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habitat rupestre.pdf - Società Friulana di Archeologia

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D. CaragnanoAnother interesting scene in the Anonym Crypt is the Ascensionof Elijah: he is leaving his mantle to Elisha. This imageis the prefiguration of the Apostles’ mission, an iconographyknown in Cappadocia since the 5 th century, when it was use<strong>di</strong>n a capital from Pùsatli that is preserved in the ArchaeologicalMuseum of Kayseri 35 .The Ascension of Elijah in some Cappadocian churches isbound to the funerary decoration, as in the Karabulut Kilisesi(Aucillar/Göreme) and in Saint John’s church (Güllü Dere).In the church of Riggio, a couple of Saints is on the right ofthe Ascension of Elijah. They wear Byzantine court dress: theright figure is Potito, a young martyr particularly venerated inBasilicata and Campania.The devotion for a Saint that was not in the Byzantine calendarin<strong>di</strong>cates that the Italo-Greeks venerated some Italian Saints,as Vito, Oronzo and Potito 36 .Notes:1 V. POGGI, 1998, volume 110, n. 110-112, pp. 795-838, part.826-838.2 G. DE JERPHANION, Atti del V Convegno internazionale <strong>di</strong>Stu<strong>di</strong> Bizantini, Roma 1940, pp. 566-599.3 C. D. FONSECA, a cura <strong>di</strong> C. D. Fonseca, Galatina 1981, pp.13-21, part. pp. 14 e 15.4 A. MEDEA, Roma 1939, part. p. 8.5 G. DE JERPHANION, in Archivio Storico per la Calabria e laLucania, 9, 1939, pp. 399-411.6 G. PEERS, in Me<strong>di</strong>eval Art and History, ed. Colum Horihane,Princeton 2010, pp. 84-106.7 T. VELMANS, a cura <strong>di</strong> C. D. Fonseca, Galatina 1986, pp.341-354 e Tavv. XCIV-CIII.8 M. RESTLE, 1967, II, pl. 421-4239 C. JOLIVET-LÉVY, Milano 2001, p. 338.10 L. CAMPANELLI, in Monopoli e il suo passato, n. 5, Monopoli1991, p. 178.11 R. CAPRARA - C. CRESCENZI - M. SCALZO, in Il territorionord del comune <strong>di</strong> Massafra, 1983, pp. 81-86.12 During the Traian Empire, while hunting, a Roman Generalnamed Placidus saw an incre<strong>di</strong>bly beautiful and big deeron a high rock. Placidus shot an arrow, which returned tohim; he stared at the deer, which had a luminous crossbetween the horns, and the figure of Christ upon it said“Placidus, why dost thou persecute me? I am Jesu Christ,whom thou honourest ignorantly. Thy alms be ascended uptofore me, and therefore I come hither so that by this hartthat thou huntest I may hunt thee” Cfr. BIBLIOTECA SANC-TORUM, Istituto Giovanni XXIII nella Pontificia UniversitàLateranense, Roma 1961 e sgg., coll.281-292.13 T. VELMANS, 1985, pp. 19-49;14 N. THIERRY, in Monuments et Mémoires, Fondation E. Piot,72 (1991), pp. 33 -100; C. JOLIVET- LÉVY, in Monuments etMémoires, Fondation E. Piot, 72 (1991), pp. 101-106.15 N. THIERRY, in Monuments et Mémoires, Fondation E. Piot,72 (1991), pp. 33 -100; C. JOLIVET- LÉVY, in Monuments etMémoires, Fondation E. Piot, 72 (1991), pp. 101-106.16 C. JOLIVET-LÉVY, Milano 2001, p. 334.17 T. VELMANS, Milano 2009, p. 5018 N. THIERRY, in Mélanges de l’Ecole Française de Rome.Moyen-Âge, Temps modernes T. 110, n. 2. 1998. pp. 867-897, part. p. 893. A reproduction is in: N. THIERRY, a cura <strong>di</strong>Fig. 17 Grottaglie (Ta), Crypt of the Saviour, Praying Virgin.Fig. 18 Parigi, bibliothèque Nationale, Cabinet des mèdailles - Mint of Constantinople,Coin of Leo VI.Fig. 19 Archaeological Museum of Kayseri, from Pùsatli, Decorated capitalwith the Ascension of Elijah the Prophet.71volumeRicerca_OK_2012-11-15.indd 71 16/11/2012 15:01:28

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