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Music-selling in seventeenth-century Rome: three ... - Patrizio Barbieri

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156 <strong>Patrizio</strong> <strong>Barbieri</strong>[87] 2. Bellanda canzonette a 3, sc. 0.20[Amad<strong>in</strong>o, 1593][88] 1. Bellarm<strong>in</strong>o [Simone Balsam<strong>in</strong>o] madrig.a 6, sc. 0.15 [Amad<strong>in</strong>o, 1594][89] 2. Borzaro [Borsaro] magnificat a 4, sc.0.24 [*][90] 1. – Prò defunctis a 8, sc. 0.7½ [Amad<strong>in</strong>o,1608][91] 1. Baccusi messe a 5, sc. 0.15 [?][92] 1. [Giovanni] Boschetti madrig. a 5, sc.0.15 [Roma, Robletti, 1613][f. 300v][93] 1. Cifra mott. a 4, sc. 0.10 [Roma, Robletti,1620][94] 2. – p.° a 2, 3, sc. 0.10 [G. V<strong>in</strong>centi, 1609,1610, 1611, 1614, Roma, Robletti, 1620][95] 1. – 2°, 6° a 2. 3, sc. 0.15 [bk 2: Roma,Robletti, 1609, 1610, 1620; G. V<strong>in</strong>centi,1610, 1611, 1614; bk 6: Roma, Robletti,1613][96] 1. – 5°, sc. 0.05 [Roma, Robletti, 1612; G.V<strong>in</strong>centi, 1616; Roma, Soldi, 1620][97] 2. – 8°, sc. 0.15 [Roma, Robletti, 1615;Roma, Soldi, 1615][98] 1. – salmi a 4, sc. 0.10 [?][99] 3. – letanie a 8, sc. 0.45 []Roma, Robletti,1613][100] 3. Chiozzotto [Giovanni Croce] cantilenea 4. 5, sc. 0.45 [*: known only ‘a 3.5. 6. voci’][101] 1. – lamentat., sc. 0.7½ [?][102] 1. – Triaca a 5, sc. 1.85 [G. V<strong>in</strong>centi, 1595,1596, 1607][103] 1. Compiete Or<strong>in</strong>dio Bartol<strong>in</strong>i a 8, sc.0.10 [Magni, 1613][104] 1. – Milleville, sc. 0.11 [?][105] 1. Canzonette Giulio del Nero [delNegro], sc. 0.15 [only known: bk 2: Ang.Gardano & brothers, 1607; bk 3: Raveri,1607][106] 2. – p.° a 3, sc. 0.22 [*][107] 2. – di diversi a 3, sc. 0.20 [Amad<strong>in</strong>o,1587, 1589, 1594][108] 1. – Amorose faville, sc. 0.15 [?][109] 1. – Gasparo Fic<strong>in</strong>o [Fior<strong>in</strong>o], sc. 0.15[only known: bk 2: Gardano 1574; bk 3:Scotto heir, 1574][110] 2. Cipriano madrig. spartiti fl., sc. 0.24[Ang. Gardano, 1577][111] 1. – madrig. p.°, 2° a 5, sc. 0.20 [bk 1:Ant. Gardano, 1544; sev. edns Venezia1552–93; bk 2: *][112] 1. – 3°, 4° a 5, sc. 0.22 [bk 3: Ant. Gardano,1552; sev. edns Venezia 1557–93; bk4: Ant. Gardano, 1557, 1563, 1580; Scotto,1562][113] 1. – p.° a 4, sc. 0.10 [Ferrara, Buglhat &Hucher, 1550; sev. edns Venezia 1551–90][114] 1. Conversi canzon. a 5, sc. 0.10 [Scotto,1572; Scotto heir, 1573, 1575, 1580, 1585,1589][115] 1. Casali mott. a 8, sc. 0.10 [Ang. Gardano,1605][116] 1. Damasceni [Damasceno] concerti a2. 3, sc. 0.10 [*; see I: 75][117] 1. [Francesco] Eredi madrig. a 5, sc. 0.15[Amad<strong>in</strong>o, 1600][118] 1. Gio. Ferretti canzon. a 5, sc. 0.12 [?][119] 2. Dragoni mott. a 5, p.°, 2°, 3°, sc.0.20 [‘prima, secunda, tertia pars’: Roma,Muzi, 1600][120] 1. – canzonette a 4, sc. 0.10 [*][121] 1. F<strong>in</strong>etti salmi a 8, sc. 0.20 [Ang. Gardano& brothers, 1611][122] 2. – concerti a 4, sc. 0.25 [Ang. Gardano& brothers, 1612; Gardano-Magni, 1618][123] 1. – concerti a 2, sc. 0.10 [Antwepen, P.Phalèse, 1621][124] 1. – salmi a 3, sc. 0.15 [Gardano-Magni,1614, 1618][f. 301r][125] 1. Filipo de Monte p.° a 6, sc. 0.10[Claudio da Correggio, 1569; sev. edns Venezia1570–82][126] 1. – 5° a 5, sc. 0.12 [Ant. Gardano sons,1574; Ang. Gardano, 1592][127] 1. – p°, 2°, 3°, 4° a 4, sc. 0.48 [bk 1: Ant.Gardano, 1562; Scotto heirs, 1586; bk 2:

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