Music-selling in seventeenth-century Rome: three ... - Patrizio Barbieri

Music-selling in seventeenth-century Rome 157Scotto, 1569, heir 1585; bk 3: *; bk 4: Ang.Gardano, 1581, 1588][128] 1. – p.° a 6, sc. 0.15 [Claudio da Correggio,1569; Scotto, 1570, heir 1574, 1582;Ang. Gardano, 1592][129] 1. – 2°, 3°, 4°, 5°, 6°, 8°, 9° a 6, sc. 1.05[bk 2: Scotto, 1569, 1571, heirs 1576, 1582;bk 3: Ang. Gardano 1576, 1585; bk 4: id.1580, 1592; bk 5: id., 1584; bk 6: id., 1591;bk 8: id., 1594; bk 9: *][130] 2. – p.° a 5, sc. 0.27 [Roma, Dorico,1554; Scotto, 1560, 1570, heir 1576, 1580][131] 1. – 3°, 4° a 5, sc. 0.12 [bk 3: Scotto,1570, 1573, heir 1578, 1580, 1581; bk 4:Scotto, 1571, heir 1576, 1581][132] 1. – 6° a 5, sc. 0.12 [Ang. Gardano, 1575,1588][133] 1. – 7° a 5, sc. 0.12 [Ang. Gardano, 1578,1583][134] 1. – 8° a 5, sc. 0.12 [Scotto heir, 1580,1586][135] 1. – 9°, xi°, xii°, sc. 0.36 [ bk 9: Scottoheir, 1580; bk 11: Ang. Gardano, 1586; bk12: id. 1587][136] 1. – xiiii°, xv°, sc. 0.30 [bk 14: Ang. Gardano,1590; bk 15: id., 1592][137] 1. – xviii°, xviiii°, sc. 0.27 [bk 18: *; bk19: Ang. Gardano, 1598][138] 2. Frà Anselmi Fati [Anselmo Fazio]mott. a 5, sc. 0.20 [Sacrarum cantiorum quinisvocibus …, Palermo, ca. 1596][139] 1. Fantoni compiete a 8, sc. 0.12 [**][140] 1. – salmi a 4, sc. 0.15 [**; ? Falconi:Brescia, Sabbio, 1579][141] 2. Gemma musicale fl., sc. 0.30 [in–4°:Nürnberg, C. Gerlach, 1588, 1589, 1590][142] 1. Galileo dialoghi fl., sc. 0.60 [in–4°:Firenze, Marescotti, 1581; Firenze, Giunti,1602][143] 1. Gio. Macques madrig. a 6, sc. 0.10[bk 1: Ang. Gardano, 1576; bk 2: id., 1582,1589][144] 1. – 2°, 5°, 6° a 5, sc. 0.39 [bk 2: G.Vincenti, 1587; bk 5: *; bk 6: Magni, 1613][145] 1. Giaches de Vert canzonette a 5, sc.0.12 [Ang. Gardano, 1589][146] 2. – madrig. p.° a 5, sc. 0.24 [Scotto,1558, 1561; Ant. Gardano, 1564, sons 1571,Ang. Gardano 1583][147] 1. – 2° a 5, sc. 0.12 [Scotto, 1561; Ant.Gardano, 1564; Ang. Gardano, 1575, 1596][148] 3. – 3° a 5, sc. 0.36 [Ant. Gardano, 1563,1566, sons 1572; Ang. Gardano, 1592][149] 1. – 4°, 9° a 5, sc. 0.27 [bk 4: Ant. Gardano,1567, 1568; Ang. Gardano, 1583; bk 9:Ang. Gardano, 1588][150] 2. – x° a 5, sc. 0.24 [Ang. Gardano, 1591][151] 1. – xi°, xii° a 5, sc. 0.27 [bk 11: Ang.Gardano, 1595, 1600; bk 12: *][152] 14. G. Luca Conforti salmi, sc. 2.10 [?Roma, Muzi heirs, 1601–03; Ang. Gardano& brothers, 1607; Gardano-Magni,1618][153] 1. Gio. Gabrielli sinfonie a 10. sc. 0.50[?][154] 1. – sinfonie a 8, sc. 0.20 [?][155] 1. Gastoldi balletti a 3, sc. 0.10 [Amadino,1594; sev. edns Antwerpen, Nürnberg,Venezia, 1600–1628][156] 2. – offitio de morti a 4, sc. 0.24 [Amadino,1607][f. 301v][157] 2. Gastoldi compiete a 6, sc. 0.30 [?Completorium perfectum …. Quaternis vocibus,liber secundus, bk. 1: Amadino, 1589; bk.2: Amadino, 1597][158] 1. Girolamo Belli madrig. 8° a 5, sc. 0.15[*][159] 1. – messe a 5, sc. 0.15 [*][160] 1. Ieronimo Iacobi [Girolamo Giacobbi]mott. a 5, sc. 0.15 [? Motecta multiplicivocum numero concinenda liber primus …, A.Gardano, 1601][161] 3. G. M. a Nanino madrig. pr.° a 5, sc.0.45 [Ang. Gardano, 1579, 1582, 1605][162] 1. – mott. a 3, sc. 0.10 [Ang. Gardano,1586][163] 1. Ingegneri mott. a 8, sc. 0.20 [?][164] 1. – messe a 5, sc. 0.15 [Amadino, 1587]