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The Grove, Chandlers Cross.<br />
Introduction <strong>to</strong> the gardens at The Grove<br />
This f<strong>or</strong>mer country house estate, located only 19<br />
miles from the West End in London, has, over the<br />
last 5 years, been rescued from virtual dereliction.<br />
It has been re-invented as a w<strong>or</strong>ld class hotel and<br />
leisure club with a superb golf course laid out by<br />
Kyle Phillips. Bals<strong>to</strong>n & Company were invited <strong>to</strong><br />
redesign and partly res<strong>to</strong>re the dilapidated<br />
gardens. These include a f<strong>or</strong>mal garden, which<br />
f<strong>or</strong>ms the focus of the entire building complex and<br />
a walled garden some distance <strong>to</strong> the n<strong>or</strong>th.<br />
F<strong>or</strong>mal Garden – under 10,000m2<br />
There has been a strong emphasis on achieving a<br />
plan that locked in<strong>to</strong> the interi<strong>or</strong> architecture, which<br />
has been designed with great flair by Martin<br />
Hulbert of Fox-Lin<strong>to</strong>n Associates. Consequently<br />
the old and new dialogue was as imp<strong>or</strong>tant outside<br />
as it has been inside. Picking up on the <strong>or</strong>iginal<br />
18th and 19th century layouts, Bals<strong>to</strong>n & Company<br />
sought <strong>to</strong> create a 21st Century garden that<br />
recognised and built on what had gone bef<strong>or</strong>e and<br />
which made an effective counterpoint <strong>to</strong> room<br />
layouts and character inside. Focal points in the<br />
layout were Nesfield’s Rose Garden dating from<br />
the mid-nineteenth century and the sunken box<br />
garden. These were connected <strong>to</strong> the building with<br />
a rectilinear grid in a precise diamond-cut Y<strong>or</strong>k<br />
s<strong>to</strong>ne. The overlying sinuous paths were<br />
developed from pedestrian desire lines and the<br />
locations of the magnificent trees in the garden.<br />
The Rose Garden has been replanted. Behind the<br />
newly planted box and lavender edging Roses and<br />
Hydrangeas will billow with flower as the garden<br />
matures.<br />
To the south a 137m-long stepped canal was<br />
created which included repeating blocks of<br />
fountains. This drew on the inspiration of the f<strong>or</strong>mer<br />
rectangular pools in the area. At its source<br />
craftsmen in Scotland specialising in whisky stills<br />
commissioned a magnificent copper bowl.<br />
Alongside the canal is a 150m long mixed b<strong>or</strong>der<br />
with raking hedges cut with curving <strong>to</strong>ps, providing<br />
a subtle rhythm of light and shade along the length<br />
of the b<strong>or</strong>der. Carefully chosen planting contrasts<br />
strong textures against the hedges and gives<br />
moving displays of co-<strong>or</strong>dinated colour throughout<br />
the year.<br />
Sculpture has an imp<strong>or</strong>tant place in the w<strong>or</strong>k with<br />
excellent pieces by Nathalie Decoster and Greg<strong>or</strong>y<br />
Ryan. Fruit <strong>or</strong>nament including pears, apples and<br />
walnuts from the Landscape Ornament Company<br />
is scattered around the F<strong>or</strong>mal Garden. The<br />
Landscape Ornament Company also provided the<br />
timber benches.