Music-selling in seventeenth-century Rome: three ... - Patrizio Barbieri

Music-selling in seventeenth-century Rome 155[34] 1. – Marentio 2°, sc. 0.15 [?][35] 2. Compiete Giulio Belli, sc. 0.20 [Ang.Gardano, 1605; Raveri, 1607][36] 2. Mott. Burlini, sc. 0.20 [?][37] 1. Laude P. Soto leg., sc. 0.15 [?][38] 1. Vesperi Asola 3 chori fl., sc. 0.40 [Amadino,1590][39] 3. – a 8, sc. 0.90 [Scotto heir, 1574; sev.edns 1582–1608][40] 4. – a 4, sc. 0.50 [Ang. Gardano, 1578; sev.edns 1582–98][41] 3. – offitio de morti, sc. 0.45 [Vincenti &Amadino, 1586; sev. edns 1588–1610][42] 1. – introiti a 4, sc. 0.20 [?][43] 5. – mott. a 2, sc. 0.35 [Amadino, 1600][44] 1. – vergini a 3, sc. 0.10 [bk 1: Ant. Gardanosons, 1571; sev. edns 1576–1607; bk 2:G. Vincenti, 1587, 1603][45] 1. – messe a 5. 6, sc. 0.25 [?][46] 4. – messe a 4, sc. 0.48 [?][47] 1. Asprilio [Pacelli] mott. a 8, sc. 0.30[Roma, Muzi, 1597; Frankfurt, Stein,1607][48] 1. Arnoni mott. a 5, sc. 0.15 [only knownbk 2: Milano, Tini & Besozzi, 1599][49] 1. Apolloni madrig. a 5, sc. 0.15 [*][50] 1. Ant. o il Verso villanelle 7°, sc. 0.12 [*][51] 3. – mott. 2° a 2, sc. 0.30 [*][52] 1. [Giov. Franc.] Anerio letanie a 8, sc.0.30 [Roma, B. Zannetti, 1611][53] 2. – mott. a 5. 6, sc. 0.50 [?][54] 1. – salmi a 3, sc. 0.20 [Roma, Robletti,1614][55] 1. – mott. 2°, 3°, 4°, sc. 0.45 [bk 2: Roma,B. Zannetti, 1611; Amadino, 1612; bk 3:Roma, Robletti, 1613, 1620; bk 4: Roma,Robletti, 1617][56] 2. – Rime sacre, sc. 0.30 [Roma, Robletti,1620][57] 1. – mott. 1°, sc. 0.7½ [Roma, Robletti,1609][58] 1. Anton Coma salmi a 5, sc. 0.15 [Amadino,1606][59] 1. – messe a 5, sc. 0.15 [?][60] 1. – mott. a 2. 3, sc. 0.12 [?][f. 300r][61] 1. Aless. o Grandi mott. pr.°, sc. 0.20 [G.Vincenti, 1610, 1617, 1618; A. Vincenti,1621][62] 1. – a 5, sc. 0.20 [Ferrara, Baldini, 1614;Gardano-Magni, 1620; A. Vincenti, 1620][63] 1. Arte contrapunto Artusi fl., sc. 0.25 [*‘in folio’][64] 2. Adrian Banchieri messe a 8, sc. 0.40[Amadino, 1599][65] 1. – Cartellina, sc. 0.05 [del canto fermo: A.Vincenti, 1614; musicale: G. Vincenti, 1615][66] 1. – salmi a 4, sc. 0.12 [Amadino, 1613][67] 1. – sinfonie a 4, sc. 0.12 [Amadino, 1607][68] 1. – canzonette a 3, sc. 0.10 [Amadino,1597][69] 1. [Giovanni] Animuccia madrig. a 4, sc.0.12 [Ant. Gardano, 1547][70] 1. Alessandro Savioli madrig. a 5, 5°, sc.0.15 [*][71] 2. Antegnati Canzon. da sonare a 4, sc.0.20 [*][72] 1. – messe a 3 chori, sc. 0.30 [Ang. Gardano,1603][73] 1. Anton Savetta mott. a 8, sc. 0.20 [*][74] 1. Arie Iacomo Peri fl., sc. 0.15 [?][75] 1. – Pesarino [= Bartolomeo Barbarino]p.°, 2°, sc. 0.20 [bk 1: Amadino, 1606; bk2: id., 1607][76] 1. – [Domenico] Maria Melli fl., sc. 0.10[?][77] 1. – Conte Cesena [G.B. Biondi] fl., sc.0.10 [?][78] 1. – [Pietro] Benedetti fl., sc. 0.10 [?][79] 1. – Marinoni, sc. 0.10 [?][80] 1. – Rari fl., sc. 0.15 [**][81] 3. – Melli fl., sc. 0.20 [?][82] 1. – D. Marino [? Biagio Marini], sc.0.12½ [Gardano-Magni, 1620][83] 1. – Vitali fl., sc. 0.10 [?][84] 1. – Sigismondo d’India fl., sc. 0.20 [?][85] 2. – Ieronimo Iacobi [Girolamo Giacobbi],sc. 0.15 [?][86] 1. Barthei mott. a 5, sc. 0.15 [*]