“Eigen Rock eerst?” - Poppunt

8. BIBLIOGRAFIE
Wetenschappelijke boeken:
BENNETT, A. (2003), Cultures of Popular Music, Philadelphia: Open University
Press, 194 p.
BRYMAN, A. (2004), Social Research Methods, New York: Oxford University Press.
607 p.
BURKE, P. (2009), Cultural Hybridity, Cambridge: Polity Press, 142 p.
BURNETT, R. (1996), The Global Jukebox. The international music industry,
Londen: Routledge, 171 p.
KRAIDY, M. M. (2010), ‘The Global, the Local, and the Hybrid: A Native
Ethnography of Glocalization’, pp. 351-356 in RITZER, G. & ATALAY, Z. (eds.),
Readings in Globalization: key concepts and major debates, West Sussex: Wiley-
Blackwell, 477 p.
KUPPENS, A. (2008), ‘De globalisering van hip hop. Vlaamse hip hop artiesten
over authenticiteit’, pp. 37-50 in VAN DEN BULCK, H. & DHOEST, A. (eds.),
Media, Cultuur, Identiteit. Actueel onderzoek naar media en maatschappij, Gent:
Academia Press, 152 p.
LIANG, D. (2008), ‘Anglo-American Music Journalism. Texts and contexts’, pp.
333-339 in BENNETT, A. , SHANK, B. & TOYNBEE, J. (eds.), The Popular Music
Studies Reader, London: Routledge, 408 p.
LONGHURST, B. (2008), Popular music & society, Cambridge: Polity Press, 304 p.
LUBBERS, R. F. M. (2000), ‘Sociale cohesie in een tijdperk van globalisering’, pp.
183-192 in NAERT, P. & COPPIETERS, B. (eds.), Globalisering, Tielt: Lannoo, 233
p.
LULL, J. (1992), ‘Popular Music and Communication: An Introduction’, pp. 1-32 in
LULL, J. (ed.), Popular Music and Communication, London: Sage Publications, 247
p.
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