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Klik hier om die volledige joernaal in PDF-formaat af te laai - LitNet

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Abstract<br />

<strong>LitNet</strong> Akademies Jaargang 9(2), Augustus 2012<br />

In<strong>te</strong>grat<strong>in</strong>g articulatory and acoustic phonetics: a framework for the study of vowels<br />

The ma<strong>in</strong> purpose of this research was to develop an <strong>in</strong><strong>te</strong>gra<strong>te</strong>d framework for the<br />

description, analysis and <strong>in</strong><strong>te</strong>rpretation of vowels, which should be applicable first and<br />

foremost to Afrikaans, but also to other languages. This broad applicability is, to a large<br />

ex<strong>te</strong>nt, due to the nature of articulatory and acoustic phonetics. This framework can therefore<br />

be seen as an at<strong>te</strong>mpt to develop a universally applicable descriptive model. Although many<br />

well-writ<strong>te</strong>n works exist which provide detailed discussions on the two types of phonetics, a<br />

c<strong>om</strong>prehensive, <strong>in</strong><strong>te</strong>gra<strong>te</strong>d model such as the one proposed here has not yet been developed.<br />

This article is an at<strong>te</strong>mpt to contribu<strong>te</strong> to the development of such a framework. I focus on the<br />

description of the physical, i.e. the acoustic, charac<strong>te</strong>ristics of vowels, as this facet gives one<br />

the opportunity to provide a wider-rang<strong>in</strong>g and more precise description, which is imperative<br />

when different vowel sys<strong>te</strong>ms are be<strong>in</strong>g c<strong>om</strong>pared. Such c<strong>om</strong>parisons <strong>in</strong>clude those between<br />

the rela<strong>te</strong>d languages Afrikaans and Dutch, but also, and <strong>in</strong> particular, the c<strong>om</strong>parison of a<br />

number of pronunciation varieties of Afrikaans. The lat<strong>te</strong>r is an important aim of this<br />

c<strong>om</strong>prehensive research project, of which this article provides an overview.<br />

In the absence of sufficient artwork, I have made ample use of Dutch works (particularly that<br />

of Rietveld and Van Heuven, 2009), which constitu<strong>te</strong> a c<strong>om</strong>prehensive discussion of the<br />

articulation of vowels. Furthermore, these authors personally made available to me a<br />

c<strong>om</strong>ple<strong>te</strong> set of magnetic resonance imag<strong>in</strong>g (MRI), one for each Dutch vowel. The second<br />

author also provided his sound files of his read<strong>in</strong>g of the vowels <strong>in</strong> the framework h_t. This<br />

was used <strong>in</strong> the development of an onl<strong>in</strong>e <strong>in</strong><strong>te</strong>ractive vowel chart. As can be seen and heard<br />

on this web page, the manner <strong>in</strong> which vowels are formed (articula<strong>te</strong>d) is illustra<strong>te</strong>d<br />

graphically. The pronunciation of vowels is c<strong>om</strong>b<strong>in</strong>ed with these images. An attractive<br />

feature available on this <strong>in</strong><strong>te</strong>ractive chart is the c<strong>om</strong>parison of the tongue and lip stances of a<br />

specific vowel with each of the rema<strong>in</strong><strong>in</strong>g eleven vowels <strong>in</strong> a graphic manner.<br />

The acoustic parame<strong>te</strong>rs under consideration <strong>in</strong> this article are the <strong>te</strong>mporal parame<strong>te</strong>r,<br />

duration and particularly various spectral parame<strong>te</strong>rs. The most important parame<strong>te</strong>rs are<br />

those which refer to the vowel formant frequency parame<strong>te</strong>rs F1, F2 and F3, as well as F0,<br />

which is the fundamental frequency. The bandwidth of vowels is of<strong>te</strong>n neglec<strong>te</strong>d <strong>in</strong> vowel<br />

descriptions <strong>in</strong> general. Nevertheless, I do discuss them here with specific reference to F1.<br />

Other parame<strong>te</strong>rs that are also <strong>in</strong><strong>te</strong>rest<strong>in</strong>g and important for a c<strong>om</strong>prehensive description of<br />

vowels are total <strong>in</strong><strong>te</strong>nsity and the <strong>in</strong><strong>te</strong>nsity that can be measured <strong>in</strong> certa<strong>in</strong> spectral areas (I<br />

<strong>in</strong>vestiga<strong>te</strong> two: those called BF1 and BF2, respectively Band Pass Fil<strong>te</strong>r 1 and Band Pass<br />

Fil<strong>te</strong>r 2). Accord<strong>in</strong>g to my knowledge, the ratio between harmonicity and noise that can be<br />

found <strong>in</strong> vowel waveforms (i.e. harmonicity-to-noise ratio, or HNR) has not yet been used <strong>in</strong><br />

the way <strong>in</strong> which I represent it <strong>in</strong> this research. The lat<strong>te</strong>r may be valuable when study<strong>in</strong>g<br />

emphasis on vowels, be it stress or sen<strong>te</strong>nce accent.<br />

In this article, both acoustic vowel charts and l<strong>in</strong>e graphs are proposed to describe the<br />

acoustic charac<strong>te</strong>ristics of vowels <strong>in</strong> a precise and c<strong>om</strong>prehensive manner. These vowel<br />

charts and l<strong>in</strong>e graphs were derived fr<strong>om</strong> acoustic <strong>in</strong>formation extrac<strong>te</strong>d fr<strong>om</strong> the acoustic<br />

wave form and provided <strong>in</strong> the form of tables. It is <strong>in</strong>dica<strong>te</strong>d that although the use of gra<strong>die</strong>ntrela<strong>te</strong>d<br />

parame<strong>te</strong>rs is not required <strong>in</strong> the case of the short, s<strong>te</strong>ady-sta<strong>te</strong> vowels, the opposi<strong>te</strong><br />

applies to the diphthonged vowels with glid<strong>in</strong>g first and second formants. This aspect of<br />

vowels receives special at<strong>te</strong>ntion. Various methods of approach are illustra<strong>te</strong>d, among others<br />

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