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Download [PDF] Curtains?: The Future of the Arts in America

- COPY LINK DOWNLOAD - ----------------------------------- https://eroowsenin-lovers.blogspot.co.uk/?favorite=B07PNTZTLX ----------------------------------- Curtains?: The Future of the Arts in America In this clearminded but sobering book, Michael M. Kaiser assesses the current state of arts institutionsorchestras opera, ballet, modern dance, and theater companies and even museums. According to Kaiser, new developments in the twentyfirst century, including the Internet explosion, the death of the recording industry, the neardeath of subscriptions, economic instability, the focus on STEM education in schools, the introduction of movietheater opera, the erosion of newspapers, the threat to serious arts criticism, and the aging of the donor base have together created tremendous challenges for all arts organizations. Using Michael Porter’s model of industry structure to describe how industries evolve, Kaiser argues persuasively that unless steps are taken now, midsized performing arts institutions will have all but evaporated by 2035. Only the largest arts organizations will survive, with tickets priced for the very wealthy and programming limited to the most popular and lucrative productions. Kaiser concludes with a call to arms. With three extraordinary decades’ experience as an arts administrator behind him, he advocates passionately for risktaking in programming and more

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Curtains?: The Future of the Arts in America

In this clearminded but sobering book, Michael M. Kaiser assesses the current state of arts institutionsorchestras opera, ballet, modern dance, and theater companies and even museums. According to Kaiser, new developments in the twentyfirst century, including the Internet explosion, the death of the recording industry, the neardeath of subscriptions, economic instability, the focus on STEM education in schools, the introduction of movietheater opera, the erosion of newspapers, the threat to serious arts criticism, and the aging of the donor base have together created tremendous challenges for all arts organizations. Using Michael Porter’s model of industry structure to describe how industries evolve, Kaiser argues persuasively that unless steps are taken now, midsized performing arts institutions will have all but evaporated by 2035. Only the largest arts organizations will survive, with tickets priced for the very wealthy and programming limited to the most popular and lucrative productions. Kaiser concludes with a call to arms. With three extraordinary decades’ experience as an arts administrator behind him, he advocates passionately for risktaking in programming and more

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In this clearminded but sobering book, Michael M. Kaiser

assesses the current state of arts institutionsorchestras opera,

ballet, modern dance, and theater companies and even

museums. According to Kaiser, new developments in the

twentyfirst century, including the Internet explosion, the death

of the recording industry, the neardeath of subscriptions,

economic instability, the focus on STEM education in schools,

the introduction of movietheater opera, the erosion of

newspapers, the threat to serious arts criticism, and the aging

of the donor base have together created tremendous

challenges for all arts organizations. Using Michael Porter’s

model of industry structure to describe how industries evolve,

Kaiser argues persuasively that unless steps are taken now,

midsized performing arts institutions will have all but

evaporated by 2035. Only the largest arts organizations will

survive, with tickets priced for the very wealthy and

programming limited to the most popular and lucrative

productions. Kaiser concludes with a call to arms. With three

extraordinary decades’ experience as an arts administrator

behind him, he advocates passionately for risktaking in

programming and more creative marketing, and details what

needs to happen nowbuilding strong donor bases, creating

effective boards, and collective actionto sustain the performing

arts for generations to come. em em


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