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LitNet Akademies Jaargang 9(2), Augustus 2012 intensie, naamlik dié van die Afrikaner-nasionalisme gedurende die eerste helfte van die 20ste eeu in Suid-Afrika. ’n Streng afbakening van en duidelike onderskeid tussen die verskillende terme/konvensies is nie altyd deur die verskillende teoretici gevolg nie. Die oorvleueling van kenmerke (byvoorbeeld gestolde beweging/handeling) veroorsaak ook dat hierdie benamings soms deur skrywers bloot afwisselend gebruik is/word. Die meeste teoretici beklemtoon wel by die tableau vivant die verbintenis van hierdie dramatiese konvensie met die visuele en beeldende kunste. Terwyl die woord tafereel geleidelik binne die Afrikaanse drama- en teaterkonteks beskou begin word as gewoon ’n ander woord vir toneel of episode, het die woord tablo in meer algemene gebruik gekom. Alhoewel mens die Pageant of South Africa as eerste voorbeeld kan noem van waar die gebruik op groot skaal van historiese tablo’s met ’n duidelike nasionalistiese intensie gevind word, het hierdie tipe tablo sy grootste gewildheid beleef tydens die tydperk van die opkoms en vestiging van Afrikaner-nasionalisme in Suid- Afrika vanaf die 1930’s tot die 1950’s. Die gebruik van die sogenaamde dramatiese tablo – veral in die 19de- en vroeë 20ste-eeuse melodrama het ’n baie algemene konvensie geword binne Afrikaanse toneel en word selfs nog vandag algemeen gebruik/gevind (o.a. ook in die populêre subgenre van die televisiesepie!). Bibliografie Barrow, R. 2010. Toga plays and tableaux vivants: Theatre and painting on London’s late- Victorian and Edwardian popular stage. Theatre Journal, 62(2):209–26. Binge, L.W.B. 1969. Ontwikkeling van die Afrikaanse toneel (1832 tot 1950). (Publikasiereeks nr. 29.) Pretoria: Van Schaik. —. 1940. Die Afrikaanse beroepstoneel: ’n Kultuur-historiese studie. Kaapstad: University of Cape Town Press. Bosman, F.C.L. 1980. Drama en toneel in Suid-Afrika. Deel II: 1856–1912. Pretoria: Van Schaik. —. 1928. Drama en toneel in Suid-Afrika. Deel I: 1652–1855. Pretoria: J.H. de Bussy. Botha, M.C. 1952. Die huldejaar 1949. Johannesburg: Voortrekkerpers. Brandt, G.W. (red.). 1993. German and Dutch theatre, 1600–1848. (Theatre in Europe: A documentary history.) Cambridge: Cambridge University Press. Callaway, A. 2000. Visual ephemera: Theatrical art in nineteenth century Australia. New South Wales: University of New South Wales Press. 763
LitNet Akademies Jaargang 9(2), Augustus 2012 Carlson, M. 2004. The haunted stage: The theatre as memory machine. Ann Arbor, MI: University of Michigan Press. —. 1989. The iconic stage. Journal of Dramatic Theory and Criticism, 3(2):3–18. Celliers, J.F.E. 1924. Heldinne van die oorlog: Toneelstuk in vier bedrywe. Pretoria: Van Schaik. Chapman, M. 1996. “Living pictures”: Women and tableaux vivants in nineteenth-century American fiction and culture. Wide Angle, 18(3):22–52. Cohen, M.W. 2006. The komedie stamboel: Popular theater in colonial Indonesia, 1891– 1903. Athens, OH: Ohio University Press. Du Toit, S.J. 1896. Magrita Prinslo, of Liifde getrou tot in di dood: ’n Historiese toneelstuk uit di tyd fan di grote trek. Paarl: D.F. du Toit. Erenstein, R.L. (red.). 1996. Een theatergeschiedenis der Nederlanden. Amsterdam: Amsterdam University Press. Featherstone, A. Tableau vivant. TheOxford Encyclopedia of Theatre and Performance Online. http://www.oxford-theatreandperformance.com/entry?entry=t177.e3837 (16 Maart 2011 geraadpleeg). Fletcher, J. 1994. The story of theatre in South Africa: A guide to its history from 1780–1930. Kaapstad: Vlaeberg. Heck, T.F. 1999. Picturing performance: The iconography of the performing arts in concept and practice. Rochester, NY: University of Rochester Press. Hummelen, W.M.H. 1992. Het tableau vivant, de “toog”, in de toneelspelen van de rederijkers. Tijdschrift voor Nederlandse Taal- en Letterkunde, 108:193–222. Kapp, P.H. 1975. Ons volksfeeste. (Die Afrikaner en sy kultuur.) Kaapstad: Tafelberg. Koch, I. 1997. Het ochtendgloren boven Kaapstad: Nederlandse rederijkers in Zuid-Afrika. Ongepubliseerde doctoraal-skripsie, Universiteit van Amsterdam. Kruger, L. 1999. The drama of South Africa: Plays, pageants and publics since 1910. Londen en New York: Routledge. Laidler, P.W. 1926. The annals of the Cape stage. Edinburgh: William Bryce. Law, J. (red.). 2011. The Methuen drama dictionary of the theatre. Londen: Methuen Drama. McCullough, J.W. 1981. Living pictures on the New York stage. Ann Arbor, MI: UMI Research Press. 764
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