Feiten om te delen - Considerati

FEITEN OM TE DELEN DIGITALE CONTENTDISTRIBUTIE IN NEDERLANDHelfer, L. R. (2008), The New Innovation Frontier?Intellectual Property and the European Court ofHuman Rights, in: Harvard International Law Journal,Volume 49, number 1, Winter 2008.Hennig-Thurau, T., Henning, V., Sattler, H. (2007),Consumer filesharing of motion pictures, in: Journalof Marketing (artikel postprint), Vol. 70, 2007.Holland Mortimer J., Nosko, C., Sorensen, A.(2010), Supply responses to digital distribution:Recorded music and live performances, Working paper,Harvard University and Stanford University.Holland Mortimer, J., Sorensen, A. (2005), Supplyresponses to digital distribution: Recorded music and liveperformances, Working paper, Harvard University andStanford University.Hong, S. H. (2010), Measuring the effect of Napster onrecorded music sales: Difference-in-differences estimatesunder compositional changes.Huygen, A., Poort, J., Van Eijk, N. (2009), Ups anddowns: Economische en culturele gevolgen van filesharingvoor muziek, film en games, januari 2009,TNO/SEO/IViR.IFPI (2010), Digital Music Report 2010: Music how,when, where you want it.IFPI (2011), Digital Music Report 2010: Music at thetouch of a button.IPSOS (2007), Digital & physical piracy in the UK.IPSOS (2009), Digital Music Survey 2009 (ook bekendals The Net Effect of Illegal File-sharing in the UK).Informa & Spotify (2010), Unlocking the Real Valueof Mobile Music, oktober 2010.International Intellectual Property Alliance (2010),IIPA 2010 Special 301 report on copyright protectionand enforcement.Jain, S. (2008), Digital piracy: A competitive analysis,in: Marketing Science, Vol. 27, No. 4, pp. 610 – 626,juli – augustus 2008.Janssens, J., Van Daele, S., Van der Beken, T.(2009), The music industry on (the) line? Survivingmusic piracy in a digital era, in: European Journalof Crime, Criminal Law and Criminal Justice, Vol. 17(2009), p. 77 – 96.Jupiter Research (2009), Analysis Of The EuropeanOnline Music Market Development And AssessmentOf Future Opportunities.KEA (2006), The economy of culture in Europe, a studyprepared for the European Commission (Directorate-General for Education and Culture), oktober 2006.KEA (2010), Multi-territory licensing of audiovisualworks in Europe, Final report prepared for the EuropeanCommission, DG Information Society and Media.Layton, R., Watters, P. (2010), Investigation into theextent of infringing content on BitTorrent networks,Internet commerce security laboratory, University ofBallarat, Australia.Leenheer, J., Bremer, S., Theeuwes, J. (2008),De economische omvang van het auteursrecht inNederland: Een studie op basis van de WIPO-Guide,Amsterdam: SEO Economisch Onderzoek.Lessig, L. (2004), Free Culture, New York: PenguinBooks.Liebowitz, S. J. (2006), Filesharing, creativedestruction or just plain destruction? In: Journal ofLaw and Economics, vol. XLIX (april 2006).Liebowitz, S. J. (2007), How reliable is theOberholzer-Gee and Strumpf paper on filesharing?,University of Texas School of Management.Liebowitz, S. J. (2008), Testing File-Sharing’s Impacton Music Album Sales in Cities, in: ManagementScience, (4) Vol. 54 April 2008, p. 852 – 859.Liebowitz, S. J. (2010a), The Oberholzer-Gee andStrumpf filesharing instrument fails the laugh test,University of Texas at Dallas - School of Management.Liebowitz, S. J. (2010b), The key instrument inthe Oberholzer-Gee and Strumpf filesharing paper isdefective, University of Texas at Dallas - School ofManagement.116