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It wurk fan Gysbert Japix n-2 - Tresoar

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established fact. The most important means of dating is presented by the years of appearance<br />

of the publications which served as models for GJ.<br />

4. Historical elements are distinguished through their exceptionality. Whether they<br />

are recognized depends on the degree of exceptionality.<br />

5. By Interpretation I mean an adequate explanation of the meaningof a textin as far<br />

as it can be deduced from the text itself. From the interpretation I exclude the investigation<br />

into the relations of the text to one or more models, to the author's life and<br />

opinions or to society, unless they are demonstrably present in the text.<br />

6. In explaining the genesis I distinguish occasion, dependency of models, anáfunctions.<br />

If the text itself does not contain an indication, one can often only guess at the<br />

occasion. As to dependency of other texts I am concerned with establishing in how<br />

far a text can be explained as the result of an adaptation of one or more texts. With<br />

respect to function I discuss the implicit relations in the text to the author's life and<br />

opinions and to society. The explicit references are treated in section 4 (Historical<br />

elements). In its relation to the author, a text can be either emulation or, more generally,<br />

evidence of literary craftsmanship, or, on the other hand, it can be an expression<br />

of either his personal circumstances or of his political, religious or cultural<br />

opinions. The question whether a text is a reflection of society (as an ideological and<br />

social superstratum dominating literature) draws attention to the demands of that<br />

society, but also to influences of which the author need not be conscious at all or<br />

barely conscious. By social demands I mean the need for literature or for literature of<br />

a particular kind. The need for literature in general, which applies to all literature, is<br />

not discussed here, but the need for literature of a particular kind knows its particularization<br />

with respect to subject, theme or choice for Frisian, for example, and that<br />

is why it is discussed here. Lmconscious influences are not considered here.<br />

Text by text (5.3)<br />

Title (l *lr)<br />

The title consists of a main title with a tripartite subdivision. The criteria for the<br />

subdivision seem to be love as a theme for part I, dialogues about practical subjects<br />

and occasional verse for part II, and psalms and hymns (mainly songs) on events in<br />

the life of Christ for part III. In it we recognize the triad of love, virtue and religion<br />

which Spies has demonstrated for sixteenth and seventeenth Century literature, but<br />

also perhaps the traditional division of literature after Vergil's Bucolics, Georgics and<br />

Aeneid. The main title fits the tradition of calling vernacular poetry after the language<br />

in which it has been written in distinction to (Neo-)Latin collections oîPoemata. Possibly,<br />

the text of the title page was not written before 1658. <strong>It</strong> was occasioned perhaps<br />

by the appearance of the anfhology Klioos Kraam (1656,1657), which included Dutch<br />

poetry of GJ's hand.<br />

d'Authôre to dy Lezzer (I *2r; I 278-279) and three epigrams (I *2v)<br />

The book begins with a pre face in the form of a letter. With respect to its contents, it<br />

is especially a defence against faultfmders. This also applies to two of the three epigrams<br />

which preceding the book proper follow the preface. Could Zoïlus and<br />

wumkes.nl<br />

515

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