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FEITEN OM TE DELEN DIGITALE CONTENTDISTRIBUTIE IN NEDERLANDHelfer, L. R. (2008), The New Innovation Frontier?Intellectual Property and the European Court ofHuman Rights, in: Harvard International Law Journal,Volume 49, number 1, Winter 2008.Hennig-Thurau, T., Henning, V., Sattler, H. (2007),Consumer filesharing of motion pictures, in: Journalof Marketing (artikel postprint), Vol. 70, 2007.Holland Mortimer J., Nosko, C., Sorensen, A.(2010), Supply responses to digital distribution:Recorded music and live performances, Working paper,Harvard University and Stanford University.Holland Mortimer, J., Sorensen, A. (2005), Supplyresponses to digital distribution: Recorded music and liveperformances, Working paper, Harvard University andStanford University.Hong, S. H. (2010), Measuring the effect of Napster onrecorded music sales: Difference-in-differences estimatesunder compositional changes.Huygen, A., Poort, J., Van Eijk, N. (2009), Ups anddowns: Economische en culturele gevolgen van filesharingvoor muziek, film en games, januari 2009,TNO/SEO/IViR.IFPI (2010), Digital Music Report 2010: Music how,when, where you want it.IFPI (2011), Digital Music Report 2010: Music at thetouch of a button.IPSOS (2007), Digital & physical piracy in the UK.IPSOS (2009), Digital Music Survey 2009 (ook bekendals The Net Effect of Illegal File-sharing in the UK).Informa & Spotify (2010), Unlocking the Real Valueof Mobile Music, oktober 2010.International Intellectual Property Alliance (2010),IIPA 2010 Special 301 report on copyright protectionand enforcement.Jain, S. (2008), Digital piracy: A competitive analysis,in: Marketing Science, Vol. 27, No. 4, pp. 610 – 626,juli – augustus 2008.Janssens, J., Van Daele, S., Van der Beken, T.(2009), The music industry on (the) line? Survivingmusic piracy in a digital era, in: European Journalof Crime, Criminal Law and Criminal Justice, Vol. 17(2009), p. 77 – 96.Jupiter Research (2009), Analysis Of The EuropeanOnline Music Market Development And AssessmentOf Future Opportunities.KEA (2006), The economy of culture in Europe, a studyprepared for the European Commission (Directorate-General for Education and Culture), oktober 2006.KEA (2010), Multi-territory licensing of audiovisualworks in Europe, Final report prepared for the EuropeanCommission, DG Information Society and Media.Layton, R., Watters, P. (2010), Investigation into theextent of infringing content on BitTorrent networks,Internet commerce security laboratory, University ofBallarat, Australia.Leenheer, J., Bremer, S., Theeuwes, J. (2008),De economische omvang van het auteursrecht inNederland: Een studie op basis van de WIPO-Guide,Amsterdam: SEO Economisch Onderzoek.Lessig, L. (2004), Free Culture, New York: PenguinBooks.Liebowitz, S. J. (2006), Filesharing, creativedestruction or just plain destruction? In: Journal ofLaw and Economics, vol. XLIX (april 2006).Liebowitz, S. J. (2007), How reliable is theOberholzer-Gee and Strumpf paper on filesharing?,University of Texas School of Management.Liebowitz, S. J. (2008), Testing File-Sharing’s Impacton Music Album Sales in Cities, in: ManagementScience, (4) Vol. 54 April 2008, p. 852 – 859.Liebowitz, S. J. (2010a), The Oberholzer-Gee andStrumpf filesharing instrument fails the laugh test,University of Texas at Dallas - School of Management.Liebowitz, S. J. (2010b), The key instrument inthe Oberholzer-Gee and Strumpf filesharing paper isdefective, University of Texas at Dallas - School ofManagement.116
10 BRONNENLiebowitz, S. J. (2010c), The impact of filesharing onmusic sales, presentatie tijdens Vienna Music BusinessResearch Days 2010.MacAfee (2010), Digital Music and Movies Report: TheTrue Cost of Free Entertainment.Madden, M. (2009), The State of Music Online: TenYears After Napster, PEW Internet.MarkMonitor (2011), Traffic Report: Online Piracyand Counterfeiting, januari 2011.McKenzie, J. (2009), Illegal music downloadsand its impact on legitimate sale, in: AustralianEconomic Papers, Volume 48, Issue 6, pages 296 – 307,December 2009.Nielsen (2009), State of the music industry: Measuringmusic consumption 2009, Nielsen Soundscan.Oberholzer-Gee, F., Strumpf, K. (2007), The effect offilesharing on record sales: An emperical analysis, in:Journal of Political Economy, Vol. 115(1), p. 1 – 42.Oberholzer-Gee, F., Strumpf, K. (2009), Filesharingand copyright, Working paper 9-132, Harvard BusinessSchool.OECD (2009), Piracy of Digital Content.Page, W., Garland, E. (2009), The long tail of P2P, in:Economic Insight, nummer 14, 14 mei 2009.Peck, J., Shu, S. B. (2009), The effect of mere touchon perceived ownership, in: Journal of ConsumerResearch, Vol. 36, No. 3 (oktober 2009), p. 434 – 447.Peeters, R., Yang., M., Herings, P.J.J. (2009), Piracyon the Internet: Accomodate it or fight it? A dynamicapproach.Peitz, M., Waelbroeck, P. (2004), The effect ofInternet piracy on music sales: Cross-sectionevidence, in: Review of Economic Research on CopyrightIssues, 1(2), p. 71 – 79.Peukert, A. (2010), Why do “good” people disregardcopyright law? In: Christophe Geiger (ed.), Criminalenforcement: a blessing or a curse for intellectualproperty?, Edward Elgar Publishing, 2010 (nog tepubliceren).Pollstar (2010), Year End Business Analysis 2010.Rayna, T., Barbier, L. (2010), Fighting consumerpiracy with graduated response: An evaluation ofthe French and British implementations, LondonMetropolitan Business School, in: InternationalJournal of Foresight and Innovation Policy,Vol. 6, No. 4, p. 294 – 314.Rob, R., Waldfogel, J. (2006), Piracy on the high C’s:Music downloading, sales displacement, and socialwelfare in a sample of college students, in: Journal ofLaw and Economics, XLIX (april 2006), p. 29 – 62.Schumpeter, J. (1942), Capitalism, Socialism andDemocracy, New York: Harper & Brothers.Siwek, S. E. (2007), The true cost of copyright industrypiracy to the U.S., IPI Policy Report, nummer 189.Siwek, S. E. (2010), Video games in the 21st century,the 2010 report (USA).SKO (2010), TV in Nederland 2009 - ontwikkelingen inTV bezit en TV gebruik, Amstelveen 29 januari 2010.Smith, M. D., Telang, R. (2009), Competing withFree: The Impact of Movie Broadcasts on DVD Salesand Internet Piracy, in: MIS Quarterly, 33:2,p. 321 – 338.Spahr, W. (2010), German touring: cut and run, in:Billboard, 10 januari 2011.Sydnor, T. D. (2009), Inadvertent filesharingre-invented: The dangerous design of LimeWire 5, in:Progress on Point, Volume 16, issue 14.Stichting Copyright & Nieuwe Media (2010),Downloadverbod zal industrie niet helpen, p. 7.Tanaka, T. (2011), Do illegal copies of movies reduce therevenue of legal products? The case of TV animation inJapan, RIETI Discussion Paper Series 11-J-010 2011.TERA Consultancy (2010), Building a digital economy,The importance of saving jobs in the EU’s creativeindustries.The Economist (2010), Digital economy rankings 2010:Beyond e-readiness.117
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