />

(Afrânio Coutinho, "A Tradição Afortunada")<br />

História da literatura brasileira (1888); Ensaios de sociologia e literatura (1901); Martins Pena (1901); Pinheiro Chagas<br />

(1904); Evolução da literatura brasileira (1905); Outros estudos de literatura contemporânea (1905); O alemanismo no sul<br />

do Brasil (1906); Compêndio de história da literatura brasileira (1906); Discurso (1907); Zeverissimações ineptas da crítica<br />

(1909); Da crítica e sua exata definição (1909); Provocações e debates (1910); Quadro sintético da evolução de gêneros<br />

na literatura brasileira (1911); Minhas contradições (1914).

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