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habitat rupestre.pdf - Società Friulana di Archeologia

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C. Crescenzithe late XIII century. The left wall, which once was the headof the right aisle, contains the painting of Christ on the throne,painted by a popular hand.On the southern wall of the left side (the original presbytery)there are the paintings of: a Saint Bishop with mitre and pastoralstaff (probably Saint Catald); a triptych with Saint Catherine,Saint Vitus and Saint Lucy in elegant clothes (from theAngevin era). The east wall contains a big Déesis painted by apopular painter (XIV century).The right wall houses a panel with Saint Matthew and SaintGeorge ri<strong>di</strong>ng a horse: painted in the XIII century, this goodquality painting has been ruined by the opening of a smallwindow.A reliquary urn from the VI century was walled up in a niche:it was probably product in Syria, and it is now preserved in theSacristy of the Sanctuary.The “inferior crypt” of the Madonna della Scala. A shortflight of stairs conducts from the pronaos of the Sanctuary toa crypt beneath the church square. The entrance is now walledup; once it leaded to a quadrangular nave with a typical fanshaped plan, for a better <strong>di</strong>ffusion of light, with a surface ofabout 11 square metres.A partition with two lowered arches <strong>di</strong>vided the nave fromthe presbytery; the presbytery is oriented toward east, with aregular plan: it has been partially destroyed by some excavation,and the altar is totally missing. There are no traces offrescoes. Two arches on both sides of the nave give accessto two irregular rooms with the function of side aisles. Theleft aisle is narrower, while the right aisle has two embrasuredwindows, and leads to a small room with an apse.The floor of the nave has two foveae: the left one has an openingwith a 70 <strong>di</strong>ameter, while the right one has an openingwith a 55 cm <strong>di</strong>ameter: they were probably realized for a profaneuse of the crypt.In the small room on the right of the entrance there is a badlypreserved inscription in Lombard fonts: its final part is interpretedas the name D[AITI]PERTI. The crypt has many graffition the walls and of the pillars, though their dating is very<strong>di</strong>fficult.Fig. 17 Unit 3, Madonna della Scala. Sections. (prof. C. Crescenzi. studentscre<strong>di</strong>ts: A. Bagni, V. Fortini, M. Lo Sasso, D. Maccioni, A. Massafra, F.Moretti, G. Pagliacci)Fig. 18-19 Unit 79, Madonna della Scala. Plan and sections; 3D reconstructioninterior view. (prof. C. Crescenzi. students cre<strong>di</strong>ts: A. Bagni, V. Fortini,M. Lo Sasso, D. Maccioni, A. Massafra, F. Moretti, G. Pagliacci)159volumeRicerca_OK_2012-11-15.indd 159 16/11/2012 15:02:51

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