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FEITEN OM TE DELEN DIGITALE CONTENTDISTRIBUTIE IN NEDERLAND10 Bronnen10.1 LITERATUURLIJSTAdermon, A., Liang, C. Y. (2010), Piracy, music andmovies, a natural experiment, 28 oktober 2010.Altschuller, S., Benbunan-Fich, R. (2009), Is musicdownloading the new prohibition? What studentsreveal through an ethical dilemma, Ethics andInformation Technology 11, p. 49 – 56.Andersen, B., Frenz, M. (2007), The Impact of MusicDownloads and P2P File-Sharing on the Purchase ofMusic: A Study for Industry Canada, mei 2007.Anderson, C. (2006), The Long Tail: Why the Future ofBusiness Is Selling Less of More, New York: Hyperion.Arnoldus, M. (2010), Mediawijs met auteursrecht,Handvaten voor kennisoverdracht over auteursrechtaan jongeren, Stichting Nederland Kennisland,maart 2010.Ashton, R. (2011), From dabblers to fanatics:the UK’s digital diversity revealed in report, in:Musicweek, januari 2011.Automatiseringsgids (2010), Massale overstap opsmartphones, 24 december 2010.Bahanovich, D., Collopy, D. (2009), Music experienceand behaviour in young people, Summer 2009,University of Hertfordshire.Bangma et al. (2011), Digital opportunities for filmdistributors in the Netherlands, TNO.Barker, G., Tooth, R. (2007), A review of “The Impactof Music Downloads and P2P File-Sharing on thePurchase of Music: A Study for Industry Canada”, ANUCentre for Law and Economics, Working paper.Bekkers, R. et al. (2003), Auteursrecht, economischelust of last? Een empirische studie naar de economischeaspecten van het auteursrecht in het Nederlandsemultimediacluster, Dialogic & SEO.Belleflamme, P., Peitz, M. (2010), Digital Piracy:Theory, CESifo Working Paper, nummer 3222.Bellemare, M. F., Holmberg, A. M. (2010), Thedeterminants of music piracy in a sample of collegestudents.Bhattacharjee, S., Gopal, R., Lertwarchara, K,Wardsen, J. Telang, R. (2007), The effect of digitalsharing technologies on music markets: A survivalanalysis of albums on ranking charts, in: ManagementScience, Vol. 53, No. 9, September 2007,pp. 1359 – 1374.BI Norwegian School of Management (2009),Consumer culture in a time of crisis. Blackburn, D.(2004), On-line piracy and recorded music sales, Boston:Harvard University.Bomsel, O., Rainavoson, H. (2009), Decreasingcopyright enforcement costs: the scope of a graduatedresponse, In: Review of Economic Research on CopyrightIssues, 2009, vol. 6(2), pp. 13 – 29.Bounie, D., Bourreau, M., Waelbroeck, P. (2006),Piracy and the demand for films: analysis of piracybehavior in French universities, in: Review ofEconomic Research on Copyright Issues, 2006,vol. 3(2), pp. 15 – 27.BPI (2010), Digital Music Nation 2010, the UK’s Legaland Illegal Digital Music Landscape.Bushong et al. (2010), Pavlovian processes inconsumer choice: The physical presence of a goodincreases willingness-to-pay, in: American EconomicReview 100 (september 2010), p. 1 – 18.Cammaerts, B., Meng, B. (2011), Creative Destructionand Copyright Protection: Regulatory Responses toFile-sharing, Media Policy Brief 1, London School ofEconomics.Canadian Copyright Council (2011), The True Price ofPeer to Peer File-Sharing, Re-examining Don’t blame theP2P file-sharers: the impact of free music downloads onthe purchase of music CD’s in Canada, februari 2011.114
10 BRONNENCentraal bureau voor de Statistiek (2009),Consument koopt graag via internet, 27 oktober 2009.Centraal bureau voor de Statistiek (2009), Slechts7 procent van de Nederlanders heeft geen PC.Clark, C. (1996), The copyright environment for thepublisher in the digital world, Proceedings of the JointICSU-UNESCO International Conference on ElectronicPublishing in Science, UNESCO, Paris, 19 – 23 februari1996.Commissie Gerkens (2009), Auteursrechten: eenrapport, Tweede Kamer, vergaderjaar 2008 – 2009,29 838 en 31 766, nr. 19.Cuevas, R., Kryczka, M., Cuevas, A., Kaune, S.,Guerrero, C., Rejaie, R. (2011), Is content publishingin bittorrent altruistic or profit driven?Danaher, B., Dhanasobhon S., Smith, M. D., TelangR. (2008), Converting pirates without cannibalizingpurchasers: The impact of digital distribution on physicalsales and internet, Working paper.De Cock Buning, M. & Ringnalda, A. (2010),Maatregelen tegen auteursrechtinbreuk doorP2P-filesharing: wat leert het Umfeld ons?, in: AMI2010-1, p. 1 – 11.De Vany, A., Walls, W. (2007), Estimating the effectsof movie piracy on box-office revenu, in: Review ofIndustrial Organization, Vol. 30, p. 291 – 30.Dejean, S. (2009), What can we learn from empiricalstudies about piracy?, in: CESifo Economic Studies,2009, 55 (2), p. 326.Derksen, L., Driessen, J. (2007), Economischbelang van film in Nederland. Waardecreatie in eendynamische sector, Haarlem /Hilversum: HogeschoolINHOLLAND /Filmwereld.Dommering, E. J. (1994), Het auteursrecht spoeltweg door het elektronische vergiet, in: Computerrecht1994 / 3.Domon, K., Lam T. D. (2009), Profitable piracy inmusic industries, in: Review of Economic Research onCopyright Issues, 2009, vol. 6(1), p. 1 – 11.Edström-Frejman, A. (2007), eCommerce rhetoric andreality in the music industry: Estimating the real impactof file-sharing activities on CD-sales, Amsterdam: IOSPress.Elberse, A. (2008), Should you invest in the long tail?,Harvard Business Review, juli – augustus 2008.Elferink, M., Ringnalda, A., De Cock Buning, M.(2009), Auteursrechtinbreuk door P2P filesharing.Regelgeving in Duitsland, Frankrijk en Engeland naderonderzocht.Envisional (2010), Mininova: Assessment ofCopyrighted Torrent Link Removal.Envisional (2011), Technical report: An Estimate ofInfringing Use of the Internet, januari 2011.Forrester Research (2009), Forrester ResearchNetherlands Recorded Music Market Losses Model.Frank N. Magid Associates (2009), IntroducingHollywood’s best customers, Vuze user vs. GeneralInternet: Comparative data.GESAC (2011), Position paper on certain aspectsof collective management of copyright in the singleEuropean Digital Music Market, Brussel, 8 februari.Gillebaard, H., Van den Berg, B., Ongena, G. et.al.(2010), Breedband en de Gebruiker V, Wat doet en wilde Nederlandse internetter anno 2010, onderzoek vanDialogic in opdracht van min OCW, SVDP en UPCNederland, april 2010.Hadopi (2011), Hadopi, biens culturels et usagesd’internet : pratiques et perceptions des internautesfrançais, Dimanche 23 Janvier 2011.Halliday, J. (2011), Spotify hits 1m payingsubscribers, in: The Guardian, 8 maart 2011.Handke, C. (2010), Digital Copying and the Supply ofSound Recordings, Paper for the 16th Internationalconference of the Association for Cultural EconomicsInternational (ACEI), Copenhagen, 9 – 12 juni 2010.Harris Interactive (2010), Digital Music Survey 2010.115
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