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Summary The Wiesbaden Codex, named after the place where it is currently kept (Wiesbaden, Hessisches Hauptstaatsarchiv, 3004 B 10), is a folio size codex, produced in Flanders around 1410. It contains a collection of some 80 widely divergent Middle Dutch texts – several of which unique – whose sole common denominator is that they qualify as ‘devotional literature’. The miscellany is of a puzzling nature, intensified by the fact that an unmatched collection of discarded pre-Eyckian drawings was glued onto separate leaves, which were then inserted into the codex. The copyists and compilers of the collection do not introduce, let alone name themselves, but they most likely are a group of urban, lay devout people, intent on living a sincere religious life, willing to bypass ecclesiastical authority if it threatened the unfettered pursuit of their spiritual ideals. Apart from mere availability, the choice of texts seems to be have been governed by three spheres of interest: catechetical instruction, apocalypticism, and lay spirituality. The general character of the texts gradually shifts from virtuous and humble to ardently devout and assertive. While scholarly analysis tends to seek coherence in whatever it investigates, it is important on principle to consider ‘chance’ an important factor in the composition of this collection. The rather unprofessional nature of the codex is enhanced by the fact that the collectors take on the roles of scribes and illuminators, with the least qualified copyist ultimately taking on the role of editor-in-chief. His personal touch can be traced throughout the codex as he applies crude decorations and scatters small texts into every available place. A further amateurish feature is the versified, moralistic formulation of lending rules. It suggests that members of the group are themselves the readers of the codex, even though it is uncertain whether the codex ever functioned in the intended way. Thus the defining characteristic of the codex seems to be that it defies all common conceptions and categorizations. None of the obvious expectations are met, and a long list of incongruities can be drawn up. The drawings the codex contains, were never meant to be part of a book and have nothing to do with this manuscript. Even though the book was privately owned, the owners did not commission the book as one would expect, nor was it written by professional scribes. What looks like an institutionally

698 Het Wiesbadense handschrift owned book – either a monastery or a chapter –, was apparently owned by private persons, and they themselves were the scribes. A book whose outer appearance suggests it was meant for serious study or lectio divina, was in fact used for catechetical instruction and private devotion. What looks like a book that was destined to be part of a larger library, probably ended up being a ‘one-volume library’. Due to their nature, many texts would be better placed in a compact, small size book, and are at odds with this bulky codex in folio. The size and lay out of the leaves are markedly uncommon for a book of private reading. With the present critical edition the entire collection of texts in the Wiesbaden Miscellany becomes available for scholarly research. This extra - ordinary collection is of interest to scholars and students of historical literature, ‘medioneerlandici’ as well as mediaevalists, art-historians and theologians.

698 Het Wiesbadense handschrift<br />

owned book – either a monastery or a chapter –, was apparently owned by<br />

private persons, and they themselves were the scribes. A book whose outer<br />

appearance suggests it was meant for serious study or lectio divina, was<br />

in fact used for catechetical instruction and private devotion. What looks<br />

like a book that was destined to be part of a larger library, probably ended<br />

up being a ‘one-volume library’. Due to their nature, many texts would be<br />

better placed in a compact, small size book, and are at odds with this bulky<br />

codex in folio. The size and lay out of the leaves are markedly uncommon<br />

for a book of private reading.<br />

With the present critical edition the entire collection of texts in the Wiesbaden<br />

Miscellany becomes available for scholarly research. This extra -<br />

ordinary collection is of interest to scholars and students of historical<br />

literature, ‘medioneerlandici’ as well as mediaevalists, art-historians and<br />

theologians.

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