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Feiten om te delen - Considerati

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FEITEN OM TE DELEN DIGITALE CONTENTDISTRIBUTIE IN NEDERLAND10 Bronnen10.1 LITERATUURLIJSTAdermon, A., Liang, C. Y. (2010), Piracy, music andmovies, a natural experiment, 28 oktober 2010.Altschuller, S., Benbunan-Fich, R. (2009), Is musicdownloading the new prohibition? What studentsreveal through an ethical dilemma, Ethics andInformation Technology 11, p. 49 – 56.Andersen, B., Frenz, M. (2007), The Impact of MusicDownloads and P2P File-Sharing on the Purchase ofMusic: A Study for Industry Canada, mei 2007.Anderson, C. (2006), The Long Tail: Why the Future ofBusiness Is Selling Less of More, New York: Hyperion.Arnoldus, M. (2010), Mediawijs met au<strong>te</strong>ursrecht,Handva<strong>te</strong>n voor kennisoverdracht over au<strong>te</strong>ursrechtaan jongeren, Stichting Nederland Kennisland,maart 2010.Ashton, R. (2011), Fr<strong>om</strong> dabblers to fanatics:the UK’s digital diversity revealed in report, in:Musicweek, januari 2011.Aut<strong>om</strong>atiseringsgids (2010), Massale overstap opsmartphones, 24 december 2010.Bahanovich, D., Collopy, D. (2009), Music experienceand behaviour in young people, Summer 2009,University of Hertfordshire.Bangma et al. (2011), Digital opportunities for filmdistributors in the Netherlands, TNO.Barker, G., Tooth, R. (2007), A review of “The Impactof Music Downloads and P2P File-Sharing on thePurchase of Music: A Study for Industry Canada”, ANUCentre for Law and Econ<strong>om</strong>ics, Working paper.Bekkers, R. et al. (2003), Au<strong>te</strong>ursrecht, econ<strong>om</strong>ischelust of last? Een empirische studie naar de econ<strong>om</strong>ischeaspec<strong>te</strong>n van het au<strong>te</strong>ursrecht in het Nederlandsemultimediaclus<strong>te</strong>r, Dialogic & SEO.Belleflamme, P., Peitz, M. (2010), Digital Piracy:Theory, CESifo Working Paper, nummer 3222.Bellemare, M. F., Holmberg, A. M. (2010), Thede<strong>te</strong>rminants of music piracy in a sample of collegestudents.Bhattacharjee, S., Gopal, R., Lertwarchara, K,Wardsen, J. Telang, R. (2007), The effect of digitalsharing <strong>te</strong>chnologies on music markets: A survivalanalysis of albums on ranking charts, in: ManagementScience, Vol. 53, No. 9, Sep<strong>te</strong>mber 2007,pp. 1359 – 1374.BI Norwegian School of Management (2009),Consumer culture in a time of crisis. Blackburn, D.(2004), On-line piracy and recorded music sales, Boston:Harvard University.B<strong>om</strong>sel, O., Rainavoson, H. (2009), Decreasingcopyright enforcement costs: the scope of a gradua<strong>te</strong>dresponse, In: Review of Econ<strong>om</strong>ic Research on CopyrightIssues, 2009, vol. 6(2), pp. 13 – 29.Bounie, D., Bourreau, M., Waelbroeck, P. (2006),Piracy and the demand for films: analysis of piracybehavior in French universities, in: Review ofEcon<strong>om</strong>ic Research on Copyright Issues, 2006,vol. 3(2), pp. 15 – 27.BPI (2010), Digital Music Nation 2010, the UK’s Legaland Illegal Digital Music Landscape.Bushong et al. (2010), Pavlovian processes inconsumer choice: The physical presence of a goodincreases willingness-to-pay, in: American Econ<strong>om</strong>icReview 100 (sep<strong>te</strong>mber 2010), p. 1 – 18.Cammaerts, B., Meng, B. (2011), Creative Destructionand Copyright Pro<strong>te</strong>ction: Regulatory Responses toFile-sharing, Media Policy Brief 1, London School ofEcon<strong>om</strong>ics.Canadian Copyright Council (2011), The True Price ofPeer to Peer File-Sharing, Re-examining Don’t blame theP2P file-sharers: the impact of free music downloads onthe purchase of music CD’s in Canada, februari 2011.114

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