JAARVERSLAG 2008 - Alamire Foundation

Jaarverslag 2008
Appendix: Realisaties & Bibliografie 1991 – 2009
3.1. CATEGORIE 1: BOEKEN EN BIJDRAGEN IN BOEKEN, REPERTORIA EN ENCYCLOPEDIEËN
(INTERNATIONAAL)
GABRIËLS, N., ‘Reading (Between) the Lines: What dedications can tell us.’ in Ignace BOSSUYT, Nele GABRIËLS,
Dirk SACRÉ & Demmy VERBEKE (eds.), “Cui dono lepidum novum libellum?” Dedicating Latin works and motets
in the sixteenth century, (Supplementa Humanistica Lovaniensia 23), Leuven, 2008, p. 65‐80.
MANNAERTS, P., ‘Vrome vrouwen. Zang en devotie bij de cisterciënzerinnen van Herkenrode’in S.
DEBLEECKERE en H. VAN ROYEN (eds.) Hooglied van de cisterciënzers, Hasselt, 2008, pp. 47‐52.
MANNAERTS, P., A Collegiate Church on the Divide: Music and Liturgy at the Church of Our Lady in Tongeren
(10th‐15th C), doctoraatsverhandeling musicologie, Katholieke Universiteit Leuven, 2008
MANNAERTS, P., ‘Adler, Guido’, A. Classen, ed., De Gruyter Handbook of Medieval Studies. Concepts, Methods,
Historical Developments and Trends in Medieval Studies, (de Gruyter Encyclopaedia), Berlijn/New York, 2008.
(aanvaard artikel, verschijnt 2008)
MANNAERTS, P., ‘Authenticity and invention: Composition, distribution and origin of the offices for St. Begga’,
P. MANNAERTS, ed., Beghinae in cantu instructae. Musical patrimony in Flemish beguinages (Middle Ages‐Late
18th C), (Epitome musical), Turnhout, 2008, pp. 51‐78.
MANNAERTS, P., ‘Besseler, Heinrich’, A. CLASSEN, ed., De Gruyter Handbook of Medieval Studies. Concepts,
Methods, Historical Developments and Trends in Medieval Studies, (de Gruyter Encyclopaedia), Berlijn ‐ New
York, 2008.
MANNAERTS, P., ‘Lifting the veil: musical beguinage sources in a European context’, P. MANNAERTS, ed.,
Beghinae in cantu instructae. Musical patrimony in Flemish beguinages (Middle Ages‐Late 18th C), (Epitome
musical), Turnhout, 2008, pp. 230‐38.
MANNAERTS, P., & E. VERCAMMEN ‘Repertory of musical sources from Flemish beguinages: Introduction and
Repertory’, P. MANNAERTS, ed., Beghinae in cantu instructae. Musical patrimony in Flemish beguinages
(Middle Ages‐Late 18th C), (Epitome musical), Turnhout, 2008, pp. 137‐229.
MANNAERTS, P., ‘The Neumes of Adelmans’ Armonice facultatis in the Copenhagen Manuscript (Gl. Kgl. S. n°
1905)’, H. GEYBELS, ed., Adelman of Liège and the Eucharistic Controversy, (Dallas Medieval Texts and
Translations), Leuven: Peeters, 2008.
BOUCKAERT, B. (ed.), Mémoires du chant. Le livre de musique d’Isidore de Séville à Edmond de Coussemaker,
Neerpelt ‐ Lille, 2007, 240 pp. Co‐authors: J. EECKELOO, V. GUÉANT, B. HAGGH, M. HUGLO, Ch. MEYER, D. TOP
et al. (bijdrage B.BOUCKAERT op pp. 15‐16, 21, 31, 44, 82, 87‐89, 93‐95, 99‐100, 106‐109, 112‐114, 123, 131,
159, 169, 183, 189‐193, 197‐201, 207‐220, 223‐238).
MANNAERTS, P., ‘Muziek en muziektheorie in handschriften uit Ten Duinen en Ter Doest’, in Jaarboek
Abdijmuseum Ten Duinen 1138, Novi Monasterii, 6, 2007, pp. 3‐20.
BOUCKAERT, B., ‘La committenza musicale nelle chiese collegiate e parrocchiali di Ghent fra tardo medioeve e
prima epoca moderna’, in D. BRYANT en E. QUARANTA (eds), Produzione, circolazione e consume. Consuetudine
e quotidianità della polifonia sacra nelle chiese monastiche e parrocchiali dal tardo medioeve alla fine degli
antichi regimi, (Quaderni di Musica e Storia, 5), Venezia, 2006, pp. 333‐354.
GABRIËLS, N. en S. TAES,’84. Chansonnier de Zeghere van Male, 1542' in Mémoires du chant. Le livre de
musique d'Isidore de Sévillle à Edmond de Coussemaker, ed. B. BOUCKAERT, Lille ‐ Neerpelt, 2007, pp. 135‐140.
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